PORTFOLIO
ARCHITECTURE
WILLIAM ROSADO
William Rosado
I am a sophomore pursuing a degree in Architecture at the University of Illinois at Urbana-Champaign. Born and raised in Chicago, Illinois, my passion for creating has been a defining aspect of my life. Architecture has become my chosen medium for expressing creativity and exploring the profound impact of design on the world around us.
Information
Jaunary, 2005
Chicago, Illinois
Willrosado5124@Gmail.com
Hardware
Laser Cutting
Woodworking
Model Making
Software
Rhino
AutoCAD
Illustrator
Photoshop
Lightroom
InDesign
Twinmotion
Microsoft Office
Languages
English
Spanish
RAINCREST ECO-LOUNGE
PROFESSOR: JOHN S. CLARK, YAZMÍN
M. CRESPO, CARMEN MATA
SITE: LCP CHEMICALS, BRUNSWICK, GEORGIA
TERM: FALL 2024, 2ND YEAR
Located near the LCP Chemicals
Superfund site in Brunswick, Georgia, Raincrest was established as a remediation tool for the compromised environment due to years of neglected chemical spillage. The design addresses the town’s unique climate conditions and social needs, responding to its marshland environment and the limited availability of community spaces.
RAINCREST ECO-LOUNGE
FALL 2024
Lab
The lab was designed with two distinct areas, allowing researchers to study wild grass and work on remediating the site effectively. The integration of clerestory facilitates the optimization of natural sunlight, enhancing sustainability and energy efficiency
Classroom
The classroom design features sloped roofs to direct rain away from the center of the site, while its stilted construction elevates it above the marshlands.
Community Center
The community center provides visitors with an opportunity to observe the remediation efforts in action. Its elevated roof design enhances airflow and natural ventilation.
Pavilion
An outdoor seating area designed for guests to immerse themselves in the natural landscape while observing the ongoing efforts of researchers to revitalize and restore the site.
RAINCREST ECO-LOUNGE
Storytelling Through Graphic Novels
In this assignment, we were tasked with envisioning the evolution of the Eco Lounge we designed over a 100-year period. Located on a designated Superfund site, our primary objective was to create a lounge that serves as both a communal space and a catalyst for the site’s longterm restoration and improvement. By utilizing the graphic novel format, we were able to convey not only the physical aspects of our design but also the dynamic relationship between the spaces and the people the lounge is intended to serve and educate.
Second-floor view of the lab, classroom, and marshland dedicated to restoration and preservation.
Inside the classroom: Inspiring youth to protect a safe and healthy environment.
ARCHITECTURE
ANNEX INTERVENTION
PROFESSOR: RANDALL DEUTSCH
SITE: UNIVERSITY OF ILLINOIS
ARCHITECTURE ANNEX
TERM: FALL 2024, 2ND YEAR
Tasked to design a intervention to the University of Illinois Architecture Annex. The design integrates key building systems, materials, and structural elements, creating a thoughtful relationship with the Annex. Deliverables include detailed plans, elevations, sections, and 3D renderings, showcasing a comprehensive approach to site context and functionality.
ARCHITECTURE ANNEX INTERVENTION
Roof Line
The roof design, inspired by the form of the existing structure, incorporates skylights strategically positioned away from the roof’s perimeter, allowing natural light to illuminate the studio from above.
First Floor
The first floor features a centrally located conference room, with a maker space situated in the northeast corner, slightly elevated for emphasis. Faculty offices are arranged along the northwest end of the building, while a dedicated fabrication shop on the southeast side provides students with the resources to complete their work conveniently within the building.
Second Floor
The design includes additional meeting spaces for students, accompanied by two additional offices for professors and a centralized conference room. Towards the southern end of the building, an exhibition area is designated to showcase more permanent works.
Third Floor
The third floor serves as the primary studio space of the annex, housing the freshman studio for architecture students. A conference space is centrally located to facilitate meetings between professors and teaching assistants or to accommodate office hours.
Maker Space Conference Room
CONFLUENCE INTERNATIONAL BUILDING COMPETITION
PROFESSOR: JOHN S. CLARK
SITE: TONGJI UNIVERSITY SHANGHAI, CHINA
TERM: SUMMER 2024, FIRST YEAR
TEAMMATES: ATHENA LY,
GAVIN MCCOOL, SHAUGHN MCGUIRE, MILANA POPOVIC, MARLA MARONO
Over a three day period, we interpret the poem Rain and Wakens by Yang Wanlin, and ensured the design aligned with themes and essence. Maintain the roof’s opening rate within 10%-40% to meet requirements, avoided deductions for exceeding or falling short of this range. Incorporated two main and secondary entrances/exits to facilitate seamless transitions between internal and external spaces, establishing an efficient and cohesive flow throughout the structure.
CONFLUENCE INTERNATIONAL BUILDING
SUMMER 2024
Naming Rationale
The name Confluence was chosen to symbolize the integration of two key aspects of our design converging at a central point. The term “confluence” refers to the meeting of two rivers, and this concept is reflected in our design through the connecting bench. This feature facilitates interaction between two individuals, enabling conversation without the pressure of direct eye contact, while allowing them to focus on the surrounding environment.
Design Specifications
Brise soleil on the exterior and interior walls blend the indoors with the outdoors, offering glimpses of the surrounding environment. At the end of the pavilion, a bench designed for pairs creates a space for gathering and reflection.
CONFLUENCE INTERNATIONAL BUILDING COMPETITION SUMMER 2024
Designed Limitations
While designing the pavilion, we were limited to 100 polypropylene hollow sheets (0.9 m x 0.9 m), 300 nylon screws (6 mm diameter), and fishing line or floss. These constraints required careful pre-planning to optimize material usage and ensure enough components. Additionally, the polypropylene sheets were stronger in certain orientations, which restricted how the pieces could be arranged and influenced the overall design.
Modular Design
Designing the pavilion in sections allowed us to prefabricate all components off-site. This approach streamlined the final assembly, as only the attachment of the pre-made sections was required on the last day of the competition.
Pavilion Pieces
Assembling Individuals Pieces
Attaching Matching Pieces
ARCHITECTURAL SENSE PAVILION
PROFESSOR:
ISABELLA HILLMAN, HUGH SWIATEK
TERM: SPRING 2024, 1ST YEAR
Tasked with designing a pavilion that emphasizes one of the five senses, the project requires the hand drafting of the pavilion’s elements. The design should aim to enhance or accentuate the chosen sense. The pavilion design limited to a 15 feet by 15 feet area, and can be placed on any site of your choosing.
ARCHITECTURAL SENSE PAVILION
SPRING 2024
Design
Introduced a centralized plan for the pavilion due to its limited size, which does not provide ample space for individuals to remain for extended periods. This layout allows for easy movement, enabling visitors to experience the entire space before ascending or descending the stairs. The slats on the facade were incorporated to allow sunlight into the enclosed areas and staircase while still promoting proper air circulation.
Intentions
Designed to feature two distinct sections. The lower level was conceived as a more enclosed and insulated space, allowing for the sensation of body heat. The upper level was designed to expose the occupant to the surrounding environment, providing the experience of wind and natural cooling while offering an elevated view of the surroundings.
Reflected Ceiling Plan
Elevation
Isometric
ARCHITECTURAL TRIPTIC
PROFESSOR: JOHN S. CLARK, GIDEON SCHWARTZMAN
TERM: FALL 2023, 1ST YEAR
TEAMMATES: ALEX WALAWENDER, GAVIN MCCOOL
Design a triptych that represents three distinct aspects of life. Each panel shall measure two feet by six feet, culminating in a combined composition of six feet by six feet. The project will utilize Rhino for 3D modeling and rendering, while Illustrator and Photoshop will be employed for the final touches, ensuring a seamless integration of digital and artistic techniques.
ARCHITECTURAL TRIPTIC
FALL 2023
Design Inspiration
The design is inspired by retrofuturism, focusing on the evolution of buildings and how they were envisioned to reflect futuristic styles compared to present-day structures. Drawing inspiration from mid20th century collages, pop art, and television shows, I sought to translate these artistic movements into both architectural styles and modes of transportation. The objective of this scene is to encapsulate the essence of retrofuturism, blending imaginative design with a sense of realism, allowing individuals to envision themselves within the environment while maintaining a connection to the past and present.
Center Panel
By: Gavin McCool
Creating Cohesivity
Our goal for this triptych was to depict different stages in a city’s creation. The left panel shows the construction phase, with exposed metal and beams. The center panel represents a thriving society with completed buildings and vibrant colors, influenced by retrofuturism. The right panel, inspired by a post-apocalyptic brutalist environment, draws from Bauhaus design principles. A river and highway run through the design, creating shared elements that connect the panels. By using distinct styles, we created an abstraction of each section while maintaining their interrelation.
By: Alex Walawender
MISCELLANEOUS WORK
2017-2024
W.I.L.D Rugs
Wild Rugs is a small business specializing in handmade rugs featuring logos, characters, and custom designs. The business involves designing, creating, and shipping rugs while managing customer service all which I managed on my own. Products have been shipped to over 40 states, consistently receiving positive reviews.
Fabrication
Fabrication tools, such as laser cutters, 3D printers, sewing machines, and other equipment, enable the creation of a wide range of objects. These include items like trays, plant pots, yard decorations, personalized objects, and various other crafted products.
Graphic Design
Experience in graphic design spans from creating family t-shirts and Christmas cards to designing advertisements for multi-million dollar grants and century-old businesses. This work has consistently led to repeat requests, with clients frequently asking for additional projects due to the quality and satisfaction with the results.
Model Making
My preferred method of communication is to create models. It allows for the visualization of concepts and ideas, conveying images in my mind without the need for extensive verbal explanation, leaving room for interpretation.
Facilitating Workshops
Workshops have been facilitated on topics such as screen printing, glass etching, team building, and culturally affirming projects, among others. These workshops are primarily designed for students at universities and high schools, as well as faculty members, accommodating groups from 5 to 25 participants.
Apparel Design
Experience in combining graphic design with custom apparel creation includes designing clothing for events, family, and friends, as well as fabricating the garments. This process has proven to be both engaging and rewarding.
UNIVERSITY OF ILLINOIS
SCHOOL OF ARCHITECTURE
CLASS