The Winter Show 2025 Catalogue

5,000 YEARS OF ART, ANTIQUES & DESIGN

THE WINTER SHOW RUG

CUSTOM DESIGNED BY JAKUB STARON

Drawing inspiration from the iconic Art Deco stylings of 1920s Manhattan, this piece encapsulates the era's geometric elegance and urban sophistication.

THE WINTER SHOW

A BENEFIT FOR EAST SIDE HOUSE

January 24 – February 2, 2025

The Park Avenue Armory Park Avenue at 67th Street New York City

Monday, Wednesday, and Friday | 12 PM to 8 PM

Tuesday and Thursday | 12 PM to 4:30 PM

Saturday | 12 PM to 7 PM

Sunday | 12 PM to 6 PM

East Side House Settlement Education, Innovation, Results

337 Alexander Avenue, Bronx, New York 10454 Telephone: (718) 665-5250 Fax: (718) 585-1433 www.eastsidehouse.org info@eastsidehouse.org

The Winter Show is a world-renowned exhibition by distinguished dealers featuring fine and decorative arts for sale. East Side House Settlement owns the Show and benefits from the fair’s ticket sales, catalogue revenue, and corporate sponsorships. No portion of sales revenue made by exhibitors financially supports East Side House.

Cover image: Hirschl & Adler Galleries

left: Didier Aaron Inc. right: Blumka Gallery

THE WINTER SHOW 2025

SIDE HOUSE

schaferbuccellato.com

PRESENTING SPONSOR CHUBB

Ana Robic

On behalf of Chubb Personal Risk Services, I would like to welcome you to the 2025 edition of The Winter Show.

Chubb is once again honored to be the Presenting Sponsor of this prestigious fair — an event that provides curators, collectors, dealers, design professionals, and first-time buyers with opportunities to discover and purchase exceptional works showcased by some of the world’s finest dealers. We are also pleased that our sponsorship helps support East Side House Settlement, which established the fair in 1954.

In addition to supporting such an incredible service institution, we are delighted that our sponsorship enables us to reinforce our commitment to the fine art, antiques, and collecting community. As the country’s leading provider of insurance for private collectors of art, antiques, jewelry, and other valuables, Chubb is dedicated to helping protect not only what is important to our clients but also to preserving the rich cultural heritage and artistic contributions of previous generations. If you’d like to find out more information on how Chubb can help to protect your passions, please visit us at chubb.com/collectionsprotected.

My colleagues and I hope that you enjoy your experience at this year’s Show. And we thank you for supporting a fabulous event that also helps to improve the lives of so many others through its support of East Side House.

Enjoy the show!

Ana Robic North American Division President Chubb Personal Risk Services

CO-CHAIRS THE WINTER SHOW

Lucinda C. Ballard Michael R. Lynch

Welcome to the 71st edition of The Winter Show. It is an honor to mark this occasion alongside our East Side House Settlement family and cherished supporters at the Park Avenue Armory, which has been our home for many decades and remains a cornerstone of New York’s vibrant art scene.

As the longest running art, antiques, and design show in the world, The Winter Show has set a benchmark for connoisseurship and innovation for more than seven decades. In a constantly evolving art market, we have upheld a steadfast commitment to maintaining exceptional quality while embracing shifting demographics and contemporary tastes. This year, we are honored to present a stellar roster of experts in the fine and decorative arts, spanning diverse disciplines and price points. We are certain our exhibitors will captivate art lovers and collectors alike.

We take immense pride in our role as the primary fundraising initiative for East Side House, an extraordinary community-based non-profit that has been a beacon of hope since 1891 for individuals in the Bronx and northern Manhattan. From offering comprehensive youth programs to delivering meals for older adults, East Side House continues to provide critical education, job training, and support services to empower our community. Serving on the board of East Side House has been a privilege, and we have been astounded by the tremendous strides

made to uplift our community. We are especially excited about the upcoming launch of the Haven Charter High School in Mott Haven and a new community center in 2025, both of which will provide structure, education, and support for at-risk youth.

Your generosity enables East Side House to nurture the minds and spirits of New York’s most vulnerable residents. We are deeply grateful to our dedicated team, consisting of staff, interns, volunteers, and student ambassadors, as well as our sponsors, partners, and benefactors, whose unwavering support fuels our mission. A very special thanks to Chubb and Bank of America for their loyalty and commitment.

The Winter Show stands as a testament to the passion, vision, and generosity of those who have made this journey possible. As we continue this new decade, we remain dedicated to ensuring The Winter Show continues to shine, while helping East Side House build a more inclusive, prosperous, and vibrant community.

Lucinda C. Ballard

Michael R. Lynch

EXECUTIVE DIRECTOR THE WINTER SHOW

Helen Allen Once again hosted at the 69th Regiment Armory, as it has been for over seven decades, The Winter Show raises funds for East Side House Settlement, one of New York City’s most critical community organizations. For this 71st iteration of the Show, we are delighted to continue our tradition of excellence with a diverse showcase of renowned fine and decorative arts, and jewelry.

This year, we are excited to announce the return of last year’s Focus: Americana, which represented our efforts to continuously bring fresh concepts to our Show. Curated by Alexandra Kirtley and designed by Erick J. Espinoza, the exhibition features a collection of artworks and antiques from our Americana dealers and honors the craftsmanship of the Americana tradition, which has been the backbone of The Winter Show throughout its long history.

As you explore this year’s Show, you will notice many longtime returning exhibitors as well as a variety of new dealers whom we are welcoming for the first time. I would like to extend a special acknowledgment to the following exhibitors, who are celebrating milestone anniversaries with us: The Old Print Shop, Inc. (65 years), Hirschl & Adler Galleries (50 years), James Robinson, Inc. (45 years), Joan B Mirviss LTD (45 years), S.J. Shrubsole (40 years), Thomas Colville Fine Art (35 years), Michele Beiny (30 years), and Thomas Heneage Art Books (10 years).

Since 1954, the Show has continued to raise crucial unrestricted funds to support East Side House’s programs that aim to reduce poverty through providing quality education and resources to residents of the Bronx and northern Manhattan. It is a pleasure to collaborate with the devoted team at East Side House, as our work furthers its pursuit in impacting the lives of the community it serves.

We greatly appreciate the support of our sponsors and partners. In 2025, we are excited to welcome Chubb back as Presenting Sponsor for the 29th consecutive year! Since joining the team in 2018, I have found their partnership and collaborative spirit to be a continual source of inspiration. We are thrilled to have Bank of America — a supporter of East Side House for many years — joining us as Opening Night Party sponsor for the fourth year. In addition, we are delighted to collaborate with premium brands representing unique perspectives in luxury and design, including Cara Cara, Special Releases, and Abercrombie & Kent.

We welcome back our Design Council Honorary Chair, Wendy Goodman, and are grateful to our 2025 esteemed Design Council Co-Chairs, Christine and John Gachot, Elizabeth Graziolo, and David Netto. We deeply appreciate their dedication and support.

To our Co-Chairs, Lucinda Ballard and Michael Lynch, thank you as always for your invaluable support and guidance. To our Vice Chairs, Advisory Council, Young Ambassadors, Special Events Committee, and Young Collectors Night Co-Chairs, your insights and enthusiasm have been essential in making this show a success. I’m also grateful to my colleagues, Beatrice Giuli, Layne Hubble, and Wendy Buckley — your dedication, creativity, and collaborative spirit make each day a pleasure. Special thanks to the Dealers Committee and the Show’s Vetting Committee Co-Chairs for their commitment to ensuring an extraordinary lineup of global art spanning over 5,000 years. And to our exhibitors — your passion and excellence make it all possible.

Thank you!

Helen Allen Executive Director

The Winter Show

ACKNOWLEDGMENTS

Presenting Sponsor

CHUBB

Opening Night Party Sponsor

BANK OF AMERICA

Supporting Sponsors

ABERCROMBIE & KENT CARA CARA FREEMAN’S | HINDMAN SPECIAL RELEASES 2024

Event Partners

BLACK RIVER CAVIAR DESIGN LEADERSHIP NETWORK EVATON FAIRE LA FÊTE THE GALLERY AT 200 LEX PALM BAY INTERNATIONAL

Design Partners

ADELPHI PAPER HANGINGS ERICK J. ESPINOZA FRENCHCALIFORNIA GRACIE STUDIO

JD STARON LEREBOURS ANTIQUES REFLECTEL TIBETANO VAN GO, INC.

Media Partners

AIR MAIL ANTIQUES AND THE ARTS WEEKLY APOLLO ARTNET THE ART NEWSPAPER BUSINESS OF HOME COLLECTISSIM CULTURAL UNION GALERIE HOMEWORTHY INCOLLECT MAGAZINE NYC&G THE MAGAZINE ANTIQUES VENÜ MAGAZINE VERANDA

Cultural Partners

AMERICAN FRIENDS OF ATTINGHAM ART & ANTIQUE DEALERS LEAGUE OF AMERICA

ASIA WEEK NEW YORK CINOA THE DECORATIVE ARTS TRUST THE DRAWING FOUNDATION

INSTITUTE OF CLASSICAL ARCHITECTURE & ART MASTER DRAWINGS NEW YORK

NATIONAL TRUST FOR HISTORIC PRESERVATION PHILADELPHIA MUSEUM OF ART PRESERVATION LONG ISLAND SOCIAL REGISTER ASSOCIATION

Hospitality Partners

THE LOEWS REGENCY HOTEL THE MARK HOTEL

Educational Partners

CUNY SOTHEBY’S INSTITUTE OF ART

THE WINTER SHOW

Executive Director

HELEN ALLEN

Fair Manager Marketing Consultant Communications Associate

BEATRICE GIULI WENDY BUCKLEY LAYNE HUBBLE

East Side House Settlement

DANIEL DIAZ Executive Director

East Side House Executive Leadership

NATALIE LOZADA SYDNEY MOSHETTE DIANA RODRIGUEZ

Dealers Committee

DEBRA FORCE Chair ANDREW CHAIT Treasurer

JOAN BOENING FLEUR CALLEGARI BENOIST DRUT MARTINE NEWBY HASPESLAGH

MATTHEW IMBERMAN LOWELL LIBSON JAMES MCCONNAUGHY

Vetting Committee Co-Chairs

JOAN BOENING ALICE LEVI DUNCAN JAY GRIMM ROBERT YOUNG

Robert Simon Fine Art

THE WINTER SHOW 2025

Co-Chairs

LUCINDA C. BALLARD MICHAEL R. LYNCH

Vice Chairs

JEFFREY CALDWELL MICHAEL DIAZ-GRIFFITH MARY ANNE HUNTING MAUREEN KERR

HELEN FRECH KIPPAX LUCINDA B. MAY

Advisory Council

COURTNEY BOOTH CHRISTENSEN LORI COHEN LOIE DEVORE MICHAEL DIAZ-GRIFFITH

JAMIE DRAKE ALLEGRA O. EIFLER LIZ FELD JONI GROSSMAN ELLEN HAMILTON

CHRISTINE DONAHUE KAVANAGH TENA KAVANAGH GEORGE KING ELLEN WASHBURN MARTIN

LARK MASON KATHARINA PLATH NOURRY GEMMA SUDLOW

OPENING NIGHT PARTY

Design Council Honorary Chair

WENDY GOODMAN

Design Council Co-Chairs

CHRISTINE GACHOT JOHN GACHOT ELIZABETH GRAZIOLO DAVID NETTO

NEIGHBORHOOD HEROES

JUDY HART ANGELO

MRS. MARY B. GALVIN

KAREN Z. GRAY-KREHBIEL

MRS. KATHARINE RAYNER

COMMUNITY CHANGEMAKERS

MIGUEL BONILLA

CARY BROWN

MADAME BARBARA DE PORTAGO

DONZELLA LTD.

NANCY LARSEN FARRELL

THADDEUS GRAY

MR. & MRS. JOSEPH C. HOOPES, JR.

MR. BARCLAY G. JONES

TENA KAVANAGH

MR. & MRS. JOHN E. KIPPAX

STEVE KLINSKY & MAUREEN SHERRY

COCO KOPELMAN

MR. ANDREW LAW

THOMAS REMIEN & MARY ANNE HUNTING

MRS. CHARLES F. SMITHERS

STUDIO SFW

LICHTEN ARCHITECTS

MICHAEL R. LYNCH & SUSAN BAKER

THE MARTIN FAMILY

BEN PROSKY

CHARLOTTE RIGGS SCHAFFEL & ALEX B. SCHAFFEL

THURMOND SMITHGALL

LOIS & ARTHUR STAINMAN

JEFF & ELIZA STEIN

TANAKA MEMORIAL FOUNDATION

NICHOLAS VINCENT

JOHN L. & SUE ANN WEINBERG FOUNDATION

MR. & MRS. PHILIP L. YANG

TARA & ROY J. ZUCKERBERG

LITERACY SUPPORTERS

Anonymous

Lucinda C. Ballard

Cara Cara

Carrier and Company Interiors

Clark Construction Corp.

David W. Dangremond

Kristin Frank

Elisabeth Giovine

Jamee & Peter Gregory

Allen & Deborah Grubman

Heinz Family Foundation

Hannah L. Henderson

Brooke & Oliver Kennan

Maureen Kerr

Richard & Debra Kolman

Michael A. Kovner &

Jean Doyen de Montaillou

Jerry Lauren

Williams Lawrence

Jill Lord & Stephen Byrd

Mr. & Mrs. Jeffrey Loria

Karen Thornwell May

Ellen & Robert Meyer

Elizabeth & Richard Miller

Gretchen S. Redden

Eileen Rosenau

Constantine Sidamon-Eristoff

Elizabeth Sigety & Jeff Nicholas

William W. Stahl, Jr.

Lizzie & Jonathan Tisch

Barbara Tober

Phoebe & Bobby Tudor

Elizabeth Keshishian Tyler & Nicholas Tyler

FAMILY SUSTAINERS

Kathy Abbott Interiors

Mr. & Mrs. Richard B. Barthelmes

Caroline Portny Beshara

Kathleen Chopin & Colm Clancy

Francine Crawford

Cullman & Kravis Associates

Miriam Ellner & Wiley Kidd

Greg Featherman & Anastasia Morozova

Fay Gambee

Ben Goldman

Mrs. Roger Hanahan

Paul Henkel & Sophia Herring

Randy Hiller & Jan Orris

John Hunting

Idle Hour Collective

Christine Janis

Thomas Jayne

Harry & Jill Kargman

Suzanne Kasler

Mrs. Linda H. Kaufman

Sarah S. King & George King

Jennifer Klos

Linda & Ben McGrath

David & Dolores O. Miller

Virginia A. Millhiser

Network Toolsmiths, Inc./RMS

Dayssi Olarte de Kanavos

The Honorable Eugene Oliver, Jr.

Alex Papachristidis & Scott Nelson

John J. Pettenati, 1919 Investment Counsel

Allison Provost

Andrew Provost

Christine Provost

David Provost

Nicky Rothschild

Susan P. Schoelwer &

William F. Schoelwer

Silva Paris

Merrielou Symes

OPPORTUNITY CHAMPIONS

Ms. Melinda Hull Allison

Stuti Anand

David Becker

Joe Bondi

Doug Bradburn

Nadene Bradburn

Michael R. Carter

Lisa Cooper

Erin R. Corrales-Diaz

Billy Cotton

Ramona Dessouki

Sofia Drakotos

Monique Gallego

Brittany Beyer Harwin

William T. Hobbs II

Stephanie Hoffman

Cecily Horton

ZJ

Leslie Jones

Lisa Koenigsberg

Dr. Maria Kovacs

Tom Krouwer

Fergie Kuzucuoglu

Anne Kriken Mann

Christina Nielsen

Polina Proshkina

Jonathan Roth

Dr. Jac Scheiner

Derin Sezercan

William M. Singer

Muys Snijders

Amy Turcotte

Simona Wilrich Irwin

(as of 12/16/24)

Photo: Simon Brown

Photography by Annie Schlechter

PHOTOGRAPHY:

ADAM KANE MACCHIA

INSIDERS PREVIEW

FRIDAY, JANUARY 24, 2025 10 AM – 12 PM

Hosted by

Exhibitor Hosts

DEBRA FORCE FINE ART

LOWELL LIBSON & JONNY YARKER LTD

MACKLOWE GALLERY, LTD.

DESIGN COUNCIL

Platinum

CeCe Barfield Thompson

Erick J. Espinoza

Christine & John Gachot

Wendy Goodman

Elizabeth Graziolo

Lichten Architects

David Netto

Gold

Cullman & Kravis

Fairfax & Sammons

Ferguson & Shamamian

The Gallery at 200 Lex

Hamilton Design Associates

Ralph Harvard

Thomas Jayne

Kerry Joyce

Sarah Lederman

Lindley Martens Design

Moran Hook Architecture

John B. Murray

Alex Papachristidis & Scott Nelson

Peter Pennoyer

MAISON GERARD LILLIAN NASSAU LLC

SÃO ROQUE

S.J. SHRUBSOLE

Thomas Pheasant

Schafer Buccellato Architects

Steven W. Spandle Architect

Eleish Van Breems Home

Nadia Watts

Bunny Williams

Williams Lawrence

Fernando Wong

Outdoor Living Design

Silver

Elizabeth Bolognino

Patrick Derosier

Lily Dierkes

Tori McBrien

Studio Roene

Elaine Santos

White Webb

SPECIAL EVENTS COMMITTEE

Tena Kavanagh

Helen Frech Kippax

Ellen Washburn Martin

DESIGN LUNCHEON CO-CHAIRS

Julia Workman Brown

Jeffrey Caldwell

Lucinda B. May

Starrett Ringbom

DESIGN LUNCHEON TABLE HOSTS

Jacquelin Sewell Atkinson

Genevieve Wheeler Brown

Joni Grossman

Karla Harwich

Sarah Lederman

Kate Marshall

Eby McKay

Annabelle Moehlmann

Ariel Okin

Jackie Powers

Max Sinsteden

Helen Allen Smith

CeCe Barfield Thompson

Kristin Ursano

Stephanie Woodmansee

Aronson

THE DESIGN LEADERSHIP NETWORK SALUTES EAST SIDE HOUSE SETTLEMENT ON 71 YEARS OF THE WINTER SHOW — AND ITS OUTSTANDING TRACK-RECORD OF SUCCESS IN HELPING IMPROVE THE LIVES OF NEW YORKERS.

The DLN champions community, collaboration, growth, and best practices in the high-end design industry. We create tailored experiences, educational programs, and resources for our members, who include principals of architecture, interior design, and landscape architecture firms as well as professionals from affiliated disciplines, media partners, and corporate leaders. Visit our website to learn more.

Goldman Sachs is proud to support

The East Side House Settlement

EXECUTIVE DIRECTOR

EAST SIDE HOUSE SETTLEMENT

Daniel Diaz

As we gather to celebrate the 71st Winter Show, I am struck by the enduring power of our cherished tradition. For over seven decades, The Winter Show has united art connoisseurs, collectors, and philanthropists, forming a community of steadfast supporters whose generosity has empowered East Side House to deepen our impact in the Bronx and beyond. It is an honor to share in this legacy, and this year, it carries special resonance as I celebrate my own 20th anniversary with East Side House.

Reflecting on two decades of service, I am filled with a profound sense of gratitude. Over these years, I have witnessed lives transformed, dreams realized, and a community strengthened by opportunity and hope. As I look forward to the future, I am reminded of how far we have come and of the incredible promise that lies ahead. This vision for the future has perhaps never been more vivid than in our current project: the establishment of a new building to welcome students to Haven Charter High School that doubly serves as a community center bringing new resources to Bronx residents.

Haven Charter High School is more than just a school — it is the embodiment of East Side House’s commitment to education, workforce readiness, and community empowerment. Set to open in 2025, Haven will provide students with a robust academic foundation, advanced career pathways, and a wealth of resources that extend beyond traditional schooling. At the same time, Haven will serve as a transformative space for the entire community, offering programs in adult education, career development, and family support, creating a center where knowledge, opportunity, and resilience flourish.

This ambitious undertaking requires the collective effort and belief of our supporters. It is our hope that Haven Charter High School will become a beacon of opportunity in the South Bronx, a place where individuals from all walks of life — whether engaging with its offerings as students or community members — can access the resources they need to thrive.

Your support here at The Winter Show is integral to making this vision a reality. Together, we are building something lasting and profound, an investment in a future where every young person, every family, and every neighbor can share in the success and opportunity that Haven promises.

On this milestone occasion, both for The Winter Show and my own journey, I am deeply grateful for your partnership, your generosity, and your commitment to the mission we share. Here’s to 71 years of impact and to many more years of building a brighter future together.

With deep appreciation,

Daniel Diaz Executive Director East Side House Settlement

2025 DESIGN COUNCIL

Each year, East Side House Settlement and The Winter Show invite a team of industryleading experts to help build appreciation for historic art and objects. These designers and architects are selected for their significant contributions to design, culture, and connoisseurship. This year, we are delighted to welcome Christine and John Gachot, Elizabeth Graziolo, and David Netto as our esteemed Design Council Co-Chairs. We are honored that Wendy Goodman, the renowned critic and design editor at New York magazine/ Vox Media, is returning for her 11th year as Design Council Honorary Chair.

Michele Beiny

Wendy Goodman Design Council Honorary Chair

A leader in the international design community, Wendy Goodman has defined trends, discovered new talent, and collaborated with eminent designers, architects, and photographers throughout her career. Since 2007, she has served as Design Editor at New York magazine/Vox Media, where she produces design stories for print issues and content for the Curbed website, now part of New York magazine. Previously, she was Harper’s Bazaar’s style editor and covered the world of style and fashion for House and Garden. In addition to authoring several books, Goodman frequently hosts design talks and has been featured on Good Morning America and NBC’s Open House, among other outlets.

Christine Gachot Design Council Co-Chair

Christine Gachot is a principal at GACHOT, a New Yorkbased design studio and development consultancy that she runs with her partner and husband, John. Notable projects of GACHOT include Pendry Manhattan West, 67 Vestry Residences in Tribeca, Pebble Bar & Johnny’s, Glossier, Shinola Hotel, and various private residential projects. In addition to GACHOT, Christine utilizes her design expertise as a board member of the Design Leadership Network, brand ambassador for NeueHouse, and founding member of the Female Design Council. She previously worked with André Balazs Properties as partner and vice president of design development, where she led the teams behind iconic hotels and commercial residential projects including Hotel QT, the Standard New York, 40 Mercer Residences, One Kenmare Square, and Chiltern Firehouse. Prior to ABP, she worked as a senior designer at Studio Sofield for 10 years, completing numerous commercial and residential projects ranging from the Soho and Tribeca Grand Hotels to Gucci boutiques.

John Gachot Design Council Co-Chair

Also a principal of GACHOT, and its founder, John Gachot has spent nearly three decades working as an architect and designer in New York, leading the design and project development of various high-end residential, retail, commercial, and restaurant spaces. Notable clients include Marc Jacobs, for whom he designed a private New York residence, as well as Bottega Veneta, Baker Furniture, Boucheron, and Gucci. Prior to GACHOT, he worked at several prominent ateliers, including Studio Sofield as senior designer and Thad Hayes Inc. as design director.

At GACHOT, each project is a collaboration between the client and team, developing a conceptual narrative that informs the unique design of each interior, filled thoughtfully with objects and furnishings that tell their own story. Additionally, John serves on the board of the Shelter Island Historical Society, further demonstrating his commitment to preserving and celebrating local heritage.

Elizabeth Graziolo Design Council Co-Chair

Elizabeth Graziolo is the founder and principal of Yellow House Architects, a collaborative-minded practice with offices in New York and Miami. Her studio is known for architecture and interior work that employs classicism with a modern sensibility, resulting in contemporary yet timeless residential and commercial spaces. An Elle Decor A-Lister and an Architectural Digest AD100 honoree three years running, Graziolo has also been honored with the City of Design Award from the Museum of the City of New York and the prestigious Cooper Union President’s Citation in Architecture. Outside her firm, she serves as a trustee at the Institute of Classical Architecture & Art, the Museum of the City of New York, and the Olana Partnership, and sits on the Delano & Aldrich/Emerson Fellowship Committee of the American Institute of Architects. Recent projects include private estates in the Midwest and Palm Beach, model units for One Wall Street in New York, and the design of an agriculture-focused neighborhood in Georgia.

David Netto Design Council Co-Chair

David Netto is a Los Angeles-based interior designer and writer. He has written on architecture and design for The Wall Street Journal, The New York Times, Cabana, and other publications, and he currently writes the “Case Studies” column for Town & Country. He is the author of monographs on François Catroux and Stephen Sills, and most recently, authored a monograph on architect Rosario Candela. His interiors have appeared in Vogue, Elle Decor, Architectural Digest, House Beautiful, House & Garden, Town & Country, and Veranda. In 2023, a self-titled book representing 20 years of his own designs was published with Vendome.

A Toast & Warm Thank You to The Winter Show !

Collections, whether cherished antiques or modern finds, tell a story.

The old pieces hold the weight of history and memory, while the new ones promise future nostalgia. Together, they weave a rich tapestry of time, connecting the past and present in tangible and profound ways.

DAVID NETTO

CELEBRATING 40 YEARS WITH OUR NEW BOOK

YOUNG COLLECTORS NIGHT

THURSDAY, JANUARY 30, 2025 6 PM – 9 PM

Honorees

ADAM CHARLAP HYMAN ADAM ELI

Co-Chairs

JOSHUA BARBA-HILL KEVIN BARBA-HILL SAM DANGREMOND LAURA DOYLE

TIFFANY FARNEY JUSTIN FICHELSON CAMILLE OKHIO MADELINE O’MALLEY

MARGARET SCHWARTZ ANDERSON SOMERSELLE ELISE TAYLOR LAURA DAY WEBB

Host Committee

Anthony Amiano

Grace Astrove

William Cullum

Mercedes de Guardiola

Ramona Dessouki

Natalie Dougherty

Alexander Hankin

Sophie Aliece Hollis

Kaleta Blaffer Johnson

Kerry Joyce

Casey Kohlberg

Sarah Lederman

Katherine Levy

Robert Levy, M.D.

Matthew Mortara

Daisy Prince

Polina Proshkina

William E. Rutledge

Scott Sottile

Courtney Urfer Thompson

Reid van der Vink

Alexander D. Wilson

Benefit Committee

Mack & Margaret Abbot

Miss Ali

Danielle Amodeo

BarlisWedlick Architects

Phoebe Beachner

Mia Campbell

Johanna & Benjamin Collins-Wood

Ali & Ben Cooley

David W. Dangremond

Lyla Townsend Day

Patrick Derosier

Hampton DeVille & Adam Williams

Mr. William-Hunt Fralish

Craig Gibson Jr.

Temur Hamilton

Alden Hawkins

Heller Studio, Principal

Elizabeth Horn

Katherine Ann Johnson

Audrey Keller

Elizabeth Kurpis

Valerie Ludorf

Hillary Lundgren

James MacKay

Ellen Marsteller

Paul J. Mateyunas

Tori McBrien

Annabelle Moehlmann

Timothy V. O’Connor

Christian Poppell & Louis Venturelli

William Radin

Adam Sacks

Elaine Santos

Rudy Saunders

Paige Blodgett Scher

Gabby Slome

Annabel Toole

Astrid Tvetenstrand

Eric Viner & Dr. Jordan Wise

Haley Walker

Mackenzie Wanicka

Elizabeth Wolf

(as of 12/21/2024)

Hirschl and Adler

Gus Christensen, Courtney Christensen

Alexander Tutungi, Matthew Kelley

Maria Yang, Philip Yang

Jennie Wallace, Mary Anne Hunting

Jakub Staron, Gosia Staron

Bunny Williams

Billy Cotton, Ellen Hamilton, Peter Pennoyer, Wendy Goodman, Alexa Hampton, Corey Damen Jenkins

Lucinda Ballard, Lucinda May

Thaddeus Gray, Daniel Diaz

Sarah Xu

Tena Kavanagh

Alex Schaffel, Charlotte Riggs, Sheila Riggs, David Dangremond

Nicky Hilton

Sam Dangremond

OPENING NIGHT PARTY 2024

Jill Kargman

Michael Bloomberg

Michael Lynch, Lucinda Ballard, Connie Verducci, Daniel Diaz

Alexa Hampton, Alexandra Kirtley, Peter Pennoyer, Helen Allen Caroline Smith, Gemma Sudlow, Eve Reid

Arie Kopelman, Coco Kopelman

Martha Stewart, Kevin Sharkey Marc arson, Samara Bliss

Robert Rufino, Jeffrey Caldwell

Helen Kippax, John Kippax

Sarah Stuyvesant, Louise Decoppet

Jason Busch, Graham Boettcher

Jamee Gregory, Peter Gregory

Tori Mellott, Starrett Ringbom

Thomas H. Remien

Daniel Diaz, Connie Verducci, East Side House Student Ambassadors

Melody Clarke

Corey Damen Jenkins, Wendy Goodman, Camille Okhio, Mark Salzman

Rick Kolman, Debbie Kolman

Veronica Wu, Beatrice Giuli, Av Mark, Helen Allen

Sustainable, traceable and irresistibly delicious. Delivered farm-direct to your door.

Dustin Lujan, Victor de Souza

Jamie Singer Soros, Julie Buchenholz, Allegra Eifler, Sarah McLaughlin

Larry Milstein, Elise Taylor, guest

Alexander Hankin, Di Mondo

Madeline O'Malley

Paul Arnhold, Wes Gordon

Nell Rebowe, Elizabeth Kurpis SarahMcLaughlin

MadelineO'Malley

Camille Okhio, Grace Myers, Adam Charlap Hyman

YOUNG COLLECTORS NIGHT 2024

Emma Nuzzo, Nicole Abe Titus, Steven Griffin, Soul Nieves

Caterine Sanchez, Marilyn Kirschner, Av Mark

Sarah Breckinridge, Casey Winebrake

Robert Hartwell, Mason McCulley

Megan Zuckerman, Brittany Beyer Harwin, Casey Kohlberg, Dana Prussian, Laura Day Webb, Megan Melbourne, Anita Saggurti

Tiffany Farney, Daniel Diaz, Natalie Lozada, Anderson Somerselle, Diana Rodriguez, Margaret Schwartz

Alonso Díaz Rickards, Michael Diaz-Griffith, Ruth Mauldin, Robbie Gordy, Audra Kiewiet de Jonge, Andrew Nodell

Rob Levy, guest

David Hauser, Linus Adolfsson

Kevin Barba-Hill, Mercedes de Guardiola Indre Rockefeller

AVAILABLE ON AMAZON

A PASSIONATE PHILANTHROPIST.

AN EBULLIENT SPIRIT.

A VISIONARY LEADER.

A LASTING LEGACY.

IN LOVING MEMORY OF

ARIE KOPELMAN

ARIE KOPELMAN

Chairman of The Winter Show

1995 - 2018

ARIE, WE SALUTE YOU!

THANK YOU FOR DECADES OF SERVICE AND SUPPORT AND FOR YOUR UNWAVERING ENTHUSIASM, VISION, WARMTH AND HUMOR.

YOUR LEADERSHIP, FRIENDSHIP, AND PASSION HAVE BEEN AN INSPIRATION.

ALWAYS STYLISH AND SMILING WITH A JOKE ON THE TIP OF YOUR TONGUE, THE WINTER SHOW AND EAST SIDE HOUSE FAMILIES RAISE A GLASS TO YOU!

A SALUTE TO ARIE KOPELMAN

To me, compassion was one of Arie’s greatest qualities. He drew people to him by genuinely caring for them — and they felt that warmth. He had a huge heart.

Lucinda C. Ballard

Arie Kopelman’s impact on East Side House and the community we serve cannot be overstated. For over two decades, Arie’s leadership as Chairman of The Winter Show propelled our mission forward, raising millions of dollars to support vital programs. He was not only the driving force behind the success of the show but also a champion of the underserved.

When I had the honor of presenting him with a token of appreciation, the Heart in Hand Award for public service as Chairman Emeritus, he reached out to me a week later — to ask how much the gesture had cost. He tried every way possible to get a number, because he wanted to make sure not a single dollar had been diverted from serving the community. That selflessness defined who Arie was — always putting others first. He was a remarkable leader, a generous spirit, and above all, a friend to East Side House.

Daniel Diaz Executive Director, East Side House Settlement

He was a remarkable leader, a generous spirit, and above all, a friend to East Side House.

Daniel Diaz

Previous page : Arie Kopelman receives ESH Heart and Hand Award in 2018.

Above, top right: Arie Kopelman, Daniel Diaz

Above: Arie Kopelman, Lucinda Ballard, Helen Allen, Michael Lynch

Arie was an extraordinary man — one of a kind in all the best ways. We worked together on The Winter Show for well over 20 years. He inspired me, taught me, constantly made me laugh (sometimes to tears!), and always came forth with the most spot-on advice or observations which were driven by keen intuition and wisdom. A favorite ritual was sitting on the floor of the Kopelman’s apartment laying out and noodling various designs, floor plans, potential ads, color combos, fabrics — as a former Ad Man he had a great eye. Much has been rightfully written about his enduring devotion to his family— his beautiful bride Coco, Will and Jill, and the six “munchkins,” as well as his comedic talent (a wicked mimic!), his joie de vivre, his continuous optimism to the very end, and of course, his his brilliance as Chanel’s leader. To me, compassion was one of Arie’s greatest qualities. He drew people to him by genuinely caring for them — and they felt that warmth. He had a huge heart. So, it is fitting that he collected objects with the heart motif, and that in 2018 he was awarded the first (and only) Hand in Heart Award by East Side House Settlement.

Lucinda C. Ballard

Co-Chair,

The Winter Show

Arie Kopelman was truly special — his big smile, humor, and warmth could light up any room.

My journey with The Winter Show and East Side House began through my cherished friendship with Arie. One of my fondest memories is of him walking through the Armory just before the show’s Opening Night, engaging with the dealers as they set up. He showed genuine curiosity about their booths, their art, and their lives always asking about their families and recent travels.

Another lasting memory of Arie was his passion for food. Our tastings with the show’s caterer, held weeks before Opening Night, were a highlight.

Arie’s discerning palate was legendary — he never hesitated to suggest adjustments, whether it was tweaking the seasoning or, famously, banning even the tiniest hint of cilantro.

Arie’s charm, thoughtfulness, and love for life will remain a lasting inspiration to all who knew him.

Michael R. Lynch Co-Chair, The Winter Show

A collector himself, he understood the nuances of the antiques world and used his vision and drive to modernize The Winter Show for the 21st century.

Robert Young

Arie Kopelman was my friend. We met in January 1997 at The Winter Show, where his love for Americana, especially folk art, often drew him to our booth. His deep knowledge and remarkable eye for quality were matched by an incredible memory. If we brought back an unsold piece, Arie would recognize it and recall its exact placement from years past.

During my time on the Dealers Committee, I witnessed Arie’s devotion to the show and East Side House. Despite his remarkable career, his true passion was design and decorative arts. He often joked about opening a competing shop after retirement, and I have no doubt it would have been extraordinary. His homes, curated with Coco’s gentle restraint, were filled with treasures, though his daughter, Jill, teased about needing a “weathervane intervention.”

Arie’s humor and warmth were unforgettable. At Donahue’s or in my shop, his banter and flawless impersonations brought endless laughter. Two weeks before his passing, he visited my shop, slowed by a walker but undeterred. Reflective and grateful, he shared his thoughts on life, family, and objects.

Arie Kopelman was my friend, a true inspiration, and for that, I am forever grateful.

Patrick Bell

New York City

Top to bottom: Arie’s “Winter Show Wall” demonstrating collected works from The Winter Show, photo courtesy of Arie’s Instagram; Coco Kopelman, Arie Kopelman, Lucinda Ballard, Patrick Bell

Arie was the definition of a true gentleman. He had a way of making whomever he was speaking with feel as if they were the most important person in the room. He always wore a smile on his face and had a twinkle of mischief in his eye. Although Arie became Chairman Emeritus as I joined, he remained very much the heartbeat of The Winter Show and became, in many ways, a mentor to me. His deep passion for the decorative arts and the relationships he had with the dealers was evident in every conversation we had over the past six years. He would call me to tell me about a chair he had seen on his travels — giddy as a schoolboy. I loved our “teas” at his home and our lunches at Donahue’s. Arie was an inventive storyteller, always quick with a joke, and he would often try to bring others along on the ride. One of the things that I admired most was his dedication to his family. We never had a meeting or a call when he didn’t fill me in about his grandchildren’s myriad accomplishments, about Jill, Will, and Coco, too. He adored his family and was never brighter than when he was with them or talking about them.

Helen Allen Executive Director, The Winter Show

Arie was the definition of a true gentleman. He had a way of making whomever he was speaking with feel as if they were the most important person in the room. Helen Allen

Arie first invited us to exhibit at The Winter Show 25 years ago and remained a steadfast supporter ever since, even visiting our London gallery this past summer.

With his ready smile, easy charm, and sharp suits, Arie was instantly engaging. Beneath that exterior was a passionate enthusiast with boundless energy. A collector himself, he understood the nuances of the antiques world and used his vision and drive to modernize The Winter Show for the 21st century, always supporting the dealers and “working” the show.

His fashion background gave him an eye for marketing and presentation, striving to make even the rarest works accessible and appreciated by a broader audience. By the second week, his sharp suits gave way to casual chic, polished shoes to trainers, and his jokes grew longer, often cheekier. He delighted in hearing what had sold and sharing stories of his family, collection, and life.

Arie kept a keen eye on shifting tastes and trends, combining warmth, wit, and insight that enriched both the show and those who knew him.

He will be greatly missed.

Robert Young

London & New York City

Arie & Coco Kopelman

Arie loved prank phone calls. His favorite was a rabbi with a long, made-up name and a heavy Yiddish accent. Once, he pretended to be a French miniature collector on holiday in Philadelphia who wanted to see my collection and “purchase as many pieces as possible.” Arie was dismayed that nobody ever fell for his calls. I never told him that his caller ID said “Chanel USA.”

Elle Shushan

Philadelphia

Arie loved prank phone calls.

Elle Shushan

Arie was a remarkable man whose drive and dedication helped make The Winter Show the “Greatest Show on Earth.” As a Winter Show exhibitor, I am proud to be a part of his ongoing legacy.

Arlie Sulka New York City

In addition to his legacy as a successful businessman and philanthropist, Arie was an influential advocate for the antique business. Arie took a hands-on approach in his capacity as chairman of The Winter Show. He was fully committed to its success and supporting the work of East Side House Settlement. The Show and charity benefited enormously from his considerable business experience, boundless energy, and generosity of his time and resources. When Arie became chairman of the Show in 1995, the event had changed little since its 1950s inception. He aimed to modernize it by introducing new categories and extending the dateline, attracting a broader, younger audience to what became known as The Winter Show. He was a real objects person with a passion for the works displayed at the show. To know Arie was to share in his good humor, joy of life, warmth, infectious smile, and distinct Boston accent. It is fitting that the last time I saw Arie was at the opening night preview of the 2024 Winter Show, at the same venue where we had met 22 years earlier.

David A. Schorsch

Woodbury, CT

Without a doubt, Arie Kopelman’s leadership and guidance were major reasons for The Winter Show’s rise to its current status as the top show in the country. He was very much in touch with what was going on in the trade and developed relationships with the dealers through the years. As a member of the Dealer’s Committee for almost two decades, I dealt with him often and was always impressed by his insight and knowledge.

Andrew H. Chait

New York City

To know Arie was to share in his good humor, joy of life, warmth, infectious smile, and distinct Boston accent.

David A. Schorsch

It’s a big loss for the field. Arie sublimated art collecting and ran The Winter Show like he probably ran a Chanel board meeting: he was thoughtful and purposeful.

He was so enthusiastic about American art, about ALL the arts. For me, to have someone who was in fashion, who was so debonair and global and have enjoyment in my field, was very thrilling. He and Coco were a wonderful couple, and they made the art field distinctive and glamorous but in a very gentle and unassuming way.

For all he did at Chanel, I think he was most comfortable in his Nantucket reds and we loved to tease him about them.

John Hays

New York City

Top to bottom: Arie Kopelman, Coco Kopelman, Bunny Williams, John Rossell; Alan Rappaport, Michael Bloomberg, Arie Kopelman

Humble, yet gentlemanly, he was a quintessential 21st century Jimmy Stewart.

Leigh Keno

Arie had a great sense of humor. When I told him, “You could have been a stand-up comic,” he dead-panned, “Trust me, I wouldn’t have been standing long.”

Humble, yet gentlemanly, he was a quintessential 21st century Jimmy Stewart.

In the late 1990s, the Show’s dealers committee, of which I was a member, gathered at his impressive office at Chanel’s 57th street headquarters for a sit-down. We showed up early and, feeling cheeky, I sat in his comfy chair, put my feet up on his massive desk, and when Arie walked in, I said, “Look, the intern finally showed up, how does everyone want your coffee?” Unsurprisingly, Arie went along with the ruse and soon had us all in stitches laughing.

Arie was equally at home near his place in Nantucket as he was at a New York black-tie event. He lived in the moment and seemed to love every moment. I truly respected the fact that this man, who brilliantly ran one of the largest and most successful luxury brands in the world, found visual beauty and tactile pleasure from the simplest of objects. As he often gravitated towards American folk art, he was definitely a man after my own heart.

Leigh Keno New York City

Arie Kopelman was a BIG picture guy!! He had great vision and a vivid imagination. His creativeness helped to fortify and energize The Winter Show. Arie was passionate about material culture, and while The Winter Show unfolded each January, Arie would comb the floor for examples that would fit into his carefully self-curated collection. Arie will be greatly missed.

Arthur Liverant Colchester, CT

Arie Kopelman was a BIG picture guy!!

Arthur Liverant

Top to bottom: Arie Kopelman, Leigh Keno; Arie Kopelman, Coco Kopelman, Jill Kargman, Will Kopelman

Top to bottom: Arie Kopelman, Leonard Lauder; Ellie Cullman, Arie Kopelman; Arie Kopelman, John Smiroldo, Jamie Drake

Arie deftly walked the line between being a dealer advocate and raising millions of dollars for East Side House Settlement, which is a skillful art to say the least. He had a wonderful twinkle in his eye when he came into your booth and was interested, sometimes he had a coy smile on his face when he wanted to negotiate a price. When The Winter Show opens this coming January, it will be the first time in my career that he won’t be there on opening night. He will be missed.

Allan & Penny Katz

Madison, CT

Arie and I often vied for specific pieces. He never forgave me for the 19th-century French wind god weathervanes I purchased at the Philadelphia Show one year — he just couldn’t understand how I beat him to the purchase. And even after I explained that I got to the dealer first simply because the vanes were hanging next to the ladies’ room entrance, a necessary first stop after my train trip from New York City, rather than the proper entrance to the show. Still, he never let me forget this, perhaps the one and only time I beat him to the proverbial punch!

Ellie Cullman

New York City

Arie deftly walked the line between being a dealer advocate and raising millions of dollars for East Side House Settlement, which is a skillful art to say the least. Allan & Penny Katz

Arie Kopelman said at the first Winter Antiques Show Opening Night Party I attended, “You look marvelous!” He went on to introduced me to his serenely elegant wife, Coco, with a grin of sincere delight. Arie, the night, and the glamour made me happy that I was now part of the team, working on the Show’s catalogue. That was the 50th show, and for the next two decades Arie gave me full support and invaluable help in adding luxurious allure to the catalogue pages. His warmth and charm always set the tone for our committee meetings high atop Chanel. Wise, witty, and wholehearted about life, he was an original.

Jill Bossert Director of Advertising Sales, The

Winter Show

If you were conjuring the ideal mentor from scratch, you might come up with an Arie-shaped outline — but then, to really complete the picture, you would have to add his effortless charm, sparkling wit, and bottomless capacity for joy. It seems unlikely that one man should contain so much, but Arie did, and he shared it with heart in hand. We might have been discussing logos, leadership, fairs, or folk art, but the real subject was always: endless gratitude for our blessings, the deepest possible love of family, and wonder at the beauty that surrounds us. Arie showed me how to live, and I will be forever grateful.

Michael Diaz-Griffith New York City

Arie was a beloved friend to many in the art and antiques community.

Stuart, Sue & Liz Feld

Arie was a beloved friend to many in the art and antiques community. He was an ultimate aesthete, a man of great humor, and had an insatiable curiosity about the stories that made objects memorable and special. We will miss his friendship, the sparkle in his eye that ignited when discovering a new work of art from across the room, and his unwavering enthusiasm about taking The Winter Show “from strength to strength,” as he always said. We will miss him profoundly and send our love to Coco and their kids whose lifelong friendship to our family means so much.

Stuart, Sue & Liz Feld

New York City

I first met Arie while helping Jim and Nancy Glazer at The Winter Show. His enthusiasm for the decorative arts ran the gamut from the most extraordinary object to the more modest, always celebrating the finer points of those objects that spoke to him.

Kelly Kinzle

New Oxford, PA

Clockwise from top: Margaret Russell, Arie Kopelman, Oscar de la Renta, Coco Kopelman; Emily Rafferty, Arie Kopelman; Shari Redstone, Lucinda Ballard, Arie Kopelman, Margaret Russell, Leonard Lauder in 2007

Arie’s leadership and care for The Winter Show render him one of the most powerful and effective “influencers” ever in the field — a designation he surely would appreciate. Catherine Sweeney Singer

“Kopelperson here” was how Arie answered my calls. His reply to “how are you?” was “nevvah bettah” delivered with the Boston twang he deployed for comic effect. Arie was a master opener, knowing that to get ‘em laughing was an effective warmup. He convinced us that calls and meetings for the Show were the favorite part of his day.

Arie’s heart (also his favorite folk art motif) and core were his love for his family, framed by pride in his and others’ achievements, and infused by generosity with his time and ideas. I am honored to have worked for, and with, Arie for 25 years and to have had his trust and support in making the Show a success for all. Arie’s leadership and care for The Winter [Antiques] Show render him one of the most powerful and effective “influencers” ever in the field — a designation he surely would appreciate.

Catherine Sweeney Singer New York City

Remembrances reprinted in part with kind permission from Antiques and The Arts Weekly

A

TRIBUTE to ARIE KOPELMAN by Michael Kovner & Jean Doyen de Montaillou

A cherished friend and remarkable man, Arie brought joy, wisdom, and warmth to all who knew him.

His legacy of kindness, humor, and unwavering devotion will live on through his beloved wife, Coco, his children Jill and Will, and their families.

His spirit will continue to inspire and brighten the lives of all who had the privilege to know him.

Arie & Coco Kopelman, Opening Night of The Winter Show in 2015

Celebrating the Life of Arie Kopelman

We express our deepest admiration and thanks to Arie, a true champion of East Side House for more than 40 years. His work changed tens of thousands of lives for the better, and his friendship, warmth and wit are missed by all of us.

America’s oldest preserved plantation open to the public.

MUSEUM GALLERIES | HISTORIC HOUSE | ACTIVE

Gil Schafer’s Collected Life

by Hadley Keller of the Design Leadership Network

The architect reflects on his journey of collecting, from his first architectural drawings to recent purchases with his wife, designer Courtnay Daniels.

Gil Schafer is, in his own words, “hopelessly addicted” to collecting. The walls of his office at Schafer Buccellato Architects are lined with paintings and etchings depicting buildings and landscapes. At his home in Maine, midcentury ceramics collected with his wife, designer Courtnay Daniels, lend color to the airy interior; “in the country,” meanwhile, where the couple has a house in Millbrook, New York, Gil’s love of brown furniture reigns supreme in the form of 19th-century English and American furniture.

Gil and Courtnay’s New York apartment is an amalgam of each of these collecting personalities, presenting European antiques in conversation with Asian ceramics and Courtnay’s robust collection of photography from the American South. In a conversation with the Design Leadership Network, the onetime Winter Show Design Co-Chair talks about developing personalities for different homes, working with blue-chip client collections, and learning to love his wife’s preferred medium.

DESIGNERS WHO COLLECT

So the basis of our conversation today is architects and designers who collect, which almost seems like a redundant concept — doesn’t every design professional collect? Why do you think that is?

It’s very true. For one, we’re always shopping, so we see tons of things. And we’re obviously visually oriented, so we’re always looking, and we are drawn to a piece of art or furniture or an object. It’s like a sickness — we can’t help ourselves.

Since we have so much more of an opportunity to be looking for collectibles than the average person, the question becomes, how should we focus? Should we just gather items we love, or should we intentionally build a collection?

My wife is much more disciplined in that sense — we both love objects so we buy what we love, but she is a serious collector of Southern photography, and she is very focused about this. She may love a photograph, but if it doesn’t fit her criteria, she won’t buy it.

Previous page and left: In the New York City apartment Gil shares with his wife, designer Courtnay Daniels, art by Kara Walker and Sally Mann is paired with basalt ware and an 18thcentury incense burner.

Photos: Simon Upton

Opposite: A collection of midcentury ceramics on display at Gil’s home in Maine, where the collections — like the architecture — lean more modern. Photo: Simon Upton

We don’t have that same discipline in the other things that we buy to put around us, so the question becomes about which milieu is best suited to them. Sometimes they don’t fit anywhere, and they go into what we call the warehouse for our “someday house.”

We all have one of those! I wonder, looking back, do you recall when you first began getting excited about collecting, and was there an item in particular that sparked that?

When I was in college, because I was all interested in architecture, I started collecting drawings by contemporary architects. This was in the 80s and early 90s, so I had Robert Venturi drawings, Michael Graves, Bernard Tschumi; I had a Zaha Hadid drawing, one by Léon Krier. I was very focused. And then, I guess I realized that there was so much else to love that I kind of lost my discipline. My mind wandered, and I expanded the things that I like.

“Your taste is influenced all the time by the things you see and what you open your eyes to, so it changes over the course of your life, as you see more and learn more.”

So tell us a bit about how you think your taste for collecting has evolved since then.

Well, I think your taste is influenced all the time by what you see and open your eyes to, so it changes over the course of your life, as you see more and learn more. For example, when I built my house in Maine, it had a very different kind of interior than anything I’d had before. And since it was a little more modern, I had been looking at midcentury furniture, and I thought, well, I love ceramics, so I began to look at ceramics from that period, and now the whole house is filled with various midcentury ceramics. That interest was entirely shaped by the project I was working on and where my eye was going at that time.

Something else that really opened me up was marrying my wife, who has her own set of collecting interests. She loves basalt ware, for example. In the front hall of our New York apartment, you’ll see work by Kara Walker and Sally Mann and some basalt ware on the table that Courtnay has collected next to an 18th-century incense burner that I bought for her, and then a Chinese jar. I tend to be very English or American, and she likes Continental and to mix things more, so that has really broadened my eye.

Did you find that when you got married that was a conscious decision, to adapt your collecting styles or to merge them? Or do you each collect your own things and then they exist in dialogue with each other in your homes?

Sometimes they are in dialogue and sometimes they’re not! Courtnay buys all the photographs because they really apply to her collection. Truthfully, I never had an interest in photography before being married to her, and now we live with a ton of photography, so I do tease her about that. I tend to prefer painting and drawing — so we have some good-natured tension around that.

There are certain things that Courtnay buys just because she likes them and certain things that I buy to which Courtnay will say, “okay, that will go in your office!” It’s always nice when the Venn diagram of our interests overlaps, but it’s also fun to challenge each other.

Speaking of your office, you have a workspace that is much more collected than most; can you tell us about your approach there?

I wanted the front part of the office to feel a little bit domestic, so I thought we should have art on the walls, and I chose art that depicted landscapes or buildings — etchings or paintings or watercolors that were architecture or landscape related — and that’s what the clients see when they come to the office. My own office is just jammed with stuff on the wall, and it’s really just about what I love. Some of them are architectural drawings, some of them are contemporary; there’s a photograph that my wife gave me. It’s just different things that appeal to my eye, which is eclectic — which can be a bit of a problem!

And what about at home? Do you look at collections differently for your different spaces?

It’s nice having more than one house in that they all have different atmospheres. Our home in Maine is more contemporary, it’s all white, so the things we put in Maine are very different than in the country, which has a more 19th-century American and English feel. In New York, it’s more eclectic. It’s fun to be able to think: In which place will this item live best?

In the entry of the Schafer Buccellato Architects office, artwork depicting architecture and landscape give a subtle nod to the firm’s practice.

Photo: Eric Piasecki/ OTTO

“I think most of us in the design world are very interested in learning constantly — we always want to train our eye, to refine it.”

How do clients’ collections come into play in your work?

Some clients are serious collectors, and some just want pretty things around. The clients who are serious collectors tend to be very serious about where they want each item. We’re doing a house right now, for example, with Victoria Hagan, for a client that has a contemporary art collection, and we have specifically placed every piece. The works are very large-scale, so we had to make sure they fit and that they were lit appropriately. We even made decisions about where to place windows or doors, to ensure there was a wall for certain pieces. So in that case, the collection was very much at the beginning of the design process, because we needed the architecture to serve the art.

And then, in a very different approach we had another client who collected furniture by architects from the 1950s through 1970s. He had this idea to juxtapose that into an architecture that was in the Arts and Crafts style. So that was a really interesting exercise to do with him, to bring those two together.

I’m sure you sometimes learn about new styles or eras of collecting from clients.

Oh, absolutely. In the case of that client who collected furniture by architects, I knew some of it, but I didn’t know the breadth of it. He happened to also collect ceramics from the mid-20th century, and that was a whole new world to me at the time, which I eventually ended up exploring myself.

I always end up learning when working with clients. When they are serious about what they collect, they want to take you on that journey of learning from them. It was the same with my wife, who has taught me so much about photography. I think most of us in the design world are very interested in learning constantly — we always want to train our eye, to refine it, and to grow our knowledge. That’s a really fun part of what we do.

In the theme of constantly evolving, is there anything in particular you are excited about right now?

Well, my wife says we have too much brown furniture, and that I need to learn to look beyond that a little bit. So I’m trying to do that. I grew up in an old American house, and my parents loved brown furniture, and I think since that’s the way I grew up, I kind of gravitate to that. My wife, on the other hand, grew up with a mother with incredible taste, who really loved painted furniture. I’ve been trying to broaden my vocabulary on that front because I think it provides another layer that’s visually very wonderful.

Gil in the Schafer Buccellato Architects office, where an ever-growing collection of architecture and design books provide constant fodder for reference and inspiration.

Photo: Eric Piasecki/OTTO

Sir Frank Bowling, OBE RA, Looking for Carmen, acrylic, acrylic gel, metallic paint and found object on collaged canvas, 2006. Estimate $60,000 to $90,000.

Designer: Tori Rubinson Interiors

Photographer: Stephen Karlisch

Top Left: Abigail Marvin, Men’s Bargello Purse, before 1767, wool on canvas with a sterling silver clasp, 3 3/4 in. x 5 1/4 in. x 1/2 in. Florence Griswold Museum; Gift of the Estate of David Parsons Samson, Jr. in Honor of the Centennial, 1997.16.1. Bottom right: Harry L. Hoffman (1871–1964), Harvest Moon Walk (detail), ca. 1912. Oil on canvas. Florence Griswold Museum, Anonymous gift.

Ralph Harvard

Be transported back in time to discover more than two centuries of American craftsmanship.

Explore awe-inspiring interiors and galleries that showcase some 90,000 objects-including arguably the finest furniture collection in the country.

Gain new perspectives and insight into global trade, cultures, and craftsmanship of the past.

Gropius House, Lincoln, Massachusetts. One of Historic New England’s 38 exceptional history museums. Photographs by Eric Roth.

Celebrating the Power of Place

FOR 75 YEARS, the National Trust has tapped the power of meaningful places to enrich people’s lives. Once vacant, beautiful buildings now anchor economically vibrant main streets. Sites where our history happened can now inform and inspire Americans for generations. Our cities and neighborhoods retain their architectural particularity. And the repurposing of existing structures is helping to sustain our environment. All of this happened through the leadership and generosity of people like you. As we kick o this 75th anniversary year, we’re grateful beyond words—for what you’ve made possible and for the future we can build together. Thanks to the passion and dedication of our advocates and supporters, we’re able to protect hundreds of places every year.

Help us activate the power of places—for ourselves, each other, and our future together. Visit SavingPlaces.org

Free auction estimates & complimentary home visits in the tri-state area

THE NATIONAL TRUST FOR HISTORIC PRESERVATION AT 75

Chartered by Congress 75 years ago, the National Trust for Historic Preservation is a leader in safeguarding America’s historic places and the stories they represent. Its preservation work has harnessed the cultural power that places hold to understand our past, revitalize communities, and communicate a fuller story about who we are. Today, the National Trust stewards a culturally and geographically diverse portfolio of historic properties for the public.

Top: Designed by Alexander Jackson Davis in Tarrytown, New York, Lyndhurst Mansion was preserved as a memorial to Jay Gould by his daughters. Photo by Brian Thomson.

Above: An 18th-century architectural gem, Charleston’s Drayton Hall survived extensive neglect after a phosphate mine was constructed on its grounds following the Civil War. Photo by Carol Highsmith.

Comprising properties that speak to the history of the founding fathers and the people they enslaved, industrial tycoons and the workers who shaped their empires, renowned artists and the collectors who supported them, as well as regular citizens who lived, loved, and worked at these sites, its collections illuminate unique, complex stories that add richness to the patchwork of American history.

With over four centuries of fine and decorative art in the National Trust’s collection, it provides experiences of joy, awe, and appreciation to those who see and interact with these objects. Unlike a traditional museum, these pieces are displayed within the architecture and landscapes of their original collectors and owners, evoking the power of these places to tell our ever-evolving American story.

Right: Designed in 1939, the Pope-Leighey House is one of Frank Lloyd Wright’s earliest Usonian houses. Highway expansions in the 1960s threatened the home’s existence, but due to its diminutive size, it was moved to its current site in Alexandria, Virginia. Windows cut from plywood reflect the influence of abstract art. Photo by Paul Burk.

Right: The Trust has significant holdings of postwar architecture and fine art including this abstract painting, Tetuan II (1964), from Frank Stella’s first solo exhibition, now in The Glass House collection in New Canaan, Connecticut, (above).

Photo by Michael Biondo.

Amplifying Our American Story

The National Trust celebrates and commemorates a richly diverse cultural landscape. To connect people with a deeper and more complex past, the organization partners with a network of affiliated museum properties, including Historic Artists’ Homes and Studios, a national consortium of preserved artists’ homes and studios. It supports the preservation of previously overlooked American history through its African American Cultural Heritage Action Fund and initiatives such as Where Women Made History, Preserve Route 66, and Welcome to America’s Chinatown. By sharing these places, experiences, and stories, the National Trust continues

the legacy of those who came before and creates a new paradigm for national connection. As a result, the buildings and collections it holds speak to each other across centuries in unexpected ways.

Three religious buildings affiliated with the National Trust — San Estevan del Rey Mission Church in Acoma Pueblo, New Mexico, the Touro Synagogue in Newport, Rhode Island, and the African Meeting House in Boston — reflect these unexpected connections. Acoma Pueblo was first inhabited by Indigenous populations around the year 1000, centuries before the 16th-century introduction of Catholicism by Spanish

invaders. Erected in 1763, and the oldest surviving synagogue building in the country, Touro Synagogue was built for a congregation established around 1658 comprised of Jews who had escaped the Spanish Inquisition. The African Meeting House, built in 1806 and the oldest surviving African American church building in the country, was later sold. In 1904, it was transformed into a synagogue serving a community of Eastern European Jewish immigrants, highlighting how African American and Jewish religious buildings were often interchanged as neighborhood demographics shifted.

Clockwise from top: Touro Synagogue, the African Meeting House, and San Estevan del Rey Mission Church. These three religious buildings reflect the intersecting lives of Hispanic Christian, Jewish, and African American communities. Photos by John T. Hopf, Shawmut Design & Construction and Douglas Merriam.

Faces of America

Many portraits in the collection similarly reveal complex historic dialogues. The 18th-century Cuzco School painting Virgin Mary as a Child at Villa Finale in San Antonio depicts an idealized young girl in a similar manner to L’Esperance, a painting by Hovsep Pushman in the permanent collection of the President Woodrow Wilson House in Washington, D.C., in which a female portrait memorializes the Armenian Genocide. Famous for painting the founding presidents, Gilbert Stuart began his career painting portraits of the American Colonial Jewish elite, including a depiction of Abraham Touro in the Touro Synagogue. Stuart later found national fame for his portraits of George Washington, one of which is now in the Rockefeller family collection at Kykuit in the Hudson Valley.

Middle left: Middle left: Gilbert Stuart’s portraits of Abraham Touro, son of the first spiritual leader at Touro Synagogue in Newport, Rhode Island and George Washington at Kykuit in Pocantico Hills, New York. Photo of Washington’s portrait by Ben Asen.

Bottom left: Clementine Hunter, Unidentified Portrait, photo by Sophia R. Whitman, collection and courtesy of Melrose on the Cane (formerly Melrose Plantation) in Natchitoches, Louisiana © Cane River Art Corporation; Pasaquoyan Portrait, collection and courtesy of Columbus State University in Columbus, Georgia.

More contemporary paintings reveal the impact of self-taught artists on our cultural heritage, and their homes and studios encourage reflection on which perspectives have been excluded from the dominant narrative. This colorful portrait regaled in a headdress and jewels was painted by Clementine Hunter, a folk artist of Black, Indigenous, and European descent. She focused her observant eye on how Black people lived at Melrose on the Cane in Natchitoches, Louisiana, where she picked cotton and harvested pecans on the plantation for much of her life, before becoming a cook in the main house, and later penning a published recipe book. Another Southern self-trained artist, Eddie Owens Martin, was a gay man who left southwest Georgia at age 14, becoming a hustler, drag performer, and fortune teller in New York City. His colorful artwork depicts gender-fluid identities, as well as ancient religious symbols. This work, Pasaquoyan Portrait, is held in the collection of Pasaquan, the eclectic artistic environment he created at his childhood home in Buena Vista, Georgia. Both properties belong to the Historic Artists’ Homes and Studios consortium.

Above: Virgin Mary as a Child by a member of the Cuzco School (left) and L’Esperance by Hovsep Pushman (right). Cuzco photo by Cade Bradshaw.

Perspectives of the Civil War

Above: A business card from a slave dealer held in the collection of Shadows-on-the-Teche in New Iberia, Louisiana.

Below: Chesterwood, the summer home and studio of Daniel Chester French in Stockbridge, Massachusetts. Photo by Gregory Cherin. Opposite: Daniel Chester French’s working model for the Lincoln Memorial in Washington, D.C. in the collection of Chesterwood.

Above: A life mask of Abraham Lincoln cast by Leonard Welks Volk demonstrates how Daniel Chester French’s work for the Lincoln Memorial was inspired by Volks. The life mask is on display at the Woodrow Wilson House in Washington, D.C.

Left: Daniel Chester French’s maquette of his monumental sculpture for the Lincoln Memorial in the collection of Chesterwood.

Many pieces in the National Trust’s collection showcase American life prior to and during the Civil War. The National Trust holds properties and objects of significance related to Abraham Lincoln, including Lincoln’s Cottage, the president’s summer home where he penned the emancipation proclamation. Chesterwood, the home and studio of Daniel Chester French, owns numerous plaster maquettes of the artist’s statue for the Lincoln Memorial. His depiction of Lincoln was influenced by the life mask cast by Leonard Welks Volk, a copy of which was owned by President Woodrow Wilson and is retained at the Wilson House in Washington, D.C.

Objects documenting the history of enslavement draw attention to the seminal American struggle for equity. The African Meeting House holds a marble bust of Robert Gould Shaw, a commander of an all-Black regiment during the Civil War, created by Edmonia Lewis, the first woman of African American and Indigenous descent to achieve international fame as an artist. Other ephemera recall the banality of enslavement to white Americans, as illustrated in a business card for a New Orleans dealer in enslaved people belonging to the collection of Shadowson-the-Teche, a house museum in Louisiana.

Above: Edmonia Lewis’s 1864 marble sculpture depicts Robert Gould Shaw, the commander of an all-Black regiment during the Civil War. The bust belongs to the collection of the African Meeting House in Boston.

Right: Shadows-on-the-Teche, a National Trust Historic Site in New Iberia, Louisiana. Photo by Carol M. Highsmith.

Be Seated

More than two hundred years of chair designs held within the National Trust collections highlight how American taste has changed and how styles are often recycled through the eras. As an example, the National Trust owns some of the earliest examples of Chippendale furniture in the United States. In the 1750s, the first Chippendale furniture in the United States was imported from Scotland to Drayton Hall in Charleston by its owner, a Scottish immigrant. Frank Gehry would later repeat these curves in the 1989 prototype of his crosscheck chair, presented to architect Philip Johnson from The Glass House collection. Another standout design in the collection, A. J. Davis’s 1840s Gothic Revival wheelback chair, from the Lyndhurst collection draws on British influences, although the creator never left the United States.

Clockwise from top left: An imported Chippendale chair in the Drayton Hall collection, an 1840s Gothic Revival wheelback chair in the Lyndhurst collection, and a 1989 protopy of Frank Gehry’s crosscheck chair in The Glass House collection.

Architecture as Memory

Among the National Trust’s most significant holdings are two of what are arguably the most famous houses of the 20th-century, The Glass House by Philip Johnson and the Edith Farnsworth House by Ludwig Mies van der Rohe. The National Trust is also actively protecting homes of diverse cultural significance. For example, its African American Cultural Heritage Action Fund has worked with contemporary artists Adam Pendleton, Rashid Johnson, Ellen Gallagher, and Julie Mehretu to preserve the childhood home of Nina Simone.

Through such efforts, the National Trust seeks to help the American cultural landscape fully reflect our rich and diverse American identity — a fitting way to prepare for both the country’s upcoming 250th anniversary and the National Trust’s next 75 years.

Top: Considered Mies van der Rohe’s most significant project in the United States, the Edith Farnsworth House clearly represents the architect’s ideas about structure and space.

Above: The Glass House is best understood as a pavilion for viewing the surrounding landscape. Most furniture within it came from Philip Johnson’s New York apartment, designed in 1930 by Mies van der Rohe. Photos by Mike Crews and Above Summit, 2023.

FREDERICK CARL FRIESEKE | Sold: $112,500

ALFRED THOMPSON BRICHER | Sold: $337,500

LYNNE MAPP DREXLER | Sold: $450,000

ABASTENIA ST. LEGER EBERLE

Sold: $68,750

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VÉRONIQUE BAMPS MONACO

MICHELE BEINY

BLUMKA GALLERY

BOCCARA GALLERY

JONATHAN BOOS**

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THOMAS COLVILLE FINE ART

JONATHAN COOPER

COVE LANDING

DANIEL CROUCH RARE BOOKS

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EGUIGUREN ARTE DE HISPANOAMÉRICA

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PETER FINER

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ROBERT YOUNG ANTIQUES

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DIDIER AARON INC. | D2

New York, London & Paris

T: (212) 988-5248

www.didieraaron.com

info@didieraaron.com @didieraarongallery

Hervé Aaron

Paintings, drawings, and sculptures from the 17th to 19th century.

A LA VIEILLE RUSSIE, INC. | D9

New York

T: (212) 752-1727

www.alvr.com

alvr@alvr.com

@alavieillerussie

Paul Schaffer, Peter L. Schaffer, Mark Schaffer

European and American antique jewelry, Fabergé, and objets de vertu

ADELSON GALLERIES, INC. | E7

New York

T: (212) 439-6800

www.adelsongalleries.com info@adelsongalleries.com @adelsongalleries

Warren Adelson, Alan Adelson, Georgia Adelson

19th- and 20th-century American paintings.

ALEXANDRE

GALLERY | B12

New York

T: (212) 755-2828

www.alexandregallery.com inquiries@alexandregallery.com @alexandregallery

Phil Alexandre

Early 20th-century American artists.

ARONSON OF AMSTERDAM | E14

Amsterdam

T: 011-3120-623-3103

www.aronson.com mail@aronson.com

@aronsondelftware

Robert D. Aronson

17th- and 18th-century Delftware.

AVERY

GALLERIES | A13

Bryn Mawr, PA

T: (610) 896-0680

www.averygalleries.com info@averygalleries.com @averygalleries

Richard Rossello, Nicole Amoroso, Laura Adams

American paintings and works on paper from the late 19th and early 20th centuries.

VÉRONIQUE BAMPS MONACO | B7

Monaco

T: +377 97 97 37 57 www.veroniquebamps.com info@veroniquebamps.com @veroniquebamps

Thierry Bamps

Antique jewelry from the Renaissance to the 20th century.

MICHELE BEINY | D1

New York

T: (212) 794-9357 www.michelebeiny.com michele@michelebeiny.com @michelebeiny

Michele Beiny Harkins

18th- and early 19th-century English and continental porcelain, as well as American modern and contemporary ceramics and glass.

BLUMKA GALLERY | D7

New York

T: (212) 734-3222 www.blumkagallery.com info@blumkagallery.com @blumkagallery

Tony Blumka, Zeljka Himbele

Medieval and Renaissance artworks.

BOCCARA GALLERY | C5

New York

T: (347) 585-8580 www.boccara.com info@boccara.com @boccaragalleryofficial

Didier Marien

Textile art, including modern tapestry and artistic rugs, and modern and contemporary sculpture.

RALPH M. CHAIT GALLERIES, INC. | E8

New York

T: (212) 397-2818

www.rmchait.com info@rmchaitgal.net @ralphmchaitgalleries

Steven J. Chait, Andrew H. Chait

Fine antique Chinese porcelain and artworks.

THOMAS COLVILLE FINE ART | C4

Guilford, CT & New York

T: (212) 879-9259 www.thomascolville.com tlc@thomascolville.com @thomascolville_fineart

Thomas Colville, Kathy Lett, Jay Qin

19th- through 20th-century American and European paintings, drawings, and sculpture.

JONATHAN COOPER | D11

London

T: +44 (0) 207 351 0410

www.jonathancooper.co.uk

mail@jonathancooper.co.uk @jonathancoopergallery

Jonathan Cooper

Contemporary artists specializing in the natural world.

COVE LANDING | A1

New York

T: (212) 288-7597

covelanding@gmail.com @covelanding

Angus Wilkie, Len Morgan

18th- and 19th-century European furniture and unusual works of art.

DANIEL CROUCH RARE BOOKS | E15

London & Larchmont, NY

T: (212) 602-1779 www.crouchrarebooks.com info@crouchrarebooks.com @crouchrarebooks

Daniel Crouch, Iona Fielding, Kate Hunter

Antique atlases, maps, plans, sea charts, and voyages.

DIDIER LTD | D6

London

T: +44 (0) 7973 800 415 www.didierltd.com info@didierltd.com @didierltd

Didier Haspeslagh, Martine Newby Haspeslagh

Artistic post-war jewelry by painters, sculptors, architects, and designers.

DOLAN/MAXWELL | D12

Philadelphia

T: (215) 732-7787

www.dolanmaxwell.com info@dolanmaxwell.com @dolan.maxwell

Margo Dolan, Ron Rumford, Jonathan Eckel

Modernist and contemporary artworks from 1930 to present.

EGUIGUREN ARTE DE HISPANOAMÉRICA | D10

Buenos Aires

T: +54 11 4806 7554

www.eguiguren.com info@eguiguren.com @jaime_eguiguren

Javier A. Eguiguren

Antique Hispanic-American art and equestrian silver from the River Plate.

EUROPEAN DECORATIVE ARTS COMPANY | A11

Port Washington, NY

T: (516) 643-1538

www.eurodecart.com eurodecart@gmail.com @europeandecorativearts

Scott Defrin

European artworks from the 17th, 18th, and 19th centuries.

PETER FINER | A3

London

T: +44 (0) 20 7839 5666 www.peterfiner.com gallery@peterfiner.com @peterfiner

Peter Finer, Redmond Finer

Antique arms, armor, and related objects.

DEBRA FORCE FINE ART | A2

New York

T: (212) 734-3636

www.debraforce.com info@debraforce.com @debraforcefineart

Debra Force, Bethany Dobson

American paintings, drawings, and sculpture from the 18th, 19th, and 20th centuries.

FRENCH & COMPANY | C11

New York

T: (646) 289-0186 www.frenchandcompanyart.com henry@frenchandcompanyart.com @frenchandcompanyart

Henry Zimet

European Old Master and 19th-century paintings.

GLASS PAST NEW YORK | A5

New York

T: (212) 343-2524

www.glasspast.com glasspast@earthlink.net @glasspast

Sara Blumberg, Jim Oliveira

Specialists in Italian glass from 1870 to 1970.

MICHAEL GOEDHUIS | B1

London

T: +44 (0) 20 7823 1395 www.michaelgoedhuis.com london@michaelgoedhuis.com @michaelgoedhuisgallery

Michael Goedhuis, Eileesh Spyke

Chinese and Western contemporary and ancient art, as well as modern sculpture.

BERNARD GOLDBERG FINE ARTS, LLC | C1

New York

T: (212) 813-9797

www.bgfa.com info@bgfa.com @bernardgoldbergfinearts

Bernard Goldberg, Ken Sims

Early 20th-century American and European art and design.

RICHARD GREEN | B3

London

T: +44 (0) 20 7499 4738 www.richardgreen.com paintings@richardgreen.com @richardgreengallery

Jonathan Green

A London gallery specializing in Old Masters to Modern British paintings for 70 years.

PETER

HARRINGTON | C12

London

T: +44 (0) 20 7591 0220 www.peterharrington.co.uk mail@peterharrington.co.uk @peterharringtonrarebooks

Pom Harrington, Ben Houston

First editions of landmark works, fine bindings, inscribed copies, manuscripts, and original artwork.

THOMAS

HENEAGE ART BOOKS | B4

London

T: +44 (0) 20 7930 9223 www.heneage.com artbooks@heneage.com @thomasheneageartbooks

Thomas Heneage, Patricia Avganti-Buican

Leading art bookshop also specializing in intaglios, cameos, and engraved gems.

HILL-STONE | D3

South Dartmouth, MA

T: (212) 249-1397

www.hill-stone.com

oldmaster@hill-stone.com @hill_stone_art_dealer

Lesley Hill, Alan N. Stone

Old Master and modern works on paper.

HIRSCHL

& ADLER GALLERIES | B8

New York

T: (212) 535-8810

www.hirschlandadler.com gallery@hirschlandadler.com @hirschlandadler

Stuart P. Feld, Elizabeth Feld, Eric Baumgartner

American and European paintings, drawings, and sculpture. American furniture and decorative arts.

HIXENBAUGH ANCIENT ART | E11

New York

T: (212) 989-9743

www.hixenbaugh.net info@hixenbaugh.net @hixenbaughancientart

Randall Hixenbaugh

Antiquities from the Ancient World, including Egypt, Mesopotamia, Greece, and Rome.

CLINTON HOWELL ANTIQUES | B10

New York

T: (646) 489-0434

www.clintonhowellantiques.com clintonrhowell@gmail.com @clintonhowell

Clinton Howell

Fine English antique furniture and decorative objects.

HYDE PARK ANTIQUES, LTD. | D4

New York

T: (212) 477-0033

www.hydeparkantiques.com info@hydeparkantiques.com @hydeparkantiquesnyc

Bernard Karr, Rachel Karr, Patrick Bavasi

Fine English 18th- and early 19th-century furniture and accessories.

BARBARA ISRAEL GARDEN ANTIQUES | C8

Katonah, NY

T: (212) 744-6281 www.bi-gardenantiques.com eva@bi-gardenantiques.com @barbaraisrael_gardenantiques

Barbara Israel, Eva Schwartz, Sylvia Falcón

The finest garden ornaments from America and beyond.

KENTSHIRE | C3

New York

T: (212) 872-8653 www.kentshire.com info@kentshire.com @kentshire

Carrie Imberman, Matthew Imberman

Fine antique, period, and estate jewelry.

KESHISHIAN | C14

London

T: +44 (0) 20 7730 8810 www.keshishiancarpets.com info@keshishiancarpets.com @keshishiancarpets

Eddy Keshishian, Arto Keshishian

Rare antique carpets, tapestries, and needlework from the Gothic to Pop Art periods.

KUNSTHANDEL NIKOLAUS KOLHAMMER | D14

Vienna

T: +43 676 40 64 600 www.kolhammer.com info@kolhammer.com @nikolauskolhammer

Nikolaus Kolhammer

20th-century Viennese fine art and design.

KOOPMAN RARE ART | E3

London

T: +44 20 7242 7624 www.koopman.art info@koopman.art @koopmanrareart

Lewis Smith, Timo Koopman

Fine English silver, gold boxes, and jewelry.

GALERIE LÉAGE | E6

Paris

T: +33 (0)1 45 63 43 46 www.galerieleage.com contact@galerieleage.com @galerieleage

Guillaume Léage

Furniture and objets d’art from the 18th century.

LES ENLUMINURES | A6

New York, Chicago & Paris T: (773) 929-5986 www.lesenluminures.com newyork@lesenluminures.com @lesenluminures

Sandra Hindman

Medieval and Renaissance illuminated manuscripts, miniatures, rings, and jewelry.

LEVY GALLERIES | E1

New York

T: (212) 628-7088 www.levygalleries.com frank@levygalleries.com @levygalleries

Frank Levy

17th- to 19th-century furniture and decorative arts.

LOWELL LIBSON & JONNY YARKER LTD | B6

London

T: +44 (0) 20 7734 8686 www.libson-yarker.com pictures@libson-yarker.com @libson_yarker

Lowell Libson, Jonny Yarker, Cressida St Aubyn

17th- to 19th-century British paintings, watercolors, drawings, and sculpture.

MACCONNAL-MASON GALLERY | D5

London

T: +44 (0) 20 7839 7693

www.macconnal-mason.com

fineart@macconnal-mason.com @macconnalmason

David L. Mason, O.B.E.

Eclectic British, European, and American works of art.

MAISON GERARD | C7

New York

T: (212) 674-7611 www.maisongerard.com home@maisongerard.com @maisongerard

Benoist F. Drut

20th-century and contemporary furniture, lighting, and objets d’art

JOAN B MIRVISS LTD | E5

New York

T: (212) 799-4021 www.mirviss.com info@mirviss.com @joanbmirvissltd

Joan B. Mirviss, Chelsea L. Cooksey, Bonnie B. Lee, Tracy Causey-Jeffery

Modern and contemporary Japanese ceramics, screens, paintings, and ukiyo-e prints.

MACKLOWE GALLERY, LTD. | C9

New York

T: (212) 644-6400

www.macklowegallery.com

email@macklowegallery.com @macklowegallery

Benjamin Macklowe, Lary Matlick, Carol Federer

Tiffany Studios lamps and glass, French Art Nouveau decorative arts, and antique jewelry.

MILORD ANTIQUITÉS | A8

Montréal

T: (514) 933-2433 www.milordantiques.com showroom@milordantiques.com @milordantiques

Francis Lord

20th-century design, antique furniture, and artworks.

| B11

Paris

T: +33 1 43 54 99 92 www.mottemasselink.com info@mottemasselink.com @nath_motte

Nathalie Motte Masselink

Old Master drawings.

GALERIE NATHALIE MOTTE MASSELINK

LILLIAN NASSAU LLC | B2

New York

T: (212) 759-6062

www.lilliannassau.com

info@lilliannassau.com @lilliannassau

Arlie Sulka, Eric Silver, Daniela Addamo

Museum-quality works by Louis Comfort Tiffany and Tiffany Studios.

JILL NEWHOUSE GALLERY | A7

New York

T: (212) 249-9216

www.jillnewhouse.com

info@jillnewhouse.com @jillnewhousegallery

Jill Newhouse, Amelia Gorman

Paintings and drawings by 19th- and 20th-century European Masters.

THE OLD PRINT SHOP, INC. | A12

New York

T: (212) 683-3950

www.oldprintshop.com

info@oldprintshop.com @theoldprintshop

Robert K. Newman, Harry S. Newman, Brian Newman

American prints, photographs, drawings, paintings, sculpture, and antique maps.

MICHAEL

New York

PASHBY ANTIQUES | D8

T: (917) 414-1827

www.michaelpashbyantiques.com info@michaelpashbyantiques.com @michael_pashby_antiques

Michael Pashby, Ellie Kim

17th- to 19th-century fine English antiques and decorative arts.

RONALD PHILLIPS LTD | E2

London

T: +44 (0) 20 7493 2341

www.ronaldphillipsantiques.co.uk advice@ronaldphillips.co.uk @ronaldphillips.antiques

Simon Phillips

18th- and 19th-century English furniture.

RED FOX FINE ART | E9

Middleburg, VA

T: (703) 851-5160

www.redfoxfineart.com tr@redfoxfineart.com @redfoxfineart

Turner Reuter, Hannah Rothrock

19th- and 20th-century sporting paintings and sculpture.

JAMES ROBINSON, INC. | C2

New York & Nantucket, MA

T: (212) 752-6166

www.jrobinson.com info@jrobinson.com @jamesrobinsoninc

Joan Boening, James Boening

Antique jewelry, silver, porcelain, and glass, as well as handmade sterling silver.

SÃO ROQUE | B9

Lisbon

T: +351 213 960 734 www.antiguidadessaoroque.com geral@saoroquearte.pt @antiguidadessaoroque

Mário Roque

16th- to 18th-century Portuguese continental and overseas expansion art.

ROUNTREE

TRYON GALLERIES | A9

London & Petworth, England

T: +44 (0) 207 839 8083 www.rountreetryon.com rowland@rountreetryon.com @rountreetryongalleries

Jamie Rountree, Rowland Rhodes

Formerly by royal appointment. Maritime, sporting and wildlife art.

S. J. SHRUBSOLE | A4

New York

T: (212) 753-8920 www.shrubsole.com inquiries@shrubsole.com @sjshrubsole

Timothy Martin, James McConnaughy, Benjamin Miller

English and American silver, as well as antique jewelry.

ROBERT SIMON FINE ART | C10

New York & Tuxedo Park, NY

T: (212) 288-9712

www.robertsimon.com rbs@robertsimon.com @robertsimonfineart

Robert Simon, Dominic Ferrante

European and New World paintings, drawings, and sculpture from 1300 to 1900.

LAWRENCE STEIGRAD FINE ARTS | B5

New York

T: (212) 517-3643

www.steigrad.com gallery@steigrad.com @steigradart

Lawrence Steigrad, Peggy Stone

Old Master paintings and drawings, with an emphasis on portraiture.

SIMON TEAKLE FINE JEWELRY | A10

Greenwich, CT

T: (203) 769-5888

www.simonteakle.com info@simonteakle.com @simonteaklejewelry

Simon Teakle, Christine Cheng

Antique and vintage fine jewelry.

CAROLLE THIBAUT-POMERANTZ | E6

New York & Paris

T: +33 (0)6 09 05 35 98 www.antique-wallpaper.com carolle@ctpdecorativearts.com @antiquewallpaper

Carolle Thibaut-Pomerantz

Vintage wallpaper panels, as well as 20thcentury and contemporary decorative arts.

THOMSEN GALLERY | C6

New York

T: (212) 288-2588 www.thomsengallery.com info@thomsengallery.com @thomsengallery

Erik Thomsen, Cornelia Thomsen

Japanese screens, paintings, gold lacquer, and ceramics from the 5th to the 21st centuries.

WARTSKI | E13

London

T: +44 (0) 207 493 1141 www.wartski.com wartski@wartski.com @wartski1865

Katherine Purcell, Kieran McCarthy, Thomas Holman

Antique jewelry, artworks by Carl Fabergé, objets de vertu, and antique silver.

ROBERT YOUNG ANTIQUES | E4

London

+44 (0) 20 7228 7847 www.robertyoungantiques.com office@robertyoungantiques.com @robertyoungantiques

Robert Young, Josyane Young, Florence Grant

Fine vernacular furniture and folk art.

ZEBREGS&RÖELL | D13

Amsterdam

T: +31 (0)6 207 43 671

www.zebregsroell.com gallery@zebregsroell.com @zebregsroell

Dickie Zebregs

16th- to 19th-century travel and exploration, colonial, and cross-cultural fine and decorative art.

GALERIE GMURZYNSKA | E10

Zurich & New York

T: +41 44 2 26 70 70

T: (212) 535-5275

www.gmurzynska.com

galerie@gmurzynska.com

@gmurzynska

Mathias Rastorfer, Isabelle Bscher

20th-century masters.

HOLLIS TAGGART | C13

New York

T: (212) 628-4000

www.hollistaggart.com

info@hollistaggart.com @hollistaggart

Hollis Taggart

Abstract expressionist, pop, American post-war, and contemporary artworks.

JONATHAN BOOS | F1

New York

T: (212) 535-5096

www.jonathanboos.com

info@jonathanboos.com @jonathanboos

Jonathan Boos, Sherri Boos

20th-Century Modernism

LEON TOVAR GALLERY | F2

New York

T: (212) 585-2400 www.leontovargallery.com info@leontovargallery.com @leontovargallery

Leon Tovar

Modern Art from Latin America

FOCUS: AMERICANA EXHIBITORS | B13

ALLAN KATZ AMERICANA

Madison, CT

T: (203) 494-3359

folkkatz@gmail.com

Allan Katz, Penny Katz

American folk art.

KELLY KINZLE

New Oxford, PA

T: (717) 495-3395

www.kellykinzleantiques.com info@kellykinzleantiques.com

@kellykinzle

Kelly Kinzle

American folk art, painted furniture, paintings, and tall case clocks.

FOCUS:

AMERICANA EXHIBITORS | B13

NATHAN LIVERANT AND SON, LLC

Colchester, CT

T: (860) 537-2409

www.liverantantiques.com

mail@liverantantiques.com @liverant.antiques

Arthur S. Liverant

18th- and 19th-century American furniture, paintings, and decorative arts.

OLDE HOPE

New York

T: (215) 297-0200

www.oldehope.com info@oldehope.com @oldehopeantiques

Patrick Bell, Edwin Hild

American folk and decorative arts of distinction.

DAVID A. SCHORSCH ~ EILEEN M. SMILES

FINE AMERICANA

Woodbury, CT

T: (203) 982-7574

www.schorsch-smiles.com contact@schorsch-smiles.com @davidschorsch

David A. Schorsch, Eileen M. Smiles

American decorative arts of the 18th and 19th centuries, with a specialization in folk art.

ELLE SHUSHAN

Philadelphia

T: (215) 587-0000

www.elleshushan.com

elle@elleshushan.com @elle.shushan

Elle Shushan

Fine portrait miniatures, portrait waxes, and contemporary portrait photography.

JEFFREY TILLOU ANTIQUES

Litchfield, CT

T: (860) 567-9693

www.tillouantiques.com jeffrey@tillouantiques.com @tillouantiques

Jeffrey Tillou

Americana from the 18th and early 19th centuries.

VETTING COMMITTEE

Vetting Co-Chairs

JOAN BOENING ALICE LEVI DUNCAN JAY GRIMM ROBERT YOUNG

Alan Andersen

Seth Armitage

Robert D. Aronson

Debra Schmidt Bach

Craig Basmajian

Frances Beatty

Carlo Bella

Robin Beningson

John Bidwell

Simona Blau

James Boening

Joan Boening

Graham Boettcher

Emerson Bowyer

Giovanni Bucchi

Jonathan Burden

Marcus Burke

Jason Busch

Paul Carella

Ned Catto

Steven J. Chait

Tara Gleason Chicirda

Alistair Clarke

Sarah D. Coffin

Paul Cohen

Thomas Colville

Daniel Crouch

Barbara Deisroth

Rachel Delphia

Ulysses Grant Dietz

Nancy Druckman

Alice Levi Duncan

Jeannine Falino

Jackie Fay

Elizabeth Feld

Stuart P. Feld

Daniel Finamore

Mimi Findlay

Peter Findlay

Hélène Fontoira-Marzin

Debra Force

Jim Francis

Ron Fuchs

Melissa Gagen

Donna Ghelerter

Judith Glass

Dessa Goddard

Joseph Goddu

James B. Godfrey

Spencer Gordon

Lynda Greig

Leslie Grigsby

Jay Grimm

Titi Halle

Stephen Harrison

Michael Harrison

Michele Beiny Harkins

Gregory Hedberg

Nicholas Herman

Ariel Herrmann

Edwin Hild

Sandra Hindman

Erica Hirshler

Ryoichi Iida

Barbara Israel

Mark Jacoby

Margot Johnson

Daile Kaplan

Brian Kathenes

Brian Kish

Marilyn Kushner

Simeon Lagodich

Martin P. Levy

Becky MacGuire

Michele Majer

Katherine Martin

Tim Martin

Lark Mason

John Metcalfe

Mary Cheek Mills

Joan B. Mirviss

John Molloy

Jeffrey Myers

Kirk J. Nelson

Robert Newman

Jutta-Annette Page

Elisabeth Poole Parker

Lindsy R. Parrott

Simon Phillips

Elena Ratcheva

Ann-Marie Richard

Letitia Roberts

Jennifer Garland Ross

Polly Sartori

Paul Schaffer

Peter Schaffer

Cameron M. Shay

Elle Shushan

Rand Silver

Robert Simon

Suzanne Smeaton

Jonathan Snellenburg

William Stahl

Douglas B. Stock

Alan N. Stone

Mark M. Topalian

James W. Tottis

Olaf Unsoeld

Madeleine Viljoen

Meredith Ward

Virginia-Lee Webb

Leon Wender

Roger Wieck

Jody Wilkie

Robert Young

James Zemaitis

(as of 12.18.24)

The Winter Show Vetting Committee is comprised of over 110 distinguished experts in their respective fields. Their impartial expertise affords the public the highest level of confidence in the fine and decorative arts showcased at the 2025 Show.

Each member of the Vetting Committee acts independently and does not represent any institution or business, ensuring an unbiased evaluation of each item presented at the Show. The process of vetting assures the purchaser that every item offered at The Winter Show has been authenticated through careful professional scrutiny, satisfies all vetting guidelines, and is accurately described on its label.

As in previous years, each exhibitor takes personal responsibility for each work sold at The Winter Show, providing a certificate of guarantee and a bill of sale which includes full particulars about the item as found on the descriptive label.

East Side House Settlement and The Winter Show Committee wish to thank the individuals listed above, as well as all who have given their time and expertise in these procedures. Their contributions ensure the success and integrity of the Show.

A LA VIEILLE RUSSIE

Platinum and diamond channel-set necklace suspending a large natural blister pearl drop. French, ca. 1910. L: 11 in.

The large natural blister pearl has been carved and mounted in platinum to form a locket.

Verso 

Andrew Stevovich (b. 1948)

Loop , 2020, Oil on linen

13 x 13 inches

WE ARE

Edward Bannister ♦ Brett Bigbee ♦ Charles Burchfield ♦ Stuart Davis ♦ Charles Demuth

Lois Dodd ♦ Arthur Dove ♦ Marsden Hartley ♦ Jacob Lawrence ♦ John Marin ♦ Alfred Maurer

Georgia O’Keeffe ♦ Horace Pippin ♦ Bob Thompson ♦ Grant Wood

Stuart Davis (American, 1892–1964)

Egg Beater, 1923, oil on canvas, 27 x 34¾ inches (1486)

AN EXQUISITE FUSION OF EAST AND WEST

This 1670's Delft jug, adorned with blue and white chinoiserie scenes and a contemporary silver lid, embodies the allure of Asia through Dutch craftsmanship. The imagery captures a moment in time when exotic influences transformed European taste, marking an era of elegance, fascination, and cultural exchange.

DIMENSIONS Height: 10.2 in.

PROVENANCE A. van der Meer (1927-2008), Amsterdam

www.aronson.com mail@aronson.com

NEW YORK • PARIS • WEST PALM BEACH

Alexander Calder Les Vers Noirs

Tapestry

Tim Hayward (b. 1952) Dancing

Unique silver tiara made by Alexander Calder for Mme Rose Masson, c. 1943.

Unique signed necklace by Alexander Calder with spirals elements in copper and galvanised steel wire. Made for the Brahmin artist Margarett Sergeant McKean in 1928.

LYNNE CLIBANOFF

GABOR PETERDI

(Madrid, 1596–1631)

Resting Child under Flowers

Oil on canvas

26.5'' × 34.8''

Juan van der Hamen y León

A Magnificent Pair of Miquelet-Lock Pistols with Tortoiseshell Veneered Stocks

Signed Nicolas de Anzelmo, Mexico City dated 1692

Owned by Don Diego de Vargas (1643-1704)

These are the earliest known decorated pistols made in the Americas.

Emilie Pugh, Trailing Winds III, 2023, Burnt kozuke paper, cast gilded rocks, 59 x 43 ¼ in (150 x 110 cm)

and

Emile-Antoine Bourdelle, 1861 – 1929 Penelope Waiting, 1912 Bronze 95 x 32 inches

Signed, dated, numbered,

inscribed: Emile Antoine Bourdelle / 1912 / Alexis Rudier Fondeur / Paris. / No. 1

From John Gould’s sumptuous folios to inscribed first editions by the giants of literature and men of ideas, discover rare book treasures that offer a tangible connection to the world’s most celebrated printed works. fine copies

Thomas Heneage Art Books

42 Duke Street St James’s, London SW1Y 6DJ

The foremost specialist art bookshop in the English speaking world

Engraved hardened steel seal matrix of King James II’s embassy to the Sublime Porte, for the use of Sir William Trumbull, English ambassador in Constantinople 1687-1691. Probably engraved by John Roettiers. London 1686/7. (Diameter 2 3/40 inches)

We buy art libraries

We buy, sell and curate art libraries. We focus on books for the art world from the ancient to the modern. We also deal in fine works of art associated with antiquarianism in the library.

+ 44 (0)20 7930 9223 • artbooks@heneage.com

A rare stoneware figure of Erin, the female personification of Ireland, the partially-draped figure playing a harp and standing alongside a tree trunk bearing a portrait medallion of the Irish poet THOMAS MOORE (1779-1852) known as the Bard of Erin, after model by English sculptor, John Bell (1812-1895), produced by English manufacturer, John Marriott Blashfield (1811-1882), English, ca. 1860, 71.5 ins. high.

Barbara Israel Garden Antiques specializes in the finest antique garden ornament and furniture from Europe and America. Call to inquire about our on-site ornament placement and design services.

K E S H I S H I A N

William Morris Hammersmith rug c 1880’ s

An Impressive Pair of Rococo Revival Ten-Light Candelabra

Robert Garrard II London,

1863

Jules Leleu (1883-1961)

Commode Feu d’Artifice

Exceptional "Fireworks" Commode, France, 1930s Mahogany and gilt bronze ornaments, with mother of pearl and ebony inlay by Messager

Height: 36.42" - Width: 74.80" - Depth: 19.69"

Hans von Aachen

Adolphe Appian

Il Baciccio

Cornelis Be g a

Hans Bol

Gerard Ter Borch

Edme Bouchardon

François Boucher

Paul Bril

Annibale Carracci

Jacob Cats

Théodore Chassériau

Sir Edward Coley Burne-Jones

Nicolas Cochin

Camille Corot

Thomas Couture

Michel-François Dandré-Bardon

Henri-Pierre Danloux

Charles-François Daubigny

Jacques-Louis David

Eugène Delacroix

Jacques Foucquier

JACQUES GAMELIN

Théodore Géricault

Anne-Louis Girodet

Il Guercino

Henri Joseph Harpignies

Victor Hugo

Jan Van Huysum

Jean-Baptiste Le Prince

LÉON LHERMITTE

Carle van Loo

Willem von Mieris

Jean-François Millet

NATHALIE MOTTE MASSELINK OLD MASTER DRAWINGS PARIS

François van Loo

Girolamo Muziano

Jean-Claude Naigeon

Charles Natoire

Jean-Baptiste Oudry

Giovanni Francesco Panini

Etienne Parrocel

Charles Parrocel

JEAN-BAPTISTE PATER

Giovanni Battista Piazzetta

Jean-Baptiste Pillement

DOMENICO PIOLA

Giovanni Battista Pittoni

Nicolas Poussin

Pierre Paul Prud’hon

Hubert Robert

Giovanni Francesco Romanelli

Auguste Rodin

Herman Saftleven

Augustin de Saint-Aubin

Il Sodoma

Stradanus

Pierre Charles Trémolières

Jacob van Strij

Abraham van Strij

Horace Vernet

Martin de Vos

Frans Xaver Winterhalter

THE WINTER SHOW

t. +33 6 62 00 08 36

WWW.mottemasselink.com

Albert Marquet

Rivages, Porquerolles

Jill Newhouse Gallery

RONALD PHILLIPS

GREAT ENGLISH FURNITURE

ENGLISH, CIRCA 1765

HEIGHT: 3 FT 3¼ IN; 100 CM

WIDTH: 7 FT 1 IN; 216 CM

DEPTH: 2 FT 9¼ IN; 84.5 CM

Sir Alfred James Munnings, P.R.A., R.W.S. (1878-1959), The Saw Mill in the Forest of Dreux, 1918, oil on canvas, 20 x 24 in.

São Roque

lisbon · PORTUGAL · stand B9

Portuguese Continental and Overseas Expansion Art

For over 30 years São Roque has held an undisputed reputation in the world of Art and Antiques for the rarity and exclusivity of its artworks, in an unmatched symbiosis of quality and guaranteed authenticity. A reference for both private and institutional collectors as well as for international Museums, São Roque’s team of specialists ensure that it maintains its preeminent position in an ever-growing and globalized Art and Antiques market.

Sculptures from the Monastery of Holy Mary at Pombeiro Master Friar José de Santo António Ferreira Vilaça Portugal, 18th century; Oak; Height: 180.0 cm and 165.0 cm Provenance: Pombeiro Monastery, private collection, Lisbon

Sculptures from the Benedictine Monastery of Holy Mary, in Pombeiro, attributed to Friar José de Santo António Ferreira Vilaça (1731–1809), a prolific master sculptor of

the Minho region rococo. Following from the abolition of religious orders (1834) and the resulting decommissioning of monasteries and convents, these sculptures would be acquired, in the 20th century, by the film maker and set designer Leitão de Barros for decorating the stern of the ship

São Vicente, a replica of a 17th century Portuguese India Run ship, that should be launched to the river Tagus to celebrate the national cultural heritage. This project, however, was never accomplished.

A Large Mother-of-pearl and Mastic Gujarati Chest

India, 16th century – 2nd-half; Teak, black mastic, mother-of-pearl, and shellac; gilt copper mounts; Dim.: 39.0 × 64.0 × 37.0 cm

Provenance: Private collection, USA

Exceptional chest belonging to a group of utilitarian objects with mother-of-pearl decoration, made in Gujarat for the local market and for exporting. The casket has an

uncharacteristically large size within the scope of this extensive production.

Its ancient design corresponds to an Indian subcontinent typology characteristic of Islamic contexts predating the arrival of the Portuguese. The lavish and intricate decoration reflects the influence of the international Timurid style. Closely similar to the example (40.0 × 55.0 × 32.0 cm) at the Descalzas Reales Monastery collection, in Madrid (inv. 00612591).

ROBERT SIMON FINE ART

Apples, Grapes, Apricots, and Berries in a Basket with a Pineapple, Grapes and other Fruit on a Marble Ledge

Jan FranS van daeL (Antwerp 1764 - Paris 1840)

A diamond double clip brooch by Raymond Yard, circa 1956

18th century furniture and objets d’art 178 rue du faubourg Saint-Honoré, 75008 Paris, France +33 (0)1.45.63.43.46 - contact@galerieleage.com Vintage wallpapers - Decorative Arts By appointment - Paris - New York +33 (0)6.09.05.35.98 /+1 646 322 3570 - carolle@ctpdecorativearts.com

A delicate dragonfly by Frédéric Boucheron

composed as a brooch of yellow gold, the tail and thorax diamond-set, the wings decorated with plique-à-jour enamel in a graduated palette of blue to green bordered with diamonds and mounted en tremblant, Shown slightly larger than life-size. Paris, c.1880-90.

For similar examples see ‘Boucheron, Five Dynasties of a World Renowned Jeweller’ by Gilles Néret, and that in the Metropolitan Museum of Art (accession number 2018.447.1).

Dutch antiques dealers Zebregs&Röell join The Winter Show:

“We sell Stories, not Fairytales.”

Zebregs&Röell, art dealers from Amsterdam and Maastricht will be joining The Winter Show for the first time this yea r. It ’s certain that they will present fine and decorative works of art from far away shores – b eyond your wildest imaginations.

Their objects can be classified as colonial, but they are more likely to be cross-cultural, and they demonstrate the sheer beauty of cultural influence. They do, however, serve as valuable historical resources. Every object in the collection is unrivaled in both beauty and the story it tells.

The Viceregal Peruvian mother-of-pearl veneered bureau-cabinets they will present at the show are the epitome of ‘cross-cultural’. They were created in 18th-century Spanish-colonial Lima and reflect the cross-pollination of 17th-century Japanese and Indian Gujarati craftsmanship under Portuguese patronage, Inca, Iberian, and Hispano-Moresque motifs, enslaved African labor, patronage of the aristocracy of mixed Spanish and indigenous background, and the Manilla Galleon Trade. In addition, they are magnificent in look.

Zebregs&Röell conduct important research in the hopes of contributing to world (art) history and the debate over colonialism and slavery. Their catalogues are available in many private and institutional libraries worldwide and serve as research resources.

The collection is curated by collector dealers Guus Röell (80) and Dickie Zebregs (33). Guus has focused on colonial global history for the past 25 years. Dickie graduated in Dutch-colonial art and antiques and began collecting thirteen years ago. Together, they present you with a collection of museum-quality.

The Dutch company is proud to have as their clients the Rijksmuseum Amsterdam, the Metropolitan Museum New York, the Louvre Paris, the Museum of Fine Art Houston, the Asian Civilizations Museum Singapore, the Peabody Essex Museum Salem, the National Palace Museum Taipei, the Chicago Institute of Arts, the Museum of Fine Arts in Boston, the Groninger Museum Groningen, the National Museum Kyoto, the Clark University Library Worcester, and many other important institutions.

Keizersgracht 543, Amsterdam Tongersestraat 2, Maastricht

www.zebregsroell.com instagram: zebregsroell gallery@zebregsroell.com

Guus Röell & Dickie Zebregs in the Amsterdam gallery Photo: Diederick Bulstra Photography

Michael Goldberg (1924-2007)

Bourgeois Still Life (detail), 1955

Oil on canvas

78 3/4 × 62 1/4 in. (200 × 158.1 cm)

Richmond Barthé

(American, 1901–1989)

Stevedore, conceived 1937; cast 1986

Bronze 29¼ × 16⅝ × 15 inches

Signed Barthé ’37 and stamped © ”86 4/8 along the base

“All my life I have been interested in trying to capture the spiritual quality I see and feel in people, and I feel that the human figure as God made it, is the best means of expressing this spirit in man.”

r ichmond barthé

Please contact the gallery for further information and pricing.

jb@jonathanboos.com gallery 212-535-5096 or cell 248-312-8589 jonathanboos.com

Celebrating American material culture, a special exhibition curated by Alexandra Kirtley, Curator of American Decorative Arts at Philadelphia Museum of Art, and designed by Erick J. Espinoza.

Exhibiting:

Allan Katz Americana

Kelly Kinzle

Levy Galleries

Nathan Liverant and Son, LLC

Olde Hope

David A. Schorsch ~ Eileen M. Smiles Fine Americana

Elle Shushan

Jeffrey Tillou Antiques

Images courtesy of Nathan Liverant and Son, LLC, Olde Hope, David A. Schorsch ~ Eileen M. Smiles Fine Americana, Kelly Kinzle, and Jeffrey Tillou Antiques

Northeast Corner, Front Street, Hempstead, New York, 1870. Oil on canvas, 12 × 17 in.

literature: Ronald G. Pisano, Long Island Landscape Painting 1820–1920 (Boston: Little, Brown and Company, 1985), 42, 43 (illustrated).

Front Street, Hempstead, New York, 1870. Oil on canvas, 11¾ × 17 in.

A comprehensive history of the women architects who left their enduring mark on American Modernism

“Impeccably researched and written alongside gorgeous illustrations, this book opens our eyes to the importance of the women of the Cambridge School of Architecture and Landscape Architecture. Hunting and Murphy change how we think about the development of modernist architecture in the United States, revealing a nuanced, complex, and fascinating history.”

—Despina Stratigakos, author of Where Are the Women Architects?

The following pages highlight some notable artworks on view at the 2025 edition of the Show.

Compiled by Helen Allen, Executive Director of The Winter Show

Chan Li Cabinet by Philip & Kelvin LaVerne, c. 1978

Acid-etched, patinated bronze, pewter

Presented by Milord Antiquités

Philip (1907–1987) and Kelvin (b. 1937) LaVerne were a New Yorkbased father and son collaborative duo best known for their use of innovative metalworking techniques to produce custom-made, limited editioned furniture which integrated art and design. Born in New York City, Philip LaVerne studied under Ashcan School painter John Sloan at the Arts Students League of New York. Kelvin LaVerne, also born in New York, pursued metal sculpting and furniture design at the Parsons School of Design, and like his father, studied at the Arts Students League. In the late 50s, the two began collaborating, eventually opening a showroom on East 57th Street in Manhattan. Working primarily in pewter and bronze, Philip concentrated on the materials and decorative elements, while Kelvin focused on the overall form and functionality. Combining modern and traditional designs, their subjects centered mostly around historic civilizations, mythology, and chinoiserie, although they would later gravitate towards more abstracted works. Patterns range from the figural, such as “Chan,” “Ming,” and “Festival,” to the abstract, including “Eternal Forest,” “Viola,” and “Etruscan.” Since Philip’s death in 1987, Kelvin has ceased production of their famed Historical Series; however, he still creates pieces under both their names to this day.

From the mid-1950s to the 1980s, Philip and Kelvin LaVerne collaborated on a wide range of furniture and decorative objects, including cabinets, coffee tables, and occasional tables. Their work uniquely combined functionality with artistic expression, drawing inspiration from ancient Egyptian, Chinese, and Greek art and archaeology. They employed innovative techniques, such as patination and acid etching, on mixed metals including pewter, brass, and bronze. Today, their furniture and sculptures are highly prized for their exceptional craftsmanship, singular aesthetic, and seamless integration of art and function.

THE WINTER SHOW SPOTLIGHT

Calder Tiara, c. 1942–1943

Hammered silver wire

Presented by Didier Ltd

Alexander Calder is an icon of 20th-century American art. Perhaps best known for his monumental graphic sculptures, both suspended (mobiles) and ground based (stabiles), the artist is widely revered for his distinctive jewelry. Calder created his first jewelry as a child, crafting necklaces for his sister’s dolls. In the 1920s and 30s, while living in Paris, he revisited jewelry-making, using metal wire and found materials like porcelain and glass. Inspired by his wife Louisa, Calder created bold, curvilinear pieces — necklaces, earrings, and brooches — which he saw as wearable sculptures. Though his pieces were often quite uncomfortable to wear, his unique designs were worn by notable figures including art collector Peggy Guggenheim, Mary Rockefeller, and Angelica Huston. Over his career, Calder produced more than 1,800 pieces of jewelry.

This unique tiara is formed from a continuous piece of hammered silver wire and manipulated to form seven graduated loose arches, with kinetic drops in five of them.

Egg Beater by Stuart Davis, 1923 Oil on canvas

Presented by Alexandre Gallery

“You might say everything I’ve done since has been based on that Egg-Beater idea,” wrote Stuart Davis (American, 1892–1964) in 1945, looking back at the subject which spawned his excitement for depictions of the everyday object in the early 1920s. Egg Beater (1923), the first of those paintings, served as a catalyst for Davis both stylistically and in terms of subject matter, marking a new era of abstracted depictions of everyday subjects unlike anything done before. In turning his critical eye to the oddities of modern life as seen in the forms of quotidian objects, Davis, previously a painter of the highly socially analytical Ashcan school, began to play with the possibilities of social commentary within the artifacts of contemporary life. Over forty years before the dawn of Pop art, this shift carved out a herald-like role for Davis in the evolution of subject matter in early and mid-century American modern art.

Guided only by his own rebellious desire to test the boundaries of visual representation of different forms of modern reality, Davis’s focus on these quotidian objects was a radical departure from the European modernism and grand western romanticization that consumed the New York art world during the 1920s. Egg Beater is a remarkable remnant of Davis’s early evolution — sharp geometric line, broad planes of color, and shallow space — into his mature style, and was a pivotal contribution to the timeline of American art whose influence reverberates to this day.

Japanese Flying Handle Flower Vase, Edo period (1603–1868)

Bronze

Presented by Michael Goedhuis

The Edo Period in Japan was characterized by a military dictatorship marked by peace, economic growth, and the rise of large urban centers. During this time, artisans refined casting techniques, allowing for more detailed and complex designs. The use of mixed metals and naturalistic themes also became increasingly popular. This Japanese Flying Handle bronze flower vase from the Edo (or Tokugawa) period (1603–1868) reflects the aesthetic influences of archaic Chinese pottery vessels.

Roman Portrait Head of Menander, c. 1st century Carved marble

Presented by Hixenbaugh Ancient Art Menander (342–292 BCE) was a renowned Greek dramatist and poet who penned over 100 comedies. While Menander received little success during his lifetime, later critics considered him to be the leading poet of Greek New Comedy. His popularity grew centuries later in Rome where his work was highly regarded. Only fragments of his work have survived. This Roman marble portrait head was sourced from a private German collection.

The Howth Castle Gesso Tables, 1740 Gilt gesso

Presented by Ronald Phillips Ltd

This table is one of a pair of George II gilt gesso side tables from Ireland. The tables were commissioned by William St. Lawrence, the 14th Baron Howth (1688–1748), for either his Dublin house in St. Mary’s Abbey or Howth Castle, an 800 year-old castle in the countryside. When the 13th Baron Howth died in 1727 and his eldest son William inherited the title, the tables were probably ordered.

A related suite of side tables, formerly at Malahide Castle and belonging to the Talbot family, shares many similarities. The Malahide suite comprises a pair with japanned tops and a single larger table with gesso top. The outline of the tables from this suite resembles the Howth pair and uses design features such as the lion head center and claw feet. Both sets are believed to have originated from the same workshop, most likely located in Dublin.

Fireman’s Hat and Trumpet Weathervane, attributed to J.W. Fiske, c. 1890 Molded copper

Presented by Olde Hope

Weathervanes have been an iconic feature of American folk art and history since colonial times. Initially used to predict weather, their popularity grew as Americans began crafting designs reflecting their lives, from ship designs for coastal areas to roosters for farms and patriotic motifs including the federal eagle. Other personalized motifs were also created, such as this extremely rare and important weathervane from around 1890. This Fireman’s Hat and Trumpet is made from molded copper with fine verdigris patina and still has traces of original gilding. The weathervane originally belonged to Henry Y. Canfield of Unadilla, New York, who built the firehouse where this work originated.

Portrait Miniature of P.T. Barnum and General Tom Thumb, 1845 Miniature

Presented by Elle Shushan

Only seven years old and just 25 inches high when this portrait miniature was painted, General Tom Thumb was already an international sensation. Impresario Phineas T. Barnum heard about the small boy when the child, born Charles Sherwood Stratton, was only four. Barnum changed the boy’s name to General Tom Thumb, and taught him to sing, dance and perform impersonations of famous characters. By the time he was five years old, he and Barnum would embark on a tour of America. He was such a success that when “The General” was seven years old, they toured Europe. After sold-out shows in Britain and a private performance for Queen Victoria and her family in London, they went on to Paris. There, in 1845, the year this portrait was painted, Tom Thumb triumphed at the Théâtre du Vaudeville.

General Tom Thumb remained a celebrity for the rest of his life. When he married in 1863, Harper’s Weekly magazine celebrated the new couple on its cover. Amassing a fortune, the General eventually became Barnum’s partner. When Tom Thumb died at the age of 45, over 20,000 people attended his funeral. Barnum placed a life-sized statue of the General on his grave.

This detailed portrait miniature is inscribed by Barnum with the words, “The small figure is a capital representation of Charles S. Stratton known as General Tom Thumb. It was painted in Paris 1845. Phineas T. Barnum. Dec 21st 1887.”

Still Life with Peonies designed by Louis Comfort Tiffany, Tiffany Glass & Decorating Co., c. 1894–1900

Leaded glass

Presented by Lillian Nassau LLC

Louis Comfort Tiffany approached leaded glass window design with the sensibility of a painter, a reflection of his early training and aspirations as an artist. Some of his most renowned early windows, such as Feeding the Flamingos and The Lamentation over Christ, were direct translations of his own easel paintings into glass. His studio also drew inspiration from Old Masters like Botticelli and Raphael, as well as contemporary English and French artists, including William Holman Hunt and Jules Lefebvre.

Tiffany’s Still Life with Peonies embodies the tradition of still-life painting, depicting a floral arrangement in a vase — a motif more characteristic of traditional easel art than window design. Such imagery echoes 17th-century Dutch still lifes and 19-century compositions, where vases were often set on elaborately draped tables or within niches adorned with vines, as seen here.

He identified himself foremost as a colorist, rejecting strict artistic classifications. His vibrant palette transcended naturalistic tones, with richly varied reds, greens infused with yellow, and a striking blue sky reminiscent of El Greco. His saturated colors, often compared to gemstones, surpassed natural minerals in intensity, showcasing his commitment to heightened visual impact.

Important Mantel Clock, designed by Joseph Hoffman and executed by Wiener Werkstätte, 1903

Copper, enamel, gemstone, alabaster

Presented by Kunsthandel Nikolaus Kolhammer

Josef Hoffmann was a leading architect, designer, writer, and lawyer at the turn of the 20th century. Born in Moravia (now the Czech Republic) in 1870, Hoffmann moved to Vienna in 1892 to attend the Academy of Fine Arts. In 1903, he co-founded Wiener Werkstätte (Vienna Workshops) with the innovative graphic artist Koloman Moser. This organization was active between 1903 and 1932, and its participating artists are often regarded as the pioneers of modern design. The studio’s mission was to create a “total work of art” by integrating design into every aspect of daily life, erasing the line between low and high art. As pioneers of modern design, the Wiener Werkstätte significantly influenced later movements such as Bauhaus and Art Deco.

The clock pictured here, with the model number 005, is one of the group’s few large and iconic objects, made in the founding year of Wiener Werkstätte. Only two such clocks have been executed — one in alpaca and the other in patinated copper. Both clocks were sold to wealthy Viennese families very close to Josef Hoffmann and Wiener Werkstätte. The alpaca clock was acquired by the Kohn family; the copper clock, by the Spitzer family, for whom Hoffmann had already designed and furnished a house in the Hohe Warte villa colony in 1900. There is an original photo of the clock in the archives of Wiener Werkstätte at the MAK museum in Vienna.

Book of Hours from Rouen, France, c. 1480–1490

Illuminated manuscript on parchment

Presented by Les Enluminures, courtesy of Sandra Hindman

This Book of Hours is a prime example of late 15th-century illumination in Rouen. It was commissioned around 1480 to 1490 by a female patron who is portrayed in prayer alongside the Virgin and Child. The twelve fullpage miniatures exemplify the style of the Master of Raoul du Fou, one of the principal figures of Rouen manuscript illumination at the time. Most remarkable here is the brilliant palette of the landscapes and garments. The layout of these twelve full-page miniatures filled with imposing figures set within flat gold frames, some of them encrusted with illusionistic jewels, would have held the viewer’s attention as he, or in this case she, admired the pictures during the eight different hours of the day (hence the name, Book of Hours). A rather unusual theme is that of Adam and Eve in the Garden of Paradise, which precedes the opening of the Hours of the Virgin and would have faced the Annunciation; such diptychs of full-page miniatures are limited to the most expensive Books of Hours illuminated in Rouen. The imaginative cycle of full borders that enliven every text page of the manuscript, characteristic of the style of Jean Serpin, a noted border specialist, also indicates the scope and lavishness of the patronage. This variety of colors, as well as geometrical and ornamental motifs, avoid any sort of monotony from one leaf to the next.

Swiss 18K Gold Box, C. 1900. $6,650 • #CA239

Georg Jensen Fish Platter, C. 1930. $94,250 • #CA158

Pair of English Sterling Bread Baskets. $1,050 • #BZ918

American Silver Overlay Jug, C. 1890. $2,800 • #CA142

American 14K Gold Trophy Cup, C. 1910. $26,000 • #BZ921

Tall Sterling Tiffany Vase, C. 1915. $4,550 • #CA288

Tiffany Sterling Punch Bowl, 1962. $3,500 • #CA174

English 5-Light Sterling Candelabra, C 1891. $16,250 • #CA152

Odiot Silver Gilt Centerpiece Bowl, C. 1900. $14,625 • #CA187

Pampaloni Sterling Frame. $1,750 • #CA251

Georg Jensen Grape Compote, C. 1925. $4,550 • #CA160

Mario Buccellati Grande Imperiale Dinner Set. $29,250 • #CA303

8 Pampaloni Sea Shell Dishes. $4,200 • #BZ881

12 American Sterling Goblets, C. 1930. $3,150 • #CA237

French Silver Wine Taster, 18th Century. $1,575 • #BZ809

Odiot Silver Gilt Candelabra, C. 1900. $24,375 • #CA188

Set of 12 Paul Storr Dinner Plates, C. 1813. $26,000 • #CA496

Tiffany 14K Gold Photo Frame, C. 1914. $5,950 • #BZ922

Set of 12 American Sterling Bread Plates, C. 1950. $2,800 • #CA201

Large American Heart Jewelry Box, C. 1900. $3,360 • #BY986

Buccellati Sterling Shell Tray, C. 1980. $19,500 • #CA157

English Sterling Horse Harness Race Trophy, C. 1898. $13,000 • #BZ740

Japanese Meiji Centerpiece Bowl, C. 1900. $7,475 • #CA351

Tiffany Sterling Water Pitcher, C. 1870. $5,950 • #BZ893

For seven years, Curious Objects and its host Ben Miller have brought sophisticated and focused storytelling about decorative and fine arts to the podcast world. New releases every Wednesday.

For seven years, Curious Objects and its host Ben Miller have brought sophisticated and focused storytelling about decorative and fine arts to the podcast world. New releases every Wednesday.

For seven years, Curious Objects and its host Ben Miller have brought sophisticated and focused storytelling about decorative and fine arts to the podcast world. New releases every Wednesday. themagazineantiques.com/podcast • curiousobjectspodcast@gmail.com

themagazineantiques.com/podcast • curiousobjectspodcast@gmail.com

themagazineantiques.com/podcast • curiousobjectspodcast@gmail.com

www.reflectel.com

IG: reflectel.mirrortv

Our custom mirrored televisions seamlessly transform from stunning framed mirrors into high definition TVs, enhancing your interior decor with both elegance and functionality.

‘TV technology meets exquisite frame design’

EAST SIDE HOUSE SETTLEMENT

Providing Education, Innovation and Results . . . For the Whole Family

East Side House cares for the individuals, families, and communities we serve by expanding opportunities to live more fulfilling lives through education, career, and supportive services.

East Side House Settlement Board of Managers

Chairman

Thomas H. Remien*

President Thaddeus Gray

Vice Presidents

Wendy Holmes

Dolores O’Brien Miller

Treasurer

Richard E. Kolman

Secretary Marvena St. Agathe

Lucinda C. Ballard

Caroline Portny Beshara

Stephanie B. Clark

Ramona Dessouki

William S. Elder

Nancy Larsen Farrell

Andreina Hidalgo

Barclay G. Jones, III

Maureen Kerr

George G. King

Michael R. Lynch

Kevin McAlister

Robert L. Meyer

Ron Miller

Hon. Eugene G. Oliver, Jr.

Elizabeth Donnem Sigety

Mrs. Charles F. Smithers

Jeffrey Stein

Steve Thompson

Philip L. Yang, Jr.

Honorary Members

Mrs. Roland W. Donnem

Christine Janis

Executive Director

Daniel Diaz

Associate Executive Director

Natalie Lozada

Director of Development

Diana Rodriguez

Development Team

Christina Bello

Jessica Maldonado

*Past President

East Side House Settlement

337 Alexander Avenue

Bronx, New York 10454

Telephone: (718) 665-5250

Fax: (718) 585-1433

www.eastsidehouse.org

East Side House Settlement Programs

EAST SIDE HOUSE SERVICES

Family Services

Harvest to Haven

Head Start/Early Head Start

Social Services

Youth and Young Adult Services

After-School and Evening Educational Program

Certification Training

College and Career Readiness Services

High School Equivalency Education Internships

Post-Secondary Planning and Readiness

Student Ambassador Program

Summer Camp

Adult Services

Adult Literacy Education

English as a Second Language

Financial Literacy Program

Older Adults Program

Workforce Development

PARTNER SCHOOLS

Elementary Schools

Mohegan School

School of International Cultures

Urban Scholars Community School

Middle Schools

Accion Academy

Mott Hall

Park Terrace

The School for Inquiry and Social Justice

Urban Institute of Mathematics

High Schools

Alfred E. Smith Campus Young Adult Borough Center

Arturo A. Schomburg Satellite Academy

Bronx Design and Construction Academy

Bronx Haven High School

Bronx Regional High School

George Washington Educational Campus

George Washington Campus Young Adult Borough Center

Gotham Collaborative High School

Haven Charter High School

High School of World Cultures

Mott Haven Community High School

Mott Haven Educational Campus

Community Centers

Borinquen Court - Mitchel Older Adult Center

Children’s Pride Early Childhood Center

The Honorable Eugene G. Oliver, Jr. Education Center

Melrose Older Adult Center

Mill Brook Community Center

Mitchel Community Center

Mott Haven Community Center

Patterson Older Adult Center

Winifred Wheeler Nursery

THE HERITAGE SOCIETY

Established by East Side House Settlement, the Heritage Society confers membership on qualified donors based on their cumulative gifts through fully tax-deductible giving. Our intention is to recognize and honor generous donors whose contributions are vital to the fulfillment of our mission and the continued legacy of philanthropy, which has benefited East Side House for nearly 130 years.

To learn more about membership, please contact Diana Rodriguez, Director of Development at East Side House Settlement, by telephone at (718) 665-5250, email at drodriguez@eastsidehouse.org, or fax at (718) 585-1433.

Philanthropist ($250,000 and over)

ANONYMOUS ROBERT ALTMAN ESTATE OF LOUIS W. BOWEN

ESTATE OF JOYCE GOLDEN ESTATE OF WILLIAM & ANN ZELL

Patron ($100,000 to $249,999)

W. GRAHAM ARADER III NAUMAN BARAKAT MR. & MRS. MARVIN H. DAVIDSON

ESTATE OF C. WARREN FORCE ESTATE OF BERENICE B. HETKIN ESTATE OF JULIE KAMMERER

RANDALL McCALLUM THOMAS REMIEN & MARY ANNE HUNTING MRS. EDMOND J. SAFRA

FRANCESCO SCATTONE MRS. CHARLES F. SMITHERS JEAN L . & ROBERT A. STERN ENDOWMENT

ERIC C. WENBERG PHILIP L . YANG JR.

Sponsor

($50,000 to $99,999)

Michael Bank

Cam Capital

Debra & Claudio Del Vecchio

William Elder

Mr. & Mrs. Carl S. Forsythe III

Michael Gleissner

Wendy Holmes & Kevin McAlister

Richard B. Hollaman

Barclay G. Jones

Ms. Ezra Kaplan

Stephen J. Ketchum

Arie L. Kopelman

James F. McCollom Jr.

Ellen & Robert Meyer

Dolores O’Brien Miller

The Honorable Eugene Oliver Jr.

George D. O’Neill

William Zeckendorf

Supporter

($25,000 to $49,999)

Dr. Darrick E. Antell

Mr. & Mrs. Robert F.R. Ballard

Mr. Alan S. & Mrs. Madeline D. Blinder

Mr. Frank Brunckhorst

William Callanan

Christopher J. Carrera

Courtney Booth Christensen

Kevin Cottrell

David L. Duffy & Marcelline

Thomson

Fay Gambee

Thaddeus Gray

Greater New York Automobile

Dealers Association

Richard Green

Sven Hsia

Chandra Jessee

Mr. & Mrs. Richard E. Kolman

Leonard & Judy Lauder

David Long

Michael Lynch & Susan Baker

The Martin Family

Jack C. McAlinden

Estate of Cleo Lawson Mitchell

John H. Reilly Jr.

Candida Romanelli

Estate of Joseph D. Ryle

Stephen R. Seiter

Jeffrey M. Siegal

Elizabeth Donnem Sigety

Peter & Lenore Standish

Jeffrey & Eliza Stein

Rodney Strickland

Eric & Coco Wittenberg

Joan P. Young

Friend

($10,000 to $24,999)

Lorri Ahl

Mr. & Mrs. Anthony Ames

Caroline Beshara

Jonathan Brandt

Mr. & Mrs. Henry R. Breck

Mario Buatta

Mr. & Mrs. Richard L. Chilton

Margaret M. Clucas

Mr. Paul & Mrs. Marian

Cones

Marina Rust Connor

Robert A. Constable

David Dempsey

Sarah Lund Donnem

John G. Duffy

Lindsay Gruber Dunham

Pamela Fiori

Jean Fleischhacker

David Geffen

Karen Kemp Glover

Frances Goodwin

Susan Gordon

Mimi & Peter Haas Fund

Teresa Heinz

William Helman

A.C. Israel Foundation Inc.

Christine Janis

Paul Tudor Jones

Mr. & Mrs. Mark Elliot Kingdon

Mr. & Mrs. Henry R. Kravis

Valerie Anne Krieger

Anuj Malhotra

Timothy H. Martin

Stephen J. McCarthy

Mrs. John McNulty

William Mehleisen

Joan B. Mirviss

Morgan Stanley

Peter Muller

Gen Next

Mr. & Mrs. Gerald P. Noonan

Mr. & Mrs. James N. Noonan

Liz & Jeff Peek

Sally Phipps

Emily Israel Pluhar

John Reilly

Alexander & Suzanne Rhea

Foundation

Mr. & Mrs. Rittereiser

Mark Schienberg

Debora H. Schnappauf

Andrew P. Siff

Harvey Silverman

Ruth Hall Smithers

Nancy F. Solomon

William W. Stahl

Nancy & Burton Staniar

Linda Sylling

Annie Taranto

Mr. Steve & Dr. Kathryn Thompson

Raz Tirosh

Spence Tobias

Richard Uhrlass

Mr. & Mrs. Edgar Wachenheim

Susan S. & Kenneth L. Wallach

Foundation

Mr. & Mrs. Edward Kingman

Weld

Glenn E. Whitmore

Jane Win x Cara Cara

(As of 7/1/2024)

Jill Newhouse Gallery

FOUNDATIONS, TRUSTS, AND CORPORATIONS

$200,000 or more

Heckscher Foundation For Children

The Pinkerton Foundation

Robin Hood Foundation

Tiger Foundation

$100,000 to $199,999

Gladys and Roland Harriman Foundation

Solon E. Summerfield Foundation, Inc.

$50,000 to $99,999

Altman Foundation

Bank of America

Blanchette Hooker Rockefeller Fund

The Bronx Defenders Capital One

Hagedorn Fund

Insurance Industry Charitable Foundation (IICF)

Gerald L. Lennard Foundation

The Warburg Pincus Foundation

$20,000 to $49,999

Archer-Daniels-Midland Company

Bloomberg Philanthropies

Cleve Gray Foundation

EA Foundation

Fordham Street Foundation

George Link Jr. Foundation Inc

Mae and Mitchell Marcus Charitable Foundation, Inc.

United Neighborhood Houses of New York, Inc.

10,000 to $19,999

AIG

Barclay & Jean Jones Family Fund

Epstein Teicher Philanthropies

Harris Matthews Charitable Foundation Inc.

Henry and Lucy Moses Fund Inc.

Taranto Family Foundation

Trooper Foods

$5,000 to $9,999

Arnhold Foundation Inc.

Theodore H. Barth Foundation

H.W. Wilson Foundation

(As of 07/22/2024)

INDIVIDUAL AND GROUP GIFTS

East Side House Settlement thanks our generous donors who provide us with valuable support to fulfill our mission. Over the past year, these fully tax-deductible gifts have had a direct and measurable impact on the children and families East Side House serves.

President’s Circle

($5,000 or more)

AIG

Arnhold Foundation Inc.

Bob & Becky Alexander

Nauman Barakat

Caroline Beshara

Mr. Alan S. & Mrs. Madeline D. Blinder

Cleve Gray Foundation

Mr. & Mrs. Paul Cronson

Mr. William S. Elder

Fordham Street Foundation

Wendy Holmes & Kevin McAlister

Mr. Barclay G. Jones

Barclay & Jean Jones Family Fund

Leonard & Judy Lauder

The Martin Family

David & Dolores Miller

Mr. Francesco Scattone

Jeffrey & Eliza Stein

Taranto Family Foundation

Mr. Steve & Dr. Kathryn Thompson

Richard Uhrlass

The Warburg Pincus Foundation

Mr. Eric C. Wenberg

Sustainers

($2,500 to $4,999)

Mr. & Mrs. James V. Annarella

CeCe Barfield Inc.

Jane Win x Cara Cara

Mr. & Mrs. Donald J. Childress

Mimi & Peter Haas Fund

Heinz Family Foundation

Tena & Hayes Kavanagh

Lower Manhattan Cultural Council

Supporters

($1,000 to $2,499)

A. C. Israel Foundation Inc.

Ms. Lorri Ahl & Mr. Michael Edsall

Arader Galleries

Jane Arce-Bello

Franklin M. Berger

Maureen & Edward Bousa

Ms. Katherine Collins

Mr. & Mrs. John Curtis

Ms. Nancy Farrell

Mr. James Ferrare

Stephanie Fougere

Ms. Alice K. Jump, Esq.

Literacy Assistance Center

Joan B. Mirviss

Otero-Pailos Studio/Experimental Preservation LLC

Elizabeth Donnem Sigety

Danielle & Tom Walker

Donors

($500 to $999)

Alfred A. Abate

Lindsay Blank

Kevin Brandmeyer

Virginia Brilliant

Scott Brown

Geraldine Bryant

Jeff Cates

Mark Cunningham

Samuel P.C. Dangremond

Ronald Draper

Linda H. Kaufman

William Mehleisen

Ellen & Robert Meyer

Mr. & Mrs. James M. Noonan

Maria Luisa Palmese

Timothy Piacentini

Spencer Robinson

Mr. & Mrs. John A. Sanchez

Stephen Strachan

Abraham Thomas

John Wenk

Associates ($100 to $499)

Charles Adams

American Friends of Attingham

Anonymous

Hector E. Baez

Lauren Benito

Mr. William Bert

Marci & Javier Bleichmar

Leanne Block

Ms. Jill Bossert

Leah Brouwers

Lori Buchbinder

Ingrid Buntschuh

Joseph Cady

Mariel Canale

Clark Construction Corp.

R. Putnam Coes III

Quinn Colter

Jessica Curro

Alex Deyle

Christina Donnell

Ivelisse Duncan

Joan Ellis

Tiffany Farney

David Felman

Christopher Finkernagel

Scott Finkernagel

Wynn D. Fitzpatrick

Lisa Floyd

Spencer Friedman

Steven Fox

Elizabeth Giovine

Sydney B. Gottesman

Thaddeus Gray

Wendy K. Grunseich Project Management, Inc.

Irene Hasegawa

Mark M. & Barbara Ann Higgins

Nathan Histed

Jessica Horton

Margaret L. Howell

Eula C. Johnson

Gavin Johnson

Barbara A. Johnston

Katherine Jones

Roberta Karp

Rachel & Howard Klein

Jennifer Lawrence

Dina Lemmond

Dorothy & John Leonard

The Philip A. & Darlene S. Levien

Family Living Trust

Kristen Lewandowski

Hampton Luzak & Kevin Luzak

Michael Lynch & Susan Baker

Michael & Katrina Marsters

Anne McAlinden

JP Morrison

Mr. & Mrs. Gerald P. Noonan

Jeff Nugent

Johnny Obrovac

Mark & Katrina Parris Pinn

Regina Penn

Robert Pondiscio

Bette Quiat

Jake Quiat

Matthew Quiat

Steven Reilly

Mary Rich

Victoria Rich

Mr. & Mrs. Robert P. Rittereiser

Janine Schwedes

Jeanette Sculthorpe

William M. Singer

Lois & Arthur Stainman

Laurence T. Sorkin

Mrs. Merrielou Symes

Myriam Timmermans

Ann Torack

Concetta Verducci

Robin C. Vermylen

Juliet Viers

Nicholas Vincent Design

Kimberly Von Koontz

Halima Yusuf

(as of 7/16/2024)

East Side House Announces a Milestone in Early Childhood Education & Community Empowerment:

The Honorable Eugene G. Oliver, Jr. Education Center

For over a century, East Side House has evolved to meet the needs of the community it serves. From its early days offering settlement house programs to its current multifaceted approach addressing education, workforce development, mental health, and family support, East Side House has remained steadfast in its mission to empower individuals at every stage of life through access to opportunities and resources. This year, East Side House announced the opening of The Honorable Eugene G. Oliver, Jr. Education Center in the South Bronx, demonstrating its commitment to providing local children with the tools to dream, thrive, and achieve.

A Vision Realized: Eugene G. Oliver, Jr.

The center’s name acknowledges the contributions of Judge Eugene G. Oliver, Jr. — a lifelong advocate for justice, education, and community development — to the South Bronx. Born and raised in the Mill Brook Houses, he has been both a beneficiary and a champion of East Side House’s work. “This center stands as a reflection of what is possible when a community comes together to invest in its children,” he shared at the opening ceremony. “It is a full-circle moment for me, as someone who benefited from East Side House’s programs in my youth. To see the organization now providing this level of care and education for our youngest residents fills me with pride and gratitude.”

Judge Oliver’s career as a Bronx Supreme Court judge and his over 50 years of service on East Side House’s board have left an indelible mark on the community. Rooted in resilience, mentorship, and service, his work epitomizes the transformative power of access and opportunity, which the center aims to replicate for future generations.

“This center stands as a reflection of what is possible when a community comes together to invest in its children”— The Honorable Eugene G. Oliver, Jr.

Meeting the Needs of the Community

The South Bronx faces significant challenges in accessing early childhood education. According to recent studies, some neighborhoods in the area have up to four families competing for every available seat in early childhood programs. The Eugene Oliver Center is a direct response to this critical need. Designed to serve children aged 18 months to five years, it provides a nurturing, inclusive environment where children can develop the skills they need to succeed academically and socially.

The center specializes in meeting the needs of children requiring special education services by offering physical and occupational therapy, speech therapy, and specialized resources for children with conditions such as autism, Down syndrome, and mobility challenges. East Side House has begun to streamline the process for families to access screenings, services, and support, significantly reducing wait times and ensuring quality care.

A Legacy for Generations

The Honorable Eugene G. Oliver, Jr. Education Center reflects the collaborative spirit of East Side House, its partners, and the broader community. It represents hope for families who have long sought access to quality education and care for their children, and it embodies the belief that investing in early childhood is an investment in the future of the South Bronx. As Judge Oliver said, “When we invest in our youngest members, we invest in the future of our community.”

Through the Eugene Oliver Center, East Side House continues its mission of empowerment, ensuring that every child and family in the South Bronx has the opportunity to succeed.

East Side House’s Visionary Leap into the Future of Education: Haven Charter High School

East Side House Settlement announces one of its most transformative endeavors:

Haven Charter High School, set to open its doors in 2025. A dual-purpose high school and community center, this innovative institution represents the culmination of years of visionary planning, a testament to East Side House’s commitment to redefining education and meeting the evolving needs of students and their families.

Haven Charter High School will reimagine the high school experience, blending academic rigor with workforce readiness. Its groundbreaking curriculum is designed to prepare students for a world in which adaptability and specialized skills are essential. Offering certifications in high-growth fields such as healthcare, technology, and pharmacy technician training, the school ensures its graduates are ready to thrive in both higher education and the workforce.

“This school was a dream,” said Daniel Diaz, Executive Director of East Side House, whose leadership has been instrumental in bringing this vision to life. “But dreams don’t materialize without a team that’s willing to challenge the status quo. Together, we’ve created a space where innovation meets opportunity.”

Haven Charter High School represents a holistic approach to education. Anchored in East Side House’s renowned Primary Person Model, each student will be paired with a mentor who will provide individualized guidance and support. Families, too, will be part of the journey, with professionals working alongside parents to foster a collaborative and nurturing environment.

Performance-based grading, a centerpiece of the school’s philosophy, will ensure that learning outcomes accurately reflect students’ mastery of skills and concepts, rather than relying on standardized testing. This approach empowers educators to tailor their teaching strategies and allows students to excel in ways that reflect their unique strengths.

“This school represents more than education — it represents hope and possibility,” said Natalie Lozada, Associate Executive Director and co-founder of Haven Charter High School.

“We are building an institution that meets the needs of the whole student, including academic, socio-emotional, and familial, ensuring every graduate is prepared to thrive in the modern world.”

A New Era for East Side House Settlement

Haven Charter High School is only one part of East Side House’s bold vision for the future. The forthcoming community center will further expand the organization’s reach, offering vital services across generations. Providing workforce training and resources for the community, these projects reflect East Side House’s dedication to creating spaces where the community can grow, connect, and excel.

Building on its 133-year legacy, East Side House continues to lead with innovation, compassion, and a commitment to excellence. With Haven Charter High School and the new community center, it is both addressing immediate needs and setting a course for a brighter and more equitable future. These projects invite the South Bronx and all of New York to envision a world where education and opportunity transform lives and create lasting impact.

“This school represents more than education — it represents hope and possibility”

— Natalie Lozada, Associate Executive Director

Celebrating 20 years of Outstanding Service & Leadership: Daniel Diaz

“Daniel is a visionary leader who combines faith in his ideas with trust in his team”

Natalie Lozada, Associate Executive Director

This year, East Side House Settlement proudly commemorates a monumental milestone — the 20-year anniversary of its dynamic and visionary Executive Director, Daniel Diaz. Over the past two decades, Daniel’s devotion to the mission of East Side House has reshaped the organization, enhanced the resources available to the South Bronx, and set a benchmark for excellence in community development.

Early Years with East Side House

Daniel’s journey with East Side House began in 2004, when he took on the role of coordinator to support at-risk youth disengaged from academic life. Tasked with helping students at risk of dropping out, he demonstrated an innate ability to see potential where others saw barriers. Just four months into his tenure, he wrote his first grant proposal, which secured funding for 30 paid internships for underserved students. Reflecting on his early years within the organization, he credits working with homeless youth and serving as a deacon as experiences that shaped his dedication to education as a tool for transformation.

“Recognizing the youth’s needs ignited my passion to pursue my vision,” he said.

“He empowers us to dream bigger and to exceed expectations. Working with Daniel has been transformative — not just for the organization, but for everyone fortunate enough to learn from him”

Transforming Opportunities for High Schoolers

In 2008, Daniel played a pivotal role in a groundbreaking partnership between East Side House and the Department of Education to establish Bronx Haven High School. The school provides students with a second chance to graduate, equipping them with critical life skills and career guidance. The impact of Bronx Haven High School extends far beyond diplomas — it has become a source of hope and opportunity, empowering families and strengthening the community.

Daniel recalls one moment at a Bronx Haven graduation, when a student wore a decorated cap reading, “My mom crossed the border so I can cross the stage.” He said, “Moments like that embody the essence of our mission. It’s about fulfilling not just the dreams of individuals, but also honoring the sacrifices of the families who stand behind them.”

A Future Brimming with Possibilities

In 2017, Daniel was promoted to Executive Director. Under his stewardship, East Side House has experienced unprecedented growth, raising over $30 million to fund critical programs and initiatives. Known for fostering a culture of collaboration and innovation, he also inspires confidence and creativity among his colleagues. Said Natalie Lozada, Associate Executive Director at East Side House, “Working with Daniel has been transformative — not just for the organization, but for everyone fortunate enough to learn from him.”

In 2024 alone, East Side House achieved remarkable milestones, including the opening of the Honorable Eugene G. Oliver, Jr. Education Center — a stateof-the-art early childhood education facility — and the launch of the Harvest to Haven food pantry initiative. These projects, along with the impending opening of Haven Charter High School, exemplify the forward-thinking leadership that has defined his tenure.

Daniel’s two-decade journey at East Side House Settlement is a celebration of resilience, innovation, and the transformative power of leadership. His vision has touched countless lives, redefined what is possible for underserved communities, and ensured that the South Bronx continues to be a beacon of hope and opportunity. “The work we’ve accomplished so far is just the foundation,” said Daniel. “With every challenge comes the opportunity to push boundaries and create something greater.”

As we honor this milestone, we look ahead with optimism, confident that his impact will continue to inspire and transform for decades to come. Congratulations, Daniel, on 20 years of extraordinary service, and on building a legacy that promises an even brighter future.

The journeys of Josiah and Jefferson, two exceptional young men who participated in East Side House Settlement’s programs, exemplify the organization’s profound impact on its students. Their stories are testaments to the life-changing power of exposure, mentorship, and education — and to the lasting influence of East Side House on shaping leaders of tomorrow.

Bridging Borders and Building Futures: The Transformative Impact of East Side House

Josiah: Global Perspective, Local Mission

A first-generation American whose parents emigrated from Jamaica, Josiah was introduced to East Side House during his sophomore year at Bronx Legacy High School, which offered limited resources and few post-secondary options. He found in East Side House the guidance and opportunity he had sought. Through the Youth Leadership Program, Josiah became a mentor to his peers, providing support in navigating college applications, scholarships, and social challenges. His role taught him valuable organizational and interpersonal skills while igniting a passion for helping others. “My time in Youth Leadership pushed me to seek new opportunities,” he said. “It taught me to challenge myself and dream bigger.” These new opportunities included a life-changing study abroad program in Morocco. Immersed in the culture, Josiah learned Arabic and French, conducted research on the argan oil industry, and experienced the warmth and hospitality of his host family.

Today, Josiah is thriving as a finance major at Hofstra University, where he is deeply involved in campus life and pursuing his goal of becoming a financial advisor. He credits East Side House with shaping his character and outlook. “Without East Side House, my path would have been completely different,” Josiah said. “They enrich lives and build futures, not just for individuals but for entire communities.”

“My time in Youth Leadership pushed me to seek new opportunities”

Josiah

Jefferson: Finding Confidence & Connection

For Jefferson, who emigrated from Ghana just two years before joining East Side House, life in New York was overwhelming and isolating. Navigating a new country, a new school, and an unfamiliar culture, he faced barriers in communication and confidence. His life changed after he was accepted into East Side House’s Student Ambassador Program.

Launched in 2018, the program annually selects 20 Bronx high school seniors for a year-long leadership and community engagement initiative. For Jefferson, it provided a platform to develop his skills as well as a lifeline of connection and belonging. “Before the program, I stayed in my bubble,” he said. “But the collaboration with other ambassadors taught me how to communicate, build connections, and work with people I’d never met before.”

The curriculum of collaborative projects and public speaking assignments helped Jefferson shed his inhibitions. His newfound confidence culminated in an unforgettable moment at a City Hall rally, where he spoke passionately to an audience of 350 about preserving funding for the program. “Jefferson knows himself and marches to the beat of his own drum,” said Brian Birkeland, the program’s director. His year as an ambassador ended with a 10-day trip to Europe, where he explored new cultures, food, and experiences that sparked a lifelong desire to travel. He eventually graduated as valedictorian of Mott Haven Community High School, delivering a moving speech to his peers. Now a computer science major at Hunter College, he is pursuing his dream of earning a master’s degree. The skills he developed — confidence, communication, and collaboration — continue to propel him forward.

“Jefferson knows himself and marches to the beat of his own drum”

Brian

Birkeland, Department Director, Learning to Work

East Side House’s Lasting Impact

Through programs including Youth Leadership and the Student Ambassador initiative, East Side House equips young people with the tools they need to overcome challenges. For both young men, ESH provided a sense of belonging, network of mentors, and vision for the future. Whether through global exploration or community engagement, East Side House’s programs inspire students to see the world not as a set of limitations, but as a canvas of possibilities.

To support the important work of East Side House, please visit www.eastsidehouse.org/donate.

JOIN US ON THE EAST TERRACE OF THE PHILADELPHIA MUSEUM OF ART

April 25–27, 2025

PREVIEW PARTY APRIL 24

DEALERS

Arader Galleries

Avery Galleries

Bittner Antiques

Jeff R. Bridgman

American Antiques

Ralph M. Chait Galleries

HL Chalfant

Fine Art and Antiques

Childs Gallery

Dixon-Hall Fine Art

Dolan/Maxwell

European Decorative Arts Company

Gemini Antiques

Gladwell & Patterson

Glass Past

Bernard Goldberg Fine Arts

Graham Shay and Lincoln Glenn

The Illustrated Gallery

Barbara Israel

Garden Antiques

Betty Krulik Fine Art

Glen Leroux

Levy Galleries

Nathan Liverant and Son

M. Hanks Gallery

Moderne Gallery

Lillian Nassau

Olde Hope

Peter Pap Rugs

Francis J. Purcell

Rehs Galleries

James Robinson

Schwarz Gallery

S. J. Shrubsole

Elle Shushan

Silver Art by D & R and Antique French Fine Art

Somerville Manning

Jayne Thompson Antiques

Jeffrey Tillou Antiques

Earle D. Vandekar of Knightsbridge

Walker Decorative Arts

The Association salutes the Winter Show for its support of East Side House Settlement. www.SocialRegisterOnline.com

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Evergreen Antiques

Good Design

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Beto Oliveros Studio

Robert Stilin

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Milord Anti ques

Doris Leslie Blau

Levy Galleries

Thomsen Gallery

Bernard Goldberg Fine Arts

Lillian Nassau LLC

Kelly Kinzle

Modern Masters Tapestries

Jeff rey Tillou Anti ques

EXHIBITORS

A La Vieille Russie, Inc.

Carolle Thibaut-Pomerantz E6

Clinton Howell Antiques B10

Cove Landing A1

Daniel Crouch Rare Books E15

Debra Force Fine Art A2

Didier Aaron Inc. D2

Didier Ltd D6

Dolan/Maxwell D12

Eguiguren Arte de Hispanoamérica D10

European Decorative Arts Company A11

French & Company C11

Galerie Gmurzynska E10

Galerie Léage E6

Galerie Nathalie Motte Masselink B11

Glass Past New York A5

Hill-Stone D3

Hirschl & Adler Galleries B8

Hixenbaugh Ancient Art E11

Hollis Taggart C13

Hyde Park Antiques, Ltd. D4

James Robinson, Inc. C2

Jill Newhouse Gallery A7

Joan B Mirviss LTD E5

Jonathan Boos F1

Jonathan Cooper D11 Kentshire C3

Keshishian C14

Koopman Rare Art E3

Kunsthandel Nikolaus Kolhammer D14

Lawrence Steigrad Fine Arts B5

Leon Tovar Gallery F2

Les Enluminures A6

Levy Galleries E1

䌀氀椀洀愀琀攀ⴀ挀漀渀琀爀漀氀氀攀搀 愀爀琀 愀渀搀

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倀爀椀瘀愀琀攀 瘀椀攀眀椀渀最 爀漀漀洀猀 琀爀愀渀猀瀀漀爀琀愀琀椀漀渀 愀渀搀 椀渀猀琀愀氀氀愀琀椀漀渀

Lillian Nassau LLC B2

Lowell Libson & Jonny Yarker Ltd B6

MacConnal-Mason Gallery D5

Macklowe Gallery, Ltd. C9

Maison Gerard C7

Michael Goedhuis B1

Michael Pashby Antiques D8

Michele Beiny D1

Milord Antiquités A8

Peter Finer A3

Peter Harrington C12

Ralph M. Chait Galleries, Inc. E8

Red Fox Fine Art E9

Richard Green B3

Robert Simon Fine Art C10

Robert Young Antiques E4

Ronald Phillips Ltd E2

Rountree Tryon Galleries A9

São Roque B9

Simon Teakle Fine Jewelry A10

S.J. Shrubsole A4

The Old Print Shop, Inc. A12

Thomas Colville Fine Art C4

Thomas Heneage Art Books B4

Thomsen Gallery C6

Véronique Bamps Monaco B7

Wartski E13

Zebregs&Röell D13

Focus: Americana B13

Allan Katz Americana

David A. Schorsch ~ Eileen M. Smiles Fine Americana

Elle Shushan

Kinzle

Jeffrey Tillou Antiques

Kelly Kinzle

Levy Galleries

Nathan Liverant and Son, LLC

Olde Hope

THE WINTER SHOW 2025 FLOOR PLAN

CANARD CAFÉ FOCUS AMERICANA

TO COAT CHECK

SOUTH HALL EAST SIDE HOUSE EXHIBITION

The Winter Show would like to thank the following:

MARK AISTON Aiston Fine Art Services

ALICE ALLEN

C. EDMONDS ALLEN

CYNTHIA B. ALTMAN

ASIA WEEK NEW YORK

LUCINDA BALLARD

BANK OF AMERICA

ANITA BASSIE Group M Design

CHRISTINA BELLO East Side House Settlement

ADAM CALVERT BENTLEY Adam Calvert Bentley Antiques

DANIELLA BERMAN The Drawing Foundation

CHRISTOPHER BISHOP Master Drawings New York

ANNETTE BLAUGRUND

JILL A. BOSSERT Advertising Director The Winter Show Catalogue

CORDELIA BOURNE Patrick Bourne & Co.

CHESIE BREEN NivenBreen

JOHN BRUNO Exhibition Employees Union Local 829

HILLARY BURCHFIELD Sotheby’s Institute of Art

SARAH BURNINGHAM Little Bird Publicity

CARA CARA

JENNIFER CARLQUIST Boscobel House and Gardens

JAMES CARTER

COURTNEY BOOTH CHRISTENSEN Winston Art Group

CHUBB

LARRY COHEN Van Go, Inc.

CARL D’AQUINO D’Aquino Monaco

DEALERS COMMITTEE

BRITTANY COST Editor The Winter Show Catalogue

GUILLAUME COUTHEILLAS French California

EMILY DAVIS Air Mail

DANIEL DIAZ East Side House Settlement

MICHAEL DIAZ-GRIFFITH Design Leadership Network

KEVIN DICKSON Condé Nast

JIM DRUCKMAN New York Design Center

JOE V. EARLE Bonhams

SIMONE ELHART Park Avenue Armory

ADAM ELI

WILL ELLIOT Elliot Fine Art

ERICK J. ESPINOZA

ELIZABETH FELD Hirschl & Adler Galleries

FAIRE LA FÊTE

MATTHEW FIORELLO

FREDERICK FISHER AND PARTNERS

BRAD FORD

TONY FREUND 1st Dibs

LINDA GARNETT Black River Caviar

DESSA GODDARD Bonhams

ELIZABETH GOLDFEDER, Reflectel

WENDY GOODMAN New York magazine

JENNIFER GRACIE Gracie Studio

CARSON GRAY Abercrombie & Kent

HARRY GREADY Benappi Fine Art Ltd.

JASON GREENBERG Somerselle Media

GRACIE STUDIO

JONI GROSSMAN

JOHN HAMILTON Select Contracting Inc.

KEITH HARRINGTON Phoenix Lithographing Corporation

VIRGINIA HART US State Department’s Diplomatic Reception Rooms

ALINE HAZARIAN

MEDILL HIGGINS Metropolitan Museum of Art

ALEXANDRA HOYLE The Social Register Association

HUNTER PR

MARY ANNE HUNTING

ADAM CHARLAP HYMAN Charlap Hyman & Herrero

LAURA JACOBS Air Mail

CHRISTINE DONAHUE KAVANAGH Sotheby’s

ALISON KENWORTHY Homeworthy

KENNETH J. KERRIGAN Exhibition Employees Union Local 829

ALEXANDRA KIRTLEY The Philadelphia Museum of Art

ARIE KOPELMAN

JEFFREY KWAN Canal Sound & Light

BRENT LEGGS African American Cultural Heritage Action Fund

ALIX LERMAN New York Design Center

WEI LIU Evaton

MELISSA HELWIG LIUZZI Select Contracting Inc.

PETER LYDEN Institute of Classical Architecture & Art

MICHAEL LYNCH

RYAN MAERZ Canard Inc

JESSICA MALDONADO East Side House Settlement

TYLER MAHOWALD Third Eye

JOE MANGI

THE MARK HOTEL

LARK MASON

LUCINDA B. MAY

KEVIN MCCORMACK Select Contracting Inc.

ELLEN MCGAULEY Veranda magazine

ROB MCGINLEY Chubb

PATRICIA MEARES The Fashion Institute of Technology

DANIEL MEEKER Daniel Meeker Lighting and Set Design

BILL MIKULIK Sea Group Graphics

MARK MITCHELL The Yale University Art Gallery

PATRICK MONAHAN Vanity Fair and Country Life

CHARLOTTE MOSS

THE NATIONAL TRUST FOR HISTORIC PRESERVATION

REBECCA NAZAR Tibetano

PALM BAY INTERNATIONAL

BOBBY PANARELLA

HÉLÈNE PAPADOPOULOS MasterArt

DAVID SCOTT PARKER FAIA

ALEX PATERSON Sea Group Graphics

RUTH PELTASON

LAUREL PETERSON The Yale Center for British Art

KATHARINA PLATH-NOURRY Head & Hand PR

ELIZABETH PYNE McMillen Inc.

SUZY RECHTERMANN The Gallery at 200 Lex

THOMAS H. REMIEN

CHARLES RENFRO Diller Scofidio + Renfro

REBECCA ROBERTSON Park Avenue Armory

DIANA RODRIGUEZ East Side House Settlement

RACHEL ROSE Third Eye

MARIA SANTANGELO Bullimore Partners

AMY SCHWEITZER Hearst Media

ELIZABETH D. SIGETY, ESQ. Fox Rothschild LLP

MARK D. SIKES

ADDISON, ALSTON & SILAS SMITH

JOHN SMIROLDO Incollect

TOMAS SOKOL Group M Design

ANDERSON SOMERSELLE

OKTAY SÖNMEZ

SOTHEBY’S INSTITUTE OF ART

DON SPARACIN The Magazine Antiques

SPECIAL EVENTS COMMITTEE

SPECIAL RELEASES 2024

JENNIFER STARK Sandford L. Smith & Associates

JD STARON

GEMMA SUDLOW Freeman’s | Hindman

DAN TANZILLI Third Eye

JOHN TAYLOR Art Logistics

ALAN TEMPLETON

JACQUELINE TERREBONNE Galerie Magazine

THE NATIONAL ARTS CLUB

THE DECORATIVE ARTS TRUST

THE SOCIAL REGISTER

TRACEY THOMAS Venü Magazine

SUZANNE TUCKER Suzanne Tucker Home

SONA VARDANYAN MasterArt

JOHN VERNAZZA Local 829

VETTING CO-CHAIRS

VETTING COMMITTEES

ZACH WAMPLER

ALLISON WUCHER

JONNY YARKER Lowell Libson & Jonny Yarker Ltd

CAITLIN YATES Bullimore Partners

YOUNG COLLECTORS NIGHT COMMITTEE

XIAODI ZHOU

ADRIJAN ZUZA 4over4

Advertisers Index

EXHIBITORS

Didier Aaron Inc. ....................................118

A La Vieille Russie, Inc. ...........................119

Adelson Galleries, Inc. ...........................120

Alexandre Gallery ...................................121

Aronson of Amsterdam ..........................122

Avery Galleries ......................................123

Véronique Bamps Monaco ..................... 124

Michele Beiny ........................................125

Blumka Gallery ......................................126

Boccara Gallery ......................................127

Jonathan Boos ....................................... 192

Ralph M. Chait Galleries, Inc. .................128

Thomas Colville Fine Art ........................129

Jonathan Cooper ...................................130

Cove Landing .........................................131

Daniel Crouch Rare Books .....................132

Didier Ltd ..............................................133

Dolan/Maxwell ......................................134

Eguiguren Arte de Hispanoamérica ..136, 137

European Decorative Arts Company ......135

Peter Finer .....................................138, 139

Debra Force Fine Art .............................140

French & Company ................................. 141

Glass Past New York .............................. 142

Galerie Gmurzynska ...............................191

Michael Goedhuis ..................................143

Bernard Goldberg Fine Arts, LLC ...........144

Richard Green ........................................145

Peter Harrington ...................................146

Thomas Heneage Art Books .................. 147

Hill-Stone .............................................148

Hirschl & Adler Galleries ........................149

Hixenbaugh Ancient Art ........................150

Clinton Howell Antiques .........................151

Hyde Park Antiques, Ltd. .......................152

Barbara Israel Garden Antiques .............153

Kentshire ..............................................154

Keshishian ............................................155

Kunsthandel Nikolaus Kolhammer .........156

Koopman Rare Art .................................157

Galerie Léage ........................................184

Les Enluminures ...................................158

Levy Galleries .......................................159

Lowell Libson & Jonny Yarker Ltd ..........160

MacConnal-Mason Gallery .....................161

Macklowe Gallery, Ltd. ..........................164

Maison Gerard ................................162, 163

Milord Antiquités ...................................165

Joan B Mirviss LTD ................................166

Galerie Nathalie Motte Masselink ...........167

Lillian Nassau LLC .................................168

Jill Newhouse Gallery ............................169

The Old Print Shop, Inc. ..........................172

Michael Pashby Antiques .................170, 171

Ronald Phillips Ltd ..........................174, 175

Red Fox Fine Art .................................... 173

James Robinson, Inc. ............................ 176

São Roque ......................................178, 179

Rountree Tryon Galleries ........................177

S. J. Shrubsole ......................................180

Robert Simon Fine Art ............................181

EXHIBITORS (continued)

Lawrence Steigrad Fine Arts ..................182

Hollis Taggart ....................................... 190

Simon Teakle Fine Jewelry ....................183

Carolle Thibaut-Pomerantz ...................184

Thomsen Gallery ...................................185

Wartski .................................................186

Robert Young Antiques ......................... 187

Zebregs&Röell ...............................188, 189

ANTIQUES & FINE ART DEALERS

Art Blackburn ...................Inside back cover

Philip Colleck Ltd. .................................194

The Gallery at 200 Lex ............................26

Gill & Lagodich Antique Frames & Mirrors ...99

Godel & Co. ........................................... 197

Incollect .........................................250, 251

Lerebours Antiques ................................94

Nelson & Nelson Antiques ...............212, 213

Schoelkopf Gallery ................................195

Stair ..................................................66, 67

Tambaran Gallery ..................................196

ARCHITECTS, INTERIOR & LANDSCAPE DESIGNERS

Anthony Baratta/Erick J. Espinoza .......200

Cullman & Kravis Associates ................... 41

Design Leadership Network .....................29

Eleish Van Breems Home .........................24

Fairfax & Sammons ...................................2

Ferguson & Shamamian ........................... 21

French California ....................................217

Gachot ...................................................38

Gracie Studio .......................................... 77

Hamilton Design Associates ...................98

Ralph Harvard ......................................... 79

Lichten Architects ..................................95

Lindley Martens Design .....................82, 83

Moran Hook Architecture ........................25

John B. Murray Architect .........................27

David Netto Design ................................40

Peter Pennoyer Architects .................22, 23

Thomas Pheasant ................................... 74

Schafer Buccellato Architects ..................10

Steven W. Spandle Architect ...................50

Bunny Williams Home .............................31

Williams Lawrence .................................30

Fernando Wong Outdoor Living Design ....51

Yellow House Architects .........................39

CULTURAL & INSTITUTIONAL PARTNERS

Master Drawings New York ....................198

National Trust for Historic Preservation ...85

The Park Avenue Armory ...................... 249

Social Register Association ...................239

INSURANCE & FINANCIAL

Bank of America ......................................14

Chubb ........................................Back cover

Goldman Sachs .......................................32

DĖCOR

Adelphi Paper Hangings ........................216

Atelier Viollet .......................................... 97

Reflectel ...............................................219

JD Staron .................................................4

Warp & Weft ...........................................43

LUXURY RETAIL

Abercrombie & Kent ................................12

Black River Caviar ...................................47

Bulgari ...........................Inside front cover,1 Cara Cara ..................................................3

Chanel .................................................... 52

Elizabeth Locke Jewels ..............................5

Alex Sepkus Company ..............................11

MUSEUMS

Detroit Institute of Arts ...........................95

Drayton Hall ......................................64, 65

Florence Griswold Museum ......................78

Historic New England ..............................81

Winterthur Museum, Garden & Library ....80

PUBLICATIONS/MEDIA

Antiques and the Arts Weekly ...............