Photo assignment

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Planning A Photo Assignment

AUG. 15, 2014

PHOTO ASSIGNMENTS THE ASSIGNMENT There are three ways you can get assignments. • Actively taking a written assignment from an editor, writer, reporter or other staff member • Verbally (or otherwise) agreeing to take a photo • Finding good action shots to take without being “told” to take them Your best photos will probably come from just being in the right place at the right time with a camera ready to go. That’s how you get pictures full of action and emotion.

SHOOT THE PHOTOS Regardless of how you get the assignment, it is then your responsibility to get quality photos – action photos full of emotion that are good in technical quality, that have some composition to them (i.e. are more than snapshots) and that have some meaning. Accepting an assignment is a contract between the publication and the photographer. When you shoot an assignment, it is your responsibility to have the camera and all necessary equipment (film, batteries, note pad, etc.). It is not acceptable to say that you couldn’t complete an assignment because your camera didn’t work. Plan ahead. Have a backup plan.

DOWNLOAD DIGITAL FILES NEVER erase images off the card in the computer. When you first get a card, format it. When you get back from an assignment, put the card in the card reader and dump ALL the images into an “Originals” folder either on a local computer (preferred) or the server. Do your editing from there.

EDIT At this point, the editing process is the same regardless of whether you shot film or shot digital. (1) CUT THE CRAP. Look at the negatives and determine which ones are useless. Look at the digital files and make the same determination. Delete any out-of-focus, extremely under- or over-exposed images, etc. from the computer. That way no one has to waste their time looking at them again. (2) CULL. With a partner, decide on what are the best images. It may be the best one, or it may be the best 10 or 20. These are the ones you’re going to save on the server, so they should be usable pictures. It’s better to save too many than not enough. You never know how valuable the images might be when the person you shot pictures of decides to run for president. (3) EDIT. Now, working only with the selected pictures, do some basic cropping (leaving designers some room to crop) and basic toning. Don’t worry about color correction. And do NOT resize or resample the images. Leave them in RGB, JPEG. Since this original file contains the most data it’s ever going to contain, the designer will resize/resample A COPY of this image so we always have the original to go back to. (4) CAPTION. All edited pictures need captions (including photo credits) in the Photoshop File Info fields. Without complete captions and credits, (a) your pictures are unusable; (b) you won’t get paid — $10/photo; (c) you won’t get credit. For historical purposes, even if the pictures aren’t used, the captions are invaluable. Be sure to put your name in the photo caption as well as in: “Photo by name.” (5) COPY TO SERVER. Copy all the edited pictures to the PHOTO SERVER. It’s from the server that designers will look to get their pictures. It’s the server that’s backed up. No unedited files should be stored on the server. Files should be named using the description.IN.ext format where “description” is a one- or two-word description of the contents of the photo. Be specific. “IN” is the photographer’s initials. “ext” is the appropriate file format assigned by Photoshop. (6) BACKUP UNEDITED IMAGES. Just like photographers used to maintain their own negatives, you should burn a copy of all of your images, raw and edited, to a CD for your own purposes. (7) DELETE RAW IMAGES. Now, you can delete any unedited or uncaptioned images from the host computer. DO NOT leave any files on local computers. They will be erased and will not be backed up.


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