get your tickets for a superhuman season
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MIAMI HERALD, editorial “Wherever in the world it appears, the Miami City Ballet leaves an image of shimmering dance, creativity, and verve. 6W W\PMZ M`XWZ\ LWM[ ][ ITT UWZM XZW]L º
THE NEW YORK TIMES, Alastair Macaulay Throughout its current program of four works, Miami City Ballet proves marvelous...the dancers are QVLQ^QL]IT [SQTTML KWTWZN]T KWVÅLMV\ MVOIOQVO º MIAMI HERALD, Jordan Levin “Miami City Ballet served up a sumptuous feast of dancing….performing two deliciously rich and very different ballets…It’s a tribute to the company’s quality \PI\ \PMa KW]TL ZMVLMZ \_W []KP KWUXTM` LIVKM[ [W _MTT º THE NEW YORK TIMES, Gia Kourlas “A jewel of a company…Dancers with sparkling musicality understand the intricacies of the ballets \PMa IZM LIVKQVO º LOS ANGELES TIMES, Lewis Segal “When you fall under its spell [Dances at a Gathering] – which was easy to do in the Miami City Ballet performance Sunday afternoon in the Dorothy Chandler Pavilion – you wish that all ballets were like this plotless, mercurial 1969 suite: full of mysteries, []ZXZQ[M[ IVL UWUMV\[ WN _WVLZW][ TaZQK QV^MV\QWVº NEWARK STAR LEDGER, Robert Johnson “Performances of such eloquence and depth that they XTIKM C5QIUQ +Q\a *ITTM\E QV \PM ÅZ[\ ZIVS WN )UMZQKIV \ZW]XM[ º THE NEW YORK POST, Clive Barnes “The wild Latino vitality that has so energized the city of Miami has been captured and bottled by Edward >QTTMTTI¼[ \MZZQÅK 5QIUQ +Q\a *ITTM\°º THE WASHINGTON POST, Sarah Kaufman (at The Kennedy Center International Ballet Festival) Miami City Ballet delivered the goods again: the crispness, the dangerous-looking broken angles and [TQXXMZa MTMOIVKM \PM U][QKIT Æ]MVKa º THE NEW YORK TIMES, Jennifer Dunning “The Miami City Ballet suggested this was a troupe that could probably do just about anything thrown its way... [a] model of ensemble dancing. This is a company that takes an infectious pleasure in dancing... I SVWKSW]\ XMZNWZUIVKMº
to To see more, go LLET.ORG BA TY CI MI WWW.MIA
THE VILLAGE VOICE, Tobi Tobias “Watching the ensemble Villella has bred, you feel he has plucked out the ferocious, ardent heart that characterized his own dancing, cut it in pieces, and successfully implanted one of them in each of his dancers. This dancing has a vitality built on the twin pillars of energy and precision. Along with its tremendous appetite for speed and space, it is as LIZQVO IVL N]TT WN \PZQTT[ I[ [XWZ\[ KIZ ZIKQVO º SAN FRANCISCO CHRONICLE, Rachel Howard “...the real spectacle was the Miami City Ballet’s nonstop energy and unfailing clarity...I’d see the 5QIUQ +Q\a *ITTM\ QV R][\ IJW]\ IVa\PQVO º
Don’t miss your chance to witness a superhuman performance For ticket information call toll free 877-929-7010 or visit miamicityballet.org
THE NEW YORK TIMES, Alastair Macaulay “The company’s through-the-body concentration, exciting from curtain rise in each ballet, only accumulated...at the climax, the corps dancers seemed to be elegantly tearing themselves in [M^MZIT LQZMK\QWV[ I\ WVKM º
COVER : KATIA CARRANZA IN SYMPHONY IN C. PHOTO © JOE GATO.