24 FA Portfolio

Page 1

Co-EXIST-ence

SELECTED PROJECTS 2021-2023

Yiming Liu

共 存

CONTENTS

"CO-EXSIT” has its origins in the Latin words "con-" (together) and "vivere" (to live), which form the Latin word "coexistere", meaning "to exist together" or "to be together". It first appeared in Latin during the Middle Ages and was later introduced into English and many other languages. The topic of coexistence has always been a natural phenomenon, whether or not human beings have appeared.

In the West, the Western philosopher Aristotle saw the establishment of a POLIS as the embodiment of coexistence, and Kant proposed universal law and human dignity as the realization of rational and free coexistence. In the East, although the word coexistence does not appear in ancient texts, harmony, mediocrity, and Golden Mean are manifestations of coexistence in Eastern philosophy.

Today, we still need to discuss coexistence. It is a topic that goes hand in hand with existence, individual existence and collective coexistence, and instead of death being the only means of recognizing existence, understanding coexistence would seem to break that only.

CEMETERY URBANISM

the last day when the tomb was dismatled

Spring 2023 | Junior Studio | instr. Luo Le

CONDENSING LIVING

are you gonna work out with me?

015

Spring 2022 | Sophomore Studio | indenpent stydy

The Shape of Shadow

how to construct a shade-providing/wind-resistant/large-span/light-weight/low-cost shed

002

STILL STANDING

Non-Place

Fall 2023 | Junior Studio | instr. Luo Le

021

011

Summer 2023 | Construct Practice | instr. Chen Donghua

OTHER WORK

028

Formal Analysis, Concrete Physical Model, Maison de Verre Physical Model, Collages, Posters

001

CEMETERY URBANISM

"the last day when the tomb was dismantled"

2023.02-2023.06

Course: ARCH 3106 STUDIO | Instructor: Luo Le Collabora�ve projects: research, space design, technical drawings

Before one could grasp death, it is important to be able to ar�culate the status quo within the historical, cultural, as well as social-economical, and social-political fabric of the world.It also challenges the constructed transitory nature of death in the modern world, where we in essence have to choose between two forms of death-making, that of the citizen of that of the private individual. Whether it is the death of a ci�zen or an individual, tombstones are proof of existence

However, in the face of the wave of urbaniza�on in China, tombstones have been pushed down, submerged, moved and perished countless �mes. In Wenzhou, a coastal region of China where family, culture, and religion are highly valued, there is simultaneous rapid economic and urbaniza�on. Tombstones con�nue to be neglected, and mountains full of them can disappear in just one night.

When death is inevitable, can the gravestones, the last ves�ge of dignity, only disappear in the face of the cold, icy machinery of urbaniza�on? The project hopes to find a new coexistence through theore�cal research - site inves�ga�on - design.

002
rendering

Decomposition of the Body, Bios and Zoe

Bios and Zoe are what the ancient Greeks used to describe 'life.'

Zoe refers to organic life. Organic life, in a simple way, can be defined as a scien�fic defini�on of what life is, or the existence of the ability of life, and only this, and not of what type/quality of life. The loss of Zoe, of organic life, through observing each step of decomposi�on, a ritualis�c prac�ce exists to counter the effects of this decomposi�on. While evolving into something mys�cal and religious, these rituals and prac�ces are also a way to preserve the poli�cal existence of the person who just died. This poli�cal existence can then be linked to the idea of bios. Even in death, being afforded the ritual of funeral and burial it is a recogni�on of the existence of poli�cal life within the individual.

Bios are the essence of life, the manner of life, what type of life, how life is lived, and the poli�cal func�on of life(the poli�cal life). In this defini�on, poli�cs is not what we see as a 'spectacle of poli�cs,' which includes processes like vo�ng or the membership of a poli�cal party. Instead, a 'poli�cal life,' understood fundamentally, means a person/life par�cipa�ng in society and its development.

putrefac�on

pallor mor�s

burst

rigor mor�s

blood gather

"giant view"

highly decomposed

black patches

subcutaneous adipose

algor mor�s

local drying livor mor�s

skeletoniza�on corilage phenomenon immunocyte oxygen weight anaerobion anaerobion ma�er cadaverine nutrient substance

corneal turbidity

After death,the blood begins to sink under gravity. The skin became even paler.

As the body dies, the cells in the body begin to die, and the immune system becomes zes for a permanent time.In the process of bacterial reproduction, the human body will produce lot of gases, which will overflow from the mouth,nose or anus.

The muscles will gradually become stiff, and the joints will become fixed. And spread from the local to the whole body within 4-6 hours.

As the metabolism ceased, the carcass gradually decreased to coincide with the ambient temperature.

As the body's blood gathers down to the bottom, or male’s body, because men have a penis, withthe pressure of the blood, The penis of the body will become erect.

About three weeks after the death, the hole inside the body began to burst, and the nails and teeth began to fall out.

As the corruption gas increased, the limbs and the whole body began to swell. This is the famous "giant view" phenomenon. At this point, the body will begin to spill away from its excrement. A month after the death, the body was highly decomposed, when was impossible to identify the face, and the body was completely black or liquefied.

With further decay, black patches appear inside the body, and the body expands to the extreme.

In summer, body weights are reduced faster, with neonatal bodies being reduced faster than adult bodies.Due to the evaporation of the water and the reduction of the weight, the body was various locally dried.

Two hours later, the blood constantly deposited below the body, and dark red and purple marks began to appear on the skin.

About 6-12 hours after death, corneal turbidity will occur. At this time, the dead's cornea began to become inactive.

Body wax refers to the dirty yellow and white wax substance formed by subcutaneous adipose tissue after saponification or hydrogenated under special environment.

Six months or a year after death, the body becomes a white skeleton as the skin and muscles all down.

Forty-eight hours after death, the body grew and the body began to swell. In severe cases, dead bodies can even burst.

swell Corilage is associated with a significant shift from aerobic bacterial species that require oxygen to anaerobic bacterial species that do not require oxygen.

003

0 (death) 10 minutes 60 minutes 120 minutes 6 hours 12 hours 24 hours 2 days 7 days 14 days 28 days infinate �me �meline

Tomb and Rememberance

Through the crea�on of tombs, the memory of the dead is preserved. Nevertheless, the tomb is beyond just an apparatus for remembrance. The rituals of remembrance, connec�ng the living to the dead individual, in a way, maintain the poli�cal relevance of the dead individual.

While together with the physical corpse, its organic life, its zoe, has faded, its ability to be a poli�cal par�cipant of society s�ll retains; there are s�ll traces of bios, even if diminishing over �me. Life, in another defini�on, persists.

WenZhou tomb forms diagram & worship behavior diagram

004 30° 45° BURIAL DEPTH EYE HEIGHT (BOWING) GRAVE LENGTH CONCRETE BASIS LENGTH RAMMED LENGTH STONE HEIGHT normaldeepbowing bowing CONCRETE BASIS LENGTH PUBLIC AREA cinerary casket BACK-STONE HEIGHT GRAVE LENGTH BURIAL DEPTH EYE HEIGHT (STANDING) STONE HEIGHT CONCRETE BASIS LENGTH PUBLIC AREA GRAVE LENGTH TRADITIONAL AREA KNEELING cinerary casket BURIAL DEPTH KNEELING HEIGHT STONE HEIGHT 45° 15° 15° 30° 15° BURAIL LENGTH KNEELING AREA CONCRETE BASIS LENGTH BURIAL DEPTH GRAVE HEIGHT KNEELING HEIGHT list of members cinerary casket body(possible) body or cinerary casket immediate family ethnicity deceased name cinerary casket CONCRETE BASIS LENGTH GRAVE LENGTH BURAIL LENGTH PRAY AREA BURIAL DEPTH STONE HEIGHT CONCRETE BASIS LENGTH PUBLIC AREA OFFER AREA GRAVE LENGTH EYE HEIGHT (BOWING) BURIAL HEIGHT GRAVES HEIGHT cinerary casket tombstones and portraits 45° 15° 15° CHAMBER LENGTH: TWO BODIES dead body dead body ASH STORAGE BOX cinerary casket RETAINING WALL CONCRETE BASIS LENGTH STANDING AREA BURIAL DEPTH BURIAL HEIGHT list of members BURIAL DEPTH CONCRETE BASIS LENGTH EYE HEIGHT (STANDING) STONE HEIGHT cinerary casket GRAVE LENGTH BURIAL DEPTH KNEELING HEIGHT BURIAL HEIGHT GRAVE LENGTH CONTRATE COVER KNEELING AREA STANDING AREA CONCRETE BASIS LENGTH portrait cinerary casket dead body STANDING HEIGHT

Wenzhou, China Urbanization machine vs. cemetery Wenzhou, China, has an astonishing number of cemeteries. The earliest appearance of these dense cemeteries can be traced back to the founding of the People's Republic of China, and their rapid development occurred in the 1970s, when China began to carry out economic reforms and opening up to the outside world.

Surrounded by this Chinese coastal city with a popula�on of 10 million, the emergence of dense tombs and centralized cemeteries naturally makes the project focus on the conflict between death and urbaniza�on. The project selected three comparison objects in a targeted and iconic manner. Through the study of urbaniza�on and the number of cemeteries, we found that cemeteries develop together with urbaniza�on in some areas, while in some places, urbaniza�on is like a huge machine. Everything they saw was bulldozed, and whether they were independent graves or centralized cemeteries, they disappeared into history like helpless war slaves.

diagram: distribution of cemeteries in Wenzhou

005
Mass burial Cemeteries

Village 1

Cemeteries: Decreased, Mass burial: No changed, Urbanization: Small Changes

diagram: comparison of cemeteries in three regions

This village has not changed very much in 20 years, both in terms of size and mentality. The corresponding situa�on is a decrease in the number of individual cemeteries and no significant change in the number and size of centralized cemeteries.

Village 2

Cemeteries: Decreased, Mass burial: Increased, Urbanization: Decreased

This area is unique in that the number of individual cemeteries has declined, but there has been a large increase in centralized public mass burial, and at the same �me, towns and ci�es have shrunk in size, which is not common in China in the midst of an urban wave.

Shantytown

Cemeteries: Increased, Mass burial: Increased, Urbanization: Developed

Urban villages are huge in Wenzhou, and the number of cemeteries corresponding to them seems to have developed along with the urban villages, and such a phenomenon is quite extraordinary. And in contrast to the village 2, the cemetery should not be an element that hinders development.

006 Daluo Mountain Xiao Village Chenao Village 2000 Tomb Village Mass Burial Daluo Mountain Xiao Village Chenao Village 2022 Tomb Village Mass Burial Daluo Mountain Xiao Village Xiadi Village Xiadi Village 2000 Tomb Village Mass Burial Daluo Mountain Xiadi Village Xiadi Village 2022 Tomb Village Mass Burial Shuangqiao Village Wuao Village Shuangqiao Village Daluo Mountain 2000 Tomb Village Mass Burial Shuangqiao Village Wuao Village Temple Bashui ind. Area Shuangqiao Village Daluo Mountain 2022 Tomb Village Mass Burial

The rela�vely high density of cemeteries in rural areas is partly due to the high number of graves on the original sites, and partly due to the fact that more cemeteries will certainly be needed as a result of popula�on build-up as a site for future urban development.

Cemeteries close to the city are distributed based on the number of status quo purposes and urban grid extensions. Along with the development of the city, the project is proposed in the hope of changing the tradi�onal percep�on of the cemetery by the capital, trying to create a coexistence between the individual and the capital.

The cemetery where the city meets the countryside combines the texture of the two areas with each other, a state of this moment of some kind of coexistence from the point of view of urbaniza�on, an original coexistence for the graves in the current state of the site.

007
site map - village & cemetery site map - urban & cemetery site map - village & urban & cemetery
008 ground plan 1:2000
009 floor plan 1:2000

The grave is the gateway that links life and death directly and is not a separate en�ty. On the one hand, it represents the traces of the deceased's existence and the recognition of his iden�ty. On the other hand, it responds to the foreshadowing and delay in the �meline. There are various types of tradi�onal Chinese graves, ranging from the simple to the complex, reflec�ng cultural specificity, with stele stones, inscrip�ons, eulogies, photographs of the deceased, monument makers, etc., all of which are meant to represent traces of the deceased's former existence and a moment in the �meline. If the ID card is the most basic physical means of iden�fica�on when a person is alive, the grave is a symbol of physical authentication after death

010
rendering collage - village & cemetery rendering collage - urban & cemetery

The Shape of Shadow

"how to construct a shade-providing/wind-resistant/large-span/light-weight/low-cost shed"

2023.08

Construction Camp: shadow building and structuring Instructors: Chen Donghua, Zhang Zhun

Visi�ng scholars: Guo Yimin, Pan Hui Collabora�ve project: structural tes�ng, drawings, construc�on

Sheds, in Pevsner's eyes, are not considered 'buildings', nor are they considered fully func�onal 'houses' in the eyes of many architects. A shed needs only a roof and a floor to hold a shadow. It is simply an everyday southern construct and open space, such as an insulated roof, plant stand, parking shed, a large stall retractable shed, a weather link, and so on.

Sheds often do not have a grand narrative and aesthetic, the will and interest of the litera�, or a focal point for discussing the cultural differences between the East and the West. On the contrary, it is so down-to-earth that it can be found everywhere in different southern regions, becoming a common construc�on in the south. It is a structure and coexistence of clima�c response, daily living, architectural culture, and collec�ve life.

We carried out a 1:1 field build in Shanghai, China, at the Shanghai Museum of Contemporary Art. (PSA)

011
photo: during construction

Fishing rods, fishing lines and hollow blocks are the raw materials for our building bases, which are extremely frequent in southern China. Fishing rods are used as the main structural material, fishing line as the connec�ng material and hollow bricks as the building base.

The construc�on and design are carried out in parallel. We first determined the span and form of the build by tes�ng the bending tolerance of the rods, and first carried out the design and build of a single set of modules indoors. In the actual construc�on process, the test data o�en deviated from the actual situa�on, and design modifica�ons were required according to the actual construc�on situa�on.

012
interior structural testing photo #1 interior construction photo #2 front elevation 1:60

The choice of site for the build was unique, we chose to build our structure under the chimney of the power plant, an iconic building of the Shanghai Museum of Contemporary Art. (PSA) The collision between the dynamic structure and the monumental symbol of the power plant chimney here naturally gives us a contradic�on, but also a coexistence.

The difficulty of building outdoors is immense. On the one hand, heavy rain and typhoons for many days in a row made it difficult to ensure the stable and reliable condi�on of the building, which was mainly constructed with fishing rods. On the other hand, the shape of the superstructure needed to be adjusted many �mes before it could be op�mized. The indoor test setup took only 2 days, but the outdoor setup took 5 days.

013
plan
side elevation 1:100
1:100
exterior construction photo #3 / exterior construction photo #4
014
interior final status photo #5 / dynamic structure vs. monumental mass photo #6 / dynamic structure vs. urban mass photo #7

CONDENSING LIVING

“are you gonna work out with me?”

2022.03-2022.05 Independent project

Huge neighborhoods (Mega-Plot) have been around since China embarked on socialist construc�on and the construc�on of the third line, and such neighborhoods were ini�ally learned from the former Soviet Union. With the drama�c change in Chinese policy in the late 1970s, economic development and urbaniza�on were pushed to new heights in China. The nature of the city also began to change, from a public con�nent of neighborhoods to a closed, emphatically private, isolated island.

This project hopes to provide a new way of coexistence for integra�ng huge neighborhoods into the city by libera�ng the ground space and allowing the public space that ini�ally belonged to the city to return to the community without reserva�on. At the same �me, in order to meet the housing needs of the young people in the site area, the project s�ll takes subsidized housing as an entry point. It combines the design with three types of shared unit housing that meet different needs and the public support services necessary for community housing.

015
physical model photo #1

During the massing stage, the public space was explored and the private space was laid out in order to combine public and private, and to provide sufficient public areas and services, while ensuring the privacy of the residence.

The grid within the site remains highly respec�ul of the urban fabric of the surrounding site. Flows and sightlines that play an important role in transporta�on are extended from the exis�ng urban fabric around the site and collide with each other inside the site. These flows provide the original layers for the internal circula�on and block layout.

016

Public Space Connect to City Public Space Connect to City Public Space Connect to River Public Space Connect to City Public Space Connect to River Public Space Connect to City Public Space Connect to City Public Space Connect to River
massing #1 massing #2 massing #3

CommunityServices

Social Housing

SocialHousing

Shops

Shops

CommunityServices

Shops

Social Housing

Shops

Shops

017 master plan: finalized massing model photo Social Housing Offices, Shops Community Services Circulation
SocialHousing SocialHousing Office
Office
Office Office Shops
018 ER. ground plan 1:1000
019 typical floor plan 1:1000

The three different house types are distributed in three different zones, which are interconnected by connec�ng corridors and provide common spaces for residents. On the one hand, it respects the different needs of the users and on the other hand, it provides opportuni�es for community exchange.

020
physical model photos

Non-Place STILL STANDING

2022.09-2022.12 refined in 2023

Course: ARCH 3105 STUDIO | Instructor: Luo Le Independent project

“In an island, architecture is no longer the extrusion of property lines but a system of thresholds that defines spaces of use...... It entails a radical act of architectural imagination that questions the very premises that underpin and dominate our current forms of coexistence.”

‒ Pier Vittorio Aureli

Autonomy seems to be a natural opposi�on to capital. Due to the high pursuit of efficiency, against the background of capital balancing input and output, high-density residen�al buildings like replicas occupy a huge residen�al space in today's China. It seems that in order to erase the diversity of spaces and individuals, the government tacit connived to the oblitera�on of spa�al individual diversity by capital under the goal of high management.

Based on the current situa�on of contemporary high-density housing in China, this project proposes a new way of transforma�on, a�emp�ng to break the limita�ons of high assimila�on and single specific site, which is a reflec�on and explora�on of coexistence

021
collage #1

feudal imperial period� before 1910

traditional socialist period ���� � �����

2

courtyard house� courtyard house� tulou-communal residence fabric of village

"Socialism with Chinese Characteristics" 1979 ~ Now

Khrushchyovka people’s commune commune housing real estates state-owned housing shantytown

feudal

022
shantytown
people’s commune
real estates
Village
Market Farmland Public space Clinics and restaurants
3 2 a Green land Offices Offices Offices Clinics School Public space Housing Housing Market Offices Hall
b b Real estate Green land Nursery School
housing commercializa�on
& state
na�onwide
before 1900 1912 1931 19451949 1992 2008 2014 an�-fascist war� 1966 1976 1978 cultural revolu�onary movement cultural
movement cultural
reform and opening-up
economic policy
Hall
2
a
feudal period Republic of China period People's Republic of China Period
policy
enterprise reform
infrastructure development policy mone�za�on for shantytown renova�on
revolu�onary
revolu�onary movement
ac�ve
"Socialism with Chinese Characteris�cs"
imperial period� tradi�onal socialist period�

diagram: typological study of Chinese typical and local housing

Through a typological study of Chinese typical and local housing, it is observed that prior to 1980, both tradi�onal Chinese residen�al housing and socialist centralized housing featured collective shared spaces and coexistence areas at different levels, which accounted for a significant por�on of living spaces. However, the high-density housing that emerged following the commercializa�on of housing almost entirely eliminated these collective shared and coexistence spaces

023 Public space Sharing space
-- 1976 People’s
-1978 -- 2004 Collec�ve Funds Housing 1998 -- Now Real Estates
Tradi�onal Chinese dwellings 1966
Commune
Siheyuan Courtyard 1949 -- 1979 Khrushchyovka

cooperating house & affordable house plan #1 1:100

cooperating house & affordable house plan #2 1:100

Based on the research, I proposed two types of residen�al space unit design oriented to shared space and collec�ve housing. Through the centralized core of living room, dining room, kitchen, balcony and other spaces, the design arranges bedrooms around the core space, expec�ng to affect people's use and living mode through spa�al means.

024
025 communal space floor plan 1:1000 g h k m n o p q r 7 8 9 10 11 12 13 14 15 16 18 19 20 17 A B C D E F G H I J K L M N O P Q R a b c d e f 2 3 4 5 6
026 Cooperating house& Affordable house floor plan 1:1000 g h k m n o p q 7 8 9 10 11 12 13 14 15 16 18 19 20 17 A B C D E F G H J K L M N O P Q R a b c d e 2 3 4 5 6

The huge canopy that runs through the top of the development consists of two levels of public space and affordable housing. The public space is located on the top floor and consists of shared centralized spaces such as sports spaces, community centers, and auditoriums At the lower level, the affordable housing and single apartments reflect the need and concept of collective housing..

With the help of the structural characteris�cs, the spa�al traffic is directly connected with the original ver�cal traffic in the community. Large voids in the middle of canopy protects the original residen�al area from sunlight.

027
collage #2 section 1:1000
75.0m 88.0m 95.0m 103.0m

Other Works

FORMAL ANALYSIS, physical models, collages, and posters

2020-2023

Formal analysis is a small project I am proud of, star�ng from the most primi�ve origins of space and analyzing some apparent or plausible connec�ons and conflicts between form and space ontology. This puts me in dialogue with every architect in a professional way. The physical model is the most intui�ve way to feel the space, and the experience brought by trying it in different scales is u�erly different from that on the drawings, which also includes different feelings compared with the electronic model. Collage is a new a�empt at graphic design, while posters are more inclined to graphic design.

028
photo: concrete model

FORMAL ANALYSIS

2023.02 - 2023.04

Instructor: Luo Le | Course: ARCH 2403 Representa�on

Camouflaging Facade

loos uses “Raumplan” in opposi�on to the free plan as an alterna�ve strategy for development modern spa�al proposi�ons

Symmetrical Plan

Corbusier's free plan is at its best here as a result of seeing this as a successor - symmetry.

Con�nuity will be viewed as con�nuity of the mass horizontally and con�nuity of the structure mass vertically, which is not essen�ally different. Continuous Mass

029
Villa Stein-De-Monzie | Le Corbusier | 1926 - 1928
030
CONCRETE AND WOOD, physical model course: ARCH 1102 Studio: Construction and Architecture BOARD, STEEL, BRICK, ACRYLIC, PAPER, Maison de Verre physical model course: ARCH 1602 : Elements and Principles 2: Formal Theory BOARD, STEEL, BRICK, ACRYLIC, PAPER, Maison de Verre physical model course: ARCH 1602 : Elements and Principles 2: Formal Theory SCREEN PRINT, poster Architecture + Artist Talks, guest: Wang Ning, Zhou Gongzhao, Huang Yihan, Luo Xuan COLLAGE, Boundaries and Connecting Corridors COLLAGE, Sinking Community Space

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