Portfolio wout collart 2008 2014 (eng) by Wout Collart

Portfolio Wout Collart 2008-2014

Introduction

Portfolio Wout Collart [2008-2014] After completing my master Architecture, I graduated cum laude in June 2014 from my second master Urbanism and Urban Planning at the KU Leuven. Aready in my architectural studies I was fascinated by large and complex programs, which led to a second complementary master, that gave me the possibility to further explore â&#x20AC;&#x2DC;the design of large quantitiesâ&#x20AC;&#x2122; and research the urban tissue on a large scale. Throughout my academic years I have received a broad, founded and inspiring look at the field of architecture and urbanism, which I want to further explore. You can expect an enthusiastic and motivated staff member of me. In my portfolio you can find my curriculum vitae, a selection of projects based on the chronology of my studies, in which my vision and style is expressed, and a recommendation letter.

Curriculum Vitae PERSONAL DATA: Surname and name Address Mobile phone E-mail Date of birth Birtplace EDUCATION: 2012-2014 2007-2012 2001-2007

WORKSHOPS AND EXPERIENCE: 2014 2014 2012 2010 2008-2014

LANGUAGE SKILLS: Dutch English French IT: Autocad Adobe Photoshop Adobe Indesign Google SKetchuo Word/Excel PERSONAL INTERESTS: Architecture Furniture design

Collart Wout Leopold Decouxlaan 45, 3012 Leuven +32 [0] 473/81.69.04 wout.collart@gmail.com 25 juli 1989 Leuven, Belgium

Urbanism and Spatiol Planning [LUCA] in Gent Architecture [LUCA] in Brussel. Specialisation: Advanced Architectural Design [AAD] Economicsâ&#x20AC;&#x201C; Modern languages [ASO] Sint-Pieterscollege in Leuven

The Big Reset on Neighbourhood Design, Amsterdam [IP]. Masterclass, Atelier Groen Lint, Oostende. Building a Hyperbolic Dome. The dome stood at various events. Contributed in creating a travel guide: Tirana, the fast growing city. Several student jobs (including working at an architectural firm, under a contractor, as animator, in the promoteam of the Flemish broadcaster). +++ [native language] ++ + +++ ++ ++ +++ + Urbanism Cultural trips

Literature Motors

7 Projects 1.

The seven projects that I would like to present are the result of a wide range of design assignments realized in my study of architecture and urbanism. Four of them are architecture design projects, the remaining three are urban oriented. The projects are arranged from ‘s’ to ‘XL’, according to the chronology of my studies in which the size of the projects increased, which ultimately led to my decision to continue to deepen me in urbanism. Within this second master the projects balanced at the interface between the domains of architecture and urbanism. In closing, I would like to present you my master thesis of Urbanism and Spatial Planning, which I graduated with honors in 2014. Each project is briefly represented by using a short text and imagery. Only the key points of the design are imparted. If you want further information, I’ll be happy to explain you personally. [1] 45sqm Home: Beam through the roof. [2] Canal Houses: Nexus Housing on the Coupure. [3] 372 units: Barcode. [4] Museum on the Canal: The art closet.

[5] Pendrecht: The neighbourhood unit reinterpret. [6] Workshop Euralille: the experience of Bigness. [7] Reprogramming monsters and angels.

Bordeaux:

About

45 SQM HOUSE

Beam through the Roof

‘The beam’ is an extension of an existing building. It accommodates a home specifically designed for a single man. The project focuses on dealing with ‘nonsites’ and compact building ASSIGNMENT: DESIGN A 45 SQM HOUSE IN A LEFTOVER SPACE IN SCHAARBEEK YEAR OF EDUCATION: 2BA.AR. TUTORS: EUGEEN LIEBAUT, JAN DE VYLDER LOCATIE OF THE DESIGN: HAACHTSESTEENWEG 136, SCHAARBEEK DURATION STUDIOA: 6 WEEKS

The project is situated in an unused space in Schaerbeek and researches the inherent quality of the existing space. The decisive factor in selecting the site was the view of the Royal St. Mary’s Church. The axis of the ‘beam’ focuses on the center of the centralized structure, creating a remarkable sight from the terrace and the adjacent living room. The search for an ultra-compact house was continued in all facets of the project. A maximum floor area of 45sqm could not be exceeded. The limitation in space led to a multi-functional building layout. The envelope of the building, the room layout and the used materials were approached as a whole, in order to conceive a home without sacrificing the quality of life in the property. The weight of ‘the beam’ was kept as low as possible by utilizing the supporting structure also as a functional, insulating envelope. The connection between the existing building and the new house is situated in the ridge of the roof, without occupying usable space under the roof. In the central space under the roof the entrance of ‘the beam’ was created.

CANAL HOUSES

Nexus Housing on the Coupure

ASSIGNMENT: TRANSFORM A COMPLETED BUILDING [NEXUS HOUSING, FURKUOKA, JAPAN: OMA] SO THAT IT CAN BE SCHEDULED IN A TOTALLY DIFFERENT SITE [COUPURE RECHTS, GHENT] YEAR OF EDUCATION: 2BA.AR. TUTORS: EUGEEN LIEBAUT, JAN DE VYLDER LOCATION OF THE DESIGN: GHENT, COUPURE RECHTS. (EXISTING BUILDING: CANAL HOUSES, ROBBRECHT & DAEM ARCHITECTS) TIJDSDUUR ATELIER: 6 WEEKS

In this assignment the housing development project ‘Nexus Housing’ of OMA, which was initially intended for Fukuoka, got a second life at the Coupure in Ghent. The building had to be redeveloped to fit in the new context. The plan was thoroughly analyzed to understand the inherent ideas. Rereading and adapting the sophisticated plan led to new insights for the building design. Two major changes -programmatic and culturalwere necessary to encounter the change of sites. Programmatically, there was no need for retail space at the Coupure. Filling the blank area under the highest situated houses with office spaces was an more interesting programmatic alternative. The office is not focused on the street side, but on the garden side of the project, which is a park zone. The parking for residents and office facilities were put under the surface. Secondly, the Japanese compact housing units had to be adapted to the Flemish standard. The central patio, the room layout and the arrangement of the individual dwelling remained unchanged. The location overlooking the canal led to the biggest change. By providing all the dwellings of roof gardens and positioning them sloping above each other, created a wavy roof structure, which guarantees vistas towards the canal.

372 UNITS

The Barcode

ASSIGNMENT: TOTAL FREEDOM IN THE CONCEPTION OF RESIDENTIAL FACILITIES. THE ONLY REQUIREMENT IS DEALING WITH 372 UNITS. YEAR OF EDUCATION: 1MA.AR TUTORS: EUGEEN LIEBAUT, DIRK JASPAERT LOCATION OF THE DESIGN: WITHOUT CONTEXT. DURATION STUDIO: SEMESTER

The omission of a concrete context -literally the absence of a site and culture in the assignment - led to the design of a universal building. The concept of the universal barcodes was chosen to design a building where everybody could relate to. The concept is implemented in the totality of the project. Not only the visual recognition is a translation of the barcode. The various space interaction that occurs between the lines and spacing, the spatial experience and the structure result from the bar code concept. Every barcode is unique. The succession of different bars and in between spacing is different for each code. By linking the barcodes together â&#x20AC;&#x201C;this chain can be infiniteand by stacking them onto each other, a wide variety is created in the sequence of bars and open space. When we read this concept in a floor plan, in which a single black line is a wet cell, structural element or separation cabinet and the in between space implies a room that is strongly linked to the exterior, a building plan emerges with a great diversity in housing typologies. The challenge of the project, a plan for 372 units, was realized.

3 kamer - 2 badk. 200m² • • • • ••••••

2 kamer - 1 badk. 130m² • • • • ••••••

7 kamer - 4 badk. •300m² • • • ••••••

5 kamer - 2 badk. 240m² • • • • ••••••

1 kamer - 1 badk. 110m² • • • • ••••••

3 kamer - 2 badk. 180m² • • • • ••••••

5 kamer - 3 badk. 220m² • • • • ••••••

niveau 6

niveau 5

niveau 4

niveau 3

3kamer - 2 badk. •180m² • • • ••••••

3kamer - 2 badk. 170m² • • • • ••••••

2 kamer - 1 badk. •140m² • • • ••••••

4 kamer - 2 badk. 210m² • • • • ••••••

niveau 2

niveau 1

maaiveld publieke ruimte

schaal 1 / 100 gelijkvloers

garage -1

MUSEUM ON THE CANAL

The Art Closet

ASSIGNMENT: DESIGN A MUSEUM [A CULTUREAND MEETING PLACE] ALONG THE CANAL OF BRUSSELS YEAR OF EDUCATION: 2MA.AR TUTOR: EUGEEN LIEBAUT LOCATION OF THE DESIGN: CANAL BRUSSELS, INTERSECTION KOOLMIJNKAAI AND SAINCTELETTE SQUARE DURATION STUDIO: SEMESTER

The Molenbeek side of the canal was deliberately chosen for the implementation of the new museum site. The location in Molenbeek -which houses the largest population density in Flanders- contains primarily ruins and nonsites. The new museum would add a nice living environment and would bring an enormous cultural upgrade. The main museum square would significantly expand the public space of the surrounding neighbourhood. Furthermore it is one of the few places along the canal where the museum can be excavated until the water level. The sober museum square would be an open place in the densely built fabric. The silhouettes of the two museum towers would be new landmarks in the skyline of Brussels, beacons to a less popular part of town. The museum as appealing attraction would put Molenbeek back on the map of Brussels. The idea to design a museum as an art closet is mostly based on the curiosity that such furniture spontaneously generates for its content. The museum design wants to provoke that curiosity in a contemporary manner to address the widest possible audience. The two towers and the underground chamber that connects the two together, accommodate the various showrooms of the museum. The structure of the museum towers follow as closely as possible the structure of a cabinet. The museum towers consist of a concrete vertical support structure that underpins the ponderous carrying surfaces. The strong spans offer great flexibility in the floor layout of the museum. In the steel structure that provides the stability of the tower, the stairs, elevator shafts, blinds, ventilation and other technical requirements are accommodated.

PENDRECHT

The Neighbourhood Unit Reinterpret

ASSIGNMENT: ANALYZE AND TRANSFORM PENDRECHT, SO IT BECOMES A SUSTAINABLE, QUALITATIVE DISTRICT. IN ADDITION, OUTLINE THE NEIGHBOURHOOD IN ITS LARGER ROTTERDAM CONTEXT YEAR OF EDUCATION: 2MA.SRP TUTORS: KAREL WUYTACK, STEVEN GEEREARTS LOCATION OF THE DESIGN: PENDRECHT, ROTTERDAM DURATION STUDIO: SEMESTER

Pendrecht is -from a cultural and historical point of view- a milestone in the intellectual legacy on the development of the neighbourhood unit in large scale urban expansion. The challenge of this project lies in transforming the inherent qualities of the in 1953 abstract planned city of Lotte Stam-Beese -currently labeled as ‘focuswijk’- and adapt it to the current needs, expectations and real experience of Pendrecht. In order to make this possible, we zoom in on the area at different scales. On the regional scale Pendrecht clearly reads as an autonomous entity designed with its specific spatial morphology. By examine the entire district, framed in the model of the shard-city, we plead to maintain a clearly legible entity in the landscape. From the model of the web-city, the project focusses on adding a new program of mainly shops and services around Square 1953, to strengthen the local economy without losing the social, open nature of Lotte Stam-Beese’s design. The public space is studied by analyzing one of the various neighbourhoods situated in Pendrecht. Within this stamp district with its repetitive nature and its diagrammatic structure the spatial experience is very static. The public space is no more than a chain of unused lawns that are linked together through play streets and water features. The aim is making this experience of the public space more dynamic, by adding a sequence of parallel strips with a diverse program and vegetation. Moving through the neighbourhood is no longer driven by the most efficient connection but takes a journey of discovery across varied landscapes. The relationship between public space and the residential buildings is addressed in the final scale. The footprint of the refurbishment is mainly preserved. The interaction between the buildings and the open space will thus remain fully defined by the variety of stamps, each with their identical morphological structure. Here it is investigated how small volumetric additions these stamps particularize.

Rotterdam Centraal

Zuidplein

Pendrecht

Carnisselande

Diffuse landscape

Interconnection network

Shard (patch) structure

Network - Patchwork

Pendrecht: the design of Lotte-Stam Beese

A A E C A B

D B

Functions in the district centre

Richting Zuidplein en Rotterdam Centrum

1/2000

The public space in one neighbourhood

1/1000

1/2000

1/8000

1/2000

The (housing) units in one stamp

1/500

From a stamp into a stroke structure. The strips are a new dynamic input in the public space. By adding planting on a consistent distinctly differentiation and various constructions that block the passages and transparency of the neighbourhood, a slow meandering circulation is created, that makes the walk through the neighbourhood as a journey through a variation of lanscapes. The perception of Pendrecht changes drastically. The new composition makes the public space accessible for spacial claims of the residents. The unique exterior space in every stamp allows the inhabitants to identify himself with his living unit. The center of the social scene of each stamp becomes a place with fewer flows of fast traffic and is more sheltered and for that matter more private than before.

WORKSHOP EURALILLE

The experience of Bigness

ASSIGNMENT: STUDIE REGARDING EURALILLE, WITH A FINAL RESULT BROUGHT TOGETHER IN A VIDEO FRAGMENT, AVAILABLE ON HTTP://VIMEO.COM/92725630 YEAR OF EDUCATION: 2MA.SRP TUTORS: KAREL WUYTACK, CATHERINE MENGĂ&#x2030; LOCATION OF THE DESIGN: EURALILLE, LILLE, FRANCE DURATION WORKSHOP: 6 DAYS

In 1989 the master plan Euralille I of OMA was realized (un non-lieux sur un nonlieu). In 1995 Euralille II followed. In this complementary plan the city council of Lille took a radically different approach, in which the greater metropolitan conditions were discarded (un lieu sur un non-lieu). Thereafter anno 2013 Euralille III came on the drawing board, in which the Bigness of the non-lieux project was reread without fully grasp the vigorousness of the project. We want to invert the evolution of Bigness into bigness. With our proposal, three strategies for sublime moments of illusion, we want to remain indebted to the capital B in Bigness and and build further on the existing planning of Euralille I. Program, vista and flux form the foundation of our analysis. The three design tools (adding metropolitan program, creating more flow and fully embrace the vista) are simultaneously applied. To break the emptiness that currently exists in the public domain, two types of programs are added: temporary and permanent. The temporary programs create a new dynamic in the near future. In the long term perspective, the metropolitan strip is further densified. The largely proportioned infrastructure can easily incorporate this densification. In addition to this, the flow from the center of Lille is increased by two new axes that cross through several introverted spaces, that get more involved with the whole. Adding a third, publicly accessible tower -the counterpart of the Espace Piranesien- marks the end of the two axes and creates intrinsically new vistas.

REPROGRAMMING BORDEAUX

About Monsters and Angels

ASSIGNMENT: MASTERTHESIS URBANISM AND SPATIAL PLANNING. YEAR OF EDUCATION: 2MA.SRP TUTORS: KAREL WUYTACK, ROB RAGOEN LOCATION OF THE DESIGN: SAINT-JEAN BELCIER, BORDEAUX, FRANCE. DURATION STUDIO: SEMESTER

This final work, the thesis of my master in urbanism and spatial planning, contains a research to archive design strategies for XL-architecture in a changing culture of planning. It is a design based work with a theoretical foundation, in which the works ‘Changing Cultures of Planning’ and ‘Bigness or the Problem of Large’ play a significant role. The starting point of the thesis, for which the hypothesis of the book Changing Cultures of Planning is taken and the chapter: ‘Bordeaux 50.000 Homes Along Public Transport Routes’ is analyzed, serves as an introduction to the site in Bordeaux, SaintJean Belcier. To establish specific insight on ‘The Problem of Large’ a theoretical framework is formed on the basis of four perspectives; A BIGNESS COMPLEX©, UN DYNAMIQUE D’ENFER©, UN NONLIEU©, and A MONSTER©. These points are used as a concept in the design research. The final design is reflected on the railway station and its environment. This site plays an important role in various urban plans. Several spatial claims occur from existing planning, generating a dynamique d’enfer. The design, infact three different approaches to the strategie, deals with the coming together of various spatial claims, the convergence of flux, the specific context, the spatial abnormalities and of course the immense program [over 2.4million sqm]. The role of large-scale architecture in a new planning culture hasn’t finished yet.

Londen

Antwerpen Brussel Lille

Parijs

Bordeaux

Toulouse Marseille

Bilbao

Barcelona

Euratlantique 2017 Madrid

Hogesnelheidslijn

No diagram...

...¥€$ Bigness 52

...¥€$ dérive

UN NON-LIEU©

No UNESCO... 2014

2020

2050

20...

...¥€$ non-lieu

...¥€$ form of flux 53

Letter of recommendation

Letter of recommendation for Wouter Collart Ghent, 10-10-2014

To whom it may concern, I hereby wish to recommend Wouter Collart for an internship at your office. Wouter decides after a master of architecture to develop more academic skills by inscribing him in the master of Urban Design & Spatial Planning, a degree he obtained cum laude. Wouter Collart has different skills I could observe. His academic papers for my theory courses (Urban history and Morphology) had a highly personal and precise approach to the subject. He is very precise in his drawings, consequently develops a project and is creative in finding solutions. In the design studio of the second Master year of Urban Design & Spatial Planning Wouter developed an intriguing and consistent transformation strategy for Pendrecht. The members of the external international jury and people of the spatial development department ware unanimous that the content and the presentation were excellent. During the workshop I organized in Liège and especially in Lille, I could observe Wouter his skills as a team player. He has a strong opinion and the ability to motivate other team members. The thoughts on bigness Bigness he developed in Lille - were, after a study trip to Bordeaux, further elaborated in his Master thesis ‘Reprogramming Bordeaux’. As promoter it was a pleasure to read his interview with the philosopher Bart Verschaffel and to observe how he presented to Floris Alkemade his provocative but consistent design, or should I say designs (in fact he made three proposals). Wouter Collart was one of the most dedicated of our students and after graduating he was selected for the Summerclass ‘The Big Reset on Neighbourhood Design’ organized by the Academy of Amsterdam with 7 European partners and the Masterclass ‘Atelier Groen Lint’ with Georges Decombres, Sébastien Marot and Elissa Rosenberg. He can operate in a comprehensive holistic approach, linking architecture and urban planning as integral disciplines. I hope your office will give him the opportunity to further develop his skills in the fields of architecture and urbanism. Please feel free to call (0032495307358) or write (karel.wuytack@kuleuven.be) if I can be helpful. Yours sincerely, Karel Wuytack, KU Leuven Faculty of Architecture department of Urban Design & Spatial Planning OPO coordinator Design Studio 1 and 3 Docent Urban History & Morphology Tel: 0032495307358 Mail: karel.wuytack@kuleuven.be 61