INTERIOR DESIGN PORTFOLIO | ISAAC N. WOOD by Isaac Wood

ISAAC N. WOOD A P PA L A C H I A N S TAT E U N I V E R S I T Y D E PA R T M E N T O F A P P L I E D D E S I G N INTERIOR DESIGN PROGRAM PORTFOLIO: YEARS 2019 - 2022

BIOGRAPHY ISAAC WOOD is a passionate designer who graduated in M a y, 2022 with a Bachelor of Science in Interior Design and a Minor in Building Science from Appalachian State U n i v e r s i t y, in Boone, North Carolina. Through interior design, he aspires to affect the user of a space positively by impacting t h e u s e r s ’ p h i l o s o p h y, q u a l i t y o f l i f e , and environmental awareness. Isaac has a passion for sustainable and environmentally ethical design, which is emphasized in his work and personal practices. He focuses on sustainable and healthy project scopes: how to limit carbon emissions of the building industry and how to improve the health and wellbeing of all living things impacted by the built environment. Throughout his young adulthood he worked in his father ’s construction business in Yo r k C o u n t y, South Carolina, which provided valuable skills and experience in the building and construction i n d u s t r y. He expanded on these skills during his tenure in Appalachian State University’s IDEXlab (Integrative Design Experience Laboratory). In IDEXlab, he designed, developed, and created various projects alongside other interior design, architectural design, construction management, and sustainable technology students for local communities, including the p r o p o s e d d e s i g n o f t h e Ya n c e y C o u n t y Resource Center for the To w n of Burnsville, North Carolina. Isaac was actively involved in the Interior Design program and the Applied Design Department while enrolled a t A p p a l a c h i a n S t a t e U n i v e r s i t y. H e was faculty appointed as a student program ambassador for three years in a row and the lead ambassador for his cohort for two years in a row.

M o r e o v e r, I s a a c w o r k e d w i t h o t h e r student ambassadors to create and film an introductory program video for the virtual open house during the height of Covid-19 in the 2020-2021 academic y e a r, t o e n c o u r a g e p o t e n t i a l s t u d e n t engagement and interest during a wholly virtual period. Isaac has also worked as a teacher ’s assistant for various studio and lecture courses, mentoring and learning from the next cohorts of interior design students. A d d i t i o n a l l y, Isaac has won three competitions during his tenure at Appalachian State; these include first place in ASID Carolinas’ 20192020 Otto Zenke Competition, the NEWH 2021 Undergraduate Green Vo i c e D e s i g n C o m p e t i t i o n , a n d f i r s t place IIDA Carolinas’ 2022 Shining Star Competition. Alongside these competitions, Isaac has had the opportunity to present research and projects at various conferences, these include; the Breezeway at Phu Kradueng project presentation at Boutique D e s i g n N e w Yo r k 2 0 2 1 , c o l l a b E D : a facility fostering the cultivation of community and home education at the National Council for Undergraduate Research 2022 and Appalachian State University’s 25th Annual Celebration of Research and Creative Endeavors 2022. Outside of the studio and into the great outdoors, Isaac is an avid hiker who enjoys a variety of outdoor activities in Appalachia and beyond - further developing an appreciation for nature and a passion for stewardship. In the near future, Isaac plans to pursue his NCIDQ certification, in addition t o L E E D a n d W E L L A . P. A d d i t i o n a l l y, he also plans to pursue a Master of Architecture, focused on design-build, after gaining valuable professional experience in the Building, Design, and C o n s t r u c t i o n I n d u s t r y.

IN ACTION

BOUTIQUE DESIGN NEW YORK 2021 | NEWH

IDEXLAB | SPRING 2021

CONCEPT CRITIQUE | STUDIO 07 | SPRING 2022

E N D E AV O R S I N V R | S P R I N G 2 0 2 2

A P PA L A C H I A N S TAT E | C E L E B R AT I O N O F R E S E A R C H + C R E AT I V E E N D E AV O R S | 2 0 2 2

A P PA L A C H I A N S TAT E I N T E R I O R D E S I G N S E N I O R P O R T F O L I O R E V I E W | 2 0 2 2

CONTENTS

THE BASHIR RESIDENCE Residential Accessible Re-design 2,950 square feet

001 - 006

ROSSIGNOL MARKETING OFFICE Commercial Office Design 5,200 square feet

007 - 016

T H E B R E E Z E W AY Sustainable Cultural Resort Experience 14,800 square meters

017 - 044

YA N C E Y C O U N T Y R E S O U R C E C E N T E R | F L E X - O F F I C E Flexible Community Center + Farmer ’s Market 725 square feet

045 - 062

YA N C E Y C O U N T Y R E S O U R C E C E N T E R | T I M B E R R E V I S I O N Flexible Community Center + Farmer ’s Market 4,400 square feet

063 - 080

STEP UP + CONNECT Modular Student Led Education Platform 128 square feet

081 - 088

NEXT ESTHETICS + SKINCARE Commercial Office Up-fit | Steelcase 15,000 square feet

089 - 100

ROOF OVERHEAD Community Third Place With a Cause 700 square feet

1 0 1 - 11 2

collabED Social Learning Center 26,800 square feet

113 - 150

THE BASHIR RESIDENCE

L O C AT I O N

Asheville, North Carolina

TYPE

Accessible Residential

SIZE

2 , 9 5 0 S Q . F T.

STUDIO

02 | Fall 2019

PERIOD

12 weeks

HIGHLIGHTS

ASID Otto Zenke Competition, First Place, 2019-2020

URL

https://nc-sc.asid.org/ otto-zenke

URL

h t t p s : / / t o d a y. a p p s t a t e . edu/2020/04/23/wood

OVERVIEW The scope of the project is a universal redesign of a published house/floor plan. The renovations focus on the kitchen, owner ’s suite, and the remaining upper level. The goal of the project is to provide ample traffic flow and accessibility for the family throughout the home without deconstructing the aesthetic appeal. The project is constrained by a conceptual household profile: The family consists of a gay couple in their e a r l y f o r t i e s , o n e p a r t n e r ’s a g i n g m o t h e r, and two adopted children. One partner is a professor of culture and society at a l o c a l u n i v e r s i t y, w h i l e t h e o t h e r h a s a career based in social services where he first met their children. The professor ’s m o t h e r h a s m o v e d i n w i t h t h e f a m i l y, a f t e r a r e c e n t i n j u r y, a n d a s s i s t s a r o u n d t h e home and with children, who are in their early adolescents. Overall, the family leads a very active lifestyle immersed in the outdoors, as well as the local art and music scene distinct to Asheville, North Carolina. Renovations of the house aim to generate a universally designed home for the family to spend time together and entertain guests. The first story has an open floor

plan which introduces functionality of t r a f f i c f l o w f o r t h e f a m i l y, a l o n g w i t h accessibility for the grandmother and potential physically disabled friends/ f a m i l y. A l o n g w i t h t h e o p e n f l o o r p l a n , a residential elevator is installed for convenience and a c c e s s i b i l i t y. The second story holds most renovations. The original angled hall and rooms have been replaced with an enlarged straight hall and rectangular rooms. The extra bedroom has been removed to increase the size of the bathroom which the children share; the laundry room has also been increased in size with accessibility in mind, while a small nook, office space is added beside the Owners’ Suite. All bedrooms have walk in closets. All furniture is specified from local, to-thetrade manufactures, emphasizing a focus on local engagement. The aesthetic pushes Moorish design ideas into modern rustic stylization to create an interesting and unique m o s a i c f o r t h e h o m e ’s i n t e r i o r. T h e monochromatic green dominated color palette with accents of complementary b l u e a n d o r a n g e f u e l s g r o w t h , h a r m o n y, and creativity - iterating the family’s ideals.

002

GARAGE ENTRY

Residential elevator ensuring all areas of the house are accessible to all users

PDR E LV.

Kitchen employs the NKBA work triangle

KITCHEN DINING ROOM

Overhead arch concealing a load bearing LV L b e a m

BA. CLO. FA M I LY R O O M

GRANDMOTHER’S BEDROOM

5’-0” turn around denoting wheelchair accessibility

PAT I O

FLOOR 00 ISAAC N. WOOD

00 01 03

30 FT 003

Pocket doors are specified for user accessibility and convenience

OWNER’S SUITE

CLO.

DN.

BA.

E LV. OFFICE W LAUNDRY D

CHILD’S B.R. 01 CLO.

5’-0” turn around denoting wheelchair accessibility

CLO.

BA. CHILD’S B.R. 02

Separate water closet space for privacy in shared bathroom

FLOOR 01 004

LIVING ROOM

ISAAC N. WOOD

005

KITCHEN

OWNER’S SUITE

006

ROSSIGNOL MARKETING OFFICE

L O C AT I O N

1 3 0 P o p l a r G r o v e C o n n e c t o r, B o o n e , N C

TYPE

Commercial Workplace

SIZE

5 , 2 0 0 S Q . F T.

STUDIO

03 | Spring 2020

PERIOD

15 Weeks

OVERVIEW

The Rossignol Marketing Office is a workplace design project based in Boone, North Carolina. The pre-existing building was originally a grocery store so it offers a large open floor plan to meet the needs of the users. The project’s concept and aesthetic is rooted in the ski and snowboarding scene of Boone which often picks up in N o v e m b e r a n d r u n s t h r o u g h l a t e F e b r u a r y, attracting many outdoor enthusiasts from across the Southeast. The color palette of the project is inspired by Rossignol’s signature blue, white, and red - a trademark of the French flag, the country of origin - and is strengthened by the icy blue found on the slopes, the yellow pines common in the North Carolina High C o u n t r y, a n d t h e f i e r y s u n s e t s c o m m o n i n w i n t e r.

The project scope focuses on a micro team of marketing professionals with an emphasis on hotel style workstations and flexible working styles. Thus, the workplace environment provides ample ancillary spaces for worker comfort, a large multi-use conference room, minimal private offices, reservable hotel style workstations, and a game room. Overall, the entire office encapsulates Rossignol’s energy and passion for the mountain environment and the sustainable p r a c t i c e s i n t r i n s i c t o t h e b r a n d ’ s i d e n t i t y. All furniture is specified through Herman M i l l e r.

008

I N S P I R AT I O N C O L L A G E

ISAAC N. WOOD

009

BRIEF

CONCEPT Dynamique Frost pulls inspirations from the dynamic and rough mountainous terrain in juxtaposition with the dualistic parallel angled structure of ski paths cutting the slopes. The parallel lines represent Rossignol’s continued development and active path towards innovation and sustainability; angular elements and lines express frozen mountainous terrain – the playing field of all skiers. USER PROFILE Rossignol’s marketing and communications division for the Boone N.C. area: Most of the users are excursionist workers in their early to mid thirties, with hobbies related to skiing and snowboarding. Thus, the Boone location is perfect office during the winter due to the proximity to the mountains and access numerous ski slopes and other winter sports. C O M PA N Y H I S T O R Y Rossignol was established in 1907 by Abel R o s s i g n o l , a F r e n c h C a r p e n t e r. O r i g i n a l l y, the company manufactured ash wood skis for troops in the French Alps during WWI. Once skiing became a popular sport, Rossignol started to manufacture skies for the populace - in 1908, Rossignol provided skis in their first competition. By the Winter Olympics in 1941, Rossignol unveiled their innovative fiberglass laminate skis, which were a game changer for the ski competition. During the 1961 Winter Olympics in Squaw Va l l e y, C a l i f o r n i a , U S A , t h e f i r s t F r e n c h s k i e r since 1941 won a gold medal - on Rossignol metal skis. Later in 1966, plastic skis were developed and have been the primary material used today in Rossignol skis.

THUMBNAIL DRAWING

I n f o r m a t i o n e x t r a c t e d f r o m : h t t p s : / / w w w. r o s s i g n o l . c o m / u s / o r i g i n s - h i s t o r y

010

Collab. Display

Cafe Seating

Reception

Cafe

Lobby

Restrooms P. O . 2

P. O . 1

P. O . 3

Collab.

POD

Jan.

POD Hotel Workstations Conference

Storage /Maintenance Collab.

- Loud Space - I m p a r t i a l N o i s e Va r i a b l e - Quiet Space

Copier Mini Conf.

- Important Connection - Necessary Connection - Unneeded Connection

PROXIMITY DIAGRAM ISAAC N. WOOD

0 11

EVOLUTION OF PLAN 012

“L” shape for best use of space and productivity Te r r a z z o t o p

Built-in light shelf

3D mountainous front, iterating the terrain and from

CONCEPTUAL DESIGN OF RECEPTION DESK ISAAC N. WOOD

013

NOISREV TNEDUTS KSEDOTUA NA YB DECUDORP

STG STG + TECH.

R.R.

MECH.

PRODUCED BY AN AUTODESK STUDENT VERSION

KITCHENETTE

JAN. CLST

LOCKERS

A6 2

A6 1

P. O . 0 3

HOTEL W O R K S TAT I O N

ANCILLARY S PA C E

ANCILLARY LOUNGE

A6 2

P. O . 0 2 GAME ROOM

A5 1

P. O . 0 1

R E TA I L D I S P L AY 1

CONFERENCE ROOM A5 1

PRODUCED BY AN AUTODESK STUDENT VERS 1

VESTIBULE

RECEPTION + LOUNGE

FURNITURE PLAN

30 ft

PRODUCED BY AN AUTODESK STUDENT VERSION

0 1

014

GAME ROOM

CONFERENCE ROOM

ISAAC N. WOOD

015

ANCILLARY NOOK

016

T H E B R E E Z E W AY

the

y a w e z ree AT P H U K R A D U E N G

L O C AT I O N

Loei, Thailand

TYPE

H o s p i t a l i t y, R e s o r t

SIZE

14,800 SQ. M.

STUDIO

04 | Fall 2020

PERIOD

14 Weeks

U R L https://newh.org/green v o i c e - c o m p e t i t i o n - w i n n e r s /

H I G H L I G H T S 2 0 2 1 N E W H G r e e n Vo i c e C o m p e t i t i o n , U n d e r g r a d u a t e

OVERVIEW

This project was informed by two student cultural ambassadors from Burapha University in Saen Suk, Thailand, studying international business management. These students aided in the development of concepts by introducing personal interests and inspirations from their culture and guiding the development as to avoid cultural appropriation and install a sense of cultural appreciation. The Breezeway at Phu Kradueng is a luxury hotel resort designed to impact the guest’s environmental and cultural awareness through experiential storytelling. The project utilizes local materials, forms, and inspirations to promote a greater understanding of the local Thai culture in an appreciative format. Inspiration is pulled from local vernacular architecture, specifically regarding the community engagement and the indoor-outdoor synthesis of space. The surrounding environment also provides ample inspiration and engagements of place for the wellbeing o f t h e g u e s t s . A d d i t i o n a l l y, t h e r e s t a u r a n t and tea shoppe within the grounds of the resort serves local foods and drinks to expand the cultural awareness of each guest.

The project is located in Central North Thailand, in the Loei Province. The resort is only a few kilometers outside of the Phu Kradueng National Park, named for the large mountain mesa which encompasses 350 sq. km. or 217 sq. mi. The highest point on the mountain is 1316 meters above sea level, or approximately 4317 feet above sea level. The resort will attract the attention of locals and tourists alike. The nearby Phu Kradueng National Park makes it a perfect location for avid outdoor enthusiasts, leisure hikers, and novice nature explorers. The target demographic focuses on adult couples, singles, and groups in their late twenties to late s i x t i e s . T h e r e s o r t i d e a l i z e s t r a n q u i l i t y, w e l l n e s s , a n d p e r s o n a l v i t a l i t y, s o i t focuses on outdoor activities such as hiking, white water rafting, kayaking, and climbing. A d d i t i o n a l l y, this project pursued a crosswalk between LEED and WELL, comparing and contrasting various c o n c e p t s o n a i r q u a l i t y, a c c e s s t o d a y l i g h t and natural views, and the mental health impact of the built environment.

018

I N S P I R AT I O N C O L L A G E

ISAAC N. WOOD

019

CONCEPT

PETRICHOR AND ZEPHYR Petrichor - /ˈpeˌtrīkôr/ - a pleasant smell that often accompanies rain after a long period of warm, dry weather Zephyr - /ˈzefər/ - a soft, gentle breeze An open, slightly cool atmosphere modeled after a soft and cool breeze during monsoon s e a s o n : e n c o u r a g i n g r e p o s e a n d t r a n q u i l i t y. The project focuses on the integration and interplay of exterior and interior environments creating a space juxtaposing hard form and heavy cools with light warms and organic forms. The atmosphere encourages harmony a n d u n i t y, u t i l i z i n g i n s p i r a t i o n f r o m t h e conceptual makeup of traditional Ruan Thai dwellings.

PA R T I D I A G R A M S

020

CONCEPT SKETCHES

ISAAC N. WOOD

021

LOBBY WAITING AREA

022

PA R K I N G

ROAD 30 DEGREE PITCH

POOL

G R E AT H A L L

TRAILS

KOI POND

GUEST HOUSE

COVERED PORCH

GUEST HOUSE

OUTCROPPING

SUNSET

SUNRISE

M I D D AY

SITE PLAN ISAAC N. WOOD

023

BLOCKING SKETCHES 024

JUNE SOLSTICE

MARCH + SEPTEMBER EQUINOX

DECEMBER SOLSTICE ISAAC N. WOOD

025

DECEMBER SOLSTICE MARCH + SEPTEMBER EQUINOX

JUNE SOLSTICE

NORTH

D AY L I G H T I N G D I A G R A M 026

V E S T.

B.O.H. N.I.C.

OFFICES

RECEPTION LOBBY LOUNGE POOL

MKT

BAR

INDOOR DINING

PAT I O

TEA SHOPPE

B.O.H. N.I.C.

W. R . E LV

V E S T.

M.R.

G R E AT H A L L | F L O O R 0 0 00

ISAAC N. WOOD

30M 027

SAUNA

BOULDERING GYM

MASSAGE ROOMS

OPEN TO BELOW FITNESS CENTER

S PA

E LV

LOUNGE

R E TA I L N.I.C.

B.R.

INDOOR GARDEN CONCIERGE

G R E AT H A L L | M E Z Z A N I N E 00

30M 028

YOGA STUDIO

HOUSEKEEPING HAMMOCKS

GUEST LAUNDRY

E L E VAT O R S

COMMUNITY LOUNGE

RESPITE GARDEN

GUEST HOUSE | FLOOR 00, UNCONDITIONED 00

ISAAC N. WOOD

30M 029

NOISREV TNEDUTS KSEDOTUA NA YB DECUDORP

KING

DOUBLE QUEEN

KING

SUITE

KING

E L E VAT O R S

OPEN TO BELOW KING

KING

SUITE

KING

DOUBLE QUEEN

KING

PRODUCED BY AN AUTODESK STUDENT VERSION

GUEST HOUSE | FLOORS 01 - 03 00

30M 030

G R E AT H A L L K E Y LOBBY OFFICE EGRESS R E TA I L OPEN NIC PAT I O S S PA FITNESS SAUNA RESTROOMS R E S TA U R A N T

G R E AT H A L L S TA C K I N G D I A G R A M ISAAC N. WOOD

031

GUEST HOUSE KEY BALCONY SUITE ROOM KING ROOM DOUBLE QUEEN YOGA HAMMOCKS LAUNDRY M E D I TAT I O N LOUNGE OPEN HOUSEKEEPING EGRESS

G U E S T H O U S E S TA C K I N G D I A G R A M 032

B A R S E AT I N G

ISAAC N. WOOD

033

PRIMARY INDOOR DINING

034

Blue granite counter top Full bull-nose bartop edge

Stainless steel bar lip

60 degree angled LED strip wall washer

Stainless steel back splash

Marble bar front

Stainless steel foot rail

B A R S E C T I O N D E TA I L D R AW I N G

00 10 20

ISAAC N. WOOD

100

200cm 035

Suspended acoustic PET felt, NRC 0.75

Suspended pendant light, 200 cm AFF

Custom divider screen

D I N I N G B O O T H S E L E VAT I O N

0.5

05M 036

NOISREV TNEDUTS KSEDOTUA NA YB DECUDORP

Tri-fold operable windows

Floor integrated yoga mats

Storage cubby

Operable awning windows

YOGA STUDIO, ENLARGED PLAN

ISAAC N. WOOD

PRODUCED BY AN AUTODESK STUDENT VERSION 05m 037

YOGA STUDIO

038

Separate water closet space for flexibility

W. C .

Closet BA.

Office space built into kitchenette

KITCHENETTE

Mud closets provide storage for provided/rentable outdoor gear

Dividing louver wall allowing daylight throughout the space

QUEEN BEDS Louver wall system to create indoor-outdoor synthesis

Outdoor TV

Indoor-outdoor sofa BALCONY

Built-in benching system

DOUBLE QUEEN FLOOR PLAN

0.5

ISAAC N. WOOD

05m 039

BA.

W. C . LOUNGE

BALCONY S O FA

BA. KITCHENETTE KITCHENETTE READING NOOK

W. C .

BALCONY BAR

KING BED QUEEN BED

QUEEN BED

BALCONY HAMMOCKS

KING ROOM FLOOR PLAN

SUITE FLOOR PLAN

0.5

05m

0.5

05m 040

Custom slat wall filters light and allows breeze to filter through Direct daylight

Hot air leaving the space Clerestory awning window for air flow

Angled pergola to diffuse light

Cool breeze

Louver wall

Filtered indirect daylight through louver wall

Filtered indirect daylight

SOLAR DIAGRAM SECTION ISAAC N. WOOD

041

DOUBLE QUEEN ROOM, BALCONY

042

PAT I O D I N I N G

ISAAC N. WOOD

043

044

YA N C E Y C O U N T Y R E S O U R C E CENTER | FLEX-OFFICE

L O C AT I O N 3 1 4 W . M a i n S T. , B u r n s v i l l e , N o r t h C a r o l i n a 2 8 7 1 4 TYPE C o m m u n i t y C e n t e r + F a r m e r ’ s M a r k e t SIZE

7 2 5 S Q . F T.

STUDIO

05 | Spring 2020

PERIOD

16 Weeks

OVERVIEW

T h e Ya n c e y C o u n t y R e s o u r c e C e n t e r ( Y. C . R . C . ) is a developing project in partnership between the Ya n c e y C o u n t y G o v e r n m e n t , Ya n c e y E D C , a n d Appalachian State University’s IDEXlab. The 5,850 square foot project is a multiuse community facility and will serve as a C o v i d - 1 9 t e s t i n g a n d v a c c i n e c e n t e r, community festival gathering point, and will provide a permanent home for the Ya n c e y C o u n t y F a r m e r s M a r k e t , a n e v e n t intrinsic to the community of Burnsville, North Carolina. This project was designed and planned by the 2021 IDEXlab cohort: a multidisciplinary team of students and faculty from various programs and majors such as Interior Design, Building Science with a concentration in Architecture, Construction Management, Sustainable Te c h n o l o g y , a n d S u s t a i n a b l e B u i l d i n g Systems. The Y. C . R . C . interior program will host a hyper-flexible upper level, a demonstration kitchen and restrooms on the lower level, and vendor stalls for the farmers market in the unconditioned section. The flex-office upper level includes a hot desk style reception space to serve as a guest greeting area, a work zone for stakeholders, and a tender/transaction area for the farmers

market and other community events. A d d i t i o n a l l y, a s e m i - s e p a r a t e d f l e x a r e a hosts a custom programmable peg wall and custom built-in casework to meet the programmatic needs of the stakeholders and community engagers. All customized built-in millwork elements are designed w i t h e c o n o m y, e f f i c i e n c y, a n d f l e x i b i l i t y in mind, empathizing with the values a n d c o n s t r a i n t s o f t h e Ya n c e y C o u n t y stakeholders. C o n c e p t u a l l y , t h e Y. C . R . C . p r o v i d e s t h e c o m m u n i t y o f B u r n s v i l l e a n d Ya n c e y County with a new form of architectural stylization in transitional juxtaposition to the existing historical factory architecture of Downtown Burnsville. The interior environment provides a clean, minimal, woodsy palette in order to emphasize the surrounding wooded mountain region without compromising views to the stunning Blue Ridge Mountains. Primary personal scope involved a focus on the Office-Flex space: space planning, programming, custom millwork design and documentation, and material and finish selection. Additional scopes involved rendering the upper level, logo revision, initial restroom schematic design, and initial overall interior project programming.

046

Y. C . R . C . R E C E P T I O N + O F F I C E

ISAAC N. WOOD

047

Y. C . R . C . F L E X S P A C E C A S E - W A L L

048

PRELIMINARY PLAN SKETCHES + PROGRAMMING ISAAC N. WOOD

049

Flexible desk system Louver peg wall system 40’-0” 27’-8”

5’-4”

6 ’ - 11 ”

5’-5”

8’-4”

6 ’ - 11 ”

6’-8”

20’-0”

16’-9” 5’-0”

3’-3” 19’-8”

5’-4”

2’-8”

25’-0”

15’-0”

Built-in casework wall system

Corrugated fiberglass sliding door

N FLEX OFFICE FLOOR PLAN

30FT 050

White board finish

Tree ring mural 36’-6” 5”

3’-4 1/2”

6 ’ - 11 ”

4’-7 1/2”

10’-0”

2’-6”

1’-10” 8”

6”

2’-9”

5’-6”

4’-2”

2’-0”

21’-2”

Desk system Louver peg system divider

O F F I C E + F L E X , N O R T H E L E VAT I O N

Ve r t i c a l s l a t peg wall

Corrugated fiberglass transom window

Storage cabinet 18’-7”

13’-7” 5’-0”

5’-0”

8’-7”

1’-10”

5’-6” 2’-6”

10’-0”

10’-0” 6’-2”

2’-0”

5’-0”

2’-0”

8’-7”

Rolling caddy cubby

Rolling storage caddy

Corrugated fiberglass sliding door F L E X S PA C E , E A S T E L E VAT I O N

ISAAC N. WOOD

F L E X S PA C E , W E S T E L E VAT I O N

051

36’-6” 2’-4 5/8”

2’-4 5/8”

4’-6 3/8”

3’-5 1/4”

5” 2’-6 3/4” 1’-9 1/4”

16’-10”

5’-3” 4”

2’-10”

10’-0”

1’-7”

2’-4 1/4”

Casework to conceal sliding door O F F I C E + F L E X , S O U T H E L E VAT I O N

Sliding door

Mini-split Community bulletin board 13’-7” 3’-0”

3’-2”

1’-6”

5’-0”

T r i m Te x M u d o n J (H602) Black galvanized metal flashing

6’-0”

3/4” Reveal 5/8” plywood baseboard

6”

2x6 framing 1/2” reveal to visually even out planing of unfinished concrete

2’-6”

10’-0”

1’-0”

11 ”

5/8” Gyp. Board

Desk system

O F F I C E S PA C E , E A S T E L E VAT I O N

F L E X O F F I C E B A S E D E TA I L

052

2’-0 3/4”

3’-0” 2’-6”

3/4” reveal Lockable cabinets

W O R K S TAT I O N C A B I N E T E L E VAT I O N

6 3/4”

10’-0” 8’-10 1/2”

Open cell tech cubby

Printer cart

3’-0” 2’-6”

6”

Open cell tech cubby

6”

3’-6”

Beveled edge for rolling cart W O R K S TAT I O N C A B I N E T S E C T I O N

6 3/4”

1’-10”

Mountain motif, laser etched

Support panel

9”

2’-6”

Privacy screen

W O R K S TAT I O N P R I VA C Y S C R E E N

W O R K S TAT I O N I S O M E T R I C

ISAAC N. WOOD

053

8’-6”

2’-0” 4’-6” 2’-0” 2’-0”

8’-0” 3’-10 1/2”

3’-6” 3/4”

4’-0”

2’-0”

3/4” 13’-6”

W O R K S TAT I O N P L A N V I E W

054

CABINET PULL SKETCHES ISAAC N. WOOD

055

CABINET SECTION SKETCHES 056

Vo i d e d c a b i n e t section to create an emphasized window opening

2’-0”

Corrugated fiberglass fronted LED light box

8’-0”

10’-0”

1’-6”

2’-0”

3’-6”

4’-0”

3’-6”

18’-6”

Lower cabinets hosting roll out caddies

F L E X S PA C E , W E S T E L E VAT I O N ISAAC N. WOOD

057

2’-0 3/4”

2x4 toe kick

CASEWALL SECTION 01

Base cavity is taller to allow more flexible storage

CASEWALL SECTION 02

1’-0”

12” o.c. modular shelving system

1’-0”

1/2” through dado cut for modular shelving

11 1 / 4 ” 1 ’ - 0 ”

1’-0” 1’-0” 1’-0” 1’-0” 1’-0”

Dado cut modular shelving not continued to provided storage for broom + step ladder

1 1/4” reveal

1’-0”

10” 5’-1 1/4”

10’-0”

1/2” through dado cut for modular shelving

Cavity for light box mechanical

3/4” reveal

1’-6 1/2”

3/4” plywood construction

10”

Light box

True base of wall hung cabinet

3’-0” tall roll out storage caddy for flex tables False toe kick to conceal casters

CASEWALL SECTION 03

058

PRELIMINARY PEG WALL SYSTEM SKETCHES ISAAC N. WOOD

059

060

3 1/4”

2’-0”

Transom window

3/4” reveal 3/4” dado notch to support fiberglass

Ve r t i c a l s l a t

Corrugated fiberglass 2’-0”

5’-6” 1’-9 1/4” 3/4” 7 1/4” 3/4”

10’-0”

2x4 blocking

Bench height dock station

Plywood divider frame

Workstation height dock station

2x4 top plate (peg wall)

4’-5”

PEG WALL SECTION

ISAAC N. WOOD

TRANSOM WINDOW SECTION

061

Single top plate

6” wide vertical slat panel 2x4 framing stud, 24” O.C. Horizontal cross beam for pegs, 16” O.C.

Plywood base facade

Single sole plate Edge plate

PEG WALL, EXPLODED ISOMETRIC 062

YA N C E Y C O U N T Y R E S O U R C E CENTER | TIMBER REVISION

L O C AT I O N 3 1 4 W . M a i n S T. , B u r n s v i l l e , N o r t h C a r o l i n a 2 8 7 1 4 TYPE C o m m u n i t y C e n t e r + F a r m e r ’ s M a r k e t SIZE

4 , 4 0 0 S Q . F T.

STUDIO N / A | S u m m e r 2 0 2 1 , I n t e r n s h i p PERIOD

4 Weeks

OVERVIEW As a value engineering solution (VE), faculty coordinating the Summer 2021 IDEXlab cohort prompted an endeavor in timber framing for the Y. C . R . C . Unconditioned Structure. The intent is to maximize material, lower overall cost, and increase efficiency by resourcing prefabrication through a local timber framing firm, Hardin Creek.

Overall, the revised assembly takes advantage of constrained organic rhythm with bracing members acting as limbs of a tree and undulating roof pitches mimicking the nearby mountain ranges to emphasize the locale and sense of place of Burnsville, N.C. within the project scope.

The team worked to create many iterations and concept directions for the timber framing solution, such as pitched roof elevation changes, truss designs, profile adaptations, post and beam assemblies, and bracing rhythms. The team worked closely with members of Hardin Creek to determine parameter directions for the timber framed solution exercise.

064

45 + 45 DEGREES

30 + 30 DEGREES

30 + 15 DEGREES

30 + 45 DEGREES

45 + 60 DEGREES T I M B E R T R U S S I T E R AT I O N S ISAAC N. WOOD

065

60 + 30 DEGREES

60 + 60 DEGREES

SCISSOR TRUSS 01

SCISSOR TRUSS 02

SCISSOR TRUSS 03

066

INTERIOR 60 DEGREE BRACING

INTERIOR 45 DEGREE BRACING

45 + 60 DEGREE BRACING

60 DEGREE BRACING

T I M B E R P O S T + B E A M I T E R AT I O N S ISAAC N. WOOD

067

45 + 30 DEGREE BRACING

60 + 26.5 DEGREE THRU BRACING

6 0 D E G R E E + U N D U L AT I O N

D U A L U N D U L AT I O N

068

P R O F I L E 0 1 | E L E VAT I O N

P R O F I L E 0 2 | E L E VAT I O N

P R O F I L E 0 3 | E L E VAT I O N

ISAAC N. WOOD

069

P R O F I L E I T E R AT I O N S , I S O M E T R I C S 070

Purlin (2x4 - standard) Ridge beam (4x12) Fly rafter (3x8)

12 12 King post (4x6) Cross beam (4x10)

Bottom chord (6x8)

Post (8x8)

4 / 1 2 P I T C H T I M B E R M O D U L E , E L E VAT I O N ISAAC N. WOOD

071

4 / 12 PITCH TIMBER MODULE, EXPLODED ISOMETRIC 072

Ridge beam (4x12) 12 12

Purlin (2x4 - standard) Fly rafter (3x8) King post (4x6) Cross beam (4x10)

Bottom chord (6x8)

Post (8x8)

6 / 1 2 P I T C H T I M B E R M O D U L E , E L E VAT I O N ISAAC N. WOOD

073

6 / 12 PITCH TIMBER MODULE, EXPLODED ISOMETRIC 074

12 12

Ridge beam (4x12) Purlin (2x4 - standard) Fly rafter (3x8) King post (4x6) Cross beam (4x10)

Bottom chord (6x8)

Post (8x8)

1 2 / 1 2 P I T C H T I M B E R M O D U L E , E L E VAT I O N ISAAC N. WOOD

075

12 / 12 PITCH TIMBER MODULE, EXPLODED ISOMETRIC 076

P R O F I L E 1 9 E L E VAT I O N 0 1

P R O F I L E 1 9 E L E VAT I O N 0 2

ISAAC N. WOOD

077

PROFILE 19 EXPLODED ISOMETRIC 078

PROFILE 19 PERSPECTIVE 01 ISAAC N. WOOD

079

PROFILE 19 PERSPECTIVE 02 080

STEP UP + CONNECT

L O C AT I O N 397 Rivers Street, Boone, North Carolina | Kerr S c o t t P a r k i n g TYPE

Education

SIZE

1 2 8 S Q . F T.

STUDIO

N/A | Summer 2021

PERIOD

10 Days

OVERVIEW

This project was designed and built as a temporary installation to promote outdoor experience in education in the footprint of a parking space. The users of this platform are Building, Design, and Construction students attending Appalachian State University at Katherine Harper Hall. This includes any and all students within the Applied Design and Building Science departments. Overall, students spend approximately 90% of their time indoors and only about 7.6% outside, enjoying nature. Studying outside can improve attention and boost positive emotions as well as lower cortisol levels. The project has been moved to the IDEXlab warehouse where it is currently being used as a breakout space for future IDEX cohorts. The design is constrained by a 2’ x 2’ grid within an 8’ x 16’ footprint. The modularity of the design utilizes a 3/8 (the decking) and 5/8 (the bench modules) spatial i n t e r p l a y. T h e 4 ’ x 4 ’ b e n c h m o d u l e s can be moved and stacked to redefine spatial programming - allowing different uses and spatial endeavors within the set parameters of the footprint.

The entire classroom is based on prefabricated constructibility on a modular grid system. The two floating decks are 4’ x 6’ (W+D), the bench modules are 4’ x 4’(W+D), and the wall assemblies are 4’ x 7’(D+H). The wall assemblies are tied directly into the bench modules then locked in place via ceiling joists and cross joists. The wall assemblies are then linked together with the metal and wood exterior cladding. The entire assembly is built with salvaged and scrap materials. Scrap lumber from the IDEXlab warehouse was used for structural framing; salvaged decking from an IDEXlab previous project, mobiLANDING 2017, was used as the primary decking material; salvaged pallets from local businesses were deconstructed and implemented in the cladding material; and corrugated metal roofing was salvaged from the IDEXlab warehouse and used as a facade.

082

SITE PLAN

A C C E S S PA R T I

ISAAC N. WOOD

083

CONCEPT

STEP UP + CONNECT Step Up + Connect represents a safe platform for student led discussion. It connects students on differing levels within different disciplines, encouraging collaborative interaction and an analog work style. The concept focuses on five key elements: student v i t a l i t y, built connections, safe s h e l t e r, u n o r t h o d o x l e a r n i n g , a n d r e u s e f o r refocus. PA R T I D R AW I N G S T U D E N T V I TA L I T Y is pursued through natural daylighting, access and exposure to nature and an analog focused environment. UNORTHODOX LEARNING through a student-led, small scale, intimate, analog learning environment. B U I LT C O N N E C T I O N S fosters a community of interdisciplinary students within Katherine Harper Hall to encourage d i s c u s s i o n a n d c r e a t i v i t y. REUSE FOR REFOCUS creates a focused environment built from reused and salvaged materials from past projects and endeavors S A F E S H E LT E R creates a safe space for open student led discussion, creativity of thought, and experiential learning

084

STEP UP

E L E VAT E

C O N TA I N

S H E LT E R

MODULARITY ISAAC N. WOOD

085

EXPLODED ISOMETRIC, CONSTRUCTION 086

FLEXIBILITY OF MODULES

FRONT VIEW | ORIGINAL MODULARITY

ISAAC N. WOOD

FRONT VIEW | REMODULARITY

087

DESIGN + BUILD TEAM

088

NEXT ESTHETICS + SKIN CARE

L O C AT I O N 4 Columbus Circle, New Y o r k , N e w Y o r k TYPE

Commercial Workplace

SIZE

1 5 , 0 0 0 S Q . F T.

STUDIO

06 | Fall 2021

PERIOD

10 Weeks

OVERVIEW NEXT is a commercial workplace design project for a fictitious skincare brand, with strict parameters: only steelcase systems can be specified, interior architectural creativity and customization is limited, and program types and square footage are pre-generated. This project focuses on the development of and adherence to a conceptual client: their values, needs, wants, and ideas which contribute to visual marketing and brand development. Client Profile Ye o n g - J a R y o n g [ b r a v e c h i l d o f t h e dragon] is a thirty-nine year old South Korean immigrant with a Bachelor of Arts in Business and multiple certifications i n E s t h e t i c s a n d C o s m e t o l o g y. S h e i s interested in traditional Korean folklore a n d S h a m a n i s m , s t r e e t - w e a r, a r c h e r y,

the local coffee scene, and caring for her pet king snake - Echidna. She takes much inspiration from the traditional tales of the Imugi to Dragon transformation emphasizing ideals of transformation, p r o t e c t i o n , p o w e r, a n d b a l a n c e . S h e u r g e s NEXT to have a strong transformation to focus on continuity and longevity of human and environmental well-being. This brief client profile helped to direct and develop the concept which establishes a certain design aesthetic and emphasizes the values which the client desires to focus on and cultivate in their esthetics brand.

090

I N S P I R AT I O N C O L L A G E

ISAAC N. WOOD

091

CONCEPT

THE OUROBOROS SPECTRUM A n e d g y, d a r k , a n d d y n a m i c w o r k p l a c e fostering a sense of creative problem solving and community engagement. A juxtaposition of sharp and dynamic color balanced within a matrix of black. OUROBOROS Pulls inspiration from the fast-paced and c o n t i n u o u s v i b e e n c i r c l i n g N e w Yo r k C i t y. SPECTRUM Relates to the ethno-cultural diversity found i n N e w Yo r k a n d t h e e m p l o y e e s o f N E X T this moment flows seamlessly into the color spectrum visible in chromate aluminum, a r t i c u l a t i n g t h e i d e a t i o n o f d i v e r s i t y. In synthesis, these two principles design a fast-paced, e d g y, and dynamic work environment which stimulates d i v e r s i t y, i n c l u s i o n , p r o d u c t i v i t y, a n d c r e a t i v i t y.

PA R T I D I A G R A M S

092

LARGE MEETING 300 SQ FT WORK CAFE 800 SQ FT

MEDIUM MEETING 200 SQ FT

SALES + MARKETING OPEN WORKSTATIONS X 31 36 SQ FT EACH 1116 SQ FT

RECEPTION 600 SQ FT

SPIRAL STAIRS 250 SQ FT

P. O . 0 2 120 SQ FT

P. O . 0 1 120 SQ FT

ARCHERY RANGE [WILDCARD] 1400 SQ FT

ENCLAVES X 3 64 SQ FT 192 SQ FT TOTAL

PRODUCT DEVELOPMENT ROOM 400 SQ FT

ENCLAVES X2 128 SQ FT

MARKETING PROJECT ROOM 360 SQ FT

WORK

SWAG STORAGE 200 SQ FT

MOTHER’S ROOM 100 SQ FT

WELLNESS SPACE 200 SQ FT

K E Y:

MEET SOCIAL

PHOTO + VIDEO STUDIO 800 SQ FT

RESOURCE

RESOURCE CENTER 200 SQ FT

MEDIUM MEETING 200 SQ FT

REJUVENATE

PRIMARY SECONDARY

FLOOR 07 SCALE | 1’-0” = 1/16” SHEET 01-A | ADJACENCY DIAGRAM

DIVISION

THE OUROBOROS SPECTRUM

BUBBLE DIAGRAM | FLOOR 007 ISAAC N. WOOD

093

FINANCIAL + OPERATIONS WORKSTATIONS 360 SQ FT P. O . 0 1 120 SQ FT

SPIRAL STAIRS 250 SQ FT MEDIUM MEETING 200 SQ FT

P. O . 0 1 120 SQ FT

ENCLAVES X 3 64 SQ FT 192 SQ FT TOTAL C E O P. O . 180 SQ FT P. O . 0 1 120 SQ FT

WORK CAFE 800 SQ FT

RESOURCE C ERNETCEERP T I O N 2 0600 0S QS QF TF T

P. O . 0 1 120 SQ FT

LARGE MEETING 300 SQ FT

P. O . 0 1 120 SQ FT

MEDIUM MEETING 200 SQ FT

SALES + MARKETING OPEN WORKSTATIONS X 31 36 SQ FT EACH SQ FT

K E Y1:1 1 6 WORK MEET

SPIRAL STAIRS 250 SQ FT

P. O . 0 2 120 SQ FT

SOCIAL RESOURCE

P. O . 0 1 120 SQ FT

ARCHERY RANGE [WILDCARD] 1400 SQ FT

FLOOR 08 SCALE | 1’-0” = 1/16”

ENCLAVES X 3 64 SQ FT 192 SQ FT TOTAL

PRODUCT

P R I M A R YD E V E L O P M E N T ROOM

S E C O N D 4A0R0Y S Q F T

ENCLAVES X2 128 SQ FT

SHEET 01-B | ADJACENCY DIAGRAM

DIVISION

MARKETING PROJECT ROOM 360 SQ FT

MOTHER’S ROOM 100 SQ FT

WELLNESS SPACE 200 SQ FT

THE OUROBOROS SPEC

K E Y: WORK

SWAG STORAGE 200 SQ FT

WELLNESS SPACE 200 SQ FT

REJUVENATE

MEET SOCIAL

PHOTO + VIDEO STUDIO 800 SQ FT

RESOURCE

RESOURCE CENTER 200 SQ FT

MEDIUM MEETING 200 SQ FT

REJUVENATE

PRIMARY SECONDARY

FLOOR 07 SCALE | 1’-0” = 1/16” SHEET 01-A | ADJACENCY DIAGRAM

DIVISION

THE OUROBOROS SPECTRUM

BUBBLE DIAGRAM | FLOOR 008 094

Refrigerator

---

01 16

16 15

14 NIC

7th Floor - Room Tag 1/8" = 1'-0"

FLOOR 007 00

ISAAC N. WOOD

100FT 095

15 16

NIC

16 10

NIC UP

KEY NOTES

01. Reception 02. Lobby 03. Work Cafe 04. Large Meeting Space 05. Archery Range 08th6 Floor . M- oRoom t h eTagr ’ s R o o m 1'-0"e l l n e s s S p a c e 01/8" 7 .= W 08. Photo + Video Studio 09. Medium Meeting Space 10. Resource Center

11 . 12. 13. 14. 15. 16. 17. 18. 19. 20.

Swag Storage Product Development Marketing Meeting Retail Mock Up Space Private Office Enclave Open Workstation Zone Lounge CEO Office Te r r a c e

N FLOOR 008 00

100FT 096

LOBBY + WORK CAFE REFLECTED CEILING PLAN 00

ISAAC N. WOOD

50FT 097

15' - 0"

7th Floor - stair 3/16" = 1'-0"

M O N U M E N T A L H E L I X S T A I R1C A S E

098

CONCEPT RENDER | LOBBY

ISAAC N. WOOD

099

C O N C E P T R E N D E R | M E E T I N G S PA C E

CONCEPT RENDER | ARCHERY RANGE

100

ROOF OVERHEAD

L O C AT I O N

Urban Installation

TYPE

Community/Third Place

SIZE

7 0 0 S Q . F T.

STUDIO

N/A | Fall 2021

PERIOD

8 Days

OVERVIEW The roof o Ve r h e a d is inspired by organizations such as the AIDs Healthcare Foundation who strive to educate the community to reduce bias, to encourage understanding, and to raise awareness. This concept takes ideals such as these and implements them within a third-place, emphasizing the importance of the cause for the community’s physical and social wellbeing. To p o s i t i v e l y i m p a c t a c o m m u n i t y w i t h a t h i r d p l a c e , a l l a s p e c t s o f e t h n i c i t y, race, sexual orientation, belief systems, and ability must be addressed with purposeful intent. A third place with a cause strengthens the community’s engagement, i n c l u s i v i t y, a c c e s s i b i l i t y, s a f e t y, a n d c o m f o r t . There is much social bias surrounding topics such as H I V, AIDS, Sexual Education, and other health topics. This bias tends to harms communing development. In order to resolve this issue, to reduce bias, to spread awareness, and to spread understanding, the roof o Ve r h e a d i s d e s i g n e d t o b a l a n c e p u b l i c and private spaces for the community to

educate and collaborate. The community zone is open for the public to pop in, learn, and socialize with the rest of the occupants. While the confidential zone is a private environment for one on one or small groups to ask specific questions to a professional in a safe and sheltered space. Both of these zones actively work to reduce bias and increase understanding on hard to discuss topics and spark conversation outside of the r o o f o Ve r h e a d a n d w i t h i n t h e d a i l y l i v e s of the community members. A d d i t i o n a l l y, t h e r o o f o Ve r h e a d w i l l b e used as a testing or vaccine site for the community regarding Covid-19, Flu, HIV/AIDS, STDs/STIs, etc. The roof o Ve r h e a d s e r v e s a s a s a f e , c o n v e n i e n t , and inviting third place for all community members to enjoy for work, social, and p l a y. T h e environment utilizes solar panels to provide occupants with power access for laptops and phones, as well as Wi-Fi. Seesaws and swings are also installed to encourage movement and wellbeing for all community members, while height adjustable tables provide a m p l e a c c e s s i b i l i t y.

102

I N S P I R AT I O N C O L L A G E

ISAAC N. WOOD

103

CONCEPT

A C T I VAT I N G T H E G A P : COMMUNITY + CONFIDENTIAL A balance of public and private space to encourage deeper engagement and understanding in the community to reduce bias and spark conversations on health and safety topics such as HIV/AIDS, LGBTQ+, Sexual Education, Planned Parenthood, and Covid-19. COMMUNITY Interactions from the local community in a collaborative space to spark conversations that would otherwise not be held, to forge bonds and relationships, and to further deepen the sustainable development of the c o m m u n i t y. CONFIDENTIAL A safe space for hard to ask questions in order to gain a better understanding and to e l i m i n a t e b i a s f r o m t h e c o m m u n i t y. The third-place has three primary goals: 0 1 . To e d u c a t e a n d e n g a g e t h e c o m m u n i t y on these topics in a safe and welcoming environment which balances public collaboration and one on one or small group discussion with a health professional 0 2 . To p r o v i d e t h e c o m m u n i t y w i t h a t h i r d place drop zone to work, socialize, and play 0 3 . To p r o v i d e a l o c a l s p a c e f o r s t a r t u p s , creatives, and businesses to touch down and collaborate for various types of entrepreneurial creativity

PA R T I D I A G R A M S

104

E D U C AT E : T E S T I N G , R E S O U R C E S , S U P P O R T | A I D S H E A LT H C A R E F O U N D AT I O N TA K E O V E R

ISAAC N. WOOD

105

W O R K : M E E T, C O L L A B O R A T E , C O N N E C T

106

PROGRAMMED EXPLODED ISOMETRIC

M A S S I N G M O D E L I T E R AT I O N S ISAAC N. WOOD

107

13’-4”

Bi-fold double door

4’-0”

E D U C AT E

Polycarbonate clad wall modules, outfitted with interior color tunable LED panels Panel connection node at 4’-0” o.c. at 4” wide

Height adjustable table for accessibility and occupant utilization

52’-6”

C O L L A B O R AT E

See-saw P L AY Column node at 4’-0” o.c. at 4” wide for easy re-modularity and customization of zone types

Swing set

108

Pop-up

Open access

A C T I VAT I O N O P P O R T U N I T I E S ISAAC N. WOOD

109

Powder-coated white aluminum frame

Bi-facial solar panel takes advantage of butterfly roof system

Polycarbonate roof panel

Polycarbonate clad color tunable LED module Aluminum clad opaque module

Customizable recycled billboard graphic pouf

Powder-coated gray aluminum structure Recycled plastic seat, color customizable

S T R U C T U R E + M AT E R I A L C A L L O U T S 11 0

P L AY: R E S O U R C E S , S O C I A L I Z E , C E L E B R AT E , E N G A G E | P R I D E TA K E O V E R

ISAAC N. WOOD

111

11 2

collabED

L O C AT I O N

2 5 0 0 M c F a r l a n d R D . Yo r k , South Carolina 29745

TYPE

Social Learning Center

SIZE

2 6 , 8 0 0 S Q . F T.

STUDIO

07 | Spring 2022

PERIOD

30 Weeks 14 Weeks | Research 16 Weeks | Design

HIGHLIGHTS

Presentation of Abstract at Appalachian State Celebration of Student Research and Creative Endeavors, SP 2022

Presentation of project research and development at NCUR @ Home, 2022

ABSTRACT

Homeschool numbers saw a sharp increase during the remote learning transition period due to Covid-19. During this period, South Carolina saw a significant increase above the 3.3% national average to 13.2% of the student population. This climb in homeschooled students provides an urgent opportunity to respond to a growing need for community development and resources for rural homeschool households. The purpose of this project is to design a community center tailored to the needs of h o m e s c h o o l h o u s e h o l d s i n Yo r k C o u n t y, South Carolina. The built environment will provide ample access to technology and educational facilities which are inaccessible for many rural homeschool students; the environment will encourage safety and community engagement through inclusivity and diversity; the environment will be a beacon of sustainable education for homeschool households and the surrounding community alike; the environment will encourage engagement between different sectors of the community in order to foster community development.

community; thus, the expansion of this community has needs that are not met by the traditional homeschool household profile. The built environment will provide t h e c o m m u n i t y w i t h a u g m e n t e d i n c l u s i v i t y, d i v e r s i t y, a c c e s s i b i l i t y, t e c h n o l o g y, a n d facilities. This project employs an evidencebased design approach by applying understandings from research in studies such as child development, child education, play-based-learning, effects o f i n d o o r a i r q u a l i t y, a r c h i t e c t u r a l c a s e studies, impact of daylight, and the impact of color on education to develop the best educational community space for t h e p e o p l e o f Yo r k C o u n t y. This research and application process will discover strong ties between community engagement and education and link these two concepts together in order to develop an innovative community-wide philosophy of educational and environmental stewardship, proposing a forward shift f o r t h e f u t u r e o f h o m e s c h o o l p e d a g o g y.

This project is relevant due to the sharp increase of homeschooled students in South Carolina resulting in a more diverse

11 4

I N S P I R AT I O N C O L L A G E

ISAAC N. WOOD

11 5

CONCEPT D U A L I S M O F C O M M U N I T Y S I LV I C U LT U R E + STEM MAP C O M M U N I T Y S I LV I C U LT U R E The U.S. Forest Services states that silviculture is the “art and science of controlling the establishment, growth, composition, health, quality of forests and woodlands to meet the diverse needs and v a l u e s o f l a n d o w n e r s a n d s o c i e t y, s u c h a s w i l d l i f e h a b i t a t s , t i m b e r, w a t e r r e s o u r c e s , restoration, and recreation on a sustainable basis.” Five principles have been extracted from this definition for the application of what collabED intends to provide: 01. Education 02. Recreation 03. Congregation 04. Restoration 05. Advocation STEM MAP A stem map is a grid overlay of a specified portion of the forest landscape which analyzes various elements within the respective modules. The elements scoped are often clusters, individual trees, clearings, and snags. This type of analysis and rigid geometry will constrain the interior environment of collabED in order to inform programmatic decisions and elementf o r m m o d a l i t y. H o l i s t i c a l l y, p r o g r a m m a t i c elements stem from this application, defining four overarching programs: 01. Cluster | collaborative spaces 02. Induvidual | focus spaces 03. Snag | multifunctional hideouts 04. Clearing | transitional spaces DUALISM Both concepts, philosophical and architectural, are dualistically applied throughout the scope of collabED in order to promote the values, wellbeing, and community culture of the users. These concepts work in synthesis as both are rooted in the cultivation and preservation of the human touched natural environment, emphasizing the uers’ place within the l a n d c o m m u n i t y. C o m m u n i t y S i l v i c u l t u r e + Stem Map will provide an abstracted and augmented application of biophilia within the project’s aesthetic evocation. The color palette is derived from a sectional analysis of local pines, noting the hue of the earth, c u t w o o d , a n d t h e c a n o p y. PA R T I D I A G R A M S

11 6

CONCEPT MODEL SKETCHES ISAAC N. WOOD

11 7

CONCEPT MODEL 11 8

CONCEPT COLLAGE ISAAC N. WOOD

11 9

CANOPY + CROWN

C O L O R PA L E T T E The analogous color palette derives from a sectional cut applied to a tree in the South Carolina Piedmont forests: 01. Green | refers to the canopy and crown of various evergreens and deciduous trees 0 2 . Ye l l o w | r e f e r s t o t h e c u t w o o d o f m a n y different yellow pines 03. Orange | refers to the Carolina Red Clay common in the area HEART WOOD + SAP WOOD

R O O T S + U LT I S O L

120

PROXIMITY DIAGRAM ISAAC N. WOOD

121

Po d R

(In

du es vi du ou al rc C ) e om Li br m un ar C y ity ol la F bo An or ra es ci tio lla t ry n Po Po ds ds (S C na Sc om gs ie m ) n un ce ity La Ki bs tc he ne Ac tte tiv Ar ity tS C tu en di te C om rK o itc m un he En ity n try M N ee od tin e g C Z om on m es un ity C H at G al ym W l al n as k (T iu he m ST EM Bra nc Pl ay h) gr ou W D nd oo an d ge Sh rP o la yg p ro In un fa d nt R oo m s

Fo c

NOISE LEVELS BY SPACE | CODED BY ZONE 100 90

75 60 55

10 60 90 85

55 60

25 10

122

B L O C K I N G D I A G R A M I T E R AT I O N S | H O L I S T I C ISAAC N. WOOD

123

0" 10 '-

'81

'58

'40 6"

-4

26 8" '-

-4 15

0" '63 " 0" -0 '2' 131

-8

8" '-

2' 10

0" '-

-4

-0

-8

-4

40 '-

81 44

A S S E M B L Y, G A T H E R I N G S

600 - INTERIOR PROPOSED DIMENSIONED PLAN, LVL 00 Copy 1 1/16" 1'-0"

N BLOCKING PROGRAM | FLOOR PLAN 00 10 20 30

V O C AT I O N A L + S H O P

-0

E D U C AT I O N A L , C L A S S R O O M

600 - INTERIOR PROPOSED DIMENSIONED PLAN, LVL 00 Copy 1 1/16" 1'-0"

100FT 124

B L O C K I N G D I A G R A M I T E R AT I O N S | E D U C AT I O N FA C I L I T Y ISAAC N. WOOD

125

11 6

121 11 7

11 8

11 9

120

123 122

124

101 11 5 11 3

11 4

103

102

105

106

107

11 0

7' - 6"

108 109

11 2 111

104

ROOM KEY

101. THE CLEARING 102. S T E A M P L AY G R O U N D 103. N E S T 0 1 ( I N FA N T ’ S R O O M ) 104. N E S T 0 2 ( I N FA N T ’ S R O O M ) 1 0 5 . FACILITY, L O BLVL LO LY P I N E , Copy P I 1N U S T A E D A 600 - EDUCATION 00 L FURNITURE PLAN 1" 10'-0" 106. EASTERN WHITE PINE, PINUS STROBUS 107. S H O R T L E A F P I N E , P I N U S E C H I N ATA 108. VIRGINIA PINE, PINUS VIRGINIANA 109. SNAG 01 (HIDEOUT) 11 0 . L O N G L E A F P I N E , P I N U S PA L U S T R I S 111 . SNAG 02 11 2 . PITCH PINE, PINUS RIGIDA 11 3 . LEARNING LAB 01

11 4 . 11 5 . 11 6 . 11 7 . 11 8 . 11 9 . 120. 121. 122. 123. 124. 125. 126.

LEARNING LAB 02 MIXED USER RESTROOM KITCHENETTE TULIP TREE, LIRIODENDRON TULIPIFERA AMERICAN SWEETGUM, LIQUIDAMBAR STYRACIFLUA WHITE OAK, QUERCUS ALBA 6" B I L T M 7'O- R E A S H , F R A X I N U S B I LT M O R E A N A SNAG 03 AMERICAN HORNBEAM, CARPINUS CAROLINIANA SNAG 04 S O U T H E R N R E D O A K , Q U E R C U S FA L C ATA JANITOR’S CLOSET STORAGE 00

E D U C AT I O N FA C I L I T Y | F U R N I T U R E P L A N

100FT 126

E D U C AT I O N FA C I L I T Y: C O L L A B O R AT I O N H A L L , T H E C L E A R I N G

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128

C U B B Y E L E VAT I O N : D E C I D U O U S Z O N E | E X P E R I E N T I A L G R A P H I C S

E X P L O D E D I S O M E T R I C O F C U B B Y: E V E R G R E E N Z O N E

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CUBBY NOTES

• • • • •

Cubbies are constrained to a 2’-0” module with v a r y i n g h e i g h t b a s e d o n t h e p a r a m e t e r, h o w e v e r, width of modules cannot exceed the 2’-0” module Wayfinding is incorporated into the color coding of the cubby assembly: Green zone connects to the E v e r g r e e n R o o m s ; t h e Ye l l o w a n d O r a n g e z o n e s connects to the Deciduous Rooms Interactive benches and stair systems are implemented into the cubby assembly for experiential programming Pull out poufs fit into the cubby modules for interactive flex furniture A variety cubbies are lockable for added privacy measures

130

C U B B Y A S S E M B LY | D E C I D U O U S Z O N E

ISAAC N. WOOD

131

125 05

18' - 0"

128

109

108

20' - 6"

63' - 0" 127' - 0" 50'

ACTIVITY CENTER SECTION 01 3/16" 1'-0"

KALWALL ROOF SYSTEM, ALUMINUM FRAMED

EXISTING ROOF STRUCTURE

1'-0" PARALINE TRUSS EXTENSION, 2X6 LUMBER FRAMING

8' -

75 LRV WALL FINISH

CUBBY TROFFER SYSTEM

EXISTING, ADAPTED TRUSS, TRADITIONAL LUMBER FRAMING

ATTIC 11' - 0"

2' - 0"

8' - 0"

CUBBY SYSTEM RESOURCE LIBRARY

6' - 0"

EXISTING ATTIC FLOOR DECK

FOCUS POD

17' - 10"

9' - 0"

EF CEILING 9' - 0" HALL

8' - 2"

LEARNING LAB 02

26' - 6"

HALL

FOCUS POD

8' - 2"

17' - 10"

78' - 6"

E D U C AT I O N FA C I L I T Y S E C T I O N 3

EDUCATION FACILITY SECTION 01 3/16" 1'-0"

1' - 0" 0' - 0 1/8"

0' - 0 1/8"

DOUBLE 5/8" GYP. BOARD FINISH FACE FOR HEIGHTENED ACOUSTIC PROPERTIES AND FIRE RATING

0' - 0 1/2" 0' - 5 1/2" 0' - 0 1/2" 0' - 6 3/4"

0' -

2X4 NOMINAL LUMBER FRAMING 1/2" GYP. SUBSTRATE

1/2" RESIN PANEL 1/8" SPACER FOR BOLTING + WASHERS

CMU STRUCTURE BLOCK

4X6 NOMINAL FRAMING 0' - 1 3/4"

0' - 0 1/2" 0' - 8 1/2"

SOLID SURFACE LAMINATE FINISH

0' - 0 5/8" 0' - 0 5/8"

0' - 4 3/4" R

-3

SOLID SURFACE LAMINATE CURVED WALL BASE

-3

EXISTING CONCRETE FLOOR

CONCRETE TOE KICK + BASE

0' -

0' - 1"

0' - 0 5/8"

0' - 0 5/8" 0' - 0 5/8" 0' - 3 1/2"

FURRING STRIP

0' - 7 3/4" 07

04 03

EDUCATION FACILITY, RESTROOM LAVATORY SECTION Copy 1ACTIVITY CENTER, LOAD BEARING DEMISING WALL 4 1" 1'-0" 1" 1'-0"

TYPICAL WALL, RESTROOMS 1" 1'-0"

TYPICAL PLU 1" 1'-0"

CLASSROOM TRUSS REDESIGN SKETCH

132

CLUSTER PODS: EVERGREEN ZONE | CLOSED

ISAAC N. WOOD

133

CLUSTER PODS: EVERGREEN ZONE | OPEN

134

MIXED USER RESTROOM

ISAAC N. WOOD

135

1' - 0"

A301 03

4' - 0"

6' - 9 1/2"

3' - 5" FL01 BB01 WC01

1' - 6"

0' - 6"

6' - 0"

2' - 10"

I104

8 A301

I104

3' - 1"

26' - 0"

3' - 1"

12' - 6 3/4"

24' - 0"

7' - 6"

2' - 10" 4' - 0"

5' - 0"

1' - 6"

5' - 3 1/2"

6' - 9 1/2"

3' - 1"

3' - 0"

3' - 1"

3' - 0"

15' - 0 1/4"

3' - 0"

12' - 0"

3' - 1"

3' - 0"

3' - 1"

5' - 0"

6' - 0"

102.1 - EDUCATION FACILITY, ENLARGED RESTROOM PLAN, LVL 00 1/2" 1'-0"

MIXED USER RESTROOM | ENLARGED PLAN, NOT TO SCALE 10

136

EFFICIENCY 3' - 2"

• EXISTING FINI FLOORING TO THROUGHOUT FINISHED WITH GRIT TO MEET

1' - 0"

6' - 0"

3' - 0" 1

3' - 0"

• ALL WATER CL AND URINAL S CUSTOM PLYW

3' - 0"

102.1 - EDUCATION FACILITY, ENLARGED RESTROOM PLAN, LVL 00 1/2" 1'-0" 5

• CUSTOM LAVA OUTSOURCED DESIGNER

EDUCATION FACILITY - RESTROOM SECTION ELEVATION, URINALS 1/2" 1'-0"

26' - 0"

5' - 3 1/2"

2' - 8 1/2"

• PRIVACY WAL IS CEILING HU BARN DOOR S PANEL TO PRO

Timber framed plumbing wall, glass clad to g h l i g h t p i5'p- e3 1/2" s as a 2' -h8 i1/2" learning moment

10' - 0"

• ACCESS PANE INSTALLED IN PLUMBING WA CONTRACTOR PLUMBER DIC6

0' - 7"

Custom pre-cast terrazzo trough lavatory

1. PLYWOOD UR

2. ALL URINALS ACCESSIBLE S

3. URINALS ARE THE EXISTING SUBFLOOR

4. TIMBER FRAM WALL TO SHO

9' - 0"

0' - 6"

Pipe guard

0' - 7"

2' - 3"

3' - 0"

1' - 9" 9' - 0"

•EDUCATION ALL TOILET FA PA CEILING 1/2" 1'-0"HUNG

5. SINGLE PANE MIRROR

6. CUSTOM TER SINK W/ EXPO

7. URINAL ROOM (PAN04) 1' - 7"

2' - 3"

Concrete baseboard

8. HAND DRYER 9. STEP STOOL 2' - 6"

2' - 6"

10. GLASS CLAD PLUMB WALL T PLUMBING STA

2' - 6"

11. UPPER LEDG + HOST FAUCE

C U S T O M T R O U G H L AVAT O R Y S E C T I O N 2

EDUCATION FACILITY - RESTROOM ELEVATION, LAVATORY 4 EDUCATION FACILITY, RESTROOM LAVATORY SECTION 1/2" 1'-0" 1 1/2" 1'-0"

12. LAVATORY EDUCATION FAB BOLTING 1/2" 1'-0"INTO PLUMB WALL

13. CUSTOM TE LAVATORY

14. PIPE GUARD

15. REFERENCE WALL TYPE DE

16. WALL HUNG CLOSET PART TO SUPPORT G CHILD SIDE

26' - 0" 6' - 9 1/2"

0' - 1"

3' - 0"

0' - 1"

3' - 0"

0' - 1"

3' - 0"

0' - 1"

3' - 0"

0' - 1"

6' - 9 1/2"

17. BABY CHANG

2' - 10"

1' - 2"

3' - 6"

Accessible height watercloset

0' - 9"

1' - 6"

2' - 0" 4' - 0"

0' - 10"

3' - 0"

1' - 7"

9' - 0"

8' - 3"

Ceiling hung plywood dividers

3' - 1"

2' - 10"

Child height water-closet

4' - 0"

WAT E R C L O S E T S TA L L E L E VAT I O N 3

EDUCATION FACILITY - RESTROOM SECTION ELEVATION, WATER CLOSETS 1/2" 1'-0"

ISAAC N. WOOD

137

18. CHILD HEIGH SEAT IS 10" A.

19. CHILD HEIGH 20. DISPENSER

• EXISTING FLOORING THROUGH FINISHED GRIT TO M

3' - 1"

1' - 0"

3' - 2"

2' - 10"

ENERGY S EFFICIENC

3' - 0"

• ALL WATE AND URIN CUSTOM P

3' - 0"

• ALL TOILE CEILING H

3' - 1"

• CUSTOM L OUTSOUR DESIGNER

EDUCATION FACILITY - RESTROOM SECTION ELEVATION, URINALS 1/2" 1'-0"

• PRIVACY W IS CEILING BARN DOO PANEL TO

3' - 1"

26' - 0"

5' - 3 1/2"

2' - 8 1/2"

10' - 0"

2' - 8 1/2"

• ACCESS P INSTALLE PLUMBING CONTRAC PLUMBER

5' - 3 1/2"

3' - 0" 2' - 3"

Curved concrete baseboard 2' - 6"

5. SINGLE P MIRROR

7. URINAL R (PAN04)

8. HAND DR

9. STEP STO

10. GLASS C PLUMB WA PLUMBING

2' - 6"

11. UPPER L + HOST FA

EDUCATION FACILITY - RESTROOM ELEVATION, LAVATORY 1/2" 1'-0"

12. LAVATO BOLTING I PLUMB WA

13. CUSTOM LAVATORY

14. PIPE GU

15. REFERE NOTES WALL TYP 15' - 0 1/4" 0' - 1"

WALLOC HU •16. TOTAL CLOSET P EDUCATIO TO SUPPO CHILD SID • OCCUPAN 1 WC PER 17. BABY CH REQUIRIN

26' - 0"

3' - 0"

0' - 1"

3' - 0"

0' - 1"

3' - 0"

0' - 1"

3' - 0"

0' - 1"

6' - 9 1/2"

H •18. SCCHILD BUILDI SEAT IS 10 SEPARATE SEX (SC P 19. CHILD H 403.2) THIS APPLIED B 20. DISPENS WC STALL URINAL RO MIXED US

4' - 0"

1' - 6"

6' - 9 1/2"

3' - 0"

• URINALS A FOR MORE REQUIRED

3' - 0 1/2"

3' - 0" 2' - 10"

3' - 6"

3' - 2"

0' - 9"

1' - 2"

Inset of 4”

1' - 6"

2' - 0"

3' - 0" 4' - 0"

3' - 0"

3' - 0" 3' - 1"

3' - 1"

2' - 10"

4' - 0"

• ALL WATE AND URIN CUSTOM P

• CUSTOM L OUTSOUR DESIGNER

EDUCATION FACILITY - RESTROOM SECTION ELEVATION, URINALS 1/2" 1'-0" EDUCATION FACILITY - RESTROOM SECTION ELEVATION, WATER CLOSETS 3 1/2" 1'-0"

• PRIVACY W IS CEILING BARN DOO PANEL TO

26' - 0"

2' - 8 1/2"

• EXISTING FLOORING THROUGH FINISHED GRIT TO M

• ALL TOILE CEILING H

U R I N A L S TA L L E L E VAT I O N

5' - 3 1/2"

• ALL PLUM ENERGY S EFFICIENC

Floor inset accessible urinals

0' - 10"

1' - 7"

1' - 0" 3' - 0"

4' - 0"

2' - 11 3/4"

8' - 3"

9' - 0" 9' - 0"

Plywood divider screens

2' - 10"

4' - 0"

4. TIMBER F WALL TO S

Wall hung CUSTOM t e r r a z z o t r o u g h 6.SINK W/ E sink

L AVAT O R Y WA L L E L E VAT I O N 4

3. URINALS THE EXIST SUBFLOO

Back-lit mirrors

2' - 6"

3' - 1"

Glass clad timber framed wall

0' - 7"

0' - 6"

9' - 0"

2. ALL URIN ACCESSIB

1' - 6"

4' - 0"

2' - 10"

Germicidal UVC air filtration 1. PLYWOO system

10' - 0"

2' - 8 1/2"

5' - 3 1/2"

• ACCESS P INSTALLED PLUMBING CONTRAC PLUMBER

138

1. PLYWOOD

B L O C K I N G D I A G R A M I T E R AT I O N S | A C T I V I T Y C E N T E R ISAAC N. WOOD

139

140

205

208

206

209

201

302 202

204

207

RE PLAN Copy 1

203

Y CENTER, LVL 00, FURNITURE PLAN Copy 1

ROOM KEY 201. 202. 203. 204. 205. 206. 207. 208. 209.

VISITOR CENTER + WELCOME NODE MIXED USER RESTROOM COMMUNITY KITCHENETTE THE CREEK STORAGE 01 S TA I R W E L L T O M E Z Z A N I N E THE SAWMILL THE STUDIO STORAGE 02

ISAAC N. WOOD

A C T I V I T Y C E N T E R LV L 0 0 | F U R N I T U R E P L A N

100FT 141

303

302

301

304

305

600 - ACTIVITY CENTER, LVL 01, FURNITURE PLAN Copy 1 1" 10'-0"

ROOM KEY 301. 302. 303. 304. 305.

P O S T O A K M E E T I N G , Q U E R C U S S T E L L ATA THE LOG THE HONEY SUCKLE LOUNGE, LONICERA SLASH PINE WORK ZONE, PINUS ELLIOTTII STORAGE 03

A C T I V I T Y C E N T E R LV L 0 1 | F U R N I T U R E P L A N

142

INTERIOR OF THE LOG

ISAAC N. WOOD

143

CONCEPT DESIGN SKETCHES OF THE LOG

144

T H E L O G : S E C T I O N E L E VAT I O N | E X P E R I E N T I A L G R A P H I C S

THE LOG: EXPLODED ISOMETRIC ISAAC N. WOOD

145

THE LOG NOTES

• • • • • • •

The Log is constrained to a 6’-0” module system The jetties break the module, applying a 3’-0” overhand or either side, equating to an overall width of 12’-0” for the log Micro jetties overhand 1’-6” on the low side Jetties are programmed as observational and interactive nodes The entire assembly serves as an aesthetic articulation of conceptual evocation 3Form colored glass panels are used to diffuse daylight and emphasize the concept color pallet within the Activity Center building The Log is constructed with local Eastern White Pine and Cross Laminated Timber

146

19' - 0"

20' - 0"

A301

20' - 0"

VITY ITCH

28' - 9" 1

I502

ROOF STRUCU REPLACED WIT ROOF ASSEMB

125 05

18' - 0"

62' - 0"

18' - 7 1/4"

STAIRS TO LVL CATWALK)

LANDING 8' - 5" 6' - 0"

ELEVATOR LIFT LVL 002, + LVL

128

15' - 1 3/4"

19' - 8"

6' - 8"

17' - 9 27/32"

0' - 10 1/4"

24' - 4"

15' - 0"

109

108

20' - 6"

107

63' - 0"

25' - 6"

127' - 0" 50'

NTER SECTION 01

EXISTING ROOF STRUCTURE

1'-0"

EXTENSION, MING

" '-2

CUBBY TROFFER SYSTEM

D TRUSS, BER FRAMING

HALL

3FORM MEZZANINE

LVL 01 16' - 0"

CLT DE LF05

CE01

6' - 0"

LEARNING LAB 02

3' - 0"

8' - 0 1/4"

LF05

HALL

LF05

3' - 0"

EWP T POST F

FOCUS POD

ACTIVITY CENTER: TRAFFIC FLOW SECTION

7' - 4"

7' - 0"

9' - 0"

6' - 0"

9' - 0"

RESOURCE LIBRARY

2' - 0"

8' - 0"

CUBBY SYSTEM

FOCUS POD

EWP T

1'-0" 4"

75 LRV WALL FINISH

8' - 0"

YSTEM, D

1 A301

LVL 0 0' - 0" 00

17' - 10"

8' - 2"

26' - 6"

8' - 2"

17' - 10"

108

4' - 0"

149

24' - 1" 04

76' - 10"

78' - 6"

FACILITY SECTION 01

ISAAC N. WOOD

0' - 0 1/8"

' - 5 1/2" 0' - 0 1/2"

ACTIVITY CENTER SECTION 02 3/16" 1'-0"

0' - 4 3/4"

1' - 0" DOUBLE 5/8" GYP. BOARD FINISH FACE FOR HEIGHTENED ACOUSTIC PROPERTIES AND FIRE

0' - 6 3/4"

147

0' - 0 5/8" 0' - 0 5/8" 0' - 3 1/2"

DOUBL FOR A PERFO

PAN02

GLAZE

PAN02

0' - 8"

CLT FRAME FOR GLAZING

0' - 1 7/8"

0' - 1 7/8" 6' - 0"

6' - 0"

0' - 1 7/8" 0' - 8" 0' -

0' - 1 0'

PAN02

0' - 8"

PAN01

8X8 TIMBER CORD

6' - 0"

CLT BASE

6' - 0"

0' - 1 7 1

62' - 0" 2

6' - 0"

6' - 0" 8X8 TIMBER CORD

6' - 0" 62' - 0"

6' - 0"

1' - 3"

0' - 8"

6' - 0"

3' - 1 7/8"

10' - 4"

0' - 6 1/8"

6' - 0"

CLT FRAME FOR GLAZING

8X8 TIMBER CORD CLT 6' BASE - 0"

PAN01

6' - 0"

I502

5 I502

I502

PAN03

0' - 6 1/8" 0' - 6 1/8" 0' - 8" 2' - 0" 0' - 8" 2' - 0" 0' - 8" 11' - 10"

6' - 0"

0' - 1 7/8" 0' -- 2" 8" 0'

0' - 2"

6' - 0"

RAFTER TO BEAM 8X8 TIMBER POST (EWP) CONNECTION, SANDWICHED RABBET JOINT SANDWICHED RABBET JOINT, BOLTED DEMISING WALL

PERFORATED CLT PANEL

8X8 EWP TIMBER FRAME WOODIN DESIGN

3'-0" DEEP JETTY, 0' - 1 7/8" FLUSH WITH 0' - 1 7/8" 124 PLACE 0' DELOREAN - 2" 0' - 8" 0' - 2" 0' -WAY 2" WALK SUITE 102 0' - 8" 5' - 0" 0' - 8" 4' - 8 1/4" BOONE, NORTH CAROLINA 28607 GLAZE

FRAMES AND GLAZING FOR JETTY

ENTRY TO WORK SHOPS GLAZED/RESIN PANEL

1'-6" DEEP JETTY SANDWICH RABBET CONNECTION 6 1 1/2" 1'-0"

0' - 1 7/8" 3' - 0"

6X8 TIMBER RAFTER TIMBER (EWP) ASSEMBLY TIES INTO EXISTING STEEL STRUCTURE

VOID FOR AIR FLOW

VOID FOR AIR FLOW PAN01

8X8 TIMBER CORD

RAFTER TO SUPPORT JETTY

1 7/8" CLT, PINE

0' - 1 7/

8X8 TIMBER BEAM FRAME 8X8 TIMBER CORD 6' - 0"

THE LOG: SECTION 03 1

THE LOG, SECTION TYPE 01 3/8" 1'-0"

1' - 0 1/2" 0' - 8" 0' - 1 7/8" 7' - 11 1/2" 0' - 1 7/8" 0' - 8"

2' - 8"

0' - 1 7/8"

0' - 6 1/8"

0' - 8" 2' - 0" 0' - 8"

2' - 0" 0' - 8" 10' - 4"

6' - 0"

- 0"

3' - 1 7/8" 0' - 6 1/8"

CLT WALKWAY FLOORING

0' - 11 1/2"

0' - 6"

SANDWICH RABBET CONNECTION

2500 MCFARLAND RD. YORK, SOUTH CAROLINA 29745

6' - 0"

2' - 8"

collabED

8X8 TIMBER BEAM FRAME 6' - 0"

6' - 0"

CLT BASE FINISH (PINE)

WALKWAY LEVEL JETTY ELEVATED JETTY

0' - 1 7/8"

1 7/8" CLT, PINE

RAFTER SYSTEM TIED INTO EXISTING STEEL STRUCTURE

0' - 4"

1' - 2"

1' - 3 3/8"

I502

8X8 TIMBER CORD

SCARF JOINT TO ALLOW THE CORD TO SPAN 62'-0" (LANDS 31'-0" OC) 8' - 9"

8' - 11" 2' - 2 7/8"

GLAZED/RESIN PANEL

TIMBER CORD SCARF JOINT DETAIL

6' - 0"

0' - 1 7/8"

ENTRY TO WORK SHOPS

GLAZE

8X8 EWP TIMBER CORD

2' - 2 7/8"

5' - 0"

CLT DECKING (PINE)

0' - 1 7/8" 7' - 11 1/2"

0' - 2"

0' - 1 7/8" 0' - 1 7/8" 0' - 2" 0' - 8" 0' - 2" 0' - 2" 0' - 8" 0' - 8" 4' - 8 1/4"

1 1/2" 1'-0" THE L O G : D E TA I L S E C T I O N 0 1

6' - 0"

0' - 8"

0' - 1 7/8"

1' - 2"

0' - 8"

0' - 1 7/8"

0' - 8"

8X8 EWP TIMBER FRAME

15.00°

0' - 1 7/8"

31'-0" OC PAN03

CRH

THE LOG, DETAIL DRAWINGS PERFORATED CLT PANEL

PAN01

0' - 1 7/8" 0' - 1 7/8" 0' - 2" 0' - 2" 0' - 2" 0' - 1 7/8" 0' - 2" - 8" 0' - 8" 5' - 0" 0' - 8" 5' - 0 1/4" 4' - 8 1/4" FRAMES AND GLAZING FOR JETTY PAN01

INW

VOID FOR AIR FLOW

15.00°

0' - 8"

GLAZE

22.04.28

RAFTER TO BEAM Drawn By CONNECTION, SANDWICHED RABBET JOINT Checked By DEMISING WALL

8X8 TIMBER POST (EWP)

0' - 6"

100062.1

0' - 8"

Date

0' - 1 7/8" 2' - 2 7/8"0' - 8"

0' - 11 1/2"

TIMBER ASSEMBLY TIES INTO Project Number EXISTING STEEL STRUCTURE

SANDWICHED RABBET JOINT, BOLTED

0' - 6 1/8

6' - 0"

THE LOG, SOUTHWEST SECTION THEELEVATION LOG, SECTION TYPE 02 4 2 3/8" 1'-0" 3/8" 1'-0"

6X8 TIMBER RAFTER (EWP)

8X8 TIMBER POST (EWP) SANDWICHED RABBET JOINT, BOLTED

FRAMES AND GLAZING FOR JETTY

1'-0" T1 1/2"H E L O G : D E TA I L S E C T I O N 0 2

5 02

0' - 6"

0' - 4"

0' - 11 1/2"

0' - 6"

6X8 TIMBER RAFTER (EWP)

8X8 TIMBER POST (EWP)

T 2

1' - 3 3/8"

0' - 11 1/2" 1' - 2"

1' - 3 3/8"

8' - 9"

0' - 1 7/8" 1' - 6"

2' - 8"

0' - 6"

0' - 8"

1' - 6 7/8" 8' - 11"

SCARF JOINT TO ALLOW THE CORD TO SPAN 62'-0" (LANDS 31'-0" OC)

2' - 8"

0' - 4"

0' - 8"

1' - 0"

0' - 8"

CLT PANEL WITH BORED HOLES FOR AIR FLOW

62' - 0"

THE LOG: SECTION 02

- 0"

0' - 8"

7' - 11 1/4"

0' - 2" 0' - 1 7/8" 0' - 8" 0' - 2"

7' - 11 1/2"

0' - 1 7/8"

8' - 9"

2' - 0" 0' - 8"

0' - 8"

6' - 0"

PAN01

GLAZE 8X8 EWP TIMBER CORD

0' - 1 7/8" 0' - 1 7/8" 0' - 2" 0' - 2" 0' - 1 7/8"0' - 1 7/8" 0' - 2" 0' - 1 7/8"0' - 2" 0' - 8" 0" 0' -(PINE) 8" 5' - 0 1/4" 4' - 8 1/4" 0' -5'8"-BASE CLT 1' - 4 1/8" 6' - FINISH 0" 0' - 8" 2' - 8 1/8"

0' - 2"

0' - 1 7/8" 0' - 8" 0' - 1 7/8"

6' - 0"

PAN02

GLAZE 2' - 8"

0' - 1 7/8" 0' - 8" 0' - 1 7/8"

0' - 6 1/8"

8X8 TIMBER BEAM FRAME 6' - 0"

0' - 8" 2' - 0"

0' - 1 7/8"

CLT WALKWAY FLOORING

0' - 1 7/8"

1 7/8" CLT, PINE

2' - 8"

0' - 1 7/8" 0' - 8" 0' - 1 7/8"

8X8 TIMBER CORD

2' - 2 7/8"

7' - 11"

0' - 1 7/8" 7' - 11 1/2"

0' - 1 7/8" 2' - 2 7/8"0' - 8"

0' - 1 7/8" 12' - 0"

GLAZED/RESIN PANEL TIMBER CORD SCARF JOINT DETAIL 5 1 1/2" 1'-0" PAN02

0' - 1 7/8"

PAN02

VOID FOR AIR FLOW

2500 MCFARLAND RD. YORK, SOUTH CAROLINA 29745

0' - 2"

0' - 1 7/8"

JOINT

WALKWAY LEVEL JETTY PAN01 0' - 1 7/8" 0' - 1 7/8" 0' - 2" 0' - 2" 0' - 1 7/8" ELEVATED JETTY ' - 1 7/8" 0' - 8" 0' - 1 7/8" 1 7/8" 0' - 1 7/8" 0'0'--2" 0' - 2" 0' - 2" 0' - 2" 0' -0'8"- 1 7/8" 0' - 1 7/8" 0' -- 2" 2" 5' - 0" 0' - 1 7/8" 0' - 8"0' - 1 7/8" 5' - 0 1/4"0' - 2" 0' - 8" 0' - 2" 5' - 0" 0' - 8" 0' - 2" 4' - 8 1/4" 0' - 8" 5' - 0" 0' - 2" 0' -0'2"- 8" 0' 0' - 2" 0' - 2" 0' - 8" - 8" 4' - 8 1/4" 0' - 8" 5' - 0" 0' - 8" 5' - 0 1/4" 0' - 8" 5' - 0" 0' - 8" 4' - 8 1/4" 0' - 8" 31'-0" OC 6' - 0" ENTRY TO WORK SHOPS 8X8 EWP TIMBER FRAME

CLT DECKING (PINE)

0' - 8"

collabED

0' - 8"

0' - 1 7/8" PAN03

7' - 7 7/32"

0' - 1 7/8" 0' - 8"

1' - 0 1/2"

1' - 6 7/8" 0' - 8"

1' - 3 3/8" 0' - 8" 0' - 8"

GLAZE 15.00°

PERFORATED CLT PANEL

I502

0' - 6"

RAFTER SYSTEM TIED RAFTERS 6X8 EWP INTO EXISTING STEEL STRUCTURE RABBET SANDWICH

15.00°

PAN01

I502

1 I502

0' - 1 7/8"

DEMISING WALL

I502

VOID FOR AIR FLOW

I502

0' - 1 7/8"

RAFTER TO BEAM CONNECTION, SANDWICHED RABBET JOINT

CLT BASE

6' - 0"

1'-0"

TIMBER ASSEMBLY TIES INTO EXISTING STEEL STRUCTURE

8X8 TIMBER CORD

6' - 0"

0' - 1

0' - 6 1

0' - 1 7/8 1'

62' -I502 0"

I502

0' - 8"

3/8"

1'-0"

6' - 0"

0' - 1 7/8"

8' - 11"

7' - 7 7/32"

0' - 2" 1' - 3" 0' - 1 7/8" 0' - 8" 0' - 2"

8X8 TIMBER BEAM FRAME

THE LOG, NORTH T H3 4E O GEAST : SECTION SSECTION ETHECELEVATION TSECTION I O NTYPE001 1 LOG, THE L LOG, SOUTHWEST ELEVATION 1 3/8" 1'-0" 3/8"

2' - 2 7/8"

FOR GLAZING 1CLT 7/8"FRAME CLT, PINE

RAFTER TO SUPPORT JETTY

0' - 8"

1 I502

CLT PANEL WITH BORED HOLES FOR AIR FLOW 8X8 TIMBER CORD

PAN02

GLAZE

0' 1' -

0' - 1 7/8"

11' - 10"

6' - 0"

GLAZED/RESIN PANEL

0' - 1 7/8" 7' - 11 1/2"

6' - 0"

0' - 1 7/8" 6' 3' - 0" - 0"

PAN03 PAN02

ENTRY TO WORK SHOPS

0' - 1 7/8" 2' - 2 7/8"0' - 8"

0' - 6 1/8" 0' - 6 1/8" 0" 0' - 8" 2' - 0" 0' - 8" 0' - 8" 2'6'--0"

GLAZE

0' - 1 7/8"

CLT BASE

PAN03

0' - 1 7/8" 0' - 8" 0' - 1 7/8" 7' - 11 1/2"

8X8 TIMBER CORD

PAN02

VOID FOR AIR FLOW

WOODIN DESIGN

PAN01 PAN01 1'-6" DEEP JETTY

2' - 8"

8X8 EWP TIMBER FRAME

2' - 2 7/8"

0' - 1 7/8" 6' - 0" 1' - 6"

0' - 2"

0' - 1 7/8" 0' - 8" 0' - 1 7/8"

2' - 8"

0' - 2"

8' - 9"

9' - 8 3/4" 8' - 9"

CLT FRAME FOR GLAZING

0' - 1 7/8" 0' - 8" 0' - 1 7/8"

PAN03

CLT PANEL WITH BORED HOLES FOR AIR FLOW PAN01

0' - 1 7/8"

7' - 11"

0' - 8" 0' - 2" 0' 0' - 1- 7/8" 1 7/8" 0' - 8" 0' -0'1-7/8" 1 7/8"7' - 11 1/4" 0' - 1 7/8" 1' - 0' 0"- 8" 5' - 3 1/2" 0' - 8" 1' - -11 0' - 8" 12' 0"3/4"

0' - 1 7/8" 0' - 1 7/8" 0' - 1 7/8" 0' - 1 7/8" 0' - 1 7/8" 0' - 1 7/8" 0' - 1 7/8" 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 8" 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 1 7/8" 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 8" 0' - 8" 5' - 0" 0' - 8" 4' - 8 1/4" - 8" 5' - 0" 0' - 8" 0' - 8" 5' - 0" 0' - 8" 5' - 0 1/4" 0' - 8" 5' - 0" 0' - 8" 4' - 8 1/4" 4' - 8 1/4" PAN01 3'-0" DEEP0'JETTY, 0' - 1 7/8" GLAZE FLUSH WITH 124 DELOREAN PLACE 0' - 2" 0' - 1 7/8" 0' - 1 7/8" 0' - 1 7/8" 0' - 1 7/8" 0' - 8" 0' - 1 7/8" 0' - 1 7/8" WALK WAY 0' - 1 7/8"0' - 2" 0' - 1 7/8" SUITE 0' - 2" 0' - 2" 102 0' - 2" 0' - 2" 0' - 2" 0' - 1 7/8" 0' - 1 7/8" 0' - 2" GLAZE 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 8" 0' - 2" 0' - 2" 1' - 4 1/8" 0' -0'2"- 8" 2' - 8 1/8" BOONE, NORTH CAROLINA 0' - 2" 5' - 0" 0' - 8" 4' - 8 1/4" 6' -0'0"- 1 7/8" 5' - 0" 0' - 8" 4' - 8 1/4" 0' - 8" 5' - 0" 0' - 8" 4' - PAN01 8 1/4" 0' - 8" 5' - 0" 0' - 8" 5' - 0 1/4" 0' - 8" 5' - 0" 0' - 8" 4' - 8 1/4" 0' - 8" 28607 0' - 1 7/8" 0' - 8" 5' - 0 1/4"

0' - 8"

RABBET SANDWICH JOINT PERFORATED CLT PANEL

VOID FOR AIR FLOW

1' - 0"

PAN01

GLAZE

0' - 1 7/8"

0' - 8"

0' - 1 7/8"

0' - 2"

0' - 1 7/8" 1' - 6 7/8" 0' - 2" 7/8" 0' - 7 7/8" 2" 0' -0'1 -7/8" 0' - 1 7/8" 1' - 3 3/8" 0'0'- -117/8" 8" - 7 1/2" 1/4" 0' - 1 7/8"0' - 8" 0'0'- -8" 7'7'- 11 0' - 8"

1' - 6 7/8" 0' - 8" 0' - 1 7/8" 0' - 8"

DEMISING WALL RAFTERS 6X8 EWP VOID FOR AIR FLOW PAN02

VOID FOR AIR FLOW

0' - 2" 0' - 8" 0' - 8"

GLAZE

RAFTER TO BEAM CONNECTION, SANDWICHED RABBET JOINT

PAN01

0' - 2"

PAN03

1 I502

RABBET SANDWICH JOINT

0' - 8" 0' - 2" 5' - 0" 0' - 8"

GLAZE

2 I502

1' - 3 3/8"

TIMBER ASSEMBLY TIES INTO EXISTING STEEL STRUCTURE

6 I502

0' - 8"

0' - 1 7/8"

2 I502

I502

7' - 11 1/4"

1 I502

RAFTERS 6X8 EWP

I502

THE LOG, NORTH EAST SECTION ELEVATION 3/8" 1'-0"

0' - 1 7/8" 0' - 8" 0' - 1 7/8"

THE LOG, SECTION TYPE 02 3/8" 1'-0"

Project Number

100062.1

Date

22.04.28

Drawn By

INW

Checked By

CRH

148

ACTIVITY CENTER: THE CLEARING WITH VIEW OF THE LOG

ISAAC N. WOOD

149

150

C I TAT I O N S

ROSSIGNOL MARKETING OFFICE 0 1 . “ E m i l e A l l a i s I I - P i e r r e B o u c h e r. ” S I X F E E T GALERIE. Accessed May 16, 2022. https:// sixfeetgalerie.com/en/the-photos/594-emileallais-ii.html. 0 2 . “ E m i l e A l l a i s I I - P i e r r e B o u c h e r. ” S I X F E E T GALERIE. Accessed May 16, 2022. https:// sixfeetgalerie.com/en/the-photos/594-emileallais-ii.html. 0 3 . W w w. s u n h o t s e l l . c o m . A c c e s s e d M a y 1 6 , 2 0 2 2 . h t t p s : / / w w w. s u n h o t s e l l . c o m / ? p r o d u c t _ id=216747470_78. 04. “Rossignol’s (@Rossignol) Profile on Instagram • 2,106 Posts.” Accessed May 16, 2022. https:// w w w. i n s t a g r a m . c o m / r o s s i g n o l / . 05. “Avalanche Safety in Chamonix.” SeeChamonix. c o m . A c c e s s e d M a y 1 6 , 2 0 2 2 . h t t p s : / / w w w. seechamonix.com/avalanches. T H E B R E E Z E W AY 06. Choi, S. (2017, November 2). Photo by Suhyeon Choi on unsplash. Beautiful Free Images & Pictures. Retrieved December 9, 2021, from https://unsplash.com/photos/HCDugQDdtfc. 07. Sushok, A. (2020, August 28). Photo by Anna Sushok on unsplash. Beautiful Free Images & Pictures. Retrieved December 9, 2021, from https://unsplash.com/photos/UI7qOi6DiPs. 08. Che, S. (n.d.). Rain season in Kerala, rain drops from natural roof. Rain Season Kerala Rain Drops Natural Stock Photo 1085045663. R e t r i e v e d D e c e m b e r 9 , 2 0 2 1 , f r o m h t t p s : / / w w w. shutterstock.com/image-photo/rain-seasonkerala-drops-natural-roof-1085045663. 0 9 . I q b a l , I . ( 2 0 2 0 , J u n e 2 ) . P h o t o b y I M T H I YA S Iqbal on unsplash. Beautiful Free Images & Pictures. Retrieved December 9, 2021, from https://unsplash.com/photos/K8PlfNZe0d0. 10. “40+ Thai Architecture Ideas: Architecture, Thai House, House Styles.” Pinterest, 4 June 2013, www .pinterest.co.uk/samuivillas/thaiarchitecture/. 11 . A i s s a , D . ( 2 0 1 8 , A u g u s t 1 2 ) . P h o t o b y D a o u d i Aissa on unsplash. Beautiful Free Images & Pictures. Retrieved December 9, 2021, from https://unsplash.com/photos/Pe1Ol9oLc4o. NEXT 12. Lee, M. (2014, August 31). Columbus Circle N i g h t Tr a i l s ( P 8 3 0 2 4 1 5 ) . F l i c k r. R e t r i e v e d D e c e m b e r 9 , 2 0 2 1 , f r o m h t t p s : / / w w w. f l i c k r. c o m /

ISAAC N. WOOD

photos/52836039@N02/14905694597. 13. Finch, A. (2019, October 16). The best street style from Seoul Fashion Week Spring 2020. Vo g u e . R e t r i e v e d D e c e m b e r 9 , 2 0 2 1 , f r o m h t t p s : / / w w w. v o g u e . c o m / v o g u e w o r l d / s l i d e s h o w / seoul-fashion-week-spring-2020-street-style. 14. Howard, N. (2021, November 10). The biggest m a k e u p t r e n d i n 2 0 1 9 i s g e n d e r f l u i d i t y. C o v e t e u r. R e t r i e v e d D e c e m b e r 9 , 2 0 2 1 , f r o m h t t p s : / / c o v e t e u r. c o m / 2 0 1 9 / 0 2 / 2 1 / m e n - w e a r i n g makeup-2019-beauty-trend/. 15. Hilburg, J. (2019, January 9). Big shows off its new full-block office in DUMBO. The Architect’s N e w s p a p e r. R e t r i e v e d D e c e m b e r 9 , 2 0 2 1 , f r o m h t t p s : / / w w w. a r c h p a p e r. c o m / 2 0 1 9 / 0 1 / b i g - n e w office-dumbo/. 1 6 . A s t r i d - H o l l e - Vo g u e - I t a l i a - R i c h a r d - B u r b r i d g e - 0 5 . Beauty Scene. (2015, November 12). Retrieved D e c e m b e r 9 , 2 0 2 1 , f r o m h t t p s : / / w w w. beautyscene.net/editorials/astrid-holler-vogueitalia/attachment/astrid-holle-vogue-italiarichard-burbridge-05/. 17. R/natureisfuckinglit - sunbeam snake ! known for their highly iridescent scales. reddit. (n.d.). R e t r i e v e d D e c e m b e r 9 , 2 0 2 1 , f r o m h t t p s : / / w w w. reddit.com/r/NatureIsFuckingLit/comments/ enpsgt/sunbeam_snake_known_for_their_ highly_iridescent/?utm_source=ifttt. 18. Black African house snakes click here for more information https://bit.ly/2yely3b: Snake, cute snake, pet snake. Pinterest. (n.d.). Retrieved D e c e m b e r 9 , 2 0 2 1 , f r o m h t t p s : / / w w w. p i n t e r e s t . c o m / p i n / 4 3 4 8 0 8 5 3 9 0 2 9 6 0 11 8 4 / . ROOF OVERHEAD 19. “Gallery of Let Light in: 17 Projects Using P o l y c a r b o n a t e - 3 . ” A r c h D a i l y, h t t p s : / / w w w. a r c h d a i l y. c o m / 8 7 4 2 1 5 / l e t - l i g h t - i n - 1 7 - p r o j e c t s using-polycarbonate/594ace17b22e38e9290001 9c-let-light-in-17-projects-using-polycarbonateimage. 2 0 . C o r t é s , C a t a l i n a Va l e n z u e l a . “ E x p r e s s i v e Polycarbonate: Creating Colored Translucent F a c a d e s . ” A r c h D a i l y, A r c h D a i l y, 1 8 J a n . 2 0 2 1 , h t t p s : / / w w w. a r c h d a i l y. c o m / 9 5 0 9 2 7 / e x p r e s s i v e polycarbonate-creating-colored-translucentfacades. 2 1 . C o r t é s , C a t a l i n a Va l e n z u e l a . “ E x p r e s s i v e Polycarbonate: Creating Colored Translucent F a c a d e s . ” A r c h D a i l y, A r c h D a i l y, 1 8 J a n . 2 0 2 1 , h t t p s : / / w w w. a r c h d a i l y. c o m / 9 5 0 9 2 7 / expressive-polycarbonate-creating-coloredtranslucent-facades. 22. Schmidt, Daphne. “Creative Attack on the

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US-Mexico Border Wall by Architect Duo.” What D e s i g n C a n D o , 1 6 S e p t . 2 0 2 0 , h t t p s : / / w w w. whatdesigncando.com/stories/creative-attack-onthe-us-mexico-border-wall/. 23. “AHF Photo Galleries.” AIDS Healthcare F o u n d a t i o n , 1 3 M a y 2 0 2 1 , h t t p s : / / w w w. a i d s h e a l t h . org/media/photos/. 2 4 . J o b s o n , C h r i s t o p h e r. “ I n t e r a c t i v e S e e s a w s o n the Streets of Montreal Emit Light and Musical Harmonies.” Colossal, 14 Oct. 2017, https:// w w w. t h i s i s c o l o s s a l . c o m / 2 0 1 5 / 1 2 / i m p u l s e - l i g h t seesaws-montreal/. collabED 25. Buchanan North Woods : Land for sale in Wa t e r l o o , L a u r e n s C o u n t y, S o u t h C a r o l i n a : # 2 8 4 2 6 9 : L a n d f l i p . L A N D F L I P. c o m . ( n . d . ) . R e t r i e v e d J a n u a r y 2 2 , 2 0 2 2 , f r o m h t t p s : / / w w w. landflip.com/land/284269 2 6 . G r e g o r y, R . N . ( 2 0 1 8 ) . C h a n g i n g h o u s i n g market, timber glut limit prices. Mississippi State University Extension Service. Retrieved January 22, 2022, from http://extension.msstate. edu/ news/crop-report/2018/changing-housingmarket-timber-glut-limit-prices

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thank you.