Museum Architecture Design

博物館

建築

Museum

e r u ct e t Archi 設計

Design

建築師是一位專業人士，負責建 築物的設計、策劃以及監管施工

當下的博物館肩負著

興建的進度和質量。

怎樣的角色?

作為一位建築師，更重要的是他擁有把意

What are the primary roles of a museum nowadays? 博物館需要甚麼 類型的空間?

What kind of spaces does a museum building need?

如何規劃不同的空間以帶 動博物館內部的動力?

How to organise different spaces to facilitate circulation and activities within the museum?

博物館大樓座落於哪裡?

Where will the museum building be located?

如何能挑戰局限?

How to overcome limitations?

念轉化為實體的能力。在著手設計一座建築 物之前，建築師必須考慮很多因素。 因為博物館肩負著獨有的功能及社會角色， 設計一座博物館可說是別具挑戰性。

An architect is a professional who deals with the design, planning, and construction of buildings.

The most important aspect of being an architect is his ability to transform an idea into a reality. Before designing a building, an architect has to consider a lot of factors.

Designing a museum building could be considered especially challenging because of a museum’s unique functions and roles in society.

建築師是一位專業人士，負責建 築物的設計、策劃以及監管施工

當下的博物館肩負著

興建的進度和質量。

怎樣的角色?

作為一位建築師，更重要的是他擁有把意

What are the primary roles of a museum nowadays? 博物館需要甚麼 類型的空間?

What kind of spaces does a museum building need?

如何規劃不同的空間以帶 動博物館內部的動力?

How to organise different spaces to facilitate circulation and activities within the museum?

博物館大樓座落於哪裡?

Where will the museum building be located?

如何能挑戰局限?

How to overcome limitations?

念轉化為實體的能力。在著手設計一座建築 物之前，建築師必須考慮很多因素。 因為博物館肩負著獨有的功能及社會角色， 設計一座博物館可說是別具挑戰性。

An architect is a professional who deals with the design, planning, and construction of buildings.

The most important aspect of being an architect is his ability to transform an idea into a reality. Before designing a building, an architect has to consider a lot of factors.

Designing a museum building could be considered especially challenging because of a museum’s unique functions and roles in society.

保存來自不同年代、 不同地方的作品

Safeguarding valuable works of different time periods and origins

What are th e primary role s of a museu m nowadays?

鼓勵實驗、發明 和創新的精神 Encouraging the spirit of experimentation, invention, and innovation

修復 藏品 Cons er resto ving and ring w in th e col orks lecti on

蘊藏知識、啟發思考 Informing and inspiring with knowledge and expertise

反映自身與 社 會的關係 Reflecting our relationsh ip with society

觀察生 活中被 忽略的 細節 Bringing attention to the normally unnoticed aspects of life

肩負 當下的博物館 ？ 著怎樣的角色

穿越時空透

過藏品說故 事 Travelling th rough time to tell stories from the collections

挑戰慣常

的模式及

觀念 Challeng ing our n ormal models a nd perce ptions

、討論和 促進對話 社會互動 , ersation ing conv t a it il d c n a F ion, a , discuss dialogue teraction social in

保存來自不同年代、 不同地方的作品

Safeguarding valuable works of different time periods and origins

What are th e primary role s of a museu m nowadays?

鼓勵實驗、發明 和創新的精神 Encouraging the spirit of experimentation, invention, and innovation

修復 藏品 Cons er resto ving and ring w in th e col orks lecti on

蘊藏知識、啟發思考 Informing and inspiring with knowledge and expertise

反映自身與 社 會的關係 Reflecting our relationsh ip with society

觀察生 活中被 忽略的 細節 Bringing attention to the normally unnoticed aspects of life

肩負 當下的博物館 ？ 著怎樣的角色

穿越時空透

過藏品說故 事 Travelling th rough time to tell stories from the collections

挑戰慣常

的模式及

觀念 Challeng ing our n ormal models a nd perce ptions

、討論和 促進對話 社會互動 , ersation ing conv t a it il d c n a F ion, a , discuss dialogue teraction social in

展示 博物館除了需要典型的「白盒子」

學習

Learning

不同形式的教學及活

Various kinds of learning and activities space will be available where visitors will learn all sorts of new ideas.

動的地方，讓參觀者 從中學習新的意念。

展廳和放映室等較中性的展示空 間，亦要一些可彈性調配的空間以

行政

Administration

辦公室可讓工作人

There must be working space for museum staff to curate, promote, and produce various exhibitions and programmes.

員履行職責，如策 展、宣傳、籌備展 覽和節目。

適應各項功能。

Display Apart from relatively neutral display spaces such as conventional white-cube galleries and screening rooms, reconfigurable spaces will also be needed for multipurpose facilities and flexibility.

What kind of spaces does a museum building need?

博物館需要甚麼類型 的空間？ 建築師必須設計不同種

An architect has to design a range of spaces to accommodate the diverse, specific, and changing needs of a museum.

類的空間，以滿足博物 館多樣、獨特而又不斷 變更的需要。

創作 工作室可讓藝術家和參觀 者發揮創意。

Creation There will be studio space for practitioners and visitors to express their creativity.

休閒 博物館內 外的公共 空間都是 參觀者可 以盡情享 受悠閒的 地方。他 們可以隨 意躺臥在 草地、在 咖啡室跟 好友茶 聚，或純 粹欣賞美 好的風景 ！

研究

Research

保護及儲存

Recreation

研究中心的藏書 及文 獻，能幫助深入 的研

Books and archival materials in the research centre are kept for in-depth study and research.

保護及儲存藏品的空間，

Open public spaces inside and outside the museum invite visitors to enjoy themselves. They can lie on the grass, have a cup of tea with friends or simply enjoy being surrounded by stunning scenery!

究和探討。

讓它們免受極端溫度、濕 度、昆蟲及其他因素的 損害。

Conservation and storage It must be built as a shelter to protect and preserve collections against extreme temperatures, humidity, insects and other threats.

展示 博物館除了需要典型的「白盒子」

學習

Learning

不同形式的教學及活

Various kinds of learning and activities space will be available where visitors will learn all sorts of new ideas.

動的地方，讓參觀者 從中學習新的意念。

展廳和放映室等較中性的展示空 間，亦要一些可彈性調配的空間以

行政

Administration

辦公室可讓工作人

There must be working space for museum staff to curate, promote, and produce various exhibitions and programmes.

員履行職責，如策 展、宣傳、籌備展 覽和節目。

適應各項功能。

Display Apart from relatively neutral display spaces such as conventional white-cube galleries and screening rooms, reconfigurable spaces will also be needed for multipurpose facilities and flexibility.

What kind of spaces does a museum building need?

博物館需要甚麼類型 的空間？ 建築師必須設計不同種

An architect has to design a range of spaces to accommodate the diverse, specific, and changing needs of a museum.

類的空間，以滿足博物 館多樣、獨特而又不斷 變更的需要。

創作 工作室可讓藝術家和參觀 者發揮創意。

Creation There will be studio space for practitioners and visitors to express their creativity.

休閒 博物館內 外的公共 空間都是 參觀者可 以盡情享 受悠閒的 地方。他 們可以隨 意躺臥在 草地、在 咖啡室跟 好友茶 聚，或純 粹欣賞美 好的風景 ！

研究

Research

保護及儲存

Recreation

研究中心的藏書 及文 獻，能幫助深入 的研

Books and archival materials in the research centre are kept for in-depth study and research.

保護及儲存藏品的空間，

Open public spaces inside and outside the museum invite visitors to enjoy themselves. They can lie on the grass, have a cup of tea with friends or simply enjoy being surrounded by stunning scenery!

究和探討。

讓它們免受極端溫度、濕 度、昆蟲及其他因素的 損害。

Conservation and storage It must be built as a shelter to protect and preserve collections against extreme temperatures, humidity, insects and other threats.

如何規劃不同的空間以帶動博物館 內部的動力? 博物館就彷如一個小城般運作，不同類型的 活動在其中進行。建築師並不會忘記建築設 計的原意。建築師透過想像在博物館裡面可 能發生的各項活動和體驗而作出巧妙規劃， 令大樓設計不僅成為一幢實在的建築「空 間」，更是個充滿活力、賦予每個參觀者特 殊意義的「地方」。

How to create and organise different spaces to facilitate circulation and activities within a museum?

With a variety of activities going on, the museum functions like a small city. An architect never forgets the intent of an architectural design. By envisioning the actual activities and experiences that will happen in the museum, the architect will come up with an ingenious building design that not only creates an architectural “space” but also a vital “place” with particular meaning for every individual.

如何規劃不同的空間以帶動博物館 內部的動力? 博物館就彷如一個小城般運作，不同類型的 活動在其中進行。建築師並不會忘記建築設 計的原意。建築師透過想像在博物館裡面可 能發生的各項活動和體驗而作出巧妙規劃， 令大樓設計不僅成為一幢實在的建築「空 間」，更是個充滿活力、賦予每個參觀者特 殊意義的「地方」。

How to create and organise different spaces to facilitate circulation and activities within a museum?

With a variety of activities going on, the museum functions like a small city. An architect never forgets the intent of an architectural design. By envisioning the actual activities and experiences that will happen in the museum, the architect will come up with an ingenious building design that not only creates an architectural “space” but also a vital “place” with particular meaning for every individual.

博物館大樓座落於哪裡？ 建築物的設計應該考慮時空的因

博物館於城市中擔當的角色，與

素，既要呼應所在地域，也要能

附近環境的聯繫、座落位置的便

代表甚至超越其時代背景。

利程度、以至參觀者的到訪經 驗，都會由博物館的建築來定義 及塑造。

香港西九文化區的M+視覺文化博物館即將興

點，既考慮博物館毗連的地方，同時顧及此填海

建。負責設計M+大樓的建築師以「創意革

土地的本質。

新」、「回應時代」和「度身訂造」為設計重

Where will the museum building be located?

Thinking of the contexts of time and place, the building design should be responsive to the land upon which it will be situated and also be able to represent the era of its creation and beyond.

M+, museum for visual culture will be built in the West Kowloon Cultural District in Hong Kong.

Based on the three key approaches - “innovative”, “responsive”, and “specific”, the M+ architects have to consider both the neighbouring facilities

The building should help define the museum’s role in the urban context, its connectivity to its surroundings, its accessibility, and the arrival experience offered to its visitors.

and the reclaimed nature of the site on which the museum will be built.

博物館大樓座落於哪裡？ 建築物的設計應該考慮時空的因

博物館於城市中擔當的角色，與

素，既要呼應所在地域，也要能

附近環境的聯繫、座落位置的便

代表甚至超越其時代背景。

利程度、以至參觀者的到訪經 驗，都會由博物館的建築來定義 及塑造。

香港西九文化區的M+視覺文化博物館即將興

點，既考慮博物館毗連的地方，同時顧及此填海

建。負責設計M+大樓的建築師以「創意革

土地的本質。

新」、「回應時代」和「度身訂造」為設計重

Where will the museum building be located?

Thinking of the contexts of time and place, the building design should be responsive to the land upon which it will be situated and also be able to represent the era of its creation and beyond.

M+, museum for visual culture will be built in the West Kowloon Cultural District in Hong Kong.

Based on the three key approaches - “innovative”, “responsive”, and “specific”, the M+ architects have to consider both the neighbouring facilities

The building should help define the museum’s role in the urban context, its connectivity to its surroundings, its accessibility, and the arrival experience offered to its visitors.

and the reclaimed nature of the site on which the museum will be built.

如何能挑戰局限，創造 出一個嶄新的博物館大 樓設計？ 隨著設計工作不斷推進，複雜 的問題也必然一一浮現。建築 師往往要克服由選址、地點及 其他因素帶來的障礙。一個懂 得隨機應變、迅速調整的建築 師，總能從挑戰中尋找機遇， 克服建築障礙之餘，創造出令 人驚嘆的設計。

M+的外型就像一個倒立的「T」字—一個直立

爲會對建築帶來限制的機鐵隧道，化為建築物獨

面聳立於橫向的底座。這個簡約的造型既能在背

特的空間設計元素。

後的摩天大廈群中突顯出來，卻又不會破壞周遭 獨特的建築韻律。另一方面，建築師把本來被視

The design of M+ is shaped like an upside-down “T”, with a vertical slab standing on top of a horizontal block. The simple shape stands against the looming skyscrapers behind the building without destroying the unique accent and rhythm of its surroundings. In addition, the architects

How to overcome limitations and develop an innovative museum building design?

As the design process advances, complication inevitably arises. An architect often has to overcome hindrances imposed by the site, location, and other factors. Architect who is fast on his feet would somehow find opportunities from challenges, creating imposing forms that are striking yet remarkable in overcoming structural complications.

decide to uncover the existing airport-express tunnel beneath the site which was initially presented as a restriction to the building design, converting an obstacle into a unique spatial design element.

如何能挑戰局限，創造 出一個嶄新的博物館大 樓設計？ 隨著設計工作不斷推進，複雜 的問題也必然一一浮現。建築 師往往要克服由選址、地點及 其他因素帶來的障礙。一個懂 得隨機應變、迅速調整的建築 師，總能從挑戰中尋找機遇， 克服建築障礙之餘，創造出令 人驚嘆的設計。

M+的外型就像一個倒立的「T」字—一個直立

爲會對建築帶來限制的機鐵隧道，化為建築物獨

面聳立於橫向的底座。這個簡約的造型既能在背

特的空間設計元素。

後的摩天大廈群中突顯出來，卻又不會破壞周遭 獨特的建築韻律。另一方面，建築師把本來被視

The design of M+ is shaped like an upside-down “T”, with a vertical slab standing on top of a horizontal block. The simple shape stands against the looming skyscrapers behind the building without destroying the unique accent and rhythm of its surroundings. In addition, the architects

How to overcome limitations and develop an innovative museum building design?

As the design process advances, complication inevitably arises. An architect often has to overcome hindrances imposed by the site, location, and other factors. Architect who is fast on his feet would somehow find opportunities from challenges, creating imposing forms that are striking yet remarkable in overcoming structural complications.

decide to uncover the existing airport-express tunnel beneath the site which was initially presented as a restriction to the building design, converting an obstacle into a unique spatial design element.

最後，如何能進一步理解 及欣賞建築設計？

透過建築的研究能鼓勵我們對周遭環境的批評意 識，加深我們對建築和空間設計的欣賞和理解。 博物館會透過收藏繪圖、模型、照片、錄像、文 件及其他文獻資料，記錄人和地方的歷史、鼓勵 建築範疇的研究、從而引導我們反思更廣泛的社 會議題。

在大樓落成前，M+博物館已開始收藏建築作 品，希望藏品能對建築的研究和未來發揮積極 的作用。

What comes after – how can architectural design be appreciated?

The study of architecture encourages our critical awareness of the built environment, and enhances our appreciation and understanding of architectural and spatial design. Through collecting materials such as drawings, models, photographs, videos, documents and other archival materials, the museum records the history of people and their place, encourages research in the field of architecture, and prompts reflection from our visitors about some of the broader issues facing our society.

M+ has already begun collecting architectural works before the museum opens, with the hope that the collection will have a positive effect on the study and future of the discipline.

最後，如何能進一步理解 及欣賞建築設計？

透過建築的研究能鼓勵我們對周遭環境的批評意 識，加深我們對建築和空間設計的欣賞和理解。 博物館會透過收藏繪圖、模型、照片、錄像、文 件及其他文獻資料，記錄人和地方的歷史、鼓勵 建築範疇的研究、從而引導我們反思更廣泛的社 會議題。

在大樓落成前，M+博物館已開始收藏建築作 品，希望藏品能對建築的研究和未來發揮積極 的作用。

What comes after – how can architectural design be appreciated?

The study of architecture encourages our critical awareness of the built environment, and enhances our appreciation and understanding of architectural and spatial design. Through collecting materials such as drawings, models, photographs, videos, documents and other archival materials, the museum records the history of people and their place, encourages research in the field of architecture, and prompts reflection from our visitors about some of the broader issues facing our society.

M+ has already begun collecting architectural works before the museum opens, with the hope that the collection will have a positive effect on the study and future of the discipline.

香港西九文化區 M

+ 視覺文化博物館重 點展示及 香港、中國、亞洲 以至其他地 方的藝術、設計、 建築和影像的作品 。博物館 大 樓 設 計 由 Herz og & de Meuron 聯 同 TFP Farrells 和 香 港 奧 雅 納工程顧問公司組 成的團隊 負責。「構。建M +： 博 物 館 設 計 方 案 及建築藏 品 」 （ 2014年 1月 10日 至 2月 9日 ） 為 首次舉辦 的建築藏品展覽。 收 藏 20 至 21 世 紀

M+, the museum for visual culture, sit uated in the West Kowloon Cu ltural District in Ho ng Kong, focuses on 20th an d 21st century art , de sig n, architecture, and moving images fro m Ho ng Kong, China, Asia and beyond. Arch itectural firm Herzog & de Meur on, with TFP Farre lls and Ove Arup & Partn ers HK, is respons ibl e for the museum building design. “Building M+ : The Museum and Arch itecture Collection ” (10 Jan – 9 Feb 2014) is the inaugural exhibiti on fea tur ing the museum’s gro wing architecture collection.

西九文化區管理 局 M+博 物 館 版權所有 翻印 必究 M+, West Kowloo n Cultural Distric t Authority © All rig hts reserved www.westkowloo n.hk/buildingmpl us www.facebook.co m/WKCDevents www.facebook.co m/mplushongko ng