Design 24 October 2019 by Wright Auction

24 O CTO B E R

DE S I G N

2 019

1440 West Hubbard Street Chicago Illinois 312 563 0020

Preview 17 – 24 October 2019 10 am – 5 pm Monday – Friday

Auction 24 October 2019 11 am cst

DES IGN

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200 Mira Nakashima Exceptional Sanso table USA, 1994 Claro walnut, walnut, rosewood 71 ½ w × 99 ¼ d × 28 ¼ h in (182 × 252 × 72 cm) Solid slab table top with expressive graining, fissures and knot details featuring three rosewood butterflies and free edge on three sides. Signed with client name and dated to underside ‘1994’. Sold with a digital copy of original drawing by Mira Nakashima. $ 25,000 – 35,000

Provenance: Acquired directly from the artist by the original owner Private Collection

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After Alexander Calder Balloons tapestry

George Nakashima cabinet

Guatemala, 1974 CAC Publication/Bon Art hand-woven maguey fiber 83 h × 56 w in (211 × 142 cm)

USA, 1955 American black walnut 60 w × 19 ¾ d × 32 h in (152 × 50 × 81 cm)

USA, 1963 American black walnut 60 w × 20 d × 32 h in (152 × 51 × 81 cm)

Cabinet features eight drawers. Signed with client name ‘Kane’. Sold with a digital copy of the original invoice.

Cabinet features eight drawers. Signed with client name ‘Kane’. Sold with a digital copy of the original order card.

$ 7,000 – 9,000

Provenance: Acquired directly from the artist by Mr. and Mrs. Evan O. Kane, New York | Thence by descent

Woven signature, date and number to lower edge ‘36/100 CA 74’ with copyright. This work is number 36 from the edition of 100 published by CAC Publications and Bon Art, Guatemala. $ 4,000 – 6,000

204 George Nakashima Cushion armchairs, pair and ottoman USA, 1955/1963 American black walnut, upholstery 30 w × 32 d × 31 h in (76 × 81 × 79 cm) Ottoman measures: 25 w × 25 d × 15.5 h inches. Sold with digital copies of the original order cards. $ 7,000 – 9,000

Literature: George Nakashima, Woodworker, studio catalog, unpaginated Provenance: Acquired directly from the artist by Mr. and Mrs. Evan O. Kane, New York | Thence by descent

205 George Nakashima Cushion sofa USA, 1955 American black walnut, upholstery 72 w × 35 d × 31 h in (183 × 89 × 79 cm) Sold with a digital copy of the original order card. $ 5,000 – 7,000

Literature: George Nakashima, Woodworker, studio catalog, unpaginated Provenance: Acquired directly from the artist by Mr. and Mrs. Evan O. Kane, New York | Thence by descent

206 Harry Bertoia 1915 – 1978 Untitled (Wire Construction) c. 1975 nickel-rod 19 h × 8 w × 7 d in (48 × 20 × 18 cm) Sold with a certificate of authenticity from the Harry Bertoia Foundation. $ 3,000 – 5,000

207 Harry Bertoia 1915 – 1978 Untitled (Sonambient) c. 1975 beryllium copper and brass 39 h × 26 ¾ w × 3 d in (99 × 68 × 8 cm) This work features fifty-eight rods in a two by twenty-nine configuration. Sold with a certificate of authenticity issued by the Harry Bertoia Foundation. $ 20,000 – 30,000

Provenance: Private Collection, Florida

208 After Alexander Calder Turquoise tapestry Guatemala, 1975 CAC Publication/Bon Art hand-woven maguey fiber 71 ½ h × 97 w in (182 × 246 cm) Woven signature, date and number to lower edge ‘4/100 CA 75’. This work is number 4 from the edition of 100 published by CAC Publications and Bon Art, Guatemala. $ 4,000 – 6,000

209 George Nakashima Slab coffee table USA, 1963 figured American black walnut 56 ½ w × 29 d × 13 h in (144 × 74 × 33 cm) Solid board top featuring two free edges, fissures, knot details and expressive grain. Sold with a digital copy of the original order card. $ 12,000 – 18,000

Provenance: Acquired directly from the artist by Mr. and Mrs. Evan O. Kane, New York | Thence by descent

210 Harry Bertoia 1915 – 1978 Untitled (Bundled Wire) c. 1967 steel wire, stainless steel 56 ¾ h × 9 w × 9 d in (144 × 23 × 23 cm) Sold with a certificate of authenticity from the Harry Bertoia Foundation. $ 25,000 – 35,000

Exhibited: Staempfli Gallery, New York, 1968 | Harry Bertoia: 15 Years at Wright, 21 January – 15 February 2014, Wright, New York Provenance: Rago, Back to Modern, 27 October 2013, Lot 1036 Private Collection

211 Claude Conover Banab vessel USA, c. 1965 glazed stoneware 12 dia × 19 h in (30 × 48 cm) Signed and titled to underside ‘Claude Conover Banab’. $ 4,000 – 6,000

212 George Nakashima Minguren I coffee table USA, 1988 figured American black walnut, rosewood 50 w × 26 ½ d × 15 h in (127 × 67 × 38 cm) Signed and dated to underside ‘George Nakashima July 8, 1988’. Sold with a digital copy of the original drawing by George Nakashima. $ 15,000 – 20,000

Provenance: Acquired directly from the artist by John Molden, Gillette, NJ Private Collection

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Paul Evans coffee table, model PE-12

Paul Evans Argente cube, model PE-37

Paul Evans Untitled (Sculpture)

USA, c. 1965 Paul Evans Studio for Directional welded and enameled steel, glass 40 w × 40 d × 15 ¾ h in (102 × 102 × 40 cm)

USA, c. 1965 Paul Evans Studio for Directional welded and patinated aluminum, slate 15 ½ w × 15 ½ d × 15 ½ h in (39 × 39 × 39 cm)

USA, c. 1965 | Paul Evans Studio patinated copper, enameled steel 24 h × 27 ½ w × 11 d in (61 × 70 × 28 cm)

This table was one of Paul Evans’ first six designs for Directional.

$ 5,000 – 7,000

$ 10,000 – 15,000

$ 6,000 – 8,000

Provenance: Rago, Back to Modern, 19 October 2014, Lot 614 | Private Collection

Literature: Directional, manufacturer’s catalog, unpaginated Paul Evans: Crossing Boundaries and Crafting Modernism, Kimmerle, et.al., pg. 180

Provenance: Rago, Modern, 18 October 2015, Lot 1546 Private Collection, Los Angeles

216 Harry Bertoia 1915 – 1978 Untitled (Sonambient) c. 1975 beryllium copper, brass, monel 17 ½ h × 7 w × 3 d in (44 × 18 × 8 cm) This work features fifteen rods in a single row. Sold with a certificate of authenticity from the Harry Bertoia Foundation $ 20,000 – 30,000

Provenance: Purchased in 1984 by Hinton Dillard, Dallas | Thence by descent Wright, Design, 8 December 2016, Lot 136 Private Collection

217 Harry Bertoia 1915 – 1978 Untitled (Gong) c. 1975 hand hammered and cut brass 24 h × 18 w in (61 × 46 cm) Sold with a certificate of authenticity from the Harry Bertoia Foundation. $ 5,000 – 7,000

Provenance: Acquired in 1980 from Inkfish Gallery, Denver Private Collection, California

218 George Nakashima Frenchman’s Cove dining table USA, 1979 American elm, white oak 72 w × 35 ½ d × 28 ¼ h in (183 × 90 × 72 cm) Solid single board top features highly expressive graining. Signed and dated ‘George Nakashima Aug. 1979 Isaacson’. Sold with original correspondence, studio catalogs, fold-out studio brochure and drawings by George Nakashima. $ 15,000 – 20,000

Literature: George Nakashima, Woodworker, studio catalog, unpaginated Provenance: Acquired directly from the artist by Mr. Philip M. Isaacson, Lewiston, ME | Thence by descent

219 After Alexander Calder Moon tapestry Guatemala, 1975 CAC Publication/Bon Art hand-woven maguey fiber 56 h × 85 w in (142 × 216 cm) Woven signature, date and number to lower edge ‘2/100 Calder 75’. This work is number 2 from the edition of 100 published by CAC Publications and Bon Art, Guatemala. $ 4,000 – 6,000

220 George Nakashima Conoid dining table USA, 1970 American black walnut, rosewood 93.5 w × 52.5 d × 29.5 h inches Top features two solid planks with one free-edge each, four rosewood butterflies and sap-grain detail. Signed with client name to underside ‘Kessler’. Sold with digital copies of the original invoice and drawings by George Nakashima. $ 30,000 – 40,000

Provenance: Acquired directly from the artist by Dr. A. Kessler, Pleasantville, NY Thence by descent

221 Harry Bertoia 1915 – 1978 Untitled (Sonambient) c. 1967 beryllium copper and brass 48 ½ h × 9 w × 9 d in (123 × 23 × 23 cm) This work features two groups of rods in a six by twelve configuration. Sold with a digital copy of correspondence with the artist and a certificate of authenticity from the Harry Bertoia Foundation. $ 30,000 – 50,000

Provenance: Acquired in 1969 from Knoll Associates, Merchandise Mart, Chicago by John J. Desmond, Hammond, LA Thence by descent

222 Paul Evans wall-mounted cabinet USA, 1970 Paul Evans Studio for Directional welded and patinated steel 24 w × 12 ½ d × 36 h in (61 × 32 × 91 cm) Cabinet features two doors concealing three adjustable shelves. Welded signature and date to underside of door ‘Paul Evans 70’. $ 3,000 – 5,000

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Albert Paley occasional table

USA, 2005 forged and patinated steel, granite 34 w × 18 d × 34 ½ h in (86 × 46 × 88 cm)

Stamped signature and date ‘Albert Paley 2005’.

$ 4,000 – 6,000

225 George Nakashima Slab coffee table USA, 1963 American black walnut 65 w × 26 d × 13 h in (165 × 66 × 33 cm) Single board top with three free edges. Signed with client name to underside ‘Collins’. Sold with a digital copy of the original order card. $ 10,000 – 15,000

Provenance: Acquired directly from the artist by Arthur Collins, Darien, CT Rago, Modern Design, September 2018, Lot 1018 | Private Collection, New Jersey

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Paul Evans and Phillip Lloyd Powell charger

Paul Evans and Phillip Lloyd Powell ashtray

USA, 1956 – 57 | Designer’s Inc. walnut, pewter 17 ¼ dia × 1 ½ h in (44 × 4 cm)

USA, 1956 – 57 | Designer’s Inc. walnut, pewter 2 ¾ dia × 2 h in (7 × 5 cm)

$ 500 – 700

Impressed manufacturer’s mark to underside ‘Designers Inc. Paul Evans’.

Literature: Paul Evans: Designer & Sculptor, Head, pg. 18

$ 500 – 700

Literature: Paul Evans: Designer & Sculptor, Head, pg. 15

228 Paul Evans occasional table USA, c. 1965 Paul Evans Studio for Directional welded and enameled steel, slate, gold leaf over wood 24 dia × 17 h in (61 × 43 cm) $ 7,000 – 9,000

Literature: Paul Evans: Designer & Sculptor, Head, pg. 74 illustrates related examples

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George Nakashima wall-mounted shelf

After Alexander Calder Floating Circles tapestry

USA, 1973 – 74 figured American black walnut, rosewood 85 ¾ w × 22 ½ d × 12 h in (218 × 57 × 30 cm)

Guatemala, 1974 CAC Publication/Bon Art hand-woven maguey fiber 84 h × 56 w in (213 × 142 cm)

Solid board top with one free-edge, a large fissure with three rosewood butterflies and sap-grain detail. Shelf features two drawers. Sold with a digital copy of the original order card. $ 15,000 – 20,000

Provenance: Acquired directly from the artist by Mr. and Mrs. Evan O. Kane, New York | Thence by descent

Woven signature, date and number to lower edge ‘17/100 CA 74’ with copyright. This work is number 17 from the edition of 100 published by CAC Publications and Bon Art, Guatemala. $ 4,000 – 6,000

231 George Nakashima Conoid dining chairs, set of eight USA, 1970 American black walnut, hickory 20 w × 23 d × 35 h in (51 × 58 × 89 cm) Signed with client name to underside of each example ‘Kessler’. Sold with digital copies of the original invoice and drawings by George Nakashima. $ 20,000 – 30,000

Provenance: Acquired directly from the artist by Dr. A. Kessler, Pleasantville, NY Thence by descent

232 George Nakashima and Ben Shahn Custom frame with Haggadah USA, 1966 American black walnut, lithograph on paper 39 ¾ w × 4 ½ d × 29 ½ h in (101 × 11 × 75 cm) Nakashima custom designed this frame to house Haggadah, a lithograph by his friend and social-realist artist, Ben Shahn. $ 6,000 – 8,000

233 George Nakashima cabinet USA, 1959 American black walnut 36 w × 19 d × 38 h in (91 × 48 × 97 cm) Cabinet features five drawers. Sold with a digital copy of the original order card. $ 5,000 – 7,000

Provenance: Acquired directly from the artist by Nell Bendell, Solebury, PA Private Collection

234 Claude Conover Habil vessel USA, c. 1965 glazed stoneware 14 w × 5 d × 14 ½ h in (36 × 13 × 37 cm) Signed and titled to underside ‘Claude Conover Habil’. $ 4,000 – 6,000

235 George Nakashima coffee table USA, 1961 American black walnut 41 ½ w × 47 ½ d × 15 h in (105 × 121 × 38 cm) Table features single board with highly figured grain and one walnut butterfly. Sold with a digital copy of the original order card. $ 10,000 – 15,000

Provenance: Acquired directly from the artist by John Waligora, Landsdale, PA Private Collection

236 Paul Evans Stalagmite dining table, model PE-102 USA, 1969 Paul Evans Studio for Directional bronzed resin over steel, glass 96 w × 46 d × 29 h in (244 × 117 × 74 cm) Signed and dated to base ‘PE 69’. $ 12,000 – 18,000

Literature: Directional, manufacturer’s catalog, unpaginated

237 George Nakashima Wohl table USA, 1963 American black walnut 27 w × 21 ½ d × 21 h in (69 × 55 × 53 cm) Signed to underside ‘Kane’. Sold with a digital copy of the original order card. $ 1,500 – 2,000

Provenance: Acquired directly from the artist by Mr. and Mrs. Evan O. Kane, New York | Thence by descent

238 George Nakashima cabinet USA, 1957 American black walnut 60 w × 20 d × 30 h in (152 × 51 × 76 cm) Cabinet features eight drawers. Signed with client name to reverse ‘Model’. Sold with digital copies of the original order card and invoice. $ 7,000 – 9,000

Provenance: Acquired directly from the artist by F. Peter Model, New York Private Collection, New York | Thence by descent

239 George Nakashima Grass-Seated chairs, set of four USA, 1960 American black walnut, woven sea-grass 23 w × 20 d × 27 ½ h in (58 × 51 × 70 cm) Sold with a digital copy of the original order card and invoice. $ 5,000 – 7,000

Literature: George Nakashima, Woodworkers, studio catalog, unpaginated Provenance: Acquired directly from the artist by Mr. Donald E. Paul, Wilmington, DE | Thence by descent

240 George Nakashima Trestle dining table USA, 1965 American black walnut, rosewood 96 w × 40 ¼ d × 29 h in (244 × 102 × 74 cm) Signed with client name ‘Kane’. Sold with a digital copy of the original order card. $ 12,000 – 18,000

Literature: George Nakashima, Woodworkers, studio catalog, unpaginated Provenance: Acquired directly from the artist by Mr. and Mrs. Evan O. Kane, New York | Thence by descent

241 George Nakashima Grass-Seated chairs, set of eight USA, 1955 – 1965 American black walnut, woven sea-grass 23 w × 19 ½ d × 27 ½ h in (58 × 50 × 70 cm) Sold with digital copies of the original order cards. $ 8,000 – 12,000

Literature: George Nakashima, Woodworkers, studio catalog, unpaginated Provenance: Acquired directly from the artist by Mr. and Mrs. Evan O. Kane, New York | Thence by descent

242 George Nakashima queen-size headboard USA, 1957 American black walnut 80 w × 4 d × 36 h in (203 × 10 × 91 cm) Sold with digital copy of the original order card. $ 2,000 – 3,000

Provenance: Acquired directly from the artist by Mr. and Mrs. Herbert Rosenthal, Pittsburgh | Thence by descent

243 George Nakashima Trestle dining table USA, c. 1960 sap walnut, rosewood 60 w × 36 d × 29 h in (152 × 91 × 74 cm) Sold with a letter from Mira Nakashima. $ 3,000 – 5,000

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George Nakashima cabinet

USA, 1955 American black walnut, oak 72 w × 20 d × 32 h in (183 × 51 × 81 cm)

USA, 1958 American black walnut 60 w × 20 d × 32 h in (152 × 51 × 81 cm)

Cabinet features two sliding doors concealing two shelves and four drawers. Paper label to reverse. Signed with client name ‘Kane’. Sold with a digital copy of the original invoice.

Signed with client name to reverse ‘Tager’. Sold with digital copies of the original order card and invoice.

$ 7,000 – 9,000

Provenance: Acquired directly from the artist by Mr. and Mrs. Evan O. Kane, New York | Thence by descent

$ 8,000 – 12,000

Provenance: Acquired directly from the artist by Mrs. S. Tager, New York Private Collection

246 George Nakashima cabinet USA, 1965 American black walnut 36 w × 20 d × 51 h in (91 × 51 × 130 cm) Cabinet features seven drawers. Signed with client name to reverse ‘Model’. Sold with digital copies of the original order card and invoice. $ 7,000 – 9,000

Provenance: Acquired directly from the artist by F. Peter Model, New York Private Collection, New York | Thence by descent

247 George Nakashima wall-mounted shelf USA, 1966 American black walnut 42 w × 11 d × 3 ½ h in (107 × 28 × 9 cm) Signed with client name to underside ‘Lunna’. Sold with digital copies of the original invoice and drawing by George Nakashima. $ 1,500 – 2,000

Provenance: Acquired directly from the artist by Dr. Richard Lunna, Plainfield, NJ | Rago, Modern Design, June 2014, Lot 805 | Private Collection

248 George Nakashima Pedestal table USA, 1966 American black walnut 35 w × 34 ¾ d × 27 ¼ h in (89 × 88 × 69 cm) Signed with client name to underside. Sold with a digital copy of the original invoice and a letter of authentication from Mira Nakashima. $ 4,000 – 6,000

Provenance: Acquired directly from the artist by Ardelle and Arthur Smilowitz

249 George Nakashima Trestle dining table USA, c. 1960 cherry 88 w × 40 d × 28 ½ h in (224 × 102 × 72 cm) Sold with two 16-inch leaves; table measures 72 inches when folded. Sold with a letter by Mira Nakashima. $ 4,000 – 6,000

Literature: George Nakashima, Woodworker, studio catalog, unpaginated

250 Jun Kaneko b. 1942 Untitled (plate) 1987 glazed ceramic 27 h × 22 w × 3 d in (69 × 56 × 8 cm) Signed and dated to verso ‘Kaneko 87’. $ 3,000 – 5,000

Provenance: Acquired directly from the artist by the present owner

Important Works by Axel Salto

251 Axel Salto Budding Gourd vase Denmark, 1969 – 1973 | Royal Copenhagen glazed stoneware 10 dia × 15 h in (25 × 38 cm) Incised signature and glazed three-line wave mark to underside ‘Salto 20811’ with stamped manufacturer’s mark ‘Royal Copenhagen Denmark’. $ 20,000 – 30,000

Provenance: Wright, Important Design, 13 December 2012, Lot 224 Private Collection

252 Axel Salto vase Denmark, c. 1935 | Royal Copenhagen glazed stoneware 10 ½ dia × 15 ½ h in (27 × 39 cm) Incised signature to underside ‘Salto’. $ 7,000 – 9,000

253 Axel Salto vase Denmark, c. 1960 | Royal Copenhagen glazed stoneware 5 dia × 10 ¼ h in (13 × 26 cm) Incised signature and glazed threeline wave mark to underside ‘Salto 21455’ with stamped manufacturer’s mark ‘Denmark’. $ 7,000 – 9,000

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Axel Salto Budding vase

Axel Salto vase

Axel Salto Budding Gourd vase

Denmark, 1960 | Royal Copenhagen glazed stoneware 5 ¾ dia × 7 h in (15 × 18 cm)

Denmark, c. 1950 | Royal Copenhagen glazed stoneware 5 dia × 9 d in (13 × 23 cm)

Denmark, c. 1950 | Royal Copenhagen glazed stoneware 5 dia × 5 ½ h in (13 × 14 cm)

Incised signature and glazed threeline wave mark to underside ‘Salto 20708’ with stamped manufacturer’s mark ‘Royal Copenhagen Denmark’.

Incised signature and glazed threeline wave mark to underside ‘Salto’.

Incised signature and glazed threeline wave mark to underside ‘Salto 20897’ with stamped manufacturer’s mark ‘Denmark’.

$ 3,000 – 5,000

$ 2,000 – 3,000

257 Axel Salto Living Stone vase Denmark, c. 1950 | Royal Copenhagen glazed stoneware 10 dia × 9 ¼ h in (25 × 23 cm) Incised signature and glazed threeline wave mark to underside ‘Salto’. $ 5,000 – 7,000

Literature: Forces of Nature: Axel Salto, Dalgaard and Salto, pg. 17 illustrates similar example

258 Axel Salto Budding Fruits vase Denmark, c. 1950 | Royal Copenhagen glazed stoneware 9 w × 8 d × 6 ¼ h in (23 × 20 × 16 cm) Incised signature and glazed threeline wave mark to underside ‘Salto 20708’ with stamped manufacturer’s mark ‘Denmark’. $ 6,000 – 8,000

Literature: Forces of Nature: Axel Salto, Dalgaard and Salto, pg. 14 illustrates similar example

259 Axel Salto Budding Fruits vase Denmark, 1951 | Royal Copenhagen glazed stoneware 9 w × 8 ¼ d × 6 ¼ h in (23 × 21 × 16 cm) Incised signature and glazed three-line wave mark to underside ‘Salto 20709 S560’ with stamped manufacturer’s mark ‘Royal Copenhagen Denmark’. $ 7,000 – 9,000

Literature: Forces of Nature: Axel Salto, Dalgaard and Salto, pg. 14 illustrates similar example

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Axel Salto vase

Axel Salto Budding vase

Axel Salto Budding Fruits vase

Denmark, 1956 | Royal Copenhagen glazed stoneware 10 ½ dia × 11 ½ h in (27 × 29 cm)

Denmark, c. 1955 | Royal Copenhagen glazed stoneware 5 dia × 7 ½ h in (13 × 19 cm)

Denmark, 1936 | Royal Copenhagen glazed stoneware 9 w × 8 ¼ d × 6 h in (23 × 21 × 15 cm)

Incised signature and glazed threeline wave mark to underside ‘Salto 20664’ with stamped manufacturer’s mark ‘Royal Copenhagen Denmark’.

Incised signature and glazed threeline wave mark to underside ‘Salto 20701 095’.

Incised signature and date to underside ‘Salto 1936’.

$ 5,000 – 7,000

Literature: Det Brændende Nu: Axel Salto, Dybdahl, pg. 62, no. 119

$ 4,000 – 6,000

$ 5,000 – 7,000

263 Axel Salto vase Denmark, c. 1960 | Royal Copenhagen glazed stoneware 6 dia × 9 ½ h in (15 × 24 cm) Incised signature and glazed threeline wave mark to underside ‘Salto 21453’ with stamped manufacturer’s mark ‘Denmark’ $ 10,000 – 15,000

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Le Corbusier and Pierre Jeanneret sofa from Chandigarh

Le Corbusier and Pierre Jeanneret lounge chairs from Chandigarh, pair

France/India, c. 1955 – 56 muslin upholstery, teak, leather 67 w × 32 d × 29 ½ h in (170 × 81 × 75 cm)

France/India, c. 1955 – 56 muslin upholstery, teak, leather 27 w × 32 d × 29 ½ h in (69 × 81 × 75 cm)

$ 30,000 – 40,000

Literature: Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Touchaleaume and Moreau, ppg. 567 – 568

Literature: Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Touchaleaume and Moreau, ppg. 169, 174, 567 – 568

Provenance: Chandigarh, India Private Collection

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Georges Jouve dish

Georges Jouve vessel

France, c. 1950 glazed stoneware 11 ¾ w × 6 ½ d × 2 h in (30 × 17 × 5 cm)

France, c. 1950 glazed stoneware 6 ¾ w × 2 ¾ d × 7 h in (17 × 7 × 18 cm)

Incised artist’s cipher to underside.

$ 6,000 – 8,000

$ 2,000 – 3,000

268 Pierre Jeanneret Committee armchairs from the Assembly, Chandigarh France/India, c.1953 teak, cow hide 23 w × 27 d × 32 h in (58 × 69 × 81 cm) $ 20,000 – 30,000

Literature: Le Corbusier Pierre Jeanneret, Chandigarh, India, Galerie Patrick Seguin, ppg. 158–159, 162, 283 Le Corbusier Pierre Jeanneret: The Indian Adventure, DesignArt-Architecture, Touchaleaume and Moreau, ppg. 232–233, 563–564 Provenance: Assembly, Chandigarh, India Private Collection

269 Pierre Jeanneret Rare Easy armchairs from Chandigarh, pair France/India, c. 1955 – 56 rosewood, cane 21 w × 30 d × 30 h in (53 × 76 × 76 cm) These rare examples feature rosewood. $ 30,000 – 50,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 563 Provenance: Chandigarh, India Private Collection

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Pierre Jeanneret Public bench from High Court, Chandigarh

France/India, c. 1959 upholstery, teak 58 w × 28 d × 34 h in (147 × 71 × 86 cm)

$ 10,000 – 15,000

Literature: Le Corbusier Pierre Jeanneret, Chandigarh, India, Galerie Patrick Seguin, ppg. 156, 283 Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, ppg. 565 – 566

Provenance: High Court, Chandigarh, India | Private Collection

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Pierre Jeanneret folding screen from the Administrative Buildings, Chandigarh

Pierre Jeanneret desk and chair from Chandigarh

France/India, c. 1957 teak, linen, brass 66 w × 1 ¾ d × 66 ½ h in (168 × 4 × 169 cm) $ 7,000 – 9,000

Literature: Le Corbusier Pierre Jeanneret, Chandigarh, India, Galerie Patrick Seguin, pg. 289 Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture, Touchaleaume and Moreau, pg. 597 Provenance: Administrative Buildings, Chandigarh, India | Private Collection

France/India, c. 1960 teak, leather, cane, upholstery, aluminum 53 ½ w × 30 d × 29 ½ h in (136 × 76 × 75 cm) Chair measures: 17.75 w × 20 d × 33 h inches. Desk features four drawers. Stenciled marks to desk ‘V.S.R.’. $ 10,000 – 15,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, ppg. 561, 574, 577 Provenance: Chandigarh, India Private Collection

274 Serge Mouille Tuyau sconces, pair France, c. 1955 | Ateliers Serge Mouille enameled aluminum, brass, enameled steel 5 w × 12 d × 16 h in (13 × 30 × 41 cm) $ 3,000 – 5,000

Literature: Serge Mouille Luminaires: 1953 – 1962, Alan and Counord, pg. 28

275 Jean Prouvé Compas desk France, 1955 | Ateliers Jean Prouvé enameled steel, laminate, beech 55 w × 26 d × 28 ½ h in (140 × 66 × 72 cm) $ 8,000 – 12,000

Literature: Jean Prouvé, Complete Works Volume 3: 1944 – 1954, Sulzer, ppg. 268 – 269 Jean Prouvé, Galerie Patrick Seguin and Sonnabend Gallery, ppg. 331, 351 Provenance: DeLorenzo 1950, New York Private Collection

276 Pierre Jeanneret chairs from Chandigarh, set of eight France/India, c. 1960 teak, cane 16 w × 18 d × 30 ½ h in (41 × 46 × 77 cm) Stenciled marks to four examples. $ 25,000 – 35,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 570 Le Corbusier Pierre Jeanneret, Chandigarh, India, Galerie Patrick Seguin, pg. 285 Provenance: Chandigarh, India Private Collection

277 Pierre Jeanneret Committee armchair from High Court, Chandigarh France/India, c. 1956 teak, hide 23 w × 25 d × 35 h in (58 × 64 × 89 cm) $ 10,000 – 15,000

Literature: Le Corbusier Pierre Jeanneret, Chandigarh, India, Galerie Patrick Seguin, ppg. 158 – 159, 162, 283 Le Corbusier Pierre Jeanneret: The Indian Adventure, DesignArt-Architecture, Touchaleaume and Moreau, ppg. 232 – 233, 563 – 564 Provenance: High Court, Chandigarh Private Collection

278 Pierre Jeanneret Rare Cross-Arm Office chair from the Administrative Buildings, Chandigarh France/India, c. 1960 teak, hide 23 ¼ w × 28 d × 34 ¾ h in (59 × 71 × 88 cm) $ 15,000 – 20,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 569 Provenance: Administrative Buildings, Chandigarh, India | Private Collection

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Pierre Jeanneret bench from the M.L.A. Flats building, Chandigarh

France/India, c. 1955 teak, cane, upholstery 53 ½ w × 18 ½ d × 18 h in (136 × 47 × 46 cm)

$ 7,000 – 9,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 565

Provenance: M.L.A. Flats building, Chandigarh, India | Private Collection

281 Georges Jouve Diabolo vase France, c. 1960 glazed stoneware 3 dia × 6 ½ h in (8 × 17 cm) Incised signature and artist’s cipher to underside ‘Jouve’. $ 2,000 – 3,000

282 After Niki de Saint Phalle Je t’aime tapestry Guatemala, 1980 hand-woven maguey fiber 56 h × 84 w in (142 × 213 cm) Woven to top left ‘Je t’aime’. This work is from the edition published by Bon Art, Guatemala. $ 4,000 – 6,000

283 Pierre Jeanneret file rack from the Administrative Buildings, Chandigarh France/India, c. 1957 Indian rosewood 46 ¼ w × 14 ¾ d × 26 h in (117 × 37 × 66 cm) $ 8,000 – 10,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, ppg. 596 – 597 Le Corbusier Pierre Jeanneret, Chandigarh, India, Galerie Patrick Seguin, ppg. 269, 289 Provenance: Administrative Buildings, Chandigarh | Private Collection

284 Pierre Jeanneret dining table from the Cafeteria at Punjab University, Chandigarh

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, ppg. 561, 585

France/India, c. 1959 teak 36 w × 36 d × 28 h in (91 × 91 × 71 cm)

Provenance: Cafeteria at Punjab University, Chandigarh, India Private Collection

$ 8,000 – 10,000

285 Pierre Jeanneret Office Cane chairs from Chandigarh, set of four France/India, c. 1960 teak, cane, upholstery 20 w × 23 d × 31 ½ h in (51 × 58 × 80 cm) $ 10,000 – 15,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 563 Provenance: Chandigarh, India Private Collection

286 Jean Lurçat Le Lion tapestry France, c. 1945 Tabard Freres & Soeurs Aubusson hand-woven wool 27 ½ h × 25 ½ w in (70 × 65 cm) Fabric manufacturer’s label to reverse ‘TAA ABD Antimite Definitif Mitin Signes Du Zodiaque Le Lion Carton 994 Carton De Jean Lurçat Eite Par Tabard Freres & Soeurs Aubusson No 3432’ with hand signature ‘Jean Lurçat’. $ 1,000 – 1,500

287 Jean Prouvé Curved Standard desk France, c. 1946 | Ateliers Jean Prouvé oak, enameled steel, stainless steel 78 ¼ w × 39 d × 29 ¼ h in (199 × 99 × 74 cm) Desk features four drawers. $ 30,000 – 50,000

Literature: Jean Prouvé Complete Works, Vol. 3: 1944 – 1954, Sulzer, ppg. 59, 178 – 179 illustrate variations Jean Prouvé, Galerie Patrick Seguin and Sonnabend Gallery, ppg. 334 – 335 illustrate related forms Provenance: DeLorenzo 1950, New York Private Collection

288 Denise Gatard vase France, c. 1950 glazed stoneware 8 ¼ h × 6 w × 4 ½ d in (21 × 15 × 11 cm) Incised signature to underside ‘DG’. $ 2,000 – 3,000

289 Le Corbusier stool from Cité Radieuse, Marseille Switzerland, c. 1950 enameled steel, carved teak 15 ½ dia × 32 h in (39 × 81 cm) $ 3,000 – 5,000

Provenance: Cité Radieuse, Marseille 1950 Gallery, New York Private Collection

290

291

Pierre Jeanneret lounge chairs from the Punjab Engineering College, Chandigarh, pair

France/India, c. 1955 teak, cane, upholstery 20 ½ w × 26 d × 30 ½ h in (52 × 66 × 77 cm)

Stenciled marks to reverse of each example ‘P.E.C.’.

$ 10,000 – 15,000

Literature: Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-ArtArchitecture, Touchaleaume and Moreau, pg. 563

Provenance: Punjab Engineering College, Chandigarh, India | Private Collection

292 Pierre Guariche Cerf Volante wall light France, c. 1953 | Disderot enameled and perforated steel, brass 15 w × 50 d × 33 h in (38 × 127 × 84 cm) $ 7,000 – 9,000

Literature: Les Décorateurs des Années 50, Favardin, pg. 166 Provenance: Galerie Jousse Entreprise, Paris | Private Collection, New York

293 Jacques Adnet lounge chairs, pair France, c. 1950 saddle-stitched leather, upholstery 27 w × 26 d × 29 ½ h in (69 × 66 × 75 cm) $ 10,000 – 15,000

294 Gaetano Pesce UP7 (Il Piede) Italy, 1969/c. 1975 | B&B Italia polyurethane foam 63 w × 21 d × 32 h in (160 × 53 × 81 cm) Partial printed manufacturer’s mark to underside ‘UP 2000 Series Design Gaetano Pesce B&B Italia’. $ 2,000 – 3,000

Literature: Repertorio 1950–1980, Gramigna, pg. 288 Gaetano Pesce Architecture Design Art, Vanlaethem, pg. 52 discusses the UP series

295 This chair was designed by Tom Sachs as part of a window display installation for Dries Van Noten at Barney’s Madison Avenue store in 1993. The series was later gifted to the Whitney Museum to be displayed and sold at their adjacent retail location, the Store Next Door.

Tom Sachs b. 1966 Shopping Cart chair 1993 steel, chrome-plated steel, rubber 39 h × 25 w × 30 d in (99 × 64 × 76 cm) Sold with original invoice from the Store Next Door. $ 7,000 – 9,000

Exhibited: Whitney Museum of American Art, Store Next Door, New York, 1994 Provenance: Acquired in 1994 from the Store Next Door at the Whitney Museum of American Art, New York by the original owner | Private Collection

296 Ron Arad Rolling Volume United Kingdom, 1989/1991 | One Off patinated steel, mirror-polished stainless steel 32 ½ w × 43 d × 28 h in (83 × 109 × 71 cm) Incised signature and date to edge of seat ‘One Off Ron Arad 1991’. Sold with an exhibition poster for Ron Arad: A Break with Tradition at the Röhsska Museum in Göteborg, Sweden. $ 50,000 – 70,000

Literature: Ron Arad, Sudjic, ppg. 62–63 Ron Arad: Restless Furniture, Sudjic, pg. 59 Ron Arad, Vitra Design Museum exhibition catalog, ppg. 110–111 Ron Arad Talks to Matthew Collings, Collings, ppg. 98–99 Exhibited: Ron Arad: A Break with Tradition, 7 September – 3 November 1991, Röhsska Museum, Göteborg, Sweden Provenance: Gift from the artist to the present owner

297 Claire Falkenstein 1908–1997 Untitled (Fusion) 1974 welded copper, fused glass 6 ½ h × 14 w × 8 d in (17 × 36 × 20 cm) Incised to copper element ‘Claire Falkenstein 74’. $ 10,000 – 15,000

Exhibited: Roberts Art Gallery, Santa Monica High School, 1974 Provenance: Gift from the artist to Nan Ohman, Santa Monica Thence by descent

298 Ron Arad Bookworm table United Kingdom, 1994 Ron Arad Associates patinated aluminum 35 w × 11 ¾ d × 26 ¾ h in (89 × 30 × 68 cm) This work is from the edition of 20 produced by Dirk Heinlein, Stuttgart for Ron Arad Associates. $ 10,000 – 15,000

Literature: Ron Arad: No Discipline, Antonelli, pg. 62 illustrates related form

299

300

Robert Venturi with Denise Scott Brown Art Nouveau chair

USA, c. 1978–1984 | Knoll International laminate over plywood 21 w × 21 d × 38 ½ h in (53 × 53 × 98 cm)

This chair features the Grandmother pattern designed by Denise Scott Brown.

$ 5,000 – 7,000

Literature: Out of the Ordinary, Robert Venturi, Denise Scott Brown and Associates: Architecture, Urbanism, Design, Brownlee, DeLong and Hiesinger, pg. 205

301 Max Ernst 1891–1976 Regina (La Reine) 1963 | Fucina degli Angeli glass 23 h × 9 dia in (58 × 23 cm) Incised signature, title and date to base ‘M. Ernst Costantini 1963 p.a. Angeli Venezia’. This work is from the edition made by Max Ernst with Egidio Costantini at Fucina degli Angeli, Venice. $ 10,000 – 15,000

302 Peter Rockel Module 1 light fixture from the Palace of the Republic, East Berlin Germany, 1975 | Kombinat Leuchtenbau chrome-plated steel, aluminum, glass 104 w × 82 d × 41 h in (264 × 208 × 104 cm) $ 7,000 – 9,000

Provenance: Palace of the Republic, East Berlin | Private Collection

303

304

Wendell Castle Molar dining table

Gaetano Pesce wall sconce

USA, 1969 gel-coated fiberglass, rubber 56 ½ w × 48 d × 30 h in (144 × 122 × 76 cm)

Italy, c. 1995 | Fish Design resin 16 w × 8 d × 32 h in (41 × 20 × 81 cm)

$ 2,000 – 3,000

Stamped manufacturer’s mark to lower right ‘Fish Design 152’.

Literature: Wendell Castle: A Catalogue Raisonné 1958–2012, Eerdmans, pg. 73, Il.39

$ 3,000 – 5,000

305 Vasa (Velizar Mihich) b. 1933 #3012 (Column) 1992 acrylic 84 h × 16 w × 14 d in (213 × 41 × 36 cm) Signed, titled and dated to lower edge ‘#3012 Vasa 1992’. $ 7,000 – 9,000

306 Marc Newson Hemipode Chronograph wristwatch Australia/Switzerland, 1998 Ikepod Watch Co. 18 karat gold, rubber Sold with original velvet case, box, operating instructions and guarantee, hang tag and Contrôle Officiel Suisse des Chronomètres certificate. $ 7,000 – 9,000

Provenance: Acquired directly from Ikepod Watch Co. by the original owner Private Collection

Number 017/9999 Reference HGOI Movement Automatic, COSC no. 1158 Case 18 karat gold Bracelet Rubber Size 44mm diameter Signed case, dial and movement

307 Joseph Burlini b. 1937 Untitled (Monumental sculpture) 1984 enameled steel, lacquered wood 122 ½ h × 23 ¾ w × 23 ¾ d in (311 × 60 × 60 cm) Signed and dated to base ‘Joseph A. Burlini 84’. $ 3,000 – 5,000

Provenance: Commissioned directly from the artist by the original owner Private Collection, New York

308 Mario Minale Red Blue LEGO chair The Netherlands, 2004 | Droog Lego bricks, aluminum frame 26 ½ w × 33 d × 33 h in (67 × 84 × 84 cm) Constructed from 4,484 Legos, this form measures 106% of the original Rietveld design. This work is number 5 from the edition of 5. Signed and numbered with applied manufacturer’s label to underside ‘Droog Mario Minale 5/5’. $ 10,000 – 15,000

Literature: Simply Droog, Ramakers & Bakker, pg. 66 A Human Touch, Droog, ppg. 100–101 Provenance: The Cosmopolitan, Las Vegas Heritage, 20th & 21st Century Design Signature Auction, 31 March 2015, Lot 5205 Private Collection

309

310

After Piet Mondrian A Portfolio of Ten Paintings

Ron Arad Rover chairs, pair

1967 screenprint on paper 17 h × 17 w in (43 × 43 cm)

United Kingdom, 1981 | One Off enameled steel, Kee-Klamps, Rover car seats 27 ½ w × 36 d × 29 h in (70 × 91 × 74 cm)

Dated and numbered to title page ‘140/150 1967’. This complete portfolio of ten works is number 140 from the edition of 150 printed by Sirocco Screenprints, Inc., New Haven and published by Ives-Stillman Inc., New Haven. Retains original slipcase and essay by Henry Holtzman. $ 5,000 – 7,000

Provenance: The Robert & Ruth Vogele Collection

$ 10,000 – 15,000

Literature: Ron Arad: Restless Furniture, Sudjic, ppg. 30, 82 Ron Arad, von Vegesack, ppg. 24–25

311 Art Smith Modern cuff USA, c. 1948 brass 4 w × 2 ¾ d × 2 ¾ h in (10 × 7 × 7 cm) Impressed signature to interior ‘Art Smith’. $ 10,000 – 15,000

Literature: Form & Function: American Modernist Jewelry 1940–1970, Atglen, pg. 214 illustrates similar example

312 Carlo Bugatti chair Italy, c. 1902 lacquered wood, walnut, vellum over wood, copper, white metal inlay, bone, rope 16 ¼ w × 16 ¼ d × 57 ½ h in (41 × 41 × 146 cm) $ 7,000 – 9,000

Provenance: Private Collection, United Kingdom | Private Collection, Palm Springs

313 Louis Sullivan window from the Auditorium Theater, Chicago USA, 1889 | Healy and Millet stained glass 60 ½ w × 1 ¾ d × 37 ¾ h in (154 × 4 × 96 cm) An example of this window resides in the permanent collection of the Art Institute of Chicago. $ 20,000 – 30,000

Literature: Design in the Age of Darwin: From William Morris to Frank Lloyd Wright, Eisenman, pg. 130 illustrates this example The Chicago Auditorium Building: Adler and Sullivan’s Architecture and the City, Siry, ppg. 219, 275, 313 Chicago Ceramics & Glass: An Illustrated History from 1871 to 1933, Darling, pg. 106 Chicago Stained Glass, Frueh and Frueh, back cover and pg. 49 The Complete Architecture of Adler & Sullivan, Nickel and Siskind, ppg. 94–95, 364 Exhibited: Design in the Age of Darwin: From William Morris to Frank Lloyd Wright, 9 May – 24 August 2008, The Block Museum of Art, Northwestern University, Evanston, IL Provenance: Auditorium Theater, Chicago Private Collection

314 After Louis Sullivan architectural fragment 1890 | Midland Terra Cotta Company cast and glazed terracotta 10 w × 10 d × 19 h in (25 × 25 × 48 cm) $ 2,000 – 3,000

Provenance: Collection of Sue A. Kohler, Washington, D.C.

315 Louis Sullivan architectural fragment from the Schlesinger & Mayer Store, Chicago USA, 1899 Northwestern Terra Cotta Company cast and glazed terracotta 26 w × 4 d × 5 ½ h in (66 × 10 × 14 cm) $ 2,000 – 3,000

Literature: The Complete Architecture of Adler & Sullivan, Nickel and Siskind, ppg. 210–213, 412–414 illustrate commission Provenance: Schlesinger & Mayer Store, Chicago | Private Collection

316 Dankmar Adler and Louis Sullivan elevator surround panels from the Chicago Stock Exchange, pair USA, 1893 | Winslow Brothers electro-plated copper finish over cast iron 10 w × 68 h in (25 × 173 cm) $ 10,000 – 15,000

Literature: The Trading Room: Louis Sullivan and The Chicago Stock Exchange, Vinci, ppg. 22–23 The Complete Architecture of Adler & Sullivan, Nickel and Siskind, pg. 190 Provenance: Chicago Stock Exchange Private Collection

317 Kem Weber Rare dining set USA, c. 1928 Grand Rapids Chair Company walnut, lacquered wood, upholstery 60 w × 36 d × 30 ½ h in (152 × 91 × 77 cm) Sold with three 12-inch leaves; table measures 96 inches when fully extended. Set includes dining table and six chairs each measuring: 21 w × 22 d × 40.5 h inches. $ 50,000 – 70,000

Literature: American Art Deco Furniture, Emmett, pg. 252 illustrates this example Grand Rapids Chair Company, manufacturer’s catalog, unpaginated Provenance: Modernism Gallery, Coral Gables, FL | Private Collection

318 Frederick W. Starck centerpiece USA, c. 1937 International Silver Company sterling silver 15 w × 7 d × 3 ½ h in (38 × 18 × 9 cm) Impressed manufacturer’s mark to underside ‘International Sterling V132 A’. $ 5,000 – 7,000

Literature: Modernism in American Silver, Stern, pg. 170

319 Pattyn Products table lamps, pair USA, c. 1935 aluminum, paper 15 dia × 22 h in (38 × 56 cm) Foil manufacturer’s label to underside of one examples ‘Pattyn Lamps Modern Products Corporation’. $ 10,000 – 15,000

Literature: The Machine Age in America 1918–1941, Wilson, Pilgrim and Tashjian, pg. 300 illustrates variation

320

321

Wharton Esherick room divider

Richard Kelly table lamp

USA, 1939 carved and stained pine 48 w × 76 ½ h in (122 × 194 cm)

USA, c. 1940 | Kelly & Thompson oak, aluminum, fiber paper, steel 15 dia × 15 ¼ h in (38 × 39 cm)

Incised signature and date to panel ‘MCM XXXIX W.E.’.

$ 3,000 – 5,000

$ 10,000 – 15,000

Provenance: Peter T. Joseph, New York Private Collection, New York

322 Donald Deskey, attribution Rare armchair USA, c. 1939 nickel-plated steel, oil cloth, enameled steel 20 w × 25 d × 31 ½ h in (51 × 64 × 80 cm) $ 5,000 – 7,000

Literature: Donald Deskey: Decorative Designs and Interiors, Hanks and Toher, pg. 185 illustrates similar example

323 Frederic Focht L’Aviation France, c. 1925 cast bronze with applied patina, slate 20 h × 30 ½ w × 10 d in (51 × 77 × 25 cm) Cast signature to base ‘Fred C. Focht’. Impressed manufacturer’s mark to lower edge ‘Bronze’. $ 7,000 – 9,000

324 Bernard Rice champagne and ice buckets, set of two USA, c. 1930 | Bernard Rice & Sons silver-plated brass 7 w × 8 ½ d × 7 ½ h in (18 × 22 × 19 cm) Additional example measures: 5.5 w × 6.5 d × 7 h inches. Impressed manufacturer’s mark to underside of each example ‘Apollo E.P.N.S. Made by Bernard Rice’s Sons Inc. 5316 Shadow Ardt’. $ 2,000 – 3,000

These light fixtures come from the landmark Capitol Records Building designed by Louis Naidorf for Welton Becket & Associates in 1955.

325

326

Welton Becket & Associates light fixture from the Capitol Records Building, LA

USA, 1955–56 matte chrome-plated steel, Mylar 6 dia × 20 h in (15 × 51 cm)

$ 5,000 – 7,000

Literature: 75 Years of Capitol Records, Taschen, pg. 443

Provenance: Capitol Records Building, Los Angeles | Private Collection

327 Important 1925 Paris Exposition Internationale des Arts Décoratifs graphics collection 1925 color lithograph, etching on paper 46 h × 30 ½ w in (largest) Collection includes three works by Robert Bonfils, one work by Charles Loupot, one work by Emile-Antoine Bourdelle, one work by Andre Girard, one work Emile-Antoine Bourdelle, one work by Louis Pierre Rigal, Bonds Emission poster by Henry Rapin and one bond issued for the Paris Exposition; nine works total. $ 30,000 – 50,000

Exhibited: Art Deco Museum, Miami Beach, 2012–2018 Provenance: Modernism Gallery, Coral Gables, FL

328

329

Modernage Furniture Co. coffee table

Russel Wright torchiere

USA, c. 1935 rock maple 36 w × 18 ¼ d × 16 ¾ h in (91 × 46 × 43 cm)

USA, c. 1940 | Mutual-Sunset Lamp Manufacturing Company brass, stained oak 13 dia × 64 ½ h in (33 × 164 cm)

$ 2,000 – 3,000

Literature: American Art Deco Furniture, Emmett, pg. 516 illustrates this example Exhibited: Art Deco Museum, Miami Beach, 2012–2018 Provenance: Modernism Gallery, Coral Gables, FL

$ 5,000 – 7,000

330 Frank Lloyd Wright pair of chairs from the Kalita Humphreys Theater, Dallas USA, 1955 enameled steel, upholstery, matte chrome-plated steel, laminate 21 w × 24 d × 34 h in (53 × 61 × 86 cm) $ 2,000 – 3,000

Literature: Frank Lloyd Wright Monograph 1951–1959, Pfeiffer and Futugawa, ppg. 206–208 Provenance: Kalita Humphreys Theater, Dallas | Private Collection

331 Ilonka Karasz Courtyard wallpaper, two sheets USA, c. 1950 | Katzenbach & Warren, Inc. plastic coated paper 59 h × 29 ¼ w in (150 × 74 cm) Printed manufacturer’s mark to each examples ‘Copyright by Katzenbach & Warren, Inc Made in the USA Fade Proof Plastic Coated American Futures Courtyard Designed by Ilonka Karasz’. $ 3,000 – 5,000

332 Allan Gould Rare table lamp USA, 1941 | Mutual-Sunset Lamp Manufacturing Company chrome-plated steel, acrylic, chrome-plated brass 18 ¼ w × 8 d × 14 ¼ h in (46 × 20 × 36 cm) $ 2,000 – 3,000

333 Walter Von Nessen dinner bell USA, c. 1935 chrome-plated brass, enameled brass 2 dia × 2 ½ h in (5 × 6 cm) $ 700 – 900

334 Wolfgang Hoffmann telephone table, model no. 303 USA, 1934 | Howell Manufacturing Co. lacquered wood, chrome-plated steel 20 w × 16 d × 31 ¾ h in (51 × 41 × 81 cm) $ 1,500 – 2,000

Literature: American Art Deco Furniture, Emmett, pg. 326 illustrates this example Provenance: Modernism Gallery, Coral Gables, FL

335 Elsa Tennhardt Rare cocktail shaker Germany, 1929 | E. and J. Bass Company silver-plated brass 5 w × 5 d × 12 h in (13 × 13 × 30 cm) Impressed manufacturer’s mark to underside ‘E.& J.B. Pat AP LD For’. $ 10,000 – 15,000

Literature: A Modern World: American Design from the Yale University Art Gallery 1920–1950, Gordon, pg. 67, no. 44 Woman Designers in the USA 1900–2000, Kirkham, pg. 233

336 Paul Frankl Custom dining set USA, c. 1930 lacquered wood, leather, lacquered cork, silvered glass 60 dia × 29 ¾ h in (152 × 76 cm) This dining set was custom designed by Paul Frankl for a project in La Jolla, California. Set includes dining table and ten chairs measuring: 19.5 w × 22 d × 32 h inches. Sold with two 24-inch leaves; table measures 108 inches when fully extended. $ 10,000 – 15,000

Literature: American Art Deco Furniture, Emmett, ppg. 38–39 illustrates this example Exhibited: Art Deco Museum, Miami Beach, 2012–2018 Provenance: Commissioned directly from the artist for a private residence, La Jolla, CA | Modernism Gallery, Coral Gables, FL

337 Art Deco chaise lounge USA, c. 1935 enameled steel, vinyl, rubber 33 w × 65 d × 33 h in (84 × 165 × 84 cm) $ 2,000 – 3,000

Literature: American Art Deco Furniture, Emmett, pg. 465 illustrates this example Exhibited: Art Deco Museum, Miami Beach, 2012–2018 Provenance: Modernism Gallery, Coral Gables, FL

338 In 1955, the General Dynamics Corporation commissioned artist Erik Nitsche to design a series of posters that would ease public concerns about atomic energy without revealing the details of their classified projects. His Atoms for Peace campaign included the present lot, a poster featuring the artist’s interpretation of the USS Nautilus, the design of which was so top-secret that Nitsche was provided only a basic idea of what the submarine would ultimately look like. The resulting design is emblematic of postwar innovation and progress, evoking an optimistic and distinctly modern view of the future.

Erik Nitsche USS Nautilus, General Dynamics poster (from the Atoms for Peace series) Switzerland, 1955 lithograph on paper 50 ¼ h × 35 ½ w in (128 × 90 cm) Printed to edge ‘Erik Nitsche Printed in Switzerland Lithos R. Marsens Lausanne’. This work is from the edition printed by Lithos R. Marsens, Lausanne and is a rare English language variant. $ 3,000 – 5,000

Verso of present lot

339 Edvin Öhrström Rare Ariel vase Sweden, 1949 | Orrefors glass 4 ½ dia × 6 ½ h in (11 × 17 cm) Etched signature, title and number to base ‘Orrefors Sweden Ariel nv 693 Edvin Öhrström’. $ 5,000 – 7,000

340 Arne Jacobsen Egg chair Denmark, 1958 | Fritz Hansen leather, cast aluminum, plastic 34 ½ w × 32 d × 42 h in (88 × 81 × 107 cm) Decal manufacturer’s label to underside ‘Made in Denmark 0864 by Fritz Hansen’. $ 5,000 – 7,000

Literature: Arne Jacobsen, Thau and Vindum, ppg. 471–472 Danish Chairs, Oda, pg. 60 Provenance: Private Collection, New York

341 Hans J. Wegner armchair, model CH34

Literature: Hans J. Wegner’s 100 Chairs, Oda, pg. 96 Georg Jensen, distributor’s catalog, unpaginated

Denmark, 1960 | Carl Hansen & Søn oak, leather 24 ½ w × 19 d × 28 ½ h in (62 × 48 × 72 cm)

Provenance: Private Collection, New York

Branded manufacturer’s mark to underside ‘Made in Denmark by Carl Hansen & Søn Odense Denmark Designer Hans J. Wegner’. Danish control label to underside ‘Furnituremakers Danish Control’. $ 1,000 – 1,500

342 Poul Kjaerholm PK 31/2 settee Denmark, 1958 | E. Kold Christensen leather, matte chrome-plated steel, plastic 54 w × 29 d × 28 ½ h in (137 × 74 × 72 cm) Signed with impressed manufacturer’s mark to underside ‘Denmark’. $ 5,000 – 7,000

Literature: The Furniture of Poul Kjaerholm: Catalogue Raisonné, Sheridan, ppg. 111–113 E. Kold Christensen, manufacturer’s catalog, 1964, unpaginated Provenance: Private Collection, New York

343 Lester Geis T-5-G table lamp USA, 1951 | Heifetz Manufacturing Co. enameled aluminum, enameled steel, brass 14 w × 14 ½ d × 22 h in (36 × 37 × 56 cm) This lamp model was given an honorable mention at the Museum of Modern Art’s low-cost lighting competition, New Lamps in 1951. $ 5,000 – 7,000

Literature: Arts and Architecture, May 1951, unpaginated

344

345

Danish wall-mounted cabinet

Alexander Girard Rare ottoman, model 66331

c. 1950 wenge, brass 93 w × 11 ¾ d × 13 ¾ h in (236 × 30 × 35 cm)

USA, 1967 | Herman Miller original upholstery, cast aluminum, rubber 35 dia × 15 h in (89 × 38 cm)

Cabinet features six doors concealing thirteen adjustable drawers.

Disc manufacturer’s label to underside ‘Herman Miller Zeeland Michigan’.

$ 5,000 – 7,000

$ 4,000 – 6,000

Literature: Alexander Girard Designs for Herman Miller, Piña, pg. 138 Provenance: Treadway, 1997 Private Collection

346 Hans J. Wegner Papa Bear chair and ottoman Denmark, 1950 | A.P. Stolen upholstery, teak 36 w × 36 d × 39 h in (91 × 91 × 99 cm) Ottoman measures: 27.5 w × 16.5 d × 16 h inches. Danish control tags to underside of each element ‘Furnituremakers Danish Control’. $ 7,000 – 9,000

Literature: Hans J. Wegner’s 100 Chairs, Oda, pg. 49 Wegner: Sitting Pretty, Nielsen, pg. 70 Provenance: Acquired in 1959 by the original owner | Private Collection, Duluth

347 Henry P. Glass Swingline table USA, 1955 | Fleetwood Furniture Company masonite, lacquered wood, maple 51 dia × 21 ½ h in (130 × 55 cm) $ 2,000 – 3,000

Literature: Henry P. Glass Associates, catalog, pg. 41

348 Philip Johnson and Richard Kelly floor lamps, pair USA, 1953 | Edison Price, Inc. brass, enameled aluminum 25 dia × 42 h in (64 × 107 cm) $ 10,000 – 15,000

Literature: Design 1935–1965: What Modern Was, Eidelberg, pg. 204 Provenance: Acquired directly from Edison Price | Thence by descent Wright, Design, 23 March 2017, Lot 101 Private Collection

349

350

Charles and Ray Eames LARs, pair

USA, 1950/c. 1960 | Herman Miller Alexander Girard upholstery, molded fiberglass, chrome-plated steel, rubber, vinyl 25 w × 24 ¼ d × 25 h in (64 × 62 × 64 cm)

Molded manufacturer’s mark to underside of each example ‘Exclusive Licensee of Herman Miller Furniture Products’.

$ 1,000 – 1,500

Literature: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart, Neuhart and Eames, ppg. 138–140 The Herman Miller Collection, manufacturer’s catalog, 1952, ppg. 94–95

351 Hans J. Wegner Custom daybed Denmark, 1960 oak, upholstery 75 w × 29 d × 31 h in (191 × 74 × 79 cm) This custom daybed was designed by Wegner in 1960 for the noted architectural structural engineer, Ove Arup. Sold with original cushions in hand-woven striped upholstery. $ 10,000 – 15,000

Provenance: Ove Arup, London Acquired from Jacqueline Toffler Pruskin in 2004 by the present owner

352 Hans J. Wegner Custom daybed Denmark, 1960 oak, upholstery 75 w × 28 d × 31 h in (191 × 71 × 79 cm) This custom daybed was designed by Wegner in 1960 for the noted architectural structural engineer, Ove Arup. Sold with original cushions in hand-woven striped upholstery. $ 10,000 – 15,000

Provenance: Ove Arup, London Acquired from Jacqueline Toffler Pruskin in 2004 by the present owner

353 Paavo Tynell chandelier, model 9065 Finland, c. 1948 | Taito OY brass, perforated brass 30 w × 30 d × 19 h in (76 × 76 × 48 cm) Stamped manufacturer’s mark to fixture ‘Taito 9065’. $ 20,000 – 30,000

Literature: Finland House, distributor’s catalog, unpaginated

354 Gio Ponti Monumental lidded vase Italy, 1925/1929 | Richard Ginori hand-painted and glazed porcelain 14 ½ dia × 26 h in (37 × 66 cm) Signed with glazed and stamped manufacturer’s marks to underside of vase ‘Richard-Ginori Pittoria Di Doccia Richard Ginori 29 = 7’. $ 30,000 – 50,000

Literature: Gio Ponti Ceramiche 1923–1930, Pirovani, pg. 121 Gio Ponti: Interni, Oggetti, Disegni 1920–1976, Falconi, pg. 37 Gio Ponti alla manifattura di Doccia, Portohesi and Pansera, pg. 40 Gio Ponti ceramica e architettura, Bojani, Piersanti and Rava, pg. 21 Provenance: Private Collection, Brazil Thence by descent

355 Carlo de Carli lounge chairs model 802, pair Italy, 1954 | Cassina upholstery, stained ash 31 w × 36 d × 32 ½ h in (79 × 91 × 83 cm) Fabric manufacturer’s label to underside of each example ‘Frigerio Arnaboldi Riva Tappezzeria V.C. Cattaneo 6 Cantu’. $ 5,000 – 7,000

Literature: Il Mobile Italiano Degli Anni ‘40 e ‘50, de Guttry and Maino, pg. 133 Repertorio 1950–1980, Gramigna, pg. 80

356 Carlo de Carli sofa Italy, 1954 | Cassina upholstery, stained ash 82 w × 36 d × 23 ½ h in (208 × 91 × 60 cm) $ 5,000 – 7,000

Literature: Il Mobile Italiano Degli Anni ‘40 e ‘50, de Guttry and Maino, pg. 133 illustrates variation

357 Gio Ponti Leonia bowl Italy, c. 1925 | Richard Ginori glazed porcelain 10 ¾ dia × 5 h in (27 × 13 cm) Signed to underside ‘Ginori 1033-285 Gio Ponti Made in Italy’. $ 2,000 – 3,000

Literature: Gio Ponti: Le Maioliche, Manna, pg. 95

358 Gio Ponti chair, model 211 Italy, c. 1955 | Singer & Sons walnut, upholstery 19 w × 21 d × 32 ¾ h in (48 × 53 × 83 cm) $ 3,000 – 5,000

Literature: Singer & Sons, manufacturer’s catalog, unpaginated

359 Paolo Buffa pair of lounge chairs from the Hotel Bristol, Merano Italy, c. 1950 upholstery, Italian walnut 29 ¾ w × 33 d × 35 ¾ h in (76 × 84 × 91 cm) $ 3,000 – 5,000

Provenance: Hotel Bristol, Merano Private Collection

360 Guido Gambone table lamp Italy, c. 1955 glazed stoneware, linen, brass 16 dia × 32 ¼ h in (41 × 82 cm) Glazed signature and donkey mark to underside ‘Gambone Italy’. $ 3,000 – 5,000

361 Osvaldo Borsani and Eugenio Gerli T333 desk Italy, 1975–78 | Tecno rosewood, enameled aluminum 71 w × 39 ½ d × 27 ¾ h in (180 × 100 × 70 cm) Disc manufacturer’s label to frame ‘Tecno’. Desk features two drawers. $ 3,000 – 5,000

Literature: Tecno: A Discreetly Technical Elegance, Bosoni, pg. 225 Osvaldo Borsani, Gramigna and Irace, pg. 366

362 Gino Sarfatti floor lamp, model 1056 Italy, 1948 | Arteluce chrome-plated brass, enameled aluminum, acrylic, enameled steel 16 dia × 49 ½ h in (41 × 126 cm) Decal manufacturer’s label to shade ‘Made in Italy’. $ 10,000 – 15,000

Literature: Gino Sarfatti: 1938–1973 Selected Works, Romanelli and Severi, ppg. 236, 451

363 Angelo Lelii table lamps model 12990, pair Italy, c. 1963 | Arredoluce nickel plated brass, enameled brass 2 ¾ w × 5 ½ d × 10 h in (7 × 14 × 25 cm) Impressed manufacturer’s mark to underside of one example ‘Made in Italy Arredoluce Monza’. $ 2,000 – 3,000

Literature: Arredoluce Catalogue Raisonné: 1943–1987, Pansera, Padoan and Palmaghini, pg. 354, no. 437

364 Gino Sarfatti floor lamp, model 1056 Italy, 1948 | Arteluce chrome-plated brass, enameled aluminum, acrylic, enameled steel 16 dia × 49 ½ h in (41 × 126 cm) Decal manufacturer’s label to shade ‘Made in Italy’. Decal manufacturer’s label to underside ‘AL Milano Arteluce Made in Italy’. $ 10,000 – 15,000

Literature: Gino Sarfatti: 1938–1973 Selected Works, Romanelli and Severi, ppg. 236, 451

365 Gio Ponti dining chairs from the Augustus ocean liner, set of six Italy, c. 1950 | Cassina Italian walnut, upholstery 21 w × 21 d × 31 ½ h in (53 × 53 × 80 cm) Sold with a digital copy of the certificate of expertise issues by the Gio Ponti Archives. $ 10,000 – 15,000

Provenance: Augustus ocean liner, Italy | Private Collection, Italy | Wright, Important Design, 13 December 2012, Lot 379 | Private Collection

366 Michael Graves illuminated library table from the Denver Central Library USA, 1990 maple, laminate, enameled aluminum, enameled steel, acrylic 72 w × 42 d × 50 h in (183 × 107 × 127 cm) $ 3,000 – 5,000

Provenance: Denver Central Library, Denver | Private Collection

367

368

369

Massimo Vignelli Rare pendant light, model 4035

Massimo Vignelli pendant light, model 4035

Italy, 1954–55 | Venini internally decorated glass 6 dia × 14 h in (15 × 36 cm)

Italy, 1954–55 | Venini internally decorated glass 5 ¾ dia × 14 h in (15 × 36 cm)

$ 2,000 – 3,000

$ 1,500 – 2,000

Literature: Paolo Venini and his Furnace, Barovier and Sonego, pg. 78 illustrates model

370 Harvey Probber Mayan sofa USA, 1983 | Harvey Probber, Inc. upholstery over wood and foam 90 w × 30 d × 28 h in (229 × 76 × 71 cm) Fabric manufacturer’s label to underside ‘Probber Harvey Probber Fall River Mass.’. $ 5,000 – 7,000

371 Angelo Lelii table lamp Italy, c. 1959 | Arredoluce enameled steel, acrylic, brass, monofilament line 4 ½ w × 6 d × 16 ¾ h in (11 × 15 × 43 cm) $ 2,000 – 3,000

Literature: Arredoluce Catalogue Raisonné: 1943–1987, Pansera, Padoan and Palmaghini, pg. 327, no. 277

372 Gio Ponti Diamond silverware Italy/USA, 1958 | Reed & Barton sterling silver, stainless steel Complete five-piece service for twelve with six additional butter knives; 66 pieces total. Signed with impressed manufacturer’s mark to each element ‘Reed & Barton Sterling’. $ 5,000 – 7,000

Literature: Modernism in American Silver: 20th Century Design, Stern, pg. 245

373 G.M.C.E. ceiling light Italy, c. 1954 enameled aluminum, brass 62 w × 17 d × 65 h in (157 × 43 × 165 cm) $ 7,000 – 9,000

374 Ettore Sottsass Beverly sideboard Italy, 1981 | Memphis laminate, maple burl, chrome-plated steel 70 ½ w × 18 ½ d × 89 h in (179 × 47 × 226 cm) Sideboard features two doors concealing storage and one adjustable shelf. Aluminum manufacturer’s label to base ‘Memphis Milano Made in Italy Ettore Sottsass 1981 No. 13’. $ 7,000 – 9,000

Literature: Memphis: Furniture Milano, manufacturer’s catalog, 1981, unpaginated Ettore Sottsass Jun.: Designer, Artist, Architect, Höger, pg. 98 Memphis Milano, manufacturer’s catalog, 1986, pg. 5

375 Ettore Sottsass planter for the Esprit Showroom, Düsseldorf Italy, 1985 | Sottsass Associati lacquered particle board, plastic 29 dia × 20 ¾ h in (74 × 53 cm) $ 2,000 – 3,000

Literature: Ettore Sottsass, Thomé, pg. 317 illustrates commission Provenance: Esprit Showroom, Düsseldorf Dorotheum, Design, 17 May 2011, Lot 9 Private Collection

376 Angelo Lelii floor lamp, model 14002 Italy, c. 1966 | Arredoluce enameled steel, chrome-plated steel 6 ½ dia × 66 ½ h in (17 × 169 cm) Decal manufacturer’s label to underside ‘Made in Italy Arredoluce Monza’. $ 2,000 – 3,000

Literature: Arredoluce Catalogue Raisonné: 1943–1987, Pansera, Padoan and Palmaghini, pg. 359, no. 470

377 Raymond Loewy double-sided DF 2000 cabinet USA/France, c. 1965 | Compagnie d’Esthetique Industrielle (C.E.I.) molded plastic, laminate over wood, enameled aluminum 78 ¾ w × 24 d × 36 h in (200 × 61 × 91 cm) Cabinet features eight doors concealing bottle storage, four drawers and two shelves. Paper manufacturer’s label to interior ‘DF 2000 Made in France’. $ 4,000 – 6,000

378 Pedro Friedeberg Hand Foot table Mexico, c. 1970 carved and gilt wood, glass 27 dia × 22 ½ h in (69 × 57 cm) Branded signature to underside ‘Pedro Friedeberg’. $ 7,000 – 9,000

379 Paul Frankl occasional tables model 5015, pair USA, c. 1950 Johnson Furniture Company lacquered cork, stained mahogany 30 w × 18 d × 21 h in (76 × 46 × 53 cm) Stenciled manufacturer’s mark to underside of each example ‘#5015–159’. $ 2,000 – 3,000

380 Sergio Rodrigues Tonico sofa Brazil, c. 1973 | Oca jacaranda, upholstery, leather 88 w × 32 d × 38 ½ h in (224 × 81 × 98 cm) $ 5,000 – 7,000

Literature: Sergio Rodrigues, Cals, ppg. 259, 277

381 Hugo França Simisutu console Brazil, 2005 pequi 155 w × 42 d × 30 h in (394 × 107 × 76 cm) $ 10,000 – 15,000

Literature: Hugo França: The Story of the Tree, Grunow, ppg. 36–39 illustrate this example Exhibited: Hugo França: The Story of the Tree, 2008, R & Company, New York Provenance: R & Company, New York Private Collection

382

383

Moroccan pile carpet

Robert Guillerme and Jacques Chambron settee

20th Century hand-knotted wool 146 w × 188 ½ l in (371 × 479 cm)

France, c. 1950 | Votre Maison oak, fur, leather 64 w × 40 d × 40 ¾ h in (163 × 102 × 104 cm)

$ 5,000 – 7,000 $ 5,000 – 7,000

Provenance: Private Collection, New York

384 Max Kuehne Custom coffee table USA, c. 1940 silver leaf over carved and lacquered wood 36 w × 18 d × 16 ¼ h in (91 × 46 × 41 cm) $ 5,000 – 7,000

Provenance: Commissioned directly from the artist by the original owner, Private Collection, West Hartford, CT Thence by descent | Private Collection

385 Max Kuehne Custom cabinet USA, c. 1940 silver leaf over carved and lacquered wood, brass 24 w × 16 d × 31 h in (61 × 41 × 79 cm) Cabinet features two doors concealing one adjustable shelf. Carved signature to side ‘Max Kuehne’. $ 5,000 – 7,000

Provenance: Commissioned directly from the artist by the original owner, Private Collection, West Hartford, CT Thence by descent | Private Collection

386 Max Kuehne Custom writing desk and chair USA, c. 1940 silver leaf over carved and lacquered wood 43 ½ w × 22 d × 30 h in (110 × 56 × 76 cm) Chair measures: 22 w × 25 d × 34.75 h inches. Desk features seven drawers. $ 10,000 – 15,000

Provenance: Commissioned directly from the artist by the original owner, Private Collection, West Hartford, CT Thence by descent | Private Collection

387

388

Max Kuehne Custom console

Max Kuehne coffee tables, set of three

USA, c. 1935 silver leaf over carved and lacquered wood 54 w × 21 d × 29 ½ h in (137 × 53 × 75 cm)

USA, c. 1935 silver leaf over carved and lacquered wood 90 w × 32 d × 17 h in (229 × 81 × 43 cm)

$ 5,000 – 7,000

Provenance: Commissioned directly from the artist by the original owner, Private Collection, West Hartford, CT Thence by descent | Private Collection

Provenance: Private Collection

389 Moroccan pile carpet 20th Century hand-knotted wool 73 ½ w × 154 l in (187 × 391 cm) $ 3,000 – 5,000

390 Philip and Kelvin LaVerne occasional table USA, c. 1960 acid-etched and enameled brass over wood 18 ¾ w × 17 ¾ d × 17 h in (48 × 45 × 43 cm) $ 7,000 – 9,000

391 Edward Wormley cabinet, model 671 A USA, 1953 | Dunbar walnut, pine, brass 70 ¾ w × 18 d × 36 h in (180 × 46 × 91 cm) Cabinet features two drawers and four sliding doors concealing two pull-out trays. $ 3,000 – 5,000

Literature: Edward Wormley: The Other Face of Modernism, Gura, pg. 36

392 Samuel Marx bookcase USA, c. 1950 | Quigley sanded cerused oak 32 w × 11 ¾ d × 43 h in (81 × 30 × 109 cm) Branded manufacturer’s mark to reverse ‘Quigley’. $ 7,000 – 9,000

Provenance: Collection of Jerome P. Kavanaugh | Private Collection

393 James Mont tables, set of three USA, c. 1950 silver leaf over wood 36 w × 13 d × 8 ¼ h in (91 × 33 × 21 cm) Impressed manufacturer’s mark to underside ‘James Mont Design’. $ 3,000 – 5,000

394 Samuel Marx table mirror USA, c. 1950 | Quigley lacquered wood, mirrored glass 30 w × 10 d × 25 h in (76 × 25 × 64 cm) Branded manufacturer’s mark to underside ‘Quigley’. $ 2,000 – 3,000

395 Elizabeth Garouste and Mattia Bonetti KawaKuBo cabinet France/United Kingdom, 1994 David Gill, Ltd. white gold-leaf over wood, silver-plated bronze 49 w × 22 ½ d × 38 ½ h in (124 × 57 × 98 cm) This work is from the edition of eight. Cabinet features six drawers. $ 15,000 – 20,000

Literature: Elizabeth Garouste & Mattia Bonetti, Staudenmeyer et al., pg. 23 Elizabeth Garouste & Mattia Bonetti: 1981–2001, Vedrenne, pg. 57 Garouste & Bonetti, Buck and Vogt, cover, pg. 37 Provenance: Private Collection, Hawaii

396

397

Moroccan pile carpet

20th Century hand-knotted wool 148 w × 141 l in (376 × 358 cm)

20th Century hand-knotted wool 142 ½ w × 212 l in (362 × 538 cm)

$ 7,000 – 9,000

$ 10,000 – 15,000

398

399

Hermès Pippa console

Jordan Mozer Eliza’s Little Dark Question Lamp

France, c. 1985 ebony lacquered wood, silver hardware 48 w × 13 d × 29 h in (122 × 33 × 74 cm)

USA, 2002 | Jordan Mozer Studios acid-washed cast magnesiumaluminum alloy 10 w × 6 d × 12 h in (25 × 15 × 30 cm)

This console was designed by Rena Dumas for Hermès. Signed with impressed manufacturer’s mark to base ‘Hermès Paris’.

This lamp was created for the Herzblut Club in Hamburg, Germany. Incised signature near base ‘Jordan Mozer’.

$ 5,000 – 7,000

$ 2,000 – 3,000

Provenance: Collection of the artist

400 Edward Wormley dining chairs, set of eight USA, 1957 | Dunbar walnut, rosewood, Dorothy Liebes upholstery 23 ½ w × 24 d × 36 h in (60 × 61 × 91 cm) Set includes two armchairs and six side chairs each measuring: 21 w × 24 d × 35.5 h inches. Signed with applied gold rectangular manufacturer’s label to underside of each example ‘Dunbar Berne, Indiana’. $ 10,000 – 15,000

Literature: Edward J. Wormley Designs for Dunbar, manufacturer’s catalog, unpaginated Provenance: Wright, Modern Design, 18 October 2012, Lot 258 Private Collection

401

402

Felix Agostini Titus wall sconces, pair

John Dickinson Custom X-leg table

Italy, c. 1960 bronze, parchment 35 w × 16 ½ d × 76 h in (89 × 42 × 193 cm)

USA, c. 1970 painted wood 20 w × 20 d × 21 h in (51 × 51 × 53 cm)

Incised signature to reverse of each example ‘FM’.

This custom example is made in wood, Dickinson would later go on to produce the model in plaster.

$ 10,000 – 15,000

Literature: Felix Agostini Amour, Paris, pg. 18

$ 7,000∆ – 9,000

Literature: Interior Views: Design at Its Best, Brown, unpaginated, illustrates this example in situ Provenance: Dr. Leo and Marlys Keoshian, Palo Alto, CA | Private Collection

403

404

Tommi Parzinger sofa

Contemporary fur throw

USA, c. 1950 | Parzinger Originals upholstery, oak 80 w × 32 d × 32 ½ h in (203 × 81 × 83 cm)

20th Century arctic fox fur, wool 50 w × 84 h in (127 × 213 cm)

$ 3,000 – 5,000

405 Robert Guillerme and Jacques Chambron armoire France, c. 1950 | Votre Maison oak, glazed ceramic 62 w × 21 d × 63 h in (157 × 53 × 160 cm) Armoire features two doors concealing four shelves. $ 5,000 – 7,000

Provenance: Private Collection, New York

406

407

T.H. Robsjohn-Gibbings table lamps model 170, pair

Philip and Kelvin LaVerne Homage to Manzu tables, set of two

United Kingdom/USA, c. 1955 Widdicomb chrome-plated brass, linen 17 dia × 22 h in (43 × 56 cm)

USA, c. 1965 cast bronze, nero marquina marble 20 ¾ dia × 23 ¼ h in (53 × 59 cm) $ 6,000 – 8,000

$ 2,000 – 3,000

Literature: Widdicomb, manufacturer’s catalog, unpaginated

Literature: The Poetry of the Soul: Works of Philip and Kelvin LaVerne, Cristina Grajales Inc., exhibition catalog, ppg. 26–27

408 Ueli Berger, Eleanora Peduzzi-Riva and Heinz Ulrich DS 600 Organic sofa Switzerland, 1972 | De Sede leather, upholstery 187 w × 37 ½ d × 28 ¾ h in (475 × 95 × 73 cm) $ 10,000 – 15,000

Literature: Furniture and Interiors of the 1970s, Bony, pg. 60 Provenance: Wright, Living Contemporary, 15 September 2011, Lot 131 Private Collection

409 Jordan Mozer Truffala floor lamp USA, 2014 | Jordan Mozer Studios cast magnesium-aluminum alloy 38 dia × 109 h in (97 × 277 cm) $ 3,000 – 5,000

Provenance: Collection of the artist Rago, Modern Design, January 2017, Lot 1161 | Private Collection, New Jersey

410

411

Jordan Mozer Prototype Sea Elephant occasional table

Jordan Mozer Goose-Gus table

USA, 2018 | Jordan Mozer Studios sculpted Wisconsin black walnut, cast recycled aluminum magnesium alloy 17 w × 15 d × 23 h in (43 × 38 × 58 cm)

USA, 2004 | Jordan Mozer Studios solid Wisconsin black walnut, cast and patinated aluminum 20 ½ w × 12 d × 25 h in (52 × 30 × 64 cm)

This table was created for the Paradise Hotel Art Collectors Lounge in Seoul, Korea. Etched signature ‘Jordan Mozer’.

Signed ‘Jordan Mozer’.

$ 4,000 – 6,000

Provenance: Collection of the artist

$ 4,000 – 6,000

Provenance: Collection of the artist

412 Stephen Rolfe Powell 1951–2019 Teasers vessel USA, 1990 hand-blown glass murrine 34 h × 21 ½ w × 6 ½ d in (86 × 55 × 17 cm) Etched signature and date ‘Stephen Powell 1990’. $ 8,000 – 12,000

413 Dale Chihuly b. 1941 Early Basket USA, 1980 hand-blown glass 8 h × 6 ½ dia in (20 × 17 cm) Etched signature and date to base ‘Chihuly Pilchuck 1980’ with self-portrait. $ 3,000 – 5,000

414 Dale Chihuly b. 1941 Early Blanket Cylinder USA, 1976 hand-blown glass 12 h × 5 ½ dia in (30 × 14 cm) Etched signature and date to base ‘Chihuly 1976’. $ 7,000 – 9,000 Provenance: Rago, Modern Ceramics and Glass, 28 February 2016, Lot 1545 Private Collection, Washington

415 Dale Chihuly b. 1941 Lavender Seaform Set USA /Austria, 1980 hand-blown glass 4 h × 7 dia in (10 × 18 cm) Chihuly created this work while blowing glass at Lobmeyr Studio in Baden, Austria. Additional element measures: 2.5 h × 4.25 w × 4 d h inches. Etched signature and date to base of each element ‘Chihuly Baden 1980’. $ 3,000 – 5,000

416

417

Dale Chihuly b. 1941 Early Basket with Shard Drawing

Dale Chihuly b. 1941 Early Cylinder

USA, 1980 hand-blown glass 5 ½ h × 6 ¾ dia in (14 × 17 cm)

USA, c. 1975 hand-blown glass 11 h × 6 ¼ dia in (28 × 16 cm)

Etched signature and date to base ‘Chihuly 1980’. $ 3,000 – 5,000 Provenance: Bonhams, 20th Century Decorative Arts, 16 April 2014, Lot 2004 Private Collection

$ 4,000 – 6,000

Provenance: Collection of John Atzbach

418

419

Dale Chihuly b. 1941 Early Teal Basket with Oxblood Spots

Dale Chihuly b. 1941 Early Tabac Basket

USA, 1979 hand-blown glass 9 h × 7 dia in (23 × 18 cm)

USA, 1978 hand-blown glass 6 ¼ h × 8 dia in (16 × 20 cm)

Etched signature and date to base ‘Chihuly 1979’. $ 3,000 – 5,000

Etched signature and date to base ‘Chihuly 78’. $ 2,000 – 3,000

420 Dale Chihuly b. 1941 Indian Basket Cylinder USA, c. 1990 hand-blown glass 10 dia × 13 h in (25 × 33 cm) $ 7,000 – 9,000

Provenance: Acquired directly from the artist, Private Collection, Washington Brunk Auctions, 11 September 2010, Lot 83 Collection of John Atzbach

421

422

Dale Chihuly b. 1941 Carnival Macchia for Portland Press

Lino Tagliapietra b. 1934 Small Dinosaur vessel

USA, 2004 hand-blown glass 9 h × 12 w × 10 ½ d in (23 × 30 × 27 cm)

Italy, 2009 hand-blown glass 11 ¾ h × 4 ¼ w × 3 d in (30 × 11 × 8 cm)

Etched signature and date to base ‘Chihuly PP04’. Sold with original Lucite box. $ 2,000 – 3,000

Etched signature and date to base ‘Lino Tagliapietra 2009’. Sold with certificate of authenticity issued by Schantz Galleries. $ 3,000 – 5,000 Provenance: Schantz Galleries, Stockbridge, MA, 2009 Private Collection, New Jersey

423 Lino Tagliapietra b. 1934 Small Angel Tear vessel Italy, 2012 hand-blown glass 8 ¾ h × 5 ¾ w × 2 d in (22 × 15 × 5 cm) Etched signature to base ‘Lino Tagliapietra’. Sold with certificate of authenticity issued by Schantz Galleries. $ 3,000 – 5,000 Provenance: Acquired in 2013 from Schantz Galleries, Stockbridge, MA Private Collection, New Jersey

424 Joey Kirkpatrick and Flora C. Mace Sheep Bowl USA, 1982 hand-blown glass, wire and glass pick-up drawing 5 ¾ h × 8 dia in (15 × 20 cm) Etched signature and date to base ‘Flora C. Mace Joey Kirkpatrick 1982’. $ 2,000 – 3,000 Provenance: Kurland Summer Gallery, Los Angeles | Christie’s, New York, 1991 Private Collection, Osprey, FL

425 Lino Tagliapietra b. 1934 Small Osaka vessel Italy, 2012 hand-blown glass 5 ¾ h × 3 ¾ dia in (15 × 10 cm) Etched signature and date to base ‘Lino Tagliapietra 2012 02’. Sold with certificate of authenticity issued by Schantz Galleries. $ 4,000 – 6,000 Provenance: Acquired in 2013 from Schantz Galleries, Stockbridge, MA Private Collection, New Jersey

426 Dante Marioni b. 1964 Mosaic vase USA, 1998 hand-blown glass murrine 34 h × 9 w in (86 × 23 cm) Etched signature, date and number to base ‘Marioni 98 #39’. $ 3,000 – 5,000

427 Dante Marioni b. 1964 Red and Blue Pair USA, 1996 hand-blown glass 33 ¼ h × 7 w × 6 d in (84 × 18 × 15 cm) Additional example measures: 15 h × 14 w × 9.5 d inches. Etched signature and date to each example ‘Marioni 96’. $ 5,000 – 7,000 Provenance: Christie’s, New York, Interiors, 27 August 2013, Lot 161 | Private Collection, Morgantown, WV Rago, Modern Ceramics and Glass, 24 September 2017, Lot 1623 | Private Collection, Raleigh, NC

428 Susan Taylor Glasgow b. 1958 Beautifully Finished USA, 2003 glass, mixed media 14 h × 16 ½ w × 5 d in (36 × 42 × 13 cm) Enameled signature and date to lower edge ‘Susan Taylor Glasgow 03’. $ 1,500 – 2,000 Provenance: Palm Beach 3, Palm Beach, FL | Heller Gallery, New York, 2005 Private Collection, Osprey, FL

429 Susan Taylor Glasgow b. 1958 Just Right Coffee Pot USA, 2005 glass, mixed media 14 h × 7 ½ w × 11 d in (36 × 19 × 28 cm) Enameled signature and date to base ‘Susan Taylor Glasgow 05’. $ 4,000 – 6,000 Literature: Domesticity Gone Awry, Heller Gallery, exhibition invitation Exhibited: Domesticity Gone Awry, 2005, Heller Gallery, New York Provenance: Heller Gallery, New York Private Collection, Osprey, FL

430 Lino Tagliapietra b. 1934 Small Mandara vessel Italy, 2006 hand-blown glass with inciso and battuto surface 10 h × 9 ½ w × 3 ½ d in (25 × 24 × 9 cm) Etched signature and date to base ‘Lino Tagliapietra 2006’. Sold with certificate of authenticity issued by Schantz Galleries. $ 10,000 – 15,000 Provenance: Acquired in 2007 from Schantz Galleries, Stockbridge, MA Private Collection, New Jersey

431 Davide Salvadore b. 1953 Untitled (from the Cocoe series) Italy, c. 2010 hand-blown glass, inciso and battuto surface, string, patinated metal 18 ½ h × 6 ¼ w × 9 ½ d in (47 × 16 × 24 cm) Incised signature to base ‘Davide Salvadore’. $ 7,000 – 9,000

432 Margit Toth b. 1963 Supra-Infra Hungary, 2007 cast and ground glass 17 h × 15 w × 7 d in (43 × 38 × 18 cm) Etched signature to lower edge ‘M. Toth’. $ 5,000 – 7,000

433 Ethan Stern b. 1978 In Lavender Urbanism USA, 2012 blown and carved glass 14 h × 17 w × 3 ½ d in (36 × 43 × 9 cm) Etched signature, date and number to base ‘Ethan Stern 12 0112’. $ 2,000 – 3,000

434

435

436

Ethan Stern b. 1978 Red Zayit vessel

Ethan Stern b. 1978 Green and Black Lima vessel

Ethan Stern b. 1978 Clef Pink Green vessel

USA, 2006 blown and carved glass 17 ½ h × 10 w × 5 ½ d in (44 × 25 × 14 cm)

USA, 2004 blown and carved glass 15 ½ h × 4 dia in (39 × 10 cm)

USA, 2005 blown and carved glass 15 ½ h × 6 ½ dia in (39 × 17 cm)

Etched signature and date to base ‘Ethan Stern 2006’. $ 2,000 – 3,000 Provenance: Chappell Gallery, New York Private Collection, Washington

Etched signature and date to base ‘Ethan Stern 2004’. $ 2,000 – 3,000 Provenance: Chappell Gallery, New York Private Collection, Washington

Etched signature and date to base ‘Ethan Stern 05’. $ 2,000 – 3,000 Provenance: Vetri Gallery, Tacoma Private Collection, Washington

437 Ethan Stern b. 1978 Pink Pillar vessel USA, 2005 blown and carved glass 12 h × 10 ½ w × 4 d in (30 × 27 × 10 cm) Etched signature and date to base ‘Ethan Stern 2005’. $ 2,000 – 3,000 Provenance: Vetri Gallery, Seattle Private Collection, Washington

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Reserve All Lots may be offered subject to a confidential minimum price below which the Lot will not be sold (the “Reserve”). The auctioneer may open the bidding on any lot below the Reserve by placing a Bid on behalf of the Seller. The auctioneer may continue to Bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive Bids or by placing Bids in response to other bidders. Remote Bidding As a convenience to buyers who cannot be present on the day of a Wright Auction and have Registered to Bid, we will use reasonable efforts to execute (i) written, properly completed absentee Bids described on Wright bid forms delivered to us prior to that sale; or (ii) Bids delivered to us via the Internet, whether by properly completed Wright absentee bid forms or, if available, a live bidding service authorized by Wright. We assume no responsibility for a failure to execute any such Bid, or for errors or omissions made in connection with the execution of any such Bid. If requested prior to a Wright Auction in writing, we will use reasonable efforts to contact the buyer by telephone to enable the buyer to Bid by telephone on the day of the sale, but we assume no responsibility for errors or omissions made in connection with any such arrangement (including without limitation miscommunication of instructions given over the phone or failure to establish a connection prior to a sale). You acknowledge that there may be additional terms and conditions governing the use of any third-party service in connection with Bidding on the Internet, including, but not limited to, those providing for additional charges and fees relating to the execution of such Bids. Wright has no control over, and assumes no responsibility for, the content, privacy policies, or practices of any third party websites or services. You expressly release Wright from any and all liability arising from your use of any third-party website or services. Additionally, your dealings with such third party sites, including payment and delivery of goods, and any other terms (such as warranties) are solely between you and such third parties. We encourage you to be aware of, and to read, the terms and conditions and privacy policy of any third-party website or service that you visit.

2 Payment and Collection of Purchases You Pay Buyer Costs If your Bid results in a Purchase Price Bid (or you agree to pay the purchase price for a Lot as a part of a Wright Now Sale or Private Sale), you agree to pay the following charges associated with the purchase of such Lot: i. Hammer Price (for Auction Sales) or Lot purchase Price (for Wright Now Sales and Private Sales); ii. Buyer’s Premium (for Auction Sales) which is 25 % of the Hammer Price (or part thereof) up to and including $ 100,000; 20 % of the Hammer Price (or part thereof) in excess of $ 250,000. An additional premium will be added to any successful bid accepted through a third-party site. iii. any applicable sales tax, late payment charges, storage fees, Enforcement Costs or other costs, damages or charges assessed in accordance with these Terms (for all sales) ((i) – (iii) any applicable sales tax, late payment charges, storage fees, Enforcement Costs or other costs, damages or charges assessed in accordance with these Terms (for all sales) ((i) – (iii) collectively, the “Buyer Costs”). All purchases will be subject to state sales tax unless the buyer has provided us with a valid certificate of exemption from such tax.

Payment Procedure You agree to pay all Buyer Costs immediately following Wright’s acceptance of the Purchase Price Bid unless other arrangements have been approved by Wright in advance. If Wright approves of such other arrangement for payment, Wright may at its discretion require you to make a nonrefundable down payment on Buyer Costs. All payments must be made in US Dollars, in any of the following acceptable forms of payment: – Cash – Check, with acceptable identification – Visa, MasterCard or American Express Wright reserves the right to charge and collect an additional 2% of payments made by credit card. Title and Risk of Loss Title to a Lot purchased in accordance with these Terms shall not pass to the buyer until Wright has received the Buyer Costs (including clearance of checks and wire transfers). We reserve the right to delay delivery of or otherwise prevent access to any purchased Lot until Wright has received all Buyer Costs. Notwithstanding passage of title, risk of loss to a Lot passes immediately to buyer upon Wright’s acceptance of a Purchase Price Bid. All sales are final. Security As security for full payment to us of all amounts due from the buyer and prompt collection of your purchased Lots in accordance with these Terms, we retain, and the buyer grants to us, a security interest in any Lot purchased by the buyer in accordance with these Terms (and any proceeds thereof), and in any other property or money of the buyer in our possession or coming into our possession subsequently (“Security Interest”). We may apply any such money or treat any such property in any manner permitted under the Uniform Commercial Code and/or any other applicable law. You hereby grant us the right to prepare and file, any documents sought by us to protect and confirm our security interests including but, not limited to a UCC-1 Financing Statement. Export, Import and Endangered Species Licenses and Permits Before bidding for any property, prospective buyers are advised to make their own inquiries as to whether a license is required to export a lot from the United States or to import it into another country. Prospective buyers are advised that some countries prohibit the import of property made of or incorporating plant or animal material, such as coral, crocodile, ivory, whalebone, Brazilian rosewood, rhinoceros horn or tortoiseshell, irrespective of age, percentage or value. Accordingly, prior to bidding, prospective buyers considering export of purchased lots should familiarize themselves with relevant export and import regulations of the countries concerned. It is solely the buyer’s responsibility to comply with these laws and to obtain any necessary export, import and endangered species licenses or permits. Failure to obtain a license or permit or delay in so doing will not justify the cancellation of the sale or any delay in making full payment for the lot. As a courtesy to clients, Wright will advise clients who inquire about lots containing potentially regulated plant or animal material, but we do not accept liability for errors or for failing to advise on lots containing protected or regulated species.

Delivery Buyer is solely responsible for collection of purchased Lots from Wright facilities, including making arrangements and paying all costs associated with packing and delivery. We may, as a courtesy to the buyer, provide or arrange packing, shipping or similar logistical services, or refer the buyer to third parties who specialize in these services. Any such services referred, provided or arranged by us are at the buyer’s sole risk and expense, we assume no responsibility for any act or omission of any party in connection with any such service or reference, and we make no representations or warranties regarding such parties or their services. You expressly release Wright from any and all liability arising from your use of any third-party website or services. Storage, Abandonment and Related Charges All purchased Lots not collected from Wright’s facilities by buyer or buyer’s authorized agents within thirty (30) days following the Sale Date will become subject to storage fees of not less than $ 5 per day. A late payment fee equal to 1.5 % per month may be assessed on any Buyer Costs remainingx unpaid thirty (30) days following the Sale Date. If a purchased Lot has not been collected from us within sixty (60) days after the Sale Date, and Wright has not consented to continue to store the Lot, the buyer will be deemed to have defaulted under these Terms, and, in addition to any other remedies we may have at law or equity, we shall be entitled to foreclose on the Security Interest by selling such Lots and using the proceeds from such sale for any purpose (including payment of storage fees and administrative expenses of handling such matter), without any further liability to the buyer. You agree that this remedy is reasonable in light of the costs Wright would have to incur to continue to store and process purchased Lots after sale. Breach If a buyer fails to make timely payment as required in these Terms, or breaches any other covenant, representation or warranty in this Agreement, we shall be entitled, in our discretion, to exercise any remedies legally available to us, including, but not limited to, the following: i. cancellation of the sale of the Lot to the non-paying buyer, including the sale of any other Lot to the same buyer (whether or not paid); ii. reselling the Lot, at public or private sale, with or without reserve; iii. retention of all amounts already paid by the buyer to Wright, which shall constitute a processing and restocking fee (which you acknowledge would be reasonable in light of the costs Wright would have to incur to process your breach and attempt to re-auction or resell the Lot); iv. rejection of any Bids by the buyer at future auctions; v. setting-off any amounts owed by Wright to the buyer in satisfaction of unpaid amounts; and/or vi. taking any other action we deem necessary or appropriate under the circumstances. Confession of Judgment If you default on payment of one or more Purchase Price Bids under this Agreement, you hereby authorize any attorney to appear in a court of record and confess judgment against you in favor of Wright for the payment of such Purchase Price Bids and all related Buyer Costs. Accordingly, the confession of judgment may be without process and for any amount due on this Note including collection costs and reasonable attorneys’ fees. This authorization is in addition to all other remedies available to Wright.

3 Limited Warranty “As Is”, “Where Is”. Except as expressly stated below, each Lot is sold “as is” “where is”, with no representation or warranty of any kind from any party (including Wright or the consignors of the Lots), express or implied, including warranties of merchantability, fitness for a particular purpose and non-infringement. Because you are responsible for satisfying yourself as to condition or any other matter concerning each purchased Lot, you are advised to personally examine any Lot on which you intend to bid prior to the auction and/or sale. As a courtesy, condition reports for any Lot are available from Wright prior to the sale, but Wright assumes no responsibility for errors and omissions contained in any such report, a Wright Catalog or other description of a Lot that may be available on the Wright website. Any statements made by Wright with respect to a Lot (whether in a condition report, a Wright Catalog or on the Wright website), whether orally or in writing, are intended as statements of opinion only, are not to be relied upon as statements of fact and do not constitute representations or warranties of any kind. Authorship Warranty Subject to the following terms and conditions, Wright warrants, for a period of two (2) years following the date of sale, the information presented in a Wright Catalog with respect to Authorship of any Lot is true and correct, so long as the name of the Author is set forth unqualifiedly in a heading in Bold type in the applicable and most current Wright Catalog. The term “Author” or “Authorship” means the creator, designer, culture or source of origin of the property, as the case may be, as specifically identified in Bold type in the applicable and most current Wright Catalog, and shall not include any supplemental text or information included in any other descriptions (whether or not in the Wright Catalog). Exclusions from and Conditions to the Authorship Warranty Notwithstanding, this warranty is subject to the following: i. The benefits of this warranty are only available to the original buyer of a Lot from Wright, and not to any subsequent purchasers, transferees, successors, heirs, beneficiaries or assigns of the original buyer. ii. This warranty shall not apply to any Lot for which a Wright Catalog description states that there is a conflict of opinion among specialists as to Authorship. iii. This warranty shall not apply to any Lot for which, at the time of sale, the statements regarding Authorship made by Wright conformed with the generally accepted opinion of scholars, specialists or other experts, despite the subsequent discovery of information that modifies such generally accepted opinions. iv. The buyer must provide written notice of any claim under this warranty to Wright (validated by no fewer than two (2) written opinions of experts whose principal line of business is the appraisal and authentication of art, antiquities, design objects or other valuable objects similar to the Lot) not later than thirty (30) days after becoming aware of the existence of such a claim, an in any event no later than two (2) years following the date of sale, and must return the Lot subject to such claim to Wright in the same condition as at the time of the original sale. Wright reserves the right to appoint two independent specialists to examine the Lot and evaluate the buyer’s claim prior to buyer’s receipt of any remedy pursuant to this warranty.

Buyer’s Only Remedy for Authorship Warranty Breach The buyer’s sole remedy, and Wright’s sole liability, under this warranty shall be the cancellation of the sale of the Lot in question, or (if the sale has already concluded) the refund of the purchase price originally paid by such buyer for the Lot in question (not including any late fees, taxes, shipping, storage or other amounts paid to Wright in accordance with these Terms). Buyer hereby waives any and all other remedies at law or equity with respect to breaches of this warranty. Limit of Liability In no event shall wright be liable to you or any third party for any consequential, exemplary, indirect, special, punitive, incidental or similar damages, whether foreseeable or unforeseeable, regardless of the cause of action on which they are based, even if advised of the possibility of such damages occurring. With respect to any sale of a lot, in no event shall wright be liable to you or any third party for losses in excess of the purchase price paid by you to wright for such lot to which the claim relates.

4 Rescission or Voiding of Sale by Wright If we become aware of an adverse claim of a third party relating to a Lot purchased by you, we may, in our discretion, rescind the sale. Upon notice of our election to rescind a sale, you will promptly return such Lot to us, at which time we will refund to you the Hammer Price and Buyer’s Premium paid to us by you for such Lot. This refund will represent your sole remedy against us and/or the consignor in case of a rescission of sale under this paragraph, and you agree to waive all other remedies at law or equity with respect to the same. If you do not return such Lot to us in accordance with this paragraph, you agree to indemnify, defend and hold Wright, its officers, directors, employees, agents and their successors and assigns, harmless from any damages, costs, liabilities or other losses (including attorney’s fees) arising as a result of such third party claim.

5 Copyright Notice Wright and its licensors will retain ownership of our intellectual property rights, including, without limitation, rights to the copyrights and trademarks and other images, logos, text, graphics, icons, audio clips, video clips, digital downloads in, and the “look and feel” of, the Wright website and each Wright Catalog. You may not obtain any rights of ownership, use, reproduction or any other therein by virtue of these Terms or purchasing a Lot. You may not use any of our trademarks or service marks in any way.

6 Severability If any provision of these Terms is held by any court to be invalid, illegal or unenforceable, the invalid/ illegal/unenforceable aspect of such provision shall be disregarded and the remaining Terms enforced in accordance with the original document and in accordance with applicable law.

7 Governing Law These Terms shall be governed by and interpreted in accordance with the law of the State of Illinois and, by Registering to Bid or Bidding in the Wright Auction (whether personally, by telephone or by agent), the you agree to submit to the exclusive jurisdiction of the state and federal courts located in Cook County, Illinois in connection with any matter related to these Terms, the Wright Auction or other sale of a Lot to you by Wright.

8 Expenses In addition to the foregoing, you agree to pay to Wright or Seller on demand the amount of all expenses paid or incurred by Wright and Seller, including attorneys’ fees and court costs paid or incurred by Wright or Seller in exercising or enforcing any of its rights hereunder or under applicable law, together with interest on all such amounts at 1.5 % per month (the “Enforcement Costs”) within thirty (30) days of the buyer’s receipt of Wright’s invoice for such Enforcement Costs.

9 Definitions The following terms have the following meanings: Author and Authorship have the meanings given in Section 3. Bidding, Bid or place a Bid means a prospective buyer’s indication or offer of a price he or she will pay to purchase a Lot at a Wright Auction which conforms with the provisions of Section 1. Buyer Costs has the meaning given in Section 2. Buyer’s Premium means the following for any Lot: (i) 25 % of the Hammer Price (or part thereof) up to and including $ 100,000; (ii) 20 % of the Hammer Price (or part thereof) in excess of $ 100,000 up to and including $ 1,000,000; and (iii) 12 % of the Hammer Price (or part thereof) in excess of $ 1,000,000. An additional premium will be added to any successful bid accepted through a third-party site. Hammer Price means the price for a Lot established by the last bidder and acknowledged by the auctioneer before dropping the hammer or gavel or otherwise indicating the bidding on such Lot has closed. Lot means the personal property offered for sale by Wright, whether at a Wright Auction, Private Sale, Wright Now Sale or otherwise. Passed Lot is a Lot which does not reach its reserve or otherwise fails to sell at a Wright Auction. Private Sale is a non-public, discrete sale of a Lot (such Lot typically not being exhibited by Wright). Purchase Price Bid means the bid submitted by a Buyer for a Lot which is accepted as the Hammer Price, or in the case of Private Sales or Wright Now Sales, the price accepted by Wright for the sale of such Lot.

Register to Bid or Registering to Bid means providing Wright with your complete, accurate contact information (including address, phone and email) and a current, valid credit card number (including security code), and (i) in the case of phone or absentee bidders, a properly completed Wright bid form and (ii) in the case of online bidders, registration with such authorized third-party online auctioneer service providers described on our website on the How to Bid page. Reserve has the meaning given in Section 1. Sale Date means, in the case of Wright Auctions, the date of the closing of bidding for a particular Lot and acceptance of the Purchase Price Bid for such Lot; in the case of all other sales by Wright, the date Wright agrees in writing to sell a Lot to a buyer. Security Interest has the meaning given in Section 2. Seller means the owner of a Lot offered for sale at a Wright Auction, Private Sale, Wright Now Sale or other sale administered by Wright. Terms has the meaning given in the Introduction to this Agreement. Wright Auction means the sale of Lots to the public through competitive bidding administered by Wright (including sales administered through a third-party Internet auctioneer authorized by Wright). Wright Catalog means the design catalogs published by Wright which features Lots available at particular Wright Auctions. Wright Now Sale is a sale of a Lot consigned to Wright by a third party, either posted on Wright’s website directly or solicited after a Lot fails to sell at auction.

Adler, Dankmar 316 Adnet, Jacques 293 Agostini, Felix 401 Arad, Ron 296, 298, 310

Hermès 398 Hoffmann, Wolfgang 334

Jacobsen, Arne 340 Jeanneret, Pierre 264, 265, 268 – 273, 276 – 280, 283 – 285, 290 – 291 Johnson, Philip 348 Jouve, Georges 266, 267, 281

Berger, Peduzzi-Riva and Ulrich 408 Bertoia, Harry 206 – 207, 210, 216 – 217, 221 Borsani, Osvaldo 361 Buffa, Paolo 359 Bugatti, Carlo 312 Burlini, Joseph 307

Calder, Alexander 201, 208, 219, 230 Castle, Wendell 303 Chambron, Jacques 383, 405 Chihuly, Dale 413 – 421 Conover, Claude 211, 234

de Carli, Carlo 355, 356 de Saint Phalle, Niki 282 Deskey, Donald 322 Dickinson, John 402

Falkenstein, Claire 297 Focht, Frederic 323 França, Hugo 381 Frankl, Paul 336, 379 Friedeberg, Pedro 378

G.M.C.E. 373 Gambone, Guido 360 Garouste and Bonetti 395 Gatard, Denise 288 Geis, Lester 343 Gerli, Eugenio 361 Girard, Alexander 345 Glasgow, Susan Taylor 428, 429 Glass, Henry P. 347 Gould, Allan 332 Graves, Michael 366 Guariche, Pierre 292 Guillerme, Robert 405

Sachs, Tom 295 Salto, Axel 251 – 263 Salvadore, Davide 431 Sarfatti, Gino 362, 364 Scott Brown, Denise 299, 300 Shahn, Ben 232 Smith, Art 311 Sottsass, Ettore 374, 375 Starck, Frederick W. 318 Stern, Ethan 433 – 437 Sullivan, Louis 313 – 316

LaVerne, Philip and Kelvin 390, 407 Le Corbusier 264, 265, 289 Lelii, Angelo 363, 371, 376 Loewy, Raymond 377 Lurçat, Jean 286

Mace, Flora C. 424 Marioni, Dante 426, 427 Marx, Samuel 392, 394 Minale, Mario 308 Modernage Furniture Co. 328 Mondrian, Piet 309 Mont, James 393 Mouille, Serge 274 Mozer, Jordan 399, 409 – 411

Nakashima, George 202 – 205, 209, 212, 218, 220, 225, 229, 231, 232 – 233, 235, 237 – 249 Nakashima, Mira 200 Newson, Marc 306 Nitsche, Erik 338

Öhrström, Edvin 339 P

Paley, Albert 223, 224 Parzinger, Tommi 403 Pattyn Products 319 Pesce, Gaetano 294, 304 Ponti, Gio 354, 357 – 358, 365, 372 Powell, Phillip Lloyd 226, 227 Powell, Stephen Rolfe 412 Probber, Harvey 370 Prouvé, Jean 275, 287

Tagliapietra, Lino 422 – 423, 425, 430 Tennhardt, Elsa 335 Toth, Margit 432 Tynell, Paavo 353

Vasa (Velizar Mihich) 305 Venturi, Robert 299, 300 Vignelli, Massimo 367 – 369 Von Nessen, Walter 333

Weber, Kem 317 Wegner, Hans J. 341, 346, 351 – 352 Welton Becket & Associates 325, 326 Wormley, Edward 391, 400 Wright, Frank Lloyd 330 Wright, Russel 329

Kaneko, Jun 250 Karasz, Ilonka 331 Kelly, Richard 321, 348 Kirkpatrick, Joey 424 Kjaerholm, Poul 342 Kuehne, Max 384 – 388

E Eames, Charles and Ray 349, 350 Ernst, Max 301 Esherick, Wharton 320 Evans, Paul 213 – 215, 222, 226 – 228, 236

Rice, Bernard 324 Robsjohn-Gibbings, T.H. 406 Rockel, Peter 302 Rodrigues, Sergio 380

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