Golden Oldies

He did the Monster Mash

(He did the Mash)

It was a graveyard smash

(He did the Mash)

It caught on in a flash

He did the Monster Mash

The lyrics are, of course, based on Mary Shelley’s 1818 novel “Frankenstein.”

In Pickett’s rendition, a benevolent monster throws a dance party that features other horror-based creatures of lore (Dracula, the Wolfman, etc.).

Bobby and Lenny’s taped demo came to the attention of Gary S. Paxton, a Los Angeles record producer, whose initial success had been the 1960 million-selling “AlleyOop” by the Hollywood Argyles.

For the Pickett-Capizzi ditty in 1962 (which would also top the Billboard chart), Paxton created his own label, Garpax Records.

The background women’s voices heard came via the Darlene Love-led studio outfit the Blossoms. (When you hear the Crystals singing “He’s a Rebel,” you are hearing the same group.)

Leon Russell played piano on that eventful day.

Paxton devised the sound effects for the one-hour re-

A coffin lid creaking open was created by pulling a nail out of a 2 x 4. Bubbles from a cauldron came by blowing through a straw in a glass of water.

Dropping chains onto the studio floor provided the clatter of clanking shackles.

A hastily assembled Garpax album — “The Original Monster Mash” — made the LP Top 20 and included such blessedly-now-forgotten tracks as “Blood Bank Blues,” “Graveyard Shift,” “Transylvania Twist,” and “Me and My Mummy.”

Pickett’s novelty became a runaway hit. His follow-up of “Monster’s Holiday”—the creatures were now enjoying a Christmas party—hit the Top 30. For years after that, Bobby tried to wring one more success from his onehit wonder.

He released “Monster Swim,” “Monster Man Jam,” “Monster Concert” and, perhaps inevitably, “Monster Rap.” Each sank without a trace.

Pickett claimed that his “Monster Mash” sold 4 million copies.

“I’ve been paid,” he once said, “so I’m gonna believe it.”