PASSAGEWAY_porcess book

PASSAGEWAY

15011294D, EID, YEAR 3, WU HOI YAN, HALEY

PASS BY PHOTO TAKING

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When you thinking of "pass-by" this word, you can realize that somethings get moving faster and straight forward,you will not focus on the object around you, that what you miss out,to find out those thing, we need to focus on the detail, beware of it.Such as window frame ,it have many detail that we does not noted, to study with the frame structure, the function of it and different type of using, how does it be evolute in coming further year, and the design analysis about the color and how does the form apply in the architecture structure, those a the different way for me to study.

D E G A COLL

T N E M P EVELO

lly ot norma n ls ia r e t d ious ma rface var heater tickets, an u s le g in t s , a s h n p o a hotogr pasting of art by ppings, parts of p k r o w a posing aper cli ue of com nother, as newsp iq n h c e t a A e d with on associate f an envelope. so fragment

420 x 297 DIGITAL COLLAGE 01

420 x 297 DIGITAL COLLAGE 02

420 x 297 DIGITAL COLLAGE 03

297 x 297 DIGITAL COLLAGE 04

420 x 297, PAD PRINTING, A3 PAPER HONG KONG BUILDING COLLAGE 01

PAD PRINTING

TRANSPARENCIES WITH PAPER MAPPING

420 x 297, PAD PRINTING, TRANSPARENCIES WITH PAPER MAPPING HONG KONG BUILDING COLLAGE 02

420 x 297, PAD PRINTING, TRANSPARENCIES WITH PAPER MAPPING HONG KONG BUILDING COLLAGE 03

420 x 297, PAD PRINTING, TRANSPARENCIES WITH PAPER MAPPING HONG KONG BUILDING COLLAGE 04

420 x 297, PAD PRINTING, TRANSPARENCIES WITH PAPER MAPPING HONG KONG BUILDING COLLAGE 05

420 x 297, PAD PRINTING, TRANSPARENCIES WITH PAPER MAPPING HONG KONG BUILDING COLLAGE 06

420 x 594, PAPER, TRANSPARENCIES HONG KONG BUILDING COLLAGE 07

420 x 594, PAPER, TRANSPARENCIES,ALUMINUM HONG KONG BUILDING COLLAGE 08 (FINAL)

1 E G A ST

e the ent will b m le e is h study. T d in the llages, to e to be expresse o c e h t will hav lement in ick one e osen the element p o t s a h h group Once ch s llage, eac of the semester. o me c e h t d timefra der from e t in a a ic m d e r in the the focus for rms, adhering to e t g followin

PASSAGEWAY CONNECTION OF SPACE

PREHISTORIC TIMES

// Earthen mound // Stone // Megalith

ANCIENT EGYPT

3,050 BC - 900 BC // Pyramid // Temple // Shrine // Enormous structure

CLASSICAL

850 BC - 476 BC // Precise rules // Orders // Column styles // Entablature design

EVOLUTION

BYZANTINE

527 BC - 565 BC // Graceful // Brick // Experiment

ARCHITECTURE

TIMELINE

ROMANESQUE

800 AD - 1200 AD // Thick // Heavy // Stocky // Rounded arches

GOTHIC

1100 AD - 1450 AD // Innovations // Taller // Pointed arches // More graceful

RENAISSANCE

1400 AD - 1600 AD // Classical order // Proportioned

BAROQUE

1600 AD - 1830 AD // Rhetorical // Opulent // Theatrical

NEOCLASSICISM 1730 AD - 1925 AD

// Return of classical // Proportioned // Rome & Greece detail

ART NOUVEAU

// Fabric // Graphic // Asymmetrical // Curved

BEAUX ART

1895 AD - 1925 AD // Classical revival // Order // Symmetry // Formal // Grandiosity

EVOLUTION

NEO - GOTHIC

1905 AD - 1930 AD // Medieval detail // Medieval ornament

ARCHITECTURE

TIMELINE

ART DECO

1925 AD - 1937 AD // Zigzag pattern // Vertical lines // Dramatic // Inspired from Egypt

MODERNIST STYLE

1900 AD - PRESENT // Deconstructivism // Formalism // Modernism // Structuralism

POSTMODERNISM

1400 AD - 1600 AD // Re-invented historical details // Combination // Unexpected

ROCOCO

1650 AD - 1790 AD // Graceful // White // Sweeping curves // Elegant

1185s

SHIRINE STYLE

//Sanbutsu Ji Temple @ Japan , Nageiredo Hal

850 BC - 476 BC

1600 AD - 18 8

CLASSICAL SSICAL

// Precise rules // Orders // Column styles // Entablature design

PREHISTORIC TIMES

// Earthen mound // Stone // Megalith

ARCHITECTURE & FRAMING

BAR R

// R // T

GOTHIC

// Innovations // Taller // Pointed arches // More graceful

1100 AD - 1450 AD

EVOLUTION 3,050 BC - 900 BC ANCIENT EGYPT

// Pyramid // Temple // Shrine // Enormous structure

527 BC - 565 BC BYZANTINE

// Graceful // Brick // Experiment

15TH CENTURY 3,050 BC - 900 BC

ROMANESQUE // Pyramid // Temple // Shrine // Enormous structure

1400 AD - 1600 AD

RENAISSANCE // Classical order // Proportioned

0s TRADITIONAL STYLE

// The Forbidden City @ Beijing

190 //

//

WESTERN STYLE

1400 AD - 1600 AD POSTMODERNISM

//Flagstaff House Central

// Re-invented historical details // Combination // Unexpected

8

M

6s

ll

R ROQUE

1890 AD - 1914 AD

Rhetorical // Opulent T Theatrical

ART NOUVEAU

// Fabric // Graphic // Asymmetrical // Curved

20TH CENTURY

18TH CENTURY

1500s 5

1650 65 AD - 1790 AD ROCOCO

// Graceful // White // Sweeping curves // Elegant

1730 AD - 1925 AD NEOCLASSICISM // Return of classical // Proportioned // Rome & Greece detail

QING DYNASTY STYLE // Lo Wai Lung Yeuk Tau @Hong Kong, Fanling

1895 AD - 1925 AD BEAUX ART // Classical revival // Order // Symmetry // Formal // Grandiosity

1982s 2 TIBETAN STYLE // Fragrant Hotel @ Beijing

00 AD - PRESENT

MODERNISM STYLE Deconstructivism // Formalism// Structuralism

/ Nira House @ Japan

1912 AD - 1949

VICTORIAN STYLE

1950 ART DECO

//Old Bank of China building @ Hong Kong, Central

// Lui Seng Chun @ Hong Kong, Sham Sui Po

1905 AD - 1930 AD NEO - GOTHIC // Medieval detail // Medieval ornament

21 ST CENTURY

2015s 5

1925 AD - 1937 AD ART DECO // Zigzag pattern // Vertical lines // Dramatic // Inspired from Egypt

1997s

MODERNISM STYLE

// Hong Kong International Airport @ Chek Lap Kok

INDUSTRIAL STYLE // Farmus Kijimadaira @ Japan , Nagano

OPENING

WINDOWS

ARCHITECTURE

DOORS ROOF

AISLE ENTRANCE

PASSAGEWAY

ALLY GANGWAY ARCADE

PASSAGEWAY

TRANSITION OF SPACE

TYPE

OPENING

ELEMENTS

ENTRANC ENTRANCE OPENING

DOORWAY

// // // //

Frame Shutter Solid Barrier

MAIN FUNCTION // // // //

Ventilation Passage Enclose Access

ELEMENTS

ENTRANC ENTRANCE OPENING

PASSAGEWAY

// // // // //

Opened Pillars Arch Corridor Tunnel

MAIN FUNCTION // Passing through // Connect in & out

ELEMENTS

FRAMING OPENING

FRAME

// Columns & beams // Joints // Connection

MAIN FUNCTION // Support structure // Shaping form

HOUSE NA - JAPAN Sou Fujimoto

BRANDEN BUS STOP - AUSTRALIA Sou Fujimoto

2 E G A ST

ion onstruct ial c , s ie g lo no ter s of tech details, use, ma m r e t in t types resting g elemen n in terms of inte in d il u b ressio ossible various p ns, material exp e h t g in t io t Documen forms of connec wings. , s ra e u l a iq n ic chn d tech e t d n a s tion combina

DEFINIT DEFINITION

PASSAGEWAY

PASSAGE FILTRATION

FUNCTION FUNCTIO PASSAGEWAY

VENTILATION ILLUMINATION FRAMING

DEFINE

PASSAGEWAY

EXTERIOR

WINDOW ARCH COLUMN WALL OPENED

PASSAGEWAY

DOOR WALL ROOF

INTERIOR

LIGHT SOURCE DOOR DECORATION OPENING PATTERN STAIR BARRIER FENCE

COMPONENT

EXPERIE EXPERIENCE PASSAGEWAY

CONSTR CONSTRUCTION PASSAGEWAY

WOOD TRELLIS A trellis (treillage) is an architectural structure, usually made from an open framework or lattice of interwoven or intersecting pieces of wood, bamboo or metal that is normally made to support and display climbing plants, especially shrubs.WOOD TRELLIS

WOOD TRELLIS

All WOOD IS PRESSURE-TREATED PINE

ELEVATION

TRELLIS DETAIL

MATERIAL CONCRETE

+

WOOD

+

NAILING

CASE STUDY // 01 GARDEN CLOISTER

GARDEN CLOISTE CLOISTER Corridor of the building belongs to the top of the aisle have mostly good lighting. Pictured Changhua County State CKS small corridor, natural sunlight can spill into the construction site

CASE STUDY // 01 GARDEN CLOISTER

TIMBER FRAME ROOF TYPE

ELEVATION

TIMBER FRAME ROOF TYPE PRINCIPAL RAFTER AND PURLIN

CASE STUDY // 02

CHINESE TRADITIONAL CLOISTER

a.Mortise and Tenon Joint with Half-Lap Joint b.Mortise and Tenon Joint c.Basic Butt Joint d.Half-Lap Joint e.Tongue and Groove Joint f.Dovetail Joint g.Dado Joint

CASE STUDY // 02

CHINESE TRADITIONAL CLOISTER

CHINESE TRADITIONAL CLOISTER (13th Centuryy ) Cloister was "return" shape around the garden, veranda connecting buildings, veranda is located under the eaves of buildings

CASE STUDY // 02

CHINESE TRADITIONAL CLOISTER

Using wooden joint method to combine different structure together.

CASE STUDY // 03

GOTHIC CLOISTER

GOTHIC CLOISTER (16th Century )

Alcloister A it id is a covered walk, lk open gallery, or open arcade running along the walls of buildings and forming a quadrangle or garth

CASE STUDY // 03 GOTHIC CLOISTER

CASE STUDY // 03

GOTHIC CLOISTER

St. JOHN COLLEGE ( 16th century ) Arched passageways and the courtyard at St John's College, a constituent college of the University of Cambridge founded by Lady Margaret Beaufort in 1511.

Saint-Michel de Grandmont Priory ( 16th century ) The group of buildings includes a church, a Romanesque cloister surmounted by a pinnacle, and a chapter house and cellar.

Eberbach Abbey ( 12th Century ) The cloisters, the south side of which is Gothic, the north side partly Gothic and partly Romanesque and the remainder a 19th-century restoration.

CASE STUDY // 03 GOTHIC CLOISTER

COMPRESSED EARTH BLOCK

JOINT OF SPACES

CASE STUDY // 03

GOTHIC CLOISTER

CASE STUDY // 04

CHANGHUA COUNTY CKS PRIMARY SCHOOL

CHANGHUA COUNTY CKS PRIMARY SCHOOL

(16th Century Ct )

Corridor of the building belongs to the top of the aisle have mostly good lighting. Pictured Changhua County State CKS small corridor, natural sunlight can spill into the construction site

CASE STUDY // 04

CHANGHUA COUNTY CKS PRIMARY SCHOOL

CASE STUDY // 05 WHITE O HOUSE WHITEO

WHITE O HOUSE

By TToyo oyo Ito (2009)

The house and site are composed together as a single continuous space, flowing along a spiral movement path, and centered on a partially enclosed garden

CASE STUDY // 05

WHITE O HOUSE WHITEO

CASE STUDY // 05 WHITE O HOUSE WHITEO

The inner garden and the living and dining spaces will be used together, allowing a free indoor-outdoor lifestyle

CASE STUDY // 06

PALAU-CASTELL RENAISSANCE CLOISTER

PALAU-CASTELL RENAISSANCE CLOISTER

by el fabricante de espheras

The dividing preexisting wall is used as a support for a mirror that reflected the lost portion of the open area surrounded by gothic arch galleries.A repetition of wooden slats highlights the adjacent corridor

CASE STUDY // 06

PALAU-CASTELL RENAISSANCE CLOISTER

SECTION

CASE STUDY // 07

GLASS OFFICE SOHO CHINA

GLASS OFFICE SOHO CHINA SO 2013

glass creates a multitude of reflections of the sales models and meeting rooms, while leaving the original height and structure visible, thus creating a 'double reality' that merges with the stunning views of downtown Shanghai

CASE STUDY // 07

GLASS OFFICE SOHO CHINA

STAGE 3

perimentation oration and ex pl ex al ic g lo fluences and rough techno chnological in te with crafting th y at g g lo in no ok ch lo te on n of concept, Confronting phasis is placed nceptualising and translatio Em s. ie ud st riations. of the elements s, ways of redesigning, reco ible mutation va ss on po si r es he pr ot d ex material ial object an cus into a spat fo d an d or yw ke

STAGE 3

PASSAGEWAY

STAGE 3

TRANSFORMATION OF SPACE

HOW DOES THE FORM REACTED TO PEOPLE FLOW.

FRONT ELEVATION

STAGE 3

TRANSFORMATION OF SPACE

STUDY MODEL

STAGE 3

TRANSFORMATION OF SPACE

PLAN

PLAN

STAGE 3

FOLDING ARCHITECTURE

TWISTING

SPACE CRATE

FLEXIBLE TO MODIFIED

BENDING STRONG BONDING

STAGE 3

MODLE OF PATH

STAGE 3

TECHNICALN DRAWINGS

STAGE 3

TECHNICALN DRAWINGS

STAGE 3

TECHNICALN DRAWINGS

STAGE 3

TECHNICALN DRAWINGS

STAGE 3

TECHNICALN DRAWINGS

STAGE 3

TECHNICALN DRAWINGS

STAGE 3

TECHNICALN DRAWINGS

TRANSPARENT CORRUGATED BOARD

METAL HINGE

4 E G A ST

lied ugh an app . ro th t, c u d e collage a new pro rted into th lopment of e e s v in e d re d e n b a g to ments are n to craftin An extensio rpreted / designed ele inte use. The re

STAGE 4

CRAFTING

STAGE 4 CRAFTING

STAGE 4

CRAFTING

The hinge can help to fit in different angle of the structure to the wooden platfrom.

STAGE 4 CRAFTING

Trying to find out more possibilities of folding meathod, using the same execution but different combination.

STAGE 4

CRAFTING

FINAL

N O I T A T N E S E PR

, STUDY

PMENT AL DEVELO IN F O T E G IRST STA ING. ROM THE F D TECHNIQUE DRAW F K R O W YOUR AGE, AN SHOW ALL DEL ,COLL O M , G IN T S MODEL , TE

Using the 2mm plywood and transparent corrugated board to ake the model, and all cutted with hand only.

Using wood joint to combine all stucture together.

FINAL PORDUCT 594 x 851 x 594, 3mm plywood, trancing paper.

END

WU HOI YAN , HALEY 15011294 D, STUDIO IV, SEMESTER 1, YEAR 3, 2015