Worcester Magazine September 24 - 30, 2021 by Worcester Magazine

WORCESTERMAGAZINE.COM | SEPTEMBER 24 - 30, 2021 | CULTURE § ARTS § DINING § VOICES

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NOFX HEADLINES PUNK FESTIVAL AT PALLADIUM

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IN THIS ISSUE

Worcester Magazine 100 Front St., Fifth Floor Worcester, MA 01608 worcestermag.com Editorial (508) 767.9535 WMeditor@gatehousemedia.com Sales (508) 767.9530 WMSales@gatehousemedia.com VP, Sales & Strategy Andrew Chernoff Executive Editor David Nordman Editor Nancy Campbell Content Editor Victor D. Infante Reporters Richard Duckett, Veer Mudambi Contributing Writers Stephanie Campbell, Sarah Connell Sanders, Gari De Ramos, Robert Duguay, Liz Fay, Jason Greenough, Janice Harvey, Barbara Houle, Jim Keogh, Jim Perry, Craig S. Semon, Matthew Tota Multi Media Sales Executives Deirdre Baldwin, Debbie Bilodeau, Kate Carr, Diane Galipeau, Sammi Iacovone, Kathy Puffer, Jody Ryan, Regina Stillings Sales Support Jackie Buck, Yanet Ramirez Senior Operations Manager Gary Barth Operations Manager John Cofske Worcester Magazine is a news weekly covering Central Massachusetts. We accept no responsibility for unsolicited manuscripts. The Publisher has the right to refuse any advertisement. Legals/Public Notices please call 888-254-3466, email classifieds@gatehousemedia.com, or mail to Central Mass Classifieds, 100 Front St., 5th Floor, Worcester, MA 01608 Distribution Worcester Magazine is inserted into the Telegram & Gazette on Thursdays and is also available for free at more than 400 locations in the Worcester area. Unauthorized bulk removal of Worcester Magazine from any public location, or any other tampering with Worcester Magazine’s distribution including unauthorized inserts, is a criminal offense and may be prosecuted under the law. Subscriptions First class mail, $156 for one year. Send orders and subscription correspondence to GateHouse Media, 100 Front St., Worcester, MA 01608. Advertising To place an order for display advertising or to inquire, please call (508) 767.9530. Worcester Magazine (ISSN 0191-4960) is a weekly publication of Gannett. All contents copyright 2021 by Gannett. All rights reserved. Worcester Magazine is not liable for typographical errors in advertisements.

Featured ..............................................................................4 City Voices ........................................................................12 Cover Story.......................................................................14 Next Draft .........................................................................17 Artist Spotlight................................................................21 Screen Time .....................................................................24 Adoption Option.............................................................28 Classiﬁ eds ........................................................................29 Games................................................................................30 Last Call .............................................................................31

On the cover NOFX will headline Punk in Drublic at the Palladium. SUBMITTED PHOTO

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FEATURED LIKE FATHER LIKE SON:

Ziggy Marley pays tribute to Bob Marley at Indian Ranch

Ziggy Marley SUBMITTED PHOTO

Richard Duckett Worcester Telegram & Gazette | USA TODAY NETWORK

Ziggy Marley’s show at Indian Ranch in Webster on Sept. 30 is titled “Ziggy Marley — A Live Tribute to His Father.” h The legendary Bob Marley was a reggae giant whose premature death at 36 from melanoma in 1981 was followed by a state funeral in Jamaica. Ziggy Marley, then 12, played at his father’s funeral. h But don’t expect Ziggy Marley’s performance at Indian Ranch to be a “Greatest Hits” type of show from 40 years on, although there are plenty of hits to play, such as Bob Marley’s enduring classics “No Woman No Cry” and “One Love.” h Part of the show will be an actual set that his father performed live, Ziggy Marley said during a recent telephone interview. h “It’s diﬀ erent than doing ‘the best of ’ stuﬀ . I use my imagination to get deeper in the music that was sung in those times. Much deeper into the feeling and emotions of the songs.” See MARLEY, Page 5

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Marley Continued from Page 4

Ziggy Marley was born in Kingston Jamaica’s Trench Town, the eldest son of Bob and Rita Marley. Although he was young when his father passed, “I have a lot of memories. The impression it left on me was a large part of my life. Every memory is there, you know?” But Ziggy Marley, now 52, has gone on to form a musical identity and more in his own right as an eight-time Grammy winner, Emmy winner, musician, producer, actor, children’s author, activist and philanthropist. He has infused the reggae genre with funk, blues, rock and other elements. While many of his songs are melodic pieces about love and togetherness, he has also explored issues including environmental awareness, self-empowerment, social injustice and political inequity. Marley has lived much of his life in the United States and has toured frequently, previously visiting Indian Ranch in 2016. He was scheduled to be at Indian Ranch in 2020, but the pandemic shut those plans down. However, it was just the touring that was shut down, Marley pointed out. “It didn’t shut us down. We made the best of the sit-

uation. It shut us down physically touring, but we still accomplished (a good deal). You can’t shut us down, man,” Marley said. “You cannot stop us. It was a very productive year for me. You have to make it work even though the situation is not ideal.” Marley has just released a new music video for his latest single, “Lift Our Spirits, Raise Our Voice.” The song was inspired by 2020’s political activism eﬀ orts around the protests following George Floyd’s murder by a Minneapolis police oﬃ cer. In 2020, Marley released a family album, “More Family Time,” a follow-up to his 2009 Grammy- and Emmy-winning album “Family Time.” Friends featured on the album include Ben Harper, Sheryl Crow, Lisa Loeb, Tom Morello, Busta Rhymes, Angelique Kidjo, Alanis Morissette, his brother Stephen Marley, and Jamie Lee Curtis reading from her new book. His children, Judah, Gideon, Abraham and Isaiah, also make special appearances. A playful pandemic project, Marley worked on the songs at his home studio in California then reached out to his friends to put their spin on the tracks. Marley is very much a family man. He and his wife, Orly, have four child together, and he has three other children from previous relationships. See MARLEY, Page 7

FOLKS LI KE E M O S to think ABOUT THE FUTURE. We like to help them PLAN FOR IT. countrybank.com MEMBER FDIC | MEMBER DIF

Marley’s children’s book “My Dog Romeo” was published in July. SUBMITTED PHOTO

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A “Nevermore” cast member performs.

The cast of “Nevermore.” PHOTOS PROVIDED BY OLD STURBRIDGE VILLAGE

Old Sturbridge Village turns to Edgar Allan Poe for Halloween Veer Mudambi Worcester Magazine USA TODAY NETWORK

When pandemic programming results in an occasion-appropriate experience that people are clamoring for, you know you have your ﬁ nger on the pulse of your audience. “Phantoms and Fire” is a “fully spread out, explore-it-onyour-own-terms experience,” according to Nathan Hardt, marketing manager at Old Sturbridge Village. “P&F really started during the fall of 2020 because it was clear early on that we couldn’t do programming in any prepandemic sense,” Hardt recalled. OSV’s

“Sleepy Hollow” production in previous years was well received but was not COVID-friendly, because it does not lend itself to social distancing. P&F is more similar to OSV’s longstanding “Christmas by Candlelight” program, which runs through the month of December. The theatrical and family-friendly Halloween activities will include Clues & Candy, an outdoor twist on Trick-orTreat at the Village, live music with the Mysterious Melodies of Lawrence Trailer, and themed food and beverage oﬀ erings in the ghoulishly transformed Prospero’s Tavern. The main attraction will be “Nevermore,” a series of six outdoor perfor-

mances written and directed by P.J. Griffi th specifi cally for Old Sturbridge Village and partner Coggeshall Farm Museum. Griffi th, who has more than 25 years of stage, TV and movie experience, explained that “the entire piece was inspired by the idea behind Poe’s ‘Mask of the Red Death’ where a plague was wrecking the countryside while the rich partied inside — fi t for a COVIDfriendly event.” A professional cast will bring the short stories and poems of author Edgar Allan Poe, who fi ts the 1830s timeframe of OSV, to life and will be told from the perspective of characters who have witnessed these terrors fi rsthand. The skits

will play in six diff erent locations around the Village and tell tales of horror, revenge, obsession and deception. Performances will be repeated throughout the night in a rhythm not unlike Poe’s tell-tale, beating heart so that visitors can see and experience them all. “What’s cool is that it’s not a group of actors packed closely on a stage with an audience for a couple of hours,” Hardt pointed out. Griffi th, who works with director of interpretation at OSV Rhs Simmons, agrees. “You have to treat the setting like the star of the show.” “All my friends on Broadway are opening right now,” Grifi th said, “but our stage is two miles long and open air.” Guides will tell visitors where to go and when, in order to keep people outdoors and moving. Actors, when they are not in the show, will be mingling with the crowd and playing off those interactions. The visual that OSV would like visitors to keep in mind is that of a clock — throughout the village are the six diff erent locations where the actors will perform and every 15 to 30 minutes there will be a diff erent actor popping out, so visitors can rotate through and see all the acts. Clues and Candy ties in to the clock theme as well — kids will have a paper that will send them on a scavenger hunt for stamps from diff erent locations in the Village, connected to the rotation theme. Interpreters will be telling ghost stories at the bonfi res as well. OSV has had numerous phases of preparation — sifting through feedback from last year when “Nevermore” debuted, laying the groundwork for the last month or two, booking the musical acts and actors, advertising and last but not the least, the making a truck-sized candy purchase. Hardt is relieved that under the curSee VILLAGE, Page 7

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Continued from Page 5

A portion of proceeds from “More Family Time” have been benefi ting Marley’s URGE (Unlimited Resources Giving Enlightenment), which supports the education, social development and overall well being of the Chepstow Primary School and the One Love Youth Camp, both in Jamaica. Marley has also recently written two children’s books, “My Dog Romeo” (published July 27) and “Little John Crow” (out Nov. 2). Meanwhile, on “Lift Our Spirits, Raise Our Voice,” Marley sings, “Justice for all, and not just for some, son / Equality under JAH moon and sun.” Refl ecting on the past year’s troubles, Marley said, “It’s heartbreaking the lack of empathy to other people’s heartbreaking struggles ... It’s hurtful to see the hatred being spread. “We still have to do work. We have to balance that negative with positivity through music and everyday life.” And self-refl ection. “How do I balance myself to not hate like they hate? You have to struggle with that because you might have instincts that you yourself might need to correct. Music is just a piece of it.” But music has always been there. In 1979, Marley and his siblings Sharon, Cedella and Stephen formed The Melody Makers (named after the infl uential weekly Melody Maker) and debuted with a single “Children Playing in the Streets” written by their father. (All royalties from the single were pledged to the United Nations, to aid its eff orts during the International Year of the Child.) The group’s 1988 album, “Conscious Party,” combined reggae, pop and rock, and was a breakthrough with the hits “Tumblin’ Down” and “Tomorrow People.” The record won the Grammy Award for Best Reggae Album in 1989. Marley’s fi rst solo album, “Dragonfl y,” was re-

In case you go What: Ziggy Marley — A Live Tribute to His Father When: 7 p.m. Sept. 30 (doors 5 p.m.) Where: Indian Ranch, 200 Gore Road, Webster How much: $20 to $70. www.indianranch.com

leased in 2003, and his second, “Love Is My Religion,” in 2006, also won a Grammy Award in the Best Reggae Album category. There have been other children’s albums and overtly political recordings (such as “Rebellion Rises” from 2018). He sang a duo with Donna Summer, while “More Family Time” also includes his dog, Romeo. Marley said he believes in “having an open mind with music. Get out of your zone.” In 2016, Marley ventured into acting, appearing in an episode of the TV series “Hawaii Five-0.” “I never really knew the art of acting,” he said. “I did explore the art of acting by taking a few lessons. You are a bit more vulnerable. I’m a shy person. It was an exercise in relaxing some of my inhibitions.” Marley thinks he would be a better actor next time around in a show, if the chance ever comes. “I’m not chasing it. If it happens, it happens. I’ve had opportunities, but it’s stuﬀ I wouldn’t do,” he said. Now that he’s out touring playing live music again, “I’m happy but I want people to keep safe and comfortable,” he said. “Make sure we are aware of the COVID. Be cautious. Be aware. It has nothing to do with fear.” As he pays tribute to his father, can he see any of his children following their father’s footsteps by pursing a career in music? “That’s up to them. I don’t think they’re running after it. If it was real, that would be good. If it wasn’t real, it wouldn’t,” Marley said. “You have to do it for real.”

Village Continued from Page 6

rent guidance, there are no restricted capacity limits. Hardt also said there will be no timed ticketing this year, saying those with later timed tickets last year said they wanted more time to explore. Last year, according to Hardt, the entire program sold out before opening night, and tickets are selling strong this year with Saturday tickets being very popular, in particular. His advice? “Not a bad idea to act sooner rather than later.” On Oct. 16 and Oct. 24, Thomas D’Agostino, author of “A Guide to Haunted New England,” will be signing copies of his work outside of the Miner Grant Store. D’Agostino and his wife are well-known writers and have been extensively studying paranormal accounts for over 28 years. The book de-

During the “Phantoms and Fire” event at Old Sturbridge Village, lights will guide the way for visitors as night falls. OLD STURBRIDGE VILLAGE

tails the stories, folklore, haunted anecdotes and lingering spirits across all six states in New England. “Phantoms and Fire” tickets purchased before Oct. 1 are $18 for adults and $10.80 for youth 4-17 (for OSV members, $16 adults, $9.60 for youth). On Oct. 1, prices are $20 for adults, $12 for youth. “Phantoms and Fire” will

yridon Sp

take place Wednesdays through Saturdays, Oct. 13-31, from 5-8:30 p.m. Guests can arrive anytime and stay until the Village closes. OSV and Griﬃ th have even curated the shopping experience a bit more — one can purchase Poe literature at the store to brush up on scary stories as well. Tickets and additional details can be found at www.osv.org.

Free Admission

Marley

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Worcester Hip-Hop Congress holds ﬁ rst meeting, dance competition in Mechanics Hall Veer Mudambi Worcester Magazine USA TODAY NETWORK

Sunday, the historic Mechanics Hall saw a diff erent kind of performance to a diff erent kind of music. And both the venue and the performers gained a new understanding of each other. Up until a few weeks ago, the fi rst meeting of the Worcester Hip-Hop Congress was originally planned for the Worcester Youth Center, which has birthed local hip-hop talent in the past, according to Megan Ross, visiting professor of music at the College of the Holy Cross and Clark University. However, when the Youth Center was fl ooded, she had to send up a fl are, and a friend put her in contact with Kathleen Gagne, the executive director of Mechanics Hall. In the meeting, the director had some very fundamental questions for Ross about hip-hop — what was it, what were the core elements and what would that mean for an event held at the storied location. For Ross, this was an opportunity for an important dialogue, to dispel long-held stereotypes, further community inclusion and to explain that originally, hip-hop was a way for marginalized communities of the inner city to make themselves heard, giving them a voice on social issues. The Hip-Hop Congress, a national movement founded in 1993, is about positive social change through hip-hop, said Ross, who is the Worcester chapter head. The WHHC, a coalition of teachers, artists and community leaders, was formed earlier this year and hopes to forge connections among colleges, the socially conscious hip-hop community and the nonprofi ts in Worcester. “I want to help create a stronger narrative of hip-hop’s contribution to the culture of Worcester,” explained Ross. “Artists have been actively contributing to the positive culture, and more emphasis needs to be put on that.” The fi rst meeting concluded with a dance competition, where members of the local hip-hop community could show off their skills. Hosting the event was Mr. PSA, who is a “big deal in the hip-hop community,” according to Ross, and was recommended by Worcester

The ﬁ rst meeting of the Worcester Hip-Hop Congress at Mechanics Hall concluded with a dance competition. VEER MUDAMBI/TELEGRAM & GAZETTE PHOTOS

hip-hop artist Ghost in the Machine, who serves on the board of directors. Mr. PSA was unequivocal, “we are hip-hop — it’s a way of life, not just a thing you do, it’s not just a thing you listen to.” Participating were 17 teams or crews with aspiring dancers of all ages. A wide circle formed where most people watched the competition. Many spectators periodically broke oﬀ to do their own moves, practicing for their time in See CONGRESS, Page 9

Hip-hop dancers perform Sunday in a competition at Mechanics Hall.

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�� The Hip-Hop Congress held its ﬁ rst meeting Sunday at Mechanics Hall, with a dance competition closing out the event. VEER MUDAMBI/TELEGRAM & GAZETTE

Congress Continued from Page 8

the circle, before returning — but also because the energy was infectious. The competition was broken up into three rounds of ﬁ ve “battles” each, with the winning team moving on to the next round. Three judges, Kwikstep, Brian Pistols and Maximus, voted to decide the winner, pointing to their choice on the count of three. One team, 5 Deadly Venoms, was made up of mostly young kids — none older than 11 at most — and they won their battle. The overall winners of the event were a team called Floor Lords, comprising Alex El Nino Diaz, Alfred Flo Roc Hibbert, Alan A-1 Kuang, Jon Jumpz Martey and Isaiah Arsonal Ramos. Misha “Cachief ” Goldy of the Sauce Squad and John “Robinhood” Robbins of Lawtown Assassins took home the prizes for footwork and originality, respectively. Expanding the community is a core goal for Ross and the WHHC so having the event at Mechanic’s Hall is a major step forward in breaking down mis-

conceptions. Ross felt that it would “send a message to the community that hip-hop is ﬁ ne art.” While it is still a very nascent organization, having begun in January 2021, WHHC is building membership, emphasized Ross. In addition to the board of directors, they are forming committees to direct new programs as well as initiating a fall internship program, with three college interns for social media, youth education and the live hip-hop archive project. “We are really trying to be cross-generational,” Ross said, especially with the education programs such as the summer course at the Nativity School, a community-based learning project, with Jafet Muzic. “Hip-hop is not synonymous with rap,” Ross said, and is only one element of it. The WHHC’s mission is to make sure that all elements of hiphop are coalesced. The four core points are MC (rap), graﬃ ti art, DJing and breaking (dancing). At Sunday’ event, the dance competition showcased all of these, with local artists performing, a DJ on See CONGRESS, Page 11

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Hazen Hair Studio gets makeover from Netﬂ ix show Veer Mudambi Worcester Magazine | USA TODAY NETWORK

When the Netﬂ ix show “The Home Edit” comes to town, you know there will be some “wow” changes. That’s what Amy Hazen went through. “I felt like I had to pinch myself after that interview with the cast of ‘Home Edit’ about a makeover for my suite.” Hazen, a stylist for almost 30 years, is the owner of Hazen Hair Studio in Westborough, part of My Salon Suites. When the franchise owners walked in and surprised her with the news that she had been picked for a salon makeover, you could have knocked her down with a feather. Especially, after a pandemic delay of many months since her application, she didn’t think she had been picked. Besides the physical makeover of her studio space, she is able to be the brand ambassador of the franchise for a year. She chuckled at how far she has

come since she started out. “Being so young, I basically had no fear and went out and rented a booth, but I realized pretty quickly that I couldn’t pay my rent and had no Instagram and social media to build my brand.” She moved around a bit in the metropolitan Boston area before moving to Westborough. She remembers the moment she decided she needed to start her own business. “I was driving down Route 9 when I saw a sign for My Salon Suites and realized, that’s what I wanted to do.” The makeover was eye opening for her. “I thought I was using my space well because I’m pretty organized, but it was really cool to see how to utilize it better.” One of the biggest tips “Home Edit” gave her is that when it is a small space, one doesn’t have as much on the walls because a small space with crowded walls can make a client feel conﬁ ned. See SHOW, Page 11

Amy Hazen, inside her Hazen Hair Studio in Westborough. RICK CINCLAIR/TELEGRAM & GAZETTE

Show oﬀ your best friend with Redemption Rock Brewery’s dog calendar Veer Mudambi Worcester Magazine | USA TODAY NETWORK

Do you like beer? Do you have a dog who likes being the center of attention? If you said yes to both (or honestly just the second) of these questions, Redemption Rock Brewery is taking submissions until the end of the month for its annual dog calendar. Man’s best friend has always had a place at Redemption Rock, with staﬀ and customers alike bringing in their pets since the brewery opened in 2019. “We’re big dog lovers so we wanted to incorporate that and the community responded,” said CEO Dani Babineau. “People love their dogs and love being able to bring their dogs.” With there not being a lot of dog friendly places in the city, she said, this helped Redemption Rock stand out. As a dog owner, I can attest to this, especially after the past year with some dog-friendly establishments having closed or changed their policies. Worcester Beer Garden for example, used to al-

Redemption Rock Brewery is taking submissions for its annual dog calendar. PROMOTIONAL IMAGE

low pets on the patio but this policy had been rescinded upon re-opening. With so many “taproom dogs” as Babineau called them, a calendar contest seemed a great way to celebrate that as well as introduce a little friendly competition. Also — I want to pause to say that taproom dogs sound like the best thing ever. The way it works, contestants bring their dogs in for a submission photosh-

oot - you can dress them up if you like. After that, the photos will be posted online for a vote and the top 12 will be used for the calendar, with the winners being announced at the end of October and the subject of the cover photo being top dog. After that, the winners will come in for a second themed photoshoot based on what month they’re appearing in. A portion of the sales will also go to NEADS Service Dog Training.

There’s a saying — “everyone says they have the best dog, and none of them are wrong.” If you want the chance to show oﬀ your best boy or girl to the Worcester community (I know I do) — and support a dog-friendly business — head down to Redemption Rock Brewery during business hours before the end of the month with your four legged friend! You might even see my dog Tara and me there for our own submission.

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Show Continued from Page 10

“After that, the designer took their ideas, incorporated what I liked and transformed my suite. I just gave them a few key things that I liked and then, boom.” Now that her space, her career and her conﬁ dence in the industry have gotten a boost, Hazen is all about sharing her experience. “I realized because I wasn’t using social media, I felt I was in a lull — not getting new clients or anything.” Nowadays, Hazen is using the power of Instagram and Facebook. “I was not online and you get more clients via social media and your presence out there. I had to become a photographer so people would see my work. They’re looking for you online, they’re looking for

you on Google, on Yelp.” She is also focused on her blog — writing about the ups and downs along the way in the last two years. As an ambassador, the biggest thing she is excited about is sharing how easy it is to come in and start a business. Hazen wants to collaborate with someone to start online classes down the line, to help others understand the business part of opening up a suite. “I like mentoring and helping people. I’m really big into helping people grow, letting them see my journey and maybe inspire them.” While it was hard, Hazen welcomes change. “I would tell myself that everything is constantly changing and you have to make sure not to be complacent. You have to be open to change in this industry because that opened me to this place.” Words to live by in any industry, it would seem.

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We’re part of the community just like you. And we’re We to love Local. Congress dedicated helping you with the people We love Local. connect We’re part of the community just l that matter most: your you connect dedicated to helping We’re part of the community just like you. And we’re neighbors. All to helpneighbors. you matter most: your All t dedicated to helping you connect with the people that business. grow your business. matter most: your neighbors. All to help you grow your localiq.com/NewEngland

Continued from Page 9

stage providing music, the dancing skills of the competitors and the prize of art by a graﬃ ti artist for the winners. A core theme of hip-hop is authenticity, or “about keeping it real” and retaining one’s selfidentity in the face of outside pressure. Ross is encouraged by the response to the event and that makes her optimistic about the prospects of the WHHC. “It can be an insight into racial and social inequality and society in general.” As a music scholar, Ross’s academic work has long been divided between the classics and hip-hop. She described the feeling of seeing a DJ on stage and people break dancing on the polished wood ﬂ oor of Mechanics Hall under the massive chandelier as “worlds colliding.” Or maybe it’s the birth of a whole new one.

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Kathleen Gagne, left, the localiq.com/NewEngland executive director of Mechanics Hall, and Megan Ross, visiting professor of music at the College of the Holy Cross and Clark University. VEER MUDAMBI/T&G WM-SPAD0413135816_3

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CITY VOICES HARVEY

TSA agents are feeling frisky at the airport Janice Harvey Special to Worcester Magazine USA TODAY NETWORK

What is it about me that requires frisking? Every time I travel I set off alarms. For nearly 20 years, I haven’t gone through an airport without being told to “Step aside, M’am.” I’ve traveled through Boston’s Logan Airport at least a half-dozen times, and every time I do it’s the same story. I can’t fi gure out what it is about me that triggers an alert. I frequently travel with a friend who sports a titanium hip, and she whizzes through the millimeter wave machines like a gazelle while I’m stopped cold after the full-body scanner and patted down. It’s not only the Logan TSA that suspects me of harboring weapons of mass destruction on my person. In 2005, I was asked to step aside while attempting to board a fl ight home from Chicago. The O’Hare TSA shuffl ed me off to an adjacent area where it was eventually determined that my underwire bra was the culprit. My then-signifi cant other paced and looked at his watch, secretly

wondering if I pilfered silverware from the last restaurant we patronized. Logan TSA doesn’t mess around since 9/11, so whatever it is about me that trips the system, it’s a given that I will be asked if I want to be frisked in private or in full view of the herd of bleary-eyed travelers winding through the maze. “I have no shame. I’ve given birth twice,” is my standard reply as I raise my arms in compliance. ( A woman loses that need for privacy when a crowd of strangers witnesses the emergence of a human from her nether regions. Repeating that moment, said child masters early the skill of shoving open a bathroom door.) I always opt for the public frisk. If I’m going to be detained, I might as well have an audience. During one such detention, I asked the frisker what was the area of concern. He showed me that the screen was lighting up the palms of my hands, which made me wonder why the rest of me was being scrutinized. This was a mystery, because I had removed all jewelry. See AIRPORT, Page 16

LANDGREN THE SHOWDOWN YOU DIDN'T KNOW YOU WERE

WAITING FOR: THE LOCH NESS MONSTER VS. CYANOBACTERIA!

FIRST PERSON

The upside of not doing anything at all to plan your spring garden Malt Schlitzman Special to Worcester Magazine USA TODAY NETWORK

For some reason, Janice Harvey is always stopped by the TSA. FILE

If you own land, there’s something you can do right now to help create more birds and butterfl ies. It’s not going to cost you anything, and it’ll give you more time to hang out in and enjoy your yard. Stop mowing your lawn. Or at most, mow a third of it once a year in spring, after the threat of frost has passed. Keeping a limit of 3 years of growth prevents your meadow from becoming a forest. Instead of fi lling your garden bed with expensive store-bought annuals, allow native wildfl owers and perennials to take over. It sounds paradoxical, but doing less to your yard is the best way to do more

for wildlife. Let the wild work for you! By allowing the grass to grow long, it provides a comfortable microclimate for wildﬂ ower seeds to germinate. You will discover strands of goldenrod, milkweed, Queen Anne’s lace, and swamp candle springing up of their own accord. And with them, swarms of butterﬂ ies and hummingbirds! Some of you may be shocked at the suggestion of letting “weeds” take over your precious garden, but let’s break down what that term means. A weed is an unwanted plant, whose presence interferes with the growth of ornamental or agricultural species. Another way to look at it is, a weed is the plant the earth wants growing in that particular spot. Many so-called weeds prosper in damSee UPSIDE, Page 16

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WORCESTERIA

Maybe there IS a wrong way to commemorate legendary Rolling Stones show Victor D. Infante Worcester Magazine | USA TODAY NETWORK

There are two subjects that are almost guaranteed to get a reaction from longtime Worcesterites: The Polar Parkdriven construction in the Canal District, and the fact that the Rolling Stones played here at Sir Morgan’s Cove (later called the Lucky Dog Music Hall, later still the Cove Music Hall), 40 years ago today as this is being written, a legendary piece of music history that was ably captured in an article by Telegram & Gazette reporter Craig S. Semon. So perhaps there is no greater metaphor for the city right now as two banners commemorating the Stones show’s anniversary draped over the gutted husk of the former nightclub and the fence in front of the abutting construction site, with Polar Park looming in the distance. The banners, courtesy of The Pike 100.1 FM, Worcester’s last standing commercial rock radio station, seem a strangely apt metaphor, no matter what vantage point you come from: It can feel like a monument to what’s lost in the wake of gentrifi cation, it can look like a city trying too hard to hold onto its past, it can look like a corporate radio station trying to milk listener’s nostalgia for marketing purposes, which seems a little ... tacky. When asked what the heck they were thinking, Bob Goodell — the regional vice president of Cumulus Media: WXLO, The Pike and NASH Icon 98.9 Worcester/Boston and WMAS and WHLL Springfi eld — didn’t mince words. “It’s still there,” says Goodell of the building, in a brief phone conversation. “And so for me, it’s a nod to Sir Morgan’s Cove. It’s like a wake walking past that building. Until that building comes down, it’s like we have a continuous wake going on. I walk by, I touch the building, and remember all the good stuff that happened there.” Honestly, it’s a more earnest answer than I expected, but then, Goodell’s never been shy about being sentimental about these things, even as he concedes

that the building was in bad condition at the end. Goodell was an account executive at WAAF in 1981, when the Stones played, and was one of the people “lucky enough to have been in the building,” to see one of the most popular rock bands ever in a 300-person venue, as Semon points out in a Facebook conversation, 10 days before they played to 182,000 people in Philadelphia. It’s an experience that would happen increasingly seldom, if ever, afterward, and one which will likely never happen again. “With all these guys,” says Goodell, “the Rolling Stones being so old, will we talk about this 10 years from now? Most of them will be dead, they certainly won’t be playing anymore.” I counter that Keith Richards certainly might be, and he takes my point in stride. The fact is, when we celebrate the anniversary of the Stones playing Sir Morgan’s Cove, we’re really talking about something else, about an era of rock ‘n’ roll that’s slipping into history, as the genre’s most iconic generation ages. Besides, adds Goodell, “right now with all we’ve had to endure, I think we’re all looking forward to what’s to come, especially live music.” Live music has sort of returned, but it’s an awkward aff air, and frankly, still a little nerve-wracking. “We’re all looking for a little piece of happy right now, and the fact that we can think of something very happy that happened 40 years ago … it’s good. That’s what we’re looking for, in a time when we still can’t fully connect with people.” Right now, the plan is to put in some sort of entertainment center at the site of the Cove, with much talk of “luxury” apartments, offi ce space, bowling alleys and such. “I still think it would be nice when they fi nish it,” says Goodell, “if the city, or (The Pike) ... Maybe we should put a plaque on the sidewalk. I think that would be a cool idea to remember what happened.” I’d say there’s a good chance of that happening. After all, as Bob Seger once sang, “rock ‘n’ roll never forgets,” and honestly, when it comes to stuff like

40 years ago, the Rolling Stones played Sir Morgan’s Cove. The Pike 100.1 FM commemorated the event by putting a banner on the vacant remains of the building. VICTOR D. INFANTE/TELEGRAM & GAZETTE

this? Neither does Worcester.

District races still up in the air On the morning after Boston’s Mayoral primary, journalist Sue O’Connell of Boston NBC 10 and Bay Windows, among other outlets, asked the single most salient question to emerge from the election. “To the 329,466 registered Boston voters who sat this one out,” she tweeted, “… why?” Likewise, WBZ-TV News anchor David Wade tweeted, “3 out 4 registered voters in #Boston, didn’t vote yesterday. Why aren’t people interested? Are people repulsed by the political process? Would they rather wait until the ‘real’ election in November? Is it the media’s fault (I put that in to beat you to the punch)?” The excuses gave for not voting were pretty much the ones they always have, with an added twist of, “Maybe we shouldn’t schedule elections right after a holiday on the week that kids go back to school.” Which? Excellent point, actually. Still, we have no right to be judgy here in Wormtown: We only had a primary in two district city council elections, and the estimated turnout was just over 10% of eligible voters. Which isn’t even our worst showing: We had 7% just a few election cycles ago. Fact is, no matter how many times it gets spelled out for people how these sorts of elections are far more relevant

to their day-to-day life than the superexciting presidential elections, it falls on deaf ears. And while I could go on to quote the replies to O’Connell and Wade’s tweets, let’s face it, the bulk of replies were people speculating why other people didn’t vote. Anyone who actively follows a journalist on Twitter is probably engaged enough to vote. I mean, really. We attract a type. So is it signiﬁ cant that, in District 5, housing advocate Etel Haxhiaj had more than double the votes of her November opponent, Gregory Stratman, a retired state police trooper, 1,215 to 569? Or that in District 1, police union president Richard Cipro received 1,384 votes, while incumbent Sean Rose received 1,227? Sure, both of those are signiﬁ cant facts. Could either of those outcomes have been swayed by a higher turnout? Almost certainly. When the percentages are so low, a small change in the number of voters can cause a vote to swing. But do they auger anything for the general election in November? No, neither front runner should get comfortable, nor should either of the candidates currently sitting in 2nd place despair. What matters now, for all the candidates – including in the other City Council and School Committee elections – is turnout. It’s not enough to convince voters of the rightness of your ideas and positions: You have to get them to the ballot box, too.

14 | SEPTEMBER 24 - 30, 2021 | WORCESTERMAGAZINE.COM

COVER STORY

NOFX’S FAT MIKE TALKS PUNK IN DRUBLIC FESTIVAL, SET FOR PALLADIUM The Mighty Mighty BossTones, Pennywise and Get Dead will perform at festival Jason Greenough Special to Worcester Magazine USA TODAY NETWORK

rom the very inception of Punk In Drublic Festival, Mike Burkett, otherwise aﬀ ectionately known as Fat Mike, has had one constant ingredient for the “secret sauce” that makes every year a rousing success: get Bad Religion on the bill. However, that won’t be possible for the festival’s Worcester stop at the Palladium Outdoors on Sept. 25, so the NOFX frontman is getting what he knows is the next best thing. Joined by Boston ska punk legends The Mighty Mighty BossTones, Pennywise, and Get Dead for the weekend punk rock hoedown, NOFX and Burkett are pumped for what the latest Massachusetts installment of the annually touring festival might have in store. But let’s be honest — he knows what makes a festival of this magnitude successful, and he’s sticking to that formula. “I love it. I love that the BossTones are on it, and I won’t do one of these unless the bands are [expletive] great,” Burkett says. “That was the idea, where people only want to see ﬁ ve bands, so let’s make sure there’s a good half-hour in between bands so people can drink and NOFX will headline the Punk In Drublic Festival at the Palladium. SUBMITTED PHOTO

See PUNK, Page 15

WORCESTERMAGAZINE.COM | SEPTEMBER 24 - 30, 2021 | 15

“You should be able to drink wherever you want, not in just a little garden space, and more than ﬁ ve bands is ludicrous. So, let’s make sure that all ﬁ ve bands are good. And let’s do the show on weekends, because people are still working during the summer.” SUBMITTED PHOTO

Punk Continued from Page 14

not have to listen to music from ﬁ ve different stages, and let’s just make sure the bills are really good.” While, due to COVID restrictions, this year may not carry all of the extracurricular, punk-inspired fun that the festival has brandished in years before, whether it be “The Wheel of Misfortune,” target practice with rocks and plates, playing badminton with the bands, or throwing a few back at a padded bar in the middle of the mosh pit, Burkett is conﬁ dent that the music will speak for itself and bring the punks to the parking lot all the same. It’s long been a part of the mission

statement that whatever has been absent from other shows, this festival wants to make it happen — sort of like a real-life pleasure island, a la Pinocchio — and Burkett is proud to have stuck to that mission and built onto it, year after year. “The thing about Punk in Drublic is that we invented a festival where everything that we didn’t like about other festivals is part of what we’re doing, like having kids there,” says Burkett. “You should be able to drink wherever you want, not in just a little garden space, and more than fi ve bands is ludicrous. So, let’s make sure that all fi ve bands are good. And let’s do the show on weekends, because people are still working during the summer.” Every show and every city that hosts PID is diff erent, of course, but as a native of Newton, Burkett feels a diff erent

type of connection with bringing the festival back to the Commonwealth, with no small thanks to their connection with the guys in the BossTones. While their friendship runs deep with the plaid boys of Boston, the love doesn’t stop there, though, as every band on the bill shares a mutual aﬃ nity for each other, both on and oﬀ the stage, and that makes for a truly magical outing. “With every band on the show, we’re all good friends, which is so fun and so unlike metal, rap or pop,” says Burkett. “In other styles of music, there’s competition and rivalry. It’s not that way in punk rock. In punk rock, everyone is just stoked to be there and they’re supportive, and we’re all so lucky to be doing what we’re doing.” At the end of the day, all Fat Mike and the boys in NOFX have wanted to do is

curate a festival experience that was fun, freeing and absurd. Because, at the root of the genre, that’s what punk rock is. He jokes that the band has pledged to “try a little harder” on stage in lieu of all the extra ﬁ xings that have entertained festival-goers in the past, but Burkett and his gang of punk rock compadres aren’t about to stray away from their career-long motto of fun on stage. If they’re having fun on stage, the crowd is having fun, and with the closeness he feels with the area, even if Burkett doesn’t see it as something of a hometown show, it does have that essence with the excitement leading up to it, and his main hope and proclamation as we close in on the festivities is pretty simple. “I guarantee that you might have a good time.”

16 | SEPTEMBER 24 - 30, 2021 | WORCESTERMAGAZINE.COM

Airport Continued from Page 12

“Some hand sanitizers have an ingredient used in homemade bombs,” he told me. The off ender is glycerin, which is in countless beauty products. This particular frisk was conducted pre-COVID. I’ve got to assume everyone’s hands light up nowadays. Either TSA has abandoned that concern, or crowds of would-be bombers are fi lling the airports unchecked. This trip, I once again held up the line like an elderly woman writing a check at the grocery store. I watched my fl ip fl ops and my tablet roll by on the conveyor belt as a former prison matron ran her hands over my entire body. I wore a wireless sport bra, pocketless leggings and a T-shirt. I wore no jewelry and used hand sanitizer provided by Logan. I still set off the detector.

“Ladies and gentlemen, I implore you,” I wisecracked, arms spread wide. Apparently there were no “Seinfeld” fans in the line behind me, or perhaps the fact that it was 5 a.m. left them humorless. That’s a shame. I’m packing for the return ﬂ ight from Florida, where I’ve managed to visit nearly-empty beaches and dine outdoors or do the cooking myself. My vaccinated host Wendy and I have hopefully dodged the Delta variant by practicing extreme social distancing and masking everywhere but home. I have no doubt that before I board the ﬂ ight to Massachusetts, my tan will send the Florida TSA into overdrive, since I will slather my skin with enough glycerin to topple Trump Tower. Maybe, as one traveler stuck in the line behind me at O’Hare suggested with a snicker, I simply have iron-rich blood. Everybody’s a comedian — until I combust in seat 7-B.

Upside Continued from Page 12

aged or low-nutrient soil, conditions more decorative plants cannot withstand. If one particular species is dominant in an area, it’s likely because it’s best adapted to those conditions. These plants can tell you much about what’s going on underneath the soil’s surface, you just have to work with them instead of against them. In short, a “weed” is a wildfl ower that Monsanto hasn’t fi gured out how to monopolize. Evening primrose fl owers are fairly small, and an uncomplicated yellow color, but they attract butterfl ies by the dozen. And in the winter, their seeds are a favored snack of goldfi nches. In a way, are not these birds a sort of secondary blossom? Is the black-cap of a chickadee not beautiful? Learn to see a plant not just as a scrag-

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A monarch butterfly on a blooming swamp milkweed. WORCESTER COUNTY CONSERVATION DISTRICT

gly green thing, but as a part of a natural system of exchange. Goldenrod does more than produce huge colors of wonderfulsmelling fl owers, bees overwinter in their hollow stems during fall. Their aggressive root buds break up compact soil to quickly colonize damaged roadside embankments. Something eats the nectar, pollen, seeds, and leaves. And eventually, what was living becomes fuel for new growth. You may have heard the term “invasive species,” referring to insect pests and especially egregious weeds. I am not asking you to be OK with invasive species. In fact, I need your help tearing them out of our city parks. To provide an easy, uncontroversial defi nition, an invasive is an introduced species whose presence degrades the overall health of an ecosystem. Invasive bittersweet, knotweed and footstabbing water caltrops are all a huge problem in Worcester parks and yards. If you allow an invasive weed to grow, it will be the only thing growing in the area, and nothing else will be able to survive off of it. A well-managed wilderness garden can be diff erentiated from an abandoned lot by the

presence of unmitigated invasive species. I am not letting shady landlords off the hook for yard maintenance! I am suggesting that there is a new way to maintain a yard, which requires less labor, and results in a more beautiful landscape for the people and animals who live in it. All you have to do is nothing, intentionally. Not to sound paranoid, but over the past 120 years, there’s been a secret war waged by Big Lawn to sell you various forms of poisons all in a bid to try and replicate the croquet fi elds in English manors. And now with climate change giving us blistering hot summers and annual droughts, the monetary and environmental cost of these lawns becomes impossible to justify. People are spray-painting dead grass! This is sheer lunacy! We’re wasting drinking water on yards no child will ever play on! Why? Someone with a fi nancial interest in selling you fertilizer told you it looked better? And you think I’m crazy? No one has ever suff ered for letting clover grow in their yard. I encourage us all to embrace the wild beauty of a backyard meadow. Do it for the birds!

WORCESTERMAGAZINE.COM | SEPTEMBER 24 - 30, 2021 | 17

CITY LIVING THE NEXT DRAFT

TABLE HOPPIN’

Davis Mega Maze Signature Brew Series: The rise features ‘Waldo’ and of Greater Good’s PULP Daddy Kansas City barbecue Special to Worcester Magazine USA TODAY NETWORK

Barbara M. Houle Special to Worcester Magazine USA TODAY NETWORK

There are lots of great options for New England fall road trips. Fairs, festivals and PYO apples and pumpkins at local farms all provide the background for celebration of the season. The Davis Mega Maze in Sterling is another way to get the family excited about fall. The I-Spy Where’s Waldo at Davis Mega Maze, 142 Redstone Hill Road, oﬃ cially opens Oct. 2.

This year’s colossal Mega Maze unites the nostalgia of childhood with the thrill of adventure, according to co-owner Larry Davis. Three miles of mind-boggling puzzle networks are carved into an eightacre corn ﬁ eld creating a larger than life living sculpture of the classic I-Spy Where’s Waldo. “The Where’s Waldo maze is a fun, light-hearted maze theme that will bring out the child in all of us … and lots of laughs!” said Davis. “Conquering the Where’s Waldo Mega See HOPPIN’, Page 18

Davis Mega Maze co-owner Larry Davis in this year’s Where’s Waldo-themed maze, which opens Oct. 2. RICK CINCLAIR/TELEGRAM & GAZETTE

Every brewery has a signature beer. It could be one brewed once a year, with people marking their calendars and lining up for the release: 3 Floyds Brewing Co.’s “Dark Lord” comes to mind, a stout available only at the Indiana brewery one day in April, dubbed Dark Lord Day. Or a signature beer could have changed its brewer forever, propelling not just success in terms of dollars and cents, but also drumming up the kind of fandom normally associated with a sports team or band. For the legendary Green Mountain State brewer, The Alchemist, that beer is obviously “Heady Topper,” an IPA with such a zealous following that people crisscrossed Central Vermont — zipping from liquor store to gas station to coop — trying to assemble more than a case of it. Over the next few months, I will profi le several of these beers in my “Signature Brew Series,” starting this week in Worcester with Greater Good Imperial Brewing Co.’s IPA “PULP Daddy.” I chose PULP Daddy for the fi rst entry in this series because its brewing represents a perfect storm of calculation, fate and timing. PULP Daddy emerged in 2018 mere months after Greater Good moved into a new brewery in Worcester — its fi rst brick and mortar location — as consumers' thirst for extra boozy, hazy IPAs started to rise.

Truthfully, I cannot remember a time when Greater Good did not brew PULP Daddy, which is weird because I wrote about the brewery in December 2017, almost a year before it opened in Worcester. At that point, Greater Good had been around for three years, brewing under contract at a facility in Williamsburg. Even without its own brewhouse, the brewery had developed an impressive repertoire of high-ABV beers, its most popular being “PULP,” PULP Daddy’s toned-down predecessor, fi rst released in early 2017. A year later, in its new brewery on Millbrook Street, Greater Good made its fi rst batch of PULP Daddy. Founder Paul Wengender operated a biotech company in the city before opening the brewery, and he would bring some of those same skills to planning PULP Daddy’s launch. “It was deliberate and programmed,” Wengender said. “The mission was simple: create a juicier, hazier version (of PULP). That stated, we didn’t want to radically alter the recipe of PULP — PULP was the fl agship product and the driving revenue force for our team from early 2017 into 2018, and actually still is. We simply wanted to augment the haze.” Just that slight alteration to the PULP recipe — along with an aggressive marketing campaign — proved monumental, as PULP Daddy was an instant success. And it’s not a coincidence that PULP Daddy’s release coincided with Greater Good’s

move to Worcester. The excitement of opening in a new city and the freedom of having its own brewhouse created the ideal circumstances for the brewery to release its next hit. Greater Good Beer and Brand Evangelist J.T. Ethier

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Hoppin’ Continued from Page 17

Maze also will build an appetite that only Pit Master Josh’s award BBQ can satisfy.” Josh Freda, pit master for Davis Mega Maze BBQ & Brews, prepares amazing Kansas City BBQ. His Kansas City burnt ends, smoked ribs, brisket pulled pork, turkey legs and sides like “farm fresh corn” are fan favorites. Adults can pair barbecue with locally crafted beers, or choose their own craft beer tasting. Davis said Josh’s homemade apple cider glazed donuts are a must! “They’re made fresh all day and drizzled in a sweet candy glaze. A fall must have!” Davis family members operate a 250-acre farm that includes Davis Farmland and Davis Mega Maze. Davis BBQ Restaurant opened last year and operates year-round.

A birds-eye view of the I-Spy Where’s Waldo maze at Davis Mega Maze. SUBMITTED PHOTO

Davis Mega Maze is only open Saturdays, Sundays and Columbus Day from Oct. 2-24. Hours are 11:30 a.m. to 7 p.m. Saturday; 11:30 a.m. to 5 p.m. Sundays. Note. The maze is open weather and ground conditions permitting. Visit

www.davismegamaze.com for more information. Pick-Your-Own Apples and Pumpkins is another activity to enjoy at this farm. The apple orchard has McIntosh and Cortland apples, in addition to apple pies.

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With paid admission to Davis Farmland or Davis Mega Maze, visitors will pay $7 for a half peck of apples; $13, full. If you go to the Farmland just for PYO, the cost of a half peck of apples is $13; full, $18. It’s a good idea to check the website, https://davisfarmland.com, for picking conditions, etc. Davis Farmland operates on a fall schedule from 9:30 a.m. to 4 p.m. Thursday and Friday; 9:30 a.m. to 5 p.m. Saturday and Sunday. Closed Monday, Tuesday and Wednesday. Whether you decide to be a little adventurous and take a thrill ride on the Zip Zone Zip Line, race down the Twin Turbo Slides, take a quad cart for a spin, or simply sit back, relax and enjoy live music, Davis Mega Maze and Davis Farmland help make the most out of fall.

Home Gardeners Exhibit at OSV The Home Gardeners Exhibit returns to Old Sturbridge Village Oct. 16-17. Home gardeners can participate in an online virtual exhibition and/or the in-person exhibition that will be held at the village. The exhibit is open to the public and museum village. Entries can be anything grown in the 2021 season, including vegetables, ﬂ owers, herbs, etc. Heirlooms, too. The entry must be grown by the exhibitor. No entry fee and each person may enter up to four items. Deadline is Oct. 6. Visit www.osv.org for more information and pre-registration form. Check out the photo on the website of the green striped cushaw squash that won the Heirloom category last year. It was grown by Joanne Lepper of Dudley. Museum horticulturalists will determine a winner and runner-up in these categories: Best in young gardeners (ages 5-12); Best in adult gardeners (13 and up); Best heirloom; Best overall. Prizes will be awarded.

Check the village website for fall activities, including Phantoms and Fire that runs from Oct. 13-31. Explore the museum after hours for Halloween delights, from “bats and bonﬁ res to cauldrons and candy.” Ghosts along the way. Reserve early!

Narragansett marks Oktoberfest Narragansett’s seasonal Oktoberfest beer Fest is back by popular demand, according to a ‘Gansett rep, who reminds fans that they can raise a can of the traditional Marzen lager just in time for Oktoberfest celebrations everywhere. Narragansett will throw a three-day Oktoberfest bash Oct. 1-3 at its new brewery, 271 Tockwotton St., Providence. Guests will be able to sip on Fest and the new Gourd Reaper pumpkin beer, enjoy a variety of authentic German food treats and participate in traditional “Oktoberfest revelry” (stein holding competition, anyone?). Tickets must be purchased in advance by visiting Eventbrite. Admission is $20 per person. Fest is a “5.5 percent ABV amber lager brewed with Germany’s quality hops and malts, creating a balanced brew with notes of bread and toasted malt to start, followed by a crisp, subtly spiced hop ﬁ nish.” Cheers!

Black Sheep Bah-Bah-Q moves to Spencer On the move: In August, the Table Hoppin column introduced readers to the new food truck Black Sheep Bah-Bah-Q & Kitchen in Leicester. Owners Jennifer Wright and Patrick Flynn of Paxton, ﬁ rsttime owners and operators, have since relocated the truck to 387 Main St., Spencer. If you have a tidbit for the column, call (508) 868-5282. Send email to bhoulefood@gmail.com.

WORCESTERMAGAZINE.COM | SEPTEMBER 24 - 30, 2021 | 19

For Your Nomination From Everyone at

Greater Good Imperial Brewing Co.’s signature beer, PULP Daddy, takes in a game at Polar Park.

Best

COURTESY OF GREATER GOOD IMPERIAL BREWING

Draft Continued from Page 17

ﬁ rst noticed the shift in popularity from PULP to Daddy in the taproom. “A week into selling it, people loved saying the name,” Ethier said. “The name of the beer draws them, and they were having fun with it. They were asking the bartender, ‘Are you the PULP Daddy?’” Out in distribution, PULP Daddy began quickly outselling its son. “It was literally overnight that it took over,” said Sean Casey, Greater Good’s director of business development. “The branding took on a life of its own.” The next year, the popular beer blog Mass. Brew Bros held a statewide blind tasting competition to determine the best IPA in Massachusetts. More than 100 judges tried 48 diﬀ erent IPAs. Surprisingly, Greater Good’s PULP Daddy, one of the newest entries in the contest, won. The recognition from the competition fueled PULP Daddy’s distribution sales, helping Greater Good become one the of the fastest growing breweries in the state. Last year, the brewery produced 11,200 barrels, up from 7,100 in 2019.

PULP Daddy accounted for nearly 40% of that production. Last month I was in Greater Good’s taproom on the busy night it unveiled a blood orange version of PULP Daddy. Several people, including my drinking companion, who is among Greater Good’s most fervent followers, told me how excited they were to try the latest riﬀ on PULP Daddy. That Greater Good’s brewers have so much fun experimenting with PULP Daddy speaks to their love of brewing it. And earlier this month, Funk Daddy, the sour version of PULP Daddy, took home a silver medal at this year’s Greater American Beer Festival in the American sour ale category. “I was texting everyone I knew, ‘Guess who’s not just winning awards in IPAs anymore?’” Ethier said of his reaction to the medal. “We’re really proud of that beer.” PULP Daddy is Greater Good’s signature beer not only because it sells well. There’s a tangible enthusiasm for the beer and its many variants. You see it in Greater Good’s brewers and customers. That feeling will linger well past the day hard seltzer or kombucha or even Mountain Dew overtakes IPAs in the market.

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20 | SEPTEMBER 24 - 30, 2021 | WORCESTERMAGAZINE.COM

CONNELL SANDERS

Pay what you can to party on the YouthGROW farm Sept. 24 Sarah Connell Sanders Special to Worcester Magazine USA TODAY NETWORK

The fi rst time I visited the YouthGROW farm in Worcester’s Main South neighborhood, I was fl abbergasted. I had grown up less than two miles away, but never in my wildest dreams had I imagined such a lush sanctuary could exist in the middle of the city. I spent the morning weeding garden beds and harvesting peas alongside a handful of spirited high school students. In my subsequent visits, the farm grew to include a high tunnel and a series of public art installations. One thing remained consistent — the YouthGROWers’ intense enthusiasm and willingness to get their hands dirty. Director of Programs Grace Silwoski says it has been an amazing summer on the YouthGROW farm. “This year, it felt like we shifted back into thrive mode,” she told me. “It has been incredible to see the amount of creativity it takes to keep the farm functioning.” Despite a series of pandemic-related obstacles, YouthGROW returned to inperson programming for the 2021 season, employing more than 30 teens to maintain two urban organic farms in Worcester. “Normally we do fi ve YouthGROW fi eld trips, but we were concerned with COVID protocols around transportation and eliminating the logistics of that freed up time to do a lot of partnerships with local organizations this summer,” Silwoski explained. YouthGROWers worked with POW! WOW! Worcester and OurStory Edutainment to beautify the farm and bring it back to life. The results are stunning and the youth responsible cannot wait to share their success with you. Silwoski is looking forward to giving the community a glimpse of farm life on Sept. 24 for the annual Farm Party at 63 Oread St. “We want to share our gorgeous views of the city, exciting public art and unique growing structures,” Sil-

YouthGROW will host a party at its farm at 63 Oread Street. SUBMITTED PHOTO

woski said. “It’s a productive, functional, urban farm — one of Worcester’s hidden jewels.” Friday’s celebration will feature dishes from West Side Barbeque, Root and Press, deadhorse hill, Fatima’s, Bahnan’s, One Love, Peppercorns, and more. In addition, Redemption Rock Brewery will provide beverages to keep guests refreshed during a series of farm tours throughout the evening. Unlike many of Worcester’s local

fundraising events, tickets to the Farm Party can be purchased on a sliding scale, ranging from $5 to $100. “It’s something we’re trying to incorporate into all of our events to really be thoughtful about accessible participation for everyone in our community,” said Silwoski. “It’s similar to what we did with our plant sale, where we ask folks to contribute at whatever level makes sense for them so that cost isn’t a barrier for anyone to come; framing the

event in that way is also a way of showing the trust and the love that we have for our community.” Purchase your ticket at www.recworcester.org to directly support farmers markets, community gardens and youth employment in urban agriculture across Worcester. This event is made possible by Newbury Investment Partners, Worcester County Food Bank and Miller Fence Co.

WORCESTERMAGAZINE.COM | SEPTEMBER 24 - 30, 2021 | 21

ARTIST SPOTLIGHT

Elijah Johnson Elijah Johnson Special to Worcester Magazine USA TODAY NETWORK

My name is Elijah Johnson and I was born and raised in Worcester. I’m a graduate of St. Peter-Marian and Becker College. I’m a Marine Corps veteran of Operation Enduring Freedom. I work for the Worcester DPW and was a longtime PCA. I have a son Gabriel who loves art. I started painting in 2016 to make him proud. This Artist Spotlight is presented by Worcester Magazine in partnership with ArtsWorcester. Since 1979, ArtsWorcester has exhibited and advanced the work of this region’s contemporary artists. Its exhibitions and educational events are open and free to all. Learn more at www.artsworcester.org. Rupi, acrylic on tea bag ELIJAH JOHNSON/ARTSWORCESTER

22 | SEPTEMBER 24 - 30, 2021 | WORCESTERMAGAZINE.COM

Olivia Rodrigo, Lil Nas X, BTS and other artists who’ve made 2021 a weird year for music Victor D. Infante Worcester Magazine USA TODAY NETWORK

Every year for the past few years, I’ve compiled a Spotify playlist as a sort of snapshot in the year of music. Obviously, releases by regional artists are the priority, but I also try to throw in some pop favorites, critical darlings, great indie stuff you might have never encountered and a few tributes to great artists who have passed on this year. Some years it’s easier than others. The year 2016, for example, which I labeled “The Year the Music Died” after the tragic passing of Prince, David Bowie, Tom Petty, Leonard Cohen and others, had a very funereal feel, even though there was so much great music. And 2020 was much the same, with the loss of Bill Withers, Neil Peart, Charlie Daniels and more, but there was also a weirdly cool DIY vibe as artists kept releasing music from within the quarantine. There was a strangely high-octane musical feel in 2019, with everyone from STL GLD to the Jonas Brothers to Gary Clark Jr. releasing a blisteringly addictive torrent of music. Every year’s a little diff erent. Which brings us to 2021, and so far … 2021 has been weird. Not that there hasn’t been great stuff , especially on the regional front: Work by Annie Brobst, Jafet Muzic, Sapling and others has fi red on all cylinders. But on the national front … well … there have have been some hits, sure, but a lot of what’s come out this year has either emerged from odd venues, or with the mainstream stuff , had some sort of weird asterisk on it. If ever a year has made it clear the music industry is in fl ux, it’s been this one. So with that said, here are some pop oddities and eccentric gems from the year so far. “Racist, Sexist Boy,” by the Linda Lindas: The live performance of this bit of defi ant rock ‘n’ roll by the youthful allgirl Los Angeles punk band caught the internet by surprise: The video went viral, and suddenly, a generation of young women who have to deal with this junk had a new battle anthem. The recording’s low-fi all the way, so the sound’s not great, but it is still a totally exhilarating rabbit punch of a song.

Olivia Rodrigo CONTRIBUTED / LOUIS BROWN

The Linda Lindas PROMOTIONAL PHOTO

BTS JORDAN STRAUSS/INVISION/AP

“good 4 u,” by Olivia Rodrigo: On the surface, this is a fairly straightforward pop song: A teenage breakup anthem, with a cathartic kiss-off to an ex-boyfriend. It’s musical popcorn, and frankly, it’s a lot of fun. But the weirdness comes when Hayley Williams and Josh Farro of Paramore were added as cowriters for “inspiring” the song with their own song, “Misery Business.” The same thing actually happened with Taylor Swift on Rodrigo’s “Deja Vu” (which, under the circumstances, is kind of ironic.) Do I think that Rodrigo and the writers she works with are outright lifting material from highly visible artists? Not really, but it does go a long way toward proving that a lot of the pop-rock ground has been so well-tread that perhaps it’s becoming hard to come up with original sounds and ideas. Still, everything else being equal, the song pretty much kicks. “Savage,” by Sam James: James has admitted he was just having a bit of fun during quarantine with his fl ips of hiphop songs into countrifi ed acoustic numbers, but the reaction on Instagram and TikTok has been phenomenal, and these days, that translates to a real audience. James’ rendition of Megan Thee See MUSIC, Page 23

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Music Continued from Page 22

Stallion’s “Savage” is probably my favorite of the bunch. It’s a real barn-burner of a song, taken with a light spirit but staying true to the grit and soul of the original. It’s lot of fun, and a real look at where our popular music is increasingly emerging from, because goodness knows it ain’t commercial radio. “Butter,” by BTS: Earlier this year, my friend Jenna asked on Facebook, “Why did no one tell me that K-Pop slaps?!?” Truth is, the genre really does turn out some highly addictive and catchy tunes, and few more than this one from the South Korean boy band, BTS. The song rocked up the Billboard charts and the video exploded on YouTube, breaking all sorts of records. There’s nothing inherently weird about any of that, as the song does, indeed, slap, but I also fi nd myself wondering about the weird reaction to Fela Kuti’s Rock and Roll Hall of Fame nomination earlier this year, and how Americans and Western Europeans get weirdly isolationist when it comes to music – really, it’s not our best look – and it’s going to be an interesting conversation in a few years when the Rock Hall starts nominating K-Pop bands. It’s going to happen, the blowback will be weird, and frankly, none of it will matter because this song’s still going to be a dancepop banger. The Internet has made our our pop music less Euro-centric, and that, ultimately, is for the best. “Driver’s License,” by Ryleigh Modig: Spencer teenager Ryleigh Modig didn’t make it to the fi nish line on “The Voice,” but goodness gracious did she put up a fi ght. Her biggest impression was probably straight out the gate with her cover of Olivia Rodrigo’s, “Driver’s License,” which made good use of her excellent phrasing and her ability to convey emotion. But more to the point, it’s easy to

Kathryn Hahn as Agatha Harkness in “WandaVision.”

Sam James FILE PHOTO/NBC

MARVEL STUDIOS

forget that the songs that appear on “The Voice” are released almost immediately on iTunes, which inevitably makes them some of the bestselling singles of any given week when the show’s on. The importance of televised singing competitions is a bit overhyped, but they DO have an impact, and if handled right, having singles as good as this one can be a solid building block for a young artist’s career. “MONTERO (Call Me By Your Name),” by Lil Nas X: If you take away the overtly homosexual themes in this song, it’s not very diff erent than a lot of other pop numbers. It’s got highly sexualized themes, but that’s not unusual these day, and honestly, it’s really easy to get earwormed by this song. Still, the uproar was predictable and outsized. Of course, Lil Nas X is a provocative artist, and stoked the fl ames a bit with a highly homoerotic music video that featured the artist having sex with the Devil, and then there was a weird venture into selling shoes with blood in them, and … well … yeah. America rises to bait pretty easily, and Lil Nas X managed to make his artistic statement with fl air. Still a good song, though. “Agatha All Along,” by Kathryn Hahn: SPOILER ALERT for “WandaVision” ahead, although really, by now, most anyone who cares has caught the big reveal: that the

witch Agatha Harkness, played by Hahn, had been manipulating the protagonist, Wanda Maximoﬀ , for her own gain. This wasn’t THAT big of a surprise if you’d been paying attention, but NO ONE expected the reveal to come in a ‘60s TVshow style opening credits musical number, even fewer peo-

ple expected it be released on iTunes, let alone shoot to No. 1, but it did, and it’s still a stupidly addictive piece of music, although I doubt it reads the same if you didn’t watch the show. Still: “And I killed Sparky, too!” may be one of the year’s best lines, in any medium. “Born 2 Die,” by Prince:

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There’s something eerie about when an artist releases work from beyond the grave, and we have a lot of that from Prince to look forward to: The man was proliﬁ c. “Born 2 Die,” however, on his posthumous album, “Welcome 2 America,” does a lot of what Prince has always done best: Finding that place where sensuality and spirituality intersect. This album has really shown his willingness to express his social consciousness in a high-concept fashion, and it works. It’s a great, soulful song on an album that gets better the more time you spend with it. Visit this article online on Worcestermag.com and Telegram.com to listen to Victor D. Infante’s ongoing 2021 playlist, “’Gimme Shelter’: A Playlist From the Beginning of the End of the Apocalypse (Maybe).” Follow the playlist on Spotify to see it evolve over the rest of the year.

24 | SEPTEMBER 24 - 30, 2021 | WORCESTERMAGAZINE.COM

SCREEN TIME

Movie scouts ﬁ nd lots to love at B-Man’s 140 Tavern in Sterling Craig S. Semon Worcester Magazine USA TODAY NETWORK

To B-Man or not to B-Man, that is the question. Not only is B-Man’s 140 Tavern at 344 Redemption Rock Trail (Route 140) in Sterling being featured as Dell’s, a roadside bar in Jerusalem’s Lot, Maine, aka “Salem’s Lot,” in the latest ﬁ lm treatment of Stephen King’s vampire epic “Salem’s Lot,” it also serves as “The Crystal Bar,” a local hangout for incognito serial killer with a conscience Dexter Morgan (aka Michael C. Hall) in Showtime’s “Dexter: New Blood.” Last week, crews ﬁ lmed scenes for “Salem’s Lot” at the popular watering hole. “Out near the town line … there was Dell’s, where a rock

‘n’ roll band played on Fridays and a c/w combo played on Saturdays,” wrote King in his novel. “For most of the down-home cowboys and their girlfriends, it was the place to go and have a beer or a ﬁ ght,” True, the B-Man’s 140 Tavern looks like the kissing cousin to “The Bang Bang Bar,” aka the “Roadhouse,” so much that you would expect to see James Hurley on his bike, Jacques Renault tending bar, and the angelic laments of Julee Cruise permeating the air with the smell of stale beer. So what gives? What do Hollywood honchos see in BMan’s 140 Tavern that cries out dive bar to hide out from vampires and hobnob with precision serial killers? Jennifer Carpenter as Deb and Michael C. Hall as Dexter in “Dexter: New Blood.” See SCREEN, Page 25

PHOTO SEACIA PAVAO/SHOWTIME

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‘F9’ continues franchise’s wild ride The long-awaited return of Dominic Toretto and crew in all their muscle car glory tops the DVD releases for the week of Sept. 21. “F9: The Fast Saga”: In addition to Vin Diesel’s Toretto, the ninth “Fast and the Furious” installment features beloved characters Roman (Tyrese Gibson), Tej (Chris “Ludacris” Bridges), Letty (Michelle Rodriguez), Mia (Jordana Brewster) and Han (Sung Kang), back from the dead. The movie also sees the return of director Justin Lin, who “evolved the franchise from minor street racing thrillers into outlandish displays of car ballet,” writes Tribune News Ser-

vice critic Katie Walsh in her review. Once again, “Lin ups his own ante with the outrageous vehicular stunts in ‘F9.’” Walsh praised the fi lm’s fl ashback storyline as well, fi nding that “while it is the ridiculous set-pieces in ‘F9’ that take the franchise soaring to new heights, it’s the meta moments and the willingness to dive into the past in a real way that make this movie innovative within its own formula.”

Also new on DVD Sept. 21 “Cruella”: Disney’s live-action prequel exploring the oriSee DVD, Page 28

WORCESTERMAGAZINE.COM | SEPTEMBER 24 - 30, 2021 | 25

Screen Continued from Page 24

“They sent a scout out looking for certain destinations,” B-Man 140 Tavern owner Barry C. White said. “They were looking for certain type of place, off the road type setting, country setting, neigborhood bar. I believe it was through my Facebook page that they found it.” Back on Easter weekend, the tavern served as a place for Dexter to unwind after a hard day of slicing and dicing, dismembering bodies and hiding his true identity in plain site. “The fi rst scout who came out for ‘Dexter,’ she looked up friendly biker bars in the area and we came up Number One, I guess,” White said. “So that sparked her interest. And she came out to check it out personally and that’s when, pretty much, she said it was a deal.” “Dexter: New Blood” fi lmed for two days, while “Salem’s Lot” fi lmed for one day. “For ‘Dexter,’ they did a quarter of the inside over,” White said. “The décor was similar for both. ‘Salem’s Lot’ did more as far as changing the inside to get that ‘70s feel. They changed lighting. They gutted my place, basically. But ‘Dexter’ wasn’t as involved in changing things around.” While he wasn’t allowed on the set for “Dexter: New Blood” due to strict COVID regulations in the fi lm industry, White was on hand for the fi lming of “Salem’s Lot.” “I was able to come in and see them all in ‘70s dress,” White said. “It was pretty impressive. You literally walked in and it was the seventies. It was unbelievable what they did.” Although he spotted Michael C. Hall (aka “Dexter”) fi lming scenes at his tavern for “Dexter: New Blood,” White said the only one he recognized at the “Salem’s Lot” suit was Bill Camp (of “The Queen’s Gambit”). White said being involved in two high-profi le Hollywood projects is pretty cool. “It’s a good feeling. We work hard here and it’s about time something good happens,” White said. “We had to struggle here for eight years.” White said he had two agreeable contracts with the two studios and the contracts are getting better with each one that he does. “The set crew was actually joking

In one of the creepiest scenes ever ﬁ lmed for television, Ronnie Scribner is looking for a midnight snack (and it’s you on the menu) in 1979’s “Salem’s Lot.” FILE PHOTO

that we’ll probably see you in a couple of months,” White said. “Hopefully, it will keep rolling. They love the town. They love working with the Town of Sterling. The police chief and all the offi cers that were here from Princeton and from Sterling, everybody has been very cooperative. I got good neighbors. We all help each other out when needed and everybody’s more than welcome to help out.” In the “Dexter: New Blood” trailer, there are probably a lot of scenes fi lmed in Central Mass., including a Christmas party with Dexter doing a holiday twostep in what I am betting is inside the Bull Run in Shirley, a parade of police cars storming down a roadway that I am guessing is Route 140 in Boylston and West Boylston, and a raid of a house surrounded in snow that could easily be fi lmed in Worcester or Grafton, but who truly knows. However, nothing in the trailer cried out B-Man’s 140 Tavern. One thing we learn in the reboot’s trailer is Dexter’s sister, Deb (Jennifer Carpenter), is back from the dead (sort of) as her brother’s nagging conscious,

replacing his dear ol’ adopted dad, which can only be a plus.

In praise of the original ‘Salem’s Lot’ The 1979 TV miniseries adaptation of Stephen King’s “Salem’s Lot” had a lot going for it. First oﬀ , it had vampires. And, in 1979, vampires were as popular in pop culture as zombies are now. In 1979, Frank Langella brought sexy back to the role of “Dracula” and George Hamilton’s “Love At First Bite” brought comedic bite to the blood-sucking business. Furthermore, the original “Salem’s Lot” had David Soul, red hot from his portrayal of Detective Ken “Hutch” Hutchinson on “Starsky & Hutch” and his chart-topping single “Don’t Give Up on Us” two years earlier. It also had James Mason, aka Captain Nemo in Walt Disney’s “20,000 Leagues Under the Sea” (a must-see movie!!! and one of the ﬁ rst features shot in CenemaScope), and Phillip Van-

damm, the thorn in the side of Cary Grant’s advertising executive Roget Thornhill in “North by Northwest” (which is Alfred Hitchcock at his best). Mason, of course, played Humbert Humbert, aka “the old man in that book by Nabokov” that Sting references in The Police’s “Don’t Stand So Close to Me.” However, Stanley Kubrick’s “Lolita” is more interesting than enjoyable so you get a pass if you haven’t seen it but not “20,000 Leagues Under the Sea” and “North By Northwest.” While you had the star power of Soul and the class act of Mason, it was little child star Ronnie Scribner, the adolescent vampire snack turned undead window dressing that fl oats outside his best friend’s bedroom, that scared the bejesus out of everyone who originally saw it. With all this going for it, I would make a gentlemen’s wager that anyone who saw the mini-series 42 years ago (and hasn’t seen it since) has no recollection how it ended but they still remember the kid fl oating outside the window looking to make mincemeat out of his schoolmate. And TNT’s did another version “Salem’s Lot” in 2004, starring Rob Lowe and Donald Sutherland, which, before late last week, I never knew existed. So do we need another “Salem’s Lot”? Probably not. Is the big Hollywood treatment of “Salem’s Lot” going to be scarier than the original? I doubt it. Gary Dauberman, who wrote 2017’s “It” and 2019’s “It Chapter Two,” based on King’s horror novel “It,” is serving as the director, writer and executive producer of the new fi lm adaptation of “Salem’s Lot.” Dauberman’s “It” had a better ending (anything would be better than “It” was a big spider) but it had too many special-eff ects that were obviously CGI and left the audience cold, despite racking in big ticket sales. In the fall of 2018 at “Rhode Island Comic Con,” Tim Curry, who was scary as all hell as the sewer-dwelling, killer clown “Pennywise” in ABC’s television mini-series of Stephen King’s “It,” said he wasn’t a big fan of the big Hollywood remake. “I didn’t like it very much,” Curry said. “You never really saw him (Pennywise) in any kind of real way. It was just an eff ect.” I agree. The big test for the new “Salem’s Lot” is can they come up with something scarier or as scary as the vampire kid fl oating outside the window. If they do, they’ll have a winner on their hands.

26 | SEPTEMBER 24 - 30, 2021 | WORCESTERMAGAZINE.COM

5 THINGS TO DO

Tyra Penn, Clock Out and more .... Victor D. Infante Worcester Magazine | USA TODAY NETWORK

Folk Favorites Some of the region’s best singer-songwriters will be performing their work at Old Sturbridge Village’s Fall Folk Fest, with music set to be performed around the Village. Scheduled artists include Zack Slik, Local Freight, The Meadows Brothers, Fox and the Dragon, Big Jon Short, The Clements Brothers and The Briana White Band. What: Fall Folk Fest When: 11 a.m. To 4 p.m., Sept. 25 Where: Various locations within Old Sturbridge Village, 1 Old Sturbridge Village Road, Sturbridge How much: Free with admission, $28 general admission, $26 for seniors (55+), $14 for youth (4-17), $14 for college students (with a valid college ID), and free for children 3 and younger. Visit https:// www.osv.org/event/folk for more detailed information.

“The Last Day of August,” by Tyra Penn and Her Army of Snakes PROMOTIONAL IMAGE

Snakes & Steam One of the oddities of the COVID era is that a lot of artists put out really excellent work, but never had real “release parties” or “tours” or “human contact.” One such album was “The Last Day of August,” by local jazz legends Tyra Penn and Her Army of Snakes, an album I wrote about way back in March. Finally, Penn and her Army are able to have a release party, as part of the the Compass Rose Steampunk Festival in Woodstock, Conn. The Steampunk Festival takes its inspiration from “19-century science ﬁ ction and fantasy,” and is a contemporary take on the steam-powered technology and aesthetics of the Victorian Era. What: Tyra Penn and Her Army of Snakes at the Compass Rose Steampunk Festival When: Festival hours, 11 a.m. To 5 p.m., Sept. 25 Where: Roseland Cottage, 556 Route 169, Woodstock, Conn. How Much: $10, $5 children 13 and younger, for more information, visit https://my.historicnewengland.org/12661/ros-steampunk

Big Jon Short will perform at Fall Folk Fest. CHRISTINE PETERSON/TELEGRAM & GAZETTE

WORCESTERMAGAZINE.COM | SEPTEMBER 24 - 30, 2021 | 27

‘Comedy Barbarian’ Boston comedian Mike McCarthy might be known as “the Comedy Barbarian,” but there’s more to his jokes than his savage, forceful delivery. Whether he’s on Instagram talking up the Patriots, or delivering a rant about how Waylon Jennings suddenly started narrating his life, “Dukes of Hazard” style, when he arrived in Mississippi, he’s side-splittingly funny. What: Comedian Mike McCarthy When: 8 p.m. Oct. 1 and 2 Where: WooHaHa at the Beer Garden, 64 Franklin st., Worcester How much: $20

A video still of Cara Brindisi and Giuliano D’Orazio, performing Leonard Cohen’s “Dance Me to the End of Love.” FACEBOOK VIDEO

Dynamic Duo

Boston comedian Mike McCarthy PROMOTIONAL PHOTO

Cara Brindisi and Giuliano D’Orazio are two of the region’s most consistent singer-songwriters, both talented musicians gifted with gorgeous voices, and both having a deep repertoire of songs, in addition to their own original material. Frankly, teaming the two of them has the makings of a blockbuster night of music. What: Cara Brindisi and Giuliano D’Orazio present: “September Serenade: An Evening of Songs and Stories” When: 7 p.m. Sept. 25 Where: The Bull Run Restaurant, 215 Great Road, Shirley How much: $27

Clocking Out Worcester’s hard-core scene has always been one of its most vibrant and stalwart musical communities, and Worcester rockers Clock Out manage to be shining stars in a crowded sky. Listening to the band’s 2020 EP, “Life’s Lie,” the band lashes out with unrestrained blasts of rage, some of it personal, some of it aimed squarely at authority. It’s a short, electrifying album, but it packs a mean punch. What: Clock Out with Cannabis Crypt, Shortest Life, Busted Lip When: 9 p.m. Sept. 24 Where: Ralph’s Rock Diner, 148 Grove St., Worcester How much: $10

Clock Out will perform Sept. 24 at Ralph’s Rock Diner. PROMOTIONAL PHOTO

28 | SEPTEMBER 24 - 30, 2021 | WORCESTERMAGAZINE.COM

DVD

ADOPTION OPTION

Meet Hazel

Continued from Page 24

Welcome to Adoption Option, a partnership with the Worcester Animal Rescue League highlighting their adoptable pets. Check this space often to meet all of the great pets at WARL in need of homes. WARL is open seven days a week, noon-4 p.m., 139 Holden St. Check them out online at Worcesterarl.org, or call at (508) 8530030. Meet Hazel. This beauty came to us after some unfortunate circumstances in her previous home led to her being bullied and bitten by the other dogs she lived with. Her wounds were so substantial that Hazel required immediate medical attention. Now that she has healed, she is ready for a new home, fresh start and to be treated like the princess she is. Hazel is cuddly, kissy and has a warm personality. Her gorgeous eyes will draw you in and you are sure to fall in love. Just with any adolescent puppy, she is looking for exercise, routine and training. Most likely a bit traumatized by her previous experience with dogs, Hazel has been watching and walking near them, but is nervous getting close and we are still unsure what her reaction will be to each individual dog. For this reason, Hazel's new home should have no other animals. Being so young, Hazel has so much potential to befriend other dogs that will not make her feel threatened and enjoy playing again. Hazel loves to play and seems to enjoy people of all ages, including children. When she gets excited she does jump and also loves her belly rubs. If you would like more information about this special girl, contact the shelter today to make an appointment to meet her.

WARL COVID-19 Procedures As of Nov. 9, 2020 As the COVID-19 pandemic continues to evolve, we want to share with you some changes we have implemented so that we can continue to serve the pets and people of our community while keeping our team protected. • ADOPTIONS: At this time, adoptions are being held BY APPOINTMENT ONLY. If you are interested in adoption, please visit our website worcesterarl.org/ adopt/ to learn more about our available animals then call us at (508) 853-0030 ext.0 or email us at in-

Hazel is this week’s animal adoption option from WARL. ANJIE COATES FROM FURRY TAILS

fo@worcesterarl. org to schedule an appointment. • CASUAL VISITS TO THE SHELTER are prohibited. We will strictly enforce this in order to keep our animal care team protected while still maintaining the most essential function of our operation ... ﬁ nding homes for animals in need. • ANIMAL SURRENDERS: Our business practice for surrendering a pet remains the same. All pet owners must contact WARL in advance of surrendering a pet. Please call (508) 853-0030. • SPAY/NEUTER CLINICS: All scheduled appointments will be honored. If you have a scheduled appointment, we will be contacting you to discuss changes to our drop oﬀ /pick up procedures. • DONATIONS ACCEPTED except for open bags of food. • Pet food, cat litter, and other shelter supplies will be essential in continuing to provide for our animals and

to assist community members in need. To avoid unnecessary travel and exposure, items can be purchased online from our Amazon Wishlist — https:// www.amazon.com/gp/registry/wishlist/3AX342JIL73M0 • Weekly training classes are going on for adopters. • The WARL Volunteer Program is temporarily suspended. All regular volunteer shifts are on hold. We look forward to welcoming you back as soon as we can. We have many animals in our care who depend on us to stay healthy and well. The above measures help to protect our staﬀ and community from the spread of COVID - 19 by minimizing face-to-face interactions while continuing to operate only core essential services. Please continue to follow our Facebook page for additional updates. Should you have any questions or concerns, please contact the shelter at (508) 853-0030 or info@ worcesterarl.org.

gins of the “101 Dalmatians” villain is a battle of the Emmas, with Emma Stone as the young Cruella and Emma Thompson as the fi lm’s antagonist, The Baroness. “Last Call”: A successful real estate developer returns to his blue-collar Philly neighborhood and must decide wither to save or raze his parent’s bar. “A Dark Foe”: An FBI agent with a crippling fear of the dark investigates the serial killer who killed his mother and kidnapped his sister when he was a child. “Boys From County Hell”: Evil forces terrorize a construction crew when a new road disrupts the ancient burial ground of a legendary Irish vampire. “I Carry You With Me”: An aspiring cook makes the dangerous journey from Mexico to New York for the chance to become a chef, but must leave behind the man who may be his soulmate. “Lady of the Manor”: A supernatural buddy comedy about a woman hired to be a tour guide at a historic estate, only to meet the ghost of the 19thcentury lady of the manor. “Resident Alien: Season One”: Syfy comedy-drama with Alan Tudyk as an extraterrestrial who crashes in Colorado and assumes the identity of a small-town doctor. “Sibyl”: French fi lm about a psychotherapist who wants to rekindle her passion for writing and becomes obsessed with a new patient, an actress. “The Blacklist: Season 8”: James Spader stars as Raymond “Red” Reddington, a criminal now helping the FBI, in the long-running NBC crime drama. “The Equalizer: Season One”: CBS reboot with Queen Latifah as Robyn McCall, a former CIA operative with a particular set of skills now determined to help those in need. “The Evil Next Door”: A woman moves into a new house with her boyfriend and his son, only to discover the boy has made a sinister new “imaginary friend” next door. “The Power”: Horror fi lm set in 1974 London fi nds a trainee nurse working the night shift at a crumbling hospital as the country prepares for electrical blackouts.

WORCESTERMAGAZINE.COM | SEPTEMBER 24 - 30, 2021 | 29

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Across 1 Printer cartridge color 5 Sports reporter Andrews 9 Bee-related 14 Emmett Kelly persona 15 Dynamic prefix 16 “Death Be Not Proud” poet John 17 “Jane ___” 18 Greek island and titular home of the Louvre’s “Winged Victory” statue 20 Extinct beast with a trunk 22 Thurman of “The War with Grandpa” 23 Dubai’s country, briefly 24 “Who is, um, ___-Doo?” (response from Burt Reynolds, er, Turd Ferguson) 27 Petco Park player 29 Field figure 32 Leaves in the cup 33 Fourth word in the “Star Wars” opening crawl 35 “Lord of the Rings” actress Tyler 37 Sunlight unit 38 Whence aliens originate, in some sci-fi works 43 Not just mine 44 Barge puller 45 Pronoun option 46 Place to play the ponies, briefly 47 Rockefeller Center setting, for short 49 Attorney-___ 53 “Town Called Malice” band 57 Regatta requirement 59 “As Is” singer DiFranco 60 “The Living Daylights” star 64 It’s celebrated in May 66 4, on some old clock faces 67 Words often paired with “Come on!” 68 Pot throw-in 69 Saint ___ Bay, Jamaica 70 Braces (for) 71 Yearn for 72 Insect found in the theme entries (and the subject of a famous joke told by Norm Macdonald) Down 1 Ruin, like a pet owner’s favorite pillow 2 His cello is nicknamed “Petunia”

3 4 5 6 7 8

On a gap year, maybe 63-Down’s brother and former bandmate Class with little struggle Tool for enlarging holes “Garfield” waitress Weight-loss app whose subscription fees got flak from the BBB in 2020 9 Committee type 10 ___-Novo (Benin’s capital) 11 Where travelers can be put up 12 Anti-apartheid org. 13 “Born,” in some notices 19 Many commercial logos (abbr.) 21 “Hasta ___” (“See you later”) 25 Necklace unit 26 Orange side dish 28 Joe Namath’s last pro team 30 Poetic lament 31 Cone producer 34 Baseball Hall-of-Famer Mel 36 Beetles, e.g. 37 Novelist ___ Easton Ellis 38 Pedal pusher 39 The “R” of “Notorious RBG” 40 Jacks ___ (video poker variety) 41 Attila, for one 42 Catherine of “Schitt’s Creek” 48 Road Runner’s foe 50 “Hispanic, ___, or Spanish origin” (U.S. census category)

51 Apply holy oil 52 Sorta alcoholic and aromatic, maybe 54 It means “struggle” in Arabic 55 Answers from a flock 56 Fez’s country (abbr.) 58 Tossed in 61 More ___ enough 62 Sharpen, as skills 63 4-Down’s brother and former bandmate 64 “Top Gun” aircraft 65 “Cheerleader” singer

Last week's solution

WORCESTERMAGAZINE.COM | SEPTEMBER 24 - 30, 2021 | 31

LAST CALL

Jacob Mader, engineer, bartender and new arrival Veer Mudambi Worcester Magazine | USA TODAY NETWORK

Jacob Mader is a new Worcesterite — having moved here this past May after receiving his electrical engineering degree from the University of Alabama, Tuscaloosa. Moving and job hunting during a pandemic, even as the vaccine became more widespread, was no easy task. While he searched for a job in his career, he took a part-time position as a bartender at Worcester Beer Garden. Mader sat down with Last Call to discuss his early impressions of Worcester, what sticks out and his favorite parts of what he sees as a city working on ﬁ nding itself. What struck you about Worcester when you ﬁ rst came here? It’s the second biggest city in New England and doesn’t feel like it. It’s because of the geography, as I understand it. It’s like Texas, it’s more spread out — it’s not built up. New York is built up, you have giant buildings where you’re cramming as many people as possible into as small a place as you can. Worcester you actually have space — you can drive two miles in any direction and you’re still in Worcester. The downtown isn’t as big as you’d think. So that was an interesting thing — just like weird thing to know. Hey, I’m living in the second biggest New England city and it doesn’t have that city feel. It feels kind of suburby. It’s just something I wouldn’t have expected. Personally I like it a little bit — I grew up in a suburb of Baltimore. Have you been able to explore the city much since you arrived? Decent amount. Especially the downtown area from living and working there. Haven’t explored too much of anything west of there. What about the city really interests you? I really like that City Hall is just really open. Especially when I was job hunting, I could just go and sit at a table right across from where my girlfriend works and go have lunch with her. I’ve been to the Public Market too — a very interesting place since my girlfriend and I are

both foodies. Also just that it’s pronounced Woo-ster too. It’s a big adjustment — you can really tell if somebody’s not from here or hasn’t been here long if they’re still calling it War-chester. Polar Park’s cool too — I’ve only ever seen Worcester with that because I just moved here. Knowing that’s really a new thing is cool, that this used to be a whole place that just wasn’t here. Fourth of July, it was a really good place to go for the fi reworks. What in terms of entertainment or leisure have you found here? Well, I’m kind of a workaholic so leisure isn’t really a thing, but I’ve been meaning to check out the Freeplay Arcade. One of my co-worker’s friends at the Beer Garden was telling me a little bit about it. Apparently, a former Dell or Intel engineer started collecting all these arcade games and for a fl at fee you can play unlimited games. You can drink there too, so good times. You’ve come at a really interesting point in the city’s evolution, it seems. It defi nitely seems like it’s gentrifying a bit. It sort reminds me of Towson (Maryland) in that aspect but Towson’s a little further along that path, though Worcester still seems like it’s still in the process. I certainly feel like if I dropped some money on some property and just held on to it for fi ve years, I could sell it for a very sizable chunk of profi t. So you would say it’s a city in transition? Absolutely. What exactly strikes you as a city in transition? So, here’s a good example. City Hall is right there and you have the entire Grid Hospitality Group, with bougie restaurant stuff , and two blocks away there’s the 600 Suites where I was living. Thursday night, I got off work, I’m walking home and a guy not 10 feet away from me fi red off a semi-automatic. It scared the (expletive) out of me, I was like, “What the hell?” I thought I was about to have a bullet wound. I’m passing this guy and see him like pulling out what looks like a satchel or something and can tell he’s pulling out something

Jacob Mader moved to Worcester in May after graduating from Birmingham State. VEER MUDAMBI/TELEGRAM & GAZETTE

looks like a handle of a gun or something then he goes “ehhh, papi!” and then as I pass him, I hear him fi re off a shot. I know he fi red into the air cause that’s what the cops told me later. A big pop and when you’re 10 feet away you can tell it’s a damn gun. Right outside Skymark Towers? Yeah, literally right out the main lobby. I went into the side lobby and the doors don’t lock and I hustle into the elevator and call 911. They said I should go and talk to the offi cers but there were like four police cars down already and a

whole mob of cops. Wow. Right? After that I came in, my girlfriend was sleeping but I was like “we are MOVING. We are moving TOMORROW.” Around here, near WPI with a bunch of college students, I don’t feel that’s going to happen but in the center business district at night, I’m not that surprised. That’s a good way I’d say of showing that it’s kind of gentrifying, where you have these really bougie restaurants two blocks away from (expletive) like that happening.

32 | SEPTEMBER 24 - 30, 2021 | WORCESTERMAGAZINE.COM

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