Equestrian Living - January/February 2025

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EQUESTRIAN LIVING

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JA NUARY /FEB R UARY 2 0 2 5

THE JANUARY/FEBRUARY 2025

DESIGN ISSUE PLUS:

DESIGN MASTER CLASS

INSPIRING IDEAS FROM PREMIER DESIGNER S

MOROCCO IN WELLINGTON

LUTZ & MANFREDI DISPLAY UNTIL MAR 6, 2025

Exhibition of Monumental Sculpture in

Wellington, Florida January – April 2025

Patagones Polo Club, 12400 Indian Mound Road, Wellington, Florida, 22449

Following on from a successful exhibition of sculpture by Nic Fiddian Green in 2024, we are returning with figurative, animalier and abstract highlights from both our modern and contemporary sculpture departments.

To visit and for further information, please contact the Sladmore Gallery (contact@sladmore.com) or scan the QR code

EQ I N S I D E

FEATURES J A NUA RY | F E B RUA RY 2 0 2 5

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ELEGANCE IN BLOOM

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THE RIZVI’S MOROCCAN HAVEN

Floral designers upped their game at the 2024 Hampton Classic’s table display competition with innovative themes and show-stopping arrangements showcased in a gallery of photos by Alden Corrigan.

THE RIZVI FAMILY’S MOROCCAN HAVEN

GEORGE KAMPER

38 The Wellington, Florida, home of PJ and Suhail Rizvi and their children, intertwines a captivating blend of multicultural influences.

With furnishings from Morocco, India, and the Middle East, the stunning home exudes an appealing sense of character and authenticity and a celebration of equestrian sport.

DESIGN

52 Allow your imagination to soar with an inspiring portfolio of projects in the 13th edition of the design feature. From an Australian weekend getaway to a New England carriage house and a Montana barn home, the pages are lush with imaginative designs by some of the industry’s visionaries.

52

DESIGN LUTZ/MANFREDI

72 Peter Lutz and Mary Manfredi built their 20-year training business on excellence, integrity, and a passion for the sport. Their shared careers as top-level competitors, trainers, and mentors inspire up-and-coming riders and help talented young horses achieve success at the highest levels of the sport.

ABSTRACT PAINTER JO TAYLOR

78 Jo Taylor’s energetic equine paintings reflect her in-depth understanding of anatomy. Her horses, infused with energy, emerge from landscapes of her imagination or observation and echoed in palettes inspired by the environment, whether galloping across the American plains or along the misty coast of Ireland.

J. BANNAN PHOTOGRAPHY

4 | EQU E S T R I A N L I V I NG | J AN UARY / FEB RUARY | 2025

Let’s build a champion.

Your young equestrians deserve more than the standard horse barn. Build them a B&D equestrian facility, crafted for the champions of tomorrow.

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EQ I N S I D E

DEPARTMENTS J A NUA RY | F E B RUA RY 2 0 2 5

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14 FAVORITES

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World-class show jumper Meredith Michaels-Beerbaum shares some of her favorites, from hotel and restaurant to show venue and travel destination.

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Pamper your pooch from head to tail with an array of functional, stylish, and fashion-forward items.

FASHION

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Wrap yourself in style and warmth in a collection of scarves for any occasion. From cashmere to silk, equestrian motifs have never looked better.

STYLE

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Understated sport-inspired jewelry integrates elegance and unique design while paying homage to equestrian icons.

FOOD

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Chef George Murkowicz of 1906 Restaurant at Longwood Gardens in Chester County, Pa., shares his favorite recipe for mushroom soup.

BOOK

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An exclusive excerpt from To Borrow Freedom, a memoir

by Sheila Greenfield.

DÉCOR

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Equestrian accents, large and small, can transform a nursery into a charming environment for children and parents alike.

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ON THE COVER

IN EACH ISSUE Cover: Bonterra Farm in Dover, New Hampshire.

Designed By Blackburn Architects.

Photo by Tobin Davies.

See page 52 for the full design feature.

EDITOR’S NOTE 8 Welcome to Equestrian Living.

RESOURCES 97 Look for CONTACT INFO | PAGE 97 to find the products and services in this issue.

BARN DOGS 98 Meet Miles, the once unwanted rescue pup and now beloved barn dog and top agility competitor at the Westminster Dog Show.

6 | EQU E S T R I A N L I V I NG | J AN UARY / FEB RUARY | 2025

Wallpaper is making a bold comeback with designs that reflect personal interests. For equestrians, the designers have you covered.

EQUESTRIAN PROPERTIES

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Fabulous farms and ranches.

ESSENTIALS

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Discover the common causes of barn fires and learn how to reduce the risk with an effective safety checklist.

EQ F R O M T H E E D I T O R

PHOTO C. WYNN MEDINGER

WELCOME moment was a testament to resilience and reverence for history.

As I read through this year’s annual design feature, I couldn’t help but draw comparisons, albeit modest, to the approaches to architecture and design. Whether honoring historical relevance, maintaining the integrity of an original structure, or adhering to authentic styles, these principles resonate throughout our featured Standing, from left: Zayna Rizvi; hair and makeup artist projects.

Leslie Munsell, CEO of Beauty For Real; PJ Rizvi; Equestrian In designing an Australian Living editor Stephanie Peters; photography assistant Jason Gonzalez. In foreground: Equestrian Living photography weekend getaway, the project team director George Kamper. referenced the rural setting by using local hardwood and creating cathedral-like ceilings to frame views traveled to Paris in May 2019 of the paddocks and bushland below. for an EQLiving travel feature The Chapel Springs Barn project in at the Château de Courtomer in Charlottesville, Virginia, merges historic Normandy (see EQLiving Oct/ charm with modern amenities. While Nov 2019), one month after the preserving the integrity of the original devastating fire at Notre Dame barn, the builders added cutting-edge Cathedral. Still encased in scaffolding, technology and transformed the outdated the iconic building was hidden behind structure by opening the roof to flood extensive barriers and security perimthe space with light. The result is a graceeters to prevent access and ensure safety. ful and inviting sanctuary for horses and Like so many, I had watched the tragedy humans alike. unfold on TV, and witnessing flames The feature is lush with pages of inspirengulfing a building of such epic graning barn, arena, stall, and home designs, deur and significance was overwhelming. highlighting the stunning and skillful True to French President Emmanuel work of visionaries in the industry.

Macron’s vow to reopen the first reconIn a fascinating home-design struction phase within five years, Notre endeavor, the EQLiving team visited Dame recently opened its grand wooden with equestrians PJ and Zayna Rizvi at doors again, welcoming world leaders to the Rizvi family’s Moroccan-inspired the ceremonial reopening, “underlining home in Wellington, Florida. I’ve visited the cathedral’s significance as a symbol of shared heritage and peace,” noted Thomas countless breathtaking homes as editor of EQLiving. Still, the vision and execution Adamson of the Associated Press. The

I

8 | EQU E S T R I A N L I V I NG | J AN UARY / FEB RUARY | 2025

of the home’s unique interior and outdoor spaces left me in awe, underscoring the power of thoughtful design to transport and inspire.

Continuing with a creative theme, we again showcase photographer Alden Corrigan’s popular images of the annual floral table display competition at the 2024 Hampton Classic and offer ideas to add equestrian touches to a child’s nursery. And, keeping pace with homedécor trends, wallpaper designers are adding bold, horse-centric themes to their patterns.

This issue’s gallery highlights the energetic equine paintings of U.K. artist Jo Taylor. With her in-depth knowledge of anatomy and physiology, her abstract depiction of horses renders them both powerful and imaginative.

We also feature a visit with exemplary riders and trainers Peter Lutz and Mary Manfredi of Lutz/Manfredi. Meeting each other as young riders at Judy Richter’s Coker Farm, their successful training business is founded on a deep respect for each other and the horses and clients in their training program.

There’s much to savor in this January/ February design issue, which coincides with the start of a new year. After an exhaustive 2024 filled with campaign ads and election fervor, I intend to turn to some of the beauty and calm of the arts, the creativity of design, and the elegance and spirit of equestrian sport in 2025.

Cheers for the new year!

EQ EQ FFAAVVOORRI ITTEESS

What books are on your bedside table: A Short History of Nearly Everything by Bill Bryson; A Separate Peace by John Knowles (reading with Brianne.)

Tomorrow and Tomorrow and Tomorrow

by Gabrielle Zevin; Dave Pelz’s Short Game Bible (Golf ) by Dave Pelz.

Favorite car: Mercedes. No competition.

Favorite source for fashion: I love finding a good city and taking time out for shopping. If that doesn’t work, Net-a-Porter.

Favorite horse: Shutterfly: horse of a lifetime who will live in my heart forever.

MY FAVORITES

GEORGE KAMPER

Favorite food to cook at home: Fresh fish, great steaks, fresh vegetables, and salad.

MEREDITH MICHAELS-BEERBAUM

Favorite music on your playlist: Taylor Swift.

The Beerbaum name is synonymous with success, accomplishment, and legacy, and she is renowned for her remarkable achievements, including the first female rider to reach the number one spot in the show jumping world rankings.

Favorite show/venue: CSIO Aachen, Germany. The best show in the world in every category. The Wimbledon of show jumping!

Favorite charity: Laureus Sport for Good.

THE TABLE KEVIN FEHLING

Another riding discipline you’d love to try: Dressage. But I think I’ve missed the boat.

Favorite travel destination: Either to the great horse shows around the world or somewhere the sun is shining and I can swim in the ocean.

VIL A JOYA

Favorite escape/hotel: Vila Joya, Portugal. A dream! Small boutique hotel on the beach, amazing food, weather, and spa, where everyone knows your name.

Favorite restaurant: The three Michelin star restaurant in Hamburg, Germany, The Table, that has one table running through the warehouse-style interior. You watch the chefs cook and prepare the food. It’s like being in the theater, and they never say a word!

Favorite way to relax: Golf.

If you weren’t an equestrian you might have been: A politician specializing in foreign affairs.

JA NUA RY/FE B RUA RY | 2 0 2 5 | EQ L I V I NG .CO M | 9

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10 | EQ UE S T R I A N L I V IN G | J AN UARY / FEB RUARY | 2025

EQ was chosen OVERALL BEST EQUESTRIAN MAGAZINE in its inaugural year by American Horse Publications.

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EQ F A S H I O N

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Wrap yourself in style with these SHAWLS AND SCARVES.

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1. The Classic Equestrian silk scarf in midnight blue from AcaciaZuri. $240.

2. The Helena silk scarf in bold amber and tangerine by Urban Equestrian. $29.

3. Urban-Equestrian’s Devon wool blend luxe shawl in tangerine. $69.

4. Vittoria hand-rolled silk foulard in red by Elizabetta. $165.

5. Elizabetta’s Alessandra long sheer silk scarf in navy is hand made in Italy. $105.

6. The Stella cashmere scarf in rust

by Stylish Equestrian. $68.

7. 100% Virgin wool extra-wide scarf by Eagle Products, made in Germany. $104.

CONTACT INFO | PAGE 97

14 | EQ UE S T R I A N L I V IN G | J AN UARY / FEB RUARY | 2025

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Sotheby’s International Realty® and the Sotheby’s International Realty Logo are service marks licensed to Sotheby’s International Realty Affiliates LLC and used with permission. Equestrian Sotheby’s International Realty fully supports the principles of the Fair Housing Act and the Equal Opportunity Act. Each franchise is independently owned and operated. Any services or products provided by independently owned and operated franchisees are not provided by, affiliated with or related to Sotheby’s International Realty Affiliates LLC nor any of its affiliated companies. The information contained herein is deemed accurate but not guaranteed. Pricing subject to change without notice. All rights reserved. All copywriting and photography are property of Equestrian Sotheby’s International Realty. Reproduction and distribution without written permission are prohibited.

EQ S T Y L E

UNDERSTATED LUXE SPORT-INSPIRED JEWELRY with effortless elegance.

The Equestrian Lariat by Vincent Peach, renowned for his exceptional and elevated pearl designs, integrates his signature sterling silver clasp with a freshwater Keshi pearl lariat. $1,250.

Equestrian Fringe Necklace by Vincent Peach embraces a hint of western flair, blending bohemian style with equestrian inspiration. A soft deer fringe suspends from a sterling silver or 14-karat gold bit. $699.

The Cody Crown Coin Horseshoe Necklace by UrbanEquestrian pays homage to equestrian icons with its intricately designed pendant. In sterling silver, 14-karat gold, brass, and a chunky rope chain. $189.

The handcrafted Isaro Chandelier Earrings by Dhwani Bhansal make a strong statement in 22-karat gold-plated brass and white rhodium brass with scattered baroque pearls shining through. 3.8-inch drop. At Nordstrom. $180.

Hermès narrow enamel Mini Clic Chaine d’Ancre Bracelet in orange fruit opens and closes with a toggle clasp which reveals the iconic Chaine d’Ancre signature. In rose goldplated finish. $700.

18 | EQ UE S T R I A N L I V IN G | J AN UARY / FEB RUARY | 2025

Urban-Equestrian’s Adele Snaffle Bit Earrings with aqua chalcedony stones set in 14-karat gold on sterling silver, flaunts a sleek reimagined equestrian elegance. $129.

Urban-Equestrian’s Adele Snaffle Horse Bit Necklace with aqua chalcedony gemstone set in 14-karat gold on sterling silver is suspended from a double cable chain. $129.

David Yurman’s Crossover Wide Ring with sterling silver and 18-karat yellow gold is both a statement piece and a work of art. At Nordstrom. $950-$1,000.

The Hermès narrow Olympe Bracelet in Madame calfskin is inspired by a 1970s design revealing the discreet “H” in its center. In palladium plated finish. $650.

CONTACT INFO | PAGE 97

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Double H Farm, Best Floral Design

THE 2O24

HAMPTON CLASSIC

Elegance in Bloom Every year EQ Living’s gallery of show-stopping flower arrangements is a reader favorite. This year the floral designers upped their game once again, and the equestrian competition was matched by an ultimate table display showdown.

PHOTOS BY ALDEN CORRIGAN Lignelli Family, Best of Show Winner

Blue Star Equestrian, 3rd Place Best of Show Winner

Pfeffer, Best Overall Theme Winner Overall Theme Winner

Wölffer Estates Vineyard, 2nd Place Best of Show Winner

Five Star Partners/Horseshoe Trail

BrainJuice

Bloomberg

Aquitane Equine

Organically Green

Bridgehampton Florist

Bridgehampton Florist

KPMG

SCAD, Most Innovative Winnner

EQ F O O D + D R I N K

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Longwood Gardens CHEF GEORGE MURKOWICZ shares a favorite recipe.

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PHOTOS: EVAN SUNG

T UN CO ITES E RS OR H O FAV

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KENNETT SQUARE MUSHROOM SOUP

ALEXANDRA TRINGALI

INGREDIENTS (makes 1 gallon) Mushroom Stock 1 pound white button mushrooms, chopped (and any mushroom stems available) 1 leek, chopped 1 Spanish onion, julienned 1 rib celery, sliced 3 sprigs each, tarragon and thyme 1 bay leaf 1 gallon and 1 cup water Place ingredients in a tall saucepan. Add water and bring to a boil. Simmer for an hour and strain.

Mushroom Soup 1 stick of butter 2 leeks, washed, whites only, brunoise 4 shallots, brunoise 6 ribs, celery, brunoise 2 tablespoons, thyme, minced 2 cups each, shiitake mushrooms, julienned; crimini mushroom caps, sliced; and button mushrooms, sliced 1 cup, sherry wine 2 cups, all-purpose flour 1 gallon, mushroom stock (see above recipe) 1 cup, heavy cream 2 tablespoons, tarragon leaves, chiffonade Kosher salt and black pepper to taste METHOD 1. Sweat the leeks, shallots and celery in the oil and butter until translucent.

2. Add thyme, season with salt and pepper. Add sliced mushrooms and cook until mushrooms wilt and release their liquid.

3. Add sherry wine and reduce by half.

4. Add flour and stir to coat vegetables. While stirring, slowly add mushroom stock and bring to a simmer. Simmer for 10 minutes.

5. Add cream and tarragon. Let simmer for 5 more minutes.

Season to taste with salt and pepper. Serve immediately.

24 | EQ UE S T R I A N L I V IN G | J AN UARY / FEB RUARY | 2025

Raised in Scottsdale, Arizona, George Murkowicz’s culinary journey began at a young age, fueled by his fascination with cooking shows and supported by his mother’s encouragement. At 16, George embarked on his professional culinary path at Zinc Bistro, where he honed his skills under the guidance of James Beard-nominated chef Rochelle Daniel.

His culinary expertise continued at T. Cooks in the Royal Palms Resort and Spa, where he delighted many celebrity guests with his creations. In 2013, George became the Executive Chef at Scarlett Begonia in Santa Barbara, California, focusing on coastal farm-to-table cuisine. Returning to Arizona, George made his mark as the executive chef of Shift in Flagstaff, elevating the local mountain food scene with his hyper-local approach. George’s culinary talent has earned him numerous accolades, including first place in Master Chef Santa Barbara and Wine and Dine in the Pines. He has been recognized by food critic Howard Seftel and featured in publications such as Phoenix Magazine and the Santa Barbara Independent.

October 2024 marked the highly anticipated debut of the new 1906 RESTAURANT at Pennsylvania’s Longwood Gardens, one of the world’s greatest horticultural displays.

The restaurant’s spectacular new space offers views of Longwood’s famous fountain gardens. Longwood Gardens was founded in 1906 by Pierre S. du Pont, and has been named one of the “The Most Beautiful Botanical Gardens in the U.S.” by Conde Nast Traveler magazine, and one of the “Most Spectacular Fountains in the World” by CNN Travel.

1906 serves upscale American fare with a focus on seasonal ingredients, much of which is grown at the reimagined and redesigned ornamental kitchen garden. This on-site garden is home to over 200 rotating fruit, vegetable, and herb crops.

The restaurant serves lunch and dinner, with menus that are divided into Flora, Fauna, and Funga.

INFO | PAGE 97

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FORGET ABOUT THE BIRD An exclusive excerpt from TO BORROW FREEDOM by Sheila Greenfield.

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s the riders relaxed over lunch and relived the morning’s adventures, I checked each horse thoroughly.

By running my hands along each horse’s back and legs, I could feel for any new bumps or lumps. A slight difference in temperature or increased sensitivity in a particular area was an indication of a sore or bruise developing. Each horse reacted differently. Some stamped the ground as I interrupted their meal. Others swished their tails, shook their heads, or even laid back their ears.

While I was lost in equine company, snippets of conversation drifted over to me from the table.

Marie’s personality and enthusiasm always brought a smile to my lips.

“I can’t feel my ass, my legs weigh a ton, and I have dust in places I didn’t even know existed!” she said, following with her infectious laugh. “But I wouldn’t have it any other way.” She must have noticed me smiling. “Hey, Sheila, where’s that man of yours, and his bird?”

“Marie, your guess is as good as mine. Knowing Robert, I’m sure something dramatic has happened.

He should be here soon.”

Now that she mentioned it, where the hell was he?

It was toward the end of the two-hour break that the Jeep reappeared at its usual top speed. Robert hopped out, his arms and jeans covered in oil, and his right forearm fully bandaged.

“Hi everyone. How was lunch?” he said, smiling.

How could he be so nonchalant? I raised my eyebrows at him and got a wink back. Nothing to worry about.

This exclusive excerpt from To Borrow Freedom by Sheila Greenfield is reprinted with permission from Trafalgar Square Books.

All the riders got to their feet and flocked around him.

“Are you okay?” said one.

“What happened to you?” said another.

“Where’s the bird?” said someone else.

Fátima and I stood back with our arms folded, watching The Robert Show, while he turned to everyone with a twinkle in his eye.

“Everything’s okay. The vet at the sanctuary said that the bird was a North Atlantic cormorant and that he would never survive. He said the kindest thing to do would be to wring his neck.”

They all gasped, horrified.

“But,” Robert continued, “he also said that if I really wanted, I could try washing the cormorant with Fairy Liquid.” He paused and smiled incorrigibly. “So I thought we should give the bird a chance.”

Sighs of relief all round.

“But what happened to your arm?” asked Dominique. “Did he bite you?”

Robert raised his bandaged arm and looked at it along with everyone else.

“There was just a wee misunderstanding about who was the boss, is all. Nothing a few stitches couldn’t fix.”

My face fell. Stitches! That’s just terrific. Smack bang in the middle of the hardest trail of the year and we’ve got an injury to contend with. I turned away, while the riders clustered around Robert.

Typical.

Over the course of our fifteen years at the farm, guests had suffered a total of two broken legs and one broken wrist. Accidents happen, and we were prepared to deal with them. But Robert was Continued on page 27

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TO BORROW FREEDOM

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indispensable to the operation; I needed him fit and able.

I walked off and joined MC and Bela for the final horse check before we set off. MC had come up with a great solution for girth rubs. These were the sore areas that could develop around the girth, which held the saddle in place, and if left untreated could lead to a horse being out of action for a month. She found that if she wrapped a felt bandage round the girth on each side of the problem area, the girth would be raised away from the sore. And then, with the simple genius of inserting a sanitary pad between the two felt bandages, the rub was kept totally clean and could heal.

“Let’s go through the afternoon ride, guys,” I said when we had completed the horse check, opening up a map. “It’s really long, so you’re going to need your wits about you.”

There were usually two groups of seven to nine riders on each trail ride, traveling about fifteen minutes apart, assisted when necessary by a support vehicle (and of course, if needed, the lunch-horse

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support team that drove ahead). MC was leading the second group today.

“I’m fine up to the drinks stop,” she said, “but is it okay if we ride as one group after that? I’m a bit worried about crossing the river on my own.

Especially after all the rain we’ve just had.”

“Of course,” I replied. “Good idea. I’ll wait at the drinks spot for you.”

MC smiled. She was a stunner, and in many ways, my right-hand woman. She’d been with us a few years now and had become a treasured part of the team. At twenty-six, she had the kind of looks that could easily have launched a successful modeling career. She had the height, the sleek black hair, and the searing blue eyes, but more than this, she had an elegance that was all her own. I often wondered what our kind of life did for her. Was there something she wanted to get away from? Or, like me, did she just belong around horses?

I turned to Bela, who’d been working with us only a few months. She had a lot to learn about horses, though she had a natural affinity for them.

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TO BORROW FREEDOM Continued from page 27

Whether she had the stomach for some of the more trying aspects of horse management remained to be seen. In many respects, she was busy being twenty.

“Bela, are you happy to do the backup and the drinks spot? The horses will need loads of water, electrolytes, and salt by then.”

“Sure thing,” she said, nodding readily.

“And maybe have some sugar handy as well, please.”

“No problem.”

It was only as Bela and MC walked off that I noticed the yellow and purple cotton strands plaited through Bela’s hair, and her bright orange shirt with a sunset across the back of it.

I loved how she was growing more and more into herself.

While I was leading the first group out, Robert ran alongside me and put his hand on my leg. He studied me intently and spoke in a soft voice.

“Sorry about that. I couldn’t get away back there.”

I brushed off his hand. “It’s okay. Part of the job, I guess.” I could feel him calibrating his measure of my mood.

“Sheila––” “How are we going to manage with the bird? I thought you were going to bring it somewhere, not adopt it.”

“Hang on a minute––” “And your arm…how many stitches did they put in?”

He put his hand back on my leg.

“Sheila, calm down, will you? Only five, and without a bother. Anyway, what would you have done?” He knew the answer. “Come on, you know we’ll get him right again. At least we’ll give him a chance.”

As we walked past the Jeep, I noticed a big bird cage in the back and caught a glimpse of something black and angry moving about. My frustration melted as I glanced at Robert’s dark blue eyes, so full of care and concern. There wasn’t an animal in the world he wouldn’t save from the gallows.

“I guess you’re right. We’ll manage. It’s just hard, you know? We’re still a week away from home, and sometimes having to share you with everyone isn’t easy…”

“How do you think I feel all the time?” he said, squeezing my hand, punctuating the moment with tenderness. “I’ll go and help the crew pack up. Have a good one.”

I walked on, followed by my half of the riders. Focus on the ride. Forget about the bird.

We only did the Ride to the End of the World and Back twice a year—in March and October when it wasn’t too hot. The aim was to reach Sagres, a small seaside town on the most southwesterly point of mainland Europe. Sagres has an “end of the world” feel to it, with its sea-carved cliffs and looming wind-whipped fortress perched high above the ocean. It was in Sagres that Prince Henry the Navigator—Infante Dom Henrique— founded his school for navigation in 1419, a center for nautical and astronomic studies. Renowned sailors and cartographers came from far and wide to study at the school, whose importance in the Age of Discovery is comparable to Cape Canaveral’s during the early years of space exploration. Its most famous alumnus, the renowned Portuguese explorer Vasco da Gama, was the first European to reach India by sea in 1498.

I hoped my riders had recovered enough of their energy for the three-and-a-half-hour trek ahead of us. They were all in high spirits, so I led us away from our lakeside retreat with optimism.

INFO | PAGE 97

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4Br Home in Palm Beach Point with 12-stall center-aisle barn with 2Br apartment.

Open concept living with expansive views to the backyard & stable beyond, stone floors & center-island kitchen with gas cooking.. The stable has 4 grooming stalls, rubber pavers, large tack room, lounge with kitchenette, laundry room, half-bath, and feed & storage rooms. There is a round pen, 6 grass turnout paddocks and 230' x 150' arena. Now Offered at $5,950,000

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Elegant 10-acre estate situated on the cul-de-sac with easy access to Palm Beach Point’s front gate and direct access to the bridle path to WEF. Recently updated throughout the property boast a 4Br/6Bth home, 12 stall courtyard stable, riding arena, and 5-acre riding field with perimeter galloping track. This prime lot offers the flexibility of up to 24 stalls and the construction of a covered riding arena because is meets the acreage requirements. Now Offered at $8,750,000

Private 10.83-acre equestrian estate with a 4Br/3.5Bth pool home with open concept living & expansive patio with screened cabana w/summer kitchen & bar, great for entertaining. There are 2 barns totaling 24 stalls. The 14-stall center-aisle barn with 5 grooming stalls boasts two 2Br/1Bth apartments. The second 10-stall courtyard barn also has two apartments, a 2Br/1Bth and a 1Br/1Bth. There are multiple riding areas for training with an outdoor arena, grass grand prix field and CBS covered riding arena w/ viewing platform. There are 12 grass paddocks, 6-horsewalker, 2 covered outbuildings for aqua-treadmills & round pen. Now Offered at $11,500,000

Peaceful 25-Acre oasis in the gated equestrian subdivision of Wellington Preserve.

Nestled up against a nature preserve and an interior lake, this serene property offers one-of-a-kind views & privacy. Build your equestrian estate here where you can enjoy your family and horses with miles of hacking trails and paved road access for car lovers. An unparalleled opportunity for maximum privacy in Wellington, yet only a few minutes away from all the equestrian competition venues. A must see to appreciate!

Offered at $12,375,000. Also offered as 15 Acres at $7,425,000 or 10 acres at $4,950,000

Celebrating 25 Years Selling Wellington!

Buyer and Seller Representation

Official Sponsor of the Adequan Global Dressage Festival M AT T J O H N S O N . E N G E L & VÖ L K E R S F LO R I DA Selling Wellington and the Palm Beaches M +1 561-313-4367 matt.johnson@evrealestate.com Learn more at mattsells.com

©2025 Engel & Völkers. All rights reserved. Each brokerage independently owned and operated. Engel & Völkers and its independent License Partners are Equal Opportunity Employers and fully support the principles of the Fair Housing Act.

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Otter Run $6,695,000

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Top-of-the-line 5-acre equestrian property within minutes to all of Wellington's equestrian venues! The screened 7-stall center-aisle stable, easily expands to 12, boasts a tack room w/kitchenette, half-bath & laundry room. The stable features 3 wash stalls, large feed room, studio apt. & storage garage, perfect for RVs & horse trailers. The property has 175' x 185' arena has GGT footing and offers room for a covered arena. The residence features 5 bedrooms plus office, double island in kitchen, screened pool, and lanai with summer kitchen and 4 car garage. Offered at $6,695,000

Palm Glade Ranches $13,500,000

10.32 Acre equestrian property, perfect for any discipline of riding, featuring: 25 stalls, covered riding arena, outdoor jumping & dressage arenas, exercise track, euro-walker and round pen. There are two barn apartments with a total of 8 bedrooms. The 8-bedroom pool home has 5 bedrooms on the 1st floor and a 3 bedroom lock-off apartment upstairs with a full kitchen & living room. Offered at $13,500,000

Celebrating 25 Years Selling Wellington!

Buyer and Seller Representation

Official Sponsor of the Adequan Global Dressage Festival M AT T J O H N S O N . E N G E L & VÖ L K E R S F LO R I DA Selling Wellington and the Palm Beaches M +1 561-313-4367 matt.johnson@evrealestate.com Learn more at mattsells.com

©2025 Engel & Völkers. All rights reserved. Each brokerage independently owned and operated. Engel & Völkers and its independent License Partners are Equal Opportunity Employers and fully support the principles of the Fair Housing Act.

EQ D É C O R

IT’S THE LITTLE THINGS Accents large and small can add warmth and EQUESTRIAN TOUCHES to a new nursery.

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1. Kathy Kuo Home’s Namesake Darlington French Country four-in-one white wood convertible crib. $699.

2. Crate and Barrel’s iconic Wood Rocking Horse includes a cozy sherpa seat. $239.

3. The equestrian styled Westbury Table Lamp by Ralph Lauren in solid brass with linen shade includes a built-in dimmer switch. $1,159.20.

4. Hovia’s Canter grey line drawing wallpaper with soft palette and contemporary style is a perfect choice for a child’s space. $5.48 per square foot.

5. Chris Loves Julia Wall Mural at Pottery Barn Kids adds beauty and whimsy with its forrested fantasy. $199.

6. JJ Textile’s soft gray lambswool Horse Cushion Cover features a contrasting soft white horse. $57.04.

7. Playful Pony Doodles wallpaper in a peachy palette by Shelly Turner Designs for Spoonflower. $129 per 2- by 12-foot roll.

CONTACT INFO | PAGE 97

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2840 Bent Cypress

$2,750,000 | Wellington, FL TURN KEY IN PALM BEACH POLO

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12316 Equine Lane

$3,100,000 | Wellington, FL

$1,630,000 | Wellington, FL

OVER 5 ACRES IN A PRIME LOCATION!

BEST VALUE IN THE EQUESTRIAN CLUB!

Michelle Hall

Global Real Estate Advisor

MichelleHall.RealEstate 713.303.7369 | michelle.hall@sothebys.realty

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PAT TE RN PER F EC T I O N Redefine your space with the IMPACT OF WALLPAPER, from equestrian motifs to textured elegance.

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Wallpaper is making a bold comeback, with trends favoring textured finishes, botanical patterns, and designs that reflect personal interests. Equestrian-inspired wallpaper featuring horses, saddles, or rustic landscapes adds timeless charm and celebrates a love of the sport. Metallic accents and large-scale 7

1, 7. Robina’s Dinner Party wallpaper (in cocoa) by GP & J Baker and Kit Kemp Design celebrates ceramist Robin Jack’s plates ornamented with whimsical animals and patterned borders. $250 per roll.

2. Designed by Shelly Turner for Spoonflower, the Charming Equestrian pattern (in dark charcoal) blends tack and floral accents in a lively motif. $129 per peel-and-stick roll.

3. Adamsbro Equestrian’s Tartan Rust expressive wallpaper is a strong foundation for creating an equestrian-inspired interior. $340 per roll.

4. Adamsbro Equestrian’s Schabrak pattern merges equestrian themes in a subtle, sophisticated palette. $340 per roll.

5. Painted Paper’s Wren Wallpaper boasts a tapestry of flora, gilded trees, and mystical underbrush on a midnight blue backdrop. $259.99 per roll.

6. The Saddle Wall pattern by Adamsbro Equestrian presents iconic equestrian images in a sophisticated graphic design. $340 per roll.

8. Spoonflower’s Hunter I equestrian-style wallpaper (shown in boxwood) designed by Judy Beau, offers a classic take on the iconic stirrup. $129 per peel and stick roll.

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murals create depth and drama, transforming walls into focal points. Whether highlighting a single room or tying together a theme, wallpaper offers a versatile way to enhance ambiance and express individuality.

CONTACT INFO | PAGE 97

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EQ F A V O R I T E S

PAMPERED PETS Your pooch deserves to be PAMPERED from head to tail with these stylish pet items.

The Boxed Pet Collar available at Coach Outlet is crafted from signature coated canvas and smooth leather. $48.

The on-trend Navy Chevron Jacket is an easy step-in coat, lined with cozy polar fleece, and water-resistant fabric. $58.

Atlas Pet Company’s adjustable no-tie Lifetime Bandana is constructed of sturdy nylon and soft and breathable ripstop fabric. $35 Pride+Groom’s line of shampoos and conditioners made for different coat types. 16 oz. for $32.

Stutterheim’s Dog Raincoat is made of sturdy waterproof fabric and tailored with double-welded seams to ensure complete protection against rain and moisture. $75.

Funny Fuzzy’s Urban Voyager is a deluxe faux leather car seat booster bed, equipped with cozy padding that is waterproof and antibacterial. $159.60.

Nambé Pet Bowl is made of Nambé Alloy with an enameled interior, and non-slip grips.

Medium size: $72.

Finn and Me’s Deauville T-Shirt is part of their Paris collection, made of 100% cotton, made with love in New York City. $45.

CONTACT INFO | PAGE 97 36 | EQ UE S T R I A N L I V IN G | J AN UARY / FEB RUARY | 2025

Blackburn Architects

Washington, D.C.

1300 19th St. NW, Suite 702 202-337-1755

BLACKBURNARCH.COM

THE RIZVI FAMILY’S MOROCCAN HAVEN IN WELLINGTON, FLORIDA Where HERITAGE and EQUESTRIAN EXCELLENCE come together.

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rossing the threshold from the frenetic pace of Wellington’s competition season into the Rizvi family home is comparable to stepping through a portal, transporting guests into an entirely different world. Lapping fountains, candle-lit lanterns casting dancing patterns, ornately carved doors, and intricate mosaics transform the home into an immersive homage to family heritage.

Set amid a quiet enclave of elegant homes, it might suggest that one would find an airy and neutral interior more typical of the community, but instead, it dazzles with the rich architectural allure of Moroccan style.

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BY STEPHANIE PETERS PHOTOS GEORGE KAMPER

Avid equestrians PJ and daughter, Zayna Rizvi.

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This spread clockwise: The expansive dining room idyllic for large gatherings; the casual kitchen eating area; one of the grand yet casual living spaces; niche accents in the dining room; a light-flooded, ornately designed shower.

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he home of PJ and Suhail is designed to accommodate their family of six, as well as PJ’s mother-in-law and caretaker. It is also home to six dogs and four cats. “We wanted to create a real family house, not just something spectacular,” PJ shares.

The Rizvis initially rented the 8,000-square-foot house built in the 1990s and expanded it to 20,000 square feet after purchasing it. PJ admits, “I spent the whole rental period jotting down how I wanted the house to be on pieces of paper, and I imagined it somewhere between Frank Sinatra and Hotel Californian.” She wanted the house to have a quirky feel, like a house they had rented in Palm Beach. She designed the house to have overhangs to shield out the direct sun and strategically added loggias to allow access to various areas

of the house without getting wet. Her goal was to design a house for practical living. “I didn’t want a big house with white marble floors,” adds PJ. “I wanted everything to feel authentic and cozy.”

The design reflects a blend of Moroccan, Spanish, and Islamic influences intertwined with Palm Beach Mizner-style elements and Indian heritage. “A lot of homes in India, such as my husband’s, were designed around a center courtyard where uncles, aunts, and children all lived together,” notes PJ. “We have family heirlooms from India and gifts given to us when he traveled to the Middle East or other places that we’ve put on display. My husband also has a soft spot for modern art, so he has his [Andy] Warhols and [Jean-Michel] Basquiats.”

The Rizvis’ Wellington home showcases the best of courtyard design. The space is quite sizable and lush, with

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tropical plantings, water features, vibrant orchids, a pool, and generous clusters of seating for outdoor entertaining.

Although the courtyard is very serene, PJ emphasizes that it can get quite lively. “We had my brother’s wedding here last December, and he said, ‘I can’t think of a better place with a good energy to have a small wedding,’” smiles PJ. “Of course, we all wound up in the pool in our gowns at one in the morning. So, it’s definitely a place where we have good energy.”

What gives the house such a sense of character and authenticity is the hands-on involvement in the vision and sourcing of the furnishings and interior design of the home. PJ and her husband love Marrakesh and took countless trips there to find the perfect pieces for the house. “It’s such a romantic city. What I love the most about Marrakesh is nighttime, with all the bronze lanterns

making patterns on the ceiling. It’s just magical, and that’s what we wanted to create here,” PJ says.

“I went to Morocco at least eight times when we were doing this house, and we stayed at the Royal Mansour, which was so inspirational. The manager there gave us the contact information of the people who made the bronze lanterns at the hotel and where they got the tiles.

So, I got to meet the guy and show him my ideas on napkins, and he would draw it back in a better version. He designed the lanterns for me, and if I found an antique lantern, he would make matching ones if I needed them.”

The tiles came from Italy, Morocco, and an old house in France; many of the furnishings and massive doors were also acquired in Morocco. The shops, which were often in people’s homes, were filled with furniture. “You actually had to sit down, have mint tea, and take in the whole room because there’s stuff all over

the ceiling and furniture behind furniture,” PJ recalls. They even took the kids on one of the trips so they could select things for their rooms.

T HE RIZ VIS AND RIDING

While the home is tranquil, the Rizvis themselves are energetic and personable.

Like many families, the children were off pursuing their individual interests.

Two daughters, Yasmin, 23, and Farah, 21, were away at college and law school.

Their son, Arslan, 17, zipped by us en route to tennis practice, giving us time to chat with PJ and her 19-year-old daughter, Zayna, about their riding endeavors.

All the Rizvis are accomplished riders, with PJ and Zayna taking a more dedicated direction. PJ attributes much of her children’s discipline and success to their early years with horses. “We were in Connecticut when the kids were very young, and we lived on our

farm. It taught them a lot of responsibility, not just about riding the horses, but the responsibility of feeding them in the morning, turning them out afterward, coming home, riding, and cleaning up afterward.” PJ adds, “It taught them how to get up early, how to organize and commit, which I think helped tremendously with school. I think all the traveling to the different shows taught them how to travel, how to behave, how to fly, how to pack, and they’re complete experts. I never had to wake my kids up for a horse show, ever.”

PJ started casual trail riding in her 20s and began competing as an amateur jumper on a 2 1/2 -year-old racehorse at the Winter Equestrian Festival (WEF) when she was 29. Within a year, she became pregnant with her first child and, through a course of events, switched to dressage. “So, after the racehorse, as a wedding gift, my husband said, ‘Why Continued on page 46

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This page: The vast hall lit with custom-made lanterns, and accented with ornately carved doors and mosaicked floors and niches. Opposite: Details of carved tables and doors, including mother-of-pearl and tile inlay.

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This spread: PJ enjoying the refreshing pool and relaxing in the welcoming center courtyard.

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don’t we use the $18,000 you’ve saved and get you a horse?’”

Her new 4-year-old horse led her to a “Dressage for Jumpers” clinic with Olympian Robert Dover. She had been jumping the new horse, but Robert recognized its talent and potential to compete in dressage. The horse went into training with Robert, and PJ began her dressage journey.

After receiving a gift of 12 dressage lessons from her husband, PJ returned to her former longtime friend, Ashley Holzer of Riverdale Equestrian Center, who helped her in her early years of riding. “Ashley [and her husband Rusty] would try to help me and give me some pointers, but I was kind of just trail

riding and jumping logs or whatever I saw in front of me,” admits PJ. “I didn’t have any training. So, I called Ashley and said, hey, my husband bought me 12 dressage lessons. Do you have time for an amateur? And she said, ‘I always have time for you.’”

Returning to training with her longtime friend, PJ balanced motherhood and riding. “When I was 40 years old, I got my first, and supposedly an amateur, Prix St. Georges horse, Breaking Dawn (known as Edward),” explains PJ. She rode the Dutch warmblood gelding in the smaller tours and won several Prix St. Georges classes before turning the reins over to Ashley, who qualified for and competed in the 2012

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London Olympics with PJ’s amateur Prix St. Georges horse. “I was riding him up until a few months before the Olympics.

I know most people don’t have their amateur rider riding their Olympic horse, but it was my horse,” PJ laughs.

PJ took over the ride on Breaking Dawn when he was a little over 13 years old. “I was 43 when I did my first grand prix. He was off for about a year, and then I won my first national and started some CDIs. I had my best years with him from 2017 to 2019,” PJ notes. “That’s when he was 17 to 19 years old, and I started doing CDI 3-star events. I was winning 3-stars in Florida and went to Europe for the first time through the U.S. pre-elite program. I was third and second in CDI 4-stars in Europe, which was huge for me.” Ultimately, she went to Europe and competed in a CDI 5-star event.

“Not many people could say my first grand prix was at 43, so I’m a late bloomer,” admits PJ. “But I always say; in my teens, I was too sick. In my 20s, I was too poor, and in my 30s, I was too pregnant.”

PJ currently has a Dutch warmblood, a German warmblood, and a Lusitano.

She’s gradually easing back into competing following a significant riding accident in 2021. “It took a while, but I’m getting better. It’s not an easy thing, and I’m still trying to build up confidence for the CDI again. I’m thinking about it. But I don’t want to put a tremendous amount of pressure on myself.”

PJ is also heavily involved in fundraising efforts for Polo for Life, an organization that supports local families of Palm Beach County struggling with pediatric cancer. The funds assist families with the financial burdens that come with a cancer diagnosis. Having lost her sister Continued on page 50

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PHOTO SUSAN J STICKLE

Greenwich, Connecticut, and I used to go to the barn almost every day, but I would only go if I was allowed to wear my princess outfits,” Zayna laughs. “So, I never rode in riding clothes. I would go there all day in my tutu and my whole get-up, and I would ride my pony like that. That was how it all started.”

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to leukemia, PJ is all too familiar with the burden and financial impact it can have on a family. “You know, when my sister was sick, I drove from New York to Johns Hopkins Hospital in Maryland and slept in the car because I couldn’t afford a hotel. I don’t want to see other families suffer like my family suffered.

“We put the money where the families will benefit the most. We’ve had people pay mortgages and utility bills, tutoring for the siblings of sick children who fall severely behind in school, and, tragically, funerals. It’s sad, but we’ve helped so many people.”

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Zayna, the youngest Rizvi daughter, rode her first horse at the age of 3 but didn’t start competing until she was 5. It’s been horses and riding ever since. “When I first started riding, we had a farm in 50 | EQ UE S T R I A N L I V IN G | J AN UARY / FEB RUARY | 2025

Above: PJ celebrating a grand prix ride on Breaking Dawn, her Dutch Warmblood gelding; Zayna wrapped in a blanket from a FEI Youth Jumping Nation’s Cup in Peelbergen, Netherlands, in front of countless riding awards won by the Rizvi family.

he tried a few other sports, such as gymnastics, ice skating, and dance, but once she reached a certain age, she focused on riding. It was also a great way for her to bond with her sisters, Farah and Yasmin, as they all started riding simultaneously.

“We were always together at the horse shows and the barn. It was a way that we all bonded, and it brought us closer as siblings,” she says. “My mom rides, so she could always connect with us on that level. She could relate to the times we had a tough day or were struggling with

PHOTO MACKENZIE CLARK

something. That’s the hardest part about riding sometimes: not knowing other people who ride or have family that ride.

They might not understand why you’re down or upset about something not going your way, but my mom always understands.”

Zayna’s talent was recognized at an early age, and by the time she was 10, she began training with John Brennan and Missy Clark at North Run. She accrued major awards as she competed through her junior career, garnering impressive placings in the 2019 USEF Medal Finals and Washington International Horse Show (WIHS) Equitation Finals, and winning one of the most prestigious awards, the Maclay Finals, in 2021.

Now competing in the U25 division, Zayna has enjoyed similar success, including winning the Lionel Guerrand Hermès Trophy in 2024. “That award represents everything that I want to be,” Zayna says.

“So, for people to choose me to receive it

Above: Zayna clearing a jump on Exquise Du Pachis (Patchy), her Belgian Sport Horse, at the CSIO3* Nation’s Cup at the Sunshine tour in Spain.

was just amazing, and going to Five Rings Farm in Wellington to receive it was also so cool. Some of the most important people in the equestrian world were there, and it was really an honor to be given that award in front of them.”

Last summer, she was crisscrossing the country, traveling to shows from the Hampton Classic to Traverse City, Tryon, Devon, Upperville, and, in the early fall, Old Salem Farm, where she won the CSI 4* Welcome Stake on Exquise Du Pachis (Patchy), her 14-yearold Belgian Sport Horse. “I was so proud of my horse and how well she jumped,” she notes.

If the rigorous competition schedule

isn’t enough to time-manage, Zayna has added college to her agenda. “I’m at the University of Pennsylvania (UPenn), but I’m doing classes fully online. Doing online was important to me because I travel a lot, and I wanted to be able to ride as much as I could, but my dad was set on me going in person,” Zayna admits. “When we [discovered] that UPenn has a fully online program, that changed his mind because my dad and my sister went to UPenn. That’s a big thing in our family, so it was a great compromise.”

A LASTING IM PR ESSI ON

After an afternoon in the Rizvi’s Moroccan-inspired home, it was tough to leave the flickering lanterns, tranquil fountains, and warm energy. PJ’s and Zayna’s stories reflected not just their equestrian achievements but also the deep bonds of family and tradition.

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Allow your imagination to soar with this portfolio of beautiful homes and stables guaranteed to trigger creative ideas.

DESIGN MASTER CLASS

INSPIRATION FROM PREMIER DESIGNER S

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N THE BARN A WEEKEND GETAWAY Location: Australia Builders: CHG Construction

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Architect: Paul Uhlmann Architects

he residence was designed as a rural weekend getaway for a city couple and their children. The idea of “The Barn” was embraced, as the building was intended to be an escape for the family to enjoy their horses.

PHOTOS: ANDY MACPHERSON STUDIO

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Continued from page 53

THE BARN

The ground floor plan, created by the project team of Paul Uhlmann and David Currie, completely opens up and engages with the sprawling lawn and grounds of the property.

This also enables cross ventilation, and the ability of the family’s young children and their friends to run in and out of the building as they please. Cathedral-like ceilings and windows open up to frame views of the paddocks and bushland below.

The bunkroom upstairs is generous enough for multiple children as a weekend getaway and when other families come to stay. The rooms upstairs also have skylights to watch the clouds go past during the day, and the stars at night.

Australian hardwood has been used extensively both internally and externally, to reference the rural setting.

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PHOTOS: ANDY MACPHERSON STUDIO

A WEEKEND GETAWAY

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TIMELESS BEAUTY AMID ROLLING HILLS

CHAPEL SPRINGS BARN Location: Charlottesville, Virginia Architect: Eldon Stoltzfus Builder: B&D Builders Corbels and Other Timber Work: Mid-Atlantic Timberframes Interior Doors and Box Beams: Vintage Millwork & Restoration Reclaimed Wood: Vintage Wood & Forged Iron

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et amidst the rolling hills of Charlottesville, Virginia, Chapel Springs barn stands like a jewel in the fields. A recent renovation that pairs its historic beauty with modern amenities strengthens its timeless elegance. While the intent was to maintain the integrity of the original barn, cutting-edge technology was used to create a more modern facility. B&D Builders collaborated with the owners and the original builder to transform the dark and outdated barn into a space that provides comfort for both animals and riders.

“It was an existing barn with really good bones,” says B&D Builders owner and founder, Daniel Glick. “We peeled back the existing finishes and applied timbers in the form of lockmitered box beams to the existing structural membrane for a more refined finish.”

While the existing barn was very well built, it was also dark and enclosed compared to today’s standards. To overcome this, B&D proposed cutting away more than two-thirds of the center aisle roof to open up the space and incorporating Kalwall. This uplighting solution does not blind or cast shadows on the barn floor, which could potentially spook horses.

To add something dramatic, the builders proposed a barrel ceiling with “ribs” holding up the sections that were cut out and supported by a series of complex hidden steel beams and other stabilizing systems.

The team incorporated reclaimed chestnut doors throughout and reclaimed white oak in the tack room, state-of-the-art washing and grooming facilities, and a complex yet highly effective ventilation system. Comfort stall mats and rolled rubber flooring add to the horses’ well-being while the architectural upgrades offer riders a graceful and inviting space.

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J. BANNAN PHOTOGRAPHY

Stall Fronts: Blackwood Equestrian Stalls

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BEGINNING WITH A CLEAN SLATE

KING CONSTRUCTION PHOTOS

WEST ADDY FARM

Location: Upperville, Virginia Builder: King Construction

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est Addy Farm is a highend boutique equestrian facility in Upperville, Virginia, that offers luxurious amenities for both horse and rider. What began as raw land purchased by the owners Jim and Jamie Stokes in 2020 has transformed into a dream come true, a place they are thrilled to call home.

The main barn is 44 by 88 feet and has high ceilings for good cross ventilation. It is lined with rubber brick pavers to prevent horses from slipping. The 15 12 by 12-foot King deluxe stalls have automatic waterers and fans to keep the horses cool and hydrated.

“Since this facility is used by many, the goal behind it was functionality and air circulation,” say the owners. “We had to be very strategic about where to place things such as the tack room, feed room, and wash stall, since this will all influence how well and efficiently the barn functions.”

When the opportunity came to combine their love of horses with their home, Jim and Jamie couldn’t resist. They decided to finish the second level to become a three-bedroom, four-bathroom apartment so that they wouldn’t have far to go home after a long day of riding.

The facility also has a 90 by 185-foot indoor arena with Premier Equestrian footing, sound system, mirrors, and large windows that open for maximum airflow. No detail was overlooked: there is a full bathroom, office, work-out center, and climate-controlled viewing room. A large seating area is also attached to the arena for teaching and auditing.

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BONTERRA FARM

A PINTEREST FAVORITE THAT EVOLVED OVER TIME Location: Dover, New Hampshire Timber Frame: Vermont Frames

TOBIN DAVIES PHOTOGRAPHY

Architect: Blackburn Architects

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TOBIN DSVIES PHOTOGRAPHY

he distinctive, shingled barns at Bonterra Farm rest on 100 acres of wooded land located at the edge of Dover, New Hampshire. A facility specializing in Friesian horses, Bonterra is owned and operated by equestrian Blythe Brown. Blythe’s sister, Kim, is the office manager and keeps many aspects of the farm running smoothly.

Designed in 2002 by Washington, D.C.-based Blackburn Architects, the iconic equestrian facility displays the vernacular of classic New England architecture. With well-proportioned cupolas, high roof lines, and large windows, Bonterra’s 12-stall barn and matching carriage house (originally named Tidewater Farm) have long stirred the yearnings of admirers. It’s incorporated into many a Pinterest vision board.

Changing such a renowned place takes vision and courage. Brown, having both, requested the firm incorporate a new carriage house for her many antique carriages in 2022.

First was the site plan. Since Blackburn sited the original buildings in the landscape to maximize summer breezes from the southwest and minimize bitter winter winds from the northwest, the new carriage house was placed to blend seamlessly into the overall plan.

Blackburn continued to unify the structures by cladding the carriage house in wooden shingles.

Painted a very dark, moody gray, the newly finished building is modern and refined. Inside, the ceilings soar to double height. The effect is of a barn and its elegant outbuildings that evolved, in picturesque fashion, over time.

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LET THERE BE LIGHT

PHOTOS: JIM WILSON/SLIDEWORKS MEDIA

ELYSIUM EQUINE

Location: Langley, British Columbia Builders: WeCover Structures Architect: Quinis Equestrian/Quinis Design Works

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his recently completed 14-stall facility includes two wash stalls, two grooming bays, a feed room, a hay room, a vet laboratory, and blanket closets. Two tack rooms, equipped with tack lockers, are also included in the design:

one for the boarders and one for private use by the owners.

Each stall has a walk-out paddock and is equipped with automatic waterers, all connected to meters to track water intake.

The facility is designed to accommodate breeding, foaling, and training programs and boasts four 16 by 16-foot foaling stalls.

The 100 by 180-foot indoor riding arena features a staging area, a brightly lit riding surface, and in-wall jump storage. A seven-port

garage with bedding storage and utility housing is attached to the arena structure.

The owners value the air quality inside the arena as a game-changer for their lead trainer, who has asthma. The horses love the bright environment, and trainers note it’s very transferrable to competition riding, which they feel gives them an edge.

“Prospective customers are pretty wowed when they come,” say the owners. “From the light to the air quality, everybody who comes here wants to ride here.”

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COZY, SAFE, HEALTHY, AND COMFORTABLE HOMES FOR HORSES

A GALLERY OF STALL DESIGNS Location: Various

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SKY VAULT MEDIA

Photos, clockwise from upper left: 1. Sliding Stall Fronts with Mesh, French Yoke, Arch, and Brass Finials. Steel Building. Dressage Barn in Sheboygan, Wisconsin.

2. European Stall Fronts. Concrete Block Construction. Hunter Jumper Barn at MPM Sport Horses in Odessa, Florida.

3. Stainless Steel Door Handles for Barn Doors.

Steel Building. Dressage Barn in Sheboygan, Wisconsin.

4. Plunger Latch for European Stall Fronts.

Western Barn in Eureka, Montana.

5. Timeless European Stall Fronts. Timber frame Construction. Private Barn in Eureka, Montana.

6. Custom Arched Stall Fronts. Concrete and Steel Barn. 4B Barn in Stephenville, Texas.

CHARLES DAVIS SMITH PHOTOGRAPHY

top priority of horse owners is offering their horses a comfortable and healthy home. To demonstrate the wide range of stall designs, this portfolio of four noteworthy American Stalls projects exemplifies exceptional barn design with locations in Southern Florida, Wisconsin, Texas, and Montana. Each barn is thoughtfully designed to combine aesthetic appeal with functional requirements, addressing the needs of both horses and riders.

These projects incorporate custom European stall fronts, advanced ventilation systems, and comfortable stall mattress systems.

The Southern Florida barn features a sleek black-and-white design, while the Montana project offers a rustic eight-stall sanctuary.

In Wisconsin, the dressage barn is adorned with refined brass accents and sliding stall fronts.

Texas boasts expansive covered arenas designed to enhance the daily routines and lifestyle of equestrians.

These barns seamlessly blend timeless materials, thoughtful design, and a dedication to equine care, reflecting the charm of their regional landscapes.

CASSIDY BROOKE PHOTOGRAPHY

Builder: American Stalls

CASSIDY BROOKE PHOTOGRAPHY

SKY VAULT MEDIA

CASSIDY BROOKE PHOTOGRAPHY

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PHOTOS: CODY WORTMANN / TIMBERLYNE

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A MONTANA ESCAPE

THE BASE CAMP Location: Whitefish, Montana Builders: Timberlyne, NuWest Builders Interiors: Tate Interiors

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he Base Camp is a beautiful white barn home custom-designed by Timberlyne. The striking barn has a carefully crafted exterior with various custom features, including two cupolas, a second-story deck, windows, and a full-view garage door that allows guests to take in the lush landscape of the mountain property.

Inside, this party barn has a fun and welcoming aesthetic. On the main floor is a large gathering space with an Americana nostalgic theme. Complete with a full kitchen, multiple dining tables, and a comfortable sitting area with

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buffalo plaid couch cushions, this barn is a great place to entertain.

The staircase takes you up into the dormer, which features a bank of windows that add beautiful natural light to the space. In the loft are a great room, sitting area, kitchen, and dining area. This space touts a more rustic-modern theme incorporating mountain touches with Aztec patterns, statement lighting, and a herd of bison metal wall sculptures on the wall. The loft is perfect for overnight guests to feel right at home with all the necessary amenities.

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PHOTOS: McCLELAN ARCHITECTS

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A NOTEWORTHY RIDING ENVIRONMENT

THE CARNATION ARENA Location: Washington State Builder & Round Pen: TriPower Construction Architect: McClellan | Tellone Footing: White Construction Equestrian Services

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his 20-acre equestrian estate is located along the Snoqualmie River near the foothills of the Cascade Mountains, east of Seattle. The covered riding arena is constructed from heavy timber wood columns, custom steel trusses, standing seam metal roofing, and a large central corrugated polycarbonate panel skylight to maximize natural lighting throughout. Due to the large footprint of the roof, extra steps were taken, working alongside a civil engineer, to properly manage the stormwater diverted from the arena on site. The property includes a riding arena with a viewing deck, a barn with a recent addition, a single family home, a round covered pen, and four separate pastures.

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A PARTY BARN TO ENJOY WITH FAMILY AND FRIENDS

HILLVIEW FARM ENTERTAINMENT BARN Location: Chester County, Pennsylvania Architect: Period Architecture Builder: B&D Builders

ANGLE EYE PHOTOGRAPHY

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estled into the countryside of Chester County, the Entertainment Barn at Hillview Farm offers a harmonious blend of rustic elegance and modern functionality. Its fieldstone-constructed lower level and timber-frame hillside entrance pay homage to the region’s classic bank barns.

At the end of a winding driveway, a set of expansive sliding wooden doors beckon entry into the barn. In stark contrast to the rich wood shutters and field stone cladding, vertical boardand-batten siding defines the exterior façade.

Another traditional feature of the Pennsylvania bank barn, a central cupola crowns the gable roof, with its eagle weather vane swaying in the wind.

Inside the Willistown party barn, a spacious, open layout brings friends and family together for entertaining. From reclaimed oak floors and walls to the wood-board cathedral ceiling, the materiality of the interior exudes rusticity and warmth. The chef’s kitchen, featuring a pizza oven and state-of-the-art cooking facilities, is equipped to host grand family gatherings. A floor-to-ceiling fireplace serves as the centerpiece of the space, grounding the design and drawing loved ones together.

An extension of the barn’s interior, the covered patio flanked by tapered stone pillars creates a cozy outdoor place to gather. The entertainment barn at Hillview Farm seamlessly intertwines bucolic Chester County charm with contemporary practicality to provide an ideal setting for festive celebrations, milestone events, and cherished memories.

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Peter Lutz and Mary Manfredi have built a thriving business that embodies equestrian excellence bringing champions to the ring.

BY SARAH LESSLER PHOTOS STEPHANIE PETERS

TWENTY YEARS OF A PERFECT PARTNERSHIP

PETER LUTZ and

MARY MANFREDI Peter Lutz and Mary Manfredi are a dynamic duo in the equestrian world. Their 20-year business together has built a reputation of being top-level competitors, trainers, and mentors.

Together, they consistently demonstrate dedication and passion for the sport, inspire up-and-coming riders, and develop young, talented horses. The powerhouse team is a story of partnership, perseverance, and a genuine love of the equestrian lifestyle.

WHERE IT STARTED

Peter Lutz’s equestrian journey began in Connecticut, where his early years were rooted in the fundamentals of horsemanship.

Peter’s skills evolved rapidly, from Pony Club rallies to trail riding and eventing. At a Pony Club rally hosted at Judy Richter’s Coker Farm in Bedford, N.Y., Peter’s talent caught Judy’s eye. She invited him to ride at her farm, sparking a years-long relationship where Peter worked in exchange for lessons and riding opportunities.

“From that point on, I was there every day for the rest of my high school and college years,” Peter recalls.

Mary Manfredi’s junior riding career also revolved around Coker Farm. Under the mentorship of Judy Richter, Andre Dignelli, and Kate Stoffel Oliver, Mary juggled grooming, riding, and “pseudo managing” the barn at Coker. It was there, in 1990, that Mary and Peter met. The pair even shared a horse—Mary’s.

“She was very nice to share,” Peter notes, as he didn’t own a horse at the time. They traveled to the same shows, competing in Maclay and Medal classes to earn crucial points. “That horse was fantastic,” Mary reminisces. Mary’s junior accolades included a third-place finish in the USET Show Jumping Talent Search–East Finals and a USET Silver Medal for winning 16 USET Medal JA NUA RY/FE B RUA RY | 20 2 5 | EQ L I V I NG .CO M | 7 3

Meditation room: The peaceful space is Murray’s sanctuary. At right, Sarah’s landscape in progress.

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classes. In 1991, Peter’s achievements culminated in victories at the Rolex/ASPCA Maclay National Championship and the Rolex USET Show Jumping Talent Search East Finals.

Both Mary and Peter went on to pursue academic excellence in tandem with their equestrian ambitions. Mary graduated from Vassar College, while Peter earned a degree from Yale University. Their college choices were influenced by proximity to Coker Farm and their families’ emphasis on education.

They credit Richter for fostering a love of learning. “She always encouraged us to do well in school and pursue our education.

She really helped make it happen for us,” Peter shares.

After college, Mary’s equestrian pursuits took a backseat as she lived and worked abroad in Italy and Argentina.

Meanwhile, Peter continued riding and teaching lessons during college, eventually transitioning to a professional career with Sam Edelman after graduation. Despite their separate paths, Mary and Peter remained connected. Peter regularly sent postcards updating Mary on his equestrian adventures, and they met up whenever Peter’s European horse travels allowed. “I was always following the trajectory of Peter’s career while I was on a completely different path,” Mary reflects.

By 2000, Peter’s business had flourished, and Mary had returned to the U.S. at a pivotal moment in her life. At a mutual friend’s wedding, they reconnected. Peter was headed to Florida for the winter and had a few students who needed a coach.

Mary stepped in, marking the start of a partnership that has flourished for over two decades.

LUTZ /M ANFREDI—THE M ODEL PROG R A M

Over the past twenty years, Lutz/Manfredi has built and earned a reputation for dedication and excellence in the equestrian industry. Their business excels in producing top-quality horses and training riders to achieve success at the highest levels of the sport.

Peter and Mary specialize in developing young horses while also helping clients achieve personal goals with their own horses.

They enjoy both aspects of their work equally, finding fulfillment in nurturing equine talent and tailoring training programs to meet client needs. While their program initially included young pony riders and juniors to adults, it has evolved to focus on amateur riders excelling in jumpers, along with a recent addition of a family with two talented young child riders. Their notable students include Brianne and Clementine Goutal, Kelly Tropin, and Audrey and Saer Coulter, who they’ve guided from their early riding years to the grand prix level.

Equally rewarding is their work in developing and selling horses. Their approach is rooted in patience and a commitment to long-term development rather than rushing horses to market. “Many quality horses just need time and want to learn to do the job well,” Mary explains. Despite the cost pressures of maintaining horses, Peter and Mary prioritize thoughtful development over quick sales. They often source horses from Europe, JA NUA RY/FE B RUA RY | 20 2 5 | EQ L I V I NG .CO M | 7 5

leveraging strong partnerships to allow horses to mature their skills abroad before transitioning them to the U.S. for the next phase of training.

This careful approach has yielded exceptional results.

One standout is Chablis, a Württemberger horse they purchased as a 4-year-old and developed into a top hunter. “The time Peter took in his development is why he’s as good as he is,” Mary notes. Sold to their student Kelly Tropin, Chablis has earned numerous championships in the 3’6” Amateur Owner Hunters and was named WCHR Hunter of the Year in 2021. Kelly refers to Chablis as “the horse of a lifetime.”

Another success story is Excellent, a talented jumper sold to young rider Zayna Rizvi (see page 38). Together, Zayna and Excellent, a Dutch Warmblood gelding, achieved two individual golds and team gold (2021) and silver (2022) both in the junior and young rider division at the FEI North American Youth Championships.

Currently, Peter is bringing along the KWPN mare, Katriona, a promising jumper now competing at the sport’s highest levels. Mary and Peter take pride in making thoughtful matches between horses and riders, ensuring mutual success. Their commitment to patience and precision continues to define their program and fuel their accomplishments.

THE HOUSE AND FARM

Equestrian Living has long admired the charming property on Hardscrabble Road in North Salem, New York, and was excited to be invited to tour the farm and the historic house, now home to Mary and her parents.

Steeped in history and character, the original functioning dairy farm also became home to the Barnum & Bailey Circus elephants—a unique nod to its storied past.

Since Mary and Peter purchased the house three years ago, Mary and her parents have undertaken what she describes as a “labor of love,” working to preserve its original charm while updating key features. Many of the home’s original elements, such as the vintage wood floors and old steam radiators remain intact. The front has been thoughtfully restored, with special attention given to the porch and steps, maintaining its timeless appeal.

Peter and Mary’s thoughtful and detailed approach to horse and rider development and their passion for the sport ensures their influence will be felt for years to come. Whether in the ring or behind the scenes, their partnership is a testament to hard work, patience, and a true love for the journey.

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ABSTRACT PAINTER

JO TAYLOR APPROACHES THE HORSE’S STRUCTURE FROM THE INSIDE OUT.

Ghost Riders, mixed media on paper, 23 by 33 inches

INTERVIEW BY STEPHANIE PETERS

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Upon the Wind and Waves III, mixed media on paper, 33 by 19 inches

Spectre, mixed media on paper, 33.5 by 59 inches

Peace Horses, mixed media on paper, 33.5 by 59 inches

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always trying to feel the bones and the different muscle structures as I work. I hope that people can see this when they view my artwork.

EQ: How do you achieve a deep sense of movement and energy in your pieces?

Jo Taylor, born in Lancashire, U.K., in 1969, studied art at Leeds Metropolitan University, now Leeds Beckett University, in West Yorkshire, England. She has exhibited widely across the U.K., Dubai, and the United States, often showing at Cross Gate Gallery in Lexington, Ky. Her work appears in museums and private collections worldwide, including those of prominent equestrian families.

Taylor travels internationally to observe and draw horses in their natural environments, from the Camargue marshes and South American plains to Montana’s cattle country and European horse fairs.

As an Artist in Residence at the University of Liverpool’s Department of Veterinary Science, she explored equine anatomy in depth, focusing on capturing the horse’s structure from the inside out.

EQ: You’ve noted that working with horses as a primary subject is pure instinct for you. What led you to horses?

JT: A life with horses and the natural world made the horse my subject. When I was a young girl, all I wanted to be was a horse, so I started drawing and riding them once I realized that I couldn’t become one. Being with horses is now part of my daily life—just watching their behavior as individuals and in a herd is a joyous experience to me. I am always delighted by their unpredictability and enjoy the expression in their faces and bodies that this creates. So, my interest in horses is a personal obsession which I have developed into an artistic journey.

I have the best of both worlds and have forged a successful career from them.

EQ: Your work is extremely fluid, dimensional, and energetic.

How would you describe your artistic style and technique?

JT: I work and draw from life, which means that I have to work quite quickly and get the marks down, which adds to the energy of the final piece. So, I would say that my work is quite expressive and sculptural.

As a student, I was taught to draw from the inside out, and this technique has never left me. I was taught to breathe life into the horses, so my initial drawing becomes a skeleton, which I flesh out with a diversity of materials and marks. I am 80 | EQ UE S T R I A N L I V IN G | J AN UARY / FEB RUARY | 2025

JT: I spend a lot of time watching and riding horses so I think that it must be years of trying to understand how horses feel and how they behave. It’s looking, reacting, and learning. I have spent many hours crouched in corners of stables, sitting on the gallops as racehorses thunder by, and riding horses in different countries and settings from the Camargue to Montana.

I always feel excited by my subject, so I think this infuses the work with energy. I remember seeing American Pharaoh after his win at the Breeders Cup at Keeneland, and I couldn’t get back home to the U.K. fast enough to paint what I saw. It is something that I will never forget.

EQ: Many of your palettes are muted, emphasizing your subjects’ kinetic quality. Are there other approaches that help bring that dynamism to life?

JT: I think that my materials help to portray movement as I’m striving to build the horse by fleshing out bones with layers of paper and paint. My palette is often inspired by the landscape and the environment of the horses. I did a lot of work with gauchos in Patagonia, so that dramatically influenced my work.

More recently, the cool tones of Connemara on the west coast of Ireland have infused my horses, which references the wild landscape where herds of native Connemara ponies live. I always want the viewer to feel as though they can walk around my horses, and so the sculptures of Marino Marini, Elisabeth Frink, and Deborah Butterfield have been important figures together with the paintings of Leonora Carrington, Susan Rothenberg, and Marlene Dumas.

EQ: Is anatomical accuracy at the core of your work? How do you convey that while rendering your subject in abstract style?

JT: It’s important but not crucial to my horses. I would say anatomy is the sire of my work, and expression is the dam. I mentioned before about how I try to draw from the inside out and breathe life into my work, but it’s also important, I feel, to trigger the imagination of the viewer, and I hope to do this by working in an abstract way. Maybe I can transport them to whatever place they may wish to be. Hopefully, I can take them galloping across the plains or riding through the ocean on a beautiful horse.

EQ: Your understanding of equine anatomy has been compared to that of George Stubbs—how did you attain that comparison?

JT: Oh, how I wish that I did! He was born not far from where I live in the north of England, but I think that is as close

“Sometimes Taylor focuses on a single horse; sometimes she covers the sheet with loosely sketched figures that form herds, roaming watery, sweeping landscapes where earth and sky have fused into a nebulous sea of greys, greens, and blues.” ­ ­­ —Dr. Richard Davey, Senior Research Fellow in the School of Art and Design, Nottingham Trent University.

Horse Chaos, mixed media on paper, 33 by 59 inches

Moonlight Ride II, mixed media on paper, 34 by 59 inches

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“Jo Taylor caresses the form of a horse into being with long flowing strokes of pen, pencil, or brush, translating tangible sensations into fluid marks on the page.”­­ ­­— Dr. Richard Davey, Senior Research Fellow in the School of Art and Design, Nottingham Trent University.

Dark Star, mixed media on paper, 59 by 34 inches

Revolution, mixed media on paper, 33.5 by 59 inches

as we get. I was very lucky to be Artist in Residence at the Department of Veterinary Science at Liverpool University for many years and this is where I was immersed in the anatomy of the horse. It was at the university that I was able to watch and draw the operations and postmortems. This residency was such a huge privilege and a vital insight into what lies beneath the surface. It has continued to inform and influence my work, but I don’t claim to have an encyclopedic knowledge of equine anatomy. I want my horses to be alive, so I aim to know the subject inside and out, both physically and metaphorically.

EQ: What mediums and tools do you typically work with, and why do you favor them?

JT: I often work on a large scale, which is, after all, the nature of the beast, so the application of my materials means that I have to put my whole body into it, which I really enjoy. It’s sometimes quite physical. I use big wash brushes and lots of drawing-based materials such as graphite sticks, charcoal, anything that can make loose, unspooling marks. I also use layers of paper to build muscle structures.

Surface is important. I use mainly water-based mediums, and I need something to keep the loose quality of my materials, so I use very smooth, thick paper to encourage the drips and to keep the freedom of line.

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EQ: Is there a specific feeling or message that you aim to convey, and what emotions or characteristics are most important to capture?

JT: The relationship between horse and human has been a constant in my work over the years. I strive to capture this unique bond and often paint them as one harmonious partnership.

Also, the soul of the horse as it appears to me: Strong: untamable, alert.

Fragile: ghostly, vulnerable.

Haunted: otherworldly, mystical.

Mythical: peaceful and free.

EQ: Has your perspective on horses or how you depict them changed over time?

JT: As with most obsessions, the longer that I work with horses, the more I am intrigued by them. The anatomy and soul of the horse continue to be a fascination to me, but I also feel inspired by the origins of the horse and how our world has evolved through theirs. Where would we be without them? Of all our fellow creatures, the horse has been our most important companion and has been a vital key to the evolution of our world. As the horse breaks free from its previous role in history, I intend to continue to celebrate the liberation of the 21stcentury horse.

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BARN FIRE SAFETY CHECKLIST How to keep HORSES SAFE in an emergency.

BY KATIE NAVARRA BRADLEY REVIEWED BY JENNIFER RICE, DVM, CVSMT

A

small flame takes 30 seconds or less to burst into a major fire. A small barn fire can engulf an entire stable in just five to seven minutes.

Barn fires are every horse owner’s worst nightmare. According to the Animal Welfare Institute, more than 900 horses have died in U.S. barn fires since 2013.

However, you can significantly reduce the risk of a fire in your barn by learning the common causes and implementing fire safety precautions.

C O M MO N C AU SE S OF B A R N FI RE S

Predicting when and where a horse barn fire will occur is difficult. However, the 2022 National Fire Protection Association (NFPA) report identified the most common causes of barn fires. Heating devices accounted for 33% of all reported barn fires and malfunctioning electrical systems accounted for 29%.

Other common causes of barn fires include: —Lightning strikes —Arson —Cigarette butts —Welding sparks —Gas or diesel equipment malfunction when stored inside a barn —Wet hay BA RN F I RE S AFE T Y C HE C K L I S T

Most barn fires—a whopping 80% to 85%—are caused by electrical failures, human mistakes, and accidents. You can significantly reduce the fire risk in your

COURTESY PetMD

barn by following these fire prevention measures.

Keep it Clean One of the simplest fire safety precautions in a barn and around horses is cleanliness. This six-step barn fire safety checklist can help you reduce the risk of fire at your horse barn: 1. Remove flammable debris, including cobwebs, empty feed and bedding bags, oily rags, and other items that can quickly ignite.

2. Store combustibles (such as fuel, bedding, chemicals, or hay) at least 50 feet from the horse barn.

3. Avoid stacking wet hay.

4. Ban smoking in the barn. Be sure to put up signs around the barn prohibiting smoking.

5. Mow lawns and cut weeds regularly to reduce ignition sources that can spread to a barn.

6. Inspect all wiring, junction boxes, and electrical panels for damage at least once a year, and have anything you note repaired immediately.

Use Fire Safety Technology and Gear Prioritizing barn fire safety can help keep your horses safe and give you peace of mind. These fire safety technologies help reduce the chances of a horse barn fire when properly installed: —Fire alarms, smoke sensors, and carbon monoxide detection systems —Thermal detectors —ABC fire extinguishers hung at each entry and exit and 50 feet from any point in the barn —Sprinkler systems

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The National Fire Prevention Association 150, Fire and Life Safety in Animal Housing Facilities also provides specific fire prevention guidelines for barns, including horse barns.

A sprinkler system is one of the association’s recommended fire protection features. Any time you visit a public facility like a restaurant, store, or hotel, look up and you’ll see one. But few horse farms have sprinklers installed in their stables.

It can be worth the installation expense to increase the chance of saving lives if a fire breaks out.

Consider Your Barn Layout When building a new barn, use approved fire doors, fire walls, and flame-retardant materials wherever possible.

It’s also a good idea to limit the number of center aisle stalls to make exit points closer to each horse. In an existing barn, assess how your barn is arranged and make modifications where possible.

In either scenario, consider: —Installing hardware on stall doors that is easy to use —Building stalls with two doors (inside/outside) —Insulating and ventilating the barn properly to reduce the need for heaters or fans —Considering the barn’s proximity to water sources —Installing multiple water hydrants in and around the barn —Storing halters and lead ropes in easily accessible locations CONTINUED ON PAGE 90

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BARN FIRE SAFETY CONTINUED FROM PAGE 88

Hire Professionals to Check Your Barn Hiring professionals to assess and maintain the electrical system in your horse barn is an important step in reducing fire hazards. An electrician should inspect and repair wiring yearly and assess your barn’s risk for lightning strikes.

If your barn doesn’t already have one, they’ll likely recommend installing lightning rods designed to direct lightning to the ground should it hit the barn during a storm.

Make an Evacuation Plan Even with the best prevention plans in place, fires can still happen.

In some areas, the fire department can respond to a fire in three to five minutes, while in more remote locations, it can take 10 minutes or more. Despite rapid response times, a small flame can overtake an entire facility in minutes.

Having emergency response and evacuation plans can mean the difference between life and death for both people and horses.

Before an emergency happens, invite the fire department to your barn and ask them to evaluate your property and provide feedback on how to update your facilities for fire response efficiencies.

During a visit, the fire department will likely: —Identify all available water sources (natural or municipal) on the property.

—Note utility shutoff points.

—Evaluate the driveway and barn for access and make recommendations for removing trees or low-hanging branches that may obstruct entry.

—Provide input for an evacuation plan.

—Suggest creating a current list of emergency contacts, including first responders, veterinarians, and nearby farms.

Once you have an evacuation plan in place, practice it. Train all staff members

and boarders on how to use a fire extinguisher and have them practice evacuation plans too. Local fire extinguisher companies can provide training on how to use a fire extinguisher correctly and offer service plans to check extinguishers to ensure they are in working order.

Prioritize Human Safety If you can do so safely, get horses out of the barn and into a pasture away from the fire as soon and as quickly as possible.

However, it’s important to remember that you should never reenter an engulfed structure, and instead allow the fire department to perform the duties of their job safely.

The key to any emergency is prevention and preparedness. Ensuring the above safety measures are complete will greatly reduce the devastation should a fire break out.

Horse Barn Fire First Aid Horses that survive a barn fire may experience injuries or other conditions that will require prompt treatment from a veterinarian. Make sure your horse first aid kit is well stocked, and consider keeping a kit away from the barn area so it is still accessible in case of a fire.

Barn fires may cause horses to experience smoke inhalation.

A horse suffering from smoke inhalation may experience: —Coughing —Lethargy —Shallow or fast breathing —Nasal discharge In severe cases, horses may develop bronchitis or pneumonia. Older horses, those with underlying health conditions, or mares that are pregnant or lactating may be more affected due to their compromised immune systems.

Smoke inhalation in horses varies by horse and degree of exposure. Horses are often treated with high doses of antioxidant vitamin E with products such as Nano E®.

90 | EQ UE S T R I A N L I V IN G | J AN UARY / FEB RUARY | 2025

If the horse has more severe symptoms, stabilization may be needed—making sure the horse’s airway is clear and treating the horse with fluids for shock.

If there is severe upper airway edema (fluid) present, then a tracheostomy may be necessary, which includes opening the trachea and placing a tube.

Some horses may recover in four to six weeks from acute (severe) smoke inhalation. Generally, there is a minimum recommended rest period of about two weeks after exposure.

Burns Horses may be burned from flames during a barn fire, whether from being trapped inside or burning themselves while escaping to safety.

Burns in horses can vary by severity: —Superficial burns are typically easily treated and not expensive to manage at home.

—Serious burns can result in shock and require aggressive treatment that can be expensive and difficult to manage.

—Horses with burns over at least half of their body have a grave prognosis. They are likely to die from their injuries or may be humanely euthanized.

Horses that survive being burnt may have scarring for the rest of their life, and this can prevent them from returning to normal daily life.

Heat Exhaustion While most horse owners recognize heat stress in horses during the summer months, it’s important to remember that fires are extreme heat events.

Make sure to watch for any signs of heat stress such as rapid breathing, increased body temperature, sweating, and dehydration.

LEARN MORE AT PetMD.com

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MEET MILES The unwanted SHELTER DOG who found his way to WESTMINSTER.

BY SARAH LESSLER

successful business owner and an incredible athlete,” Christine laughs.

At the 2024 Westminster Dog Show, the story of Christine and Miles—the “All-American Dog” once labeled unwanted and now a beloved pet and top competitor—captured national attention. Their journey was featured by The New York Times, sparking calls from major outlets like “ABC World News,” “NewsNation,”and CBS. Reflecting on Westminster, Christine describes the experience as surreal.

Though they had strong runs, they narrowly missed the final round when Miles jumped off the dog walk and A-frame too early, missing the yellow contact zone. “When I asked him why, he said he thought it’d be more fun for people to see him fly!” Christine laughs.

Christine and Miles and their other two- and four-legged family members and friends spend their days agility training and at the barn. Christine says her favorite days with Miles are when she can go out trail riding, meandering through the woods, and galloping through fields with Miles running beside her. Miles is Christine’s most cherished companion, always up for anything and loves being the center of attention— a true once-in-a-lifetime dog.

DANIEL LOZADA FOR NY TIMES

C

hristine Longnecker, an eventing trainer in Erie, Pennsylvania, began riding at age 8 and has competed up to the preliminary level. Although she initially set out on a career path in government, her passion for horses led her to pursue full-time training. Additionally, after a winding story of family losses and years of acknowledging her deep connections with all animals, great and small, Christine realized she could also communicate with them. She’s helped countless people understand their animal friends, from horses and cats to snakes and squirrels.

“If you can name it, I’ve probably talked to it,” Christine says.

In 2018, while searching for the perfect rescue pup at McKean, Pennsylvania’s Because You Care Animal Rescue and Adoption Center, Christine heard a voice from behind a kennel door: “I just want to be a good boy,” Miles, the dog, said to her. Christine felt an instant bond and knew he was meant to be hers. Since then, Miles has been her constant companion— whether at the barn teaching and riding, at horse shows, or during animal communication sessions with clients.

At 7 years old, Miles is living his best barn dog life with an impressive agility competition career to match. Christine jokes that he’s more than just a barn dog—Miles says he would like everyone

Christine Longnecker with Miles at the Westminster Dog Show and at home.

to know he’s also a trainer. “My clients call him the ‘bad cop’ because he yells (barks) at them, while I’m the ‘good cop’ offering constructive feedback,” she laughs. Despite never trying agility before, Christine was inspired to start after watching Miles effortlessly soar over horse jumps in the ring, leading them on this exciting new adventure together.

Miles’ agility achievements are impressive, especially for a “Novice A” dog, Christine’s first in the sport.

He qualified for the AKC National Agility Championship every year he’s been eligible and has been ranked as the top 20-inch All-American dog each time he competed. Miles also twice competed at the Westminster Kennel Club Dog Show and recently earned his MACH3 (Master Agility Championship). “Basically, he’s a

98 | EQ UE S T R I A N L I V IN G | J AN UARY / FEB RUARY | 2025

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