XAN PortfoliO2016 by xan

XAN RAMOS RODRÍGUEZ

_____________________________________________________________________________________________________________________________________________________________________________________________ PERSONAL DATA: BORN: OURENSE, GALICIA, SPAIN MAY 23, 1983. EMAIL: juanramosrodriguez@gmail.com / xanrr@yahoo.es PHONE: +34 687227143 _____________________________________________________________________________________________________________________________________________________________________________________________ EDUCATION: ESCUELA TÉCNICA SUPERIOR ARQUITECTURA A CORUÑA, SPAIN BACHELOR ARCHITECTURE 2005-2013 BERGEN ARKITEKTHØGSKOLE, NORWAY SUMMER COURSE: DESIGN

2012

CENTRAL SAINT MASRTINS LONDON, UK SUMMER COURSE: HISTORY OF LONDON

2013

UNIVERSIDAD AUTÓNOMA DE CHILE, TEMUCO, CHILE BACHELOR ARCHITECTURE + MASTER ARCHITECTURE 2014-15 _____________________________________________________________________________________________________________________________________________________________________________________________ WORK: MESA TALKS PORTO, PORTUGAL DESIGNER

JULY-SEPTEMBER 2011

OFFICE OF ARCHITECTURAL RESPONSES, BERGEN, NORWAY JUNIOR ARCHITECT-INTERNSHIP JUNE-AUGUST 2012 SOUTH AMERICA PROJECT, TEMUCO, CHILE + HARVARD GSD URBAN RESEARCHER AUGUST-DECEMBER 2014 INSTITUTO ESTUDIOS DEL HABITAT, TEMUCO, CHILE JUNIOR ARCHITECT-DESIGNER

MARCH-JUNE 2015

VOLCOM FREELANCE DESIGNER

JUNE 2014- (CURRENT)

STOKED WETSUITS, SANTIAGO, CHILE ART DIRECTOR-DESIGNER

APRIL 2015- (CURRENT)

AUSTRALIA SOON...

MATADERO TEMPORARY madrid STUDIO-HOUSES SPAIN FOR ARTISTS april2014

The MATADERO MADRID is a recently created cultural centre, a great example of industrial refurbishment of a XIX century building. Born in 1908 was closed at the end of the XX century, leaving a well preserved installation in a block of the city with poor cultural equipment. The city council decided to reactivate this building due that was really close to the MADRID RÍO urban plan. $VSSFOUMZ UIF DVMUVSBM DFOUSF IBWF EJôFSFOU spaces intended to cinema, design centre, library, recording studios, etc. We have to act in an empty one. Our main idea was to recreate the original ‘’NEO-MUDÉJAR’’ skin in our interior boxes, to show the visitors the architectural style of the building, explaining this on panels ditributed all over the área. We also propose to elevate the artist-studio boxes while the visitors are inside the exposition, allowing more circulation space. The boxes design is very simple trying to aply EJôFSFOU nPPSJOH UP UIFN EFQFOEJOH PO UIF use (cork for the studios, particleboard for the relation boxes and cedar wood for the rest o n e s ) . Our goal is that all of them work as a set.

la piel

La primera decisión es tomar la ƌĞĨĞƌĞŶĐŝĂ ĚĞů ĂƉĂƌĞũŽ ƚŽůĞĚĂŶŽ ơƉŝĐŽ ĚĞ ĂƐƟůůĂ ƵƟůŝǌĂĚŽ ĞŶ ƚŽĚĂ ůĂ ƉŝĞů ĚĞ ůŽƐ ĞĚŝĮĐŝŽƐ ĚĞů ŵĂƚĂĚĞƌŽ͘ Ğů ĂƌƋƵŝƚĞĐƚŽ >ƵŝƐ ĞůůŝĚŽ ƵƟůŝǌſ ĞƐƚĞ ĂƉĂƌĞũŽ ƐŝŐƵŝĞŶĚŽ ůĂ ĐŽƌƌŝĞŶƚĞ ĚĞů t Z< hE ĐŽŶ ƚƌĂǌĂƐ ĚĞ ĞƐƟůŽ E KͲDh : Z͘ ^ĞŐƵŝƌ ĞƐƚĂ ůŝŶĞĂ ƉĂƌĂ ĚĂƌ ĨŽƌŵĂ Ă ůŽƐ ŵſĚƵůŽƐ Ǉ Ăďƌŝƌ ŚƵĞĐŽƐ ĞŶ ƐƵ ŐĞŽŵĞƚƌşĂ ŶŽƐ ƉĂƌĞĐĞ ĂĚĞĐƵĂĚŽ ƉĂƌĂ ƋƵĞ Ğů ǀŝƐŝƚĂŶƚĞ ƉƵĞĚĂ ĂĐĐĞĚĞƌ ĚĞ ƵŶĂ ŵĂŶĞƌĂ ŵĄƐ ƉƌŽǆŝŵĂ Ă ůĂ ŚŝƐƚŽƌŝĂ ĚĞů ŵĂƚĂĚĞƌŽ͘

2 tipos de paneles pladur: TABIQUE PLADUR® ''matadero'' 100/400 (70) LM techo continuo pladur fon ''matadero'' con los huecos a doble escala

elevarse+posarse 3de4

HISTORIC CENTRE porto restoration PORTUGAL TOURIST OFFICE may2010

Fishes from the ECHENEIDAE family ar known as â&#x20AC;&#x2DC;â&#x20AC;&#x2122;rÃ©morasâ&#x20AC;&#x2122;â&#x20AC;&#x2122; and his modus vivendi DPOTJTUT JO BEIFSF UP CJHFS mTIFT VTJOH UIFN BT USBOTQPSU BOE BDRVJSF B NVUVBM CFOFmU relationship (SYMBIOSIS). We have to work in a really old building in Portoâ&#x20AC;&#x2122;s city centre. The work starts reinforcing the structure to allow us to keep the original GBDBEF BT UIF QSPZFDU GBDF SFTQFDUJOH UIF portuguese traditional architecture. By one side a new use is created and we prioritize the people circulation and public TQBDF DSFBUJOH B GSFF BSFB "GUFS UIJT XF IBWF UP BUUSBDU WJTJUPST XF BSF B UPVSJTU PÃµDF TP XJUI PVS OFX WPMVNF XF QMBZ BO BSUJTUJD HBNF DIBOHJOH UIF HSBQIJDT depending on what we need in each moment 1PSUP T GBNPVT &JÃ´FM CSJHF 8JOF e x p o s i t i o n s . . . e t c ) 5IF MPXFS MFWFS JT B TUSFFU OPX XF XBOU UIBU people circulation can be an excuse to get JOUP UIF PÃµDF

MUNDĂ?N ourense LW SPAIN HOUSE december2014 - under construction

This house was born in the traditional architecture of Galicia, nothwest Spain. The thick stone walls are one of the main elements and also the ceramic tile roof. The local council obeys you to respect these materials and wooden carpentry in the windows. This restricted laws and the big challenge to introduce the maximum of light into the volume are the background of the proyect at the beggining. 5IF mSTU EFDJTTJPO XBT UP FNQUZ UIF CVJMEJOH from the inside, reinforce the stone walls and introduce a plywood structure elevating a bit the volume height. We tried to open the volume to the views & light and close it to the northern galician rains, the part of the CVJMEJOH UIBU TVĂ´FST NPSF JO UIJT XFBUIFS The former owner of the building (and clientâ&#x20AC;&#x2122;s GBUIFS JT B DBSQFOUFS BOE TVĂ´FST BM[IFJNFS now, so we decided that was a good tribute to him going further in wood works, as creating a ceiling sistem that allows you to open or close the house completely, and also reinvent some easy estructures that the man created to hang pig sausages, ham, and another typical food into new lamps that we consider that can, at least be a good legacy from him. The great challenge is to get the maximun light into a really dark space.

ESTUDIO DE REHABILITACIÓN DE ALPENDRE. VIVIENDA UNIFAMILIAR 2 ALTURAS.

SITUACIÓN: MUNDÍN, CONCELLO DE NOGUEIRA DE RAMUÍN, OURENSE.

PROPIETARIO/S: SONIA LOSADA LAMA + RUBÉN GONZÁLEZ GONZÁLEZ

OURENSE, 31.12.2015

PLANIMETRÍA PROPUESTA PLANTAS E:1/40

ETSAC a coruña wooden SPAIN INFO POINT april2011

A wood company hosted a competition to design the ARCHITECTURE UNIVERISTY INFO POINT and this proposal is based on -&$03#64*&3 4 .0%6-03 EJôFSFOU TIBQFT BOE DSFBUJOH EJôFSFOU IPMFT UIBU BMMPXT ZPV UP view or hide depending on what you want to d o . We have three kind of wood panels to complete the design and construction, one of the key aspects of the proposal (the project has the maximum sizes that the smallest truck can transport) and we also focus the design in an easy construction.

A Coruña, the city were the proyect was built, is a really rainy city so the ceiling panel is covered with methacrylate and the other panels got a waterproof treatment.

EL PUNTO DE PARTIDA ES LA ESCALA ANTROpoM ÉTRICA. EL VOL ÚMEN ACOGER Á A UNA PERSONA EN SU INTERIOR Y NINGUNA,ALGUNA O MUCHAS EN SU EXTERIOR. NUESTRA PERSONA OCUPARA NUESTRO PRIMER LUGAR DE RELACION CON EL EXTERIOR Y PENSAMOS EN EL MODULOR de le corbusier Y LAS DIFERENTES POSICIONES QUE PUEDE ADOPTAR UN SER HUMANO UN ASIENTO RELAJADO UN ASIENTO ERGUIDO UN ASIENTO DE TRABAJO EN PIE CON UNA MESA BAJA EN LA QUE APOYAR LA PALMA EN PIE CON UNA MESA ALTA EN LA QUE APOYAR LOS BRAZOS EN PIE CON UNA BARRA EN PIE EN PIE CON LA MANO LEVANTADA A RAIZ DE ESTAS POSICIONES SITUAMOS LOS HUECOS EN FACHADA A LA ALTURA DE LOS OJOS EN CADA POSICION

TABLERO COMPACMEL PLUS

elementos verticales y cubierta se utilizara para el panelado de paredes y puertas se trata de abrir huecos al maximo para inundar de luz el modulo se utiliza una geometria con huecos de espesores de siete mm que es el aproximado ancho para la entrada de una mano en cubierta estaran protegidos por paneles de metacrilato en caso de estar a la intemperie

TABLERO SUPERPANTECH

elementos horizontales SE UTILIZARAN para la base soporte iran fijados sobre una estructura muy simple de correas de madera con tornillos autorroscantes se recubriran con ploetileno

las perforaciones de los tableros buscan la maxima luminosidad del volumen y tambien las amplias posibilidades de corte y perfilado del material

descanso

modularidad

muchas posibilidades podran agruparse volumenes contiguos compartiendo las mismas caras o caras distintas pudiendo generar espacios diafanos eliminando los paneles compacmel interiores o compartimentarlos anadiendo puertas taquillas zonas de almacenaje segun las diferentes necesidades espaciales y usos de los modulos.

atencion al publico clientes visitantes

todos los tableros superpantech compacmel y pequenas piezas estructurales de madera caben en un vehiculo de transporte convencional. se planteaun montaje sencillo al situar nuestra planta traezoidal con correas transversales en las que anclar la base horizontal de tableros superpantech y la estructura sencilla de soporte. a continuacion anclamos los paneles compacmel a los pilares de madera y elemntos de base finalmente situamos la cubierta el mobiliario podra adaptar muchas formas diferentes partiedndo como base nuestras piezas sobrantes tras l corte y dando fruto a la creatividad.

LAVAPIÉS UTOPIC madrid PROPOSAL SPAIN MASTERPLAN june201

I think this competition has the perfect rules : YOU CAN’T USE COLOR, ONLY BLACK, WHITE AND GREY YOU

CAN’T

USE

RENDERING

YOU HAVE TO TAKE INSPIRATION FROM THE NAKED CITY(GUY DEBORD 1957) THE CITY OF THE CAPTIVE GLOBE (OMA 1 9 7 2 ) COLLAGE CITY (COLIN ROWE 1976) CITTA ANÁLOGA (ALDO ROSSI 1976) ROMA INTERROTA (JAMES STIRLING 1978) MADE IN TOKIO (KAJIMA, KURODA & TSUKAMOTO 2006)

We choose THE CITY OF THE CAPTIVE GLOBE from REM KOOLHAAS and we made a critic of the REINA SOFIA MUSEUM (JEAN NOUVEL) saying that the proyect doesn’t reactivate the área as it should. It’s really close to the bigest train station o the city and the empty área of the museum doesn’t work, so our utopic proposal was to remove the added volume with a captive g l o b e

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LA CIUDAD DEL GLOBO CAUTIVO LIBERAREMOS EL GLOBO DE KOOLHAAS, LO ATAREMOS AL EDIFICIO NOUVEL Y LO LLENAREMOS DE HELIO PARA CREAR UN VACÍO Y PROVOCAR QUE ESA ‘’PLAZA’’ FUNCIONE REALMENTE. (EL PRINCIPAL FOCO DE ATENCIÓN DE LAVAPIES ES EL MUSEO REINA SOFÍA Y SU PROXIMIDAD A LA ESTACIÓN DE TREN DE ATOCHA. ESTE ES UN DE LOS PUNTOS FUERTES DEL CIRCULO DEL ARTE DE MADRID, SE AMPLIÓ EN 2001 AUMENTANDO EN UN 60% SUS ESPACIOS Y VENDIÉNDOSE COMO UNA PLAZA PÚBLICA CUBIERTA...AUNQUE SU USO DIFIERE BASTANTE DE SER ASÍ EN LA ACTUALIDAD. EL CAIXAFORUM DE HERZOG & DE MEURON Y SU JARDÍN VERTICAL SI INVITAN A DISFRUTAR DE SUS ESPACIOS Y EL VISITANTE NO SOLO UTILIZA LA PLAZA COMO FLUJO DE PASO SINO QUE TAMBIEN SE DECIDE A OCUPARLA. LA MANZANA QUE DOMINA EL MUSEO ES UN LIMITE PERIMETRAL CON MUCHA TENSIÓN, YA QUE LA LIMITA UNA VIA RODADA DE MUCHA INTENSIDAD POR LO QUE CREEMOS QUE LA MEJOR DECISIÓN ES ELIMINAR EL MURO Y ABRIR EL ESPACIO CON EL MAYOR VACÍO DE LAVAPIÉS.

PUCÓN araucanía region CHILE CULTURAL CENTRE may2015

Pucón is a town in central Chile's Lake District, lying on Lake Villarrica overlooked by the snow-capped Villarrica volcano. An adventure tourism hub, it's renowned for access to hiking trails, water sports, white-water rafting and kayaking as well as skiing and snowboarding. The surrounding terrain ranges from lakeside beaches to temperate rainforest. Natural hot springs are found in nearby forested valleys. CHILE is the richest country in COPPER, and the ANDES MOUNTAINS are one ofthe most natural places on earth. 4P XF MFU UIJT UXP UIJOHT EFmOF PVS DVMUVSBM centre, the ceiling is everything in our project, trying to pixelate the mountain range horizon.

The only think that breaks this are the two BDDFTT XJUI EJôFSFOU TDBMFT UIBU GSBDUJPO UIF centre in three volumes, but this is with the intention that when you get into the building can see the ANDES in all its splendour.

FIRE STATION FIREMAN temuco SQUARE CHILE MEMORIAL february2014

FIREFIGHTERS are heroes everywhere, but it UBLFT B EJÃ´FSFOU MFWFM JO $)*-& *O UIJT DPVOUSZ UIBU LJOE PG CSBWF QFPQMF XPSL GPS GSFF UIFZ EPO U IBWF B TBMBSZ BOE XPSL JO PUIF KPCT CVU XIFO UIFZ BSF DBMMFE GPS IFMQ UIFZ EP JU BOE SJTL UIFJS MJGFT GPS GSFF 5IBU T UIF SFBTPO XIZ QFPQMF MPWFT mSFNFO JO B EJÃ´FSFOU XBZ 5FNVDP JT B UJOZ DJUZ GSPN UIF TPVUI PG $IJMF BOE UIF TRVBSF XIFSF XF IBWF UP BDU JT SFBMMZ QPPS BOE OPCPEZ UBLFT DBSF PG JU 5IF JEFB JT UP XPSL XJUI -*()5 BOE 8"5&3 BOE QSPWJEF B GBTUFS FYJU GPS UIF mSF USVDL 8F XBOU B XBUFS MJOF UIBU HPFT GSPN UIF CFHJOOJOH UP UIF FOE PG UIF ÂµSFB BOE DSFBUJOH MJHIU DPMVNOT UIBU HFU NPSF IFJHIU UIF DMPTFS BSF UP UIF '*3& 45"5*0/ &BDI DPMVNO QBZT USJCVUF UP B MFHFOE UP '*3&'*()5&34 EFBE EPJOH IJT KPC

5IF MJHIU JT B MJGF TZNCPM BOE XF DFMFCSBUF UIJT QFPQMF MJWFT MJWFT EFEJDBUFE UP TBWF UIF Q F P Q M F

INTEGRACIÓN ÁREAS VERDES CON ELEMENTOS DE HORMIGÓN PREFABRICADO QUE INCORPORAN LA NATURALEZA A LA PIEZA DURA.

estado actual bomberos: salidas norte y sur RECORRIDO EN EL QUE SE PIERDE TIEMPO RECORRIDO MAS NATURAL Y DIRECTO

fraccionamiento del bandejon frente al cuartel expansionde la plaza publica hacia av. alemania cota +0.1M dos cotas: cota +0M

CILINDROS QUE PROYECTAN UNA LUZ HACIA EL CIELO HOMENAJEANDO LA MEMORIA DE LOS MÁRTIRES.

SE RESPETA TODA LA VEGETACION PREEXISTENTE SE GENERAN RECORRIDOS NATURALES SE CREA LA PLAZA EN EL AREA MAS CLARA

RECORRIDO MARCADO POR UNA LINEA AGUA DE UN HAZ DE LUZREPRESENTANDO A CADA MARTIR GENERAR RECORRIDOS Y DESCANSOS

O PORTIÑO campsite a coruña SERVICES + SPAIN GUESTHOUSES august2015

Castro culture (Galician: cultura castrexa) is the archaeological term for the material Celtic culture of the north-western regions of the Iberian Peninsula (present-day northern Portugal together with Galicia, western Asturias and north western León) from the end of the Bronze Age (c. 9th century BC) until it was subsumed by Roman culture (c. 1st century BC). The most notable characteristics of this culture are: its walled oppida and hill forts, known locally as castros, from Latin castrum "castle", and the scarcity of visible burial practices, in spite of the frequent depositions of prestige items and goods, swords and other metallic riches in rocky outcrops, rivers and other aquatic contexts since the Atlantic Bronze Age. This cultural area extended east to the Cares river and south into the lower Douro river valley.

For this campsite guesthouses we wanted to recreate this kind of primitive living áreas but with new materials, showing how this kind of historic architecture can be constructed today. The intention is to design a campsite the way it could be built by our ancestors.

SECCIÓN LONGITUDINAL

PLANTA DE CUBIERTAS

ALZADO EXTENDIDO

SECCIÓN LONGITUDINAL

PLANTA DE CUBIERTAS

ALZADO EXTENDIDO

SECCIÓN LONGITUDINAL

PLANTA CUBIERTAS

ALZADO EXTENDIDO

VILCHES SMILJAN RADIC maule region POEM HOUSE CHILE GRAPHIC WORK december2014

During the XIX ARCHITECTURE BIENAL I had the oportunity of talking with SMILJAN RADIC, I asked him about being my tutor for my university thesis and he agreed. In addition to being an incredible learning process, I could hepl him with some graphic works about his publications. The EDICIONES ARQ company (an editorial created by the Chile Catholic Univeristy) needed a graphic work adaptation of his plans of his CASA PARA EL POEMA DEL ÁNGULO RECTO. The design was based on a poem and there is certainly something quite mystical about this dwelling. The black surface, unorthodox composition, and absence of windows on a lot of the facades create an air of mystery, while USVODBUFE DPOFT KVUUJOH PVU GSPN UIF SPPG PôFS narrow viewing portals into the canopy of the surrounding trees. i* mOE DPOUFNQPSBSZ BSDIJUFDUVSF HJWFT UPP much attention to the surface and the visual sense. I’m more interested in the ability of architecture to create an ambience, to give the air a certain quality, with noise, pasty light, suspended dust or an unusual temperature.” – Smiljan Radic

X M

PLANO DE SITUACIÓN

E:1/1000

PLANTA DE CUBIERTAS

E:1/50

PLANTA DISTRIBUCIÓN

E:1/50

DORMITORIO

LITERAS NIÑOS BAÑO

COCINA

PATIO ESTAR ACCESO

COMEDOR

TALLER-ARTE

ELEVACIÓN ENTRADA SECUNDARIA

E: 1/100

SECCIÓN TRANSVERSAL A-A’

DESPLIEGUE DE LA CÁSCARA Y LUCERNARIOS

ELEVACIÓN ENTRADA PRINCIPAL

E: 1/100

SECCIÓN TRANSVERSAL B-B’

E:1/100

PANTĂ?N WORLD SURF ferrolterra LEAGUE SPAIN TEMPORARY ARCHITECTURE august2015 -developing

I had the oportunity to collaborate with the PANTIN CLASSIC GALICIA PRO, one of the best surf events in Europe, helping them to EFTJHO UIF TVSGFST ÂľSFB TUBĂ´ ÂľSFB QSFTT facilities, and everything they need to make a really succesfull event. This opened the oportunity to go to the QUIKSILVER PRO FRANCE in HOSSEGOR, and the RIP CURL PRO PORTUGAL in PENICHE, to learn from the inside how a world class event is made. I had a meeting with JED PEARSON, on of the big names of the NATIONAL FOOTBALL LEAGUE that arrived the WORLD SURF LEAGUE to improve its MEDIA IMPACT. I showed him and his team a few quick proposals that can get his attention and I think that can be very helpful for the sport, BUIMFUFT TUBĂ´ BOE WJFXFST 5IFZ UIJOL UIBU UIF 84- OFFE B mHVSF PG BO architect and this collab will continue in AUSTRALIA starting march 2017 with the QUIKSILVER PRO GOLD COAST and its 2 WEEK SURF CITY, a temporary architecture that should show the world how to be eco-friendly with the beaches & nature.

Sustainability and iconicity where the two confronting themes of 120 hours 2014. through a collaboration with Norways biggest music festival, The Øya Festival in Oslo, we set out to challenge the architectural political, social and technical conventions that have been associated to the practice of green architecture in the last decade. ØYA F E S T I VA L E N

The assignment was to design a structure that manifested a new take on the problem of oslo 120 HOURS creating a sustainable architecture. the wording of the assignment set up a conﬂict of interNORWAY MEETING POINT est in demanding an icon for the uniconic. This forced the participants to reinvent the ideas of sustainability within the framework of Architecture. april2014 So we wanted to work with plastic cups. The meeting point idea can be a growing one. The proposal are plastic boxes to recycle the plastic cups, so the more cups are in the boxes, the higher will be the columns and more recognizable the meeting point. We also place an energy ﬂoor conected to the columns, so while people are dancing the meeting point will be iluminated during the night.

With this emplacement we want to create a filter between the access & the music. We don’t want to mess up the grass, so we use the concrete road as our meeting point line.

LIGHT ENERGY MUSIC MOVEMENT NATURE peOPLE AWARENESS RELATION RECYCLING soft pavement

most crowded areas

main movements wc

music wc

vip artist area

music

rigid pavement

SJØDISEN STAGE

CLUB STAGE

is a recyclable material and has the number "5" as its resin identification code. At our festival we will be handing out these cups and if return to the bartender costumers get 8NOK back.

crOSS SECTION SJĂ&#x2DC;DISEN STAGE

after cleaning the cups we will fill our polypropylene boxes and transporting them to our FINNMARK street locations.

sustainable energy floor The more cups are recycled the larger our columns of plastic cup will grow. Starting from zero, the columns will physically show how eco friendly our customers are. As well as saving material, our dancefloor will provide the energy to lighten up the columns. The new sustsinable dancefloor clubs will make this possible.

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QUEENS HIGH LINE new york city EXTENSION USA URBAN PARK january2014

The site selected for this competition is the former Ozone Park Station, abandoned when the Rockaway Beach rail line shut down in the 1950s. Centrally located in the neighborhood and close to both subway lines, this platform is the only location that provides an increased width. The station is located between 100th and 99th Streets, and 101st and 103rd Avenues in Ozone Park, Queens. The 2 tracks, elevated 15 feet above street level, feature cantilevered extensions on both sides which formerly served as the platforms for passengers awaiting the train. ENYA selected this site, located at the southern end of the proposed QueensWay, to serve not only as gateway to the larger park system but also be a model for what community hubs along the railway can become.

So we think in Urban Orchards that can attract neighbours to visit the park and rent them, we can mix nature, rest, walking, running, ecology, design, and over this all, reactivating this QUEENS neighbourhood and conect it to the NYC high line.

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BROMMA AIRPORT NOISE stockholm REDUCTION SWEDEN WALL february2014

Swedish airport operator Swedavia has launched a competition to find an innovative solution that will reduce ground noise affecting the residential area of Bromma Kyrka, close to Bromma Stockholm Airport. The challenge is open to individuals and teams from anywhere in the world. Swedavia says it is looking for ideas that represent “innovation and clever design” and follow certain criteria in terms of feasibility, noise reduction, financial soundness and aesthetics. Bromma is Stockholm’s city airport, situated just nine kilometres from the city centre, with the closest residents living only 180 metres from the runway and therefore exposed to noise from aircraft and airport vehicles. Workers from Bromma airport told us that there is a big old wheels collection at the airport, from old planes, trucks and vehicles in general and the idea was to put all this rubber inside our structure to reduce noise, due to the insulating power of this material. To improve this barrier we expand it making a ZIGZAG shape that generates the swedish WELCOME word (even for a better find in google maps).

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LEBU bio-bio region PORT CHILE MATERPLAN february2015 july2015

The South America Project (SAP) is a trans-continental applied research network that proactively endorses the role of design within rapidly transforming geographies of the South American Continent. SAP specifically focuses on how a spatial synthesis best afforded by design can provide alternative physical and experiential identities to the current spatial transformations reshaping the South American Hinterland, in particular fast paced modes of resource extraction and an unprecedented regional integration at a continental scale (primarily through roads, energy grids, fluvial corridors, and telecommunication networks). Launched by Felipe Correa and Ana María Durán Calisto, with the support of the Department of Urban Planning and Design at the Harvard Graduate School of Design, the David Rockefeller Center for Latin American Studies, and the Loeb Fellowship, the project brings together a broad host of academic insitutions, scholars and designers from diverse fields, in order to create a projective platform that can allow for Architecture and the diverse disciplines affiliated to the constructed environment to actively partake in proposing more comprehensive models of urbanization for South America .

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ZOOM2 PLANTA DE EMPLAZAMIENTO

E:1/1000

BANCO ESCUADRÍA PINO RADIATA AL NATURAL CON TRATAMIENTO ANTIHUMENDAD Y SOPORTES DE ACERO INOXIDABLE ANCLADOS AL PAVIMENTO DE MADERA

BANCO LINEAL DE HORMIGÓN PULIDO CON SOPORTES SUPERIORES DE MADERA DE PINO RADIATA. TRANSICIÓN MADERA-HORMIGÓN

QUERCUS ILEX QUERCUS SUBEX CASUARINA EQUISETIFOLIA

BENCH MÓVIL PINO RADIATA AL NATURAL CON TRATAMIENTO ANTIHUMENDAD. ANCLAJES INFERIORES CON RUEDAS PARA PERMITIR SU MOVIMIENTO Y AGRUPACIÓN PERO SUFICIENTEMENTE PESADOS PARA EVITAR EL ROBO.

FAROLAS & BOLARDOS DE BAJA ALTURA DE ACERO INOXIDABLE EMBELLECIDOS CON PINO PINASTER. BAJA CONTAMINACIÓN LÚMINICA + LEDS DE BAJO CONSUMO.

+15M 15M

PINO PINASTER PINO RADIATA

ACACIA MELANOXYLON

10M

MITIGACIÓN NATURAL

SECCIÓN TRANSVERSAL BOSQUE MITIGACIÓN AA’

ESPECIES BOSQUE

E: 1/200

SECCIÓN TRANSVERSAL FRANJA DE ACCESO BB’ E: 1/200

INTEGRACIÓN ASTILLEROS

SECCIÓN TRANSVERSAL COSTANERA CC’ E: 1/200

APERTURA VARADERO EN EL BORDE RÍO

This house was projected in a very sloping plot. The program wanted a minimal living place and a minimal studio with a pool.

FISTERRA 60 galicia SQUARE METRES SPAIN STUDIO-HOUSE

The main idea was to reach the place by car. Once there, you descend into the house, opening the door and deciding where to go, the living ĂĄrea or the studio.

june2012 The place is full of trees and we want to remove the less the better so we rotate the volume and cut the edges to allow the nature grow. One of the trees separates the studio from the house and welcomes you when you arrive. We ďŹ nish the house skin with alerce wood, a materila that gets a grey colour close to concrete with the time, and we place the wood beams strategically depending on the use.

GLORIES ARQUIA barcelona ‘’CHURCH’’ SPAIN PAVILLION may2016

The physical and geographical centrality of the Plaça de les Glories had not resulted so far the urban center that Cerdà planned for this area of Barcelona. Located at the intersection of the three main avenues of the city, Glories is now in the joint between the urban system and the future Cerdà green axis linking parks Trinidad, Sagrera and Ciutadella. Glories represents an opportunity to create a park-plaza, including new contemporary dimensions, such as biodiversity and climate comfort and space for everyday recreational practices. Our proposal is a pavillion that starts with a human scale and grows while you access the v o l u m e . The estructure consists in tree trunks that conform the typical catalonian VAULT, architectural historic symbol of the área.

Once you are in the pavillion the ceiling starts to grow untill we are in a circle that allow us create events, rest or only isolate us of the city noise.

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