Season 2023

Hiccup!

Cover artwork by Emmaline Zanelli

Pictured: Chiara Gabrielli and Lachlan Micklethwait

Photo by Thomas McCammon

ACKNOWLEDGEMENT OF COUNTRY

Everywhere Windmill Theatre Company wanders, we walk softly, we speak respectfully, we hold integrity, we collaborate and create while honouring the truth of reconciliation and the true history of this country.

Windmill Theatre Company knows that the land on which we create our work is sacred. We know there were many tribal family clans here before us and we now sit beside them.

We acknowledge the tribal family clans who are known today as the Kaurna Meyunna, the first peoples of this place.

We respect all Aboriginal and Torres Strait Islander people from across this sacred land which is known today as Australia.

Windmill Theatre Company holds a vessel of cultural understanding. This vessel symbolises a renewed journey towards the spirit of humanity and the coming together of all generations of the human family. We walk together with the oldest living cultures to guide these ways of understanding.

A Message from Rose Myers 02

Hans and Gret 05 Hiccup 06 Education Program 08 Schools Calendar 10

Written by Karl Winda Telfer, Senior Cultural Custodian Mullawirra Meyunna – the Dry Forest People

A Message from Rose Myers.

This year, Windmill turns 21. It’s a big birthday, one of life’s major milestones. It’s a time when many of us step out on our own and begin to forge our own paths. That journey, like a good show, will take many twists and turns and that is part of the excitement. After 14 years as Artistic Director of Windmill Theatre Company, I’m making my own change of direction and moving on to an exciting new role at Windmill Pictures – the arm of our company dedicated to film and television production. As always, I am proud to be associated with this brilliant company and I can’t wait to welcome my successor and revel in the new ideas and energy they will bring.

I hope you enjoy the excellent shows our artists conjure up for you throughout 2023. They are playing in theatres and on screens across Australia and the world. All this work is made with passionate rigour, imagination of the highest bar and a huge dose of joy. We think these stories are an important offer in today’s complicated world and we can’t wait to share them with you.

Rosemary Myers Artistic Director

Pictured: Rosemary Myers Image by: Thomas McCammon

Hans and Gret Image by Emmaline Zanelli, Carnival Studio

When Hans and Gret’s mum arrives home from a radical health retreat with the years literally shaved off her, their lives are thrown into chaos.

As parents become teenagers again and kids all over their community start disappearing, the pair are led down a forest path that will see them leave everything they know behind.

Part teenage fever-dream, part dystopian nightmare, Hans and Gret warps reality to epically reinvent a classic fairytale and turn it into a tripped-out psychological thriller pulsing with danger, betrayal, and dread.

Hans and Gret is an anarchic, knife-edge world premiere that uses bone conduction audio technology to plunge audiences into a dangerous world of seduction, mind control and candy.

Don’t eat the gingerbread. A Windmill Theatre Company and Sandpit production presented in association with Adelaide Festival.

Warning: Contains strobe lighting, theatrical haze, mild coarse language, sexual references, drug references and adult themes.

Do you have a cure for the hiccups?

It’s a perfect, balmy night in the outback. A sleep-deprived camper, a cheeky quokka and an emu with a penchant for creating wild inventions, awake to discover that a koala has come down with a stubborn and ear shatteringly loud case of the hiccups.

The three embark on a psychedelic night-time journey that sees them frantically eat, sing, and invent their way towards the great hiccup cure before sunrise.

Hiccup is an explosively funny, rocking musical extravaganza about working together, finding friendship and how to, once and for all, get rid of the hiccups.

A

Contains loud music, strobe lighting and haze effects.

Windmill Theatre Company production presented in association with Adelaide Festival Centre.

Hiccup

Pictured: Koala, Nathan O’Keefe Image by: Shane Reid, Carnival Studio

Education Program.

At Windmill, we take our young audience seriously and are endlessly inspired by their creativity and modern sophistication. We augment the live theatre experience with high quality educational resources to help take our stories further and ignite a lifelong passion for the arts.

In addition to providing dedicated schools’ performances and pricing for every South Australian season of our work, we offer students and educators a range of opportunities to engage with us and our artists throughout the year.

EDUCATION RESOURCES

Windmill’s educational resources help our stories step off the stage and directly into the classroom. Developed by leading educators in consultation with our artistic and creative teams, we provide study guides for every show that we present. These guides are linked to the Australian Curriculum and are continuously updated to ensure that students and teachers can get the most out of their time in the theatre.

All resources are provided free of charge on our website. They include exclusive behind the scenes content, interviews with our creatives, a list of hiccup cures, an insight into the foundations of theatre making, and even an interview with a tiny knitted bear.

Study guides are available by visiting windmill.org.au/education.

Generously supported by:

Each year, we complete a major education project that untangles an idea at the centre of our annual world premiere work. Our most recent project is Camp Windmill, an interactive digital campsite that sees some of Australia’s leading creatives talk about camp aesthetics and the art of the pose.

FREE SEATS PROGRAM

Each year, Windmill’s Free Seats Program offers 15% of tickets across our selfpresented seasons free of charge to disadvantaged schools in South Australia.

Schools ranked 1 to 4 in accordance with the Department for Education’s Index of Disadvantage are encouraged to apply, with Windmill covering the cost of tickets for up to two classes to attend a performance of one of our works.

If you would like more information, or to register your interest for the Free Seats Program, please contact education@windmill.org.au.

Windmill's Free Seats Program is made possible with the support of the Lang Foundation and the South Australian Department for Education.

TEACHER STUDENT RATIO

When booking a school group to a Windmill performance, accompanying teachers will be admitted free of charge according to the following duty of care ratios:

Kindergarten and Preschool – 1:04 Reception to Year 2 – 1:06

Year 3 to Year 7 – 1:10 Year 8 to Year 12 – 1:15

Additional teachers, guardians or supervising adults will need to purchase tickets at the time of booking. For students with access needs, please contact Windmill to confirm the appropriate ratio.

PROFESSIONAL DEVELOPMENT WORKSHOPS

Throughout the year, we offer teachers the opportunity to engage with our awesome creatives to gain an in-depth understanding of the theatre making practices at the centre of our work. We’ve done workshops on everything from playwriting to puppetry to the art of adaptation.

For updates, sign up to our newsletter at windmill.org.au/#enews.

Schools Calendar.

Hans and Gret

THE QUEEN'S THEATRE

Playhouse Ln &, Gilles Arcade, Kaurna Country

TERM 1 Weeks 5 - 6

AGES 13+ Years 7 – 12

CURRICULUM LINK The Arts: Drama, English

TICKETS $18 per student/ $12 equity*

DATE TIME

Fri 3 March 1pm

Tues 7 March 10am, 1:30pm

Wed 8 March 10am, 1:30pm

Thurs 9 March 10am, 1:30pm

Fri 10 March 1pm

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Hiccup

SPACE THEATRE

Adelaide Festival Centre, Kaurna Country

TERM 3 Week 10

AGES 4 – 10 ELC/Reception - Year 4

CURRICULUM LINK The Arts: Drama TICKETS $15 per student/ $12 equity*

DATE TIME

Tues 26 Sept 10am, 1pm

Wed 27 Sept 10am, 1pm

Thu 28 Sept 10am, 1pm

Fri 29 Sept 10am, 1pm

*Equity prices available to schools rated Category 1-4 on the Department for Education's Index of Disadvantage. Transaction fees may apply.

AUSLAN and audio described performances available on request.

Dates and times are correct at the time of printing but may be subject to change.

Head to windmill.org.au for the most up to date show info.

On Tour.

We’ve had some pretty itchy feet. In 2023, we’re jetting off and setting off as we take our shows on the road and tour internationally for the first time since 2020. We’re pumped to take audiences all over Australia and the globe to unexpected places as we deliver our stories with a mega dose of surprise and imagination.

Please head to our website for more info and to book.

Prepare for blast off!

The most daring, dangerous, heart-stopping intergalactic race in the universe is the Sun Run…. a lap of the entire solar system and around the sun. Gamma and Olli are the youngest sun runners there ever was.

Created in collaboration with theatrical innovators, Audioplay, Sun Runners is an immersive space adventure of truly epic proportions. With a pair of headphones and a mobile device, you will become Olli and Gamma, hurtling across the solar system and fighting brain-sucking aliens from your very own living room.

Sun Runners takes the imaginative, physical play that kids love and soups it up with a cinematic score and amazing sound effects.

COMING TO

DreamBIG Children's Festival, Kaurna Country (SA) Sydney, Gadigal Country, Kulin Nation (NSW)

Learn more at www.windmill.org.au/show/sun-runners

Wackadoo! Bluey’s Big Play is back and hitting the road in a big way, with dates across the United States including massive shows at Madison Square Garden.

Directed by Rosemary Myers and designed by Jonathon Oxlade, Bluey’s Big Play sees the global TV phenomenon burst onto the stage. With an original story by Bluey’s creator Joe Brumm and an original score by Joff Bush, this is Bluey as you’ve never seen it before.

Bluey’s Big Play is presented by BBC Studios and Andrew Kay in association with QPAC’s Out of the Box and Windmill Theatre Company

Clemmens Performing Arts Centre - Elmira, New York

Hulu Theatre at Madison Square Garden - New York, New York

The Kennedy Centre: Eisenhower Theatre - Washington, District of Columbia Hershey Theatre - Hershey, Pennsylvania

Kimmel Cultural Campus - Philadelphia, Pennsylvania

EKU Centre for the Arts - Richmond, Kentucky

The Chicago Theatre - Chicago, Illinois

Juanita K. Hammons Hall - Springfield, Missouri

Majestic Theatre - San Antonio, Texas Walton Arts Centre - Fayetteville, Arkansas Century II Performing Arts Centre - Wichita, Kansas Civic Centre - Des Moines, Iowa

Miller High Life Theatre - Milwaukee, Wisconsin

BJCC Concert Hall - Birmingham, Alabama Heymann Performing Arts Centre - Lafayette, Louisiana

Texas Trust CU Theatre - Grand Prairie, Texas Abraham Chavez Theatre - El Paso, Texas

Arizona Federal Theatre - Phoenix, Arizona Sacramento Memorial Auditorium - Sacramento, California Mechanics Bank Theatre - Bakersfield, California Golden Gate Theatre - San Francisco, California Centennial Hall - Tucson, Arizona

Dolby Theatre - Los Angeles, California Pioneer Centre - Reno, Nevada San Jose Centre for the Performing Arts - San Jose, California

Arlene Schnitzer Concert Hall - Portland, Oregon

First Interstate Centre for the Arts - Spokane, Washington

The Paramount Theatre - Seattle, Washington Toyota Centre - Kennewick, Washington

Velma V. Morrison Centre - Boise, Idaho

The Eccles Theatre - Salt Lake City, Utah

Fred Kavli Theatre - Thousand Oaks, California

Segerstrom Centre For The Arts - Costa Mesa, California Balboa Theatre - San Diego, California Embassy Theatre - Fort Wayne, Indiana Auditorium Theatre - Rochester, New York

Landmark Theatre - Syracuse, New York

Steven Tanger Center - Greensboro, North CarolinaBluey’s Big Play

Pictured: Bluey, Amelia Watson Image by: Darren Thomas

Chrysler Hall - Norfolk, Virginia

Toyota Oakdale Theatre - Wallingford, Connecticut

The Stanley Theatre - Utica, New York

The VETS Providence - Providence, Rhode Island

Proctors Theatre - Schenectady, New York

Boch Center Wang Theatre - Boston, Massachusetts

Shea’s Performing Arts Center - Buffalo, New York

Santander Performing Arts Centre - Reading, Pennsylvania

Fox Theatre - Detroit, Michigan

Altria Theatre - Richmond, Virginia

North Charleston Performing Arts Centre - North Charleston, South Carolina

Straz Centre - Tampa, Florida

Walt Disney Theatre at Dr. Phillips Centre - Orlando, Florida

Koger Centre for the Arts - Columbia, South Carolina

Peace Center - Greenville, South Carolina

Belk Theater - Charlotte, North Carolina

Columbia County Performing Arts Centre - Columbia County, Georgia

Fox Theatre - Atlanta, Georgia

The Long Centre - Austin, Texas

Carson Centre - Paducah, Kentucky

Tennessee Performing Arts Centre - Nashville, Tennessee

Durham Performing Arts Centre - Durham, North Carolina

Clay Centre - Charleston, West Virginia

Murat Theatre at Old National Centre - Indianapolis, Indiana

River Centre Adler Theatre - Davenport, Iowa

The Fabulous Fox Theatre - St. Louis, Missouri

Washington Pavilion - Sioux Falls, South Dakota

Kauffman Centre for the Performing Arts - Kansas City, Missouri

Moran Theatre - Jacksonville, Florida

Robinson Centre - Little Rock, Arkansas

Tulsa Performing Arts Centre - Tulsa, Oklahoma

Broward Centre for the Performing Arts - Ft. Lauderdale, Florida

Saenger Theatre - Pensacola, Florida

Brown Theatre, Wortham Centre - Houston, Texas

KeyBank State Theatre - Cleveland, Ohio

Overture Centre for The Arts - Madison, Wisconsin

Lyric Opera House - Baltimore, Maryland

Saenger Theatre - New Orleans, Louisiana

Eddie, Quokka, Emu and Koala are going global in their quest to stop the hiccups once and for all. They'll be searching high and low, journeying across Australia and the United States, for the great hiccup cure.

COMING TO USA

Fayetteville, Arizona (USA) McLean, Virginia (USA) Cleveland, Ohio (USA) West Palm Beach, Florida (USA) Pittsburgh, Pennsylvania (USA)

AUSTRALIA

Wollongong, Tharawal Country (NSW) Wyong, Darkinjung Country (NSW) Canberra, Ngunawal Country (ACT) East Gippsland, Kurnai Country (VIC) Burnie, Tommeginne Country (TAS) Launceston, Tyrrenotepanner Country (TAS) Geelong, Gulidjan Country (VIC) Port Macquarie, Biripi Country (NSW) Coffs Harbour, Gumbainggir Country (NSW) Murwillumbah, Bundjalung Country (NSW) Gold Coast, Bundjalung Country (QLD) Esperance, Wudjari Country (WA) Bunbury, Wardandi Country (WA)

Learn more at www.windmill.org.au/show/hiccup

Hiccup

Pictured: Quokka, Chiara Gabrielli

Image by: Thomas McCammon

After a rainy day, Grug heads outside to see a beautiful rainbow striped across the sky. He tries to sneak up on it, climbing hills and mountains in an attempt to reach it… but it’s always just out of his grasp.

In a magical adaptation of Ted Prior’s beloved picture books, Grug and the Rainbow sees our grassy little friend embark on an epic adventure to bask in all the colours of the illusive rainbow.

A smash-hit with audiences all over the world, Grug and the Rainbow will be heading on a metropolitan tour to theatres all over Kaurna Country, Adelaide.

TOURING METROPOLITAN SOUTH AUSTRALIA

3 – 16 MAY AGES 2 – 6

Grug is back and on a colourful quest for the rainbow.

A Windmill Theatre Company production presented by Libraries SA with the funding support of the Libraries Board of South Australia and the Government of South Australia.

Grug and the Rainbow

Pictured: Grug, Tim Overton

Image by: Thomas McCammon

Access and Inclusion.

Theatre is for everyone, and Windmill is committed to ensuring our work is accessible to a broad range of children, families and young people.

A large text and screen reader friendly version of this brochure is available for download at windmill.org.au/access.

AUDIO DESCRIPTION

SENSORY TOURS

ASSISTIVE LISTENING WHEELCHAIR ACCESS

SIGN INTERPRETING

AUDIO DESCRIPTION AND SENSORY TOURS

Audio-described performances for vision impaired audience members include pre-show sensory tours of the props and costumes, description of the set and staging, and introduction to the actors. Audio description is accessed via headphones which are provided at the venue. You may also bring your own headphones.

AUDIO ENHANCEMENT

A Biodynamic Hearing System is available for performances at Adelaide Festival Centre for patrons requiring hearing assistance. Transmitter packs are available to borrow from the Ticketek Box Office in the Dunstan Playhouse foyer 30 minutes before the performance. You may also bring your own headphones.

AUSLAN INTERPRETATION

Auslan interpreted performances are available for selected shows in every Adelaide season. Please contact Ticketek, Windmill or Adelaide Festival if you are interested in Auslan accessible seats.

Hans and Gret will utilise bone conduction headphones as part of the show. For more information, please email access@windmill.org.au.

WHEELCHAIR ACCESS

The Queen's Theatre and venues at Adelaide Festival Centre are wheelchair accessible.

For enquiries regarding wheelchair accessibility at touring venues, please contact Windmill on 08 8210 7200 or email access@windmill.org.au.

Please indicate if you require a wheelchair accessible seat at your time of booking.

CONTACT

If you have any questions, please contact Windmill on 08 8210 7200 or email access@windmill.org.au.

CARERS

All performances in our 2023 season offer complimentary companion tickets for Companion/Carer Card holders who attend performances with a patron requiring access support.

Please contact Ticketek, Adelaide Festival or Windmill if you are interested in booking a companion ticket.

ACCESS PERFORMANCES

HANS AND GRET

The performance of Hans and Gret at 2pm on Saturday 11 March, will be Auslan interpreted for deaf or hard of hearing audience members and audio described for blind or vision impaired audiences.

HICCUP

EDUCATION PROGRAM

Access services are available on request for schools. If you’re making a group booking for a school or educational institution and require access services, please contact Windmill on 08 8210 7200 or indicate the services you require on your booking form.

The performance of Hiccup at 1pm on Saturday 7 October will be Auslan interpreted for deaf or hard of hearing audience members and audio described for blind or vision impaired audiences.

Generously supported by:

Beep and Mort is a puppet-based television series that follows the actionpacked adventures of two pals. Beep is a robot from the stars. Mort is a cuddly creature from Mollyvale. And although they come from worlds apart, they’re the best of friends.

Together with a cast of colourful and quirky characters, Beep and Mort solve problems, help each other, and experience all sorts of fun together. As their friendship continues to blossom, the pair discover that it doesn’t matter where you’re from or what you’re made of. Home is wherever you charge your battery or lay your furry head. And friendship is the greatest power of all.

Created by Windmill Pictures, Beep and Mort is based on Windmill Theatre Company’s award-winning puppet show, Beep, and is now screening on ABC Kids and streaming on ABC iview.

A Windmill Pictures production. Major production funding from Screen Australia. Developed and produced in association with the ABC. Financed and developed in association with the South Australian Film Corporation. Distributed by ABC Commercial.

2023 Calendar.

Hans and Gret

THE QUEEN'S THEATRE

Playhouse Ln &, Gilles Arcade, Kaurna Country

DATE PUBLIC TIME SCHOOL TIME

Fri 3 March 7pm* 1pm*

Sat 4 March 2pm*, 7pm

Sun 5 March 2pm, 7pm

Tues 7 March 10am, 1:30pm

Wed 8 March 10am, 1:30pm

Thurs 9 March 10am, 1:30pm

Fri 10 March 7pm 1pm

Sat 11 March 2pm**, 7pm

Sun 12 March 2pm, 7pm

*Preview performances

** Accessible performance

Dates and times are correct at the time of printing but may be subject to change.

Head to windmill.org.au for the most up to date show info.

75

Hiccup

SPACE THEATRE

Adelaide Festival Centre, Kaurna Country

DATE PUBLIC TIME SCHOOL TIME

Tues 26 Sept 10am, 1pm

Wed 27 Sept 10am, 1pm

Thu 28 Sept 10am, 1pm

Fri 29 Sept 10am, 1pm

Sat 30 Sept 10am, 1pm

Tuesday 3 Oct 10am, 1pm

Wed 4 Oct 10am, 1pm

Thurs 5 Oct 10am, 1pm

Fri 6 Oct 10am, 1pm

Sat 7 Oct 10am, 1pm**

Our Supporters.

THE WINDMILL STUDIO COLLECTIVE

The Windmill Studio Collective is a visionary group of donors who come together to support the creation of one new work every year. The Collective joins the company at the coal face of creating new Australian theatre, walking alongside us at every step of the creative development process.

Studio Collective members enjoy a wide range of benefits, including the opportunity to step into the rehearsal room with our artists and invites to exclusive events.

A 12-month membership is $1,000 per person and is fully tax deductible.

If you would like to learn more about the Studio Collective, email marketing@windmill.org.au or join in the fun at windmill.org.au/support.

Windmill Theatre Company would like to acknowledge our awesome Studio Collective Members:

Chris and Susan Stewart, Helen Black, Jane Doyle, Joanne Griffiths, PS and SJ Smith, Roger and Helen Salkeld, Ronald and Sharon Bannear, Judy and George Potter, Rosey Batt, Sheryn Foord, Simone Vinall, Steve Smith and Kaye Weeks, Sue Gredley and Rick Frolich (Tynte Flowers).

DONORS

Windmill would like to acknowledge our wonderful donors, who generously support our artistic, education and access programs:

Rick Drewer, Mercedes Eyers-White, Diana Fry, Rosemary Gilbie, Candy Grunwald, Sylvie Huigen, Amy Ide, Vanessa Jaensch, Sheila Jordine, Sandra

Kanck, Anthony and Michele Kittel, Shirin Lim, Amanda Macri, Kelly Macri, Vesna Maletic, Elizabeth McDonald, Kathryn McKenzie, Peter Mitchell, Allan O'Connor, Belinda Oakley, Christie Peucker, David and Annette Pinnock, Marilyn Rae, James Robinson, PJ Rose, Richard Ryan, Robert Smith, Jocelyn Then, Jane Thompson, Renate Tonks, Steve Trapnell, Sandy Verschoor, Valerie Wales, Adele Walker, Kate Walkley, Courtney Weir, Thuc Wilson and Anonymous x 15

Catherine Adams, Jamie Anderson, Rosemary Archer, Karen Aust, Pamela Ball, Adam Barclay, Aaron Biglands, Simon Blewett, Nadia Bobaly, Matthew Briggs, Charlotte Bright, Steph Cibich, Sarah Coffey, Margaret Crohn, Melinda Cronin, Jack Cummins, Isabelle Danforth-Smith, Stan and Moira Djukanovic,

Our Team.

BOARD

Richard Harris (Chair), Ruth Ambler, Rosey Batt, Sophie Doyle, Deonne Smith, Chris Stewart, Clare Watson, Luke Culhane.

WINDMILL THEATRE COMPANY & WINDMILL PICTURES

Rosemary Myers Artistic Director

Kaye Weeks Executive Director

Ross McHenry Executive Producer

Genevieve Fischer Business Manager (Job-Share)

Emma Biglands Business Manager (Job-Share)

Alex Hayley Production Manager

Abigail Heuer Production Coordinator and Stage Manager

Madison Thomas Associate Producer, Windmill Pictures

Jana Drummond Associate Producer, Windmill Theatre Company

Anthony Nocera Marketing and Communications Manager

Ben Francis Marketing and Communications Coordinator

Gemma Winter Harris Administration and Operations Coordinator

TICKETING

ADELAIDE FESTIVAL

boxoffice@adelaidefestival.com.au 1300 393 404

TICKETEK

Ticketek.com.au/contact 131 246

NEED TO ASK A QUESTION?

If you have any questions, please don’t hesitate to give us a call on 08 8210 7200 or send us an email at info@windmill.org.au.

For ticketing enquiries relating to Hans and Gret, please contact Adelaide Festival on 1300 393 404.

For ticketing enquiries relating to Hiccup please contact Ticketek on 131 246.

COMPANY ADMINISTRATION

Windmill Office & Rehearsal Studio

Kaurna Country Level 2/39 Light Square, Adelaide SA 5000 08 8210 7200

info@windmill.org.au

KEEP IN TOUCH

Facebook, Twitter, Instagram, YouTube @WindmillTheatreCo windmill.org.au

DESIGN

Brochure design by Super Assembly

Additional drawing and textures by Jasmin Neophytou

FAQs.

WHERE CAN I PARK?

THE QUEEN'S THEATRE

The Queen's Theatre is located just off of Light Square on the corner of Playhouse Lane and Gillies Arcade, right in the heart of Adelaide.

There are a variety of parking options surrounding the theatre, with paid and secure carparking located on Playhouse Lane.

For more information, please refer to The Queen's Theatre website: thequeensadelaide.com.au/hire

ADELAIDE FESTIVAL CENTRE

For visitors to the Space Theatre, the nearest car park is the Riverbank Car Park, located behind Adelaide Convention Centre on Festival Drive (next to the Riverbank Footbridge). The eastern lift will take you to the promenade level where it’s a short, flat walk to the theatre entrance and Walk of Fame.

Festival Drive is accessible from King William Road and Montefiore Road. The Festival Plaza Car Park is not recommended for Dunstan Playhouse or Space Theatre visitors.

For more information, please refer to Adelaide Festival Centre’s website: adelaidefestivalcentre.com.au/parking

HOW DO I BOOK TICKETS?

Tickets to Hans and Gret are available via Adelaide Festival and are accessible via the Windmill and Adelaide Festival websites. Please refer to Adelaide Festival’s website for more information: adelaidefestival.com.au

Tickets to Hiccup are available via Ticketek, and are accessible via the Windmill, Adelaide Festival Centre and Ticketek websites. Tickets will also be available for purchase at Ticketek outlets. Please refer to Ticketek’s website: ticketek.com.au

Tickets to touring productions will be available via the Windmill website or through the performance venue.

COVID FAQS

Windmill is working hard to ensure audiences can attend the theatre safely. We are continually keeping abreast of the changing circumstances surrounding COVID and adapting our practices so that they are in line with recommendations by SA Health to ensure COVID-safe theatres for our artists and audiences.

Please see the Adelaide Festival, Adelaide Festival Centre and/ or Windmill website for show-specific information closer to the date of performance.

2023 Program