1988 v16 i1

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t Supreme Court Okays Student Press Censorship Page 5 ,

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WPI Hockey Wins 6 in a Row Page 6

Serve Time in Jail Page 4

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Career Connections Alumni Career Panel Jan 20 HL 109 7:30 pm

The Student Newspaper of Worcester Polytechnic Institute

Volume 16, Number 1

A Milk Crate Thieves Could

Tuesday January 19, 1988

Worcester Art Museum Presents Two New Exhibits by Jeffrey Coy Features Editor In continuing with its commitment to present a variety of high quality exhibits, the Worcester Art Museum is this month offering two excit­ ingly different subjects. The first, entitled “After Matisse,” explores the impact of French painter Henri Matisse upon contemporary American artists. The second, “A Panorama of Photography: 150 Years Since Daguerre,” pays homage to the constantly changing and growing field of the photographic artist. Of the first, Museum executive Jennifer Barkham Weininger commented, “It is not of­ ten that the Worcester Art Museum recieves an exhibit of such high caliber and importance.” The forty-two works, which will remain on view through February 7, each embrace Matisse’s affinity to daring, bold colors; this remains an important theme throughout the exhibit. Nearly all of the aritsts featured fall into one of three categories. The first of these includes contemporary abstract artists who rely upon simple bold, geometric shapes mingling with playful, vibrant colors. In fact, many of the paintings borrow directly from the master’s unique palette. Barnette Newman’s “Queen of the Night II”, a simple contrast of a light blue line upon a boldly dark blue background, uses Matisse's techniques to convey definitions of space and expressive content. Jeremy GilbertRolfe’s “Triumph” similarly utilizes contrast­ ing colors. Carefully painted geometric figures draw one’s eyes from left to right, from dark, lonely browns to vivid reds and yellows, con­ veying a sense of hope. A sense of hope is, in fact, evident in many

of the works. At first glance, Robert Zakamitch’s “Sparrow” resembles the buds of a flower preparing to burst forth. Upon closer viewing, however, the buds become small birds surrounded by a swirl of blended pastels and abstract figures, expressing a feeling of rebirth. However, these themes involving color are carried perhaps too far in Ellsworth Kelly’s “Green”, a work consisting simply of a spheri­ cal green shape in the center of the canvas. Here, the attempt is nearly laughable. The second group consists of representa­ tional works. Several imitate Matisse’s style of body line, form and color. Alex Katz’s “Four P.M.” borrows from the master’s fascination with human figures and the window motif. In addition, Milton Avery’s “Three Friends” emphasizes the overly bright tones of the fig­ ures’ skin. Finally, “After Matisse’s Nastur­ tiums and the Dance” by Gary Bower is remi­ niscent of the artist’s long history of nudes. The third group is made up of the few artists who pay direct homage to Matisse. Red Grooms’ “Matiss?” is a detailed lithograph of the artist at work on a nude and conveys a sense of the entire process of drawing. “Henri”, by Robert Kushner, features three large images of the master’s face, each colored differently with wide, bright hues, somewhat recalling the style of Andy Warhol. “A Panorama of Photogra­ phy” traces both the aesthetic and technological developments since Louis Jacques Mande Daguerre’s first surviving photograph of 1837. Photography was accepted as a fine art form only after much work by the Photo-Secessionist group led by Alfred Steiglitz. His 1907 work.

Informational Sciences Building Funding Close to Completion WPI is planning a new building to house the department of Computer Science, academic and administrative computing support services, WPI's Instructional Media Center and a 400seat lecture hall for all-campus use. This build­ ing will be located between Atwater Kent Labo­ ratories and Gordon Library, overlooking Insti­ tute Park. Payette Associates of Boston and New York are drafting plans for the building. WPI is currently gathering funds for this $9.9 million building. Funding for this building has come from various sources such as the Kresge Foundation and George F. and Sybil H. Fuller Foundation of Worcester. The Kresge Foundation has been helping WPI since 1973 and has offered

$750,000 if WPI can complete their fund raising efforts by February 1, 1989. “This challenge grant from the Kresge Foundation is a most gratifying recognition of the significance of this structure, the first new academic building to be added to the WPI campus in twenty years,” said President Jon C. Strauss in announcing the grant. “Their support will greatly aid us as we approach others to obtain additional funding. Including this Kresge grant, WPI has raised all but $2.5 million toward its expected cost,” added Dr. Strauss. An earlier pledge from the George F. and Sybil H. Fuller Foundation of $2 million will also assist. Fuller was a Worcester industrialist, a WPI trustee for 29 years and an active supporter of WPI. The building is to be named in his honor.

Beyond War Forum Recognizes US-Soviet Changes Last Friday, January 19, at 7:30 in Kinnicutt Hall the organization Beyond War held a forum featuring 2 guest speakers: Richard Roney and Andrei Melville. These speakers are on the final leg of a tour of the Northeast that has included forums in New York City, Philadelphia, Spring­ field (MA), and culminating with one in Maine. The forum began with opening remarks by Gary Mcastlan and Joanne Gamble. Richard Roney then proceeded with a brief history of Beyond War. In 1982, the political and social climate was ripe for the formation of Beyond War. U.S.

politicians talked of a survivable nuclear war, putting Pershing Missies in Europe and winning a contained conventional war in Europe. People began to realize how ludicrous this line of thinking was. Two conclusions were realized: man eliminates war, war eliminates man. A movement began to form to change this jingois­ tic attitude of the American public. This move­ ment realized that only through cooperation of both sides could war be eradicated. Two years later, a similar movement in the Soviet Union (continued on page 3)

G a rry W in o g ra n d ’s "S an M arcos, T exas" is p a r t o f this m o n th 's p h o to g rap h y exhibition at the W o rcester A rt M useum . “The Steerage," portrays in a well-defined composition the travel of immigrant passen­ gers. In the 1920s. much of the field was devoted to sharp-focus realism and simple portraits and still-lifes. Both “Nancy Cunard” by Man Ray and “Jean Simpson” by Edwardc Steicher fall into this group. In a startling, matter-of-fact image, Margaret Bourke-White’s “ Moscow Under Attack” portrays a shocking night image of that city under Nazi air seige. Harold Edgarton, a professor at MIT, pio­ neered many new high speed film and remote control techniques in his experimenting with high-speed objects. Photographs such as “Cut­ ting the Card Quickly,” the image of a bullet in mid-flight as it splits a playing card, helped to lead the way in the field of stroboscopic photog­ raphy. Since World War II, many innovators have

sought to capture on film the “social landscape” of America. Ansel Adams’ “Church, Laguna Pueblo” conveys through light and shadow the essence of a small Hispanic village. Joel Meyerowitz, in his “Porch, Provincetown, Cape Cod,” preserves in its soft colors the feeling of a mild summer night in the Massachusetts shoreline. Even offbeat works like Garry Winogrand’s “San Marcos, Texas.” the protrayal of a swimming pig, help present the constantly changing texture of society. In conjunction with the exhibit. Dr. Pamela Allara of Tufts University will speak on “The Revolution of Photography in the 1960s.” Her lecture, which will take place at 2 p.m. on January 24, will cover the work of Andy Warhol and other leading figures of the Pop Art move­ ment. For further information, contact the Museum at 799-4406.

The New Beginning of the Student Activities Board by Thomas Tessier Newspeak Staff In 1986, the Student Activities Board was viewed as the funding instrument by which recognized student organizations received money to continue their activities. This year the entire board has undergone major changes in its attitude toward student organizations and con­ stitutional policies, both of which will increase the usefulness of the Student Activities Board (SAB) Nancy Hunter, advisor of SAB, in an inter­ view, emphasized that the purpose of the SAB is to do much more than just fund student activities. She stated that the SAB can be “a real vehicle for promoting student leadership and communication.” She hopes faculty advising as well as leadership workshops and group plan­ ning will be a positive goal of the SAB to strive for in the future. An instrumental part in group planning are the four large poster size calendars in the Vice President of Student Affairs Office. I had a chance to see them, and what surprised me was how much there was going on here at WPI. Nancy Hunter hopes to promote this group planning by urging all non-SAB groups to tell the Dean of Students Office that they exist. She says that WPI needs to know the group’s president and faculty advisor so that next year’s handbook will list your group so that all students can be made aware of these “un­ known” groups. In addition to that, she men­ tioned that when a national organization calls to see if WPI has a possible local chapter here, she can only say no if the group is not a member of the SAB. Here are the student organizations which are members of the the SAB and those

that are not. SAB Groups: African America Asian Society Aviation International Pep Band Band Unif. Life Science Club Mens Bowling Womens Bowling Camera Club Cheerleaders Chess Club Christian Bible Fellowship Mens Crew Mens Crew Sp. Womens Crew Womens Crew NY. Cycling Club Frisbee Club Fencing Club Hillel Hispanic SS Hockey Club Karate Mens Lacrosse Womens Lacrosse Lens & Lights Masque Music Sa. Newspeak Outing Club Peddler ’87 Rifle & Pistol (continued on page4)


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