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InternatIonal emmy almanaC
Table of Contents 4
President’s Report: Bruce Paisner
6
International Emmy Directorate Award: Lorne Michaels
7
International Emmy Founders Award: Simon Cowell
8
Gala Chair: Paula Kerger
9
About The Academy
10
International Academy Membership Map
12
2010 International Emmy Award Nominees
23
2010 NATPE Panel
35
February Board Meeting Panel in Washington, D.C.
49
Digital Emmy Awards
61
2010 Semi-Final Round of Judging
85
2010 News & Current Affairs Nominees
89
October Board Meeting in Berlin
95
2010 Panelists
96
International Academy Foundation
98
Members’ Directory
118
Jurors’ Directory
133
List of Advertisers
134
Masthead
This Almanac was produced by World Screen. For a free subscription to our online newsletters, please visit www.worldscreen.com/pages/newsletter
International Emmy Almanac 2010/2011
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EMMY_PRES_REPORT_2010_EMMY_1108_PRESIDENT 11/4/10 1:17 PM Page 2
INTERNATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES
President’s Report As an international academy, we spend a lot of time in New York. It is an international city, it’s where our headquarters are located, and for 38 years our annual International Emmy Awards Gala has been held here. The Gala in New York on the Monday before Thanksgiving is a great tradition for us and for the City, and we expect to continue it for many years to come. But starting this year, we began a longplanned initiative to move more of our events out of New York and to other places in the U.S. and around the world. In February, we held our spring Board Meeting at the Newseum in Washington, D.C. This event, at what is perhaps the world’s most impressive museum of news and journalism, was very well received. In October, we left the U.S. behind and held our fall Board Meeting in Berlin, under the auspices of ZDF German Television.
e had an outstanding program of events and speakers, including interviews with Board members Markus Schächter of ZDF and Jana Bennett of the BBC. The concluding Board dinner was held in the Basilica of the Bode Museum on Museum Island. Before and after dinner, we were given private tours of the various museums by their directors. New initiatives have become a way of life at the International Academy as we seek to keep the organization relevant in an ever-changing media landscape and to provide more events which offer up-to-date information and important networking opportunities to our members. You will see repor ts on many of this year’s events as you page through this almanac. I should particularly note the Emmy judgings which are held around the world every year. This year, 25 semi-final rounds of judging took place in 20 different cities across 15 different countries. During the year, I had the oppor tunity to travel quite widely on behalf of the International Academy, to advance our mission, meet and thank old members and promote new ones. My hosts were very gracious, and I particularly want to thank Liu Changle and his colleagues at Phoenix Satellite Television in Hong Kong, where I toured Phoenix’s new state-of-the-ar t headquar ters building; Tony Forrest, the CEO of Movie Network, and Gai Dunlop, CEO of Festcom and our ambassador in Australia for a festive and productive cocktail reception in Sydney; and Prof. Markus Schächter, the Intendant of ZDF and his colleague, Dr. Frank4
Dieter Freiling for their hospitality and many courtesies in Berlin. Next year, I hope to do more traveling on behalf of the Academy. For media professionals around the world, this is an excellent time to be associated with the International Academy. In an era of economic uncertainty and technological revolution, we have emerged as one of the best places in the media world to seek information and answers and to find colleagues with similar problems and solutions. For those reasons, our membership is strong, our finances are in excellent shape, and we work effectively with media and political leaders around the world. Our International Academy now has 600 members spread across six continents. Our members are leaders at their companies and in the industry, and our member base is constantly growing. We now run three different Emmy competitions—the Digital Emmys in April at MIPTV in partnership with Reed MIDEM; the News Emmys in September in partnership with the National Academy of Television; and, of course, the Emmys we celebrate at our Gala in November. This year, we had nearly 900 entries for these prestigious awards. I am particularly proud of the fact that during my time as President, we have increased the number of categories and award ceremonies and placed our Emmys on the cutting edge of what is going on in television around the world. During the year, I rely on the advice and counsel of many industry leaders, and I am grateful to them all. In our own organization, I particularly want to thank Fred Cohen, who is Chairman of the Academy, and Camille BidermannInternational Emmy Almanac 2010/2011
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Roizen, our Senior Vice President and Executive Director. Fred is a long-time friend and devoted Fellow of the Academy and his knowledge is encyclopedic. Camille leads our very professional staff efficiently and intuitively and keeps our world-encompassing organization on track so that we can continue to serve our members and to grow. I‘d like to express my thanks to our Executive Committee, whose members work closely with me. This year Jana Bennett, Director of BBC Vision, joined the Executive Committee and has brought a very useful perspective to our discussions. Also this year, Michael Lynton of Sony Pictures Entertainment finished his term as Treasurer and was suc-
ceeded by Blair Westlake of Microsoft. I thank Michael for his help over the years and Blair for taking on this new assignment for our organization. I also want to express our thanks to our colleagues John Shaffner and Alan Perris at the Television Academy in Los Angeles; Darryl Cohen, Carolyn Grippi and Herb Granath at the National Television Academy in New York. Frank A. Bennack, Jr., the Co-Chairman of Hearst Corporation, has been an inspiration to me since he hired me at Hearst many years ago. He is deeply supportive of my activities at the Academy, and I thank him for that and for the many contributions he has made to improve life in New York City for those of us who live here. For the Academy, as for all of us, the years ahead will be challenging. The world is changing. Our business is changing. And we have to run a lot harder just to stay in place. I believe this organization will thrive in the years ahead, and I look forward to the challenges and the opportunities.
Bruce Paisner, President & CEO of The International Academy of Television Arts & Sciences
International Emmy Almanac 2010/2011
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InternatIonal emmy DIrectorate awarD
Lorne Michaels The International Emmy Directorate Award is presented to Lorne Michaels. Michaels is the creator and executive producer of Saturday Night Live, the most Emmy-nominated show in television history, which is currently in the 36th year of its run. In addition to SNL, Michaels is the executive producer of NBC’s Late Night with Jimmy Fallon and 30 Rock with Tina Fey, Alec Baldwin and Tracy Morgan.
B
oth Saturday Night Live and 30 Rock have received numerous awards, including multiple Emmys and Golden Globes for 30 Rock. SNL has been honored twice with the prestigious George Foster Peabody Award (1990, 2008), which 30 Rock also received in 2008. Michaels has personally won 13 Emmys as a writer and producer in television, and was inducted into the Television Academy of Arts and Sciences Hall of Fame in 1999. He was made a member of the Order of Canada in 2002, and in 2004 he received the Mark Twain Prize for American Humor. In 2008, Michaels was named one of Time Magazine’s “Time 100”—a list of the most influential people in the world, and in 2009 was honored by the Museum of the Moving Image, which recognizes two leaders in the entertainment industry annually whose vision and innovations have dramatically influenced the moving image. Lorne Michaels has produced numerous motion pictures, including Mean Girls, Wayne’s World, Tommy Boy, Enigma and Three Amigos (which he produced and co-wrote with Steve Martin and Randy Newman). His previous television credits include: The Kids in the Hall, Night Music, Late Night with Conan O’Brien, as well as specials with Steve Martin, Paul Simon, The Rutles, Flip Wilson, The Rolling Stones, The Beach Boys, Randy Newman, Neil Young and Simon and Garfunkel in Central Park. Michaels began his career in Toronto, where he attended the University of Toronto and worked as a writer and producer for the Canadian Broadcasting Corporation. In 1968, he moved to Los Angeles and worked as a writer for NBC’s Rowan and Martin’s Laugh-In, The Beautiful Phyllis Diller Show and specials with Lily Tomlin until he left in 1975 to begin SNL in New 6
York. In 1979, Michaels founded the New York based production company Broadway Video Inc.
International Emmy Almanac 2010/2011
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InternatIonal emmy Founders award
Simon Cowell The International Emmy Founders Award is presented to Simon Cowell for his outstanding contribution to television and entertainment around the world.
S
imon Cowell is an A&R executive, producer and star of the highest-rated television shows in the world. His discerning eye for talent and candid remarks have made him a household name, as viewers devotedly tune in to watch him as judge on The X Factor, Britain’s Got Talent and also as a judge on American Idol. In 2002, he founded his U.K.based media and enter tainment production company, Syco, which then became a joint venture with Sony Music Enter tainment in 2010. With Syco, Simon was responsible for creating two of the biggest hit TV formats in the world, in the Got Talent and X Factor franchises. He is also the first producer to simultaneously have the number one program in the U.K. and the U.S. as Britain’s Got Talent and America’s Got Talent topped the television char ts in 2008. Got Talent is now airing in over 40 countries. The last series of Britain’s Got Talent reached record viewing figures of 20 million. Simon Cowell's shows can be seen in more than 70 countries around the world with The X Factor due to launch in the U.S. on FOX in 2011. The X Factor (U.K.) was awarded “Enter tainment Show of the Year” by the 2009 National Television Awards. Simon has also been awarded three BAFTAs for his television shows and BAFTA's Special Achievement Award in 2010 for his contribution to entertainment. Simon Cowell has shaped popular culture over the past ten years through his TV and music International Emmy Almanac 2010/2011
business. Listed in Time 100 World's most Influential People 2010, he was also number one in Hollywood Reporter’s Most Powerful in Reality TV, and Entertainment Weekly’s Top Enter tainers of the Year and was highest-ranked in Forbes’ “TV Faces” list.
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Gala chair
Paula Kerger President & CEO Public Broadcasting Service (PBS) What does being the Gala Chair mean to you? I am honored to act as the Gala Chair this year and have the opportunity to honor some of the most talented individuals in our field. Having served on the International Academy’s Board of Directors for many years, I believe it’s the Academy’s privilege and its mission to shine a spotlight on the world’s best storytellers, technicians and artists who can bring people together with something compelling to show the world.
as a fundraiser and advocate for public media. Being able to say “yes” to as many great ideas as possible is the challenge and opportunity that drives me.
How important is the international marketplace for PBS? While PBS’ focus is serving the American public, increasingly the media landscape is a global one. We have always sought the world over for content of every genre that is truly outstanding. Digital platforms are making it easier for us to find and showcase talented producers wherever they are. What are the biggest challenges and opportunities for PBS in the coming years? Media is changing with lightning speed, providing us with ways to serve the public in ways we never dreamed were possible just a few years ago. The challenge we face is finding the resources to match our ambitions. PBS is transforming into a multiplatform leader that serves Americans through television, mobile, the Web, and even inter active whiteboards in the classroom. Even in this challenging economy, we are moving forward on important initiatives that build on our commitment to children, democracy and arts and culture in the broadcast and digital-media arenas. But I’m often thinking about the project we weren’t able to do because of funding, which is an important motivator for me 8
International Emmy Almanac 2010/2011
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ABOUT THE ACADEMY
The International Academy of Television Arts & Sciences Connecting the world’s leading media and entertainment professionals he strength of the International Academy undoubtedly lies in the composition of its membership: a “Who’s Who” of international television encompassing over 500 companies and key media figures from all sectors of television, including Internet, Mobile and Technology. The Academy was founded in 1969 and chartered with a mission to recognize excellence in television programming produced outside of the United States. It is a unique, independent organization whose members come together to exchange ideas, discuss common issues and promote new strategies for the future development Gossip Girl’s Ed Westwick on the Red Carpet at The International Emmy Awards of quality television programming. The International Academy is best known worldwide for presenting the International Emmy in television produced outside of the United States and to Awards. Ever y November, over 1,000 television profesnetwork with their peers from the international telesionals gather at the black-tie Gala to celebrate excellence vision community. International Emmy Awards are given in 15 categories, including: Arts Programming; Best Performance by an Actor ; Best Performance by an Actress; Children & Young People; Comedy; Current Affairs; Digital Program: Children & Young People; Digital Program: Fiction; Digital Program: Non-Fiction; Documentary; Drama Series; News; Non-Scripted Entertainment; Telenovela; and TV Movie/Mini-Series. However, the Academy’s activities extend well beyond awards.The Academy is a membershipbased organization with year-round activities for its Members, including: Panels & Board Meetings, The International Emmy World Tele vision Festival and International Academy Day. For more information and a calendar of upcoming events go to the International Lionsgate Television Group President Kevin Beggs, Nurse Jackie’s Edie Falco, Lionsgate Co-Chairman & CEO Jon Feltheimer and Nurse Jackie’s Paul Schulze Academy’s website, www.iemmys.tv. International Emmy Almanac 2010/2011
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The International Academy Membership Throughout the World The Academy is a membership-based organization comprised of leading media and entertainment ďŹ gures from over 50 countries and 500 companies from all sectors of television including internet, mobile and technology.
Canada 22
United States 193
Mexico 7
Cuba 1 El Salvador 1 Panama 1
Venezuela 2
Colombia 1
Brazil 11
Chile 1 Argentina 10 New Zealand 5
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Norway 14 Sweden 4
Finand 1
Russia 20
Denmark United Kingdom 6 27 Netherlands 7 Germany Ireland 47 Poland 1 Luxembourg 1 2 Austria Ukraine 5 8 Switzerland Hungary 6 France Slovenia 4 18 Republic of Georgia Croatia 1 Portugal Bulgaria 6 1 1 Spain 1 Turkey Italy Greece 6 1 Tajikistan 7 5 Lebanon 1 Jordan Cyprus 1 Afghanistan 3 Kuwait 1 1 Israel 1 3 Qatar Egypt 3 1 United Arab Emirates India 13 10 Benin 1 Nigeria Ghana 6 1
People’s Republic of China 14
Thailand 5 Vietnam 1 Malaysia 6 Singapore 9
South Korea 1
Japan 9
Philippines 1
Mozambique 1 Australia 19 South Africa 12
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2010 NomiNees
Arts Programming
Brazil
UNited KiNgdom
JapaN
romaNia
All my life: cAzuzA
imAgine…dAvid hockney: A Bigger PicTure
PersonAs inside ouT
The World To ion B.
Coluga Pictures / BBC
Executive Producer: Ichiro Hara Producer: Takashi Omata Directors: Yuichiro Horiuchi, Toru Yoshikawa, Motoaki Okamoto, Kouju Suda, Toshikazu Uemura, Takashi Hayakawa Featuring: Tomoko Nagano
TV Globo Executive Producer: Ricardo Waddington Producer: Roberto Camara Director: Gustavo Fernandes Writers: George Moura, Teresa Frota Principal Cast: Daniel Graniere, Leonardo Rocha, Ligia Cortez, Paulo Carvalho, Pitty Webbo, Ricardo Blat, Flavio Tolezani, Eduardo Pires All My Life tells the story of Agenor de Miranda Araújo Neto, better known as Cazuza, an icon of Brazilian music in the latter part of the 20th century. Rebellious, bohemian, and controversial, he declared himself a bisexual and, in 1989, revealed that he was HIV-positive. His fight to overcome and work through his illness inspired an entire generation.
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Executive Producers: Alan Yentob, Janet Lee Producer: Bruno Wollheim Director: Bruno Wollheim Writer: Bruno Wollheim Featuring: David Hockney Filmed over three years, Imagine…David Hockney: A Bigger Picture captures the return of Hockney, England’s favorite living artist, to the U.K. As Hockney approaches the age of 70, he reinvents his painting from scratch, working through the seasons, and in all weather, in the Yorkshire countryside. It is a story of an unusual homecoming, as well as an intimate portrait of what inspires Hockney as he nears the end of his life.
TV Asahi Corporation
Personas Inside Out follows the life of Nobuyuki Tsujii, a blind pianist, who won the Van Cliburn International Piano Competition in June, 2009, becoming the first ever Japanese winner. For 11 years—4,000 days—Tsujii’s life is documented, following his rise from an unknown blind boy, whose parents have no musical background, to a world-renowned professional pianist.
According
HBO Romania / Alexander Nanau Productions Executive Producer: Alexander Nanau Producers: Carmen Harabagiu, Aurelian Nica, Andrei Creăulescu Director: Alexander Nanau Writer: Alexander Nanau Featuring: Ion Bărlădeanu Ion B. is a 62-year-old homeless man living in Bucharest who had dreamed of becoming a film director as a young man. In the 1970s he started creating collages, which he refers to as “my films”. In 2008, a young gallery owner heard about Ion and his work, a collection of old suitcases filled with almost 1,000 collages he had made between the 70’s and the 90’s. Now, one year later, Ion lives in his own home and has become one of the most important contemporary Romanian artists.This is the story of a genuine artist living on the edge of society, creating art in its purest form; for himself.
International Emmy Almanac 2010/2011
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2010 NomiNees
Best Performance by an Actor
UNited kiNgdom
germaNy
the philippiNes
argeNtiNa
bob hoSKinS
SebaStian Koch
Sid Lucero
Leonardo SbaragLia
ITV Studios for BBC
Tele-München / Gate Film / Clasart / ZDF / ORF / RHI
ABS-CBN Broadcasting Corporation
Captain Wolf Larsen, the notorious Sea Wolf who has spent his entire life at sea, rules the crew of his ship with an iron fist. A man of great intelligence, he has no problem manipulating and bullying people to better serve his needs. Despite his internal strength, Larsen at times shows signs of weakness and depression. He is envious of his brother, Death, with whom he is in a race for the highly treasured seal-hunting grounds, because Death is simpleminded and able to enjoy life unburdened.
Sid Lucero portrays Alfred (Red) Ramirez, the antagonist to the show’s starcrossed lovers, Angel and Miguel. Red feels he never gets what he wants—his dream of becoming a lawyer, the attention of his adoptive mother, or the affection of Angel, the woman he has always loved—which has led him to develop a strong and resilient personality.
HBO Latin America Originals in association with PolKa Productions
as Paddy Gargan The Street Bob Hoskins stars as local hero Paddy Gargan, who has run a local community pub with his wife for 20 years. A recovering alcoholic, he faces any problems in his life head on, with honesty and with a clear sense of what he thinks is right and wrong. His morals lead him to stand his ground against seemingly insurmountable odds when he crosses local gangster Thomas Miller.
as Wolf Larsen Sea Wolf
International Emmy Almanac 2010/2011
as Alfred (Red) Ramirez Dahil May Isang Ikaw
as Serial Killer Epitafios
The serial killer is a splitpersonality psychopath, whose reflection in the mirror has the upper hand and is the brain, while the body is the executer. He has a sinister past and is obsessed with images, killing for the pleasure of creating portraits that, in his deranged mind, are works of art. He channels this obsession through the camera’s lens, and his determination to re-enact crimes of the past is essentially a graphic-artistic motivation.
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2010 NomiNees
Best Performance by an Actress
germaNy
uNited kiNgdom
brazil
south africa
iris berben
HeLena bonHaM Carter
LiLia CabraL
Lerato MveLase
TV Globo
Penguin Films
Recently separated from millionaire Marcos, Teresa Saldanha still isn’t used to the idea of being divorced. Despite the courageous decision to bring her marriage to an end, she still carries some bitterness for having abandoned the runway at the height of her career as a model. This becomes even more clear when her exhusband starts to date Helena, a woman who is 20 years younger and a very successful model, just like Teresa once was. When Teresa’s daughter Luciana gets into a serious accident, her life changes in ways she could have never imagined. .
Katleho is 21-years-old and in her final year at university. She is going through a quarter-life crisis. Originally from the small, provincial village of Greytown, Katleho has lived a privileged private school childhood with her adoptive parents in city. .
as Bertha Krupp The Krupps—A Family Between War and Peace
as Enid Blyton Enid
Moovie – the Art of Entertainment / ZDF
Carnival Film & Television for BBC
Bertha Krupp is the powerful figurehead of the Krupp family, arms manufacturers since the early 17th century who are known as the ‘armorers of the German Reich.’ She is a matriarch who clings to the past and to the family’s privileged position. As the elder child and heir of Fritz Krupp, Bertha is the sole proprietor of the Krupp industrial empire from 1902 to 1943. In 1904, Kaiser Wilhelm II arranges her marriage to Gustav Krupp von Bohlen und Halbach, with whom she eventually has eight children. From that point forward, she gives everything she has to bring up her son, Alfried Krupp von Bohlen und Halbach, and prepare him to take over the empire.
Helena Bonham Carter is English children’s author Enid Blyton, one of the most successful storytellers of the 20th century. Blyton’s life and career span a time of enormous social and cultural change. Enid explores how the orderly, reassuringly clear worlds Blyton created within her stories contrast with the complexity of her own personal life.
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as Teresa Saldanha Seize the Day
as Katleho Nguneni Home Affairs
International Emmy Almanac 2010/2011
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2010 NomiNees
Children & Young People
the NetherlaNds
brazil
japaN
uNited kiNgdom
13 at War
do-re-Mi-Factory
happy Birthday
Shaun the Sheep
NPS Broadcasting Organisation
TV Globo
Fuji Television Network, Inc.
Executive Producer: Loes Wormmeester Producer: Stephanie de Beer Directors: Hein Hoffmann, Marcel Goedhart, Vincent Schuurman Writer: Maarten van der Duin Principal Cast: Lisa Wade, Selma Avkapan, Hugo Haenen, Marleen Stoltz
Executive Producer: Denise Saraceni Producer: Aluizio Augusto Directors: Flavia Lacerda, Denise Saraceni Writer: Pericles Barros Principal Cast: Lazaro Ramos, Maicom, Nathalia Dill, Chico Diaz, Ana Paula Bouzas, Alexandre Nero
Executive Producer: Kenji Nishibuchi Producers: Yuriko Nakamura, Aya Saito Director: Kozo Nagayama Writer: Junya Yamazaki Original Novel: Kazuo Aoki, Tami Yoshitomi Principal Cast: Yoshino Kimura
Aardman Animations / WDR & WDR mediagroup GmbH / BBC
Over 13 episodes—spanning from the occupation to the liberation of concentration camps, to the bombing of Rotterdam and the war in the Dutch East Indies (present-day Indonesia)—presenter Lisa Wade takes viewers back to World War II to experience what it was like to grow up in the Netherlands during the war. Using historical sites, traditional archival footage, and dramatized stories told through the eyes of children, the themes of the Second World War are explained to young viewers.
Do-Re-Mi-Factory tells the stories of Ludovico, inventor of unusual musical instruments, and Tom, a poor boy who helps his family make a living from what he can find in the municipal garbage dump. The pair wages a veritable battle to convince Ludovico’s brother Arquimedes and visiting businessmen to invest in music and dreams and to save Do-Re-Mi-Factory from bankruptcy.
Nine-year-old Asuka has never felt loved by her mother, Shizuyo. When Shizuyo tells Asuka “I shouldn’t have given birth to you! I don’t want you!” Asuka is so stunned that she stops speaking and begins pinching her throat whenever she feels stressed. Asuka is sent to her grandparents’ home, where life is peaceful and, for the first time, she is treated with love and affection. However, Asuka’s feelings towards her mother change when she finds Shizuyo’s old diary and she decides to write her mother a letter to express her feelings.
International Emmy Almanac 2010/2011
Executive Producers: Miles Bullough, David Sproxton, Peter Lord Producer: Gareth Owen Director: Chris Sadler Writers: Lucy Daniel Raby, Patrick Makin, Nick Park, Lee Pressman How much mischief can one sheep create? Plenty when that sheep is Shaun. His insatiable curiosity and irrepressible sense of fun lead him into the unlikeliest adventures, much to the exasperation of long-suffering sheepdog Bitzer and the amusement of the rest of the flock. Will the Farmer ever find out what’s really going on down on the farm?
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2010 NomiNees
Comedy
mexico
UNited KiNgdom
thailaNd
israel
LoS SimuLadoreS
PeeP Show
TaLok hok chak
Traffic LighT
Sony Pictures Television Inc. / Televisa S.A.
Objective Television Productions for Channel 4
Kuperman Productions / Keshet Broadcasting
Executive Producers: Marlon Quintero, Eduardo Clemesha, Eduardo Suarez Castellot Producer: Mauricio Castillo Director: Javier Solar Writers: Manuel Santar, Flavio Gonzalez Mello, Larissa Andrade Principal Cast: Tony Dalton, Arath de la Torre, Ruben Zamora, Alejandro Calva
Executive Producer: Andrew O’Connor Producer: Phil Clarke Director: Becky Martin Writers: Sam Bain, Jesse Armstrong, Simon Blackwell Principal Cast: David Mitchell, Robert Webb
Workpoint Entertainment Public Company Limited / Royal Thai Army Radio and Television (Channel 5)
The Simuladores are a team of four associates who run a ‘simulation’ business, solving the problems and needs of their clients by staging intricate, creative, and often jawdropping stings aimed at confusing whoever is giving their client a problem. Each episode features a different situation of life-altering moments. The dedicated, creative, and quirky Simuladores twist perception any which way possible to ensure their client comes out on top.
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Peep Show follows the private world of Mark and Jeremy, two late twenty-something flatmates living in South London. Mark is a financially secure loan manager, who is awkward and socially inept, with a pessimistic and critical attitude, and a slightly disconcerting interest in World War Two. Jeremy, though more successful with the opposite sex than Mark, is a loose cannon, who is not as popular or attractive as he would like to think. He dreams of becoming a musician but can never get his act together, or even get up in the morning. Mayhem ensues as the pair strives to cope with day-to-day life.
Executive Producers: Phanya Nirunkul, Prapas Cholsaranon Producers: Phanich Sodsee, Kanchit Kawachat, Chayan Chantawongsatorn, Patcharin Buddudom Directors: Michok Rasdranuwat, Samut Nuamsetti Writers: Michok Rasdranuwat, Philawan Buangam, Rangsiwit Rangsiyakun Principal Cast: Chusak Iamsuk, Sudarat Bootprom, Jaroenporn Onlamai, Pisanu Nimsakul, Pattarasaya Kruasuwansiri, Siwadon Chantanasewi Talok Hok Chak is a comedy variety show, consisting of sketch comedy, short sitcoms, and celebrity guests. It is inspired by real-life situations in everyday locations, such as a convenience store, fitness center, beauty salon, coffee shop, gas station, and more.
Executive Producers: Adir Miler, Elad Kuperman, Avi Nir Producers: Amir Ganor, Guy Levy Director: Ohad Perach Writers: Adir Miler, Ran Sarig Principal Cast: Lior Kalfon, Adir Miler, Nir Levi,Yael Sharoni, Liat Har Lev,Yuval Vin Traffic Light focuses on three friends in their early thirties. Each is at a different period in their relationships. Itzko is the red light; he is married with a daughter, leaving his personal life at a standstill. Amir is the blinking yellow light, living with his girlfriend on an irreversible journey from bachelorhood to marriage. For Heffer, the eternal bachelor, the light is still green and the traffic is flowing.
International Emmy Almanac 2010/2011
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2010 NomiNees
Documentary
uNited kiNgdom
brazil
south korea
the NetherlaNds
9/11: pHone calls fRom tHe toWeRs
kuaRup: tHe lost soul Will RetuRn
mom and tHe Red Bean cake
You die as You lived: RotteRdam Hospice
Darlow Smithson Productions for Channel 4
TV Globo
Munhwa Broadcasting Corporation (MBC)
KRO Broadcasting Organisation
Executive Producer: John Smithson Producer: Natalie Von Hurter Director: James Kent Trapped in the Twin Towers on September 11, 2001, thousands of ordinary people struggled to connect with the outside world. Many knew that time was ticking away and used their final moments to contact the ones they loved. Eight years later, these recorded messages and private calls are a legacy to the families left behind. Often full of love and dignity they depict humanity at its best and most resourceful in the face of evil.
Executive Producers: Carlos Henrique Schroder, Guilherme Bokel Producer: Guilherme Bokel Director: Lúcia Sant’Anna Writers: Lúcia Sant’Anna, Marco Gudolle Kuarup is a two-day native Indian ritual in Brazil, full of beauty and emotion, during which the lost souls of family and friends who have died are brought back. Following the beliefs of the Indians from Alto Xingu, this return guarantees serenity to the spirit of the loved ones and marks the beginning of a new life, now in the village of the souls. For this Kuarup, tribes from the region come together to pay homage to a close friend: white man, Orlando Villas Bôas, who dedicated his life to the demarcation of indigenous territories and preservation of their culture.
International Emmy Almanac 2010/2011
Executive Producer: Mihyun Yoon Director: Haijin Ryu Writer: Kyunghee Noh Choi Jeongmi is a single mother of two with terminal stomach cancer. She makes a living by selling red bean cakes to raise her two children—seven-year-old Eunseo and five-year-old Honghyeon. After going through painful anticancer treatment, she dreams of a new life with her children, but the cancer relapses. She is temporarily staying at a shelter for mothers, but has to make money to buy a house for her children, who are currently living in a 24-hour nursery. Though exhausted from anticancer treatment, she has to make red bean paste in the early morning and sell them all day. Mom and the Red Bean Cake follows her daily struggle of balancing motherhood and her illness.
Executive Producers: Leo Fijen, Rob Freijssen, Elly de Bont Producers: Albert Aartsen, Eugenie van de Weerd Directors: Elly de Bont, Mark Glastra van Loon Laurens Cadenza, the largest hospice in the Netherlands, opened its doors in October 2008. Located in Rotterdam, the hospice offers 18 beds to the terminally ill. Each year, 200 patients come here to die. Filmmaker Elly de Bont spends a year at the hospice filming six residents during their last days as they show themselves at their most vulnerable.
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2010 nominees
Drama Series
japan
argentina
denmark
united kingdom
SaKanoue no Kumo (Cloud above The Slope)
epiTafioS
The Killing ii
The STreeT
HBO Latin America Originals in association with PolKa Productions
Danish Broadcasting Corporation in association with ZDF Enterprises / NRK / SVT
ITV Studios for BBC
Executive Producers: Luis. F. Peraza, Roberto Rios Producer: Diego Andrasnik Directors: Daniel Barone, Alberto Lecchi Writers: Walter Slavich, Marcelo Slavich Principal Cast: Julio Chávez, Cecilia Roth, Leonardo Sbaraglia
Executive Producer: Ingolf Gabold Producer: Piv Bernth Director: Kristoffer Nyholm Writers: Søren Sveistrup, Torleif Hoppe, Michael W. Horsten Principal Cast: Sofie Gråbøl, Nicolas Bro, Mikael Birkkjær, Ken Vedsegaard
A series of logic-defying homicides reunite detectives Renzo Marquez and Marina Segal, leading them on a quest to stop a killer who is replicating previous slayings as if they were works of art, capturing them for photo sequences. Aided by a mysterious psychiatric patient, XL, who cannot communicate with the outside world but is able to anticipate the killings and provide the names of the next victims, the detectives must uncover hidden facets that determine what lies ahead, as they must face their own ghosts and fight against a predetermined future.
Ten days after a lawyer is found beaten and killed under very peculiar circumstances, detectives are still clueless.The head of homicide decides to approach former Deputy Chief Inspector Sarah Lund, who had lost her commission and moved to a routine job in the country two years prior. Lund’s first impulse is to stay a safe distance away; however, once she engages in the case, it becomes impossible for her to let go—for better or for worse— especially when it turns out that the case is far more complicated than it first appeared.
NHK (Japan Broadcasting Corporation) Executive Producer: Yoshiki Nishimura Producers: Yasuhiro Kan, Takashi Nakamura, Koichi Fujisawa Director: Takeshi Shibata Writers: Hisashi Nozawa, Takeshi Shibata, Mikio Sato Principal Cast: Masahiro Motoki, Hiroshi Abe, Teruyuki Kagawa It is the late 19th century and Japan is finally opening its doors to the world after 240 years of national isolation. With the Meiji reforms, samurai, who were once considered nobility, no longer hold political power. This is a time of deliberation for Japan; what kind of nation does it seek to be? Cloud Above the Slope tells of an era filled with energy and the strong hope harbored by the Japanese as their nation advances towards modernization. 18
Executive Producers: Sita Williams, Jimmy McGovern, Polly Hill Producer: Matthew Bird Directors: David Blair, Terry McDonough Writers: Jimmy McGovern, Anthony Gannie, Andy Lynch, Esther Wilson, Jan McVerry, Peter Lloyd Principal Cast: Timothy Spall, Anna Friel, Bob Hoskins, Liam Cunningham, Frances Barber, Stephen Graham, Maxine Peake The Street explores the lives of six neighbors living on the same street in Manchester, with each episode focusing on the story of a different resident. It takes the viewer behind closed doors in order to gain insight into personal struggles and the effect it has on the community as a whole.
International Emmy Almanac 2010/2011
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2010 NomiNees
Non-Scripted Entertainment
argeNtiNa
uNited kiNgdom
the NetherlaNds
japaN
cQc
heSton’S feaStS
ReMeMbeRing School
Run foR Money
Eyeworks Cuatro Cabezas SA
Optomen Television for Channel 4
KRO
Fuji Television Network, Inc.
Executive Producers: Boudewijn Schoewert, Rob Kamphues, Hans Mors Producers: Ineke Moen, Mare van Overmeir, Tom van Aggelen Directors: Ellen van der Linden, Niek Bouman, Kitty Kooring, Mirjam van Biemen Writers: Marlies de Jong, Caroline Blokhuis, Caroline Huber, Ronald Koopmans, Kinie van Oord, Peter Wingender
Executive Producer: Atsuya Takase Producers: Masato Suzuki, Takashi Sasaya Directors: Shingo Akinaga, Taichi Yamakawa, Atsushi Yokomori
Executive Producer: Diego Guebel Producer: Cune Molinero Featuring: Ernestina Pais, Juan Di Natale, Gonzalo Rodriguez CQC (Caiga Quien Caiga) is a weekly news review that approaches current affairs, sports, show business, and political news from a humorous and ironic point of view. It is presented by three hosts live from a studio, with a team of roving reporters in the field who will stop at nothing to get the story, asking the questions others can’t, won’t, or don’t.
Executive Producer: Pat Llewellyn Producers: Tim Whitwell, Patrick Furlong Director: Jay Taylor Featuring: Heston Blumenthal Gastronomic adventurer Heston Blumenthal heads back in time through a myriad of historical and mythical culinary worlds on a mission to recreate famous period dishes for the ultimate 21st century banquets. In each episode, Heston explores a period of extraordinary innovation—from Victorian Britain and Tudor England to the medieval era and Ancient Rome—to recreate lost recipes, discover forgotten flavors and ingredients, and travel to remote areas to source unusual foods, all which are then presented in a spectacular banquet for a boisterous bunch of celebrity diners.
International Emmy Almanac 2010/2011
Remembering School reunites former high school classmates. The host visits several ex-classmates beforehand to learn more about their current outlook on life. Video clips of the interviews are then shown to the rest of the class during the reunion. Participants are once again confronted with old infatuations, teasing and pestering, and memories and dreams of their younger selves, which are then compared to where they are now in life.
The stage is Old Tokyo, in Nikko Edo Village. In this time-warping atmosphere, 16 celebrity runners must endure a 90-minute cat-andmouse game with the everpersistent hunters to win a cash prize. As the clock winds down, the competition gets harder, as more hunters appear on the streets, the game perimeter gets smaller, and missions that test the contestants’ nerves, but offer great rewards, are assigned. A runner’s true self is revealed as they toe the line between the fear of getting caught and their hunger for money.
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2010 NomiNees
Telenovela
argeNtiNa
the philippiNes
portugal
Ciega a Citas
DahiL May isang ikaw
My Love
Dori Media International / Dori Media Contenidos / Rosstoc
ABS-CBN Broadcasting Corporation
Plural Entertainment Portugal
Executive Producer: Narciso Y. Gulmatico Producers: Malou N. Santos, Annaliza Goma Directors: Jerry Lopez-Sineneng, Rechie del Carmen Writer: Arah Jell Badayos Principal Cast: Lorna Tolentino, Gabby Concepcion, John Estrada, Chinchin Gutierrez, Kristine Hermosa, Karylle, Jericho Rosales, Sid Lucero
Executive Producer: Hugo de Sousa Producer: José Retrê Directors: Hugo de Sousa, António Moura Mattos, Nuno Franco, Paulo Brito, Paula Mourão Writer: António Barreira Principal Cast: Alexandra Lencastre, José Wallenstein, Marco D’Almeida, Margarida Marinho, Nicolau Breyner, Paulo Pires, Rita Pereira, Rodrigo Menezes
Executive Producer: Leo Blanco Directors: Juan Taratuto, Gustavo Luppi, Daniel de Fillipo Writer: Marta Betoldi Principal Cast: Muriel Santana, Rafael Ferro, Georgina Barbarrosa, Nicolás Pauls, Boy Olmi, Maria Abadi Some people spend a lifetime looking for true love; Lucía only has 258 days. It starts when Lucía overhears a heartwrenching conversation between her mother Manucha and her soon-to-bemarried sister Irina. Lucía always knew she was Manucha's least favorite daughter, but nothing prepared her for hearing her mother vow to pay for Irina's entire wedding if Lucía, Irina's older, single, and somewhat unattractive sister, arrives at the event with a real boyfriend. Hurt and angered, Lucía decides to prove her mother wrong and makes falling in love her main priority.
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Two children, Angel and Miguel, find each other in the streets of Manila, becoming each other's protector and comfort in their hard life. But a fateful event separates them, and brings them into the lives of two families with a painful past. Despite being apart, Angel and Miguel grow up and follow parallel paths in life, both becoming lawyers. Even after years of separation, they still search and wait for each other, unaware of the fact that fate is slowly bringing them together. But the path to their reunion is filled with conflict as jealous siblings and bickering parents become obstacles in their love story.
My Love follows three women whose fates are crossed after a plane crash. When Mel thinks her beloved Bernardo has died in the crash, she moves to her uncle’s house in Lisbon with her sister Clara, where she piques the interest of Cláudio. Through Cláudio, Mel experiences the glamorous universe of famous fashion designer Helena Vargas, whose brother was also on the plane. Meanwhile, the powerful Caetano Vargas Mota, Helena’s father, discovers that either Mel or Clara is his daughter. With Lisbon as the backdrop, My Love is a story of love, betrayal, justice, courage, revenge, friendship, and glamour.
International Emmy Almanac 2010/2011
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2010 NomiNees
TV Movie/Mini-Series
south africa
germaNy
uNited kiNgdom
brazil
hopevIlle
marcel reIch-ranIckI: The auThor oF hImSelF
Small ISland
Sound & Fury
Ruby Films in association with AL Films / Northern Ireland Screen for BBC, coproduced with WGBH
TV Globo / O2 Filmes
Curious Pictures / Heartlines / SABC Education Executive Producers: Garth Japhet, Zama Mkosi Producers: Mariki van der Walt, Harriet Gavshon, Surekha Singh Director: John Trengove Story by: Michelle Rowe, Roger Smith Writers: John Trengove, Darrel Bristol-Bovey, Jacqui L'ange, Libby Dougherty, Mpho OseiTutu, Neil McCarthy, Nick Borraine, Salah Sabiti Principal Cast: Themba Ndffaba, Junior Singo, Desmond Dube, Terry Pheto, Mary Twala, Fana Mokoena, Wilmien Rossouw, Jonathan Pienaar, Jody Abrahams, Quincy Fynn, Bubu Mazibuko, Welile Tembe, Leleti Khumalo, Kgosi Mongake, Tshegofatso Khunou Hopeville tells the story of Amos, a reformed alcoholic on a mission to forge a relationship with his estranged son, Themba.
Trebitsch Entertainment / WDR / ARD Degeto / Arte Executive Producer: Katharina M. Trebitsch Producer: Benjamin Benedict Director: Dror Zahavi Writer: Michael Gutmann Principal Cast: Matthias Schweighöfer, Katharina Schüttler, Maja Maranow, Joachim Król, Sylvester Groth, Alexander Khuon Marcel Reich-Ranicki: The Author of Himself tells the story of Germany’s foremost critic Marcel Reich-Ranicki and examines central issues of his identity from 1928 to 1958. The film follows Reich-Ranicki from his Polish childhood through his Jewish family’s annihilation during WWII, to his postwar stint with the Polish secret service and his early career as a book reviewer.
International Emmy Almanac 2010/2011
Executive Producers: Alison Owen, Paula Milne, Paul Trijbits, Lucy Richer, Rebecca Eaton Producers: Joanna Anderson, Vicky Licorish, Grainne Marmion Director: John Alexander Screenplay: Paula Milne, Sarah Williams Original Novel: Andrea Levy Principal Cast: Naomie Harris, Ruth Wilson, David Oyelowo, Benedict Cumberbatch, Ashley Walters When Hortense arrives in London from Jamaica in 1948 to live with her new husband, Gilbert, she’s dismayed to find that it’s a small-minded country, full of racism and poverty. Hortense’s only saving grace is their landlady Queenie.
Executive Producers: Eduardo Figueira, Fernando Meirelles Producer: Andrea Barata Ribeiro Directors: Fernando Meirelles, Gisele Barroco, Toniko Melo, Fabrizia Pinto, Rodrigo Meirelles Writer: Fernando Meirelles Original Script: Susan Coyne, Bob Martin, Mark McKinney Principal Cast: Andrea Beltrao, Felipe Camargo, Dan Stulbach, Maria Flor, Pedro Paulo Rangel, Daniel Dantas, Daniel de Oliveira, Debora Falabella Sound & Fury follows Dante, who returns to the State Theatre Company (STC), the site of his greatest triumph and most humiliating failure, to assume artistic direction after the sudden death of his longtime friend, Oliveira. When Dante arrives, however, he finds that the spirit of Oliviera still resides in the theatre, which is struggling to find balance between artistic integrity and filling the seats with patrons. 21
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2010 natpe panel
Selling Telenovelas: Two Billion Viewers Worldwide & Growing January 24, NATPE, Las Vegas Moderator: David Gregg, Vice President, International Publicity, The Bold & The Beautiful/Bell-Phillip TV Prods. Inc. Panelists: Luis Daniel Capriles, Vice President, Sales, International Digital Media,Telemundo Internacional; Raphael Corrêa Netto, Director, International Sales, Globo TV International; Michal Nashiv, President & CEO, Dori Media Distribution, CEO, Dori Media Contenidos and President, Dori Media Central Studios. The International Academy of Television Arts & Sciences kicked off its 2010 series of panels with its annual presentation hosted at NATPE on January 24th. The panel launched the NATPE Conference program the day before the exhibit floor opened.
and until today it has 14 million viewings in two years. Lalola won every possible award in Argentina, where it was produced, and some other awards around the world. It got a massive coverage all over the world and the result is that 70 countries bought Lalola. I want to show you trailers of the different variations of Lalola in Spain, Greece, and Turkey. And the fourth version is from the Philippines and I would like you to watch it because it’s completely different, same essence but completely Asian. In order to market and sell a program to 70 countries in two years, first of all of course you have to have a good story that can cross boundaries. And after you have this thing, which is not a small thing to get, you need massive marketing, a lot of awareness to the buyers, and outstanding visuals that can attract their attention in the clatter that they have to face.
GREGG: Without further ado I’ll turn the podium over to Michal. GREGG: Thank you Michal. Now Raphael. NASHIV: I’m going to show you how we marketed and sold NETTO: The Emmys have asked us to select one of our tiLalola to 70 countries in two years. Our prime target auditles as an example of marketing and selling telenovelas worldence members are the buyers from broadcasting and producwide. And the natural step that comes to us is El Clon. El Clon tion companies all over the world. Lalola was first introduced was a telenovela that was first produced and aired in Brazil in in early screenings in 2007 in a screening of buyers who came 2001.Then it had tremendous success worldwide and we said, to this market. In May of 2007 we took every available space “Okay we have closed the history of El Clon.” But no. It came to promote Lalola and make it visible to all potential buyers. to us that we are just in the middle of the history because When they came to the Palais des Festivals we had two signs with the partners of Telemundo, and very good friends of of Lalola on each side and all of the information points were Telemundo, we extended the happiness and joy of El Clon in covered with Lalola images. The employees of the Palais also taking this to the world. Globo started in Brazil and aired a wore t-shirts of Lalola. We took the front pages of the leadtelenovela that I think was a breakthrough for both Brazilian ing magazines of the market with the ads of Lalola. In NATPE audiences and the international audience, which was Terra last year we prepared a special card for guests on their bed saying, “What would you do if you wake up one morning in a body that is not yours?” When they came to our booth, to our suites, we gave them pillowcases. One said Lalo and one says Lola. We produced a special hologram ad that when you flip it to one side you see Lola as a woman and when you flip it to the other side you see her like a man. We produced a leading brand of makeup in Europe, Madina Milano, a special lipstick of Lalola to give away to potential buyers and we invited the guests of Lalola to meet the clients in a cocktail that we threw for them. When we launched Lalola in the market we also Moderator David Gregg with Panelists Michal Nashiv (Dori Media Group), Raphael launched a partner channel on YouTube Corrêa Netto (Globo TV) and Luis Daniel Capriles (Telemundo) International Emmy Almanac 2010/2011
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tunities and needs of airing something that is thought to be on your air and that you touch and feel the results of, but at the same time that you are able to create a long experience of enjoying these titles. So we brought here today this short clip that was prepared in 2002 and I really hope it gives you the feeling of the cinematographic look and the feel of assembling modern Brazil on one screen. I still see the video today and I get very happy to have the chance to remember both the success of Terra Nostra and Terra Esperanza and know that the market has changed so much and we’re still able to give value to what’s the most important thing to the telenovela genre nowadays, which is have a fantastic idea and have the talent to execute it both in script talent and in producing it. GREGG: What were some of the challenges you faced and some of the things that were easy when you were looking at distributing the last telenovelas we saw? NETTO: We all deal with buyers from different backgrounds from all over the world, they have different histories and needs and perspectives and trying to Local format of Dori Media’s work in a common language to market Lalola in The Philippines the product to this entire potential audience of buyers is something very difNostra. Terra Nostra was the first telenoficult. I think the most challenging thing vela that brought together two very is finding this language of trying to marstrong elements within one telenovela. It ket something which is reachable to all brought scenographic perspective to the of these potential buyers, whatever genre with the willingness of a story line background they are from, and trying to that brought together Latinos, Brazilians, give value to the genre of telenovela and Europeans represented by Italians. because you are a soap-opera expert. We were trying to build a telenovela and One common element that is perhaps a story that crossed borders and showed the most important is that the telenosomething new and I think we did it very vela genre gives the broadcasters the successfully in Brazil. Terra Nostra ended Local format of Dori Media’s opportunity to create audience fidelity. up selling across the world to 95 coun- Lalola in Greece Being able to share these opportunities tries.The launch of Terra Esperanza, which as producers to other broadcasters I think is our main chalwas a sequel of Terra Nostra, only existed because of the huge lenge year by year. and tremendous success of Terra Nostra in the three years prior. Terra EsGREGG: Let’s hear from Luis Daniel peranza was the first telenovela that Capriles from Telemundo. Globo was willing to create, to proCAPRILES: At Telemundo we have duce, and to accommodate its proimplemented many successful margramming needs in Brazil because of keting campaigns with cross promothe opportunities in the international tion with our par tner NBC market. We brought a video to you Universal. But one of the most suctoday that I hope shows you a little cessful marketing campaigns was El bit of the emotion we feel when we Cuerpo del Deseo, or Second Chance are talking about trying to create as we call it in English, is one of the ideas and stories that are aimed at best cases we have today. In the the Brazilian audience but that don’t U.S.A. we implemented a 360-demiss the sensibility of the international gree marketing strategy that also included a lot of advermarket. I think there is a permanent challenge within our intising, print and billboards. Internationally, what we did was dustry, which is how do you complement these two oppor-
“The telenovela genre gives broadcasters the opportunity to create audience fidelity” —Raphael Correa Netto
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International Emmy Almanac 2010/2011
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Telemundo’s Alguien te Mira
re-create and adapt this to multiple platforms in countries in Latin America, Europe and Asia. Specifically in Korea, Japan, Turkey and India, in their own languages. GREGG: What are some of the differences in marketing and selling a telenovela today as opposed to five years ago? CAPRILES: Marketing campaigns have adapted to many platforms. People are not watching telenovelas five years ago like they are watching them today. We are experiencing now in many countries where telenovelas are being watched in VOD platforms, on mobiles and with that, campaigns doing more promotion, engaging more audiences to the free TV. Five Globo’s remake of the classic El Clon, in co-production with Telemundo years ago, this was never thought of. Right now there are many platforms that can actually engage and get more GREGG: How important do you see those new-media platpeople to watch more Telemundo content. forms becoming in terms of revenue for the next three, four, five years? GREGG: And when you’re using new-media platforms, are NASHIV: At Dori Media we started to believe in those new those platforms mainly just to support the on-air now? platforms a long time ago and we worked on novebox.com, CAPRILES Actually, they are not just to suppor t. It’s a the telenovela website that we launched a year and a half ago. 360 content strategy, the way we see it at Telemundo. With I think we were the first one to produce a telenovela for the VOD previews and post-views, people are actually paying Internet, and it went on air and on TV as well. We produced to see the content ahead of time that also is promoting 110 episodes for the Internet with the support of the SMSs the free TV in these same countries. SMS campaigns at the because we believe in those new medias and revenues that same time are doing things in Central America and South will be generated in the future from the medias. America, where people are watching the promotions of GREGG: Do you think that there was a specific action that you the SMS campaigns and at the same time they are getting did for the consumer for Lalola, in one of those countries that engaged with the telenovela they have seen. International Emmy Almanac 2010/2011
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you can point to and say,“This was our most innovative idea and this is what had the biggest results” or is there something like that you can share with us, in any country, or any media? A specific marketing action that you did in a country that had some kind of immediate result? NASHIV: Well I think that launching a series with a visual of a woman standing up in a toilet, peeing like a man, generated a lot of talk and interest in the series and after it went on air we did certain campaigns to encourage the issue of picking up on people behind the scenes.We launched video clips on the Internet of testimonials of women talking about the problems of being a woman in the world of men.The idea of Lalola is groundbreaking and we tried to make all of our marketing campaigns the same.
eight countries that pre-purchased the program before we even started to produce it. We just kept investing heavily in marketing because we knew that we had a golden egg in our hands. The telenovela marketers tend to put the marketing efforts in the few telenovelas they have to bring to the market, they bring the new one to the market. We have to put all of our efforts on one item, on one series, and of course it had more exposure and more money spent on the marketing. In every market we only promote one item and put all of the heavy marketing spending on just one thing.
“Of course you have to have a good story that can cross boundaries” —Michal Nashiv
AUDIENCE QUESTION: Michal, that’s a high-budget campaign. Can you think of anything that was the most effective part of that campaign? Was it the print? Was it the online? Something that was the most effective of that particular campaign that we can take back and utilize as marketers? NASHIV: All of those little things that we did that were exceptional like hologram ads that changed and going into the room and seeing a banner, made you emotionally involved with the series. All of these kinds of things are what made Lalola so special to buyers. GREGG: How do you determine where the return on investment comes back in terms of budget? NASHIV: Well luckily with Lalola after the first market we understood that we had a hit in our hands because we had
Local format of Dori Media’s Lalola in Belgium
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AUDIENCE QUESTION: I noticed that Telemundo said that you have pre-paid subscribers on the Internet and this is how you’re opening all of your telenovelas or just specific ones? CAPRILES:This goes to specific territories and specific telenovelas. We usually go with the top ones, mostly in countries where these technologies and people are used to pre-paid Internet subscription. It’s what we’re doing a lot in Spain at this point and also in Japan. But it depends also on the content and what is being marketed.The main thing to remember here is for Telemundo to have presence on the screen we go the other way around. For the success of our content on this screen for a long version of a telenovela we usually reduce it, put it on premium content, promote it, and then we have pre-paid persons subscribing to that platform. AUDIENCE QUESTION: And then do you then release it to television platforms? CAPRILES: Yeah, we have both. We have the home-video version also which is a shor t version for distribution. But most of that shor t content is what’s being done premium for Internet pre-paid platforms. NETTO: David, I would like to go back to your question before asking what the main difference is between today and five years ago in regards to marketing and selling a telenovela. What I think is mandatory, and what exists today is Internet and social netInternational Emmy Almanac 2010/2011
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Telemundo’s El Fantasma de Elena
working. I think the telenovela genre has been able to create a unique relationship between the broadcaster and the viewer and that used to be on a [word-ofmouth] basis. People used to go to work the day after and star t talking about what happened in the episode the day before. We were experimenting with something in Brazil with one of our recent titles, while the first episode was being aired people were exchanging impressions by tweeting. The day after, the press gave their impression of the content but also reflected on what viewers had already expressed on the Internet. In terms of promoting, or giving the audience the chance to express themselves, social media is a mandator y ele ment, that is now par t of the content while it’s building. We are exchanging people’s impressions, feelings, thoughts, and critiques. It’s tough to do it in your own market and it’s even more difficult to do it when you go overseas to convince buyers to buy your title. It evolves with every product and year and the way you address it really depends on the content.
AUDIENCE QUESTION: I’d like each of you to share with us the biggest lesson you learned from something that wasn’t so successful as these examples. GREGG: One of the challenges we face at The Bold & The Beautiful is getting the marketers and writers working in sync. On the Internet we’re starting to see that the content we put up has to do with what the writers have written. As a result, there’s a blurring of reality and fantasy, so we have to be careful about the writing. Have you guys experienced anything where things start blurring in terms of reality and fantasy because of the Internet? NETTO: Yes. In Brazil we write and produce as an open story. We have had failures; it’s part of the game and of the overall learning process of a company to experiment. When you put yourself in an experimentation process, you’re going to learn and you’re going to have failures. An advantage of this kind of show is that it is an open story; you have the chance and the ability, as long as you have the talent and the willingness, to rethink the content. We have gone through many telenovelas that we have had to change in the middle in order to respond to what the audience was giving us feedback about. Nowadays our toughest competitor is the local production. The market is changing and evolving so fast that I think we have to be open to experiments in order to be successful and learn, and perhaps we will have one failure out of ten. This is an experiment that we go through when we are writing and airing in Brazil and when we bring the content to the international market. CAPRILES: At Telemundo, we have constant feedback and interaction with international clients, which gives us a clear vision of what the audience wants. You get to learn and adapt and then you offer whatever the audience wants. Failures become more and more of an issue as time goes by. NASHIV: At Dori Media, we don’t produce to a local channel, we produce to the world, so our clients are buyers from all over the world and we like to test the new productions with them before we start production. We are online with the clients from all over the world getting their feedback before we even start the whole process of production in order not to come to the market with surprises.
“The way we see it at Telemundo it’s a 360 content strategy, ” —Luis Daniel Capriles
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GREGG: How closely do you work with the broadcasters? CAPRILES: Very close on our side. For Telemundo, there is constant synergy in the marketing and digital depar tments. Telemundo Internacional has a very close relationship with the producers to adapt to every single market International Emmy Almanac 2010/2011
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so our cast and our producers don’t come from a cer tain region, but from many regions. NASHIV: We believe that the success of the content in different countries is our success. It’s not that we sell the programs and that we just forget about them; we are in close contact with the buyers. For those who buy the format, our production people go to the countries and consult the local production team and work with them on the production to make it as successful as possible. Some clients even come to our studios to see the production while it’s happening. There is a very close relationship with the buyers of either the finished product or the format product. NETTO: In our case, Globo is the greatest producer and the leading broadcaster in Brazil. What we have learned from being in an international market is that you can do content that is aimed at a specific broadcasting need without losing the sensibility of other opportunities internationally. We have some examples like Terra Nostra, El Clon and India—A Love Story, which gave us the opportunity to create titles that were bigger than Brazil. I think what’s most important is that we follow what they are producing, but we don’t interfere, we contribute to the process, while the creator still has the flexibility to create. Our main job internally is to show them that there is opportunity around the world, that there are challenges, and that they can learn from these new experiences. GREGG: If you had to choose one particular marketing technique that is your favorite or that you feel like is the most effective, and say you had a budget cut and suddenly they said you could only do one out of the ten, which one would you choose? When your show is on the air, its getting ready to go on, how do you launch with one technique if you had to? NETTO: In our case, it’s our own programming grid. It’s the strength of the brand and the relationship with the audience and your content, to bring it closer to them. 32
“One of the challenges we face at The Bold & The Beautiful is getting the marketers and writers working in sync” —David Gregg
CAPRILES: In our case, we have a strong relationship with NBC as a partner company and cross-promotions are key for these specifics. It doesn’t matter how short they are, but it’s always cross-promotions. NASHIV: I think it depends on the target audience of the programs. If its teens, we’ll never go on air, we’ll do something on the Internet or use a media that suits them better than TV. This makes them more involved in the program. If it’s an adult program, probably still TV.
Susan Flannery as Stephanie Forrester in The Bold & The Beautiful, the most watched soap in the world.
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FEBRUARY BOARD MEETING PANEL IN wAshINGTON D.c.
Special Report on Haiti February 26, Newseum, Washington DC Panelists: Rob Reynolds, Senior Washington Correspondent, Al Jazeera English; Simon Wilson, Washington Bureau Chief, BBC News
East. We’ve been through all sorts of things together. This was a completely raw disaster and they were going to come across scenes where you weren’t going to be able to say, “Quick, get an army medic to this guy, ” or, “Look just pick up the phone, tell the Israelis that they’ve got to get these guys out,” or something like that. They were going to have to make really tough decisions on the ground:“Do we film it?”“Do we tell the story?”“Or do we get involved?” And I think this was a fascinating challenge for all of us, which was, to what extent on this story did we adapt our normal custom and practice for correspondent involvement in a story. And I think there are no rights and wrongs about this. But I was just fascinated, as someone who works in the medium, and studies it, just to watch how the different organizations handled this. CNN, it was an astonishing logistical act to get the numbers of people they got there and then the way they were operating. [They] quite quickly got very heavy presenter and correspondent involvement in the story and Sanjay Gupta becoming a doctor again. I’m sure we all had different views about what we think about it. Who am I, or any of us, to judge the decisions he was making in those circumstances. The BBC traditionally has been a little standoffish on that kind of correspondent involvement. But
WILSON: I can’t remember a story of this obvious magnitude where we knew so little in those first hours and days. I mean the first challenge was just simply gauging the magnitude of it. It was obvious something had happened and I now realize, and I hadn’t been to Haiti before, I didn’t have a sort of background that would have been useful to me. It was a pretty unique thing. Many of us have dealt with earthquakes and been involved in conflict reporting. But there’s almost always, however desperate the situation, a kind of base of organization in the country you’re deploying into, a government, a police force, an army, a hospital system, something on which you can begin to base your reporting. And in those first hours and days there was just nothing and there were people within our organization saying, “Ah, you know maybe this is a lot of fuss about nothing,” you know the way one talks amongst journalists, obviously it was a tragedy on some scale, a couple of thousand dead.We simply didn’t know, because as we now know, there was virtually no organization on the ground. So that was the first challenge it posed us. And it very quickly became apparent that more than normal we bore a huge responsibility for the situation we were sending our people into. They would have to be completely selfsufficient for the first few days.There was virtually nowhere to stay, no electricity, and very limited communications. And perhaps the biggest challenge of all was going to be the psychological one, even for our most experienced people. Our lead correspondent on those first few days was Matthew Price, our New York correspondent who’s a veteran Rob Reynolds, Senior Washington Correspondent, Al Jazeera English, and Simon Wilson, Washington with me of the Middle Bureau Chief, BBC News International Emmy Almanac 2010/2011
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we had to adapt. And as I said, in that first week, I was managing our operation but not there myself, but in pretty constant contact with our lead correspondent. I got a call from Matthew saying, “You know we’re out filming, we’re in a neighborhood, doing a story on the neighborhood.This woman just collapsed in front of us, she was pregnant, she fainted, and we had to make a decision and we put her in the car, took her to hospital.” And whatever was left of the hospital there, there was a doctor, they found a doctor, it was a breach birth, which no one had known, and the doctor said she wouldn’t have survived if the BBC team hadn’t done that. And they then wrestled with the decision of what story to make of that incident. And they cut a story which I like, I think it’s a very powerful story, which told the story of what they did, but deliberately didn’t include a single shot of what had actually happened, which was our correspondent helping to pick up a woman and put her into a car.We reported that we were there, she fell ill, we put her into our car, took her to hospital, but deliberately left out the shots. But each news organization, I’m sure Rob as well, was making their own decisions about that sort of thing. So that was challenge number three. And then I think challenge number four,
and there are no doubt many, many more, is how do we cover this now? How do we continue to cover this? We’ve taken a decision at very high levels of the BBC to remain committed, to commit money, to commit resources, to commit personnel in lean times that we’re all going through. But it’s interesting; already last week was a good example.There were some really strong news lines out of Haiti last week; you know the first rains, the beginnings of bad diseases, further lines on adoptions and orphans. And we were really struggling, really struggling, to get our editors to take the story. So on the news gathering side of things, where I work, we’re committing to keeping the resources there, a quarter of a million people more or less died, this is a huge test for the international community. But already it’s tough and it’s hard to get the stories on, and I think that’s something that’s going to be a big challenge for us. REYNOLDS: Well, we decided right on the day that the earthquake struck that this was going to be a major story. Al Jazeera English had been to Haiti many times before that covering various aspects of what had been going on there. We had done a week of live broadcasts from there several years ago, and a lot of our correspondents from the region had been there. I was fortunate
“[These are] really tough decisions on the ground: ‘Do we film it?’ ‘Do we tell the story?’ ‘Or do we get involved?’” —Simon Wilson
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enough to go there in 1995, when President Aristide, having been kicked out with the help of one American administration, was then put back in with the help of another American administration and then was later on ejected with the help of yet another American administration. And while I was there, I really fell in love with this country which is so tragic and poverty stricken, but yet had such a proud history, a very interesting history and traditions and the people who are amazingly spirited, spiritual, self-reliant and resilient and who have had to deal with so many things that people in rich societies could ever deal with, and I’m talking about even before the earthquake struck. But I kept thinking while I was there what would happen if an earthquake or some disaster like that hit Fairfax County,Virginia, or Westchester County, New York, and everything was destroyed and then no one came to help. How would we have coped with that? Would we have been able to survive? And the Haitians were really able to survive because of their resilience, and so we decided we wanted to focus less on heroic search and rescue teams coming from outside of the country to help or the involvement of western doctors or anything like that and really try as much as possible to portray it from the point of view of the Haitian people and try to get Haitians voices into every story. And one story was similar to what you were talking about Simon. One of our correspondents, Mike Kirsch, was out with our cameraman Gordon Derman and came across a scene in a neighborhood where a little boy was trapped in the rubble and had been in there for several days and the neighbors were digging him out with I think
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they had hammer and a crow bar—that was it, they didn’t have any specialized equipment. So they got this little boy out and rushed him to the Cuban hospital and he survived. And it was quite striking how people were going about their daily business and going about helping one another and not really even waiting for help. Nevertheless, the story of the uncoordinated response to the disaster became very important, there were controversies over the U.S. military control of the airport and what sort of cargo they were letting in and there was a great deal of talk about security. One of the things that we tried to do was to explain what this meant about security. I think a lot of the Western media, mainstream media, talked about security as if all of the Haitian people were going to turn into a violent mob. And if anyone came out with a bag of food, they’d grab it and tear it up, and some of that did happen. But by and large when the aid agencies were talking about the need for security, they weren’t talking about their own security, they weren’t worried about being harmed by Haitian people or anything like that.They were worried about the fact that when food is distributed it tends to be the younger and stronger guys who go and get the food and then the women and the old folks and the kids don’t get any. So they had to organize that. I think this mantra about security, violence, looting, robbing, became a real theme in a lot of Western media coverage—not BBC—but it was unwarranted because really if you look at the response of people in Port-Au-Prince and compare it to say Los Angeles after Rodney King or Baghdad after the American invasion, there was nothing
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Panel in session at Washington D.C.’s Newseum
like any kind of lawlessness there. The difficulties of covering it, much as you said Simon, the communications were ridiculously poor, and you go in with S.A.T. phones and you go in with B.G.A.N.s, which is a small portable television satellite transmitter, and cell phones and all that and you’re going to find that most of it just doesn’t work, for whatever reason. At one point we were reduced to one phone that could text other people. So that was really hard because we are all so reliant on this stuff now. I think in earlier days people probably wouldn’t have thought that they needed to coordinate everything with their desk so much and they would just get on with it. But we’re used to that way of working now.The living conditions were not that bad. We brought some tents and we brought some food from the Dominican Republic and we brought enough stuff to stay alive with. By and by things got better and hotels opened up and you could get just about anything you needed. To your point about the sort of psychological effect, I think one thing that was really hard for me and some of our colleagues was that beyond seeing very disturbing scenes like death, mass graves, people who are hungry, and so on, people that are hurt, it was that people were coming to us personally all the time and saying: “Please help me,”“Can you get me some food?”“Can you get me a job?” and “I’m hungry.”You can’t provide aid to everyone just as an individual, so a lot got a little burned out by having to deal with that all the time and having to essentially say, “No I’m working right now and I can’t help you.” So that was pretty tough. And again it’s a fabulous country, it’s always portrayed as this hell hole and from one perspective it is, but the people are really, really great. I remember one month after the earthquake there was this celebration down by the presidential palace, which is, as you’ve seen, like a wedding cake that’s been stepped on, completely destroyed, people were dancing, singing, giving speeches and sermons, and there was just such a feeling of we’re not going to lay down and die we’re going to go ahead.That was just very impressive to me. QUESTION: Haiti is in a fairly wealthy neighborhood geographically.Why is it not wealthy? What has happened in the development of Haiti that has made it different? REYNOLDS: Historically, going back to 1791, there was a slave uprising against the French, which resulted in the destruction in most of the French plantations down there.Then there was a se40
ries of civil wars and power struggles.This is something no Americans know but every Haitian knew: Napoleon sent a huge army to take back Haiti as a first step to setting up a big North American empire because the French had what was called Louisiana then which went all the way to Montana or something. So he said first of all I’ll take back our San Domingo colony and subdue those pesky Haitians and then we’ll go on to have this North American empire.The French came and none of them left, they were all killed by the Haitians and by yellow fever. So Napoleon said, okay, forget that. I’m selling this North American thing, and that was the Louisiana Purchase, he sold it to Thomas Jefferson. So if the Haitians hadn’t made that stand against Napoleon our country might be different, but that’s a digression. So they then had to pay this huge indemnity to the French in order to be accepted in the community of nations. And they were never accepted in the community of nations because they were rebellious slaves. And the United States didn’t recognize them until Abraham Lincoln was President in the middle of the Civil War. The countries of Latin America feared them as an example of slaves striking for their own freedom. So they were very isolated.They weren’t a part of international trade; they suffer from very poor government, no question about it. There’s a racial division between people who are strictly of African origin and then people who are mixed African and Caucasian or European origin, and the small group of lighter-skin people have for years controlled the trade and commerce and all of the wealth in the country. And then the country was completely environmentally degraded too because everywhere you go, even now, you see ladies walking around with these gigantic sacks of charcoal on their heads, that’s what they use to cook everything. And so they deforested the entire country with these small slash and burn farms and agriculture. It became a real disaster.You can fly over and see on the line, where the Dominican Republican is, it’s lush and leafy and there’s cactus on the Haitian side. And they’re constantly a plaything of American power politics in the region.They were occupied by the American Marines for 19 years in the first part of the 20th century, became this pawn when Cuba went to Castro, Duvalier was always extorting money from the U.S. to fight communism and so on. It was a cold war cockpit, like a lot of other countries in the less developed world, and that all these things together really set the country back. And since there is so little infrastructure and caInternational Emmy Almanac 2010/2011
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pability and government services there, an event like a hurricane people would want to go there. By the time that I left, [there was] or earthquake is that much more destructive. the recognition that this wasn’t going to happen actually....You could WILSON: Brilliant historical overview, the only thing I would build these camps but what do you do if people don’t go off their add to that is the scale of the corruption, the Duvaliers. CNN, own accord? Do you force them out? Do you push people out to their credit, did some really great reporting on this in the afat gunpoint? It’s a really awkward situation. termath and chase. There’s this ongoing legal case, I think in REYNOLDS: They decided by then not even to provide tents France, which they chased down and I think got the lawyers and for everyone, they were going to bring in plastic sheets and peogot access to some of the court documents, which was just jaw ple were going to make do. Horrible conditions in those camps. dropping when you think of the sort of situation in Haiti. That they had checks, the Duvaliers and the henchmen were buying QUESTION: Journalistically, why is it that some stories attract like four Ferraris at a time and this is all in the court documents. this kind of tsunami of coverage and others don’t? How is it that This is a really difficult comparison to make, and I make it caua story like this grabs this much attention? tiously. I spent a lot of time in the Middle East, and I was struck REYNOLDS: Well I think for the United States-based media, it’s time and time again during my time in Haiti of the little similaribecause it’s in the backyard. I think there’s a certain feeling of guilt ties to Gaza. Partly because, it’s obviously a completely different that a country as wealthy as the United States can exist with a situation and for completely different reasons, but partly for sucountry that is just in total destitution, 300 miles away. And I think perficial reasons that an earthquake is not actually unlike the kind the rest of the world just saw it as a disaster and a human drama, of damage you get from air strikes and stuff. One building falls and especially because it’s a place that is always afflicted. It’s like down the next one is standing and all of that. It was just talking the Book of Job there every day. And there will be a hurricane, and to the people, as Rob has just outlined very clearly, these wonthen something else will happen, AIDS, disease, whatever, it’s just derful, welcoming, under the most terrible of circumstances, a place that can’t get a break. And I think there was a certain inwanting you to feel that they’re proud to be Haitian, and proud terest in that as well. of what they achieve under these difficult circumstances and WILSON: I think these are always complicated by lots of faccome and share what little we have. But as soon as you got to tors, but there is also just raw news value.This plainly was an exknow them and talked to them, the profound sadness, that they ceptional event even by Haiti’s checkered past. But at the BBC, knew what was going on, they knew that pledges of billions of and I’m sure at Al Jazeera as well, we do try to cover the annual dollars were being made. But sadly for most of the people we cyclones in Bangladesh, they are tragedies. But they do happen spoke to, they knew that they would see little or nothing of it. on most years on a similar huge, tragic scale. I didn’t know that But the real practicalities of daily life: where am I going to live? much about the history of earthquakes in Haiti. [I had spoken to] where is my family going to live?, my brother, whose house fell Haitians who said you’d get the odd tremor before, but it wasn’t down, where is he going to live, and his family and his kids? They like living somewhere like L.A. or San Francisco, where in the were just going to have to look after on their own. back of your mind there might be the big earthquake. No one REYNOLDS: No confidence in their government. ever thought there would be anything like this. I don’t think there WILSON: No confidence in their government, or really just the outside world, because they knew ultimately it would have to be filtered through some sort of Haitian leadership. It was profoundly moving, but ultimately very sad. The encampments were beginning to look like shanty towns and what had been houses were tin roofs and the cardboard walls were replaced by wood and you thought, “people are going to be living there for years” (in these really squalid encampments). And it was interesting talking to some of the aid people. Initially everyone was in agreement—the U.N., the aid agencies, and what was left of the Haitian government—the thing to do was to build proper big camps Simon Wilson, Washington Bureau Chief, BBC News, and Rob Reynolds, Senior Washington on the outskirts of town and Correspondent, Al Jazeera English 42
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had been anything even approaching it in that area. It was really out of the blue.
It’s going to be a lot of money involved in that kind of drug trade. That’s the kind of thing that I think audiences will be interested to hear. I think as well just continuing to chart the extraordinary challenges facing the people of Haiti, it will open our audience to other things that they didn’t know they needed to know. REYNOLDS: I agree with what you said Simon, especially that there’s no requirement to keep telling the story if you’ve told it already, but do you come back to visit it from time to time to see how things have developed; whether predictions that were made publicly have been fulfilled or if promises have been fulfilled. And you now have people around the world whose interest has been piqued by this, and they would like to know how things are going. They would like to revisit it from time to time. And as you say, there are a lot of great stories, the drug trade is one. Our correspondent there, Steve Chou, this week went to an orphanage where the conditions were so horrendous we made that our lead story during several of our news hours. So there’s a lot more you can find, but the normal course for a story
QUESTION: How do you, as news gatherers, deal with that challenge of keeping the course of this story going and creating new story lines and making things like rebuilding sewers interesting? WILSON: I’ve always been really quite clear on this in the sense that I don’t think we have a responsibility per se to keep a story going just because it would help generate funds and charity and that sort of thing.That’s not our job. But I think what we have is a huge responsibility to our audiences, which is we have built up an expectation that we will tell them what’s happening there. BBC and other broadcasters have a role in the immediacy of the time and just providing the basic information people need to make judgments of: Am I going to give money? Am I going to help? Am I going to offer my services? I just think we have a huge responsibility to our audiences. Individual editors on a given day [may have] to stack it up against the ten leading stories. But ultimately, it boils down to good journalism. But just this morning I was talking to our next team going in and just saying, What kinds of stories should we be looking at? We need to keep going with the obvious stuff, the reconstruction, the governance, the role of the aid agencies, and The U.N. But I think there are lots of ways this opens a door, after there has been this much coverage of a place. I learned fascinating things about Haiti I didn’t know. I didn’t know the extent to which it’s used as a midway point for the delivery of drugs from South America into the U.S. and sometimes on to Europe. And Academy Member Marlon Quintero,VP Development & Current Programs, Sony Pictures Television, the security people who with Zhengzhul Liu, Phoenix Satellite Television Washington Bureau Chief popped up at the time of the earthquake. It is obvious that the like this is for a lot of attention to be paid at the outset. But I think United States, the Drug Enforcement Agency, sees this actually as a lot of it declines, I think you don’t just drop it all together.You a big opportunity for them to really make a change. And I think keep coming back and revisiting it and seeing how things are that will be fascinating to see.Th drugs gangs, who are very influgoing because you do have a responsibility to your audience to ential in Haiti, had their own airstrip in the middle of the Cité Soleil keep tabs on things. slum, which was a no-go area for anybody—they had their own airstrip with drugs coming in from Central and South America, QUESTION:What is going to happen with all of that money? being broken down into smaller speed boats and being sent on REYNOLDS: The pledges and all that? Well that’s one of the big to the States. Now, that’s not happening at the moment, because things to follow and to see how well that money is being spent. that whole thing broke down and the gang leaders were killed, There was a story about the American Red Cross having gotten others who were in prison got out. And I think this is where some in several hundred million of dollars and spending 18 million. And of the stories...I’ll put our hands up, in the BBC world, our hands they were defending themselves saying, “Well we can’t spend it weren’t clean. We went down some of the routes that Rob adall at once,” so on and so forth.There’s a debate over whether the vised against, of predicting violence. We shouldn’t be predicting government is capable of handling this or if the government is stuff on air, but there’s absolutely a story to watch there, which is, both too weak and too corrupt to handle money. And then Will whatever government emerges there be able to control that? there’s a debate as to why the government is so weak and isn’t International Emmy Almanac 2010/2011
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one of the reasons the government is so incapable because all of its functions have been taken over by foreign NGOs and the United Nations and other people have allowed the Haitian state to wither away to nothing. And then there are questions about whether the money is being spent responsibly and whether there is corruption and if it’s being allocated for the right things. WILSON: I think in these sorts of events there are pledges of money that if you go back a few years later you found out never materialized. In my experience, this giving money by text, this was the first really big test of this. In the past, mainly governments would pledge money, there would be these figures of billions of dollars floating around and if you ever actually went back and said, “what happened to that?” “Oh, well you know we didn’t know how to spend it and then something else happened.” But this is real money, people were texting like a million dollars a day or something, and that’s real money. The American Red Cross has got that in their bank account. QUESTION: How is the radio, TV and mobile infrastructure now? REYNOLDS: You’ve got cell coverage now. You have much better telecommunications now. Before, I had heard that wealthy people or companies would set up their own cell tower. So it was really chaotic and hard to get a decent signal. But there’s a company called Digicell that is everywhere in Haiti, in Port-AuPrince anyway, and they’re blanketing the place with their products and it’s not that bad anymore. WILSON: I don’t know if you found the same Rob, but it was virtually impossible in those first days and weeks to make a phone call out. And yet, some texts and some emails made it
out. And it was almost like a BlackBerry story. We had this extraordinary situation where we couldn’t talk to our guys on the ground, and they couldn’t talk to us and when I went in I couldn’t often talk to London. But you could absolutely text, almost throughout, from day one. Some extraordinary anecdotal things happened. I mean at one point one of our guys came to a place where there were 20 students at a nursing home trapped in the basement alive and he somehow got a voice. My iPhone rang. And he was like,“Simon, it’s Matthew, I’ve got this story, I can’t get through to London at all, I can only call you because you’re on AT&T. Can you call London and tell them that we’ve got this story and put a bit of copy in the system?” At the back of my mind I remember that the iPhone has some sort of conferencing facilities. So I said, “Okay hang on a minute, stay on the line.” And I’m going through the menus and I find this thing that says merge calls. So I call our intake desk in London and say, “Look, I’ve got Matthew Price, I know no one’s heard from him in two days but he’s got a great story, I’m going to try and merge the calls.” And somehow it worked and two minutes later I look up at BBC World and there’s Matthew Price Haiti reporting live and my iPhone is sitting on the desk in Washington. Of course we’re all used to being in contact with our desks all the time, but actually, I have to say there’s a little bit of me, it was absolute bliss that London couldn’t call you. And what you do is once an hour you email them saying, “Here’s the update, here’s what we’re all doing, send me an email if you don’t like any of this.” It put control back to the team in the field in a way that probably hasn’t happened for ten years. REYNOLDS: That’s exactly right. And if you think trying to reach London was tough, try calling Doha.
Academy Members during a private tour of The Newseum
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Digital Emmy awarDs
2010 International Digital Emmy Awards at MIPTV April 12, 2010, Cannes The International Digital Emmy Awards once again took center-stage on Opening Night of MIPTV’s five-day market. Hosted by actor Jason Priestley (Beverly Hills 90210, Call Me Fitz) and sponsored by Nokia and Ooyala, the Awards cocktail recognized for the fifth year excellence in international content created and designed for viewer interaction and/or deliver y on a digital platform. Presenters included British film and television actor Charles Dance, Cesar Millan (The Dog Whisperer) and Canadian actors Missy Peregr ym and Gregor y Smith. In attendance were over 200 international executives from the television, broadband and mobile industries. New Zealand made histor y winning its first International Emmy in the categor y of Digital Program: Children & Young People with Reser voir Hill, an interactive web series that follows 16-year-old Beth Connolly as she is forced to solve a myster y when she moves to a creepy suburb. The U.K. won the Digital
Program: Fiction and Digital Program: Non-Fiction awards. Primeval Evolved, an online project that extends the stories, world and characters of the television show
International Digital Emmy Awards Host Jason Priestley
Academy Executive Director Camille Bidermann-Roizen, Academy President & CEO Bruce Paisner, Reed MIDEM CEO Paul Zilk, Reed MIDEM Entertainment Division Director Anne de Kerckhove, and Reed MIDEM Television Division Director Laurine Garaude
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Primeval, won for Fiction. Virtual Revolution an open-source documentar y, inviting users to collaborate in the making of a series about how the Internet has transformed society, won for Non-Fiction. Complete information on the winners follows. 49
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Pioneer Prize— Presented to Tim Kring Creator & Executive Producer, Heroes In addition to the presentation of the Digital Awards the International Academy presented a special award—the Pioneer Prize, which is not an Emmy but rather a special initiative from the Academy which honors an industry personality or organization. The Pioneer Prize was presented to Heroes’ Creator and Executive Producer Tim Kring for his contribution to the fields of digital television and crossplatform entertainment with Heroes Evolutions. Heroes’ multiplatform experience Heroes Evolutions extended the show’s storylines through mobile participation, games and graphic novels.
Heroes’ Tim Kring accepting the Pioneer Prize with Academy President & CEO Bruce Paisner
Heroes’ Tim Kring on the Red Carpet
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THE 2010 INTERNATIONAL 速 DIGITAL EMMY AWARDS WINNERS
Digital Program: Fiction Winners for Primeval Evolved, Kate Bradshaw and Tracey Robertson
Digital Program: Fiction
Primeval Evolved
ITV1 / itv.com / Hoodlum / Impossible Pictures United Kingdom For ten weeks, viewers experience an online project that extends the stories, world and characters of the television show Primeval. The project features an online story that runs alongside season three, with new content released throughout the week, including immersive interactive environments, high-end video sequences, and intuitive game play. Credits: Kate Bradshaw, Jonathan Drake, Nathan Mayfield, Tracey Robertson
Presenter Cesar Millan (The Dog Whisperer) on the Red Carpet
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new suburb of Reservoir Hill. Viewers of the web-series can text Beth and see her receive their personal message in the actual show. Writers also incorporate audience advice into the script and fans can sign up as Beth's friends on Bebo. Credits: David Stubbs, Thomas Robins, Tina McLaren, Tom Cotter
Digital Program: Children & Young People Winners for Reservoir Hill, Thomas Robins and David Stubbs
Digital Program: Children & Young People
Reservoir Hill
KHF Media Ltd / Television New Zealand / New Zealand On Air New Zealand Reservoir Hill follows 16-year-old Beth Connolly as she is forced to solve a mystery when she moves to the creepy
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Presenters Missy Peregrym and Gregory Smith on the Red Carpet
Eurythmics’ Dave Stewart and So You Think You Can Dance Host Cat Deeley on the Red Carpet
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Digital Program: Non-Fiction
Virtual Revolution
BBC / The Open University United Kingdom Virtual Revolution, an open-source documentary, invites users to collaborate in the making of a series about how the Internet has transformed society, by debating ideas and suggesting content. Users can also download program rushes and re-edit them. Collaborators will be credited on the TV series and online content. Credits: Dan Gluckman, Dan Biddle, Julian Phillips, Russell Barnes Digital Program: Non-Fiction Winner for Virtual Revolution, Nick Cohen
Presenters Missy Peregrym & Gregory Smith
Digital Program Non-Fiction Winner Virtual Revolution Presenter Charles Dance on the Red Carpet
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2010 SEMI-FINAL rouNd oF JudGING
International Emmy Awards Semi-Final Judging
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rom June to September, thanks to the 20 member companies who hosted Semi-Final Rounds of Judging for the 2010 International Emmy Awards competition, the Academy traveled to 20 judging sites in: Argentina, Australia, Austria, Brazil, Colombia, Denmark, France, Germany, India, Malaysia, Mexico, Singapore, South Africa, United Arab Emirates and the United States. Semi-final Rounds of Judging are not only a crucial step in the judging process, but also a great networking opportunity for the Host, and for Jurors invited to participate in the competition. Jurors, selected by the Academy in collaboration with the Host, are television professionals involved in all sectors of the industry. A complete directory of the 2010 judging hosts and participants follows in this section.
Semi-Final Panel of Jurors at Judging hosted by Marlon Quintero and Sony Pictures Television Latin America in Bogotรก
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The Semi-Final Round of Judging hosted by Leopold Hoesch, BROADVIEW TV GmbH, and Michael Smeaton, FFP New Media GmbH, took place at the Marienburg of Cologne
International television professionals interested in participating in the competition are invited to apply on the Academy website, www.iemmys.tv, to become a juror for the 2011 season. Academy Members interested in getting more involved in the judging process are encouraged to judge, and host an event in their region. To be considered as a host for the 2011 Semi-Final round of judging, please contact Nathaniel Brendel, Director, Emmy Judging. Red Carpet during Semi-Final Round of Judging hosted by Leopold Hoesch and Michael Smeaton
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The cocktail for the Semi-Final Round of Judging hosted by Stephen Bawol and Helion Pictures in Paris took place at The Pantheon, thanks to the Ile de France Film Commission
The International Academy of Television Arts & Sciences Wishes to Thank: SEMI-FINAL JUDGING HOSTS: Nashwa Al Ruwaini, Pyramedia (Abu Dhabi, U.A.E.) Stephen Bawol, Helion Pictures (Paris, France) Maria Brown, Asian Food Channel (Singapore, Singapore) Sven Clausen, Danish Broadcasting Corporation (Copenhagen, Denmark) Sebastian Darcyl, ADM Creativa (Buenos Aires, Argentina) Roberta Durrant, Penguin Films (Cape Town, South Africa) Hian Goh, Asian Food Channel (Singapore, Singapore) Xavier Gouyou-Beauchamps, TV France International (Biarritz, France) Leopold Hoesch, BROADVIEW TV GmbH (Cologne, Germany) Chris Hunt, IMZ—International Music & Media Centre (Vienna, Austria) Michael McKay, Active TV (Sydney & Melbourne, Australia) Laura Michalchyshyn, Discovery Networks (Miami, U.S.A.) 66
Jurors at a Cocktail in Paris’ Pantheon
Javad Mottaghi, ABU-AIBD (Kuala Lumpur, Malaysia) Miguel Oliva, HBO Latin America Group (Punta Mita, Mexico) Franz Patay, IMZ—International Music & Media Centre (Vienna, Austria) Melvin Perez, MGM Networks Latin America (Miami, U.S.A.) Marlon Quintero, Sony Pictures Television Latin America (Bogotá, Colombia & Santa Fe, Mexico) Anette Rømer, TV2 Denmark (Copenhagen, Denmark) Tarif Sayed, The Frame (Dubai, U.A.E.) Michael Smeaton, FFP New Media GmbH (Cologne, Germany) Amauri Soares, TV Globo (New York, U.S.A. & Rio de Janeiro, Brazil) Anil Wanvari, Indian Television Dot Com (Mumbai, India) International Emmy Almanac 2010/2011
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The International Academy of Television Arts & Sciences Wishes to Thank: COORDINATORS: Michaela Maria Arvesen, Danish Broadcasting Corporation (Copenhagen, Denmark) Devyani Baindoor, Indian Television Dot Com (Mumbai, India) Jane Balamban, The Frame (Dubai, U.A.E.) Mathieu Bejot, TV France International (Biarritz, France) Donia Belhadj, Saya Productions (Paris, France) Christine Bleriot, Cyber Group Studios (Paris, France) Annika Boehm, BROADVIEW TV GmbH (Cologne, Germany) Candice Cheong, Asian Food Channel (Singapore, Singapore) Eric Douat, HBO Latin America Group (Miami, U.S.A.) Shaimaa Fawzi, Pyramedia (Abu Dhabi, U.A.E.) Juliana Fortunato, Life Management Group (Buenos Aires, Argentina) Maria Teresa Gonzalez, Discovery Networks Latin America (Miami, U.S.A.) Robana Govindaraju, ABU (Kuala Lumpur, Malaysia) Karen Gutierrez, MGM Networks Latin America (Miami, U.S.A.) Petra Hinke, Sony Pictures Television Latin America (Bogotá, Colombia & Santa Fe, Mexico) Paul Lhomme, Cyber Group Studios (Paris, France) Lars Erik Nielsen, TV2 Denmark (Copenhagen, Denmark) Amanda Peppard, Active TV (Sydney & Melbourne, Australia) Duda Pereira, TV Globo (New York, U.S.A. & Rio de Janeiro, Brazil) Ruth Pfletshinger, IMZ—International Music & Media Centre (Vienna, Austria) Candice Prinsloo, Penguin Films (Cape Town, South Africa) Alan Williams, ABU (Kuala Lumpur, Malaysia)
Tabulations by Ernst & Young LLP Martin Shannon & Mark Besca (New York, U.S.A.)
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Nathaniel Brendel, Director of Emmy Judging with Jamal Al Sharif, Managing Director, Dubai Studio City and Dubai Media City
Semi-Final Panel of Jurors at a Judging hosted by Tarif Sayed and The Frame in Dubai
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Semi-Final Round of Judging hosted by Sebastian Darcyl, ADM Creativa, in Buenos Aires
Semi-Final Round of Judging hosted by TV Globo in Rio
Semi-Final Judging Host Sebastian Darcyl with Jurors in Buenos Aires
Semi-Final Panel of Jurors at a Judging hosted by Xavier Gouyon-Beauchamps and TVFI in Biarritz
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Semi-Final Panel of Jurors at a Judging hosted by Anette Rømer and TV2 in Copenhagen
Semi-Final Panel of Jurors at a Judging hosted by Roberta Durrant and Penguin Films in Capetown
Semi-Final Panel of Jurors at a hudging Hosted by Maria Brown, Hian Goh and The Asian Food Channel in Singapore
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Semi-Final Panel of Jurors at Judging hosted by Javad Mottaghi and ABU-AIBD in Kuala Lumpur
Semi-Final Panel of Jurors at Judging Hosted by Marlon Quintero and Sony Pictures Television Latin America in Mexico City
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Juror and Judging Director Nathaniel Brendel at Semi-Final Round of Judging in Cologne
Red carpet during Semi-Final Round of Judging in Cologne
Red carpet during Semi-Final Round of Judging in Cologne
Juror notebook
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2010 News & CurreNt AffAirs NomiNees
News & Current Affairs Medal Ceremony September 27, 2010, New York City Every year The International Academy of Television Arts & Sciences celebrates its International Emmy Award Nominees for News and Current Affairs with a Medal Ceremony and networking event in New York City. This year, nominees from eight networks gathered for brunch at Harry Cipriani on Central Park and Academy Chairman Fred Cohen presented them with medals and certificates. THE 2010 INTERNATIONAL EMMY AWARDS NOMINEES
®
Pakistan-Terror’s Front Line
Sky News, United Kingdom In March 2009, Sky News revealed that the Taliban were in control of a large part of Pakistan; that a new group of British-born terror suspects trained in Pakistan had returned to the U.K., and that militants were gaining increasing support in an area containing vital supply routes for British and American troops in Afghanistan. Chief Correspondent Stuart Ramsay became the first and only journalist to enter the Swat Valley when it came under Taliban control and in an interview with Jeremy Thompson the country’s President denies militant control, despite Sky’s footage.
NEWS: Al Jazeera English News Hour—Gaza War
Al Jazeera English, Qatar
Al Jazeera English had teams on both sides of the border during the 22 day Israel/Gaza war, which broke out on December 26, 2008, and ended on January 17, 2009. Submitted coverage follows the start of a ground offensive in the territory on January 5, 2009.
News & Current Affairs Nominees at breakfast hosted by The Academy
News: Extended News Coverage on Obama’s Visit to Russia
RT Channel, Russia
This report is part of RT’s two-day-long project on extended news coverage of President Obama’s visit to Russia. Special reports went out for two days, 24 hours a day. An RT live feed position was installed on Manezhnaya Square in downtown Moscow, broadcasting interviews with experts from Europe and America as well as live state leaders’ meetings and speeches. Jornal Nacional: Blackout in Brazil
TV Globo, Brazil Fred Cohen, Chairman, International Academy of Television Arts & Sciences, presents medal to Current Affairs Nominee Sharmeen Obaid-Chinoy
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the blackout brought to light how an inefficient infrastructure can damage the country’s economic ambitions. CURRENT AFFAIRS: Tuesday Report: Child Abduction
Television Broadcasts Limited, Hong Kong, China China has implemented a one-child policy for decades. Except for peasants and some special cases, each family is allowed only one child, but a
2010 News Nominees
without electricity. Power was partially restored the next morning. The first official explanation only came 24 hours later: lightning had supposedly struck power lines. TV Globo investigated and confronted contradictory versions, and exposed the fragile state of the power grid and the effects on the population. As Brazil recovered from the international financial crisis,
Al Jazeera English nominee Sherine Tadros and guest.
traditional preference for male heirs remains ingrained. Some families unable to sire a male heir seek to purchase one by illegal means and child abduction ensues. Dispatches—Pakistan’s Taliban Generation
October Film for Channel 4, United Kingdom
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Pakistan’s Taliban Generation investigates how the war on terror is creating a generation of child terrorists—children prepared to kill both inside and outside Pakistan. With the recent attack in Lahore on the Sri Lankan cricket team, last year’s suicide bombing in Islamabad, and the assault on Mumbai, Pak-
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istan’s radical Islamists are bringing violence to the major cities of Pakistan and beyond. Pakistani journalist Sharmeen Obaid-Chinoy reveals how the Taliban are recruiting increasingly younger fighters for their campaign. Enquete: The Ultimate Forgiveness
Societe Radio-Canada, Canada In October 2006, a man entered a little Amish school in the town of Nickel Mines, Pennsylvania, U.S.A. He shot ten young girls, killing five, before killing himself. Immediately, the Amish surprise the world by forgiving the killer and his family. This is the story of a terrible shooting, interviewing Amish families and the mother of the killer. Al Jazeera English News Hour—Gaza War
Artear-Canal 13, Argentina
On November 10, 2008, Argentine president Cristina Fernández de Kirchner vetoed a law that had been approved unanimously by both chambers of senators and deputies. The law, known as Glaciers Law, protected the gigantic mass of ice from possible mining exploitation and threatened millionaire investments. In this broadcast, Telenoche investigates the reasons of a polemic decision that produced breaks inside the governing party and reveals the power of multinationals that seek gold, silver, and copper between Argentina and Chile.
Sky News Nominees at breakfast hosted by the Academy
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News Pakistan—Terror’s Front Line Current Affairs Dispatches—Pakistan’s Taliban Generation
Current Affairs Winner Sharmeen Obaid-Chinoy for Channel 4’s Dispatches—Pakistan’s Taliban Generation News Winners for Sky News’s Pakistan—Terror’s Front Line Jeremy Thompson and Stuart Ramsay
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OCTOBER BOaRd MEETing in BERlin
International Academy in Berlin
Bruce Paisner, President & CEO, International Academy, in conversation with Prof. Markus Schächter, Director General, ZDF
September 30-October 1, 2010, ZDF Studios Over 60 International Academy Members and their guests gathered in Berlin to attend the Academy’s Fall Board Meeting and events, hosted by ZDF Director General, Professor Markus Schächter, and Dr. Frank Freiling, Director of International Affairs. The two-day event kicked off on the evening of September 30th with a visit to the Cupola of the Reichtag and a cocktail at the Parliamentary Society, with remarks by Dr. Hermann Otto Solms,Vice President of the Bundestag. On October 1st, Members convened at ZDF, Berlin, for the Board Meeting, which was followed by a presentation on International Emmy Almanac 2010/2011
International Academy Board Meeting at ZDF, Berlin
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3D technology by Tom Cordiner; Technicolor’s Vice President, Sales & Business Development for Digital Content Delivery, and Jens Peter Wittenburg, Director, 3D Worldwide Research.
Simon Sutton, President, International & Content Distribution, HBO
Vision, moderated by Simon Sutton, President, HBO International and Content Distribution and Secretary of The International Academy.
Jana Bennett, Director, BBC Vision
Technicolor 3D Presentation
In the afternoon, the program included A Conversation with Prof. Markus Schächter, Director General, ZDF, conducted by Academy President & CEO, Bruce Paisner, followed by A Conversation with Jana Bennett, Director, BBC 90
That evening, guests were taken on a private tour of Berlin’s Museum Island, with an introduction to each Museum by their respective curator, and dined in the Basilica of the Bode Museum. International Emmy Almanac 2010/2011
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Leopold Hoesch, Managing Director Broadview TV & German Ambassador of the International Academy; Hermann Otto Solms, Vice-President Bundestag; Bruce Paisner President & CEO International Academy; and Dr. Frank Dieter-Freiling, Director of International Affairs, ZDF during a cocktail at The Parliamentary Society
Dr. Frank-Dieter Freiling, Director of International Affairs, ZDF; Camille Bidermann-Roizen, Executive Director, International Academy; and Tom Cordiner, Vice-President Sales and Business Development, EMEA & Asia, Technicolor
Hermann Otto Solms, Vice President Bundestag
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Dinner at the Basilica of the Bode Museum
Blair Westlake, Corporate Vice-President Media & Entertainment Group Microsoft and Treasurer of The International Academy
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2010 Panelists
Academy Panelists The International Academy would like to thank all the panelists and moderators who have participated in its 2010 events.
Jana Bennett Director, BBC Vision & Member of BBC Executive Committee, BBC Luis Daniel Capriles Vice President, Sales, International Digital Media, Telemundo Internacional Tom Cordiner Vice President, Sales & Business Development, Digital Content Delivery, Technicolor
David Gregg Vice President, International Publicity, The Bold & The Beautiful/Bell-Phillip TV Prods. Inc. Michal Nashiv President & CEO, Dori Media Distribution, CEO, Dori Media Contenidos & President, Dori Media Central Studios Rob Reynolds Senior Washington Correspondent, Al Jazeera English
Jens Peter Wittenburg Director, 3D Worldwide Research, Technicolor
Prof. Markus Schächter Director General, ZDF
Raphael CorrĂŞa Netto Director, International Sales, Globo TV International
Simon Sutton President, International & Content Distribution, HBO
Simon Wilson Washington Bureau Chief, BBC News
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InternatIonal academy FoundatIon
The International Academy of Television Arts & Sciences Foundation Created in 1989, The Foundation organizes and administers the worldwide exchange and educational programs of The International Academy of Television Arts & Sciences. It has its own Constitution, Officers and independent Board of Trustees.
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ach year, The Foundation administers the Sir Peter Ustinov Television Scriptwriting Award. The competition is designed to motivate non-American novice writers under the age of 30, and offer them the recognition and encouragement that might lead to a successful career in television scriptwriting. Entrants are asked to create a completed halfhour to one-hour English-language television drama script for a family audience. The award winner receives $2,500, a trip to New York City, and an invitation to the International Emmy Awards Gala in November. The 2010 winning script, Spirits of the Past, by Jason Spencer of Australia, was read by professional actors in front of an audience at the International Emmy World Television Festival. Special thanks to the 2010 Ustinov Jurors Mark Arywitz, NYU Robert Beveridge, Edinburgh Napier University Louisa Burns-Bisogno, Penwright Productions Felicity Carpenter Jorge de Så Gouveia, Escola Superior de Teatro e Cinema Portugal Richard Dubin, Syracuse University Jez Freedman, Screenwriting on the Blog John Griffin, Company Pictures Cynthia Link, National Academy of Television Arts & Sciences Member Janis Lundman, Back Alley Films Scott McEwen, CBC Julie Pool, Writers Guild of America East Member Surang Prempree, Bangkok Broadcasting & Television Jared Rappaport, California State, Northridge Nimer Rashed, Writer/Director Michael Russnow, Ram Productions International Mark Evan Schwartz, LMU/LA School of Film & TV Michaela Seemann, ORF—Austrian Broadcasting Corporation Susan Shapiro Barash, NYWET 96
2009 Sir Peter Ustinov Television Scriptwriting Award Winner Claire Tonkin with Academy Chairman Fred Cohen
Actors performing the winning script
Katie Swinden, Kudos Film & TV Kim Todd, Original Pictures, Inc. Claire Tonkin, Network Ten Australia Andrew Woodhead, Kudos Film & TV Kristine Wyld, Knapman Wyld Television International Emmy Almanac 2010/2011
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MEMBERS’ diREctoRy
Members The International Academy of Television Arts & Sciences.
Executive committee Bruce Paisner President & CEO Advisor to the CEO Hearst Corporation USA Fred Cohen Chairman Chairman, Foundation The International Academy of Television Arts & Sciences USA Larry Gershman Vice Chairman & Co-Chair, Emmy Committee Chairman & CEO World International Network LLC USA Simon Sutton Secretary President, HBO International & Content Distribution Home Box Office USA Blair Westlake Treasurer Corporate VP, Media & Entertainment Group Microsoft USA Rainer Siek Chairman, Nominating Committee President MT.NY USA Ralph Baruch Executive Member USA Kevin Beggs Executive Member President Lionsgate Television USA
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Jana Bennett Executive Member Director of BBC Vision BBC United Kingdom Steve Ronson Executive Member Executive VP, Enterprises A&E Television Networks USA Don Taffner, Sr. Executive Member Chairman DLT Entertainment Ltd. USA Camille Bidermann-Roizen Senior Vice President & Executive Director The International Academy of Television Arts & Sciences USA
Emmy committee Members Larry Gershman Vice Chairman & Co-Chair, Emmy Committee Chairman & CEO World International Network LLC USA
Nominating committee Members Rainer Siek Chairman, Nominating Committee President MT.NY USA Guido Corso (RAI Corporation) Tom Devlin (Entertainment Studios) Armando Nuñez, Jr. (CBS Studios International) Miguel Oliva (HBO Latin America Group) Annie Wegelius (SVT)
Special Awards committee Members Jim Rosenfield Chairman, Special Awards Committee JHR & Associates USA Kevin Beggs (Lionsgate Television) Fred Cohen (The International Academy of Television Arts & Sciences) Bruce Paisner (Hearst Corporation) Ambassadors
Talal Al-Haj (Al-Arabiya News Channel) Zane Bair (Seven Network Australia, LA Bureau) Gabor Banyai (LaRella Productions) Steven Bawol (Helion Pictures) Maggie Jones (Australian Broadcasting Corporation) Michael Schelp (Fujisankei Communications International) Eileen Slater-Cohen (A2Z Media) Jorge Vaillant (AVM Corporation)
Gabor Banyai Hungary Producer LaRella Productions Hungary Steven Bawol United Kingdom Managing Director Helion Pictures France Sebastian Darcyl Argentina President ADM TV Creativa Argentina
Gai Dunlop Australia CEO Festcom Australia Roberta Durrant South Africa CEO Penguin Films South Africa Jose Escalante Venezuela Managing Director Latin Media Corporation USA Talal Fattal Ghana CEO Metro TV Ghana Leopold Hoesch Germany Managing Director BROADVIEW TV GmbH Germany Brian Seth Hurst Global Digital Ambassador CEO The Opportunity Management Company USA Gabriel Rosenberg Israel Group President & CEO Jerusalem Capital Studios Ltd. Israel Hans Rossiné Norway Programsjef/Head of Drama NRK Norway Tarif Sayed United Arab Emirates Managing Director The Frame UAE
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Alexander Shustorovich Russia President Fashion TV Russia, LTD. Russia
Directors Name Title Company Country Jose Antonio Baston Corporate VP, Television Televisa Mexico Kevin Beggs President Lionsgate Television USA Rodolphe Belmer CEO Canal+ France Jana Bennett Director of BBC Vision BBC United Kingdom Mitchell Berman Executive Chairman Zillion TV USA Camille Bidermann-Roizen SVP & Executive Director The International Academy of Television Arts & Sciences USA Scott Borden Head of Television Laureus World Sports Awards United Kingdom Tony Burman Managing Director Al Jazeera English Qatar John Cassaday President & CEO Corus Entertainment Canada Adriana Cisneros de Griffin Vice Chairman/Director, Strategy Cisneros Group/Venevision USA
Xavier Couture EVP, Content Orange France
Hisashi Hieda Chairman Fuji Television Network, Inc. Japan
Jonathan Miller Chief Digital Officer News Corporation USA
Patrick de Carolis France
Hans Holger Albrecht President & CEO Modern Times Group/Viasat Broadcasting Sweden
Pat Mitchell President & CEO The Paley Center for Media USA
Stephen Davis President Hasbro Studios USA Ingrid Deltenre Director General European Broadcasting Union Switzerland Thomas Ebeling CEO ProSiebenSat.1 Media Germany David Ellender CEO FremantleMedia Enterprises United Kingdom Konstantin Ernst General Director Channel One Russia Russia Robert Friedman President, Media & Entertainment Radical Media USA Shigeo Fukuchi President NHK Broadcasting Corporation Japan Xavier Gouyou-Beauchamps President TV France International France Herbert Granath Chairman Emeritus ESPN USA Stephen Greenberg President Incendo Media Canada Michael Grindon USA Robert Halmi, Jr. President & CEO RHI Entertainment USA
Rick Cotton EVP & General Counsel NBC Universal USA
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Stanley Hubbard Chairman Hubbard Broadcasting Co., Inc. USA Hiroshi Inoue President Tokyo Broadcasting System Japan Paula Kerger President & CEO PBS USA In-Kyu Kim President & CEO KBS (Korean Broadcasting System) South Korea
Steve Mosko President Sony Pictures Television USA Ivica Mudrinic President & CEO Croatian Telecom Croatia Armando Nu単ez, Jr. President CBS Studios International USA Ahmet Oren CEO Ihlas Media Holdings Turkey
Herbert Kloiber Managing Director Tele-M端nchen Group (TMG) Germany
Hiroshi Oto President & COO Fujisankei Communications International USA
Pavel Korchagin CEO Studio 2V Russia
Lucio Pagliaro General Director Artear Argentina, Clarin Group Argentina
Mikel Lejarza Ortiz General Manager Antena 3 Television Spain
Bruce Paisner Advisor to the CEO Hearst Corporation USA
Giancarlo Leone Executive Vice President RAI Italy
Alan Perris COO Academy of Television Arts & Sciences USA
Ruigang Li President Shanghai Media Group PR China
Martin Pompadur IMP Media Management/Metan Development Group USA
Changle Liu Chairman & CEO Phoenix Satellite TV Holdings Ltd. PR China
Surang Prempree Managing Director Bangkok Broadcasting & Television Thailand
Roberto Irineu Marinho President Globo Group of Companies Brazil
Abbe Raven President & CEO A&E Television Networks USA
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Udo Reiter Intendant Mitteldeutscher Rundfunk Germany
Luis Villanueva CEO SOMOS TV USA
Steve Ronson Executive VP, Enterprises A&E Television Networks USA
Annie Wegelius Director of Programs SVT Sweden
Gabriel Rosenberg President & CEO Jerusalem Capital Studios Ltd. Israel
Blair Westlake Corporate VP, Media & Entertainment Group Microsoft USA
Carlo Sartori CEO NewCo Rai International S.p.A Italy Markus Sch채chter Director General ZDF German Television Germany Jeffrey Schlesinger President Warner Bros. International Television USA Mark Scott Managing Director Australian Broadcasting Corporation (ABC) Australia John Shaffner Chairman & CEO Academy of Television Arts & Sciences USA Neal Shapiro President & CEO WNET.ORG USA Zafar Siddiqi Chairman First Media UAE Simon Sutton President, HBO International & Content Distribution Home Box Office USA Donald Taffner, Sr. Chairman DLT Entertainment Ltd. USA Katharina Trebitsch President Trebitsch Entertainment GmbH Germany
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Malachy Wienges First Vice Chairman NATAS USA Andrea Wong USA Alan Yentob Creative Director BBC United Kingdom Gerhard Zeiler CEO RTL Group Luxembourg Paul Zilk CEO Reed MIDEM France
Alternates Name Title Company Country (Alternate for) Antonio Alonso General Manager, Planning Televisa Mexico (Jose Antonio Baston) Jean Bureau President Incendo Productions Canada (Stephen Greenberg) Guido Corso President RAI Corporation USA (Giancarlo Leone, Carlo Sartori)
Fumio Narashima Head of Program Development Center NHK (Japan Broadcasting Corporation) Japan (Shigeo Fukuchi)
Harold Crump VP, Corporate Relations Hubbard Broadcasting USA (Stanley Hubbard) Nicole Devilaine Director France 2 Television USA (Patrick de Carolis) Cesar Diaz Vice President, Sales Venevision International USA (Adriana Cisneros de Griffin) Bill Dunlop President & CEO Eurovision Americas Inc. USA (Ingrid Deltenre) Alexander Faifman General Producer Channel One Russia Russia (Konstantin Ernst) Michael Feeney VP, Public Relations & Corporate Affairs A&E Television Networks USA (Abbe Raven) Harry Forbes Director, Office for Film & Broadcasting U.S. Conference of Catholic Bishops USA (Pat Mitchell) Jean-Louis Guillaud TV France International France (Xavier Gouyou-Beauchamps) Peter Iacono Managing Director, Intl. Television Lionsgate Television USA (Kevin Beggs) Maggie Jones Representative Australian Broadcasting Corporation USA (Mark Scott)
Takaharu Okamoto President TBS International USA (Hiroshi Inoue) Gillian Rose VP, Acquisitions, Co-prod. & Sales WNET.ORG USA (Neal Shapiro) Zongqin Ruan Deputy General Manager, Intl. Operations Phoenix Satellite Television Co. Ltd. PR China (Changle Liu) Liz Seidner Davidoff Senior Vice President, Global Marketing Zillion TV USA (Mitchell Berman) Rainer Siek President MT.NY USA (Gabriel Rosenberg, Gerhard Zeiler) Eileen Slater-Cohen A2Z Media USA (Katharina Trebitsch) Amauri Soares CEO Globo International New York USA (Roberto Irineu Marinho) Angie Stephenson BBC USA (Alan Yentob) Donald L. Taffner, Jr. President DLT Entertainment Ltd. USA (Donald Taffner, Sr.)
Susanne Mueller Head of Development & Coproductions ZDF Enterprises GmbH Germany (Markus Sch채chter)
Clifford T. Tendler USA (Zafar Siddiqi)
International Emmy Almanac 2010/2011
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Jorge E. Vaillant President AVM Corporation USA (Lucio Pagliaro) Saran Virutamvongsa Assistant Managing Director Bangkok Broadcasting & TV Thailand (Surang Prempree) Ed Wierzbowski President Global American Television USA (Pavel Korchagin)
Members Nancy Abraham Vice President, Documentary Programming HBO USA Kees Abrahams President, International Production Sony Pictures Television/ 2waytraffic Netherlands Sheila Hall Aguirre VP, Sales & Development, Latin America & Hispanic USA FremantleMedia Enterprises USA Ghassan Al Asad Managing Director Creative Media Solutions UAE Walid Al Awadi CEO CSky Pictures Kuwait Nashwa Al Ruwaini CEO Pyramedia UAE Jamal Al Sharif CEO Dubai Media City UAE Talal Al-Haj New York / UN Bureau Chief Al-Arabiya News Channel USA Raul Alarcon Jr. President & CEO Mega TV—Spanish Broadcasting System USA
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Mauro Alencar Professor University of São Paulo Brazil
Gabor Banyai Independent Producer LaRella Productions Hungary
Gregory P. Bellon President Bellon Entertainment USA
Rolando Javier Almirante Castillo Filmmaker Sandra Carter Productions USA/Cuba
Barak Bar-Cohen EVP, Global Business Development KIT Digital USA
Simon Bennett Head of Drama South Pacific Pictures New Zealand
Bidzina Baratashvili General Director Imedi TV Rep. of Georgia
Oliver Berben CEO Constantin Film Produktion GmbH Germany
Thomas Anargyros Cipango France Ricky Anderson Attorney Anderson & Smith, PC USA David Andrews President & CEO Devious Media USA Irene Ang CEO & Founder Fly Entertainment Singapore Lucia Araújo General Manager Futura Channel Brazil Portia Archer VP, International on Demand HBO USA Yolanda Ausin Castaneda Managing Director Telemadrid Spain
Carlos Barba Barba Television USA John Barnett Chief Executive Officer South Pacific Pictures Ltd. New Zealand Sarah Barnett General Manager & EVP Sundance Channel USA Nivedita Basu VP, Scripted Programming Colosceum Media Pvt. Ltd India Ludwig Bauer CEO ATV Privat-TV Services AG Austria Rola Bauer Managing Director Tandem Communications Germany
Dato Amrin Awaluddin Group Managing Director Media Prima Berhad Malaysia
Wolf Bauer CEO UFA Film & TV Produktion GmbH Germany
Randa Ayoubi Founder & CEO Rubicon Jordan
Steven Bawol Managing Director Helion Pictures France
Andres Badra Corporacion Medcom Panama Panama
Fatema Bayat Senior Vice President Ariana Radio & Television USA
Chris Bailey Managing Director South Pacific Pictures New Zealand Zane Bair US Representative Seven Network Australia, LA Bureau USA
Kakha Bekauri Other Entertainment Rep. of Georgia Yury Belenkiy Art Director/Producer Creative Television Association Russia
Hilde Berg Producer Norsk Filmproduksjon AS Norway Boris Bergant BorBER Slovenia Josh Berger President & Managing Director Warner Bros. Entertainment UK & Ireland United Kingdom Piv Bernth Producer Danish Broadcasting Corporation (DR TV) Denmark Lynn Beveridge Programming Consultant Zuku USA Subroto Bhattacharya Territory Head of the Americas Zee TV USA USA Herman Binge Executive Director Waterfront Television South Africa Friedhelm Bixschlag Director of Production Magic Media Company Germany Heather Blumenthal Spirit Sister Productions South Africa Alexander Bogutsky General Manager Internation Commercial TV & Radio/CICTV Ukraine
International Emmy Almanac 2010/2011
WORLDSCREEN_EMMY_2010_EMMY_1107_NORWEGIAN 10/29/10 10:58 AM Page 1
We thank the International Academy for giving us the opportunity to produce their Almanac for nine years in a row.
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Nicolas Bonard SVP, Discovery Enterprises International Discovery Communications United Kingdom Alejandro Borensztein President BBTV Argentina Jordi Bosch Managing Director Endemol Espana Holding Spain Jürgen Brautmeier Deputy Director LFM-NRW Germany Emilio Braun Burillo Executive Vice President Caribevision USA Deirdre Brennan Director of Television BBC Worldwide Australia Julie Bristow Executive Director, Factual Entertainment CBC Canada Willem Brom CEO Park Lane TV Productions Netherlands Pierre Brosseau CEO RNC Media Canada Maria Brown Managing Director, Acquisitions & Programming Asian Food Channel Singapore John Brunton President & CEO Insight Production Company Ltd. Canada Brian Buchanan Portal Editor Gulf News UAE Brian Cahill SVP & Managing Director TeleNext Media USA
Takis Candilis CEO Lagardere Entertainment France
Marcello Coltro SVP, Sales & Chief Marketing Officer MGM Networks Latin America USA
Sanjay Das COO Broadcast Middle East UAE
LinLin Cao Mastermind Producer Beijing Twinfish Motion Picture & Visual Arts Communcation Corp. PR China
Gaston Comas CEO HBO Latin America Group USA
Daniel David CEO STV/Soico Television Mozambique
Vince Commisso CEO 9 Story Entertainment Canada
Jamie Davis President Versus USA
Jose Miguel Contreras Tejera Socio Consejero Globomedia Spain
Guido De Angelis Producer DAP Italy SRL Italy
Alexander Coridass President & CEO ZDF Enterprises Germany
Jacques de Suze Director of International Development Woods Communications USA
Patrice Courtaban COO TV5 USA USA
Edouard de Vesinne Producer Cipango France
John Cresswell Director ITV plc United Kingdom
Mark DeAngelis USA
Gillian Carr Executive Producer Moody Street Kids Pty Ltd. Australia Donovan Castillo-Mohlman VP, Network Prog. & Promo, ChannelNewsAsia MediaCorp Pte Ltd Singapore Michelle Castillo-Mohlman Undercover Mother Limited PR China Tapaas Chakravarti CEO DQ Entertainment International India Sompan Charumilinda Executive Vice Chairman True Visions Public Company Ltd. Thailand Yoram Chertok CEO D&C TV Ltd. Israel Christopher Chia Senior Advisor Ministry of Information, Comm unications & The Arts Singapore Sang Y. Chun President & CEO SBS International Inc. USA Donald Ciaramella EVP, Corporate Communications The Lippin Group USA Sven Clausen Executive Producer Danish Broadcasting Corporation (DR TV) Denmark Sean Cohan SVP, International A&E Television Networks USA
International Emmy Almanac 2010/2011
Megan Cunningham Founder & CEO Magnet Media Inc. USA Enrique Cusco CEO Ole Communications USA Jose D’Amato CEO Promofilm Argentina Argentina Beathe Daae Head of Children's Programming TV2 Norway Norway Stella Damasus-Nzeribe SDA Productions Ltd. Nigeria Alexander Dannenberg CEO Cinemakers Germany Sebastian Darcyl President ADM TV Creativa Argentina
Robert DeBitetto President & General Manager A&E Network and Bio Channel USA Mikhail Degtyar General Director TV Studio Reporter Russia Tom Devlin President, International Sales Entertainment Studios USA Allison Dowzell Development Manager Creative Business Wales United Kingdom Eric Douat Head, Corporate Comm. HBO Latin America Group USA Nancy Dubuc President & General Manager Lifetime Networks/History USA Ho Anh Dung Director General Vietnam TV Vietnam
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Michael Gordon Co-Founder & Chief Strategy Officer Limelight Networks USA
Gai Dunlop CEO Festcom Australia
Juan Antonio Fernandez EVP World Media Management USA
Clifford Friedman Senior Managing Director Constellation Growth Capital USA
Roberta Durrant CEO Penguin Films South Africa
Flavio Ferrari CEO IBOPE Media Brazil
Gregoire Furrer CEO Gregoire Furrer Productions Switzerland
James Graham Oak House United Kingdom
Pierre El Daher Chairman & CEO LBC International Lebanon
Segisnando Ferreira de Alencar TV Radio Clube de Teresina SA Brazil
Mikhail Galkin VP, Acquisitions & Programming Overseas Media, Inc. USA
James Grandahl VP, Content Distribution MediaXstream USA
Flavio Garcia da Rocha Content Advisor TV Globo Brazil
Jorge Granier Phelps Director, New Business Dev. RCTV International USA
Juan Pablo Gaviria VP, Creative Development & Production Si Hay Ideas / Teleset Colombia
Chris Grant President Shine International USA
Abdel Latif El Menawy Head of News Sector Egyptian Media Ministry Egypt Peter C. Emerson President eOne Television International Canada Jose Escalante Managing Director Latin Media Corporation USA Francesc Escribano General Manager Televisio de Catalunya Spain Juan Carlos Eserski Executive Vice President Telecorporaciﾃｳn Salvadoreﾃｱa El Salvador Wolfgang Fandrich 2nd Chief Editor & Head, History & Current Affairs MDR窶認irst German Television Germany Dato Ahmad Farid Ridzuan Group CEO, Television Networks Media Prima Berhad Malaysia Talal Fattal CEO Metro TV Ghana Rick Feldman President & CEO NATPE International USA Cynthia Fenneman President & CEO American Public TV USA
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Stanley Fertig Senior Vice President HBO International USA Christoph Fey Attorney at Law Unverzagt von Have Germany Paul Field Managing Director The Wiggles Pty Limited Australia Jay Firestone Prodigy Pictures Inc. Canada Terry Fitzpatrick EVP, Distribution Sesame Workshop USA Pedro Font President & CEO Global Media Distribution USA Tony Forrest CEO Movie Network Channels Australia Deborah Forte President Scholastic Media USA
Anthony Geffen CEO Atlantic Productions United Kingdom
David Gregg Vice President, International Publicity Bell-Phillip Television Productions, Inc. USA
Patty Geneste CEO & President Absolutely Independent Netherlands
Bastie Griese Head of Film Magic Media Company Germany
Tobias Gerlach CEO Bavariapool International Co-productions GmbH Germany
James Griffin Head Writer South Pacific Pictures New Zealand
Kevin Gillis Executive Producer & CEO Skywriter Media Canada Jacqueline Glover VP, Original Prog. Documentaries HBO USA
Harold Gronenthal Senior Vice President Rainbow International USA Diego Guebel CEO Cuatro Cabezas Argentina Pradeep Guha Venture Advisor Nexus India Capital India
Paolo Francia Gesport Italy
Hian Goh Managing Director Asian Food Channel Singapore
Frank-Dieter Freiling SVP, International Affairs ZDF German Television Germany
Sveinung Golimo Managing Director & Producer Filmkameratene AS Norway
Thomas Friedl CEO UFA Cinema GmbH Germany
Carlos Gonzalez Managing Dir, Latin America & US Hispanic Market FremantleMedia Latin America USA
Ricardo Guise President & Publisher World Screen USA Dietmar Gﾃｼntsche CEO & Managing Director Neue Bioskop Film Produktions & Vertriebs GmbH Germany
International Emmy Almanac 2010/2011
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Ferdinand Habsburg Managing Director Da Vinci Media GmbH Germany
Michael Hilliard Supervising Producer Radical Media Australia
Duncan Irvine CEO Rapid Blue South Africa
Uwe Kersken Managing Director Gruppe 5 Filmproduktion GmbH Germany
Carl Hall CEO Parthenon Entertainment United Kingdom
Leopold Hoesch Managing Director BROADVIEW TV GmbH Germany
George Isakadze CEO Georgian Media Production Group Rep. of Georgia
Yvonne Kgame General Manager, Content SABC South Africa
Lasse Hallberg Senior Vice President Metronome Film & Television AB Norway
Nico Hofmann Managing Director teamWorx Television & Film GmbH Germany
Vladimir Hanumyan General Director National Media Group Russia
Richard Hofstetter Frankfurt Kurnit Klein & Selz USA
Helena Harris Australia
Ian Hogg CEO FremantleMedia Australia Australia
Trace Harris Senior VP, Strategy & Development, US Vivendi, S.A. USA
Lisa Honig VP, Sales, USA & Canada FremantleMedia Enterprises USA
Alejandro Harrison CEO Pramer S.C.A. Argentina
Tim Horan EVP, Programming TV Numeric France
J.J. Harting CEO Roos Film Chile
Robin Houcken Manging Director Studio Hamburg GmbH Germany
Taro Hashimoto CEO Broadmedia Corporation Japan
Jacob Houlind General Manager Nordisk Film Denmark
Duane Hatherly Group General Manager Fox 8, Arena & Biography Australia
Chris Hunt President IMZ Austria
Vanessa Henneman CEO Henneman Agency Netherlands
Brian Seth Hurst CEO The Opportunity Management Company USA
Thomas Heurlin Producer Koncern TV & Filmproduktion APS Denmark Andy Heyward Chairman & CEO A Squared Entertainment USA
Epigmenio Ibarra General Director Argos Comunicacion Mexico Emeka Ike CIS Entertainment Nigeria Elena Imamova General Director Creative Television Association Russia
International Emmy Almanac 2010/2011
Igor Ivanov Deputy Director TV Channel Russia Russia Mary Ellen Iwata Vice President Scripps Networks International USA
Riz Khan USA Firdaus Kharas Producer & Director Chocolate Moose Media, Inc. Canada Shane Kinnear VP, Sales & Marketing Shaftesbury Films Inc. Canada
John Jacobsen Owner & Producer Filmkameratene AS Norway
Evgeni Kiselev Russia
Hermann Joha CEO action concept Films GmbH Germany
Gary Knell President & CEO Sesame Workshop USA
Tsuguhiko Kadokawa Chairman & CEO Kadokawa Group Holdings, Inc. Japan
Toni Knight President Worldlink USA
Russell J. Kagan Managing Director International Program Consultants, Inc. USA
Tom Koch Director PBS International USA
Jareuk Kaljareuk Chairman of the Executive Committee Kantana Group Public Company Ltd. Thailand Jarmo Kalliola CEO Family Channel OY Finland Tayeb Kamali Director The Institute of Media UAE Ahmed Kamel Film Director MBC and Al-Arabiya TV Group UAE Andy Kaplan President of Networks Sony Pictures Television USA
Dmitry Kotelenets General Director ISTIL Studios Ukraine Panos Kouanis General Manager, Programming, Finances, & New Media Hellenic Parliament Television Greece Ramanou Kouferidji President & Director General Imanle Africa Television Benin Kirill Kozakov Producer/Director Kirill Kozakov Company Russia Ivar Køhn Director, Dev. & Production Dept. Norwegian Film Institute Norway
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Steve Kram Content Partners, LLC USA
Charles Lei President Thunder Communications International PR China
Andreas Krautscheid Minister for European, Federal Affairs & Media State of North-Rhine-Westphalia/ Media Ministry Germany
Scarlett Li Founder & CEO Zebra Media PR China
Lars Kristiansen Head of Factual Programs NRK Norway
Yan Li CEO Beauty Media Inc. PR China
Reinhard Krug Executive, Director General's Office Mitteldeutscher Rundfunk Germany
Alexander Liegl Partner Noerr Stiefenhofer Lutz Germany
Ashish Kulkarni BIG Animation (I) Pvt. Ltd. India
Dick Lippin Chairman, Chief Executive & Founder The Lippin Group USA
Sergei Kushnerev Chief Editor VID Russia John Laing Founder & CEO Rigel Entertainment USA Stephan Lamby General Manager ECO Media TV Produktion Germany Mei Land Head of International Affairs Beijing Guoding Deming Culture Dev. Co. PR China Eivind Landsverk Director of Programming TV Norge Norway Ioannis Latsios General Director, Programs Antenna TV Greece Francois-Charles Le Goff Manager Saya France Kirill Legat General Director Stream Television Company Russia
Todd Lituchy Founder & CEO New Media Vision United Kingdom Cristina Loglio International Marketing Manager, Americas & Asia Pacific RAI Italy
Claudio Martinez Director General El Oso Producciones Argentina
David Lyle President Fox Look International USA
Khalipha Eddie Mbalo CEO National Film and Video Foundation South Africa
Iryna Lysenko Programming Director New Channel Ukraine
Eileen McCarthy Program Director KidsCo United Kingdom
JosĂŠ Machado Community Manager International TV Professionals Portugal Jamila Majidova Information Agensy "Asri Navin" Tajikistan Cathy Malatesta President Lawless Entertainment USA
Tom McGillis Executive Producer Fresh TV Canada Michael McKay President Active TV Pty Ltd Australia David McKillop SVP, Programming & Development History USA
Iqbal Malhotra Chairman & Producer AIM Television, Pvt. Ltd. India
John McMahon President & Managing Director, Europe Sony Pictures Television United Kingdom
David Malone CEO, Sports Investment Fox Sports Australia Australia
Giorgi Lominadze The First Deputy of the General Director Imedi TV Rep. of Georgia
Shu Sum Man Managing Director MediaCorp Raintree Pictures Singapore
Eugenio Lopez III Chairman & President ABS CBN Broadcasting Corporation Philippines
Marcos Mandarano Monteiro Product Manager, Media & Broadcast Services British Telecom—Latin America Brazil
Marc Lorber Senior Vice President HBO CE Hungary
Simos Manganis CEO/Producer Green Olive Films Cyprus
Alice Lorenzi Urbim Producer Manager RBS TV Brazil
Margaret Mardirossian President Anaid Productions Canada
Darcy Lorincz CEO Origin Digital USA
Gary Marenzi Co-President, Worldwide Television Metro-Goldwyn-Mayer Worldwide TV Distribution USA
Ed Louwerse Managing Director 2waytraffic International Netherlands
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Georges Luks General Manager GFK Audience Research Bulgaria Bulgaria
Balazs Medveczky VP, Economics & Strategic Planning Hungarian Television Hungary Karen Meiring General Manager, Afrikaans Channels MNET South Africa Belinda Menendez President NBC Universal International Television Distribution USA Lorne Michaels Chairman of the Board Broadway Video USA Laura Michalchyshyn President & General Manager Planet Green USA James Miller USA
International Emmy Almanac 2010/2011
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Peggy Miles President Intervox Communications, Inc. USA
Andrey Myroshnichenko First Deputy Chairman National TV Broadcast Council Ukraine
Rene Mioch CEO & Producer FCCE/New Haven Productions Netherlands
Takashi Nakamoto Senior Director, International Relations Fuji Television Network Japan
Laurence Mitchell Film Commissioner Cape Film Commission South Africa Alexander Mitroshenkov President Junior TV Russia Zaid Mohseni CEO Farsi 1 UAE John Momoh Chairman & CEO Channels Television Nigeria Robert Montgomery CEO Achilles Media Canada John Morayniss President eOne Entertainment USA Sheila Morris Founder, President, & CEO Morris Marketing USA Javad Mottaghi Secretary General Asian Broadcasting Union Malaysia Greg Moyer President Scripps Network International USA Claus Mueller President International Film and Television Exchange USA Michael Murphy CEO Windmill Lane Entertainment Ireland
110
Alaa Nemeh Chairman Abu Dhabi Art House UAE Ilya Neretin Producer Racoon Films & Cinema Russia Sheila Nevins President, HBO Documentary Films HBO USA Qondisa Ngwenya Group Managing Director Octagon South Africa Armando Nuñez, Sr. President Nun. TV USA Emeka Nzeribe Jack & Ideas Ltd. Nigeria Glenn Oakley USA Olav Oen CEO Monster Film AS Norway Charles Ogilvie Executive Director, China Panasonic US Executive Offices USA Godfrey Ohuabunwa Group Managing Director/CEO Multimesh Broadcasting Company Nigeria Jon Ola Sand Commissioning Executive NRK Norway Miguel Oliva VP, Corporate Affairs Latin America HBO Latin America Group USA
Katherine Oliver Commissioner City of New York, Mayor’s Office, Film & Broadcast USA
Adina Pitt VP, Content Acquisitions & Co-Productions Cartoon Network USA
Ahmad Izham Omar Exec. Dir., 8TV/CEO, Alt Media/Radio Net. Media Prima Berhad Malaysia
Rodrigo Piza VP, Sales Cookie Jar Entertainment Canada Gary Podorowsky Senior Vice President Sony Corporation of America USA
Nadav Palti President & CEO Dori Media Group Israel Christoforos Papakaliatis Greece Franz Patay Secretary General IMZ Austria
George Pofantis Content Development Manager Antenna TV S.A. Greece Francois Xavier Poirier President Novavision Promotion Intl. France
Catherine Payne CEO Endemol Worldwide Distribution Australia Rotimi Pedro Group CEO Optima Sports Management International United Kingdom Luis Francisco Peraza Executive VP, Acquisitions & Original Production HBO Latin America Group USA Ricardo Pereira General Manager, Europe TV Globo International Italy Melvin Perez President & CEO MGM Networks Latin America USA
Ross Pollack CEO Celestial Pictures PR China Linda Porto Director of Sales Screenings ABC TV USA Franz Prenner CEO ORF Austria Richard Price Joint CEO RPTA/The Performance Company United Kingdom Rolf Probala Director Rose d’Or Festival Switzerland Chris Pye Chairman 2waytraffic Netherlands
Chris Philip CEO Engine Entertainment USA Greg Phillips President Fireworks International - A ContentFilm Company United Kingdom Graham Pitman European Television Guild United Kingdom
Marlon Quintero VP, Development & Current Programs Sony Pictures Television USA Abdul Rahman Ahmad Group Managing Director & CEO Ekuiti Nasional Berhad Malaysia
International Emmy Almanac 2010/2011
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John Ranelagh Director of Acquisitions TV2 Norway Norway
Zoltan Rudi President Hungarian Television Ltd Hungary
Jeff Schon President Massiverse USA
Alexander Shustorovich President Fashion TV Russia, Ltd Russia
Peter Reichenbach Producer C-Films AG Switzerland
Eduardo Ruiz EVP & General Manager A&E Ole Networks USA
Charles Schreger President, International Distribution HBO International USA
Ben Silverman Founder & CEO Electus USA
Rainer Retzlik Managing Director BECKOFFICE Germany
Eduard Sagalaev President National Association of TV & Radio Broadcasters Russia
Peter Schube President The Jim Henson Company USA
Bhavneet Singh Managing Director & EVP MTV Networks International United Kingdom
Werner Schwaderlapp Director Media & Entertainment Management Institute Germany
Jamnan Siritan Managing Director JSL Company Ltd. Thailand
Gil Ribeiro Managing Director Mixer Brazil Jens Richter Managing Director SevenOne International Germany Mazen Rifka Head of Acquisition & External Productions Al Jazeera Children’s Channel Qatar Bill Roberts President & CEO ZooMer Canada Tracey Robertson CEO Hoodlum Active Australia Anette Rømer Head of Acquisitions & Formats Division TV2 Denmark Program Dept. Denmark Antony Root United Kingdom Shawn Rosengarten Manager, International TV Sales Just for Laughs Canada Hans Rossiné Programsjef/Head of Drama NRK Norway Emilio Rubio President, Distribution & Media Development HBO Latin America Group USA
Humaid Rashid Sahoo CEO Emirates Cable TV & Multimedia/E-Vision UAE Les Sampson Director of Acquisitions, Daytime Programming & Daytime TV Nine Network Australia Australia Ernesto Sandler General Manager Utilisima Satelital Argentina Marcos Santana CEO Telemundo Internacional USA Donatella Saroli Head of Client Services RAI Corporation USA Anuj Saxena CEO Maverick Productions Pvt. Ltd. India Tarif Sayed Managing Director The Frame UAE Michael Schelp Director, Business Development Fujisankei Communications International USA Gerhard Schmidt Eyeworks Fiction Cologne GmbH Germany John Schmidt Co-Chief Executive Officer ContentFilm Plc. United Kingdom
International Emmy Almanac 2010/2011
Douglas Schwalbe Executive Vice President Classic Media USA Teri Schwartz Dean, School of Film & Television UCLA USA Laurence Schwarz CEO Animation Collective USA Arthur Schweitzer CEO Cinevest Interactive USA Yutaka Seino Senior Vice President Fujisankei Communications International USA Bob Sender Vice President HBO International USA Lara Setrakian Correspondent ABC News UAE Adam Shaheen President Cuppa Coffee Studios Canada Andrew Shaw United Kingdom Anurradha Shukla Prasad Managing Director B.A.G. Films India
Pierre Sissman Chairman & CEO Cyber Group Studios France Sergei V. Skvortsov Phoenix Film USA Michael Smeaton CEO/Produzent FFP New Media GmbH Germany Steve Smith Managing Director Playboy TV International USA Elizabeth Smith Secretary General Commonwealth Broadcasting Association United Kingdom Rainer Soehnlein CEO Berliner Film Companie GmbH Germany Christian Sommer CEO Cinemedia AG Germany Michael Souvignier Managing Director Zeitsprung Entertainment GmbH Germany Sergiy Sozanovsky Chairman of the Board Nationwide TV Channel "INTER" Ukraine
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Mariam Sparsiashvili Vice President I-Medi TV Rep. of Georgia
Fernando Szew CEO MarVista Entertainment USA
Terry Tselane Chief Executive Gauteng Film Commission South Africa
Ernesto Velazquez Briseno Director General TV UNAM Mexico
Carrie Stein Head, Global Mgmt. & Pack. Arm 3 Arts Entertainment USA
Jeffrey Tahler VP, Acquisitions FremantleMedia Enterprises USA
Bruce Tuchman President MGM Networks USA
Colin Vickery Australia
Fuad Takruri Managing Director MadaMedia Jordan
Bessie Tugwana General Manager, SABC Africa SABC2 South Africa
Vladimir Taller President TVM Group Russia
Simon Twiston Davies CEO CASBAA PR China
Grace Hui Tang Partner PricewaterhouseCoopers PR China
Tetsu Uemura Managing Executive Officer Tohokushinsha Film Corporation Japan
Cassandra Tay Director, Communications and Community & Intl. Relations Media Development Authority of Singapore Singapore
Maria Urquiaga General Manager Mexicanal Network USA
Bruce Steinberg Non-Executive Chairman Bragster.com United Kingdom Mara Sternthal SVP, Bus. Dev., Global Media Exchange Ascent Media USA Nicholas Stevens USA Eduardo Stigol CEO Inter Venezuela Jean Stock Chairman & CEO DVL.TV S.A. / LUXE.TV Luxembourg
Victor Tevah Director, New Projects Pol-ka Producciones Argentina
Kathy Styponias General Manager, Media & Pankaj Thakar Entertainment CEO Microsoft Cellcast Interactive Media USA India Oluwatoyin Subair Christina Thomas Managing Director President Hi Media Jigsaw Communications: CEO, Nigeria BAFTA East Julie Sultan USA EVP, International Theatrical Frederick Thomas Film Sales Peace Arch Entertainment Chief Executive MHz Networks USA USA Tai Quan Sun Lyndsey Thompson President Producer & CEO Beauty Media Inc. LocatioNZ PR China New Zealand Xu Sun Joao Daniel Tikhominoff Producer Beijing Television Station President Mixer PR China Brazil Patrick Svensk Tom Toumazis SVP M&A & Business Chief Commercial Officer Development Endemol Zodiak Entertainment United Kingdom Sweden
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Marcel Vinay Hill VP, International Sales TV Azteca, S. A. Mexico Marcel Vinay, Jr. Director General & CEO Comarex Mexico Roberto Vivo Chaneton Chairman & CEO Claxson Interactive Group Argentina Alexander von Hohenthal General Manager Opal Filmproduktion Germany Cassian von Salomon Managing Director Spiegel TV Germany
Oleg Valuyskov Commercial Director Ukrainian Media Group Ukraine
Petter Wallace Head of Commissioning NRK Norway
Sytze van der Laan CEO Studio Hamburg Produktion Germany
Brian Walsh Executive Director, Television & Marketing Foxtel Management Australia
Henk van der Meulen Vice President IMZ Netherlands Maxim Varlamov General Director "Studio 1+1" Ukraine
Anil Wanvari Founder & CEO Indian Television Dot Com Pvt. Ltd. India
Sophie Vartan CEO NHU South Africa
Catherine Warren President FanTrust Entertainment Strategies Canada
Rose Marie Vega VP, Intl. Dist. Spain, Portugal, & Latin America HBO Enterprises USA
Tony Watts President Reel Rights United Kingdom
Olivier-Rene Veillon Director Ile-de-France Film Commission France
Andrew Whitaker Executive Vice President World Wrestling Entertainment USA Christian Wikander Head of Drama, Producer SVT Sweden
International Emmy Almanac 2010/2011
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Izabella Wiley SVP & General Manager MTV Polska Poland
Tanja Ziegler Producer Ziegler Film GmbH & Co. KG Germany
Anette With Head of Planning TV2 Norway Norway
Anton Zlatopolsky Deputy Director General TV Channel Russia Russia
Thomas Woods President Woods Communications USA
Carmi Zlotnik Managing Director Starz Media USA
Paul Wylie Chief Financial Officer Movie Network Channels Australia
Fawaz Zu'bi Chairman Rubicon Jordan
Akemi Yamamoto Producer Telecom Staff Inc. Japan
Fellows
Leonard Yanovsky President Intra Communications, Inc. Russia Galen Yeo CEO & Creative Director The Moving Visuals Company Singapore Jay Yogeshwar Director, Media & Entertainment Hitachi Data Systems USA Jose Maria Zafra Benjumea Managing Director ZZJ S.A. Spain Olena Zagorodniuk Chief Musical Producer National TV Company of the Ukraine Ukraine Airin Zainul General Manager, NTV7 Media Prima Berhad Malaysia Renata Zamith Afonso de Almeida CEO TV TEM Brazil Regina Ziegler Executive Producer Ziegler Film GmbH & Co. KG Germany
Bill Baker Journalist in Residence Fordham University USA Ralph Baruch USA Edward Bleier Warner Bros. (ret.) USA Richard Carlton USA Murray Chercover President Chercover Communications Canada Bruce Christensen President, KSL TV, Senior VP Bonneville Salt Lake Media Group USA Bert Cohen USA Fred Cohen Chairman The International Academy of Television Arts & Sciences USA Mark Cohen USA George Dessart CEO Dessart Communications USA Sonny Fox President Sonny Fox Consultants USA
International Emmy Almanac 2010/2011
Ralph Franklin USA Larry Gershman Chairman & CEO World International Network, LLC USA
Dieter Stolte Axel Springer Company Germany Helmut Thoma Germany
Norman Horowitz President Norman Horowitz Company USA Gene F. Jankowski Chairman Jankowski Communications, Inc. USA Arthur F. Kane Managing Editor WordCrafters USA Kay Koplovitz Principal Koplovitz & Company USA Georges Leclere LGMA USA Len Mauger Australia Horst Mueller Greece Sam Nilsson Sweden Bob O'Reilly Canada Felipe Rodriguez CEO & President Cognitec Systems Corp. USA Tom Rogers CEO & President TiVO USA Jim Rosenfield JHR & Associates USA Dietrich Schwarzkopf Germany Rainer Siek President MT.NY USA
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JURORS’ DIRECTORY
Jurors 2010 International Emmy Awards
Preliminary Round Tamara Aagten-Margol Tako Media Poland Magnus Abrahamsson OTW Entertainment TV Sweden Mariam Akodad MEDI1SAT Morocco Aletta Alberts Multichoice Africa Pty Ltd South Africa Susan Alexander Canwest Broadcasting Inc. Canada Abd Al-Latif Al-Menawy Egyptian Radio & TV Union Egypt Paula Alvarez Vaccaro Pinball London Ltd. UK Thomas Anargyros Cipango France Irene Ang Fly Entertainment Pte Ltd Singapore Natalia Arcos ARTV/TVI S.A Chile Gerald Ariano TF1 Group France Ulises Aristides UA Productions Inc. USA Jennifer Askin Alfred Haber Distribution USA Vishnu Athreya Turner Entertainment Networks Asia Hong Kong, China Yolanda Ausín Telemadrid Spain
118
Michal Aviram Kuperman Productions Israel
Deborah Bernstein DAB Communications Canada
Madeleine Carter National Geographic Channel USA
Maria Badillo Discovery Communications USA
W. Stanford Bian PMC Consulting USA
Vanessa Cernea ProTV SA Romania
Diane Barkley United Nations USA
Lesley Birchard Lesley Birchard Productions Canada
Soh Kiak Chang Sitting In Picture(s) Pte Ltd Singapore
Marc Bary IJswater Films The Netherlands
Helen Blakeman Writer United Kingdom
Darren Chau Foxtel Australia
Rita Basmagian RAI Corporation USA
Laura Blum Film Festival Today USA
Clara Choi Radio Television Hong Kong Hong Kong, China
Nivedita Basu Colosceum Media Pvt Ltd India
Heather Blumenthal Spirit Sister Productions (PTY) Ltd South Africa
Adrianna Cohen McKisney & Company USA
Anna Bateman CIRCE Films Australia Giacomo Battiato Director France Edda Baumann-von Broen avanti media Germany Yury Belenky "Creative Television Association" LLC Group of companies "Novella" Russia Marc Bennink Park Lane The Netherlands Virginia Berberian Mediabiz Argentina Hilde Berg Norsk Filmproduksjon AS Norway Eva-Maria Berger ORF Austria Neelam Beri Golden Tulip Films India
Mercedes Borruel Grupo Ganga Producciones Spain
Emerson Coleman Hearst Television Inc. USA Marcello Coltro MGM Networks Latin America USA
Julie Boucher MakingProd France
Stephen Corvini FremantleMedia Australia Australia
Nicolas Boucher Just For Laughs TV Canada
Jeff Cotugno DLT Entertainment LTD USA
Alison Bruce Freelance Canada Wolf-Dietrich Bruecker WDR- West German Television Germany
Bora Dagtekin Darefilmz Germany Roberto d'Avila Moonshot Pictures Brazil
Vincent Burke Top Shelf Production New Zealand
Alicia Dayan Turner International Argentina Argentina
Triona Campbell CR Entertainment Ireland
Guido De Angelis DAP Italy- De Angelis Group Italy
Jacqueline Cantore FOX TV Studios USA Bernadine Carraher Mind the Gap Films Ltd Ireland
Alexis de Gemini A2G Creations France Jacques de Suze Woods TV USA
International Emmy Almanac 2010/2011
EMMY_JURORS_2010_Layout 1 11/4/10 2:16 PM Page 119
Michael Dearham M-Net South Africa
Lynn Ferguson Worldwide Pants/CBS USA
Ruth A. Gutman Ruth A. Gutman Productions USA
Jarmo Kalliola Family Channel Oy Finland
Mikhail Degtyar TV Studio Reporter Russia
Juan Antonio Fernandez Dori Media America USA
Barbro Hardersen Norwegian Media Authority Norway
Ingrid Kasper United Nations Television USA
Jessica Delahaie Mediatoon Distribution France
Mary Ferreira United Nations USA
Cheryl Hassen beCHert productions inc Canada
Virginia Kassel Freelance USA
Beth Dembitzer Arena Pictures, Inc. USA
Nuno Miguel Ferreira Bernardo BEACTIVE Entertainment, S.A. Portugal
Paul W. Hazen MarVista Entertainment USA
Erin Keating IFC TV USA
Helen Henshaw Henshaw Productions Canada
Cynthia Kennedy Zodiak Entertainment United Kingdom
Julie Henson Rogers TV Canada
Elizabeth Keyishian Writer Australia
Thomas Hernadi Writer / Producer Germany
Elizabeth Klinck E Klinck Research Canada
Camille Hickman Lincoln Center Theater USA
Ivar Kohn Norwegian Film Institute Norway
Tish Hill TishStudiosInc USA
Kailashnath Koppikar Alva Brothers Entertainment Pvt. Ltd. India
Charlotte Detaille Banijay Entertainment France Nicole Devilaine France Televisions USA
Rodrigo Flores Alonso Efetres Producciones Chile Linda Fong TVO Canada
Yvonne Donohoe Great Southern Film and Television Ireland
Pick-Huei Fong MediaCorp. Singapore Singapore
Mark E. Downie Ryamar Productions USA
Nina Franoszek THE CONNECTRESS International Film Services USA
Allison Dowzell Creative Business Wales United Kingdom David A. Dreilinger Lightworks Enterprises, Inc. USA Bill Dunlop Eurovision Americas, Inc. USA
Beth Frey Circe Films Australia Shirley Frimpong-Manso Sparrow Productions Limited Ghana Angela Fung Phoenix Satellite TV Co. Ltd. Hong Kong, China
Michael Hilliard @radical.media Australia Mahboubeh Honarian VeraMedia International Productions Canada
Dmitry Kotelenets Istil Studios Ukraine Ramanou Kouferidji IMANLE AFRICA TELEVISION (IA TV) Benin
Mikhail Galkin Overseas Media Inc. USA
Ryszard Hunka Canadian Broadcasting Corporation Canada
Kirill Kozakov Kirill Kozakov Company Russia
Nicolas Gicquel MCM France
Raymond S. Iskandar Laser- Egypt Egypt
Michael Kronish Zone3 Inc Canada
Christian Eggenberger Schweizer Fernsehen (Swiss Television) Switzerland
Lilybeth Gomez Rasonable GMA Network, Inc. The Philippines
Makiko Ito Fujisankei Communications International USA
Keiichiro Kubota Independent USA
Josh Elbaum Media Investment Group USA
Pedro Gonzalez Intelligence & Capital News Report Spain
Kevin Jackson Film and TV Producer USA
Joan GonzĂ lez i Herrero Parallel40 Spain
Ilkka Jarvilaturi Upstream Pictures, Inc USA
Sonja Goslicki Colonia Media GmbH Germany
Dody Johanjaya The Amazing Dream Indonesia
Katie Griffin Griffin Burke USA
Maggie Jones Australian Broadcasting Corporation USA
Benjamin Dupont-Jubien Cipango France Lyndsay Duthie Ice Blue Media United Kingdom
Debbie Elbin The NY Picture Co Inc USA Lixin Fan EyeSteel Film Canada Caroline Faraj CNN UAE Norm Fein news12 networks/ Cablevision USA
Maritza Guimet Florida Media Market USA
International Emmy Almanac 2010/2011
Jaime Kuri Jaime Kuri Prod. Mexico Stephan Lamby ECO Media Germany Benjamin Landsberger-Isaac Artline Films France Eric Laroche Canal+ France Pedro Felix Leda LEDAFILMS S.A. USA
119
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David Levine Disney Channels Worldwide USA
Rene Mioch FCCE Netherlands
Judith Pearlman Cliofilm USA
Chris Roland ZenHQ Films South Africa
Ira Levy Breakthrough Entertainment Canada
Manoj Mishra DQ Entertainment International Ltd. India
Sandrine Pechels de Saint Sardos Bejuba Entertainment Canada
Anette Rømer TV2 Denmark Denmark
Ambalika Misra Deutsche Welle Radio/Hindi UN Radio USA
Marco Perez Union Editorial USA
Jane Thandi Lipman Current Affairs Films South Africa Todd Lituchy New Media Vision United Kingdom Simon Lloyd Cineflix Canada Vincent Longobardo Warner Bros. International Branded Services USA Jacqueline Lopez Silvero Programas para Television Inc. USA Marc B. Lorber HBO Central Europe Hungary Kristin Lovejoy Thirteen/WNET USA Que Minh Luu Editor Australia
Susan Morris Stereopticon USA Nezha Mouhssine SOREAD 2M Morocco Claus Mueller International Film & TV Exchange USA Michael Murphy Windmill Lane Entertainment Ireland Rola Najem The Frame FZLLC UAE Eduardo Nava y Mata Canal 22 Mexico Rima Nazer Alif Alif TV UAE
Ariunjargal Luvsantseren Mongolian National Public Television (MNB) Mongolia
Regina Nemni Chapa E Ratt USA
Sheena Macdonald The Canadian Film Centre Canada
Ntombifuthi Ngubane SABC South Africa
Iqbal Malhotra AIM Television Pvt. Ltd. India
Mamadou Niang NextMedia USA
Margaret Mardirossian Anaïd Entertainment Canada
Emilia Nuccio Echo Bridge Entertainment USA
Ruth Martinez 3KOMA Spain
Kezzy N. Omoni-Kimani Nation Media Group Kenya
Owen Matthews Producer / Director United Kingdom
Damon Romine Screen Actors Guild USA Gillian Rose WNET.org USA
Sophie Pierson SophiePierson.com USA
Nancy Rosenthal New York WILD Film Festival USA
Christian Poccard Eurochannel USA
Freddie Ross Hancock Freddie Ross & Associates USA
Francois Xavier Poirier Nova Vision Canada
Jon Rutherford Tricon Films & Television Canada
Oscar Portillo Serano Explora Films, S.L. Spain
Kees Ryninks Ryninks Film Consultancy BV The Netherlands
Linda Porto ABC-TV USA
Dan Salmon Octopus Pictures Ltd. New Zealand
Inga Pudenz Agentur Scenario Germany
Tarif Sayed The Frame UAE
Tatiana Rakhmanova Wilton Films France Ellen Rand Universal Cable Productions USA
Michael Schelp Fujisankei Communications International USA
Christian Rank Danmarks Radio Fiction Denmark
Pasia Schonberg PVS Films Incorporated Canada
Virginia Rankin Netherwood Film Productions Canada
Andrew Shaw United Kingdom
Ricardo Ravanelli Canal 13 Artear Argentina
Robert Sherrin Sherrin Productions Ltd. Canada
Paul Reynolds RTE Ireland
Marco Lucio Simionato Trato Hecho (Deal or No Deal) Latin America Ecuador
Sue Oscar Filmakers Library USA
Gil Ribeiro Mixer Producoes Cinematograficas LTDA Brazil
Ron Simon The Paley Center for Media USA
Eileen McCarthy Kidsco United Kingdom
Karen Parks BBC Worldwide Americas USA
Alyson Richards The Nightingale Company Canada
Karen Meiring MNET South Africa
Sophie Parrault Bonne Pioche TV France
Thomas Robbins KHF Media New Zealand
Claudia Mikat FSF - Voluntary Selfregulation of TV Germany
Zynab Ayesha Passah XYZ Agency Ghana
Tatiana Rodriguez Nickelodeon Latin America USA
120
Helen Smit Baynounah Media Group UAE Jessica Soho GMA Network, Inc. Philippines Tsu Tsu Stanton Tsu Tsu Unlimited USA
International Emmy Almanac 2010/2011
EMMY_JURORS_2010_Layout 1 11/4/10 2:17 PM Page 121
Bruce J. Starin Formation Television Consultants USA Otto Steiner Constantin Entertainment GmbH Germany Jeannie Stiglic Canadian Broadcasting Corporation Canada John Stokes ACS Stokes Films Australia Julia Stuart BSkyB USA David Stubbs KHF Media New Zealand Sam Summerlin Hollywood Stars II, Inc USA Kay Sumner Emery/Sumner USA Marta Szwakopf TV4 Poland Poland Ariel Taboada Claxson Argentina Donald Taffner, Jr. DLT Entertainment Ltd. USA R D Tailang Writer India Catherine Tait Duopoly, Inc. USA Chih Chong Tan Sitting in Pictures Singapore Phillip Tanner Media Farm Australia Lourdes D. Tanwangco ABS-CBN The Philippines
Claire Tonkin Network Ten Australia
Angela Zubrzycki Freelancer USA
Helios Alvarez Sony Pictures Brazil
Kevin Toolis Many Rivers films United Kingdom
Juan Bautista Zucchella Gran Cine.tv USA
Wilson Alves Feitosa Europa Filmes Brazil
Cecilia Tornaghi Bloomberg TV Brazil
Semi-Final Round
Anwar Alyasri Dubai Sound TV UAE
Christian Torpe TV2 Denmark George Twumasi ABN Holdings Ltd. United Kingdom Maria Urquiaga Mexicanal Network USA Pablo F. Urquiza Telemundo of L.A. USA Jorge Vaillant Perspectives21 USA Alexander(Sandro) Vakhtangov Studio "Sandro Vakhtangov Production" Georgia Evert van der Veer MTV Networks Northern Europe The Netherlands Michel J. Vandewalle Media House IV film und fernseh gmbH Germany Ruth Vella One TV Malta Michael Vetter MV Productions Mexico Rod Webb Australia Network Australia Aimee White BBC Worldwide USA Dewey S. Wigod SFM Entertainment LLC USA
Marcelo Tas TV Bandeirantes Brazil
Jim Williamson Canadian Broadcasting Corporation Canada
Christina Thomas BAFTA East Coast USA
Leonard Yanovsky Intra Communications, Inc. USA
Frederick Thomas MHz Networks USA
Mary Ann Zimmer Media Ventures International USA
International Emmy Almanac 2010/2011
Todd Abbott Pretty Good Productions Australia Voyelle Acker France Televisions France Camilo Acu単a Caracol Television Colombia George Adams December Films Australia Saleh Karama Al Amri Abu Dhabi Authority for Culture & Heritage (ADACH) UAE Naela (Nayla) Al Khaja D-Seven Motion Pictures UAE Mohamed Ali Al Mulla Etisalat UAE Mona Al Ruwaini Pyramedia UAE
Marcelo Amiky TV Cultura - Brazil Brazil Marcus Ammon Sky Deutschland GmbH Germany Deborah Amodio Swen Entertainment Brazil Lavanya Anand Walt Disney India Alessandro Angulo Laberinto Producciones Colombia Aileen Angulo Bear Independent Executive Producer Mexico Lucia M Araujo Futura Channel Brazil Kim Ardal Consultant Denmark
Jamal M. Al Sharif Dubai Studio City/Dubai Media City UAE
Patricia Arriaga NAO Mexico
Ali Alahmed Etisalat UAE
Monica Athayde Endemol Globo Brazil
Samer Alasadi Baynounah Media Group UAE
Cyba Audi SABA Communications Consultants UAE
Mauro Alencar USP - Universidade de S達o Paulo Brazil
Natalia Avelon Actress Germany
Nawaf Al-Janahi Actor/Film Director UAE
Irene Azuela Actress Mexico
Warda Al-Jawahiry Thomson Reuters UAE
Peter Bain-Hogg Renegade Films Australia
Nicolas Alvarado Writer/Producer/Independant Broadcast Journalist Mexico
Alex Balassa Blindspot Mexico
Veronica Alvarez Dori Media Contenidos Argentina
Lubna Obaid Bawazir Abu Dhabi Media Company UAE
121
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Thomas Beck University of the Arts Berne Switzerland
Alan Brough Actor/Broadcaster Australia
Eduardo Cisneros Sony Pictures Mexico
Sebastian Dehnhardt BROADVIEW TV GmbH Germany
Pierre Belaisch Gaumont-Alphanim France
Maria Brown Asian Food Channel Singapore
Rosa Clemente Garcia INED M&E Consulting Colombia
Carolina Den Baas DRG United Kingdom
Wolfgang Bergmann ZDF Germany
Margaret Bryant Serendipity Productions Australia
Eduardo Clemesha Televisa Mexico
Anang Desai Actor India
Alexander Berkel ZDF Germany
Astrid Bscher Filmfritz GmbH Germany
Kyle Cockeran Net#work BBDO Cape Town South Africa
Julien Dewolf M6 Metropole Television France
Kumar Bhatia Wonderland Studio India
Maria Isabel Cajiao Ancillary/Teleset Colombia
Raphael CorrĂŞa Netto TV Globo Brazil
Vladimir Donisete Fernandes California Filmes Brazil
Barbara Biemann NDR Fernsehen Germany
Mariano Calasso Televisa Mexico
Guido Corso Rai Corporation USA
Janet du Plessis Artistes Personal Management (APM) South Africa
Mohd Mahyidin Bin Mohd Mustakim National Film Development Corporation Malaysia Malaysia
Marcelo Camano Author Argentina
Brad Cox Active TV Asia Singapore
Camila Canabal TV Host Venezuela
Ricardo Alberto Cruz Moreno RCN Television Colombia
Ana Patricia Candiani Independent Journalist USA
Beathe Anita Daae Tv 2 Norway Norway
Arelys Carballo Discovery Communications, LLC USA
Sebastian Darcyl ADM T.V. Argentina
Friedhelm Bixschlag MMC Magic Media Company TV Germany Kalle Bjerkoe Writer/Director Denmark Helen Blakeman Writer United Kingdom Ruediger Boess ProSiebenSat.1 Media AG Germany Jack Boram Thought Equity Motion Australia Julien Borde France Televisions France Jules Borkent Nickelodeon/MTV Networks International USA Jana Brandt MDR Germany Jurgen Brautmeier LFM - Landesanstalt Fur Medien NRW Germany Felix Breisach Felix Breisach Medienwerkstatt GmbH Austria Bettina Brinkmann European Broadcasting Union Switzerland
Gai Dunlop FESTCOM International Pty Ltd Australia Malcolm Dunlop Rogers Media Inc. Canada Lorenzo Dunoyer Sesame Workshop USA Roberta Durrant Penguin Films South Africa
Catherine Castille VRT Belgium
Constanze Darschin HPR Kunstler & Medien GmbH Germany
Daniel Ebner Austrian Press Agency (APA) Austria
Ivan Cerieix Producer France
Sanjay Das Broadcast Middle East (FZ) LLC UAE
Shereen El Meligi Abu Dhabi Media Company UAE
Wissam Chahine Alif Alif Media (TV Network) Saudi Arabia Ana Chassot-Petersen MGM Networks Latin America/ Brazil/Portugal Brazil Luis Marcelo Chaves TV Globo USA Liliana Chavez Production Consultant Mexico
Christine de Bourbon Busset Lincoln TV/Fidelite TV France Lucy De Freitas Hoefle Discovery Channel Latin America USA Fabrice de la Patelliere Canal+ France Vincent De Paul Astro Malaysia
Elaine Cheah Siew Lee RTM - Radio Television Malaysia Malaysia
Kirsty de Vallance A Cast of Thousands Australia
Vijaya Cherian Broadcast Pro Middle East, CPI UAE
Sue Deeks BBC United Kingdom
Tony Chow Off the Fence Pte Ltd Singapore
Isabelle Degeorges Image et Compagnie France
International Emmy Almanac 2010/2011
Arild Erikstad NRK Norway Norway Axel Escudero MTV Networks Latin America Argentina Bernard Farcy Actor France Sylvia Fassl-Vogler City of Vienna Administrative Department of Culture Austria Badih Fattouh MBC Group UAE Morgan Favennec M6 Metropole Television France Sherine Fawzy Pyramedia Egypt
123
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Susanne Feikes WDR Germany Heike-Melba Fendel Barbarella Germany Eduardo Fernandez Artear Argentina Rolando Figueroa TV Consultant USA Florian Fitz Actor Germany Claudia Fitz Fehrenbach Fitz + Stroglund Actors Agency Germany Alejandro Flores Rodriguez Cuatro Spain Jenny Fogarty Network 7 Australia Tony Forrest Movie Network Channels Australia Jean-Vincent Fournier Les Films du Mot Dit France
Tenner Haide ORF (retired) Austria
Moinul Islam BTV - Bangladesh Television Bangladesh
Steven F. Hall CNBC Arabiya UAE
Nina Elavia Jaipuria Nick India, Viacom18 India
Alejandro Harrison Pramer SCA Argentina
Peter Jenetsky Movie Network Channels Australia
Duane Hatherly Foxtel Australia
Gunilla Jensen Peyron SVT - Sveriges Television Sweden
Marie-Laure Hebrard Film & Picture France
Rasika Joshi Actor India
Zaheer Goodman-Bhyat Light and Dark Films South Africa
Stephanie Heckner ARD - Bayerischer Rundfunk/Bavarian TV Germany
Helen Jurado BBC Worldwide Americas USA
Xavier Gouyou-Beauchamps TV France International France
Bernd Hellthaler EuroArts Music International GmbH Germany
Joachim Gerth LFM - Landesanstalt Fur Medien NRW Germany Sophie Gigon France Televisions France Luiz Gleiser TV Globo Brazil Regina Goh Channel News Asia Singapore Carlos Gonzalez FremantleMedia Brazil
Christian Granderath Teamwork Cologne Germany Lars Grarup Nordisk Film Denmark Bastie Griese MMC - Magic Media Company Germany
Gebhard Henke WDR - West German Television Cologne Germany Patricia Hidalgo Walt Disney United Kingdom
Alma Kadragic University of Wellongong in Dubai UAE Roopali Kadyan Contiloe Entertainment India Alexandra Kamp Actress Germany Anooj Kapoor SAB TV India
Petra Hinke Sony Pictures Television USA
Elisabeth Freismuth Federal Ministry of Science and Research Austria Austria
Diego Guebel Eyeworks Cuatro Cabezas S.A. Argentina
Michael Frenschkowski Akkord Film GmbH Germany
Marie Guillaumond TF1 France
Shannon Friedrichs Nickelodeon USA
Eduardo Guillot Imagia Films USA USA
Lee Mee Fung PIK Film Malaysia
Dharam Gulati Deep Focus India
Ingolf Gabold Danish Broadcast Corporation Denmark
Hildri Gulliksen NRK Norway
Alexandro Galina Macias Group Mexico
David Gunson National Geographic Channel Australia
Petra Holm YLE / Finnish Broadcasting Company Finland
Jobst Knigge Author/Filmmaker Germany
Lino Garcia ESPN USA
Daniel Gutman Pow Wow Media Partners USA
Chris Hunt Classical TV Ltd. USA
Veronique Koch Vero Productions USA
Flavio Garcia da Rocha TV Globo Brazil
Hana Hadzikaric United Docs GmbH Germany
Irina Ignatiew Telepool Germany
Ania Kock Writer/Reader Germany
Beth Gardiner Disney Channel EMEA United Kingdom
Isabell Hagemann Pouliquen RTS (Radio Televion Suisse) Switzerland
Natalia Ilieva AIBD Malaysia
Mariano Kon BBC Worldwide/GP Media Argentina
124
Bettina Kasten ZDF Germany
Christiane Hinz WDR Germany Leopold Hoesch BROADVIEW TV GmbH Germany Beate Hoffmann Ministry for European Affairs and the Media Germany Martin Hofmann Askania Media Filmproduktion Germany
Michael E. Katz AETN USA Anita Kaul Basu Big Synergy Media India Kavita Kaushik Actor India Sonja Kirchberger Actress Germany
International Emmy Almanac 2010/2011
FKKS_EMMY_2010_EMMY_1107_NORWEGIAN 10/29/10 10:46 AM Page 1
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Kiran Kotrial Writer/Director India
Cristina Lobo MTV Brazil
Faramarz K-rahber Griffith University/Faraway production Australia
Ana Maria Londo単o Primetime Colombia
Matthias Kremin WDR Germany Bo Kroll See real Technologies Denmark
Julien Loron Saya France Debbie Macdonald Nickelodeon UK United Kingdom
Karen Mitrega RTL Disney Fernsehen GmbH & Co. KG/Super RTL Germany Kinu Miyano NHK Japan Asit Kumarr Modi Neela Telefilms Pvt Limited India Reiner Moritz Poorhouse International United Kingdom
Miguel Oliva HBO Latin America Group USA Jaahnavi P Paal Indian Television India Diego Palacio Endemol Argentina Edna Palatnik TV Globo Brazil Anca-Monica Pandelea ZDF Germany
Maryke Kruger Timegate Post Production South Africa
Eric Macinnes Thomson Foundation, TwoFour54 UAE
Stephen Mowbray SVT - Sveriges Television Sweden
Bharat Kukreti Optimystix Entertainment India India
Hermoine Macura Dubai One TV/DM1 UAE
Elke Mueller ZDF Germany
Rajesh Kumar Artist India
Jorge Maestro Screenwriter/Scriptdoctor Argentina
Michael Murphy Windmill Lane Entertainment Ireland
Axel Kuschevatsky Telefe Argentina
Sara Maldonado Actress Mexico
Steven Murphy AFC - Asian Food Channel Singapore
Franz Patay IMZ International Music & Media Centre Austria
Han Kwang Wei THREESIXZERO Productions Singapore
Meghna Malik Actor India
Rola Najem The Frame UAE
Louise Pedersen All3Media International United Kingdom
Stephan Lamby ECO Media Germany
Anupama Mandloi FremantleMedia India
Tatsuya Nakamura ABU Malaysia
Octavio Peixoto da Silva Arrow Films Brazil Brazil
Rodolphe Lanaro Milo Films France
Desiree Marquez Discovery Networks LA USA
James Ngcobo Thirsty suitcase South Africa
Amanda Peppard Active TV Australia
Valerie Lardinois RTBF Belgium
Eric Mathis Ondamax Films USA
Simon Nicholls Most Wanted Pictures Singapore
Luis F. Peraza HBO Latin America Group USA
Maria Teresa Laudando RAI - Radiotelevisione Italiana Italy
Vuyokazi Matu Okuhle Media South Africa
Lars Erik Nielsen TV 2 Denmark Denmark
Andres Perdiguero MTV Networks Argentina
Nathalie Laurent TF1 France
James McNamara Panamax Films, LLC USA
Throsten Nindel Actor Germany
Jorge Peregrino Paramount Pictures Brazil
Francois-Charles Le Goff Saya France
Michael McKay Active TV Australia
Rafael Noguera Primetime Colombia
Cesar Pereira da Silva Paramount Pictures Brazil Brazil
Carolina Leconte Mejia Caracol Television Colombia
Flavio Medeiros ITV Studios Global Entertainment Brazil
Par Nordahl SVT - Sveriges Television Sweden
Gustavo A. Perez MTV Networks Latin America Argentina
Palle Normark Greathouse Denmark
Marco Perez Union Editorial USA
Nezile Ntutha Waterfront Studios South Africa
Luis Perez-Tolon Miami Dade College USA
Gisele Nusman Paramount Pictures Brasil Brazil
Cecilia Persson Turner Broadcasting United Kingdom
Anders Leifer TV 2 Denmark Denmark Bruce Lim Mise En Plus Productions The Philippines Murray Lipnik Swen Entertainment USA
126
Karen Meiring MNET South Africa Laurence Mitchell Waterfront Studios - Cape Town South Africa
Juan Manuel Parodi Torneos y Competencias Argentina Stephane Pasquier-Miyazaki Turner Broadcasting France France
International Emmy Almanac 2010/2011
EMMY_JURORS_2010_Layout 1 11/4/10 2:19 PM Page 127
Elizabeth Pessoa Instituto Moreira Salles Brazil
Barbara Rodriguez Mota The Alchemists Brazil
Rike Schmid Actress Germany
Jonathan South AETN International United Kingdom
Ricardo Pichetto Cuatro Cabezas Argentina
Carlo Rola Film Director Germany
Kaare Schmidt DR TV Denmark
Paul Sowerbutts Zodiak Entertainment United Kingdom
Angela Posada-Swafford Muy Interesante Magazine USA
Anette Rømer TV2 Denmark Denmark
Gerhard Schmidt Eyeworks Film Gemini GmbH Germany
Silke Spahr United Docs Germany
Dominique Poussier TF1 France
Jane Roscoe SBS TV Australia
Gustavo Schneideroff BBC Worldwide USA
Helfried Spitra WDR Germany
Candice Prinsloo Penguin films South Africa
Emanuel Rotstein The History Channel Germany Germany
Kai-Roman Schöttle Kinderkanal (KI.KA) Germany
Barry Strick Waterfront Studios South Africa
Iyad Qasem TwoFour54 UAE
Benoit Runel Zodiak Entertainment France
Dominic Schreiber Channel 4 United Kingdom
Eduardo Suarez Castellot Televisa Mexico
Karen Radzyner Screen NSW Australia
Linda Saffire Got the Shot Productions USA
Maytee Sepulveda Writer/Producer Venezuela
Pilgaonkar Supriya Sachin Actor India
Mahesh Ramchandani Writer India
Nada Sahab Dubai Media Incorporated Dubai Television UAE
Lara Setrakian ABC News UAE
Lawrence Szabo MGM Studios USA
Sudhir Sharma Sunshine Productions India
Ariel Taboada Claxson Argentina
David Shepheard Abu Dhabi Film Commission UAE
Atsuhi Takahashi Tokyovision Japan
Monika Shergill Star India Pvt. Ltd. India
Hock Guan Tan ABU Malaysia
Mushtaq Shiekh Sahara One India
Adina Tartak Pitt Turner Entertainment USA
Thomas A. Silva Rive Gauche International Television USA
Charbel Tayeh Abu Dhabi Media Company UAE
Steen Rasmussen Græsted Film Denmark Ingelise Rasmussen Danish Broadcasting Corporation Denmark Katja Raths Clasart Classic Germany Yann Renoard France Televisions France
Blanche Salant Atelier Blanche Salant + Paul Weaver France Oriol Sala-Patau Televisio de Catalunya (TV3) Spain Sarita Salas MGM Networks Latin America Bolivia Yasmine Saleh Delta production Lebanon
Luiz Alberto Ribeiro de Noronha Conspiracao Filmes Brazil
Claudia F. Sanchez M. Screenwriter Colombia
Eliana Ribeiro Fajardo Discovery Channel USA
Rosana Sandoval-Gallardo Somos Uno - Only One/Newswire USA
Mike Rich Groupe M/ESP/APAC Singapore Roberto Rios HBO Latin America Group USA Alex Ristevski Foxtel Australia Claiton Rodrigo Fernandes California Filmes Brazil Avelino Rodriguez The Lift Mexico
Manuel Santar Writer/Creative Director/ Consultant Mexico Alberto Santini Lara TV Azteca Mexico Tarif Sayed The Frame UAE Marcos Schechtman TV Globo Brazil
International Emmy Almanac 2010/2011
Harjit Singh RTM - Radio Television Malaysia Malaysia Millie Siqueira FremantleMedia Enterprises USA Pierre Sissmann Cyber Group Studios France Asa Sjoberg TV4 Group Sweden Geoffrey Soffer Soffer Inc USA Monica Sonzogni Telecine Brazil
Victor Tevah Pol-ka Producciones S.A. Argentina Barbara Thielen RTL Television Germany Johan Thiséus SVT - Sveriges Television Sweden Jorge Tijerina HBO Latin America Group Mexico Sebastian Ting AFC - Asian Food Channel Singapore Jenni Tosi Film Victoria Australia
127
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Nicolas Traube Pampa Production France
Zulfia Waris Channel V India India
Martin Traxl ORF (Austrian Broadcasting Company) Austria
Mark Warshaw The Alchemists USA
Daniela Tully Imagenation Abu Dhabi UAE
Janine Weigold MTV Networks Germany GmbH/Nickelodeon Germany
Beate Uhrmeister-Barz FFP New Media Germany
Andreas Weinek The History Channel GmbH Germany
Jorge Vaillant Perspectives21 USA
Ariel White Freelance Australia
Daniel van Hoogstraten Festival do Rio / Riomarket Brazil
Michael Wikke GrĂŚsted Film Denmark
Diego Javier Vera Turner Argentina
Ulrike Willner ZDF/ZDF Neo Germany
Leticia Viana Muhana Globosat Channels Brazil Moritz Viehweger Mediapeers GmbH Germany Marcel Vinay Comarex Mexico Juliette Vivier AIBD Malaysia Lucas Vivo Garcia Lagos Claxson Entertainment Argentina Benitha Vlok Freelance South Africa Tita Von Hardenberg Kobalt Productions Germany Amelie von Kienlin Telepool Germany Philipp Von Schulthess Actor Germany Preben Vridstoft TV 2 Denmark Denmark Itumeleng Wa-Lehulere Buna Arts And Education Trust South Africa
Derek Wong Sony Pictures Entertainment Networks - Asia Singapore Hazel Wright Hazel Wright Media Ltd. United Kingdom Raquel Yepes Tricyck Entertainement USA Daniel You GIMC South Korea Michelle Yu Lim Mise En Plus Productions The Philippines Henry Zakka Seven Entertainment Group USA Geraldine Zivic Actress Colombia Viviana Zocco VI-DA Producciones S.A. Argentina Dennenesch Zoude Actress Germany Erik Zuckermann Cadena Tres Mexico Laura Zwick Baynounah Media Group UAE
Xin Wang Actress France
International Emmy Almanac 2010/2011
Final Round Jose Mari Abacan Vice President, Program Management GMA Network, Inc. The Philippines Kees Abrahams President, International Production Sony Pictures Television The Netherlands Herval Rossano Abreu Guerrero General Director and Executive Producer Canal 13 Chile Stefano Accorsi Actor France Vicente Albarracin Director / Writer Venezuela Talal Al-Haj NY/UN Bureau Chief- NY Al-Arabiya News Channel United Arab Emirates Nikhil Alva Co-founder Miditech Pvt Ltd India Marcelo Amunategui General Producer Univision USA Kathleen Anderson Senior Drama Commissioner TVNZ New Zealand Brad Anderson Filmmaker/Director USA Andres Badra Media Director Medcom Panama Simon Bennett Producer South Pacific Pictures New Zealand Luca Bernabei Head of Production Lux Vide Spa Italy Dominique Besnehard Producer Mon Voisin Productions France Mahen Bonetti Executive Director African Film Festival USA
Sevilay Bozdemir Manager - TRT Cocuk/Kids TRT Turkish Radio & Television Turkey Julie Bristow Executive Director, Factual Entertainment, CBC English Television CBC/Radio Canada Canada Andrea Brown Writer Independant Germany Barry Alexander Brown Writer/Director/Editor Pick Brown LLC USA Manolo Cardona Actor/Producer 11:11 Films Colombia Gillian Carr Executive Producer Moody Street Kids Australia John Cassaday President & CEO Corus Entertainment Inc. Canada Donovan Castillo-Mohlman VP, Network Programming and Promotions Mediacorp Pte Ltd, Channel Newsasia Singapore Mary Chan Vice President, Production, Asia Sony Pictures Television Hong Kong, China Fabio Cianchetti Director of Photography Italy Marcello Coltro Senior Vice President & CMO MGM Networks Latin America USA Joaquin Costanzo Regional Director IPS Inter Press Service (America Latina) Uruguay Tom Cox Executive Producer Seven24 Films Canada Daniel Cross President, Film Director/Producer Eye Steel Film Inc. Canada Pedro Damian Executive Producer Televisa, S.A. de C.V Mexico
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Barun Das CEO Zee News Ltd. India
Patricio Eduardo Gamonal Ruz Executive Producer Atiempo Ltda Chile
Carlos de Elia News Director Artear S.A. Argentina
Rachel Gardner Executive Producer/ Producer Great Southern Television New Zealand
Peter DeJong Vice President, Sales & Marketing Cableready USA
Jorge Garro Programming Director Televisora de Costa Rica SA Costa Rica
Peter Denk Manager, Commissioning, Scheduling and Acquisitions Namibian Broadcasting Corporation Namibia
Juan Pablo Gaviria Creative, Development and Production VP Teleset Colombia
Nicole Devilaine Director France Televisions USA
Paul Gilbert Senior Vice President International Formats CBS Studios International USA
Cesar O. Diaz Vice President of Sales Venevision International USA Bill Dunlop President and CEO Eurovision Americas, Inc. USA Rosana Efraim (Hermann) Creative Manager R7.com / Rede Record Brazil Jose Escalante Director/General Manager Latin Media Corp USA Carla Estrada Producer Televisa Mexico Talal Fattal CEO Metro TV Ghana Oded Fehr Actor USA
Judy Gladstone Executive Director CTV's Bravo! FACT Canada Jane Gogan Commissioning Editor, Drama RTE (Radio Telefis Eireann) Ireland Carmen Guarini Director - Producer Cine OJO / Films and Videos Argentina Rebecca Gudisch Journalist Freelance/WDR Germany Melih Firat Gulgen President Kalinos Filmcilik Yayincilik San. ve Dis Tic. Ltd. Sti Turkey Bobby Heaney Producer - Director Imani Media (Pty) Ltd South Africa
Cynthia Fenneman President and CEO American Public Television USA
Noel Hedges SVP Sales & Acquisition, Americas ITV Studios Global Entertainment United Kingdom
Xiaoning Feng Senior Director China Film Group People’s Republic of China
Ranka Horvat Editor Buyer, Drama series HRT - Croatian TV Croatia
Anthony Flannery Head of News & Current Affairs TVNZ New Zealand
Daisy Irani Vice-President MediaCorp Pte. Ltd. Singapore
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Jareuk Kaljareuk Chairman of the Executive Committee Kantana Group Public Company Limited Thailand Martha C Kattan News Director Univision USA
Leland Ling CEO LIC Beijing People’s Republic of China Zhengzhu Liu Editor in Chief Phoenix Satellite Television American News Bureau USA
Tunde Kelani Director Mainframe Productions Nigeria
Mark Llewellyn Executive Producer of Sunday Night Seven Network Australia
Robyn Kershaw Producer Robyn Kershaw Productions Australia
Adriana Mariño Director of Documentaries Fox Telecombia Colombia
Peter Kloeppel President News RTL Television Germany
Niall Mathews Executive Producer RTE Ireland
Eivind Landsverk Program Director TVNORGE AS Norway
Scott McEwen Executive in Charge of Development, Drama CBC Canada
Hans Laroes Editor in Chief NOS News The Netherlands
Troy Miller Producer / Director Dakota Pictures USA
Fabienne Larouche Producer & CEO Aeios Productions Inc. Canada
Jaroslaw Minkowicz Film Director Self employed Poland
Ioannis Latsios General Director of Programme ANT1 TV Greece Pascal Legitimus Comedian, Author, Director, Producer Marie Galante Productions France Jeanette Lehr Actress USA Charles Lei CEO Thunder Communication Int'l People’s Republic of China Emmo Lempert Managing Director Studio Hamburg Serienwerft GmbH Germany Yan Li CEO Beauty Media Inc People’s Republic of China Natalia Licovich Head of Programming & Content Pramer S.C.A Argentina
Seiji Miyamoto Associate Director, Copyright & Archives Center NHK ( Japan Broadcasting Corp) Japan Margaret Murphy Head of Production SBS Subscription TV Australia Takashi Nakamoto Senior Director Fuji Television Network Inc Japan Sheila Nevins President HBO Documentary Films USA Kethiwe Ngcobo Head of Drama, SABC South African Broadcasting Corporation South Africa George Nikoloulias Managing Director Artoon SA Greece
International Emmy Almanac 2010/2011
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Rosy Ocampo Director of Innovation & Executive Television Producer Televisa Mexico Tristan Orpen Lynch Producer Subotica LTD Ireland Ricky Ow Senior Vice President & General Manager SPE Networks - Asia Pte Ltd Singapore Cristina Palacio Head of Develpment and Production Be TV Colombia Ulli Pfau Senior Producer Factual TV Eikon Media Gmbh Germany Peter Povh Producer & Editor RTV Slovenija Slovenia Anjasmara Prasetya Actor & Producer PT Multivision Plus Indonesia
Jo Rooney Network Drama Executive Nine Network Australia Australia
Taiquan Sun Vice President Beauty Media Inc People’s Republic of China
Peter Rose CEO Showtime Australia
Assaad Taha Documentary Film Maker Hot Spot Films Egypt
Peter Rosen President Peter Rosen Productions, Inc. USA
Manuel Jose Mario Teodoro Bermudez Director & Presenter Caracol Television Colombia
Hans Rossiné Head of Drama NRK (Norwegian Broadcasting) Norway Zoltan Rudi Director of Strategic Planning and Communications Hungarian Television Ltd. Hungary Talia Sanhewe Reporter, Producer, Presenter CNBC Africa South Africa Marcos Santana President Telemundo Internacional USA
Peter Tetteroo Director Tetteroo Media The Netherlands Helena Torres Head of Drama & Documentary RTP (Radio e Televisao de Portugal) Portugal Ines Turturica Acquisition Manager Acasa TV Pro TV SA Romania
Ernesto Velasquez Briseño General Director TV UNAM Mexico
Peter Schube President The Jim Henson Company USA
Edwin Vidal Director of Operations Mexicanal Mexico
Rainer Retzlik CEO Beckoffice Content & Creation Germany
Sadhna Shrivastav Director, Producer, Anchorperson, Festival Coordinator Sadhna Shrivastav India
Luis Villanueva President & CEO Somos TV USA
Robert Richter Documentary Producer/ Director/ Writer Richter Production Inc USA
Ingólfur Bjarni Sigfússon Deputy Head of News RUV—The Icelandic National Broadcasting Service Iceland
Mazen Rifka Senior Manager Al Jazeera Children’s Channels & Baraem TV Qatar
Olga Sinelschikova VP International Russian World Studios Russia
Archana Puran Singh Actress, Producer, Director India
Jose Maria Rivas Executive Vice President & COO Canal Uno TV - Ecuador Ecuador Michel Rodrigue Intellectual Property Advisor & Broker The Format People Group USA
Søren Staermose Producer Yellowbird Sweden Cynde Strand Director of Coverage International News CNN USA
International Emmy Almanac 2010/2011
Tim Worner Director of Programming & Production Seven Network Australia Airin Zainul General Manager ntv7, Media Prima Berhad Malaysia Marc Zimet VP/ Music Programming & Talent Relations MTV Networks Latin America USA Maria Luz Zucchella President Perro Blanco Films USA
Henk van der Meulen Director Royal Conservatoire The Netherlands
Claudia Schreiner Head of Programme, Culture, Science ARD/Mitteldeutscher Rundfunk Germany
Surang Prempree Managing Director Bangkok Broadcasting & TV CO, ltd Thailand
Jim Williamson Executive Producer, The Fifth Estate Canadian Broadcasting Corporation Canada
Claudio Villarruel President On TV Llorente & Villarruel Contenidos Argentina Daniel Voll Executive Producer, President Rocket Boy Pictures USA Jorge Volpi Director Canal 22 (Television Metropolitana SA de CV) Mexico Jan Erik Wieselberg Acquisitions Executive SVT Sweden
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LIST OF ADVERTISERS
Almanac Advertisers Index A&E Television Networks International . . . . . . . . . . . . . . . . 34
Incendo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
ABC Australian Broadcasting Corporation . . . . . . . . . . . . . 55
Kadokawa Group Holdings, Inc. . . . . . . . . . . . . . . . . . . . . . . 78
Academy of Television Arts & Sciences . . . . . . . . . . . . . . . 111
Late Night with Jimmy Fallon . . . . . . . . . . . . . . . . . . . . . . . . 71
Asian Food Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Lippin Group. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Al Arabiya News Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
MHz Networks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
Ascent Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Microsoft . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Bangkok Broadcasting & TV Company. . . . . . . . . . . . . . . . . 64
Modern Times Group/Viasat . . . . . . . . . . . . . . . . . . . . . . . . . 60
Brightcove . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62-63
NATPE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Broadway Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . Inside Back
NBC Universal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Canal Futura . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Nespresso USA, Inc.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
CBS Studios International . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
NHK Japan Broadcasting Corporation. . . . . . . . . . . . . . . . . 39
CES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
NRW . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Channels Television. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Ooyala . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Cologne Conference . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
PBS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Comcast International Media Group . . . . . . . . . . . . . . . . . . 47
Peabody Awards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
DISCOP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Phoenix TV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Dori Media Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Pramer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
ESPN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Reed MIDEM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Ernst & Young . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
RHI Entertainment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
European Television Guild . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
RTL Group. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Back Cover
Filmstiftung . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Saturday Night Live . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Foxtel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Seven Network Australia. . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Frankfurt Kurnit Klein & Selz . . . . . . . . . . . . . . . . . . . . . . . . 125
Silvercup Studios. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
FremantleMedia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Sofitel NY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Fujisankei Communications Intl. . . . . . . . . . . . . . . . . . . . . . . 31
Tele M端nchen Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Globo TV Network
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
TV France . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
HBO. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
twofour54 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Inside Front
Hearst/Cosmopolitan TV. . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Variety . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Hubbard Broadcasting Inc.. . . . . . . . . . . . . . . . . . . . . . . . . . . 68
World Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Ihlas Haber Ajansi A.S. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Ziegler Film GmbH & Co. . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Ile de France Film Commission. . . . . . . . . . . . . . . . . . . . . . 122
Ziffren Brittenham LLP. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
International Emmy Almanac 2010/2011
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masthead
Administration Camille Bidermann-Roizen Senior Vice President & Executive Director Tracy Oliver General Manager AurĂŠlie Dauphin Partnership & Events Coordinator Shakima Jones Bookkeeper
membership
Gala
Kim Howard Director, Membership
Chip Quigley Co-Executive Producer, Kingdom Entertainment
International emmy World television Festival Janice Platt Manager
the International emmy almanac Publisher
emmy Judging Nathaniel Brendel Director, Emmy Judging Anikka Sellz Coordinator, Emmy Judging Jessica Franco Assistant to the Director, Emmy Judging
Anna Carugati Mansha Daswani Kristin Brzoznowski Matthew Rippetoe Elizabeth Bowen-Tombari Simon Weaver
marketing & PR
Rafael Blanco
Eva Obadia Director, Marketing & PR
Erica Antoine-Cole
Jennifer Langusch Manager, Marketing & Web
Alyssa Menard
Gerry Brahney Director, Advertising Don Ciaramella Matt Biscuiti Public Relations: The Lippin Group Jeremy Saunders Almanac Cover Design PSG Wire Photography 134
World Screen Ricardo Guise
Cesar Suero
Editorial Directors & Associate Publisher Eva Obadia Jennifer Langusch Gerry Brahney
Mark Friedman Producer Carole Propp Talent Producer Melissa Hess Clips Producer Academy Interns Etoile Blain-Petry Eamon Downey Ashley Fields Nora Lasry Arielle Nagel David Schoumann Holly Trippett Lukas Witek Ernst & Young LLP Ballot tabulations
888 Seventh Avenue 5th Floor New York, NY 10019 USA Tel: +1-212-489-6969 Fax: +1-212-489-6557 www.iemmys.tv info@iemmys.tv International Emmy Almanac 2010/2011
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