P O R T F O L I O X
I A O T O N G
W
Academic works only 2012 - 2020
A N G
XIAOTONG WANG xw527@cornell.edu +86 152 1026 2404 Personal Website: www.xiaotong-wang.com
[ EDUCATION ] 2018.06 - 2019.06
Cornell University Master of Science in Advanced Architectural Design (Former M. Arch II), GPA : 3.867 / 4.0
2012.09 - 2017.06
Shandong University Bachelor of Architecture, GPA : 85.74 / 100
2015.02 - 2015.06
Feng Chia University Exchange Student of Architecture, GPA : 83.25 / 100
[ PROFESSIONAL EXPERIENCE ] 2019.10 - 2020.09
Junior Architect, Shulman + Associates, Miami, the USA -Buoyant City: Historic District Resiliency & Adaptation Guidelines | Rendering & Graphic design -Lot 199 Development | Schematic Design, Diagrams, Rendering & Graphics, Presentation -Renovation of the Internation Inn | Schematic Design, Presentation -Official Website Design,Holiday Card Animation Design, AIA Awards presentation design
2018.03 - 2018.05
Intern Architect, Dedej Architects, Beijing -Wuhan Economic & Technological Development Zone Project | Concept design & Rendering -Wuhan Hanyangzao Industrial Factory Renovation Project | Concept design & Collage Reference: Tao Jiang, dedej@vip.sina.com
2017.12 - 2018.03
Intern Architect, Vector Architects, Beijing -Beijing Changying Passive Architecture Museum | Rendering & Presentation Preparation -Tianjin Nankai University Student Center | Digital Model & Presentation and Preparation Reference: Gong Dong, info@vectorarchitects.com
[ ACADEMIC HONORS ] 2018.05
Natian Cup International Design Competition Waste-Energy-Life, Third Price
2016.09
Canopy Workshop - “Animal’s Home” Overlapped Interface, Excellent Award
2015.11
Design Competition of Shandong University’s New Gate Moutain and Sea, Nominee Award
2014.06
Shandong Physical Space Building Competition Excellent Award
[ SOCIAL EXPERIENCE ] 2014.07 - 2014.08
International Volunteer in Nepal -Teaching local primary school students Chinese -Providing assistance for local architecture maintenance
2013.07 - 2013.08
Volunteer Teacher in Guizhou Province of China - Teaching local primary school students physics and art
[ SOFTWARE SKILLS ] 3D Modeling: Rhino, Grasshopper, Google Sketch Up, Revit(Entry Level); Rendering: Enscape, V-ray for Rhino, V-ray for Sketch Up; Graphic: Auto CAD. Adobe Photoshop, Adobe Illustrator, Adobe Indesign; Video: Adobe Aftereffects, Adobe Premiere, Adobe Encoder; Physical Modeling: Lazer Cut, CNC Milling, 3D Printing, Robotic Arm Fabrication.
[ LANGUAGE ] English, Chinese(Mandarin)
CONTENTS PROFESSIONAL WORKS(Confidential) 01
Buoyant City: Historic District Resiliency & Adaptation Guidelines
1
02
Lot 199 Development
7
03
Changying Passive technology Architecture Museum
13
Holiday Card Animation design
63
04
Shulman + Associates
Shulman + Associates
Vector Achitects
Shulman + Associates
ACADEMIC WORKS 01
Overlapped Interface
19
02
Architectural Migration
25
03 04
Home for Leopards
Tourist Lodges
Waste to Energy
Recycling Electricity Plant
Weaving the Life Youth Apartment
33 39
City Heritage Commercial Street
45
06
Digital Fabrication - Spider Web
49
07
Kinetic Facade
57
08
LosMart
65
05
Robotic Arm Fabricated Installation
Architectural Mechanism Research
Future Market
ACADEMIC WORK
OVERLAPPED INTERFACE HOME FOR LEOPARDS
Duration|2016 Autumn, September to October Team Work|Cooperate with Bowen Qin Tutor|Yutian Wang Location|Beijing, China Software|Sketch Up, Rhino, Grasshopper, Adobe Photoshop, Adobe illustrator, Vray for Sketch Up, Auto CAD 4
When talking about architecture, we first think of its sociological attribute. However, with the rise of the OOO theory in recent years, more and more people began to pay attention to non-human architecture. I questioned the human nature of architecture. Should the center of the zoo be human? But if the user of the zoo is animals, compared with the natural environment, the zoo itself has lost its meaning of users. Through the analysis of the leopard user, it also helps me sort out the significance of architecture to human beings. Therefore, In this design, I treat people and leopards equally as users, I would like to further investigate what kind of exposure the wild animal could have within a building. Can they naturally break into each other’s daily life and have interaction? What level of equality we could allow in the building? I think these will be very interesting questions to look at. 5
Scientific name: Leopard Type: Feline mammal Feeding habits: Carnivore Living Temperture: -25℃ (-13℃ ) to 40 ℉ (104 ℉ ) Distribution: Asia, Africa Average weight: 28-90kg Feeding quantity: 5 Living age: 15 years 175 cm (5 feet 8 inch)
57-70 cm (22-28 inch)
90-190 cm (35-75 inch)
Observing
6
Hiding
Starting with the research of the leopard, I check its average size and the space scale it might need in order to ensure the living space is suitable for them. Then I further investigate its habits to create space they will enjoy living in rather than a prison, which is actually what traditional zoo seems to be, only for surviving. Then I found something really interesting which can be concluded into three characters.
70-100 cm (27-40 inch)
Running
Prototypes of Space
1. Tube How human enter the leopard’s area
2. Penetrate How leopards enter the people's area
3. Observe How leopards observe people outside
4. Moutain How leopard hide to observe people
5. Territory How these two become oppsite
6. Ramp How interaction happened on the ramp
7
8
Wire Mesh Glass Wall Soil & Vegetation Steel Frame Water Proofer Concrete Plates 9
ACADEMIC WORK
ARCHITECTURAL MIGRATION TOURIST LODGE IN GREENLAND ISLAND
Duration | 2018 Autumn Semester, September to December Solo Work Tutors | Dorte Mandrup, Mariane Hansen Location | Kangerlussuaq, Greenland Software|Rhino, Adobe Photoshop, Adobe Illustrator, Vray for Rhino 10
For thousands of years, we have always had a stereotype of architecture, its fixedness. Once the building is built, it becomes a place that carries the behavior of the users. But what if the building is no longer the place, but the behavior itself? In this project, I created a track system in Greenland that allowed all building components to move on a track parallel to the hillside. People can create their own spatial form anytime, anywhere based on climatic conditions and their unique lifestyle. In Greenland, Inuit people have always had a tradition of migration, and I hope that through this project, a new type of architectural migration will be realized, allowing people to find the lifestyle that suits them best. 11
Step 1. Building on slope with modified ground
Step 2. Building on slope with original ground
Step 3. Boxes on a track above the slop that can move freely.
Step 4. Further develop the details of each boxes.
0 1
5
10
20m
Plan
Section 12
07:00 | Sunrise
08:00 | Detaching the boat
10:00 | Fishing
11:00 | Unloading the fish
12:00 | Having the lunch
14:00 | Preparing for hunting
Out for a few days | Hunting
17:00 | Preparing the skin and meat
18:00 | Having the dinner
19:00 | Enjoying the sunset
20:00 | Having the Bonfire party
22:00 | Enjoying the aurora 13
INDOORS
OUTDOORS
INDOORS
SUMMER | 12 ℃
OUTDOORS
INDOORS
OUTDOORS
WINTER | -25 ℃
16
Mechanism System
Lower Common Garage
Upper Common Garage
Lodge Box
Gears
to control the movement and be used as brake
Wheels
to take the weight and decrease the friction
17
WASTE TO ENERGY RECYCLE POWER FACTORY
Duration|2018 Summer, June to July Team Work|Cooperate with Shixuan Sun, Yang Yang, Su Yeon Chi, Maitai Kunawong Tutors|Tei Carpenter, Jesse LeCavalier Location|Roosevelt Island, New York City Software|Rhino, Adobe Photoshop, Adobe Illustrator 18
ACADEMIC WORK
Within an expanded understanding of ecology, what are the architectural and infrastructural possibilities that emerge from the close examination of intersecting systems of waste and energy? How might we harness, redirect, or otherwise engage the metabolic processes within these systems? Our interest here is specifically in the waste and infrastructure systems that are part of the ecology of the city. As there intertwined systems encounter each other, opportunities emerge as conflicts are negotiated, leading in turn to a more nimble and opportunistic design approach.
19
WASTE TO ENERGY PROCESS The project is considered the logistics of waste from the beginning as input from residential and commercial buildings to the output as electricity in relation to the city context and the site.
LEISURE PLEASURE The leisure, which is opening to the public, is intertwined with the infrastructural system. The loop of water, gas, and the variation of water temperature designate the activities. For example, Sauna and Spa room uses the heat and steam generated by the combustion process while a vegetable farm consumes the Carbon Dioxide created by the combustion.
20
21
22
23
ACADEMIC WORK
WEAVING THE LIFE YOUTH APARTMENT DESIGN 24
Duration|2018 Spring, March to June Team work | Corporate with Dan Yang Tutors|Rui Dong, Changan Zuo Location|Jinan, Shandong, China Softawre|Sketch Up, Adobe Photoshop, Adobe Illustrator
What is the most important thing for life? A gorgeous house? A decent job? Or living in an arbitrary life style? Perhaps for most of the people, there are not so many choices, but in the primary stage of life, everything is uncertain, a youth apartment could be a transitional house which purpose is to serve young people to pursue their goals without too much financial burden.The future belongs to the young , and life should be choosen by themselves, and also be their own creation. 25
Runway + Recreation room The runway goes through the above area of the recreation room, the residents can come down and play with neighbors at any time.
Roof Garden + Study Room There are several small study rooms in the roof garden. The rooms are not fixed, people can adjust their location to ensure their privacy while enjoying the peace of nature.
Garden + Swimming Pool At the edge of the garden, there is a diving platform which is connected to the swimming pool. Meanwhile, residents can run by this pool’s side and see the people swimming side.
Runway + Library People can run into the library through a tube that can keep the noise inside, joining the reading if they want.
Spiral Runway There are several spiral runways as the vertical connection of floors. These outdoor experience can provide different running experience to residents.
Mo
Eve tor roo ca livin
Freedom ! 26
odular Dormitory
DJ ! Drop the BEAT !
Runway + Playroom The runway will go through the indoor playroom area. The residents can come down by sliding through a huge slide or jumping to a huge trampoline directly.
Garden + Dormitory There are several small gardens facing the city in the building, which can serve as a transition zone to resist the noise and also provide landscape view to the public.
City Stage With a huge stage in the front of the building, the boundary between inside and outside here can be blurred. Residents can show what is going on here to the public.
ery four residents will share one dormiry combined with four different personal om and one living room. The dormitory an be designed in their own needs and ng style.
27
28
The highest runway can serve the people who just want running in the same height without slope.
The middle runway will go through the entertaining areas. People can enjoy engaging in interaction with the community.
The lowest runway can be used for walking, and it will go through the dining room, and library.
29
CITY HERITAGE COMMERCIAL STREET
Duration|2016 Spring, March to May Team Work|Cooperate with Yue Zhang Tutors|Rui Dong, Changan Zuo Location|Jinan, Shandong, China Software|Sktech Up, Auto CAD, Adobe Photoshop, Adobe Illustrator, Vray for Sketch Up
30
This project intended to redesign Xianxi Street of Jinan city. This street is at the middle of historical site and modern commercial zone. So I intended to redefine the boundaries between traditional and contemporary urban components, in order for them to merge naturally. It is important for traditional culture to be well reflected within an emerging business center, manifest for heritage within the city.
ACADEMIC WORK
Shops facing street
More shopping route
COMMERCIAL Sight accessibility
Neighborhood
Alleyway
TRADITION Brick texture
Public squares
Roof terrace
SPACE Spatial sequence
31
Alleys within the pedestrian streets can customer’s memory of the traditional H in Jinan. The connected platforms can people enjoy exploring at different levels
The public space can be used as an open-air cinema which allows customers to have a rest in the square.
32
The traditiona transformed promote the h more past me
arouse Hutong also let s.
Among the buildings, there is a square that plays the role of serving the local residents, allowing them to meet friends or dance here.
There are little trams running on the pedestrian streets, which not only make transportation more convenient but also attract more tourists to have fun with them.
al ancient temples have been into small museums that can history of Jinan, trying to evoke emories of the city.
33
DIGITAL FABRICATION - SPIDER WEB ROBOTIC ARM FABRICATED INSTALLATION Duration|2019 Spring, February to May Team Work|Cooperate with Cun Zhang Tutor|Jenny E. Sabin Location|Abu Dhabi, UAE Software|Rhino, Grasshopper, Enscape, Robotic Arm, Ardunio, Adobe Photoshop, Adobe Illustrator, Adobe After Effects, Adobe Premiere 34
ACADEMIC WORK
Darwin’s Bark Spider
In the field of digital fabrication, more and more people are turning their attention to nature, which has become a new trend to achieve some fantastic structures by imitating biological construction techniques. In this project, I focus on a very amazing creature, Darwin’s Bark Spider. It can weave the world’s largest web, which can be as large as 2.8 square meters. We firstly read all the paper we could find and learn living habits of it, and try to find out how the actually weave the web step by step.
Scientific Name: Caerotris Darwini Type of Web-Weaving: Orb-weaver Spider Family: Araneidae Found Date: 2009 Found Area: Madagascar
Stiffiness (GPa)
Stiffness(Gpa)
Darwin's Bark Spider
25 24
Average of other Spider
0.69 0.66
0.60 0.57
19 18
11.5
17
=
0.63
=
20
8.8
0.48
15
0.45
14
0.52
0.54
0.2
0.51
16
0.42
13
Strength (MPa)
12 11
Toughness(MJ/m3)
0.39 0.36
Darwin's Bark Spider
0.33
Darwin's Bark Spider
10 9
Average of other Spider
0.30
0.24
7
0.21
6
0.15
4
0.12
3
0.09
1652
2
=
0.18
=
5
Average of other Spider
0.27
8
878
1
520
107
0.06 0.03
75
150 225 300 375 450 525 600 675 750 825 900 975 1050 1125 1200 1275 1350 1425 1500 1575 1650 1725 1800
0
Strength(Mpa)
Web Area (cm2) Radii
25
50
75
100 125 150 175 200 225 250 275 300 325 350 375 400 425
450 475 500 525 550 575 600
Toughness(MJ/m3)
Uloborus glomosus
Web Area(cm2)
Cyclosa conica Mangora maculata Metepeira labyrinthea
208
Darwin's Bark Spider
200
Average of other Spider
192
Araneus marmoreus Zygiella x-notata Micrathena gracilis
184
Araneus trifolium
176
Neoscona arabesca
168
Lecauge venusta
160
Araneus diadematus
152
Argiope trifasciata Gasteracantha cancriformis
144
Argiope aurantia
136
Teragnatha
=
128 120
Nuctenea umbratica Nephila clavipes
112
Verrucosa arenata
104
Larinioides cornutus
96
Neoscona domiciliorum
88
Neoscona crucifera
80
Eustala sp.
72
Herennia multipuncta Herennia etruscilla
64
Nephila ardentipes
56
Nephilengys malabarensis
48
28000
40 32
972
Nephila inaurata Nephila pilipes Nephilengys borbonica
24
Average
16
Caerostris darwini(field)
8
Caerostris darwini(lab)
0
Average of other Spider
0.72
22 21
Darwin's Bark Spider
0.75
23
0
Exstensibility (ln(mm/mm))
Extensibility (ln(mm/mm)) 0.78
26
0.04 0.08 0.12 0.16 0.20 0.24 0.28 0.32 0.36 0.40 0.44 0.48 0.52 0.56 0.60 0.64 0.68 0.72 0.76 0.80 0.84 0.88 0.92 0.96
Mesh width(mm)
0
200 400 600 800 1000 1200 1400 1600 1800 2000 2200 2400 2600 2800 3000 3200 3400 3600 3800 4000 4200 4400 4600 4800 5000 5200 5400 5600 5800 6000 6200 6400 6600 6800 7000 7200 7500 8000 8500 9000 6500 7000 7500 8000 8500 9000 9500 10000 12000 1400016000 18000 20000 22000 24000 26000 28000
For full video of this project’s design process, please refer to the link below: Digital Fabrication - Spider Web - Xiaotong Wang, Cun Zhang - Cornell University https://www.youtube.com/watch?v=0bKEPzkuyiQ
Weaving Procedure
35
Translation from Nature to Architecture
We finally choose the robotic arm as the equipment to perform the weaving. By setting the tool path, we use the robotic arm to mimic the weaving procedures. And We have tried various possibilities in this step, such as creating membrane structure by mixing yarn and silicon rubber; the hot glue sticks interfering with each other to imitate the web effect. And we have finally developed two patterns of translation.
Pattern. 1 Weaving Procedure Environment Given Input Image
Generating Hubs Number Populated
Hubs Moving
No Reduction Seed 60
No Reduction Seed 40
Generating Radii No Reduction Seed 20
Reducing Radii
1/4 Randomly Reducted Seed 20
1/3 Randomly Reducted Seed 20
1/2 Randomly Reducted Seed 20
100
80
60
40
20
Pattern. 2 Weaving Behavior Input Image
Time Passed
60
48
36
24
12
36
10 Spiders
8 Spiders
6 Spiders
4 Spiders
2 Spiders
1 Spider
Lying Down - Flat
Jogging
Hard Material
Shading
Lying Down - Curl Up
Walking
Hard Material in intervals
Hide and Seek
Human-based Interaction Lying Down - Lie prone
Jumping
Sitting - Temporary
Sitting - Relaxing
Input Input
10060 Points
Points
40 Points
80 Points
Totally Soft material
60 Points
20 Points
40 Points
45 Seconds
After setting a pattern which can be controlled by the grey scale picture, we then try to introduce the actual situation to the parameters. By doing the force analysis of several human positions, such as flat lying, curl up lying, lie prone, sitting and etc, the density of the pattern can be controlled by these analyses and then change the different parts’ elasticity of the surface weaved depending on human behaviors. In that case, the web could have more interaction with the users and bring more fun.
20 Points
35 Seconds
60 Seconds
15 Seconds
45 Seconds
37
End Effector Design After selecting the glue gun as the way of fabricating, we developed the end effector several times. We met lots of trouble due to the accuracy of 3d printing and other errors in this step. However, we eventually achieved it by setting a stepper motor controlled by the remote that can push the trigger of the glue gun. And the outcome finally met our expectations. 38
3D Web
Twisted Web
Canopy Web
By tons of operation with our end effector, we finally had three successful prototypes of the web, which have different spatial characters and possibilities of interaction with users.
39
40
For the video of this project’s design process, please refer to the link below: Digital Fabrication - Spider Web - Xiaotong Wang, Cun Zhang - Cornell University https://www.youtube.com/watch?v=0bKEPzkuyiQ 41
KINETIC FACADE
ARCHITECTURAL MECHANISM RESEARCH Duration|2018 Fall, September to December Team Work|Cooperate with Yung Eun Yang Tutor|Martin Miller Location|Not Certain Software|Rhino, Grasshopper, Audrino, 3D Printing, Audrino, Adobe Photoshop, Adobe Illustrator
42
ACADEMIC WORK
Mountain
Valley
In this project, we try to obtain knowledge from origami and then develop a pattern of the dynamic facade. By simply folding, the hexagon pattern we choose can shrink into a 3D structure or expanding to a 2D surface, which has a lot of potentials to be developed with.
Umbrella Structure
Tracking System
Gear System
Screw System 43
Final prototype
3D Printing Structu Stepper Motor Arduino Sets & Re
In order to control th automatically, we sel per motor as the way system. With several proving, the final faca can shrink and expa control of the remote 44
e:
ure;
emote
he movement lect the stepy to drive the times of imade prototype and under the or light sensor. 45
46
47
HOLIDAY CARD ANIMATION Firm|Shulman + Associates Duration|2019 Winter, December Location|Miami, Florida, the USA Solo work Software|Rhino, Adobe Photoshop, Adobe Illustrator, Adobe After Effects, Adobe Encoder
PROFESSIONAL WORK
MODELING
LINEWORK
GRAPHIC
ANIMATION
EXPORTING
LOSMART
FURTURE SUPERMARKET
Duration|2018 Summer, July Team Work|Cooperate with Zijie Nie, Qingzhou Yan Tutors|Michael Young, Kutan Ayata Location|Not Certain Software|Rhino, Adobe Photoshop, Adobe Illustrator 50
ACADEMIC WORK
Gallery of Tomihiro Museum
Okurayama Apartment
Exeter Library
In this project, we are assigned to select three existed classical plans and combine them together to create something new. We try to create an interesting maze that can be used as a market floated in the skyscraper forest in the future city. By controlling the density among different areas, the space in the building could be more flexible and full of surprises for the visitors to explore. 51
Thank you,For more details, please visit www.xiaotong-wang.com
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