Greek Traditional Melodies for Piano Vol. I ISMN SET: M - 801151-20-9 ISMN 1oυ: Μ - 801151-21-6 © 1999, 2001 Εκδόσεις Fagotto-Νίκος Θερμός Βαλτετσίου 15, 10680 Αθήνα τ. 2103645147, f. 2103645149 Ζακύνθου 7, 31100 Λευκάδα τ. 2645021095 email: info@fagottobooks.gr www.fagottobooks.gr Editions Fagotto-Nikos Thermos 15 Valtetsiou, 10680 Athens t. 2103645147, f. 2103645149 7 Zakynthou, 31100 Lefkada t.-f. 2645021095 All rights reserved. Printed in Greece.
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¶ÂÚȯfiÌÂÓ· Contents 5 5
¶ÚfiÏÔÁÔ˜ Preface
7 7
™’ ·Á·Ò ÁÈ·Ù› Â›Û·È ˆÚ·›· I Love You
11 11
E¯Â ÁÂÈ¿ ¶·Ó·ÁÈ¿ Farewell Holy Mother
15 15
°È¿ÓÓË ÌÔ˘ ÙÔ Ì·ÓÙ‹ÏÈ ÛÔ˘ Yianni
19 19
T˙È‚·¤ÚÈ Tzivaeri
23 23
M‹ÏÔ ÌÔ˘ ÎfiÎÎÈÓÔ The Red Apple
27 27
°È·Ù› ‰ÂÓ Ì·˜ ÙÔ Ï˜ Tell Us Your Worries
31 31
¶¤Ú· ÛÙÔ˘˜ ¤Ú· οÌÔ˘˜ In The Country
35 35
¶¤ÚÁ·ÌÔ˜ Pergamos
39 39
M˜ ÛÙÔ˘ AÈÁ·›Ô˘ Ù· ÓËÛÈ¿ In The Islands Of Aegian Sea
43 43
¢ÂÓ Û ı¤Ïˆ È· I Don’t Want You Any More
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¶ÚfiÏÔÁÔ˜
Preface
H ÙfiÛÔ ÔÈΛ· ÂÏÏËÓÈ΋ ·Ú·‰ÔÛȷ΋ ÌÔ˘ÛÈ΋ ÛÙÔ Â›Â‰Ô Ù˘ Û˘ÏÏÔÁÈ΋˜ ÌÔ˘ÛÈ΋˜ ˙ˆ‹˜ ÂÍ·ÎÔÏÔ˘ı›, fiˆ˜ ·Ô‰ÂÈÎÓ‡ÂÙ·È, Ó· ·Ú·Ì¤ÓÂÈ «¿ÁÓˆÛÙË ¯ÒÚ·» ÛÙÔ Â›Â‰Ô Ù˘ Ù˘È΋˜ ÂÎ·È‰Â˘ÙÈ΋˜ Ú·ÎÙÈ΋˜. KÈÓËÙ‹ÚÈ· ‰‡Ó·ÌË ·˘Ù‹˜ Ù˘ ¤Î‰ÔÛ˘ ˘‹ÚÍÂ Ë ı¤ÏËÛË Ó· ÂÊԉȷÛÙÔ‡Ó ÔÈ Ó¤ÔÈ È·Ó›ÛÙ˜ Ô˘ ‰È·Ó‡Ô˘Ó ÙÔ ·Ú¯ÈÎfi ÛÙ¿‰ÈÔ ÂÎÌ¿ıËÛ˘ ÙÔ˘ ÔÚÁ¿ÓÔ˘ Ì ÂΛÓÔ ÙÔ ÈηÓfi ˘ÏÈÎfi, ÙÔ ÔÔ›Ô ı· ÙÔ˘˜ ÂÈÙÚ¤„ÂÈ Ó· ·ÛÎËıÔ‡Ó ÛÙÔ˘˜ Ú˘ıÌÔ‡˜ Î·È ÙË ÌÂψ‰›· Ù˘ ·Ú·‰ÔÛȷ΋˜ ÌÔ˘ÛÈ΋˜ Ù¤¯Ó˘. H ÁÔÓÈÌÔÔ›ËÛË Ù˘ ÌÔ˘ÛÈ΋˜ Ê·ÓÙ·Û›·˜ Â›Ó·È Ô ÛÙ·ıÂÚfi˜ ÛÙfi¯Ô˜.
This small collection is the result of an effort to bring in music parts of melodies with especial richness amongst the various types of Greek Folk Music and it aims at a substantial initial contact of the interested parties with the specific music style.
™Ù· ȉȷ›ÙÂÚ· ÁÓˆÚ›ÛÌ·Ù· Ù˘ ÂÏÏËÓÈ΋˜ ·Ú·‰ÔÛȷ΋˜ ÌÔ˘ÛÈ΋˜ ÌÔÚԇ̠ӷ ·Ó·Ê¤ÚÔ˘ÌÂ: ·) ÙË Û˘Ó·Ú·ÛÙÈ΋ Ú˘ıÌÈ΋ ÔÈÎÈÏÔÌÔÚÊ›· ÙˆÓ ·ÏÒÓ, Û‡ÓıÂÙˆÓ Î·È ÌÂÈÎÙÒÓ Ì¤ÙÚˆÓ, ‚) ÙË ÌÔÓÔʈÓÈ΋ ˘Ê‹, ÙËÓ Î·Ù·Û΢‹ Ù˘ ÔÏϤ˜ ÊÔÚ¤˜ ·fi Ú˘ıÌfi Î·È ÌÂψ‰›· ¯ˆÚ›˜ Û˘Á¯ÔÚ‰›Â˜ ‹ ÌfiÓÔ Ì ÙË Û˘Óԉ›· ÙÔ˘ ÈÛÔÎÚ¿ÙË, Á) ÙË ¯Ú‹ÛË ÙÔ˘ Ê˘ÛÈÎÔ‡ ¯ÔÚ‰›ÛÌ·ÙÔ˜ Î·È ¿ÏÏˆÓ ¯ÔÚ‰ÈÛÌ¿ÙˆÓ Ù˘ AÓ·ÙÔÏÈ΋˜ MÂÛÔÁ›Ԣ Ì ÌÈÎÚԉȷÛÙ‹Ì·Ù·, Ù· ÔÔ›· ÂÈÙÚ¤Ô˘Ó ÙË ‰ËÌÈÔ˘ÚÁ›· ·Û˘Ó‹ıÈÛÙˆÓ ÁÈ· ÙÔ ‰˘ÙÈÎfi ¿ÎÔ˘ÛÌ· ÌÂψ‰ÈÒÓ, ‰) ÙȘ Îϛ̷Θ, ÔÈ Ôԛ˜ ¤¯Ô˘Ó ÚÔ¤ÏıÂÈ ·fi ÙËÓ ·ÏÏËÏ›‰Ú·ÛË ÌÂٷ͇ ÙÔ˘ B˘˙·ÓÙ›Ô˘ Î·È ÙˆÓ ÌÔ˘ÛÈÎÒÓ ÔÏÈÙÈÛÌÒÓ Ù˘ EÁÁ‡˜ AÓ·ÙÔÏ‹˜, Â) ÙÔ Û˘Ó‰˘·ÛÌfi Ù˘ «·Ó·ÙÔÏÈ΋˜ ÌÂψ‰›·˜» Ì ÙË «‰˘ÙÈ΋ ·ÚÌÔÓ›·» ÛÙÔ Î·ÙÂÍÔ¯‹Ó ÂÏÏËÓÈÎfi ˘‚Ú›‰ÈÔ ÙÔ˘ ·ÛÙÈÎÔÏ·˚ÎÔ‡ ÌÈÎÚ·ÛÈ·ÙÈÎÔ‡ ÙÚ·ÁÔ˘‰ÈÔ‡, ÙÔ ÔÔ›Ô Ê¤ÚÂÈ Ù· ÚÒÈÌ· ¯·Ú·ÎÙËÚÈÛÙÈο ÙÔ˘ ÚÂ̤ÙÈÎÔ˘. ™ÙË Û˘ÁÎÂÎÚÈ̤ÓË Û˘ÏÏÔÁ‹, οı ÎÔÌÌ¿ÙÈ ·Ó·Ù‡ÛÛÂÙ·È ÛÙÔ ¯ÒÚÔ ÂÓfi˜ ÙÂÙÚ·Û¤ÏÈ‰Ô˘. ™ÙËÓ ÚÒÙË ÛÂÏ›‰· ‰›‰ÔÓÙ·È ÏËÚÔÊÔڛ˜ ÁÈ· ÙÔ Ì¤ÙÚÔ, ÙËÓ Îϛ̷η Î·È ÙËÓ ·ÚÌÔÓ›· Ù˘ ÌÂψ‰›·˜. ™ÙËÓ Ù¤Ù·ÚÙË ÛÂÏ›‰· ¤¯ÂÈ Î·Ù·ÁÚ·Ê› ÛÂ Û˘ÓÔÙÈ΋ Ù˘ÔÔÈË̤ÓË ÊfiÚÌ· Ë ÌÂψ‰›· Ì ÙÔ˘˜ ÛÙ›¯Ô˘˜ Î·È Ù· ۇ̂ÔÏ· Û˘Á¯ÔÚ‰ÈÒÓ. ™ÙȘ ÂÛˆÙÂÚÈΤ˜ ÛÂÏ›‰Â˜ (‰Â‡ÙÂÚË Î·È ÙÚ›ÙË) ÂÎÙ›ıÂÙ·È Ë ‰È·Û΢‹ Ù˘ ·Ú·‰ÔÛȷ΋˜ ÌÂψ‰›·˜ ÁÈ· È¿ÓÔ. B·ÛÈο ÛÙÔȯ›· ·˘ÙÒÓ ÙˆÓ ‰È·Û΢ÒÓ Â›Ó·È:
In connection with the distinctive features of Greek Music we would refer to: a) the fascinating rhythmic diversity of simple, compound and mixed meters, b) the monophonic texture, the construction of which many times is based on rhythm and melody without chords or only on ostinato’s accompaniment, c) the use of natural tuning and other unequal temperaments from the Eastern Meiterranean, which allow for the creation of melodies peculiar to the western ear, d) the scales which have been derived from the interaction between Byzantium and Near East music civilizations, e) the combination of “eastern melody” with “western harmony”, the main Greek hybrid of Asia Minor folk song which bears the early features of Rebetica. In this specific collection each music part extends on a four-page layout. Pieces of information on melody’s meter, scale and harmony are provided on first page. On the fourth page the melody has been expressed in a brief standard form with the melody and the chord symbols. The adaptation of the traditional melody for piano is presented on the inside pages (second and third). Basic features of these adaptations are: a) the adoption of a plain melody version, since the transit to nowdays piano tuning does not leave space for particular elevations, b) the focus on monophonic texture by displaying melody in octaves or by combining melody ith ostinato, c) the drastic restraint of harmonious movement, as
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™’ ·Á·Ò ÁÈ·Ù› Â›Û·È ˆÚ·›· I Love You
MÈÎÚ·ÛÈ·ÙÈ΋ Ï·˚΋ ηÓÙ¿‰·. Traditional melody of Minor Asia. M¤ÙÚÔ ·Ïfi ÙÂÙÚ·ÌÂÚ¤˜ 4/4. Simple quadruple meter 4/4.
Kϛ̷η: Scale:
TÔÓÈÛÌfi˜ Ù˘ IV: Tonicization of IV:
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Copyright © 2001 Fagotto Editions. All rights reserved.
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