54 // DISCOVERY | ENVIRONMENT
it will be fire AUTHOR // GEORGE OWENS CONTENT WARNING: NSW/Victoria Bushfires “It will be fire” – the unceasing echo of David Harsent’s 2014 poetry collection, Fire Songs. Harsent’s apocalyptic images of environmental catastrophe and damnation seem, read today in one of the worst bushfire seasons ever seen in Australia, apposite and freakishly prescient. The collection of poems is bound in flames, metaphorically and literally. Contained within are four eponymous ‘Fire’ poems around which all else is structured. Fire’s power to cause ruin – to human life, to love and truth, to the earth and our environment, and to human reason – is one of many leitmotifs that run through the work: “it burns. Whole libraries on an updraught. Cascade of wings. / Substructure meltdown. What the night-sky brings. / Ashfall. Stars failing, fading. Unbreathable crosswinds. / Torrent of wildfire”. The poems, with their images of destruction and environmental catastrophe, call up images of the bushfires that have caused wide-spread devastation over the southeast of Australia and been ever-present on news and social media platforms since September last year. 2019 was Australia’s hottest year on record, 1.52 degrees Celsius above the long-term average recorded by the Bureau of Meteorology. This eclipsed the previous record of 1.33 degrees Celsius above average set in 2013. In fact, every year since 2000 has been above average, with the five hottest years on record all falling since: 2017, 2018, 2005, 2013 and now 2019. The conclusion is obvious: Australia is getting hotter.
This has come hand-in-hand with harsher bushfire seasons. This 2019 to 2020 season so far has brought the destruction of 10.7 million hectares of land, over 5900 buildings and killed 29 people. Towns along the coast of NSW, in Victoria and in southern parts of Queensland have been devastated by bushfire damage to property, land, livelihood and life. The human cost of these fires is immeasurable. The fires are of an apocalyptic nature mirrored in Fire Songs. In ‘Fire: End-Scenes and Outtakes’, Harsent’s image of a town bears resemblance to towns currently devastated by fires: “the crackle and flare / of phosphorous, mother and child taken up as one, / the horizon ablaze, just as the fires / rolled in on the settlements”. A similar image is created in ‘Fire: A Party at the World’s End’: “the trek / to the sea under thin white skies, the firestorms at their backs, / their burdens, their weeping cries, the way the line / would lean as if for emphasis into a driven pall / of dust and dreck”. This bears resemblance to people in Cobargo and Mallacoota (and Batemans Bay, Jervis Bay, Bermagui, Mogo, Nowra, Moruya…) seeking refuge from the bushfires on beaches and the coast.
