Todd Goodman's Trombone Concerto - piano reduction

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TROMBONE CONCERTO TODD GOODMAN for

trombone and piano

Winner of the 2012 British Trombone Society Composition Competition ©2010 Wrong Note Media, Inc. COMMISSIONED BY KEVIN MCMANUS

©2010 Wrong Note Media, Inc.

Second Edition Printing: 2023

979-0-800218-10-1

TROMBONE CONCERTO

TODD GOODMAN for trombone and piano

Winner of the 2012

British Trombone Society Composition Competition

Total Duration | Durée totale | Gesamtdauer

17’00

This work may not be reproduced or transmitted in whole or in part by any form or by any means, electronic or mechanical, including photocopying or by any information storage and retrieval system, without permission in writing from the publisher.

Ce travail ne peut être reproduit ou transmis en tout ou en partie par quelque forme que ce soit, électronique ou mécanique, y compris la photocopie ou tout système de stockage et de récupération d’informations, sans l’autorisation écrite de l’éditeur.

Dieses Werk darf ohne schriftliche Genehmigung des Herausgebers weder ganz noch teilweise in irgendeiner Form oder auf irgendeine Weise, elektronisch oder mechanisch, einschließlich durch Fotokopieren oder durch ein Informationsspeicher- und -abrufsystem, reproduziert oder übertragen werden.

PROGRAM NOTES

TROMBONE CONCERTO

Todd Goodman’s Trombone Concerto was written in 2010 for Kevin McManus and named winner of the 2011-12 British Trombone Society Concerto Composition Competition. The work, in three movements, explores the wide range and the many beautiful aspects of the trombone and its timbre. The trombone, whose ancestor was the first instrument to be allowed to perform in the Mass of the early church, has such a remarkable singing quality that it was my intent for this work to be an aria for the instrument. To contrast that however, it was also the brass family that often led armies into battle, due to their fierce and noble sound and powerful quality, so it was also my intent to showcase the trombone’s power, but yet also its tenderness and warmth. Therefore, each movement focuses on the juxtaposition of many very specific qualities of the trombone, either through technique of the instrument, aesthetic elements of the style of the music, or compositional technique.

MOVEMENT ONE is the juxtaposition of interplay between two contrasting motives. The first of which is a majestic aria and is sung by the trombone at the opening of the work. This melodic idea, which reoccurs numerous times throughout the entire piece, is supported by a progression of simple chordal motion in the accompaniment. As the aria closes, the second motive, which is a fast, energy-filled dance, develops between the soloist and the accompaniment. Throughout its evolution, the movement ebbs and changes within the context of each of these ideas—the aria becomes aggressive and the dance subtle.

MOVEMENT TWO is yet another juxtaposition between two contrasting elements—rhythm and pulse. Set in a traditional rounded-ternary form (A-B-A1), the elements of this movement that give it life are the lack of a perceived constant pulse, combined with that of an almost heartbeat-like pulse. The opening section is a vibrant set of two chords and three descending parallel fifths that repeat throughout the A sections, however written within constantly changing rhythmic values. As this gesture unfolds, the trombone provides a counter-melody; although the two ideas quickly mold into an organic unit. The middle part, or B section, of this movement is the total opposite of the opening and closing ideas, set on a strict pulse and providing for the soloist a heartbeat with which to sing another melodic aria. This pulse ends with a return to the opening arrhythmic section.

MOVEMENT THREE (played attacca from the second) opens with a brilliant eruption of energy in the piano and is the last of the set of juxtapositions. This movement is set around the development of three tonal centers simultaneously—the trombone, the right hand, and the left hand of the piano, all of which cross paths many times throughout the movement. However, unlike the other movements, this movement is mono-thematic and its development comes from the two distinct ways in which the piano’s opening gesture is changed. At the highly energetic close of the work, the piece’s opening first movement aria is reintroduced and the piano and the trombone climb to the work’s end.

The Trombone Concerto is included in a series of concerti by Todd Goodman, including works for Tuba, Alto Saxophone, Piccolo, and Bass Clarinet. This edition of Todd Goodman’s Trombone Concerto is edited by trombonist Kevin McManus and pianist Tom Glovier.

For more music, please visit www.WrongNoteMedia.com

ABOUT THE COMPOSER

as of Fall 2023

TODD GOODMAN is a prominent figure in the contemporary classical music scene, pushing the boundaries of the genre with his unique style and vision. His music is performed and recorded around the globe by musicians of all levels—including, world-renowned soloists, top-tier professional ensembles, academic ensembles, and learners of all ages. Goodman has been the recipient of numerous awards, grants, commissions, and honors from organizations such as the American Prize, the British Trombone Society, the International Tuba Euphonium Association, the National Endowment for the Arts, New Music America, and many others. As an advocate for arts education, Goodman has served for over two decades in various compositional and educational residencies with orchestras, opera companies, performing arts centers, and academic institutions around the United States, and was a nominee for the very first Educator of the Year Grammy™ Award.

Recordings of Goodman’s music can be found on Wrong Note Media, Potenza, Hello Stage, Arts Laureate, Duquesne University Press, Bridge, and Push Records. Goodman holds degrees from the University of Colorado at Boulder, Duquesne University, and Kent State University, and has studied at l’École Normale de Musique in Paris, France, and the Aspen Music Festival in Aspen, Colorado. He currently resides outside of Pittsburgh, Pennsylvania.

More information about Todd Goodman can be found at www.WrongNoteMedia.com.

FOR KEVIN

thank you for pushing me to write this!

“If you’re not prepared to be wrong, you’ll never come up with anything original.” - KEN ROBINSON

trombone

Written for Kevin McManus

Trombone

Movement Two

Brilliant, yet mysterious (q = 104)

54 With Apprehensive Optimism

CHAMBER MUSIC

Dear Tomorrow (7’) - euphonium and piano WNM42101

MORE BRASS MUSIC FROM TODD GOODMAN

all available through www.WrongNoteMedia.com

Departure (7’) - trombone (horn or euphonium), tuba (trombone), violin, viola, and piano WNM41901

Sonata for Solo Bass Trombone (6’) - solo bass trombone WNM49702

Wanderlust (6’) - horn (euphonium), tuba, and piano WNM41701

CONCERTI

Trombone Concerto No. 2 (18’) - trombone and accompaniment piano WNM21701red orchestra WNM21701orch wind ensemble WNM21701

Tuba Concerto (18’) - tuba and accompaniment piano WNM11201red orchestra WNM11201 wind ensemble WNM11201we

Tuba Concerto No. 2 “This Too Shall Pass” (18’) - tuba and accompaniment piano WNM12201red orchestra WNM12201 wind ensemble WNM12201we

Victoriam (18’) - concerto for horn, tuba, and piano orchestra WNM12302 wind ensemble WNM12302we

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