Portfolio 2019 | Wenjia Zhang

Page 1

WENJIA ZHANG Selected Architecture Projects 2011-2019


I think of architecture as a kind of intermedium. It balances relationships among environment, humanity, community and city.


CONTENTS

01 THE SUPER NODE

A Transitional Housing and Community Center in Crown Heights

02 VILLAGERS' LIVING ROOM

A Community Center in a Long-winter Village

03 SUSPENSION FROM SKY

A Sky Burial Tower from Ink Suspension

04 CUBE

An Art Center in Modular

05 COEXISTING COMMUNITY

Rural area design—country people with Chinese clans

06 LIFE BETWEEN BUILDINGS An Urban Renovation—citizens with city

07 VERTICAL COASTINE A Tower with Memory



WENJIA ZHANG

EDUCATION

+1 401 588 9628 wzhang02@alumni.risd.edu 230 South Main Street Providence, Rhode Island, 02903, USA

Rhode Island School of Design (RISD) Architecture Department Providence, Rhode Island, USA Master of Architecture '19 Xi'an University of Architecture and Technology (XAUAT) College of Architecture Xi'an, China Bachelor of Architecture'16

WORK EXPERIENCE

Office for Metropolitan Architecture (O.M.A.), Rotterdam, the Netherlands Intern Architect February 2018– August 2018 Skidmore Owings & Merrill LLP, San Francisco, CA, USA Intern Urban Designer June 2017– August 2017 Rhode Island School of Design Architecture Department, Providence, RI, USA Graduate Teaching Assistant September 2018– December 2017 Rhode Island School of Design Architecture Department, Providence, RI, USA Faculty Research Assistant October 2016– May 2017 October 2018– May 2019 Hong Kong HUAYI Designing Consultant (Shenzhen) Ltd, Shenzhen, China Intern Architect July 2015– November 2015 Zhubo Design Shenzhen Company, Shenzhen, China Intern Architect July 2014– September 2014

AWARDS&DISTINCTIONS

SKILLS

RISD Architecture Department Research Assistantship, 2016– 2017, 2018– 2019 RISD Fellowship, 2016– 2019 Excellent Design Award from the National Architectural College Student Work Exhibition (Urban Design Project), 2015 Excellent Youth League Member of XAUAT, 2012– 2013 Excellent Student Scholarship for 4 consecutive years, 2011– 2015 First-class Excellent Freshman Scholarship, 2011 Software Rhino | Grasshopper Adobe Photoshop | Illustrator | InDesign AutoCAD | Revit | SketchUp Vary for Rhino/SU/Revit Processing | Python

Art Graphic Design | Typography | Bookmaking Jewelry Design | Metalsmithing Printmaking | Lithography Language English | Chinese (Mandarin)



“Let's resist those mason jars and avocado toast in Crown Heights.”

01

THE SUPER NODE Studio: Between Content and Container Instructor: Emanuel Admassu Academic: 2018 Fall Collaborator: Harrision White Location: Crown Heights, New York, the United States

This studio examines the notion of architecture as the difference between ‘content’ and ‘container’. ‘Content’ is defined by a selection of architectural concepts that will be carefully sampled, edited and combined, while ‘container’ will be defined by the analysis of a specific site of contestation in Brooklyn, New York. Beginning by developing precise definitions for “failure” as it pertains to the discipline of architecture (content) and Crown Heights, Brooklyn (container). The aim is to develop a critical framework for the ongoing verification of concepts. After testing various combinations of difference between concept and context, and combining the idea of Silodam by MVRDV and Half of a house by Elemental, this project ended up as a renovation of an armory building, which is currently used as a homeless shelter. By providing homeless transitional housing combined with a community center for the neighborhood, this project is trying to resist gentrification in crown heights as a 'super node', to keep the identity of the neighborhood.


C O N T A I N E R

Gentrification is happening in Crown Heights "In prewar apartments, glossy new kitchens are replacing tired old ones. Limestone fixer-uppers are commanding seven-figure prices. Cocktail bars are opening where fried chicken used to be sold from behind bulletproof glass. And the New Yorkers who lived there are drifting away, their former homes renovated to make way for white college graduates and young families."

Zones and Nodes By analyzing zoning and visiting the communities, this overlapped mapping diagram shows the argument that there are several buildings existing on site as individual nodes that define different communities, and they either intensify or resist gentrification by defining the neighborhood around it, such as churches, bodegas, jewsith district, historical district, etc.

–Gentrification in a Brooklyn Neighborhood Forces Residents to Move On, The New York Times, Nov 17th, 2015

Church

Bodega

Historical District

Armory


N

Z O N E S & N O D E S

Historic District Historic District Proposed Addition Historic District

Commercial Space R5 Rezoning R6a Rezoning R6b&R7a Rezoning

Homeless Shelter

Mosque

Jewish

Church

Carribbean

Art

Museum

Boutique

Hair Braiding

Real Estate


C O N

DI

CO

NI

NG

OK

PU

IN

G

BL

IC

OV

ER

NI

GH

T


T E N T

HA

LL WA Y

OU

LIV

TD

IN

G

OO

R

Half of a House x Silodam vs Transitional Housing x Community Center By analyzing the two samples, Half of a house by Elemental and Silodam by MVRDV, defining the "successes" and "failures" of them, two strategies are generated to contribute to the design: 1. Housing and community center each takes half of the space in a diagonal way with different entrance based on Half of a house. 2. Different size housing units are designed for different homeless demographics combining with public spaces based on Silodam.



View from Plan the "half&half" design strategy shows well on the plan of this one-block armory building: west and east side are open to the community as a community center on the ground floor, every one in the neighborhood can get access to easily during the day; south and east side are designed as transitional housing, from east to west, the stay term is getting longer and stable, from overnight stay to family size long term housing. A continues communal kitchen as the public space allows various activities to happen. Color code: Blue as private, red as public


28ft

35ft

42ft

21ft

882 sqft

735 sqft

392 sqft

3 bed For years stay

3 bed For months stay

2 bed For weeks stay

21ft

14ft


21ft

21ft

147 sqft

147 sqft

1 bed For temporary or overnight stay

1 bed For short term stay 7ft

7ft

View from Section The "half&half" idea also shows up in a sectional way: with same depth of each roll, the more temporary the unit is, the less private space it has, and the more public space for the hallway. With the same color codwe which blue as private and red as public in this section axon drawing, the ratio between blue and red changes from east to west, it reflects the relation between private and public according to different temporality of stay.


FACADE OBLIQUE

The facade oblique shows different sizes of units on the facade side, and through collaging from materials and furniture, to shade and shadow, reflect the differences of staying temporality in a graphic way.


INTERIOR SECTION PERSPECTIVE Credit: Harrison White

Zooming into the interior, this section perspective reflects different living conditions under different living temporality at the moment, and the relation between public and private.



“ one should look from inside, not outside.”

01

VILLAGER'S LIVING ROOM Studio: Evironmental Architecture Design Instructor: Jun Mu, Wei Zhu Academic: 2014 Winter Collaborator: Yankai Zheng Building Area: 750 ㎡ Location: Haerbin, Heilongjiang, China

The extensive practise of modern architect does change our lifestyle and bring us a more material comfort. However, there are always some architects who over-pursue the expression of a certain space, pays little attention to the surroundings. They take advantage of the light structure , design big window and even use the unadaptable material as the wall, during with, getting rid of the problems that may associated with the nature and expecting to be solved by the auxilary equipment system. As for me, architecture is actually a kind of intermedium linking our human-beings and the circumstance. But how could the architecture link us to the nature? I suppose it of vital neccessity to take the surrounding conditions into consideration, including the local climate, the traditional material and etc. That's also the start of this design.


June 21st sunset 8 p.m.

June 21st sunrise 4 a.m.

12 a.m. December 23rd sunset 5 p.m.

December 23rd sunrise 7 a.m.

50

0m

12 a.m.

26 125°42‘E 46°40‘N

sun path 0℃

optimum temperature -32

activity radius summer wind winter wind


Form Strategy

Small shape coefficient and earthing make building reduce from heat loss

South large area sloping roof reduce snow load and enlarge daylighting

A B C D

Inner space is divided into four compact parts based on function

Adjustment of different parts based on function requirements and corresponding with site

Function Analysis based on life

A close investigation on the local villager's life gives me a better understanding of what villagers really want and leads to four major functions: education, activity, business and service.


Logistics

Ent

ran ce

ENTERTAINMENT 225 Activity Room 130 Bathhouse 30 Book Gallery 30 Shop 30 Toilet

BUSINESS 40 Office 20 Sickroom 20 Clinic

ACCOMENDATION 20 Boiler Room 20 Guest Room 20 Guest Room 20 Guest Room 20 Guest Room


Building in Site CHILDEDUCATION

80 Classroom 30 Bedroom 15 Toliet

M ain E

Relying on the existed 3m ridge, I adjust the configuration of the building and form both the south field and the north field with different views and functions, providing a more multiple choice in the site.

ntra

nce


Courtyard The insert of courtyard enables the sunlight to come across the roof and shed light on the gusetrom

Roof Field

Corridor as buffer

Initiative H

The north roof can be termed as a field to have kinds of activities, such as skating and film. The roof is covered with thick soil, enable it to keep heat

In consideration of the good quality of the air to keep heat, some small space like corridor can be a good buffer space

The initiative heat supply for the b

Energy

The used heat in b can be conducted to activ

View from Section Although the building choose the centralized configuration because of the cold climate, we try to create different spaces with different scale responding to certain activities. We put our recognition into practice from the several sections as follows. Meanwhile, these sections are associated with proper passive ecological technology, making it much more adaptable to stand in such a severe environment.


Heating

Open Sunspace

Sunspace

Door Bucket

t is used to bathhouse

The main activity room is provided a relative good light situation, and take advantage of the sunlight to gain heat

Enable the child-care classroom stay at a comfortable themal condition

Reduce the wind blowing into the indoor space

Re-use

Thermal Massive

Earthing

bathhouse o the main vity room

Good quality to store the heat gained from the sunlight

Take advantage of the original field as a effective way to reduce from heat loss

Double Roof Reduce the heat loss on the north side of the building


Plan Um volestrunt. Que comnis alique enducieniwRibus. Ullorem ressinu mquae. Ut volupta quamustiost, auditati

First Floor Plan 1. Main Entrance 2. Shop 3. Phamacy 8 9 10 11

0 1

5

10

Second Floor Plan First Floor Plan 1. Children Centre 1 Dandae volestiissin 2. Kang 2 pres aliquatecta 3. Activity Room 3 venimet lacearumRe 4. Book Gallery 4 voles abor 5. Bathhouse 6 aut inimus 7 excesequam num

4. Clinic 5. Sickroom 6. Gurest Room

6. Room 8 Locker Dandae volestiissin 7. Guest Room 9 pres aliquatecta 8. Guest Room 9. Toilet



Open Sunspace

Double-glazed panel exposed ashler 200m m A

plywood 20m m

Activity Room

B Kang Kang

South Wa ll Structure artificial stone 100mm rammed earth 220m m waterproof membrane insulation foam 120mm rammed earth 220m m

Multiple Life in Villager's Home Um volestrunt. Que comnis Boritemp orepraectati oditi dolest, cusdant a dolorrorum hicienda veliam conet ea que nus anisimus con I expect the building to be a big home for villagers to participate plabor aliquiaspere verovidebit ea consequae sanis entiam ventus maios mos as dolut quatur? Orum quid in, in which people can not merely enjoy the basic demands for magnatur audit ipsam, net labo. Boremol uptate voloris re nobisserum ea plam sam, consendit omniminis entertainment well as coruOfficius communication withcum others, also aut que essim as re simusa aerovita quiabut niam se anossitibus earibus des velit, aut ilit odit, ut familiar feeling associated with the local cultural life. As you can fugitat iorepel iquatquos etur arionsedi sinullabor sus, velit omnienist ratusam ad et platia volendis et aut ei see in the picture above, I keep a piece of place as “Kang�, a ci aut officius anient. traditional element of the local life. But I amplify the size of it, expecting to hold more villagers to participate in.

Activity Room


Roof Structure roofing tile 20mm vapor permeable waterproof membrane structural plywood 10mm vent cavity 20mm rigid insulation foam 80mm vapor-proof membrane scale board 20m m

B

Shop Shop

Entrance Entrance

Floor Slab Structur e stereoplasm floor 20mm screed-coat 60mm sound insulation layer 40mm concrete layer 120m m No rth Outer Wa ll Structure artificial stone 100mm rammed earth 220m m waterproof membrane insulation foam 120mm ashler 220m m cement paste 10mm ceramic tile 10m m

C

Book Galle ry Bathhouse Bathhouse

4

Foundation Structure ferroconcrete ring beam 300mm concrete block 400m m poor concrete 300m m D

A. Sunspace Structure Magnify

B. Roof Structure Magnify

C. Outer W all Structure Magnify

D. Foundation Structure Magnify



“'Look at that,' he said. 'How the ink bleeds.'�

01

SUSPENSION FROM SKY Studio: Making of Design Principle Instructor: Carl Lostritto Academic: 2016 Fall Individual Work

This studio explores design principles specific to architecture. The "Making of" in "Making of Design Principles" is important. The faculty do not have fixed set of principles to convey or a predetermined path to a known outcome. This reflect a reality of architecture: there are no formulae for success, no project is identical to another, and rarely are the parameters fixed. This studio asks students to draw inspiration from their own work in a way that resists habits, defaults and prior assumptions. Start from observing ink suspension and identify the behavior of the ink, students worked with a series of models and drawings to create the condition of the ink and the water suspension. The second step combined suspension with a ritual that humans participate in as a group, transferring and developing pervious suspension models into a scaled architecture. At last, site, structure, enclosure, inhabitation and constructions are required.


SUSPENSION

FALLING

DISSOVING

ROTATING


CUBE From observation of the suspension and interactive dance of the ink from the moment of its deplyment to its final precipitation and dissolution in the overall water, I noticed that in the water, the ink was rotating, falling and dissoving. This cube I used strings to represent falling and dissoving, and sticks to represent the main trace of the ink. This cube also became the prototype of the whole project.


RITUAL

SKY BURIAL Sky burial is a funeral held by Tibetan Buddhists. When a person died, his/her family and friends would carry the corpse climb to the mountaintop, and there'd be buddhists pray for the soul then let the carrion birds eat the corpse. They do this because the Tibetain Buddhism tells them to be generous. They think it is the last good thing they can do to the living beings and the world, it is a good Karma.


ALTITUDE

M O D E L & N O TAT I O N A L D R AW I N G

PLATFORM

MOUNTAINTOP

TIME


SITE MODEL


FIRST FLOOR PLAN

STORAGE ROOM

UP BATHROOM

N


N O TAT I O N A L D R AW I N G


C A K E - C U T T I N G AXO N O M E T R I C D R AW I N G

CAKE-CUTTING AXONOMETRIC DRAWING


THRESHOLD

In the final part of the semester, a threshold model was developed to zoom in to intensify the potentials of the work done so far, then use that understanding to enrich overall frameworks for human experience, architecture, and its relationship to the city.


PRAYING PLATFORM UP

CEREMONY PLATFORM UP

DOWN

THRESHOLD PARTIAL PLAN 1/4


SECT


TION


“ Space is meaningless


s without people gazing at.”

02

CUBE Studio: Arts Center Design Instructor: Yu Zhao, Bingyang Hou Academic: 2013 Winter Individual work Building Area: 6240 ㎡ Location: Xi'an, Shaanx, China

Nowadays, cities became congregations of straight islands; public spaces are designed for transportation. People lives like parcels that mechanically moving in and out giant buildings. I believe architecture is not simply sculpture, but rather a pleasant spatial scale that can utilize enclosed public spaces, in conjunction with the media, to associate buildings with cities and humanity. In this project, I chose a cube as a prototype with a series of categorized analysis combined with human dimension. Jointed by these cubes, I gave this project special attention to exploring different spatial properties such as enclosure modes, textures, virtual and real spaces, and how these properties affect peoples’ moods. My goal was to try and explore the most suitable spatial scale to architecture, people, and cities by using architectural space as a medium.


Typology of Combination Possibilities

Surface

Block

Floor

Form

Texture

Floor

Wall

double-wall

Opposite-wall

Roof

With different methods we can define various function combinations and the space relations. During the design, I tried to think in typological methods to find out how to make the space more attractive, and more reasonable. All of them follow some rules, which lead them to a relative better and harmonious function arrangement. Pushing, cutting, digging and adding and so on, diverse ways give you distinct feeling.


Function Components

Living scale

Sacred scale

Power scale

When spaces are given functions and people get involved, I am curious that how space scales and forms suit function needs. Through my understanding to different scales spaces from daily life, I try to explore how the enclosure modes, textures, virtual and real spaces and properties meet functions and affect peoples’ moods in typological methods.


Cube Com

UNIT 1: Entrance Hall

UNIT 2: Outdoor exhibition

UNIT 3: Exhibition Hall

+

+

+


mbination

UNIT 4: Lecture Hall

UNIT 5: Free Space

UNIT 6: Shop

+

+

+


Plan

2

First Floor Plan

1 2 3 4 5 6 7 8

Entrance hall Temporary exhibitions Outdoor exhibitions Toilet Cafe Exhibition gallery Office area Storage room

Second Floor Plan

1 2 3 4 5 6 7 8

Exhibition hall Rest area Outdoor patio Elevator Free space Lecture hall Storage room Storevv

Third Floor Plan

1 2 3 4 5

Exhibition hall Toilet Rest area Outdoor patio Elevator

5

1

3

4




SECTION


"Architecture is a true we live, and the wa

03

COEXISTING

Research Project Instructor: Mengyao Yu Academic: 2015 Winte Collaborator: Meng Zh

This project aims at creating a new new rural areas today. It returns to t traditional rural planning philosoph space and the clan structure, which New Socialist Countryside, is what two traditional villages in China, w which Chinese traditional rural cultu combined with theneeds of villager this pr


e reflection of the way ay we want to live."

G COMMUNITY

Yu, Yutian Wang, Ran Wei er hou, Yaming Fu

w pattern for constructing modern, the fundamental idea of the Chinese hy. The reconnection between public is missing in the construction of the t we are focusing on. By comparing we extract the architectural logic on ure is based. This architectural logic, rs' lives today, is the starting point of roject.


New Socialist Countryside under Development Policy In 2005 the Chinese government initiated a set of policies to confront the issue of developing the countryside, constructing new rural towns with the intention of ensuring social stability. However, during the past years we can see a missing of public space system in the New Socialist Countryside program. This system is a reflection of the clan structure in Chinese traditional rural society. Therefore, this missing leads to the unmatched relationship between the space and social structure. Predictably, although brand new houses improve villagers’ living environment, they also separate Chinese traditional community and clan relations.

Chinese Ancient Village under Traditional Philosophy

Xiaoqi Village

Lingquan Village

787 AD Population:2364 Scale:120000m2 location: Jiangxi Provience

206 BC Population:1976 Scale:110000m2 location: Shaanxi Provience

Located in southern and northern China, those two villages are in totally different natural conditions. By analysing the cause of traditional rural space, we focus on the social factors in spite of natural ones. We generalize the common points of the structure of public space and regard it as the foundation of Chinese traditional rural development.Ma que nobitat uribus ratio. Nequo quodiscim laborro ratatius aspelit perum ex essintur mossi id undundi tatur? Gent odita niminim porupta velestio. Ut ratur sinum qui nonsedias eossi nest, od moluptae assum es aligend emporum nonsequi officiis modia cus.


Space Factors Analysis Xiaoqi Village Village and Fields

Public Center

Linear Public Space

Ancestral Hall

Countryards Inside a House

Ordinary Life

Festival Culture

Entertainment

Lingquan Village


Typology of Public and

T-crossing

T-crossing Sedi aut laturSedi

Public space inside a cluster

Public Space

Pravite space inside buildings

Residence

Patriarchal clan Jang

Patriarchal distribution Wang

Zhang

Chen

Huang

Sun

Liu

He

Yu


d Social Relationships

T-crossing

T-crossing

Public space nearby crossing

Public Space

Pravite space enclosured by buildings

Residence

Patriarchal clan

Patriarchal distribution Dang

Zhi

Wang

Cao

Yang

Yan

Bai

Tang

Xu

Zhao

Ma


House Types under Chinese Patriarchal clan

Zhao

Sun

Lee

Qian

Generation 1

Lee Zhao

Lee Sun

Generation 2

Zhao Sun

Zhao Zhang

Generation 3 Sun

Sun

Sun

Zhang

Generation 4 Sun

Zhang

Zhang Zhang

Generation 5


Strategy : Vary the Space Levels

Disadvantage of courtyards

Space Levels

Over-private Space

Level 1

Method

Level 2

Ground

Space Levels

Figure

Level 1

Level 2

Level 3

Cluster Generation Spatial Function Spatial Intimate Degree

Working Mechanism

Unit 1

Unit 2

Unit 3

Unit 4

Unit 5

Private

Farming

StoringS

gS inging

Meeting

gathering

household


Plan


Spatial Structure Analysis




“ human interaction and c reason for the city’s very ex


communication are the essential xistence..”

04

LIFE BETWEEN BUILDINGS Studio: Urban Design Instructor: Hao Li, Xu Lu, Jingjie Ye Academic: 2015 Spring Collaborator: Bingguang Chen, Meng Zhou Building Area: 108 000 ㎡ Location: Beilin, Xi’an, China Excellent Design Award of the National Architectural College Student Work Exhibition 2015 Second Prize of the Annual Excellent Student Work Competition in the College of Architecture

This project is a renovation of an undeveloped area— a historical area alongside the city wall— in the old district of Xi'an in which the site will be planned as authentic places derived from the relationship with and communication of culture. We focus on the site and find the human interaction and communication which that have long been embedded in the district. Local citizens shapes this site as a living place and are characterized by the communication at the same time. But the current undeveloped architectural model of the site severely disrupts the prospect of local culture and severs the closed connection. Therefore, the project tries to explore and intensify the relationship. It highlights the celebratory moments of communal life — buying and selling, chatting and playing. All of these moments are which we regard as the basis of the city.Life within the new urban model is the result of the collective efforts of local peopleand tourists.


Communicatio

SONG

MING

EARLY QING

LATE QING

Trade

Portion of communication space

960

Antique trade

Packway besides the citywall

Military channel

telephone

telegram newspaper

carrier pigeon 12th CENTERY

18th CENTERY

1840s

1876


on Revolution

JIAN GUO CHU

MIN GUO

NOW

Internet Market

television

Factory

radio

E-mail

Residence

Unit compound

Online Chat

facebook 1920

1925

1969

1990

2004

Human communication has always been in a process of change. Similarly, this evolution also exists in the site. As a historical district, the communication between local people started to develop during the Jiexiang Revolution in the Song Dynasty (around 960AD). After the founding of the People's Republic of China, the development of varieties of workshops and factories in the site has also contributed to the communication among local people. It is worth noticing that the pattern of communication inside the site differs from the communication patterns of a normal city with a close connection to the modern technology. It focuses on a face-to-face means of communication.


Communicatio

Professional Communication

Personal Communication

Social circle Communicatio

The flowing seller seldom have a stable place. They’re always expelled by police.

Three shopping lanes appears at the same place, making it always in a chaotic situation.

The lane is a little narrow and it can be too crowded to walk when vehicle runs in.

I want to have a place to play with my friends.

I will spend all the time selling food in my shop. But I want to have a place to relax myself in the relative spare time.

So cheap people! I to do sho

Here once to be place full of hist memory, but no too broken to ho people.


on Pattern

on

Children have little place to have fun. They always play on the street, which is quite dangerous.

p! But so many It is too crowded opping here.

eaa torical ow, it is old the

Computer-mediated communication

Social Group Communication

There’s only one narrow way to go out of the market. Quite inconvenient. convenience for community seldom have a stable place.

The sale space is large and comfortable, but you see, there’re two storeys above that remains useless. It can be used.

The price is cheap, yet it always takes me a long way to get the fish market.

I have a field of vegetable here for a long time. If the district were unavoidable to innovate, I hope I can still have such a kind


Expand Social Communication

2020-2025

Rebuild Connection

2017-2020

Break Down Barriers

2015-2017

PHASE 1

PHASE 2

Implant Communication Centers

Making new friends becomes easier.

Reconstruct Compound Enclosure

Ways of communication sometimes bother me.

Reconstruct Shuncheng Lane Market

Communication with old friends in a traditional way.

Build Social Circle

Expand Social Circle

Finding new ways of communication. 2025-2030

PHASE 3

2030-2040

Implant Urban Communication Space Implant New Communication Methods

Building social circle according to interests.


Site Planning

Shuncheng Lane Market

Compound Enclosure

Neighborhood Committee

Pubilic Library

Community Hospital

Pubilic Theatre

New Grocery Market

Leisure Centre

Designer Office

Internet-Architecture Media


Leisure Centre

Green House

Grocery Market


Designer Office Youth Hostel

Pubilic Library

Sports Center


GROCERY MARKET

New functions such as gardening training, pottery workshop and tea house are added into the new market. Those changes meet the demands of different people and make the traditional market a more flexible space.



PUBLIC LIBRARY

The public library solves the problems existing in the current old town of lacking cultural facilities. Through the new internet-architecture media, residents in this area would be able to find point-to-point or point-to-multipoint relationships very quickly based on their own interests.



DESIGNER OFFICE

Office and restaurant have similiar pattern but work in different time. With the emergence of sharing function in different time, the work pattern enables people to work in an alternative way. Such flexible work pattern let users share their ideas, re-oganized the resources of space, labour and serve.



06

VERTICAL COASTLINE Competition Project Instructor: Man Su, Dai Ren Academic: 2015 Summer Collaborator: Meng Zhou, Ke Huang Location: Huludao, Liaoning, China

TEAMZERO Architecture Student Design Competition


The idea of this project comes from my childhood memory of my hometown and ocean. Because of industrial development, original coastline in my hometown has been invaded by wharf, which is an important part to local people. Playing at the seaside becomes memory. I was wondering if disappeared boundary could reborn. I use a number of abstract elements which are reflections of my memory to original natural elements of the ocean, restore the original horizontal space atmosphere in a vertical dimension, so that to create a new boundary of ocean.


Site Memory

12th, December,2003 The site is located on Huludao, Liaoning, China, which is a small and peaceful town. Ocean plays an essential role to local people, it foster people in my hometown and coexist with people harmoniously.

1st, February,2015 With the development ot industry, original coastline is also disappearing. Waves washing against the rocks, fish and shrimps swimming in the sea, all of them has gone. people lose the right to touch the ocean.

Um volestrunt. Que comnis

Before

Now

After


tide sound

cave

fishing beach combing

high tide mark low tide mark

SECTION PLAN


Vertical Structure




IMPROPER DRAWING TOOL Computation Drawing Instructor: Carl Lostritto Academic: 2016 Fall



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