Group II Leoni, Costanza (AUIC-POLIMI) Marcotti, Valeria (AUIC-POLIMI) Zapata De Porras-Isla F.,Nuño I. (ETSAM-UPM) Pulupa Sanguña, Wladimir (ETSAM-UPM)
Group II Leoni, Costanza (AUIC-POLIMI) Marcotti, Valeria (AUIC-POLIMI) Zapata De Porras-Isla F.,Nuño I. (ETSAM-UPM) Pulupa Sanguña, Wladimir (ETSAM-UPM)
PRADO MUSEUM ENLARGEMENT MADRID, SPAIN 1998-2007 Rafael Moneo
Competition for the expansion and remodeling of the Prado Museum - 1996 Dionisio Hernández Gil Rafael Olalquiaga Soriano
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PRODUCED BY AN AUTODESK STUDENT VERSION
A N A LY S I S _ O P E N S PAC E
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PRODUCED BY AN AUTODESK STUDENT VERSION
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PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PROJECT _ RAFAEL MONEO
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PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PROJECT _ DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO
A N A LY S I S _ I M M E D I AT E C O N T E X T A N D G R E E N D E S I G N
PROJECT _ RAFAEL MONEO
PROJECT _ DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO
ANALYSIS_ACCESSIBILITY
PROJECT _ RAFAEL MONEO
PROJECT _ DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO
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ANALYSIS_ZOOM ON THE RELATION WITH THE PRE-EXISTENCE
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PROJECT _ DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO
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ANALYSIS_FACADES IN RELATION TO THE CONTEXT
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PRODUCED BY AN AUTODESK STUDENT VERSION
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ANALYSIS_CLOISTER
PROJECT _ DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO
L I N G U I S T I C A N A LY S I S _ S E T F O RWA R D VO LU M E S
PROJECT _ DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO
PROJECT _ RAFAEL MONEO
LINGUISTIC ANALYSIS_HORIZONTAL COMPOSITION
PROJECT _ DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO
PROJECT _ RAFAEL MONEO
LINGUISTIC ANALYSIS_VERTICAL COMPOSITION
PROJECT _ DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO
PROJECT _ RAFAEL MONEO
LINGUISTIC ANALYSIS_MATERIALITY
PROJECT BY RAFAEL MONEO - MAIN FACADE ST JERONIMO CHURCH
PROJECT BY RAFAEL MONEO - SOUTH FACADE
PUERTA DE VELAZQUEZ, PRADO MUSEUM
PUERTA DE MURILLIO, PRADO MUSEUM
PROJECT BY DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO - MAIN FACADE
CALLE DE MENDEZ NUÑEZ
L I N G U I S T I C A N A LY S I S _ S E T F O RWA R D VO LU M E S
PROJECT BY RAFAEL MONEO - MAIN FACADE ST JERONIMO CHURCH
PROJECT BY RAFAEL MONEO - SOUTH FACADE
PUERTA DE VELAZQUEZ, PRADO MUSEUM
PUERTA DE MURILLIO, PRADO MUSEUM
PROJECT BY DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO - MAIN FACADE
CALLE DE MENDEZ NUÑEZ
LINGUISTIC ANALYSIS_LOGGIAS
PROJECT BY RAFAEL MONEO - MAIN FACADE ST JERONIMO CHURCH
PROJECT BY RAFAEL MONEO - SOUTH FACADE
PUERTA DE VELAZQUEZ, PRADO MUSEUM
PUERTA DE MURILLIO, PRADO MUSEUM
PROJECT BY DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO - MAIN FACADE
CALLE DE MENDEZ NUÑEZ
LINGUISTIC ANALYSIS_EMPHATIC ELEMENTS
PROJECT BY RAFAEL MONEO - MAIN FACADE ST JERONIMO CHURCH
PROJECT BY RAFAEL MONEO - SOUTH FACADE
REAL ACADEMIA ESPAÑOLA
PUERTA DE MURILLIO, PRADO MUSEUM
PROJECT BY DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO -
CALLE DE MENDEZ NUÑEZ
LINGUISTIC ANALYSIS_HORIZONTAL COMPOSITION
PROJECT BY RAFAEL MONEO - MAIN FACADE ST JERONIMO CHURCH
PROJECT BY RAFAEL MONEO - SOUTH FACADE
PUERTA DE VELAZQUEZ, PRADO MUSEUM
PUERTA DE MURILLIO, PRADO MUSEUM
PROJECT BY DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO MAIN FACADE
CALLE DE MENDEZ NUÑEZ
LINGUISTIC ANALYSIS_VERTICAL COMPOSITION
PROJECT BY RAFAEL MONEO - MAIN FACADE ST JERONIMO CHURCH
PROJECT BY RAFAEL MONEO - SOUTH FACADE
PUERTA DE VELAZQUEZ, PRADO MUSEUM
PUERTA DE MURILLIO, PRADO MUSEUM
PROJECT BY DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO
REAL ACADEMIA ESPAÑOLA
CONCLUSIONS ON THE ANALYSIS PROCESS URBAN SPACE CONTINUITY
The reflection on voids and the relationship with built up is fundamental in the urban context. The proposal of Dionisio Hernández Gil y Rafael Olalquiaga Soriano as something that perhaps the Moneo’s one is missing: a better physical relationship with the urban context.
Project by Dionisio Hernández Gil y Rafael Olalquiaga Soriano, thanks to the creation of a mor perceptible open space, create a stronger connection with the city. In this project, the designers take care of the project also on a urban point of view.
PROJECT _ DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO
PROJECT _ RAFAEL MONEO
CONCLUSIONS ON THE ANALYSIS PROCESS OPEN SPACE CONDITION
In the project of Dionisio Hernández Gil y Rafael Olalquiaga Soriano, the empty space contained creates a detachment, an elevation of the museum, providing it with a greater visual and symbolic importance than the built proposal.
The perception of open space contained that belongs to the project seems absent if not opposite in Moneo’s project. In this case, since the space between the Prado museum and the Moneo extension is not contained, but acts as a container, the relationship between the two buildings is very different.
PROJECT _ DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO
PROJECT _ RAFAEL MONEO
CONCLUSIONS ON THE ANALYSIS PROCESS ROLE OF THE FACADE
The fact that the extension designed by Moneo is punctual, helps to create a recognizable, almost symbolic urban facade. Symbolism and the relationship with the context are treated by Moneo thanks to an in-depth linguistic analysis of the compositional characteristic tradition of the city of Madrid.
PROJECT _ DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO
Dionisio Hernández Gil y Rafael Olalquiaga Soriano perform an analysis, but the result is very different, as their intervention would have been such, due to the size of the building and the relationship it has with the urban context.
PROJECT _ RAFAEL MONEO
CONCLUSIONS ON THE ANALYSIS PROCESS INSTITUTIONAL AND DOMESTIC
As we said before, Moneo’s extension proposed an urban facade, reinterpreting the composition of the surrounding institutional facades in a more contemporary way by adding a second layer to the facade.
PROJECT _ RAFAEL MONEO
However, Moneo’s language is also softened by the use of domestic-like elements of composition, such as the broken plinth and the invisible order on the side facade, which help the project to connect and belong to the urban fabric.
PROJECT _ RAFAEL MONEO
CONCLUSIONS ON THE ANALYSIS PROCESS CLOISTER INTERVENTION This concept is also present in the treatment of the cloister, which is treated with a conservative approach and considered as a ruin to be integrally preserved.
In this case Moneo confers a different identity, formal but above all functional, making it an integrant part of the project.
PROJECT _ DIONISIO HERNÁNDEZ GIL Y RAFAEL OLALQUIAGA SORIANO
PROJECT _ RAFAEL MONEO
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REFLECTION_RELATION WITH THE IMMEDIATE CONTEXT
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PRODUCED BY AN AUTODESK STUDENT VERSION
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PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PROJECT PROPOSAL
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PROJECT _ RAFAEL MONEO
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PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PROJECT PROPOSAL_MASTERPLAN
PRODUCED BY AN AUTODESK STUDENT VERSION
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REFLECTION_RELATION WITH THE IMMEDIATE CONTEXT
PRODUCED BY AN AUTODESK STUDENT VERSION PROJECT PROPOSAL
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
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PROJECT _ RAFAEL MONEO
PRODUCED BY AN AUTODESK STUDENT VERSION
PROPOSAL_GROUND FLOOR AND FIRST FLOOR PLAN
P R O P O S A L _ E L E VAT I O N A N D L O N G I T U D I N A L S E C T I O N
PROPOSAL_CROSS SECTIONS
