死的況味 The Circumstance of Death

Thesis Design

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September. 2016 - June. 2017 Linson North Road

屣㄂ <DJSDVNTUBODF DPOEJUJPO> 䠑䭸兞屣ㄤ䞕㄂ 䧴僽朜䢀

The Circumstance of Death 娦涸屣㄂

00

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娦涸屣ã&#x201E;&#x201A; The

Circumstance of Death

date : september. 2016 - june. 2017 place: linson north road

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Thesis Design

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CRT VIDEO specification : 1280x1024(px) | CRT television | video camera

May. 2017 The final Review

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scale : material : wood, metal, cardboard, acrylic, string, mirror 2 colors riso printing

Thesis Design

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#01 Research

OLFACTORY

GUSTATORY

TACTILE

VISUAL

AUDITORY

DEATH

REMAINING AUDITORY

Perception Disappear 瀕死者有一個共同的經驗，主觀的覺得自己已處於死亡狀 況，可能是聽到醫護人員的宣告所致，因為據研究報告指 出，人在死亡過程中，嗅覺、味覺與觸覺先消失，然後是 視覺、聽覺是最後才失去功能。 心臟停止跳動後20-30秒內大腦停頓，但有人在這段臨床 「死亡」期間仍然還有意識。

Thesis Design

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#01 Research

project：Ettore Sottsass / Disegno di un televisore per farfalle notturne, 1976

%:*/( 在瀕死者的陳述中談到，你將感受到的會顛覆你既定理解的任何觀念，譬如說時間這個概念不是線性的， 而是多重覆蓋，甚至拆解成元素， 時間與時間重疊發生，而組成時間。 What you will feel overthrow any concept you have already understood.

For example, the concept of time is not linear, but overlap time and time, or even separate into elements, and the composition of time.

Thesis Design

#01 Research

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object

user

user / object

time moments

object

event

object / event

time intervals

space event

event / space

time sequences

%*4+6/$5*0/ Bernard Tschumi / ă&#x20AC;&#x160; The Manhattan Transcripts ă&#x20AC;&#x2039; Disjunction: The often bemoaned disjunction in the 20th century between man and object, object and events, events and spaces, or being and meaning confirms a lost unity against which there is no recourse.

Thesis Design

#01 Research

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Isolated Soulďź?

Abnormal Senses/

Regional Channelďź?

č&#x201E;ŤéŤ&#x201D;ć&#x201E;&#x;(78.6%)

ç&#x2022;°ĺ¸¸čŚ&#x2013;茺č&#x2C6;&#x2021;č ˝čŚş(57.1%)

ĺ?&#x20AC;ĺ&#x;&#x;é&#x20AC;&#x161;é &#x201C;ă&#x20AC; é&#x20AC;˛ĺ&#x2026;Ľéť&#x2018;ć&#x161;&#x2014;犺é&#x2013;&#x201C;(35.7%)

boundary/

Unusual Light/

sense of time/

čľ°ĺ&#x2C6;°ç&#x201D;&#x;č&#x2C6;&#x2021;ć­ťç&#x161;&#x201E;交ç&#x2022;&#x152;(14.3%)

ä¸?ĺ°&#x2039;常ç&#x161;&#x201E;ĺ&#x2026;&#x2030;(28.6%)

ć&#x2122;&#x201A;é&#x2013;&#x201C;ć&#x201E;&#x;桡ćˇ&#x2020;(45.3%)

Isolated Soulďź?

Abnormal Senses/

Regional Channelďź?

č&#x201E;ŤéŤ&#x201D;ć&#x201E;&#x;(78.6%)

ç&#x2022;°ĺ¸¸čŚ&#x2013;茺č&#x2C6;&#x2021;č ˝čŚş(57.1%)

ĺ?&#x20AC;ĺ&#x;&#x;é&#x20AC;&#x161;é &#x201C;ă&#x20AC; é&#x20AC;˛ĺ&#x2026;Ľéť&#x2018;ć&#x161;&#x2014;犺é&#x2013;&#x201C;(35.7%)

boundary/

Unusual Light/

sense of time/

čľ°ĺ&#x2C6;°ç&#x201D;&#x;č&#x2C6;&#x2021;ć­ťç&#x161;&#x201E;交ç&#x2022;&#x152;(14.3%)

ä¸?ĺ°&#x2039;常ç&#x161;&#x201E;ĺ&#x2026;&#x2030;(28.6%)

ć&#x2122;&#x201A;é&#x2013;&#x201C;ć&#x201E;&#x;桡ćˇ&#x2020;(45.3%)

/&"3 %&"5) &91&3*&/$& / % &

Raymond A. Moody / ă&#x20AC;&#x160;Afterlifeă&#x20AC;&#x2039; ä¸&#x20AC;äš?ä¸&#x192;äş&#x201D;ĺš´Raymond Moodyĺ&#x153;¨äť&#x2013;寍ç&#x161;&#x201E;ă&#x20AC;&#x160;äž&#x2020;ç&#x201D;&#x;ă&#x20AC;&#x2039;ä¸&#x20AC;ć&#x203A;¸ä¸­č?&#x2030;ĺ&#x2030;ľäş&#x2020;ă&#x20AC;&#x152;ç&#x20AC;&#x2022;ć­ťçś&#x201C;éŠ&#x2014;ă&#x20AC;? (N.D.E.)é&#x20AC;&#x2122;ĺ&#x20AC;&#x2039;ĺ??čŠ&#x17E;ă&#x20AC;&#x201A; ĺ&#x2021;ąĺ°źć&#x2013;Żâ&#x20AC;§ć&#x17E;&#x2014;ć ź(Kenneth Ring) ç&#x203A;¸äżĄ,ç&#x201D;ąć&#x2013;źé&#x2020;Ťĺ­¸ć&#x20AC;Ľć&#x2022;&#x2018;ć&#x160;&#x20AC;čĄ&#x201C;ä¸?ć&#x2013;ˇé&#x20AC;˛ć­Ľ,ć&#x2030;&#x20AC;䝼ć&#x203A;´ĺ¤&#x161;ĺ&#x153;¨ć­ťäşĄé&#x201A;&#x160;硣ç&#x161;&#x201E;äşşć&#x153;&#x192;袍ć&#x2039;&#x2030;ĺ&#x203A;&#x17E;äşş ä¸&#x2013;ă&#x20AC;&#x201A;ĺ&#x153;¨äť&#x2013;ç&#x161;&#x201E;ç &#x201D;犜中襨示大35%ć&#x17D;Ľčż&#x2018;歝亥ć&#x2122;&#x201A;ć&#x153;&#x2030;ç&#x20AC;&#x2022;ć­ťçś&#x201C;éŠ&#x2014;ç&#x201D;˘ç&#x201D;&#x;,ć&#x2022;&#x2026;ć&#x153;&#x2030;ç&#x20AC;&#x2022;ć­ťçś&#x201C;éŠ&#x2014;ç&#x161;&#x201E;äşşć&#x2022;¸ç&#x203A;¸ç&#x2022;śĺ¤&#x161;ă&#x20AC;&#x201A; çŠ&#x2020;迪總çľ?ďź&#x161;ă&#x20AC;&#x152;ç&#x20AC;&#x2022;ć­ťçś&#x201C;éŠ&#x2014;ćś&#x2C6;é&#x2122;¤äş&#x2020;äşşĺ&#x20AC;&#x2018;ĺ°?歝亥ç&#x161;&#x201E;ć ?ć&#x2021;źă&#x20AC;&#x201A;ă&#x20AC;?

%*453"$5*0/ SYMBOL AND PROTOTYPE

01.

USER

02.

OBJECT

03.

經由電梯和視訊鏡頭傳遞的時間間距, 使相對高度不同共食的使用者出現時間軸上的斷續。 stage1 :影像傳遞 Image transmission stage2 :移動高度 The moving height stage3 :維度轉換 Dimension conversion

經由聚光燈將身體影像傳遞至真實場景,向度平行於視線。 stage1 :影像投影 Image projection stage2 :視線確認 Gaze confirmation

經由監視系統(CCTV)置換前方三維空間的景況於近距離的二維影像空間。

EVENT

stage1 :監視錄像 CCTV stage2 :維度轉換 Dimension conversion

04.

移動的牆面將同時進行的兩個衝突事件 空間交錯進行,並增加時間維度, 淋浴的聽覺與同步投影的視覺產生聯覺。

SPACE

stage1 :事件空間重疊 Events overlap stage2 :感知聯覺 Perception synesthesia

Thesis Design

#02 Reprogram

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project：diller scofidio + renfro / LOOPHOLE

$*3$6.45"/$& 0' %&"5) 介於影像裝置與建築間的尺度距離，將探討經由空間的感官變化，時間軸轉換成相對軸後，原有的景況 為「生 ( 活 ) 的狀態」，在文化符號與維度空間轉換後，居住與街道形式將以城市中時間性物件進入了 建築尺度中重新reprogram，我將它稱之為「死的況味」。

Thesis Design

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63#"/ 1&34&15*0/

LINSEN NORTH ROAD

都市中隱含的日常正是包含著已死為中心的生，不停環繞著，而這之中如何去談論那 層平衡卻危險的狀態，引用的是near-death-experience(N.D.E.)所描述的幾近死 亡狀態的經驗，以此作為腳本，尋找日常城市中能與之對談的異質經驗，未被細細檢 視的存在，重新組構生的狀態，來回應被環繞在中心的 死的況味。

#03 Heterogeneous Space

activity artificial light / visual color

voice

/05"5*0/ LINSEN NORTH ROAD

Ming Quan East Road

Jinzhou Street

Minsheng East Road

Changchun Road

LinSen North Road

Nanjing East Road

Thesis Design

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#03 Heterogeneous Space

$POUSBTU 時間軸上與鄰近的居住行為出現了斷續的間隔。在臨街的後方，這個 區塊從都市的函構上可以發現年代較為久遠，而這裡的居住行為和活 動時間與外面的大街像是不同的維度空間；也因為這裡的建築函構狀 態使得空間錯綜複雜、巷弄狹窄，鄰接著不同性質的居住行為，異質 的衝突空間、和許多廢棄的建築物。 隱含衝突的疊合如何在都市中重構(kitbaching)，由都市中的異質 空間的時間功能性zoom in進到了建築尺度，與環境相關重新組構後 的有功能性的完整體。

ALLEY / Linsen North Road

Because the building of the building here makes the space complex, narrow, and adjacent to different forms of living behavior, or heterogeneous conflict space, and many abandoned buildings

STREET / Here not only gather special industries, business also extended hours, a unique late-night shopping area in Taipei.

Linsen Road, this piece together variety of colors and sound into a montage film.

Changchun Road

Thesis Design

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#03 Heterogeneous Space

Thesis Design

scale : 1/200 material : wood, metal, cardboard

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#03 Heterogeneous Space

01.

02.

03.

04.

WALL LIGHT

TELEPHONE BOOTH

PIPELINE

BROKEN WALL

SIGNBOARD AT NIGHT

STAIRS IN GAP

WASHMACHINE

OPENING OF THE WINDOW

REARVIEW MIRROR

OUTDOOR STAIRS

FULL OF RAIN COVER

STREET LIGHT AND MONITOR

LINSEN PARK

PARKING TOWER

WEIRD DOOR

REFLECTOR

TRAFFIC LIGHT

VENDOR

REFRIGERATOR

MOVING SIGNBOARD

Thesis Design

*/%&9 Heterogeneous Space 時間軸上與鄰近的居住行為出現了斷續的間隔。在臨街的後方， 這個區塊從都市的函構上可以發現年代較為久遠，而這裡的居住 行為和活動時間與外面的大街像是不同的維度空間；也因為這裡 的建築函構狀態使得空間錯綜複雜、巷弄狹窄，鄰接著不同性質 的居住行為，異質的衝突空間、和許多廢棄的建築物。 隱含衝突的疊合如何在都市中重構(kitbaching)，由都市中的異 質空間的時間功能性zoom in進到了建築尺度，與環境相關重新 組構後的有功能性的完整體。

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#03 Heterogeneous Space

SYNESTHESIA Abnormal Senses/

Unusual Light/

異常視覺與聽覺(57.1%)

不尋常的光(28.6%)

boundary/

sense of time/

走到生與死的交界(14.3%)

時間感混淆(45.3%)

Superimposition /

Superimposition /

Superimposition /

strong difference

true and false

block the way

The true illusion /

The true illusion /

The true illusion /

peep the urban

who is that？

borrowed urban objects

Anachronic /

Anachronic /

Anachronic /

borrowed urban objects

why are you there ？

between the buildings

Isolated Soul／ 脫體感(78.6%)

DIMENSION SPACE

Regional Channel／ 區域通道、進入黑暗空間(35.7%)

SUPERIMPSITION THE TRUE ILLUSION ANACHRONIC

NEAR-DEATH EXPERIENCE

Thesis Design

*/%&9 Near-Death Experience 都市中隱含的日常正是包含著已死為中心的生，不停環繞著，而 這之中如何去談論那層平衡卻危險的狀態，引用的是 near-death-experience(N.D.E.)所描述的幾近死亡狀態的經 驗，以此作為腳本，尋找日常城市中能與之對談的異質經驗，未 被細細檢視的存在，重新組構生的狀態，來回應被環繞在中心的 死的況味。

[ ARCHITECTURE ]

#03 Heterogeneous Space

Thesis Design

#04 Master Plan

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09:00

10:00

08:00

11:00

URBAN OBJECTS

12:00

ABANDONED BUILDING

13:00

BROKEN WALL

( site no.2 )

OPENING OF THE WINDOW

(abandoned building )

REVOLVING DOOR

Linsen North Road ( borrowed urban objects )

TELEPHONE BOOTH ( site no.1 )

BACK OF THE BUILDING

22:00

23:00

00:00

01:00

02:00

01. start Record the ar tificial light, color, sound and user behavior status on Linsen Nor th Road.

03:00

stage1 : event on street stage2 : the edge of Time

04:00

05:00

06:00

The site no.1 set on the back of the building, and in the form of a tower attached to the building. stage1 : entrances stage2 : reading space

( borrowed urban objects )

SIGN LIGHTS

03. turn Through the narrow and path from site no.1 to no.2.

complex

stage1 : narrow path stage2 : sensor y guide

04. the end The site no.2 surrounded by abandoned buildings on the end of the plot. stage1 : death theater stage2 : collection

Linsen North Road

02. continued

Thesis Design

#04 Master Plan

[ ARCHITECTURE ]

UP

UP

DN

UP

UP

UP

4:.#0SITE NO.01

+1600

A SOFA A TABLE AND A CHAIR A STOVE

+1400

A WASHMACHINE A DRYING RACK

+900

TWO TABLES AND TWO CHAIRS A BATHTUB

+600

BORDER SIX BENCHES

+110

A TABLE AND A CHAIR A STOVE A TOILET AND A SINK

+10

A SHOE CABINET , FULL-LENGTH MIRROR AND A COAT RACK

Thesis Design

[ ARCHITECTURE ]

*/%&9

HETEROGENEOUS SPACE

01. start Record the ar tificial light, color, sound and user behavior status on Linsen Nor th Road. stage1 : event on street stage2 : the edge of Time

WALL LIGHT

SIGNBOARD AT NIGHT

REARVIEW MIRROR

LINSEN PARK

TRAFFIC LIGHT

#05 Frames

Thesis Design

[ ARCHITECTURE ]

( borrowed urban objects )

TELEPHONE BOOTH

( borrowed urban objects )

SIGN LIGHTS

#05 Frames

Thesis Design

[ ARCHITECTURE ]

SUPERIMPOSITION LINSEN NORTH ROAD : REARVIEW MIRROR

非線性傳遞的物件流動在街上，人的行為與目的成為控制傳遞時間性的因素。

#05 Frames

Thesis Design

[ ARCHITECTURE ]

#05 Frames

Thesis Design

[ ARCHITECTURE ]

*/%&9

HETEROGENEOUS SPACE

02. continued The site no.1 set on the back of the building, and in the form of a tower attached to the building. stage1 : entrances stage2 : reading space

TELEPHONE BOOTH

STAIRS IN GAP

OUTDOOR STAIRS

PARKING TOWER

VENDOR

#05 Frames

Thesis Design

[ ARCHITECTURE ]

( site no.1 )

BACK OF THE BUILDING

#05 Frames

Thesis Design

scale :1/50 material : wood, metal, cardboard, acrylic

[ ARCHITECTURE ]

#05 Frames

Thesis Design

scale : 1/200 material : wood, metal, cardboard

[ ARCHITECTURE ]

#05 Frames

Thesis Design

[ ARCHITECTURE ]

ANACHRONIC PROCESS SITE NO.1 : EATING SPACE

不合理的存在是為聯覺的反差。 經由電梯移動的時間間距，與鏡面、玻璃的連續反射，使不同高度共食的使用者出現 時間軸上的斷續，在這裡與自己吃飯，與對方吃飯，甚至與觀者吃飯。

#05 Frames

Thesis Design

[ ARCHITECTURE ]

THE TRUE ILLUSION SITE NO.2 : PAPER SPACE

轉角空的空間利用雙層反射材質，強化邊界使路徑形成，穿梭在這三角地帶的人將於 兩棟建築的真實和虛像間置換角色。

#05 Frames

Thesis Design

[ ARCHITECTURE ]

*/%&9

HETEROGENEOUS SPACE

03. turn Through the narrow and complex path from site no.1 to no.2. stage1 : narrow path stage2 : sensor y guide

PIPELINE

WASHMACHINE

FULL OF RAIN COVER

WEIRD DOOR

REFRIGERATOR

#05 Frames

Thesis Design

[ ARCHITECTURE ]

(abandoned building )

REVOLVING DOOR

#05 Frames

Thesis Design

scale :1/50 material : wood, metal, cardboard, acrylic

[ ARCHITECTURE ]

#05 Frames

Thesis Design

scale : 1/200 material : wood, metal, cardboard

[ ARCHITECTURE ]

#05 Frames

Thesis Design

[ ARCHITECTURE ]

THE TRUE ILLUSION SITE NO.2 : PAPER SPACE

巨大的門經過轉動後，都市中的反射路徑成立了，一條非線性的觀看路徑， 這個時候以為觀看對方的同時，卻是穿過建築間看見自己。

#05 Frames

Thesis Design

[ ARCHITECTURE ]

SUPERIMPOSITION SITE NO.2 : VIDEO SPACE

舊牆上的窗疊合了真實的都市場景，和經由監視系統傳遞的(真實)場景，置換前方三 維空間的景況於近距離的二維影像空間。

#05 Frames

Thesis Design

[ ARCHITECTURE ]

( site no.2 )

STREET LIGHT

( site no.2 )

OPENING OF THE WINDOW

#05 Frames

Thesis Design

[ ARCHITECTURE ]

*/%&9

HETEROGENEOUS SPACE

04. the end The site no.2 surrounded by abandoned buildings on the end of the plot. stage1 : death theater stage2 : collection

BROKEN WALL

OPENING OF THE WINDOW

STREET LIGHT AND MONITOR

REFLECTOR

MOVING SIGNBOARD

#05 Frames

Thesis Design

[ ARCHITECTURE ]

ANACHRONIC PROCESS SITE NO.2 : LIVING SPACE

這裡是第一塊基地沒有完結的居住空間，借用都市物件的路燈，包圍出異常的光的空間 ，也藉此引導光區隔出兩間房間的時間間距，這將是同時存在亦又不存在的兩人空間。

#05 Frames

Thesis Design

scale :1/50 material : wood, metal, cardboard, acrylic

[ ARCHITECTURE ]

#05 Frames

[ ARCHITECTURE ]

"8"3%4 TKU Graduation Design Award｜ 淡江建築畢業設計獎 設計入選獎 2017 Taiwan 20 IEAGD International Competition｜ IEAGD建築系畢業設計國際特展 Taiwan 20 競圖入選 UIA-HYP CUP 2017 International Student Competition-The Third Prize｜ 霍普杯2017國際建築設計競賽 The Third Prize 三等獎

The Circumstance of Death 娦涸屣㄂