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Beyond the ’ Paint
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spotlights artists behind Worcester’s Black Lives Matter mural
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the cover Story on page 10 File photo/Christine Peterson; Design by Kimberly Vasseur Editor’s Note: Last week’s cover art was a mural created by Ryan Gardell in 2016 on the side of the WCUW building at 910 Main St.
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Holden native Chelsea Ursin finds her voice with ‘Dear Young Rocker’ LINDA LABAN
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A U G U S T 13 - 19, 2020
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helsea Ursin knows better than most that teenagers tough it out and put on a brave face. It wasn’t until the 31-year-old Holden native was in college that she began recognizing and confronting her teenage angst, and that’s now working out into a broadcasting career. Ursin’s “Dear Young Rocker” podcast, which began airing via iHeartMedia in January, has been signed for a second season. On top of that, there’s major studio interest in developing a “Dear Young Rocker” TV show, too. That’s under wraps until the ink is dry, however. “Dear Young Rocker” finds Ursin, who graduated from Wachusett Regional High School in 2007, giving her teenage self sage advice gained from the keen hindsight that comes from reflection. Reflection, Ursin says, is something everyone can benefit from. “People who were going through anxiety and anger back when they were younger should take time to reflect,” says Ursin from her home in west Cambridge. “Because maybe they never totally processed it properly, and just found ways to cope with that instead.” Ursin found her way out of coping and getting by through music, hence the title of her podcast. She began playing bass at age 12 and joined bands in her teenage years. It was an outlet she loved, but she was always just the bass player with no voice. Five years ago she formed her own band, Banana, a punky, heavy power trio, and began writing and singing songs. That was a turning point in finding her voice and expressing herself. But, it was while she was at Emerson College studying creative writing that she began reflecting. She wrote a memoir titled “Bass Player” for her MFA, which talked about her experiences. “I started as a fiction major. I didn’t want to write about myself, but all of my stories and fiction ideas had main characters that had a lot in common with me,” she said, laughing. She honed her MFA thesis into the “Dear Young Rocker” podcast and it caught the ear of Boston musician and “Disgraceland” podcast host Jake Brennan’s Double Elvis Productions, which broadcasts through iHeartMedia. Ursin’s plan, however, is not to be a podcast personality, or even star in a TV show. She prefers to remain under the radar. “I like being a writer. I have to deal with some part of being a personality because that’s part of being a podcaster,” she says. “My vision in telling my story is to help other people. I’d like to do an advice column type show at some point.” Perhaps that isn’t surprising: Ursin’s parents, Diane and David Ursin, both work at UMass Memorial Medical Center. “Mom is a nursing supervisor and dad is an ICU nurse,” she says. COVID-19 has brought Ursin more anxiety than just having to lock down. “My dad works directly with COVID patients. The fear of losing both my parents meant I lost the ability to do very much other than just hang in there,” she says. “The last ‘Dear Young Rocker’ episode aired in mid-March, it came out the day before Massachusetts closed. I had very little to do after that. It feels so long ago; it feels so lost,” she muses. As usual, relief came in a familiar place: rehearsing with Banana, which includes guitarist Ryan Higgins and drummer Justin Cole. Jamming out even provides relief from her public face as “Dear Young Rocker.” “It’s been stressful and positive,” she admits. “When I first started writing it, it was really cathartic. But now that is has become my career and it’s so involved, it’s a full-time job. Then I get those messages from people who say they have connected with their own teenage selves and it becomes cathartic again.”
Chelsea Ursin is the creator of the “Dear Young Rocker” podcast. JAMES SINGLETON
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FEATURED
Clark grad finding success in Nashville, despite pandamic limitations RICHARD DUCKET T
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hen we last talked with pop/folk artist and environmentalist Olivia Frances in March 2019, a number of things were about to happen if the plans worked out. As a senior at Clark University with exams coming up, Frances was hoping to graduate from Clark University where she was majoring in global environmental studies with a minor in music. After that, she had organized a 28-stop New England summer tour with her band. Meanwhile, Frances had an Indiegogo campaign going on to raise $10,000 to help with the production and release of her third album, “Orchid.” Then she was going to move to Nashville in July 2019 to pursue her music career full time. “Those things all happened,” Frances said during a recent telephone interview from Nashville. “I did a tour last summer, moved to Nashville, very happy to be in the Music City.” Something else then happened, of course, that nobody had planned for. “With the pandemic there’s not nearly as much live music or if there is there isn’t many people going to them,” Frances said. “I was going to tour (this summer). It’s really sad, all the musicians who were trying to make living.” But there has been more good news as well. Frances is nominated for Artist of the Year and also for Album of the Year for “Orchid” at the 6th Annual Josie Music Awards (JMAs), the largest independent artist award show globally, to be held Sept. 5 at the Dolly Parton Celebrity Theater in Dollywood. The event will be filmed for television. “I was so, so excited getting nominated for album of the year and artist of the year. It’s really quite and honor. It feels very validating,” Frances said. “I have so many songs I want to share with the world.” There will be a buzz of a different kind on Aug. 15 when Frances releases a visualizer of her song “The Bee & The Rose” from “Orchid” on National Honey Bee Day. It is a day when beekeepers, beekeeping clubs and honey bee enthusiasts from across the U.S will celebrate honey bees and their
contribution to our lives in an effort to protect this critical and increasingly endangered species. As an environmentalist and musician, Frances uses “The Bee & The Rose” as a catalyst to discuss the current bee crisis on stage. The song is really an upbeat love song with a great refrain that keeps coming back to capture the listener. “The Bee & The Rose” was nominated for Best Story Song at the 18th Annual Independent Music Awards. Inspired by Fleetwood Mac’s album cover for “Tango in the Night,” the visualizer features a fairy tale garden landscape with a honey bee flying onto a rose. Originally from Cincinnati, Frances wrote her first song when she
was 12 and found a community there that was supportive of her singing and songwriting. “I fell in love with the craft,” she recalled in an earlier interview. After graduating from high school, she spent her gap year in Nashville, working at a Barnes & Noble store and immersing herself in the music scene and performing at open mics. While at Clark University, Frances also became a part of the music scene here. She appeared regularly at open mics and played venues such as Beatnik’s on Park Avenue (solo or with her band) on a regular basis. She was also part of the Newton Square Summer Concert Series, and participated in the Women
of Worcester Concert. She won 1st place in the Singer-Songwriter Category in the 2018 New England Songwriting Competition. “Orchid” came out of the Riverfront Recording Studios in Nashville and was produced by the distinguished Pat Lassiter. Besides the title song and “The Bee & The Rose,” other songs include “Lettin’ Summer Shine,” “It Just Takes One” and “Moon to My Sun.” In 2018 Frances was VOX Pop Winner in the Love Song category for “Moon to My Sun” (which had been released as a single) at the Independent Music Awards. “Orchid” is an embodiment of what Frances has called “sunshinestory-pop” to describe her music.
Often nature-inspired lyrics combine with well phrased vocals and skillful guitar playing to give the listener a refreshing splash of positivity but avoiding sappiness. Heartache can exist in this world, but so too does joy and it’s likely it will win the day. Nine out of the album’s 11 tunes were written with the help of friend, colleague and collaborator Michael Astrachan of Nashville. All told, Frances has written or co-written over 300 songs, including with other writers from Nashville as well as Boston and Clark University. On moving to Nashville full time, Frances said she found that the gap year there had helped. “From that year I had friends down here and I
Olivia Francis PHOTO SUBMIT TED
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was familiar with the venues and landscape. I was able to dive right back in the music scene.” Among her activities pre-COVID-19, she was doing “songwriter rounds” where three or four songwriters on stage take turns to sing, and performing at venues such as the Commodore Grille and Belcourt Taps, the latter “a very small, intimate space and warm environment.” Day jobs have included working at City Winery, but she was laid off from there when the pandemic hit. Currently she’s doing marketing for GoodSeeker, a start-up where employees of different companies blog about their experiences. She can work from home, and that’s where she has also been working on a lot of songs on Skype. “The new technology makes it easier to write with people all over the world,” she said. Frances has been writing and recording during the pandemic, but said, “I’ve battled back and forth with whether releasing new music is what I should be doing right now.” While there’s always a push from music executives for “new content, new content,” Frances wants to push the content of “Orchid.” “I feel it is very important to con-
tinue to push these songs and see what happens from that,” she said. Ironically, two good things have happened at the same time concerning Sept. 5. On the same day that Frances and “Orchid” are up for awards in Dollywood, she has a gig outdoors (actually a four-day engagement) in Sanduskly, Ohio, that was too good to pass up. “I will be at the Josie Awards in spirit,” she said. Asked if the pandemic has affected her songwriting, Frances said, “I think the answer is yes. I’ve been writing more positive things. It’s funny to say that as most people think of my songs as positive music, but that mindset is showing through my songs to stay hopeful and positive.” And so she has positive thoughts about coming back here for a visit. “I would love to come to Worcester,” she said. “I was supposed to come in July. The last time was this past November. I’m looking forward to being back among friends and walking around the Clark campus. Worcester always has a special place in my heart so I always want to go back and visit.” For more information about Olivia Frances, visit www.oliviafrancesmusic.com.
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A U G U S T 13 - 19, 2020
Over 300 Colors in Actual Slabs in Yard
CITY VOICES
HOT DOG SAFARI
FIRST PERSON
With some adjustments, Worcester Updating my resume, Hot Dog Safari returns for ninth year post retirement
CRAIG S. SEMON
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ven the quest of the ultimate wiener is affected by the coronavirus. The ninth annual “Worcester Hot Dog Safari” will
“We are happy to announce that we will have six places this year,” Mahoney said. “We were unsure exactly how many we would try and pull off with the pandemic but luckily we have six great spots.”
Instead of culminating with a big party featuring music and comedy at Ralph’s Chadwick Square Diner, the Worcester Hot Dog Safari will have a prerecorded variety show starting at 6 p.m. Aug. 23, streamed on Youtube, Facebook and Instagram An “After-party” will be zoomed by the “Worcester Hot Dog Safari” and Wootenanny. The winner of the “Worcester Hot Dog Safari” will be announced at the end of video stream. All of the proceeds go to the Worcester County Food Bank. For updates as the event nears, follow the event on Facebook @ worcesterhotdogsafari and on Instagram @worcesterhotdogsafari.
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set frankfurter connoisseurs, at their social distancing leisure, on the trail out to six hot dog establishments in the Worcester area with scorecards in hand. According to “Worcester Hot Dog Safari” co-creator Tom Mahoney, this year’s hot dog safari will last a full week, from Saturday, Aug. 15, to Saturday, Aug. 22, instead of a jam-packed single day, and the official scorecard will be available online at facebook. com/theworcesterhotdogsafari. Scorecards will be released a few days before the beginning of the safari for people to print and plan their attack, Mahoney said. The scorecard will be release no later than Aug. 13. “We will be putting out a program when we put out the scorecards of each place’s hours and locations for the following week,” Mahoney said. “So the safari will start whenever the earliest location opens up.” Hot dogs are ranked on: the dog itself, the bun, the topping, the presentation and are scored on a 1-10 point system.
The six hot dog stops are: Bert’s Breakfast and Lunch and Dudleys Dog’s, both in Uxbridge, On a Roll in Whitinsville, JJ’s Ice Cream Shoppe in Upton, Schultzy’s Place in Sutton and Captain Rons in Worcester. Last year’s winner, Sully’s Dog Shack, retired from the competition because it has won three years in a row and joins George’s Coney Island in the Hot Dog Safari Hall of Fame. “Each year’s safari, we try and pick a general area or direction to head in Worcester County,” “This year we have chosen to go down Route 146.” For people who ordered shirts and bandanas, there will be a “contactless” drive-thru pick-up from 10 a.m. to noon Aug. 15 at Ralph’s Chadwick Square Diner. Hot dog lovers can go to the competitors and send their scorecards via email or text. The email will be 2020Worcesterhotdogsafari@gmail.com. All scorecards must be emailed or texted by 6 p.m. Aug. 22, although organizers say the earlier the better.
JOE FUSCO JR.
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t’s somewhat comforting to know that I can retire at the semi-golden age of 66 with full Social Security benefits until our government blows the system up. However, I would consider reemployment if the following conditions were met in their entirety: No weekends. No early mornings. No nights; A commute 20 minutes or shorter; No job physical enough to cause sweating; An indoor work-environment at around 65 degrees; A boss who doesn’t monitor me like a dedicated parole officer; Conversely, no situation where I am responsible for the well-being of other employees; Time for a nice lunch and nap; No fastidious devotion to technology (Kronos, Motus, Yammer, etc.); Limited multi-tasking; No political agenda;
A dress code that encourages pajama shorts, fanny packs and Croakies. I realize the above-mentioned demands are lengthy and somewhat unique but I do possess the following positive character-traits: Nice voice; Been told I’m a semi-amusing codger; Can offer advice or recommendations then move on or follow-up relentlessly; Fierce loyalty to family and friends; Always finish every meal; Have managed to stay married for thirty-three years to a much better person; Predictable. Before concluding, I would be remiss in not mentioning an apparent lack of an “empathy” gene and a dearth of “depth” at times. Otherwise, that’s my resume. Available for hire … Joe Fusco Jr. is a poet and humorist who lives in Worcester.
CITY VOICES
WORCESTERIA
Democracy Dies Down-Ballot VICTOR D. INFANTE
PRIMARY CONCERNS: I just received my mail-in ballot for the Sept. 1
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Democratic Party, and I aside from my ongoing confusion as to why Rep. Joseph P. Kennedy is running against Sen. Edward J. Markey for the U.S. Senate, there’s really not a lot to get excited about, as most everyone is running unopposed. That is, until you get to the bottom of the ballot, where you have the races for Governor’s Council and Register of Probate. There you’ve got some competition. Problem is, most people have only the barest idea what those positions are for, and even less idea who the candidates are. What does the Governor’s Council do again? According to the state’s website, “The Council meets weekly to record advice and consent on warrants for the state treasury, pardons and commutations, and recording advice and consent to gubernatorial appointments such as judges, clerk-magistrates, public administrators, members of the Parole Board, Appellate Tax Board, Industrial Accident Board and Industrial Accident Reviewing Board, notaries, and justices of the peace.” Which actually sounds kind of important. Is it important? As judges aren’t elected in Massachusetts, this would seem to be a massively relevant position to anyone interested in social justice and police reform. That said, the candidates aren’t exactly high profile. The Democratic candidates are Paul M. DePalo, who also serves on the Worcester Planning Board, and lawyer Padraic Rafferty. The seat is currently vacant, which is probably why there are actually two people running for it. A quick look at Ballotpedia.org shows that most of the seats on the council are running unopposed in the primary, and there are literally no Republican candidates listed running. Now, I know the Bay State is often referred to as “the Bluest of the Blue,” but it seems a missed opportunity to not at least give it a try. There are some pretty red parts of this state, especially in Central Mass., and of course, we have a Republican governor. A clue to why the GOP is sitting this one out might have something to do with the contentious appointment of Salim Rodriguez Tabit to the the Superior Court, which, according to State House News Service, saw Councilor Marilyn Devaney exclaiming, “This is a travesty of justice. This was all set up. It’s a set-up. It’s a disgrace. And lieutenant governor (Karyn Polito), you shouldn’t be part of it” when a vote to confirm the candidate was pushed through unduly quickly. “The legacy of this council as a laughing stock is a legacy that Councilor Devaney, in my opinion, you own,” said Oxford Republican Jennie Caissie, a general practice attorney, in a later article. She said, “The lack of respect that this body gets ... is a reputation that you have developed over a decade and a half as a member of this council.” So … that seems exciting. The next substantive appearance of the council in the Telegram appears to be when Cassie was nominated to the job of Dudley District Court clerk magistrate, the event which has left her seat currently vacant. As to the current contenders, all I can tell is that they’re both in favor of tackling mental health and addiction, workers’ rights and gender-based inequity. It’s like Markey v. Kennedy, with no marketing budget. The only candidates on the ballot more obscure are the two Democrats vying to take on Republican Stephanie Fattman for Register of Probate. James Dolan III is the current Administrative Deputy Assistant of Probate and Family Court, and Kasia Wennerberg is a local lawyer who deals with the court, so they both have skin in the game. Is either a better candidate? Could either take Fattman, whom people have actually heard of, what with all the hubbub about her and her husband, state Sen. Ryan Fattman, running for office simultaneously in 2014? Obviously, her merits and demerits should be considered on their own, but a good story always grabs people’s attention. That gives her a leg up, but that’s beside the point. The point is, these are the sorts of elected positions that invisibly affect everyone’s life, and we barely pay attention to them at all. We should really start.
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COVER STORY
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Beyo th Pai
COVER STORY
BY CRAIG S. SEMON
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S TO RY B E I N G S O N N E XT PA G E
WORCESTERMAGAZINE.COM
spotlights artists behind Worcester’s Black Lives Matter mural
A A U G U S T 13 - 19, 2020
ond he ’ aint
COVER STORY
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new art exhibit showcasing the artists who assisted the lead artists in the city’s Black Lives Matter mural gives the community another reason to discuss the cultural significsance of the BLM movement, as well as to appreciate all those local artists who brought the message of unity to the city streets and into our social consciousness. Opening Aug. 14, “Beyond the Paint: Artists of Worcester’s Black Lives Matter Mural” highlights the 17 artists who helped support the 16 lead artists on the Black Lives Matter mural painted July 15 on Major Taylor Boulevard, adjacent to the DCU Center. Em Quiles, president of Pa’Lante Latinx Moving Forward and a co-organizer of the Black Lives Matter mural, is the curator of the exhibit, which will be on view in the North Corridor, directly next to ArtsWorcester’s main galleries, at 44 Portland St. “I asked the artists to create an artwork that is inspired by their experience,” Quiles said. “So, it’s not necessarily an extension of the artwork itself, but it just speaks to their experience in being part of this huge event.” Being that Worcester’s Black Lives Matter mural is a precursor to the “Beyond the Paint” exhibit, it made perfect sense to reach out to the lead artists who worked on the mural, as well as the assisting artists showcased in the exhibit to share their thoughts. Narvicto DeJesus assisted Nicole Coleman, who designed the “B” in the mural. “My piece in the mural is a message of choices inspired by the Spike Lee film ‘Do The Right Thing’ and hip-hop culture in the late ‘80s,” Coleman said. “Love has a higher vibration than hate, and it creates a space for openness, empathy and understanding, which is why centered in the middle of the ‘B’ is the statement ‘Choose Love Not Hate.’” DeJesus said there was nothing like being with so many fellow artists who cared so much about the message of the mural. “I would like to think that we were working on giving a symbol of love and understanding for our community to reflect upon and many people an image to smile back at,” DeJesus said. “I hope people can understand that the
said. “I think the best part was hearing two little brown girls tell me they ‘looooved my painting’ and that it was their favorite one. That made me feel proud, like I’ve done my job.” Travieso said she hopes people can see that Worcester’s Black Lives Matter mural was something that was done by people of all colors. “It’s not about what was painted on the street. It’s about the feeling it brought to the community,” Travieso said. “This is our way of saying, ‘Hey, we matter too, and we need you to have our backs this time.’” Amber Tortorelli assisted Rushelle Frazier, who designed the “A” in “BLACK.” “I am proud of my community members, particularly two organizers who work tirelessly for the community,” Tortorelli said, “Rushelle Frazier for the design of the letter A and the way she used the design to amplify marginalized voices, and Em Quiles for her organizing the creation of the mural and for caring about the voices of the artists within the community and giving them a platform for their voices to be heard.” In the City of Worcester, Tortorelli said the hard conversation of Black Lives Matter started with artists. “It incites the passion within us to carry on in a way that can’t be ignored. It unified creative minds and gave hope to many people who needed it,” Tortorelli said. “Some people just see a dumb mural. But what it does is it brings attention to the immediate need for these conversations to be had and shoves that in the faces of our leaders and nay-sayers.” Amora Andino and Laura Evonne Steinman assisted Coca Shahed, who designed the “C” in the mural. “The inspiration behind my piece is based on an ankara dashiki print,” Shahed said. “The Afro pick symbolizes black pride and Clockwise from top left: Em Quiles (photo/Christine Peterson); work from Narvicto cultural identity. During the ‘70s, DeJesus (submitted); Amora Andino (submitted); Emma G. Mesa-Melendez (submitthe Afro pick wasn’t just something to comb out one’s hair. It ted); AmberRose Tortorelli’s “The heart of the artist and the ugly truth” (submitted); was worn in the Afro community Sharinna Travieso of Worcester was the lead artist on the “L” in “BLACK,” (photo/Tim for the culture, for the people. It Garvin). spoke for blacks when no words needed to be said, ‘I’m black and women through my art. Represen- I’m proud!’ I incorporated the show up on behalf of other Black work in a very public way is a tation is everything, so I wanted creatives and prove that we add huge deal. peace sign in the pick to symbolevery brown girl to see themselves ize ‘No justice, no peace.’” something much needed to the “Many Black creatives withreflected in my piece,” Travieso world — live, bold and illuminatout significant resources, which Shahed said she hopes people mural was made with love, and with that find love within themselves.” Coming from “a place of limited resources,” Coleman said having an opportunity to show one’s
would be those of us who are not of Beyoncé or Kanye level notoriety, don’t often have a ton of opportunities to have our work be visible to a broad audience,” Coleman said. “I’m proud that I could
ing art. As Q-Tip would say, ‘We’re such a ‘vivrant thang.’” Sharinna Travieso was the lead mural artist on the “L” in “BLACK.” “It’s always important for me to showcase the beauty of colored
COVER STORY
I am proud to live under the red, white and blue, it’s also important for black people to have a flag distinct to us.” William “Slim Dawg” Santiago assisted both Kristian Rodriguez,
“My main message I wanted to convey was to share examples of black courage, black unity, black pride and black wealth and investment,” Gaskin said. “I used Ruby Bridges to represent courage to
Panther Party to represent unity and protection, and Nipsey Hussle to represent black wealth and investment.” Gaskin said he hopes the mural will expose those who stand
stand alone, Tommie Smith and John Carlos to represent black pride and solidarity, the Black
against justice. “I hope that our society can accept that police brutality towards
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who designed the “L” in “LIVES” and Tiger Gaskin, aka Tigga Tattz, who designed the “V.”
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Clockwise from top left: Savonne R. Pickett of Worcester was the lead artist on the “S” in “LIVES (submitted); artwork by Jennessa Burks (submitted); Tiger Gaskin aka “Tigga Tattz” of Worcester was the lead artist on the “V” in “LIVES” (submitted); Olivia Melendez of Springfield (submitted); Hana Lasell was the lead artist on the “M” in Worcester’s “BLACK LIVES MATTER” mural (submitted); Eamon Gillen was the lead artist on the “E” in “MATTER” (Bill Gardiner).
the black community is a major issue in our world today and has made the black community fear those who swore to protect and serve our community,” Gaskin said. “I hope that society will see how much and how long the black community has been in pain crying for our murdered children, uncles, fathers, mishandled mothers, and sisters at the hands of those who took an oath but would rather take black lives.” Kristian Rodriguez, who said he really loved how he had children help paint his letter, said everybody from different backgrounds came together for the mural. “Black Lives Matter isn’t putting down any other races,” Rodriguez said. “It’s sad to see this mural anger people … I hope people can see what we achieve as a whole.” Blaze Diaz designed the “I,” while Ryan Gardell designed the “E” in “LIVES.” Joshua Croke assisted Savonne R. Pickett, who designed the “S.” “I hope that a sense of unity was captured in the Black Lives Matter mural because it took a community to come together and create something this beautiful,” Pickett said. “I am very proud at the fact that this project gave me an opportunity to go out of my way and introduce myself and my work to other artists and just to have created some type of familiar bond with the other artists. We were all just there doing what we love the most, creating art.” Artists Alexandra Marie and Brian Denahy assisted Hana Lasell, who designed the “M.” “When I thought of what I would want to see in a gigantic street mural, I immediately thought of a bold, smiling woman’s face,” Lasell said, “Like Black men, Black women are often cast by society as angry and combative, which is inaccurate and extremely damaging. The concept of embracing black joy as an important part of the Black Lives Matter movement has really struck me during the movement’s current resurgence, because, historically, the visual narrative around civil rights has been focused on suffering and pain, and that often feels exploitive to Black people.” As for her involvement in the mural, Lasell said she is most proud that her young daughter was part of the experience, and the Worcester arts community
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bring their children to the mural and discuss why Black Lives Matter is so important. “I hope they explain that BLM doesn’t mean no one else does, that it doesn’t mean us vs. them, but that it means racially motivated violence, injustice and inequalities towards people of color need to end,” Shahed said. “These children are our future police officers, medical professionals, judges, council members, and some of these kids may just grow up to be one of our presidents.” Andino said she is extremely proud of being able to be there to support Shahed, an inspiring fellow artist. “Supporting black women is and will always be crucial to our society,” Andino said. “I am also proud to have had a hand in honoring and invoking such a strong and important movement in my hometown.” Andino said she hopes that seeing the mural will invoke a sense of hope and enlightenment. “Sometimes it feels like our city isn’t the most active or engaging in many societal issues but this movement cannot go unnoticed,” Andino said. “We’re all a part of this, no matter our complexion. Yes, all lives do matter, but that’s not the conversation we’re having right now. The topic is Black Lives Matter, and we need to stand by our brothers and sisters of color and fight systemic racism.” Steinman said being able to use her skills as an artist, educator and activist is what she is most proud of in her involvement in the mural. And, she said she hopes the mural, as well as the exhibition, sparks conversations about BLM, systemic racism and much needed policy changes in our country. “I hope the show brings more direct dialogue and community conversation and acts as a change agent in our community and beyond,” Steinman said. Edgardo Rodriguez assisted Khalil Guzman-Jerry, who designed the “K.” “In my letter K specifically, I wanted to have my interpretation of what an African American flag would be,” Guzman-Jerry said, “I believe African Americans have played a huge role in American culture and development every step of the way. There is no official flag and every people need a symbol of representation. Although
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WORCESTERMAGAZINE.COM
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COVER STORY
came together in this group effort. “While the City of Worcester did not fund the mural, they did approve and embrace its installation,” Lasell said. “People in high places are starting to embrace the importance of this movement, and to recognize that there are consequences for perpetuating racist systems and practices. Basically, it shows that society is really starting to recognize that racism is damaging, wrong and senseless.” Eric Fogger assisted William Thompson, who designed the “A” in “MATTER.” Richelle Gray and Dwayne Glave designed the first “T” and second “T” in “MATTER.” Glave said he hopes his contribution to Worcester’s Black Lives Matter mural instills hope and inspires love, as well as educates others of the dark chapter in our nation’s history. “I chose the tree because it represents a history of Black people getting lynched and, also, the tree of life,” Glave said. Jennessa Burks assisted Eamon Gillen, who designed the “E” in “MATTER” “I am most proud of our community for rallying together in support of Black lives,” Burks said. “The solidarity and generosity displayed allowed me to feel more connected and supported than I ever have as a Black woman in the city. There are not enough words to describe how grateful I am.” Burks said her artwork for the “Beyond the Paint” exhibition is a reflection piece aimed at capturing not only the external beauty and sense of community created on the day of the mural project, but the internal beauty and sense of hope that was restored by our compassionate yet courageous community. “I hope the BLM mural speaks volumes. To those who feel isolated, you are not alone. We care. To those who had felt far removed from the issues impacting the Black community, what side of history will you stand on? We need you,” Burks said. “Every gesture has the potential to make a difference. Together we can create long overdue change.” In addition to being part of Worcester history, Gillan said he’s proud working alongside other strong artists in the creation of the mural.
Dwayne Glave, left, was the lead artist on the second “T” in “MATTER” (submitted); Moises Ramos (aka “Mr. Boom”) is one of the 17 artists showcased in the “Beyond the Paint” (submitted). “Ideally, people get strength and unity,” Gillen said on what he hopes people take away from viewing the mural. “But, if it starts uncomfortable conversation, that’s more realistic and probably better.” Creative siblings Arli and Edmy Ortiz assisted Ferdinand Nazario who designed the “R.” “As a Latina I was very proud to assist a fellow Latino artist,” Edmy Ortiz said. “Being a part of this unique project made me feel a sense of unity and empowerment within our communities, which is very needed throughout these difficult times.” Edmy Ortiz said she hopes people understand that despite the color of our skin, our native language or country of origin, we are all humans and must live in a world of equality and justice. “It was a pleasure to contribute to send a message of solidarity with our Black family through the arts,” Edmy Ortiz said. “My participation in the mural was not only artistic, it was also educational and an immense inspiration to continue embracing my African roots through artwork.” Also helping out on the mural and featured in the “Beyond the Paint” exhibit are Emma G. Mesa-Melendez and her 16-yearold daughter, Olivia Melendez, as
well as Jailene Ramos and Moises “Mr. Boom” Ramos, who are no relation. Mesa-Melendez and Melendez both hope the mural calls out “the systemic racism and police brutality experienced in Worcester, within the state of Mass., and across our nation.” “The mural project brought so many people together in solidarity and in support of a common shared belief, that we must value Black lives,” Mesa-Melendez said. “History shows that this nation has never valued Blackness and it’s time we change that.” “Black lives matter and all people that caused unnecessary the deaths and injustices that took place before and during this movement should be held accountable,” Melendez added. “This mural shows Black lives history, pain and their strength through art and culture … It’s time for justice, equality and a safer future for new generations.” Mesa-Melendez said she hopes the mural opens people’s hearts and minds and the message resonates to the degree that they’re willing to check negative preconceived notions of “Blackness” and behaviors that contribute to oppressing Black people. “I hope that folks can appreciate just how personal this was
for me and I’m sure everyone else that participated,” Mesa-Melendez said. “Fighting for the justice of our Black brothers and sisters should be personal and a community effort.” “As a young artist, I find it can be hard to identify opportunities that welcome young artists,” Melendez added. “Many projects usually look for mature-age and experienced artists to participate. I felt very fortunate to be involved at the level I was.” Moises Ramos said he loved just being a part of the Black Lives Mural project. “I hope to have others see what I felt while I spent my day helping towards the mural and being around others who helped,” Moises Ramos said. “I hope they can capture the essence in this mural. There are so many little details in each letter that mean so much to the artist.” Artists Pamela Stolz and Keenan Cassidy also helped out on the mural but are not part of the “Beyond the Paint” exhibit. Gallery hours are from noon to 5 p.m. Thursday through Sunday. No appointments are required, but only five people are allowed to be in the North Corridor at any one time. All visitors are required to wear masks.
CITY LIFE If you are an artist, or know of a local artist, email WMeditor@gatehousemedia.com. Fair warning, in order to publish your work, you’ll need to provide a small bio and high resolution digital copies of some of your art. We reserve the right to choose what will run, based on resolution and what will reproduce best on newsprint.
ARTIST SPOTLIGHT
A U G U S T 13 - 19, 2020
find him at his Millbury Studio or teaching classes at The Worcester Art Museum. Visit www.scottnelsonandson.com to see more of his work.
WORCESTERMAGAZINE.COM
Scott Nelson is a local illustrator, cartoonist, author and instructor. You can
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CITY LIFE
LIFESTYLE
Jackie Kennedy used heavy sour cream in her beef stroganoff SARAH CONNELL SANDERS
M
y mother-in-law is a skilled gift giver. She has an innate talent for making others feel seen — no doubt the same quality that earned her a reputation as a beloved pre-school teacher in Worcester. This summer, she has embarked on the difficult task of sorting through her late parents’ belongings. As a result, I am the grateful benefactor of a handful of vintage books that once belonged to a woman I envision as the picture of elegance, Ms. Virginia Palley. The first volume I received was called “Dining with Celebrities,” a cookbook compiled by Worcester author Selma Cherkas. For the project, Cherkas corresponded with more than 100 film stars, comedians, politicos and musicians to document their favorite dishes. “Dining with Celebrities” has it all — food, culture and fame. Burl Ives shares his
“self-invented” recipe for goat meat. Walt Disney discloses his secret chili ingredient is loin fat. Joan Crawford puts Tobasco in her kidney bean salad. Ed Sullivan, Grace Kelly and Liberace also contribute entries along with five first ladies. (I have a feeling Ms. Cherkas and I would really hit it off if someone would be kind enough to make the introduction.) My mother-in-law’s next gift was a guide to batching cocktails called “How to make 44 drinks that put life in your party.” According to page one, we need not be mathematicians to properly gauge proportions. At first, I felt offended by the assumption I wasn’t a numerical savant, but a recipe for something called “Suzies” on page three quickly distracted me with the combination of bacon, powdered sugar, maple syrup and melon balls in a thin folded pancake. Then, I found the snowball flambé on page nine, a vanilla ice cream ball
rolled in toasted coconut, ladled in warm Southern Comfort, and ignited in flames for effect. Yesterday, I acquired Virginia Palley’s worn copy of “Worcester Telegram Homemaker’s Handbook.” A price printed on the red checkered cover reads “25¢” — a steal, if you ask me. “Have you a special problem?” the book asks its readers, “Send your questions to Peggy Wood, Women’s Exchange.” I know my mother-inlaw selected this text for me based on my feminist proclivities, but the book has actually proved quite practical. For example, after I lit up my snowball flambé, Wood’s instructions for fireproofing my clothing with ammonium chloride sure came in handy. (Maybe, don’t try that at home.)
There are plenty of hot pointers. One reader admits, “When I am frying foods, the kitchen and neigh-
boring rooms become filled with smoke.” Ms. Wood advises wringing a towel in vinegar and hot water before taking a graceful spin and
waving it about. “Swish it around the room,” she writes. The same section instructs homemakers to purify their kitchen sponges in milk and to bathe one’s hands in the juice of a ripe cucumber every summer for optimum cleanliness. Perhaps my favorite correspondence comes from a woman who inquires about her misshapen straw hat. “This time of year, like everyone else I suppose, I get a yen for a new straw hat. However, I have several which are still good but a little out of shape. Is there anything I can do with them?” Wood cannot be stumped. Pour boiling water over that chapeau and fit it in a mixing bowl to dry in the sun. Good as new. There isn’t a section on gift-giving in the “Homemaker’s Handbook,” but if my mother-in law has taught me anything, it’s that the best gifts combine a recipient’s tastes with a transportive experience. My new manuals check every box.
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LISTEN UP
Kris Delmhorst lets the light lead her home in ‘Long Day in the Milky Way’ VICTOR D. INFANTE
I
t was somewhere around the seventh or eighth listen to New England singer-songwriter Kris Delmhorst’s new album, “Long Day in the Milky Way,” that it occurred to me that I don’t know to whom the song “Nothing ‘Bout Nothing” is addressed. “Tell me where did you get the idea that this story’s about only you” she sings. It could be a lover, it could be a child. It could very well be herself. “Put your head down lower than your heart,” she sings, “Throw a little light out in the dark/Because you don’t know nothing ‘bout nothing.” Herein lies the mystery at the heart of Delmhorst’s new album: She sings songs that seem addressed to a lover or a child at times, and
it is tempting to seek a narrative about those people in her gorgeous lyrics, but ultimately, this album is an inward journey. It’s brooding at times, contemplative at others, but each song takes the album’s persona deeper into herself, and accompanying her on that journey is a truly moving experience. What’s immediately striking about the album is how spare it is. On the opening track, for example, Delmhorst’s vocals are lovely but restrained. The results transforms the lyrics into smoldering embers, burning in the dark. Which is fitting: The song’s opening evokes a night sky full of stars, as the lyrics find her “chasing fireflies, try to get one more before the dawn/Lord knows it’s a tiny glow to ever light the way for someone further on.” Those fireflies
flit to the next song, “Golden Crown,” where she signs “I’m gonna let all the light in my eyes shine on you/I’m gonna let all the light in my heart shine on through.” It’s a chiseled song, and Delmhorst — who will be performing at an outdoor release party Aug. 18 at Black Birch Vineyard in Hatfield — is too exacting a songwriter for that transition of light to light to be an accident. When, in the subsequent “Hanging Garden,” she entreats someone to “meet me under the northern star,” the listener finds themselves in a different place entirely. “Hanging Garden” is a more layered song, one which highlights her guitar more, and which changes up the tempo. It’s a song about wanderlust, discovery and — most impor-
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CITY LIFE
TABLE HOPPIN’
Root & Press mixes things up with ‘gourmet’ milkshakes BARBARA M. HOULE
A
ASHLEY GREEN
phone: (978) 870-5429. Note: Currently, there’s limited indoor seating with social distancing. Customers can enjoy food and drinks at outdoor tables. Collins is originally from Worcester and worked most of his 20 years in the food service industry at Barber’s Crossing Restaurant in Sterling, starting as a teenager washing dishes and working his way through the kitchen line, leaving the restaurant as front house general manager. Collins, who has a master’s degree
in history, and Cote, a teacher at Chandler Magnet School in Worcester, opened the café/bookstore with the idea it would fill a niche. Cote works in the business when she’s not in the classroom. At the opening last May, Collins said about Root & Press, “Customers have a comfortable space to study, peruse the shelves, or grab a coffee, espresso, salad, Panini or anything else off the small, seasonal and largely locally-sourced menu.” The couple said they love what they do and are adapting to business
changes amid COVID-19. “We have fewer seats inside the café and right now rely mostly on outdoor tables and take-out when it comes to food,” said Collins. “We’re already planning ahead for fall and winter.” Community is very supportive of the business, he said, Keeping the history of milkshakes short and sweet, it appears the milkshake’s origin dates back to the late 19th century, when an 1885 newspaper described the milkshake as a sturdy drink with milk, C O N T I N U E D O N PA G E 19
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the evenings. We’re a neighborhood café, and we’re always thinking of ways to branch out, especially during coronavirus,” he said. “The kitchen is small, and we couldn’t possibly offer a milkshake menu during the hours we serve food. Customers choose coffee, tea or smoothies instead.” Roots & Press, 623 Chandler St., Worcester is open from 9 a.m. to 3 p.m. Wednesday through Saturday; 9 a.m. to 2 p.m. Sunday. Visit https:// rootandpress.com or Facebook for information about specials, online menu, ordering, books, etc. Tele-
WORCESTERMAGAZINE.COM
Nicole Cote, who owns Root & Press with her husband, Rich Collins, shows off the blueberry crumbler milkshake at the bookstore.
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n extremely popular small and cozy breakfast and lunch spot is Root & Press on Chandler Street in Worcester. It’s also an independent bookstore. Most days, you can see owner Rich Collins behind the counter, making Panini, omelettes, salads, sandwiches and specials such as Pain de Chevre, Iggy’s wheat bread with goat cheese, cinnamon pear jam and fresh raspberry compote. This summer, Collins started putting his own spin on milkshakes, vamping up a plain shake into “20ish” different flavors. “Gourmet” milkshakes are available from 6 to 9 p.m. Wednesday through Friday when the café is closed for food service. Collins and wife Nicole Cote have proven that milkshake makeovers can be just as satisfying as American classics — chocolate, vanilla and strawberry. “Root & Press serves the best milkshakes around,” according to a regular customer, who with his wife enjoy choosing novel versions. “It’s a great little café,” he said. Collins’ milkshakes are made with a premium vanilla ice cream from a local dairy, milk and add-ins. The milkshake bar menu has something for everyone, even vegan options. His unique twist on a classic milkshake include Oreo Crumble, PB Blizzard, M&M Blast, Chippy (chocolate chip cookie), Campfire Shake (mocha, toasted marshmallows, oak barrel flavoring and graham crackers), B-A-N-A-N-A-S, (banana split shake, cherries, chocolate chips and mocha swirl). Also, Blueberry Crumbler, Cotton Candy (kids’ favorite) Key Lime Pie, Maple Butter Pecan, Raspberry Crumble Shark Bite (a blue-raspberry shake with gummies, sprinkles and a cherry on top), and more! All 16-ounce milkshakes are served with whipped cream and toppings. Prices start at $7.50. Why milkshakes? Simple answer from the owners, “Why not?” Residents in the Tatnuck area of the city where Root & Press is located often walk to the shop with their kids, said Collins. “Milkshakes are fun and families enjoy time together in
CITY LIFE
FILM
‘Mulan’ on Disney+ - a reasonably priced baby sitter
JIM KEOGH
H
ow much would you pay to see a movie on your TV? Disney thinks it knows the answer: $29.99. That’s how much the Mouse will charge you for unlimited viewings of the live-action version of its 1998 animated maiden-warrior epic “Mulan” on its Disney+ streaming service beginning Sept. 4. Made at a cost of $200 million, “Mulan” was expected to be one of the summer’s dominant theatrical releases until the COVID-19 virus shuttered movie houses and consigned America to its collective couch, remote in hand. A few theaters are tip-toeing back into business on a limited basis, though industry observers insist the entertainment paradigm will continue to shape-shift the longer the big screens stay dark. The Boston Globe did the math and figured if a third of the 60 million Disney+ subscribers purchase “Mulan,” the company will
pull in $600 million. Theaters? Disney don’t need no stinkin’ theaters. Back to price. A 30-dollar pop for a single movie is too steep to me. Of course, I’m biased for two very good reasons: • I am old. • I am cheap. To the first bullet, I’m not ancient, but I am advanced enough so that the particular madness of entertaining young children has not been my problem for some years. I’ve done my time. Even so, I do not envy parents hunting for quality content for bored kids who, ironically, are drowning in choices. Its trailer and IMDB entry tell us “Mulan” is lavish, actionstuffed, and 1 hour and 55 minutes long. That’s nearly two hours of uninterrupted peace for harried parents. I understand if some families view $15 an hour as a steal. And cheap? Yes, it’s true. I am tears-rolling-down-my-cheeks-whenI-have-to-throw-out-an-old-pair-ofsocks cheap. I’ve lived in Worcester
long enough to appreciate the value of free parking (it’s everything) and a matinee showing. So a $30 movie fee just claws at the Worcester in me. If I even tried to pay this sum I’m convinced I’d suffer a seizure that would freeze my fingers and prevent me from completing the transaction. And even in my spasmed state, I’d be silently thankful I’d been stopped from making such a grave mistake. Disney knows what it’s got. They are debuting “Mulan” at a time when the American people are angry and unsettled and sick of waiting for stuff that takes the edge off their tedium. How many stories have detailed abhorrent behavior at ice cream shops where horrid customers unhappy with delays in service mercilessly harangue teenage scoopers? You drop “Mulan” into this seething environment and folks will lap it up like it’s a sundae made of rainbows and unicorn farts — with no waiting. I’ve asked around about what people would pay $30 to watch on television, and I didn’t hear anything
Yifei Liu in the title role of “Mulan.” Disney+ will release the live-action film Sept. 4, for $29.99. DISNEY ENTERPRISES, INC. VIA AP
about movies. Most answers were hypothetical and involved sports or concerts. The Patriots return to the Super Bowl against Tom Brady, and the network decides to charge $30 for the luxury of watching it? Of course we’ll pay. (Chances are we’d be part of a viewing group anyway.) A Rolling Stones farewell concert? Sure. Maybe when they finally perform their finale in 2052 it will be worth the investment.
When “The Irishman” was released on Netflix a great fuss was made about the first-time teaming of Martin Scorsese, Robert De Niro and Al Pacino. Curiosity was high, and viewership was strong. But how many would have paid $30 for the privilege of seeing this historic collaboration? Far fewer than will be forking over their “Mulan” money on Sept. 4.
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NEW ON DVD
‘The High Note’ is simple and sweet KATIE FORAN - MCHALE TRIBUNE NEWS SERVICE
the daughters of Hollywood queens Melanie ettle in for a serenade in the top Griffith and new DVD picks for the week of Diana Ross, respectively. Aug. 11. The songs are “The High Note”: Personal assistant Maggie Sherwoode (Dakota catchy, and the cinematograJohnson) has a dream of becoming phy by Jason a professional music producer. This McCormick is a no-no for her day job, to be at superstar singer Grace Davis’ (Tracee is bold and bright, giving Ellis Ross) side more or less every the glitz an minute of the day. But after secretly producing a cut of her boss’s new live extra pop amid album, she meets an overwhelmingly scenic backDakota Johnson and Tracee Ellis Ross in drops. talented singer, David Cliff (Kelvin “The High Note.” And the Harrison Jr.), in a grocery store and GLEN WILSON/2020 FOCUS FEATURES LLC. lets him think she’s a “real” producer script has a degree of playto convince him into teaming up. Maggie and David a phone video of ful self-awareness not often seen in Directed by Nisha Ganatra and her first open-heart surgery as the the entertainment biz big break sub- pair are working on a song, Maggie written by Flora Greeson, it’s a genre. As Maggie’s doctor roommate grins as she says, “Everything we do simple, cute riches-to-more-riches (the very funny Zoe Chao) shows Los Angeles story, one best told by is meaningless.”
S
Not exactly, but nevertheless, the beat goes on. ALSO NEW ON DVD AUG. 11 “Archive”: A scientist (Theo James) works on creating sentient AI in an effort to interact with his deceased wife. Also stars Stacy Martin and Rhona Mitra. “Are You Afraid of the Dark?”: Three-part Nickelodeon series follows a group of kids who tell scary stories that come to fruition in their town. “G-LOC”: After fleeing the planet, a man (Stephen Moyer) heads to planet Rhea, where settlers are homicidally hostile to Earthen refugees. “Gold Digger, Season 1”: Six-part BBC miniseries follows a romance between a wealthy woman in her 60s (Julia Ormond) and a man in his 30s (Benjamin Greene), who may have ulterior motives.
“How to Build a Girl”: A working-class teenager (Beanie Feldstein) chases her dreams and reinvents herself as a confident, apathetic indie rock critic. “I Am Vengeance: Retaliation”: An ex-special forces soldier (Stu Bennett) gets revenge on the enemy who betrayed him on a previous mission. “Max Reload and the Nether Blasters”: A video game store employee (Tom Plumley) inadvertently releases an evil entity from a game into the real world. “NCIS: New Orleans: The Sixth Season”: Pride (Scott Bakula) makes his way back to the field office in the latest season of the CBS hit series. “Playing for Keeps”: An ex-soccer player (Gerard Butler) takes over coaching his son’s (Noah Lomax) team. “The Blacklist – Season 07”:
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CITY LIFE
LISTEN UP
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NEW ON DVD
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Agricultural news
Massachusetts Farmers Market Week was celebrated earlier this month. Gov. Charlie Baker in a declaration recognized the contributions farmers markets make to local agriculture and how they increase access to healthy food. Visit https:// massnrc.org for info about local market sites. The Sustainable Business Network is leading a partnership with members of the Massachusetts Coalition of Local Food and Farms and the Massachusetts Department of Agricultural Resources to celebrate summer bounty, with the introduction of the Eat Local MA App, available in iOS and Android. The app was designed to help consumers find nearby farms, farmers markets, food businesses and
photos and tomato recipes on Facebook, Twitter and Instagram. It’s peak season for tomatoes. Enjoy!
Sweet special
“Dessert to Go” specials are available at Jenkins Inn, 7 West St., Barre. Owners previously had stopped offering slices of pies, cakes and tarts, deciding recently to resume the promotion. Desserts are sold by the slice, $6 each, and picked up from noon to 3 p.m. Sundays. Call (978) 355-6444 to pre-order, or send email to jenkinsinnbarre@gmail.com for more information. The business also offers half bottles of wine “to go” with desserts.
No plastic bags
FYI for Big Y supermarket shoppers: Beginning Aug. 17, plastic grocery bags will no longer be available at checkout, according to an email from Big Y. Customers are reminded to bring reusable bags, or pay 10 cents for a paper bag. If you have a tidbit for the column, call (508) 868-5282. See email to bhoulefood@gmail.com.
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NEW ON DIGITAL HD AUG. 11 “Gripped: Climbing the Killer
NEW ON DIGITAL HD AUG. 14 “Before the Fire”: A rising Hollywood actress (Jenna Lyng Adams) is forced to head back home amid a deadly pandemic and faces a sinister part of her past. “Endless”: After a deadly car accident, a man stuck in limbo (Nicholas Hamilton) connects with his mourning girlfriend (Alexandra Shipp).
whiskey, eggs and sugar. In 1922 in Chicago, a Walgreens employee took an old-fashioned malted milk and added scoops of ice cream. The new creation reportedly “boomed” in popularity nationwide throughout the 1930s. At Root & Press, indulge yourself !
restaurants that have committed to sourcing local ingredients. Eat Local MA is a statewide campaign promoting the benefits of sourcing food from within the local food system to encourage buying food grown and harvested by Massachusetts farmers and fishermen. “The Massachusetts Department of Agricultural Resources is excited about the new Eat Local MA App that helps find fresh, healthy products grown and harvested by Massachusetts farmers and fishermen,” said John Lebeaux, MDAR commissioner. “Available in August and September, it’s an excellent way for residents to connect to and enjoy the bounty of MassGrown products during the height of the harvest season.” The Massachusetts 2020 Tomato Contest annually held in early August did not take place this year “due to the uncertainty with COVID-19 and recommendations around social distancing.” The Massachusetts Department of Agricultural Resources announced there would be a Tomato Contest next year. MDAR continues to be committed to promoting tomatoes, encouraging growers to share posts about their favorite tomato varieties,
WORCESTERMAGAZINE.COM
The seventh season of the hit NBC series picks back up with Red (James Spader) post-abduction as the Task Force tries to find him before it’s too late. “The Wretched”: A teenager struggling with his parents’ divorce (John-Paul Howard) connects with his next-door-neighbor (Zarah Mahler), who happens to be possessed by an evil witch. “Valley of the Gods”: A quirky trillionaire (John Malkovich) develops a multilayered relationship with the man attempting to write his biography (Josh Hartnett).
Pillar”: A woman (Amanda Maddox) must save herself and her guide (Kaiwi Lyman) after a rock-climbing accident in the Sierra Nevada mountains. “A White, White Day”: A police chief (Ingvar Sigurdsson) becomes obsessed with the idea that his recently deceased wife had cheated on him in their small Icelandic community. In Icelandic.
TA B L E H O P P I N’
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tantly — sharing those things, and there’s a radiance about it that’s absolutely irresistible. “I know — stranger stranger in a strange land,” she sings, “Just keep holding onto my hand/ Look around it’s a world of wonders/ Earth is above us heaven is under.” It’s one of those love songs that feels a bit bigger than just romance, which is why it makes an interesting lead-in to the the whimsically toned “Secret Girl.” “Secret girl, I see you,” sings Delmhorst. “I was a secret too/Walking down the shady side, 6th Avenue/ Secret girl, are you lonely/I was lonely too/Spice tea and a cigarette, keep the wall behind you.” This odd moment of seeing a reflection of herself in someone else is fueled by the preceding song’s wanderlust, and is reflected later in a cover of the Rickie Lee Jones song, “The Horses,” with the persona addressing the song to her daughter, ending with the lines, “When your mama was young I heard she was a real wild one.” We change, and we don’t change at all. We see pieces of who we used to be in strangers and the people we love. Everything radiates with beauty if you let yourself chase the light. Call it “love,” because that’s the only word we have that’s big enough to capture all of all that. “Lightning on the sea, flashing green,” sings Delmhorst, in “Don’t forget to see what can be/ Horses in the sky roll on by/Don’t you close your eyes,/Watch em fly, watch em fly.” What holds this album together is Delmhorst’s vocal dexterity, and her ability to coax emotion and nuance from her lines, especially on very finely filed down songs such as
“Skyscraper.” There are always more layers of communication happening in Delmhorst’s vocal tone than is immediately apparent, a sort of entwined joy and ache that permeates everything, and energize her metaphors. In “Skyscraper” she sings, “Half of what is here is underneath the ground/Why believe only what you see?” Later, in “Flower of Forgiveness,” she sings that flower can be found “blooming by the side of the road.” The end of the album finds the album’s persona working her way back home, which in some ways feels like a balance to the earlier imagery of chasing fireflies into the night. “On a clear day, I can see you from here/ Almost reach out and touch you, you seem so near/Some things are further than they appear.” There’s yearning in the song, but not desperation. There’s a sense of trust in the road to bring her home. By comparison, on the subsequent song, the Americana-rich “Bless Your Little Heart” reminds the listener that, “I know how you work, I know how you try/But it is easier than it seems.” Who is she talking to? It’s not clear, and perhaps it doesn’t matter. The album ends with a sort of surrender, with “Call of the Dogs,” where she sings, “Leave the story you can’t shake/Leave your pile of old mistakes/You’ll find a new one you can make.” The song is filled with imagery of old armor that’s no longer needed and melting ice, and a reminder: “Just keep the wind behind you/Just let the sound remind you/Love knows just where to find you.” The night sky is filled with stars and fireflies. Forgiveness sprouts from the earth at the roadside, and all of them, in the end, become a compass to guide the persona back to what matters.
CITY LIFE
ADOPTION OPTION Welcome to Adoption Option, a partnership with the Worcester Animal Rescue League highlighting their adoptable pets. Check this space often to meet all of the great pets at WARL in need of homes. WARL is open seven days a week, noon-4 p.m., 139 Holden St. Check them out online at Worcesterarl.org, or call at (508) 853-0030.
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EAST DOUGLAS PHOTOGRAPHY
Meet Daisy, Marceline and Bubblegum!
Daisy and her daughters Marceline and Bubblegum were tearfully surrendered by their owner who no longer had enough time for them. Daisy is a very old rattie lady who wants to live out the rest of her life quietly with her daughters, food, toys and love. She had a rough start, and deserves all the love she can get. Like many old ladies, she can be opinionated. She does not like her face touched. Don’t touch her face. She has an opinion about it. Enough said. Daisy, Marceline and Bubblegum have been handled since they were small adorable little girls. They are friendly and outgoing and love their toys and snacks. They love to explore, chew and otherwise do cool rattie stuff. Understandably, they do not love cats. The key word with this delightful trio is love. They have lots of it. If you also have lots of it, you need them in your life. These 3 girls must be adopted together for an adoption fee of $45. They come with a double decker critter nation cage and lots of fun enrichment for an additional donation of $25. These girls can be visited by appointment. Please call the shelter or email the small animal coordinator to set up an appointment time.
GAMES
J O N E S I N’
42 Decoder’s wear? 43 “Your ___” (Morrissey album) 44 Man, in Mantua 45 Cars given while yours is in the shop, e.g. 51 Sandwich spreads 53 “We love to fly ___ shows” (Delta slogan) 55 “Rent” character 56 F or G, on sheet music 57 It’s worth next to nothing 58 Old Icelandic saga 59 “What ___ Beneath” 60 Remini of “The King of Queens” 61 Corn remnants 62 Raw metal source
Last week's solution
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©2001, 2020 Matt Jones (jonesincrosswords@gmail.com) Reference puzzle #1001
WORCESTERMAGAZINE.COM
Down 1 ___ Farm (bygone clothing line) 2 Mister, in Munich 3 Powerful and pleasing, to a Rasta 4 “Later” 5 Is of practical value 6 Coffeehouse quaff 7 Yale students, familiarly 8 Blow a gasket 9 Dig up 10 “Henry and June” diarist Nin 11 They adore strange things 12 Jim Morrison song, with “The” 13 “___ Anything” (John Cusack movie) 21 Gps. like CARE and Amnesty International 22 Word after bake or garage 25 Ubiquitous December mall guys 26 Sings like Kurt Elling 27 Like an angry cat’s back 28 Spied via the telephone 30 Neckwear for Frankenstein’s monster? 31 Nondescript category 33 “___ bad, bad thing” 35 1000 K 36 Friend’s opposite 37 “Spy vs. Spy” magazine
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Fun By The Numbers Like puzzles? Then you’ll love sudoku. This mind-bending puzzle will have you hooked from the moment you square off, so sharpen your pencil and put your sudoku savvy to the test! Here’s How It Works: Sudoku puzzles are formatted as a 9x9 grid, broken down into nine 3x3 boxes. To solve sudoku, the numbers 1 through 9 must fill each row, column and box. Each number can appear only once in each row, column and box. You can figure out the order in which the numbers will appear by using the numeric clues already provided in the boxes. The more numbers you name, the easier it gets to solve the puzzle!
Across 1 Band that’s the theme of this puzzle 6 “Heroz4hire” rapper ___ the Damaja 10 Slasher flick props 14 “... quack quack there, ___ quack ...” 15 Actor Arkin 16 “99 Luftballons” singer 17 Impulsive, courageous person, so they say 18 Hollywood cross street 19 He was a real Dick on “NewsRadio” 20 1-Across guitarist and vocalist 23 Summer month, for short 24 Speaks like a heavy smoker 26 Shop class tool 29 Cry convulsively 31 Letters on a Cardinals hat 32 “Bali ___” (“South Pacific” song) 34 1-Across and The Dude of Life album released in 1994 38 “Hell’s Half ___” (1954 movie) 39 Velvet Underground vocalist Reed 40 Singers lower than soprani 41 1-Across predecessors and mentors 46 Jazz band’s song list 47 They taketh away on Apr. 15 48 ___ Fighters (Dave Grohl band) 49 Org. that gives out 9-digit IDs 50 Sends to hell 52 Sound from a lamb 54 1-Across keyboardist who started as a fan 61 Cheat, in a way 63 Cleopatra’s river 64 “Jeremy” singer Vedder 65 Subject of “Weird” Al Yankovic’s “The White [31-Down]” 66 The last word in sermons? 67 “___ White Swan” (T. Rex song) 68 They’re separated on some old sitcoms 69 Elevator, to Elvis Costello 70 European compilation album for 1-Across
“Food for Thought” – the first Jonesin’ puzzle ever. [#1, May 2001] By Matt Jones
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PUBLIC AUCTION NOTICE NOTICE IS HEREBY GIVEN PURSUANT TO THE PROVISIONS OF M.L.C. 225 SEC. 39A THE FOLLOWING VEHICLES WILL BE SOLD AUGUST 29,2020 TO SATISFY OUR GARAGE LIEN THEREON FOR TOWING AND STORAGE CHARGES AND EXPENSES OF SALE AND NOTICE: 1997 TOYOTA RAV-4 VIN# JT3HP10V6V0132031 2011 DODGE DURANGO VIN# 1D4RE2GG3BC720758 2016 HYUNDAI ELANTRA VIN# 5NPDH4AE5GH665288 THE SALE WILL BE HELD AT EARLY’S ON PARK AVENUE, INC. 536 PARK AVE. WORCESTER, MA 01603
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LAST CALL
PHOTO SUBMITTED
James and Marle Towne owners of Bali Marle J ames and Marle Towne are the couple behind Bali Marle, an Indonesian street food concept known for its comfort and spice. COVID-19 has forced the Townes to pivot their business model from street food pop-ups to include packaging pantry staples such as kacang (spicy peanuts) and kwaci (spicy sunflower seeds.) You can purchase all current offerings online at: https:// bali-marle.square.site/. Bali Marle is grateful for the guidance and support provided by Worcester Regional Food Hub, an ever-growing network that aims to connect “farmers, food entrepreneurs, chefs, business leaders, and advocates for local food.”
How has COVID-19 impacted your business? JT: At first, it was two months of nothing.
Do you still use the Worcester Regional Food Hub as your prep kitchen? MT: Yes, everything is produced at the Food Hub.
I hear space is at a premium over there. JT: Oh yeah, it’s a fight for kitchen time. So many people are taking advantage of the Food Hub to get certified, obtain insurance, secure permitting and make food. That sounds like a good problem to have. I’m glad so many people are taking advantage of all they have to offer. Where can we find Bali Marle in the near future? MT: Every Sunday, you can find us at Exhibit ‘A’ Brewing from 12-4 p.m., and on August 14, we are bringing our burger to CraftRoots Brewing in Milford from 4:30-7:30 p.m. JT: Both breweries are terrific. – Sarah Connell Sanders
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Are you hoping to expand your retail offerings? JT: That’s the goal.
Everyone seems to be doing a lot more cooking at home, so I think you have the right idea to diversify your business model. JT: Shon Rainford, the director of the Worcester Food Hub, is encouraging us to really move this stuff. MT: We are so grateful for his support. He makes sure we don’t ever give up. JT: We want to make Bali Marle a household name. We are also working on a frozen food product called lumpias for down the road, once we have enough capital. We literally can’t hold on to them. Our lumpias are hugely popular; people want them all the time. As the Food Hub expands, we hope to be able to produce lumpias more regularly. Think of them like tiny spring rolls.
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Where can we buy your snacks? JT: The Food Hub in Worcester, Exhibit ‘A’ in Framingham, The Bagel Table in Ashland, CraftRoots in Milford, and a handful of other places. We have an online store, but shipping is outrageously expensive.
Marle uses Indonesian spices to make unique hamburger seasoning and french fry shakes. They are also great on bacon.
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Is that what inspired you to begin selling your packaged snacks? JT: That began when I was relaxing and watching a movie at our house. Marle said, “I made us a snack.” MT: The kacang and kwaci are made without sugar. They are sweet from the honey. I started making them for myself because I knew they were good for me. Then, I thought, “These will be good for others too.” JT: I took one bite and said, “Why aren’t we selling this?” We did some trials at Exhibit ‘A’ Brewing Company, selling cups of the peanuts for $5. We gave some to General Manager Kelsey Roth and he came back ten minutes later saying, “I want to carry these all the time.” The wheels started turning. We had to take a twoday workshop and because of COVID, our exam kept getting rescheduled. Finally, we were able to take the test and I’m happy to share we passed it. Now, we have our license and we are looking for local retailers to sell kacang and kwaci.
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