2014/2015 星海音乐厅新年演出季 N e w Ye a r M u s i c S e a s o n
俄罗斯国家交响乐团 新年音乐会 Russian National Orchestra New Year’s Concert 指挥 ● 米哈伊尔·普雷特涅夫 演出 ● 俄罗斯国家交响乐团
2014/12/29 20:00 地点 ● 星海音乐厅交响乐演奏大厅
节 目 单
PROGRAM
里姆斯基 - 柯萨科夫 俄罗斯复活节序曲，作品36号 Rimsky-Korsakov Russian Easter Festival Overture, Op. 36
指挥 ● 米哈伊尔·普雷特涅夫 Conductor ● Mikhail Vasilievich Pletnev 演出 ● 俄罗斯国家交响乐团 ● Performed by Russian National Orchestra 主办 ● 星海音乐厅 广东省演出有限公司 Organizers ● Xinghai Concert Hall
Guangdong Performing Arts Co., Ltd.
时间 ● 2014.12.29 20:00 Time 2014.12.29 20:00 ●
地点 ● 星海音乐厅交响乐演奏大厅 Venue ● Symphony Hall of Xinghai Concert Hall
指定酒店：
鸣谢：
中国巡演总代理：
彼得·伊里奇·柴可夫斯基 《天鹅湖》组曲选段，作品20 Peter Ilyich Tchaikovsky Suite from 'Swan Lake'（excerpts）
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中场休息
彼得·伊里奇·柴可夫斯基 e小调第五交响曲，作品64号 Peter Ilyich Tchaikovsky Symphony No.5 in e minor, Op.64
Intermission
1. 行板 — 有活力的快板 Andante-Allegro con anima 2. 自由如歌的行板 Andante cantabile, con alcuna licenza 3. 圆舞曲，有节制的快板 Valse, Allegro moderato 4. 终曲，庄严的行板 — 活泼的快板 Finale, Andante maestoso-Allegro vivace
战略合作伙伴：
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合作伙伴：
“俄罗斯国家交响乐团无疑已排名 世界十大交响乐团之一”
— 英国《金融时报》
乐团简介
About the Orchestra
俄罗斯国家交响乐团简介 Russian National Orchestra
俄罗斯国家交响乐团于1990年由俄罗斯著名钢琴家兼指挥家米哈伊 尔·普雷特涅夫创办，如今已成为世界顶级交响乐团之一。在伦敦BBC逍遥 音乐节首场演出之后， 《旗帜晚报》乐评人写道“他们的演奏美丽到令人神 魂颠倒，听众为此发出了由衷的赞叹”。俄罗斯国家交响乐团被认为是“俄 罗斯艺术活生生的最佳代表” （《迈阿密先驱报》）， “近乎完美地达到人们 的预期” （《三一镜报》）， “令人惊奇的艺术名家” （《格拉斯哥先驱报》）。 留声机杂志这样评价俄罗斯国家交响乐团的首张CD（1991）： “令人 惊叹的体验，人类可能演奏出这样的音乐吗？”，这张专辑还被评为史上柴 可夫斯基悲怆交响曲的最佳唱片。自此，乐团先后录制了80多张唱片，其中 大部分唱片是与德意志留声机公司、荷兰五音唱片公司以及其他知名厂牌 联合录制。录制俄罗斯国家交响乐团唱片的指挥包括创始人兼音乐总监米 哈伊尔· 普雷特涅夫，弗拉基米尔·尤罗夫斯基，肯特·长野健，卡洛·庞蒂 和瓦西里·彼得连科。 乐团获奖多碟唱片包括德意志留声机杂志收录的贝多芬交响曲全集和 钢琴协奏曲，以及为荷兰五音唱片公司制作的柴可夫斯基六部交响曲。由 荷兰五音唱片公司出品的肖斯塔科维奇项目被称赞为“肖斯塔科维奇交响 曲的最佳完整唱片录制”（SACD.net）。
乐团简介
About the Orchestra
Russian National Orchestra The Russian National Orchestra was founded in 1990 by pianist and conductor Mikhail Pletnev and today is widely recognized as one of the world’s top orchestras. Of its debut at the BBC Proms in London, the Evening Standard wrote, “They played with such captivating beauty that the audience gave an involuntary sigh of pleasure.” The RNO is also described as “a living symbol of the best in Russian art” (Miami Herald), “as close to perfect as one could hope for” (Trinity Mirror), and “astoundingly virtuosic” (Glasgow Herald). Gramophone magazine called the first RNO CD (1991) “an awe-inspiring experience; should human beings be able to play like this?” and listed it as the best recording of Tchaikovsky’s Pathétique in history. Since then, the orchestra has made more than 80 recordings, principally with Deutsche Grammophon and PentaTone Classics, as well as with other prestigious labels. Conductors represented in the RNO discography include Founder and Music Director Mikhail Pletnev, Vladimir Jurowski, Kent Nagano, Carlo Ponti and Vasily Petrenko. Award-winning multi disc releases include the complete Beethoven symphonies and piano concertos recorded on the Deutsche Grammophon label, and Tchaikovsky’s six symphonies for PentaTone. The orchestra’s Shostakovich project, also on PentaTone, is acclaimed as “the most exciting cycle of the Shostakovich symphonies to be put down on disc, and easily the best recorded” (SACD.net). The RNO’s charity recording of Prokof iev’s Peter and the Wolf and Beintus’s Wolf Tracks, conducted by Kent Nagano and narrated by Sophia Loren, Bill Clinton and Mikhail Gorbachev, received a 2004 Grammy® Award, making the RNO the f irst Russian orchestra to win the recording industry’s highest honor. Versions in Spanish (narrated by Antonio Banderas), Russian (with Oleg Tabakov and Sergei Bezrukov) and Mandarin (Xiao Lu and Geng Chun, narrators) have also been released.
ONE OF THE WORLD'S TOP ORCHESTRAS
-- RUSSIAN NATIONAL ORCHESTRA
传奇大师普雷特涅夫 世界最具影响力的指挥家之一
指挥简介
Conductor
米哈伊尔·普雷特涅夫，创始人及艺术总监 Mikhail Pletnev, Founder and Artistic Director
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米哈伊尔·普雷特涅 夫是一位 天 才钢琴家，指挥家
诞生。在他的带领下，俄罗斯国家交响乐团短短几年内便
以及作曲家，他的杰出才能征服了世界观众。他的音乐充
跻身于世界领军乐团的行列。普雷特涅夫把俄罗斯国家
满令人眼花缭乱的技术力量和撩拨人心的情绪，诠释了
交响乐团看作他最大的快乐，如今他担任乐团的艺术总
本能与智慧的融合。在钢琴演奏和指挥方面，普雷特涅夫
监和首席指挥。2006年，为支持国家文化发展，他创办了
被誉为当代最杰出的艺术家之一。1978年，年仅21岁的
米哈伊尔·普雷特涅夫基金协会，该基金协会为非盈利机
普雷特涅夫在柴可夫斯基国际钢琴大赛中赢得金奖和头
构，旨在扶持国家重点文化项目，包括俄罗斯国家交响乐
名，这让他受到国际乐界的关注与首肯。1988年，普雷特
团一年一度的伏尔加河之旅，以及与德意志留声机公司
涅夫受邀前往华盛顿，超级大国峰会上的演出使得他与
合作的米哈伊尔·普雷特涅夫贝多芬项目。
米哈伊尔·戈尔巴乔夫结下友谊，成为他在音乐领域自由
普雷 特 涅 夫 经常应 邀 担任 一流 交响 乐团的 客席 指
创作的历史契机。
挥，如伦敦爱乐乐团、马勒室内乐团、东京交响乐团、荷
1990年，普雷特涅夫创立了俄罗斯历史上第一个完
兰皇家大会堂管弦乐团、伦敦交响乐团、洛杉矶爱乐乐团
全独立于政府管辖的交响乐团。即使有戈尔巴乔夫的支
以及伯明翰市立交响乐团。2008年，他被任命为位于卢
持，普雷特涅 夫 迈出的第一步仍 然是 一种冒险，困难 重
加诺的瑞士意语区乐团第一客席指挥。
重，正是普雷特涅夫的名声和付出使他多年的梦想得以
作为一名独奏钢琴家，普雷特涅 夫经常出现在世界
实现。普雷特涅夫对俄罗斯表演艺术新模式的观念吸引
各地的音乐之都。他的录音和现场演出，都展现了他的优
了该国许多优秀音乐家加入，俄罗斯国家交响乐团由此
异演绎才华。伦敦电讯报这样评价道“从普雷特涅夫的指
天生的令人惊叹的精湛技艺 — 英国泰晤士报
间和大脑迸发出来的灵感，赋予了音乐生命力，并让音乐
得东京唱片奖，被誉为“2007年度最佳协奏曲专辑”。
充满新鲜和智慧。他使音乐变得欢欣雀跃。”英国泰晤士
普雷特涅夫还是一位作曲家，他的作品包括《古典交
报描述他的演出展现了“天生的令人惊叹的精湛技艺”。
响曲》、《交响乐团三联画》、为钢琴和交响乐团而作的
普雷特涅夫的录音获得众多奖项，他自己为双钢琴改
《哈萨克主题幻想曲及狂想曲》。他为钢琴所改编的柴可
编的、与玛塔·阿格里奇合作录制的《普罗科菲耶夫的灰
夫斯基《胡桃夹子组曲》与《睡美人》以及柴可夫斯基第
姑娘》获得2005年格莱美奖。他的CD《舒曼交响练习曲》
二号钢琴协奏曲、《季节》在1998年被选入飞利浦古典唱
(2004)，与俄罗斯国家交响乐团和指挥大 师米斯季斯拉
片公司出版的 “20世纪伟大钢琴家”选集中。
夫·罗斯特罗波维奇合作的录音《拉赫玛尼诺夫与普罗科
普雷特涅夫出生于音乐世家，他小时候就开始指挥，
菲耶夫第三钢琴协奏曲》(2003)均获得格莱美提名。1996
学习各种乐器，少年时进入莫斯科音乐学院学习。如今，
年，他的专辑《斯卡拉蒂的键盘奏鸣曲》获得留声机奖。
他是俄罗斯最受尊敬，最具影响力的艺术家之一。2007
BBC音乐杂志称这套专辑为“最伟大的钢琴演奏……这
年，作为俄 罗斯文化协会顾问的普雷特涅 夫，因其为国
套唱片无疑证明了普雷特涅夫是最伟大的钢琴家之一”。
家艺术发展做出的突出贡献，荣获总统奖。钢琴家，指挥
2007年，他同德国留声机公司合作录制了贝多芬的所有钢
家，作曲家，文化大使--这些都是米哈伊尔.普雷特涅夫
琴协奏曲专辑，其中二号协奏曲专辑和四号协奏曲专辑获
的艺术名片。然而，他认为自己只是纯粹的音乐人。
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指挥简介
Conductor
Mikhail Pletnev Founder and Artistic Director
Mikhail Pletnev is an artist whose genius as pianist, conductor and composer enchants and amazes audiences around the globe. His musicianship encompasses a dazzling technical power and provocative emotional range, and a searching interpretation that fuses instinct with intellect. At the keyboard and podium alike, Pletnev is recognized as one of the finest artists of our time. Pletnev was Gold Medal and First Prize winner of the 1978 Tchaikovsky International Piano Competition when he was only 21, a prize that earned him early recognition worldwide. An invitation to perform at the 1988 superpower summit in Washington led to a friendship with Mikhail Gorbachev and the historic opportunity to make music in artistic freedom. In 1990 Pletnev formed the first independent orchestra in Russia's history. The risks of this step, even with Gorbachev's endorsement, were enormous and it was Pletnev's reputation and commitment that made his long-held dream a reality. Sharing his vision for a new model for the performing arts, many of the country's finest musicians joined Pletnev in launching the Russian National Orchestra. Under his leadership, the RNO achieved in a few short years a towering stature among the world's orchestras. Pletnev describes the R NO as his greatest joy and today serves as its Artistic Director and Principal Conductor. In 2006, he launched
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the Mikhail Pletnev Fund for the Support of National Culture, a non-prof it organization that supports major cultural initiatives and projects, including the RNO's annual Volga Tour and, in collaboration with Deutsche Grammophon, the Mikhail Pletnev Beethoven Project. As a guest conductor, Pletnev appears regularly with leading orchestras such as London’s Philharmonia Orchestra, Mahler Chamber Orchest ra, Tok yo Ph i l har mon ic, Concer tgebouw Orchest ra, L ondon Sy mphony Orchest ra, L os A ngeles Philharmonic and City of Birmingham Symphony Orchestra. In 2008 he was named first guest conductor of the Orchestra della Svizzera Italiana in Lugano, Switzerland. As a solo pianist and recitalist, Pletnev appears regularly in the world's music capitals. His recordings and live performances have proved him to be an outstanding interpreter of an extensive repertoire. The London Telegraph remarked, "from Pletnev's fingers and brain come ideas that vitalise the music and make it teem with freshness and wit. He made the music positively leap for joy." The Times describes his playing as "born of a prodigious virtuosity of imagination outrageous in its beauty." Pletnev’s recordings have earned numerous prizes, including a 2005 Grammy Award for the CD of his own arrangement, for two
pianos, of Prokofiev’s Cinderella, recorded with Martha Argerich and Pletnev at the keyboards. He received Grammy nominations for a CD of Schumann Symphonic Etudes (2004) and for his recording of Rachmaninov and Prokofiev Piano Concertos No. 3 with the RNO and conductor Mstislav Rostropovich (2003). His album of Scarlatti’s Keyboard Sonatas (Virgin/EMI) received a Gramophone Award in 1996.BBC Music Magazine called the recording "piano playing at its greatest... this performance alone would be enough to secure Pletnev a place among the greatest pianists ever known." In 2007 he recorded all of Beethoven's piano concertos with Deutsche Grammophon, and the recording of concertos 2 and 4 was named "The Best Concerto Recording of 2007" by the Tokyo Record Academy. As a composer, Pletnev's works include Classical Symphony, Triptych for Symphony Orchestra, Fantasy on Kazakh Themes and Capriccio for Piano and Orchestra. His unrivalled transcriptions for piano of Tchaikovsky's Nutcracker Suite and Sleeping Beauty were selected, along with his performance of Tchaikovsky's Second Piano Concerto and The Seasons, for the 1998 anthology "Great Pianists of the 20th Century" (Philips Classics). The son of musician parents, Pletnev was conducting and learning multiple instruments as a young child and entered the Moscow Conservatory as a teenager. Today he is one of Russia's most respected and inf luential artists. An advisor on Russia’s Cultural Council, in 2007 Pletnev was awarded a Presidential Prize for his contributions to the artistic life of the country. Pianist, conductor, composer and cultural leader — all are significant facets of Mikhail Pletnev's life as an artist. Yet he considers himself, simply, a musician.
THE LEGENDARY CONDUCTOR
-- MIKHAIL VASILIEVICH PLETNEV
曲目简介
Program Notes
里姆斯基 - 柯萨科夫 俄罗斯复活节序曲，作品36号 Nikolai Rimsky-Korsakov Russian Easter Festival Overture, Op. 36 里姆斯基-柯萨科夫 ( 1844-1908 ) Nikolai Rimsky-Korsakov
作品于1888年12月在圣彼得堡首演，被称为柯萨科 夫最杰出的三部管弦乐作品之一。 在俄国，复活节又称为“光辉的节日”。此曲从俄罗 斯东正教圣歌《奥比霍德》中选取了一些旋律，柯萨科夫 在自传中这样概括此曲： “从受难礼拜六傍晚幽郁神秘的 气氛，转为复活节星期日早晨尽情欢乐聚会的气氛。” 作曲家把这个作品设想为一次乐队色彩的大迸发， 在乐曲中，小提琴、大提琴、长号、单簧管和长笛分别被 谱写了杰出的独奏部分。慢速的引子一开始，木管庄严的 齐奏吹出序曲的基本主题。作曲家把它与基督复活的预 言联系在一起。这旋律最后以大号的深沉的乐队色彩奏 出，最 后的音调暗 示了基 督的圣墓，当复活的时刻临近 时，圣墓开始发出灵光。突然间乐队升腾，放射出几乎使 人眼花缭乱的光辉，随后又黯淡下去。接着，复活节欢乐 的快板部分爆发，天使长的号角声被欢乐钟声所取代。宗 教歌集中的主旋律出现，又构成了一个凯旋般的尾声。
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Russian Easter Festival Overture Op. 36, also known as the Great Russian Easter Overture, is a concert overture written by the Russian composer Nikolai Rimsky-Korsakov between August 1887 and April 1888. It was dedicated to the memories of Modest Mussorgsky and Alexander Borodin, two members of the group of composers known in English as "The Five". It is the last of what many call his three most exceptionally brilliant orchestral works, preceded by Capriccio Espagnol and Scheherazade. The work received its premiere at a Russian symphony concert in St. Petersburg in late December 1888. The score is prefaced by quotations from Psalm 68:1–2, Mark 16:1– 6, and a third which is not identified. The tunes in the overture are largely from the Russian Orthodox liturgy, based on a collection of old Russian Orthodox liturgical chants called the Obikhod. Rimsky-Korsakov said in his autobiography that he was eager to reproduce "the legendary and heathen aspect of the holiday, and the transition from the solemnity and mystery of the evening of Passion Saturday to the unbridled pagan-religious celebrations of Easter Sunday morning". The Russian Easter Festival Overture is mainly in sonata allegro form, with a lengthy introduction at the beginning. Throughout the piece, there are a number of prominent solo sections, featuring violin, cello, trombone, clarinet, and flute.
曲目简介
Program Notes
彼得·伊里奇·柴可夫斯基 《天鹅湖》组曲选段，作品20 Peter Ilyich Tchaikovsky Suite from 'Swan Lake' (excerpts)
彼得·伊里奇·柴可夫斯基 ( 1840-1893 ) Peter Ilyich Tchaikovsky
四幕芭蕾舞剧《天鹅湖》，作品作于1876年，该剧首 演于1877年。故事取材于俄罗斯古老的童话，由别吉切夫 和盖里采尔编剧，是柴可夫斯基最著名的代表作之一。 被魔法师罗德伯特变成天鹅的奥杰塔公主，在湖边与 王子齐格弗里德相遇，倾诉自己的不幸，告诉他：只有忠诚 的爱情才能使她摆脱魔法师的统治，王子发誓永远爱她。 在为王子挑选新娘的舞会上，魔法师化成武士，以外貌与 奥杰塔相似的女儿奥吉莉雅欺骗了王子。王子发觉受骗，激 动地奔向湖岸，在奥杰塔和群天鹅的帮助和鼓舞下，战胜了 魔法师。天鹅们都恢复了人形，奥杰塔和王子终于结合在一 起。另一个版本是王子被幻象所迷惑，最终以悲剧结尾。 《天 鹅湖》的每一场音乐都极出色地完成了对场景 的抒写和对戏剧矛盾的推动以及对各个角色性格和内心 的刻划，具有深刻的交响性。这些充满诗情画意和戏剧 力量的舞剧音乐，成为舞剧发展史上一部划时代的作品， 其中许多音乐都是流芳百世的佳作。
“A FANTASTIC SUBJECT FROM KNIGHTLY TIMES” In March of 1877, the Bolshoy Theater presented a new ballet to a distinguished Moscow audience. This work, Swan Lake, had been eagerly anticipated, not least because its music was the f irst full-length ballet score from the pen of the increasingly popular composer Peter Ilyich Tchaikovsky. The story of Swan Lake fits this requirement perfectly. It concerns a young prince, Siegfried, who encounters an enchanted swan maiden by the moon-lit ruins of a lakeside castle. She reveals herself actually to be a princess named Odette, the step-daughter of an evil sorcerer who would kill her but for the magic crown that protects her. Stunned by her beauty, the prince declares his love. Alas, however, he must return home, for the new day brings a great ball where he is expected to choose a wife. At this festival, Siegfried encounters a beautiful girl whom he takes to be Odette. Only after choosing her as his bride does he discover her to be an agent of the evil step-father, whose spell has distorted his vision. Horrifed, the prince rushes to the lake, where Odette already knows what he has done. Heart-broken, she falls lifeless at his feet. In another version, the prince and Odette overcome the sorcerer and live together happily forever. Moreover, on pu rely mus ic a l mer it s , Swa n L a ke i s one of Tchaikovsky’s most successful works, and the ballet remains a cornerstone of the classical repertory.
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SUITE FROM 'SWAN LAKE' ( EXCERPTS )
曲目简介
Program Notes
彼得·伊里奇·柴可夫斯基 e小调第五交响曲，作品64号 Peter Ilyich Tchaikovsky Symphony No.5 in e minor, Op.64
该曲共分四个乐章：
他的邀请。另一方面，柴可夫斯基却于这段时期创作出本
1.行板-有活力的快板
曲，借此向拉勒门特等一类的传统派学者证明，他能写出
2.自由如歌的行板
一首能满足传统派要求的交响曲。 本曲和《第四号交响曲》都有相近的地方。两曲都是
3.圆舞曲，有节制的快板
环绕着一个共同的主 题，然而不同的是，本曲的共同主
4.终曲，庄严的行板-活泼的快板
题，可以在四个乐章都找到。 本曲中的共同主题，灵感来自同袍格林卡的歌剧《沙 皇的一生》中的一个选段。在第一乐章出现时，像是一首葬 礼进行曲，但慢慢转化成为最后一个乐章中带胜利气氛的
e小调第五号交响曲，作品64，是俄国作曲家柴可夫
进行曲。作曲家认为本曲有一个特定的主题： “听天由命”。
斯基的作品。创作于1888年5月至8月期间。同年11月6日
从作曲家1888年4月15日的个人笔记中，有过这样的描述：
于圣彼德堡作首演，由作曲家亲自指挥。
“命运是注 定的。无论你觉 得 是 无可奈 何地 接受 又
1888年，柴可夫 斯基以指挥家身份作巡回演出，来
好，或是觉得不可思议的都好，其实两者都是相同的。”
到德国汉 堡，并认识了当地的一位音乐家评论家拉勒门
固 此，共 同 主 题 不 断 的 转 变 正 是 表 达了作 曲 家 在
特。拉勒门特是一位极执 著于传统音乐模 式的学者。他
“听天由命”的理念下，表达出乐观的性格，这和他之后
希望柴可夫斯基可以定居于此，不过被柴可夫斯基婉拒
的《第六号交响曲》所表达很不相同。
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曲目简介
Program Notes Peter Ilyich Tchaikovsky
Peter Ilyich Tchaikovsky Symphony No.5 in e minor, Op.64 I. Andante-Allegro con anima
dedicated to Theodor Avé-Lallemant.
II. Andante cantabile, con alcuna licenza
Like the Symphony No. 4, the Fifth is a cyclical symphony, with a recurring main theme. Unlike the Fourth, however, the theme is heard in all four movements, a feature Tchaikovsky had first used in the Manfred Symphony, which was completed less than two years before the Fifth. The theme has a funereal character in the first movement, but gradually transforms into a triumphant march, which dominates the final movement. According to an entry in the composer's notebook, dated 15 April 1888 about one month before he began composition of the symphony, the composer described the introduction as "a complete resignation before fate, which is the same as the inscrutable predestination of fate." The changing character of the theme over the course of the symphony seems to imply optimism with regard to providence, an outlook that would not return in his Sixth Symphony.
III. Valse, Allegro moderato IV. Finale, Andante maestoso-Allegro vivace
T he Sy mphony No. 5 i n E m i nor, O p. 6 4 by Peter I ly ich Tchaikovsky was composed between May and August 1888 and was f irst performed in St Petersburg at the Mariinsky Theatre on November 18 of that year with Tchaikovsky conducting. It is
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乐团编制 ORCHESTRA MEMBERS
米哈伊尔·普雷特涅夫
Yana Svistunova Igor Vasilyev
Artistic Director and Chief Conductor: Mikhail Pletnev
中提琴 VIOLAS
艺术总监兼首席指挥：
第一小提琴 FIRST VIOLINS Alexey Bruni - concertmaster Maxim Khokholkov Natalia Anurova Igor Akimov Leonid Akimov Vasily Vyrenkov Olga Levchenko Alexey Sobolev Anatoly Fedorenko Alexey Khutorianskiy Olga Chepizhnaya Anna Panina Maria Mironova
第二小提琴 SECOND VIOLINS Sergey Starcheus Evgeny Feofanov Pavel Gorbenko Svetlana Dzutseva Evgeny Durnovo Sergey Korolev Ilya Pritulenko Sania Kashkarova Irina Simonenko Vladimir Teslya Olga Vanina Sergey Shakin Anastasia Khokholkova Irina Pershakova Natalia Belyavskaya
Sergey Dubov Irina Sopova Sergey Bogdanov Maria Goryunova Alexander Zhulev Ksenia Zhuleva Lev Leushin Elena Pentegova Olga Suslova Anton Yaroshenko Ilia Efimov
大提琴 CELLOS Alexander Gotgelf Svetlana Vladimirova Maxim Tarnorutskiy Olesya Gavrikova Kirill Varyash Alexander Grashenkov Sergey Kazantsev Natalia Lyubimova Lidia Braun Marina Ivanova
低音大提琴 DOUBLE BASSES Rustem Gabdullin Gennady Krutikov Miroslav Maximyuk Vasily Beschastnov Anton Vinogradov Alexey Vorobyev Gennady Karasev Arsen Manvelyan
长笛 FLUTES
长号和大号 TROMBONES & TUBA
Maxim Rubtsov Konstantin Efimov Sergey Igrunov Nikolay Lotakov
Dmitry Anakovskiy Vyacheslav Pachkaev Egor Kobyakov Alexander Nyankin
双簧管 OBOES
打击乐 PERCUSSION
Olga Tomilova Vitaly Nazarov Eketerina Bespalova
Alexander Suvorov Ilya Melikhov Kirill Lukianenko Leonid Lysenko Vitaly Martyanov Vladimir Kalabanov
单簧管 CLARINETS Nikolay Mozgovenko Sergey Eletskiy Dmitry Ayzenshtadt Dmitry Belik
竖琴 HARP
巴松管 BASSOONS
钢琴 PIANO
Andrey Shamidanov Nikita Kim Vladimir Markin
Leonid Ogrinchuk
圆号 FRENCH HORNS Igor Makarov Alexey Serov Anton Afanasyev Victor Bushuev Andrey Egorov Alexey Gerasimov
小号 TRUMPETS Vladislav Lavrik Leonid Korkin Andrey Kolokolov Konstantin Grigoriev
Svetlana Paramonova
乐务 LIBRARIAN Valentin Teslya
舞台监督 STAGE CREW Alexey Dragun Vladimir Kireev
乐团管理 ADMINISTRATION Amir Iliyasov Oleg Poltevskiy Olga Kritskaya
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20
星海音乐厅
Xinghai Concert Hall
星海音乐厅是公认的“目前中国声场效果最好的音乐厅”及 中国最具影响力的音乐文化品牌之一。自1998年举办首场公开 演出以来，凭借国际一流的声场效果，历经16年精心培育，这里 已成为汇聚众多世界名家名团的艺术殿堂：伦敦交响乐团、费城 交响乐团、俄罗斯国家交响乐团、慕尼黑爱乐乐团、BBC交响乐 团、鲍罗丁弦乐四重奏、林肯中心爵士乐团、艾森巴赫、阿什肯 纳齐、帕尔曼、穆特、马泽尔、麦斯基、克莱默、马友友、余隆、谭 盾、郎朗、李云迪……他们的到来、认可与赞扬奠定了星海音乐厅 国内顶尖音乐厅的地位。 星海音乐厅常年致力于让高雅艺术更广泛而深入地走进百 姓的日常生活。广场音乐会、周日音乐下午茶、惠民普及演出、古 典音乐赏析讲座等各类音乐会与艺术拓展活动，让更多市民接触 音乐、理解音乐、爱上音乐。
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项目洽谈：020-37582476 场地租赁：020-87352791 市场合作：020-87352937 星海会：020-87352937、020-87352222-885 —
星海音乐厅售票中心：8:30-21:30（若当晚有演出则营业至演出结束） 网上订票：www.ticket-easy.cn 电话订票：400-108-8808、020-87358735、020-87353869
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制作团队
总监制：刘 莹 执行监制：王冬云 钟 健 王 炜 项目统筹：于新冶 市场统筹：杨 震 场地统筹：翁翡翎
音乐厅空间
1518 座 交响乐演奏大厅
Symphony Hall with 1518 Seats
461 座 室内乐演奏厅，可通过电脑调节室内声学特性
461-Seat Chamber Hall with computer adjustable indoor acoustics
100 座 艺术沙龙空间，及容纳数千人的音乐文化广场
100-Seat Art Salon Space and Music Culture Square to capacity of thousands of people
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PRODUCTION TEAM
Spaces in The Hall
营销统筹：张莉斐 张琍红 项目管理：罗倩文 张行健 田一丹 闭嘉丽 洪 蕾 古献荣 市场策划：许 韬 陈 彤 霍亮子 媒体策划：卓 玲 平面设计：周健文 何志明 影像制作：蔡亚敏 罗 彬 胥 斌 制作统筹：杜 珉 销售推广：蔡爱芳 邓明子 陈惠龄 区燕华 网络推广：陈 彤 王倩军 张立婷 技术支持：陶 峰 徐志华 舞台技术：王建宏 陈 耘 灯光音响：聂伟翔 陈广鸿 何瑞宏 陈嘉辉 邝镜燊 行政统筹：郭宗威 钟卫进 王登升 服务统筹：方洁珠 杨曹威
星海音乐厅官方微信
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总票房：星海音乐厅 87358735 87353869 票务总代理：广东文化票务网 400-108-8808 www.ticket-easy.cn 市场合作：87352937 场地租赁：87352791 官方网站：www.concerthall.com.cn