Crafting Architectural Transitions 1_ UNCONSCIOUS
2_ CONSCIOUS
3_ FORMAL TO INFORM
Pavilion Origami office Bio-city Theatrical Effects
MAL
Crafting Narratives
1.Pavilion
2.Origami Office
4.Theatrical Effects
3.Bio-city
5.Crafting Narratives
Pavilion & Origami Office
Logical Rule Sets as Logical Assemblage Ideas
Comme des Garcons Ready To Wear Spring Summer 2015 Paris
Fashion & Textile Design as Methodology
Iris van Herpen F/W18 Couture - Backstage
Form Driven by Different Rule Sets
Form Driven by Different Material Behavior
Bio-City & Theatrical Effects
An Achive of Patterns
An Exhibition of City Ideas
Theatrical
Qingrui Jeremy, Luo s3611120 Xin Casey, Fang s3634600 Yiyi Catherine, Ma s3713966
Topologies
Taxonomy 05 -Palais Theatre
Theatrical
Qingrui Jeremy, Luo s3611120 Xin Casey, Fang s3634600 Yiyi Catherine, Ma s3713966
Topologies
Taxonomy 04 - Thornbury Theatre
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5. O. Mezzanine - A. Wall & Ceiling Connection/ Condition A 6. O. Auditorium - A. Wall Ornament/ Condition B 7. O. Foyer - A. Staircase & Handrail/ Condition C 8. O. Foyer - A. Window & Balcony/ Condition C
9. O. Auditorium - A. Window Frame/ Condition C 10. O. Foyer - A. Fireplace & Mirror/ Condition C 11. O. Foyer - A. Column Head/ Condition C 12. O. Foyer - A. Arch Way/ Condition C
5. O. Foyer - A. Arch Study/ Condition C 6. O. Mezzanine - A. Wall Study/ Condition A 7. O. Mezzanine - A. Ceiling Study/ Condition A 8. O. Auditorium - A. Ceiling Study/ Condition A
9. O. Auditorium - A. Ornament/ Condition A 10. O. Auditorium - A. Ornament/ Condition A 11. O. Auditorium - A. Handrail/ Condition B 12. O. Auditorium - A. Ornament/ Condition B
Qingrui Jeremy, Luo Xin Casey, Fang s363 Yiyi Catherine, Ma s3
Palais Theatre
1. O. Auditorium - A. Theatre Dome/ Condition A 2. O. Auditorium - A. Theatre Dome/ Condition A 3. O. Auditorium - A. Theatre Dome/ Condition A 4. O. Auditorium - A. Void/ Condition A
Auditorium - Detail Anatomy
Auditorium - Detail Anatomy
Catalogue of Theaterical Elements
Theatrical
Qingrui Jeremy, Luo s3611120 Xin Casey, Fang s3634600 Yiyi Catherine, Ma s3713966
1. O. Foyer - A. Column Study/ Condition A 2. O. Foyer - A. Column Study/ Condition A 3. O. Foyer - A. Column Study/ Condition A 4. O. Foyer - A. Arch Study/ Condition C
Topologies
Taxonomy 02 -
Theatrical
Qingrui Jeremy, Luo s3611120 Xin Casey, Fang s3634600 Yiyi Catherine, Ma s3713966
Topologies
Taxonomy 03 - Her Majesty’s Theatre
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Her Majesty’s Theatre
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1. O. Foyer - A. Framing-Elevator 2. O. Foyer - A. Framing-Entrance 3. O. Foyer - A. Framing-Ceiling 4. O. Foyer - A. Ornament/Lighting
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5. O. Foyer - A. Ornament/Lighting 6. O. Foyer - A. Ornament/Wall 7. O. Foyer - A. Structural Ornament 8. O. Foyer - A. Structural Ornament
9. O. Foyer - A. Structural Ornament 10. O. Foyer - A. Textile/Materiality 11. O. Foyer - A. Textile/Materiality 12. O. Foyer - A. Textile/Materiality
Auditorium & Salon. - Detail Anatomy
Thornbury Theatre
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1. O. Auditorium - A. Element Study/ Interruption 2. O. Auditorium - A. Element Study/ Interruption 3. O. Auditorium - A. Element Study/ Interruption 4. O. Ceiling - A. Light Ornament
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5. O. Ceiling - A. Light Ornament 6. O. Ceiling - A. Light Ornament 7. O. Auditorium - A. Structural Ornament/ Column 8. O. Auditorium - A. Structural Ornament/ Ceiling
9. O. Auditorium - A. Structural Ornament/ Balustrade 10. O. Auditorium - A. Junction Study 11. O. Auditorium - A. Junction Study 12. O. Auditorium - A. Junction Study
Auditorium - Detail Anatomy
1. O. Foyer - A. Column 2. O. Foyer - A. Column 3. O. Foyer - A. Column 4. O. Foyer - A. Bar Coun
ptical Theatre
Theatrical
Qingrui Jeremy, Luo s3611120 Xin Casey, Fang s3634600 Yiyi Catherine, Ma s3713966
Topologies
Captical Theatre
Theatrical
Qingrui Jeremy, Luo s3611120 Xin Casey, Fang s3634600 Yiyi Catherine, Ma s3713966
Topologies
EQ.
C
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Fuzzy, Ambiguous, Interlude As Three Conditions
Auditorium - Diagram
Theatrical Theatrical
Qingrui QingruiJeremy, Jeremy,Luo Luos3611120 s3611120 Xin XinCasey, Casey,Fang Fangs3634600 s3634600 Yiyi YiyiCatherine, Catherine,Ma Mas3713966 s3713966
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Topologies Topologies
Detail Anatomy - Thronbury CapticalTheatre Theatre
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Taxonomy 03 - Her Majesty’s Theatre
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Auditorium - Assembly Rule Set
QingruiJeremy, Jeremy,Luo Luos3611120 s3611120 Qingrui XinCasey, Casey,Fang Fangs3634600 s3634600 Xin YiyiCatherine, Catherine,Ma Mas3713966 s3713966 Yiyi
Theatrical Theatrical
Qingrui Jeremy, Luo s3611120 Xin Casey, Fang s3634600 Yiyi Catherine, Ma s3713966
Theatrical
Topologies Topologies
Evocative Views - Thronbury Theatre
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Topologies
Detail Chunk - Palais Theatre
General Pattern
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Interlude Tile
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1. O. Foyer - A. Column detail modelling 2. O. Foyer - A. Remove ambiguous column 3. O. Foyer - A. Bar without column 4. O. Foyer - A. Column detail analysis
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5. O. Foyer - A. Separate column elements 6. O. Foyer - A. Highlight by geometric blocks 7. O. Foyer - A. Simplified structural combination 8. O. Foyer - A. Beam block
Foyer-Bar Column.- Diagram - Interlude/Ambiguity Auditorium
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9. O. Foyer - A. Column head block 10. O. Foyer - A. Column block 11. O. Foyer - A. Column bed block
Foyer-Bar Column. - Views
Auditorium - Diagram
Machine Learning for Sustainable Development
Machine Learning for Preserve Heritages
Site Analysis as Cultural Study
Cultural Mapping
Grosses Schauspielhaus_Interior by Hans Poelzig
Adrian Curtain, Mosque Concrete
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Crafting Narratives
A TREATMENT TO A ROOM
Suddenly, Last Summer 1959
All About Eve 1950 The uniqueness of the ‘Suddenly, Last Summer’ is about a treatment, which Mrs. Venale wants to use that to cure Catherine’s mental problem. The very experimental surgery is actually aimed at hide the truth of the death of Mrs. Venale’s son. This treatment could be regarded as an architecture method that how we can cure a building.
The whole room is painted in white, trying to dismissed the two different spacial qualities as eclectic. But the whiteness doesn’t work.
We are looking for a new treatment to heal the problem. Trying to find a way to preserve two heritages. Here is our treatment, “The
original never erased”.
The whole project acts as exhibition that narrates the history of the building. Asserting their different provenance and disentangling of the different chapters of the story are to expose the preceding chapters of the building’s originality. It is not only ‘to be preserved’ but rather to extend its story. Seeing itself as embedded in, and a continuer of and an ongoing history.
The Bagsværd Church_ Jørn Utzon_ 1976
A TREATMENT TO A ROOM Here is a heritage painted in white, embedded in an imperfection spacial quality. Here is a treatment: the original is never erased. Here is what we preserve, all the imperfection, and different chapters of its story. This is what we can remember, a perfect container with its ongoing history.
Three Antiques by Amber & Austin
The The stag “De dee his p bec
e container serves as an object that holds things from the past. e original corridor became a folly present the view of a new ge occupies the studio space. As we deeper analysis the film eath in Venice�, the infatuation that Gustar has to the boy is eply related to his previous experience. He is struggling with past. While, he transferring the feeling to Tadizo. The motion came a desire for beauty.
Thus, in our project, the folly makes people think what is behind it. The folly contains the original special quality in a new architecture language. Struggling with the original Edmond and Corrigan Office, trying to find a way to fit in the heritage.
The forgettable beauty of Tadizo, infatuated with a suppressed desires bubble to the surface. A desire of something he couldn’t reach, slowly losing control. That is a beauty light up an abandoned city, as well as Gustar’s heart. This project is about a journey to find such beauty in an abandoned heritage. Skylight, void, view frame…… what can you see through the emptiness? A beauty like Tadzio. But it only presents the view, any direct physical access is been prevented. It is expensive to get to the beauty, the desire in your heart.
SANITIZED REALITY we found a human and have removed its plaster and conviction. It is now just the concentrated extract. Pure. Quite expensive to be completely honest. But it is here, and we are currently poking at it with a stick, trying to understand what is left, and what it has become now that it can no longer convince us otherwise. This project looks at what a building can be without its externalities. We consider its ancestry and speculate what it could become once sterilized.
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THE FIVE OBSTRUCTIONS Upon analysis and search for the ideas through “The Five Obstructions” and “Views of an unfinished interior”. As well as analysis Tori and Sally’s project. We found one main aspect, which is a perfect condition defined by specific rituals. Thus, we seek for a way to preserve “perfection”.
Different Versions of Perfection
Steven Holl_Volume One
By treating the prior project as a perfect room, this project serves as several containers that hold the prior room, while each layer represents our understanding of perfection. In our container, we deal with the heritage in a sensitive manner. All the new pieces and historical fabric are harmonious coexistence. Even the perfect heritage is affected by the new piece, there is always a returning factor to maintain the perfection. However, the new container and the heritage defining themselves with their rituals rather than using the same design strategy. This building attends to the three ideas of the perfect, three different rituals.
Steven Holl_Volume One
Three Antiques by Sally & Tori