2015 Architecture Portfolio by Snow Xue Wang

XUE WANG DESIGN PORTFOLIO 2010-2015 Washington University in St. Louis MArch / MCM

XUE WANG DESIGN PORTFOLIO 2010-2015 Washington University in St. Louis MArch / MCM E-MAIL xue.xwang@gmail.com CELL (314)-541-5651

RESUME EDUCATION 2012- 2015

Master of Architecture Washington University in St. Louis, MO, USA

2013- 2015

Master of Construction Management Washington University in St. Louis, MO, USA

2007- 2012

Bachelor of Architecture Beijing University of Technology, Beijing, China

SKILLS & CREDENTIALS

Leadership in Energy and Environmental Design: LEED GA, 05/15 Drafting/Modeling: Rhinoceros, Auto CAD, Revit, Grasshopper, SketchUp Mapping/Analysis: GIS, Climate Consultant, Ecotect Rendering: V-ray, Hypershot, Keyshot Film Editing: Adobe Premiere, Adobe After Effect, Moviemaker Applications: Adobe Suite, MS Suite Construction Management: Six Sigma (Green Belt Certificate) Construction Planning & Scheduling: Primavera 6 Languages: English, Mandarin Chinese

WORK EXPERIENCE May. 2015- Present

Junior Architect, StudioTEKA Design, LLC (New York City) Caribbean Highlands, Limon, Costa Rica Architectural/ interior designing, digital modeling, rendering, researching, presenting.

Taino, Las Terrenas, Dominican Republic Architectural/ interior designing, digital modeling, rendering, researching, presenting.

Jun. 2013- Aug. 2013

Intern Architect, Alejandro Zaera-Polo & Maider Llaguno Architecture|AZPML (London) Competition, Zhifu City Shore Planning, Shan Dong, China Designing, analyzing, digital modeling, presenting, copywriting.

Planning And Design, Qing Yang City Gateway, Gan Su, China Designing, drafting, analyzing, presenting, copywriting.

Aug. 2010- May. 2012

Intern Architect, RSP Architects Planners & Engineers (PTE) LTD (Singapore) Interior Design, WEMPE, Beijing, China Drafting, model making, presenting.

Competition, Shen Zhen University Campus, China (Cooperated with Riken Yamamoto and Sako Keiichiro) Concept, preliminary designing, analyzing and hand-drawing.

Yun Hai Bay Residential Design, Shan Dong, China Preliminary designing, digital modeling, analyzing, presenting.

Five Islands Planning, Long Island City, Shan Dong, China Analyzing, mapping, presenting.

Aug. 2011- Dec. 2011

Intern Architect, LAHC Architectural Design Co., Ltd (China) China Radio International Office Building, Beijing, China Drafting, sketching, preliminary designing.

Yuan Yang Urban Complex, Tianjin, China Drafting, sketching, preliminary designing.

EXHIBITIONS & AWARDS 2012 -2015

Dean's Scholar Washington University in St. Louis

2015

Academic Work, Fredrick Widmann Prize Givens Hall, Washington University in St. Louis

2014

In The Woods, Design Thinking Research Book Givens Hall, Washington University in St. Louis

2013

Cat Series, Watercolor Painting Givens Hall, Washington University in St. Louis

2012

Crossing The Landscape, Pavilion Design Givens Hall, Washington University in St. Louis

2011

Stadium Design Competition, First Price College league of Beijing, China

01

02

CONTENTS

04

Silent Forest

12

House of Syndicates

20

Performing Edge

28

Caribbean Highland

32

Inbetween The Gaps

34

Revival

36

Glacial Construction

37

Heart-Shaped Box

38

Flowing Canopy

39

Patches

40

Academic Works

41

Professional Practices

42

Alternates

03

FALL 2014-SPRING 2015 | INSTRUCTOR : ERIC HOFFMAN | ST. LOUIS, MISSOURI, USA

01

04

SILENT FOREST

05

11

2

4 3

13

11

6

SITE PLAN 1. Research Center (Labratory/ Office) 2. Library 3. Existing Electrical Substation 4. Phytoremediation Plants Garden 5. Tree Farm 6. History Museum 7. Cafe 8. Memorial Tower 9. "1 of 19" Footprint Landscape Sculpture 10. "Light Of The Past" Installation 11. Vehicle Entrance 12. Pedestrain Entrance 13. Parking Area

06

12 11

11

5

1

9

8

7

10

12

07

The architecture is unnoticeable from the outside of the forest, and there is no clear signs of which building they will encounter when they are wandering. As people walk in the forest they perceive and occupy the landscape, and eventually define their own space: the immaterial architecture, where there is no designed routes, only paths leading them to explore a personal territory.

The site is known as the former Pruitt-Igoe site, and remains as the only forgotten forest in the city of St. Louis. The site is contaminated by the junkyards left after the explosion of the Pruitt-Igoe urban housing project in 1972 and the illegal debris dumping since.

Pruitt-Igoe witnessed the urban renewal and its failure, but the rebirth has never arrived. That is where the idea of remediating the forest came to me. It will not only to be a wonderland, it is also providing a better land.

The site strategy is to remove part of soil alongside the road at north, then to have a series of programs built in phases. Professionals will be invited to study what in the soil that is contaminating the land. They will select tree and flower species that will be planted here to phytoremediate the soil to gradually transfer the site to a healthier urban environment. When seasons change, there will exists a perceptual and unique landscape.

08

Cross Section(up) & Site Introduction (down)

Sandy loam Clay

20 mph 15 mph 10 mph 05 mph 0

510 ft.

Jan.

Feb.

Mar.

Apr.

May.

Jun.

Jul.

Aug.

Sep.

Oct.

Nov.

Max. Min.

Dec.

Sea level

Water Sanitary Sewerage Lighting Gas Telephone

Site Study

Shrub

Tree

Ailanthus altissima Tree-of-Heaven

Catalpa speciosa Northern Catalpa

Celtis occidentalis Northern Hackberry

Gleditisiatriancanthus Honey Locust

Morus alba White Mulberry

Populus deltoides Eastern Cottonwood

Quercus palustris Pin oak

Rhus glabra Smooth Sumac

Salix spp.

Pussy Willows

Ulmus americana American Elm

80 ft.

60 ft.

40 ft.

20 ft.

0

Current wood species

Model: Memorial Tower

The buildings are architecturally very simple to construct: slurry walls to cut out the foundation space to keep a minimal extrusion into the ground. They are concrete walls and structures in general, then use glass and metal materials to reflect the surrounding environment. Each one has a unique interaction with the ground. They are humble, and even more quiet than the forest itself.

09

LIBRARY The library is at the side of plant garden, which is not only a field for scientists to investigate but also a place for citizens to buy plants and learn about the phytoremediation process.

In the library there are relevant books and documents about environmental protection, cultural development of the city, and the history of Pruitt-Igoe. Before the new forest is formed; the library will support the work of scientists, then it will become a public library for all the visitors to the site.

RESEARCH CENTER The research center is extruding out of the landscape as it is located partially on a slope. It is divided into two parts: research center including laboratory and study rooms, and administration offices. After scientists find the way to remediate the site; the site then will be changed to an educational study center, to offer learning programs about biotechnologies and plants study. Other employees in charge of program management will also work in this building unless they need to go into the forest as they wish.

CAFÉ This little cafe is lifted up against the ground. Though it is small, it provides a place for people to spend some time when they need a rest walking in the big forest. Before it opens to the public this cafe will be the private cafeteria for employees.

10

MUSEUM The main building is buried in the ground. Going down to the exhibition hall through a long ramp, there presents documentary photographic works and creation works about the past history of the site. In the small auditorium there will display films about PruittIgoe. At the other side of the museum, a door to the outside will lead the visitors to the paths in between the woods, where they can feel the atmosphere of the landscape.

MEMORIAL TOWER This is a place to remember, to forget, to be forgotten. The tower is constructed with only pure concrete but nothing else. Under the ground there is a meditation place, the only source of light is from the opening on the ceiling. Climbing on the staircase to the top of the 4-story high tower people will find themselves among the tree crowns and listen to the whispers of the forest.

FOOTPRINT AND LIGHT INSTALLATION The footprint marks the location and exact size of one original building from the PruittIgoe urban housing project. As there were 19 buildings in total, 19 light columns are placed in the preserved area of the forest, which will remain what the forest was like before it transfers.

11

SPRING 2014 | INSTRUCTOR : PETER STEMPEL | ST. LOUIS, MISSOURI, USA

02

12

HOUSE OF SYNDICATES

13

“ Imagine a world similar to our own where it was determined some centuries before that all there was to be made had been made. To make new in this context meant repeating what was old, renewing materials and preserving forms. Artisans and experts expounded on the virtue of one model or another but only refined what went before, making ever more esoteric arguments about things stripped of meaning. . .

Or so it was thought until there came a group of restless souls who formed a new syndicate: The Syndicate of Initiative. It was those brave individuals who realized that among the vast prohibitions on the creation of new forms that there was no requirement that forms be repeated in their entirety; there was no prohibition on copying only a part of one form, and part of another and combining them. ...Once the new was made from the old it too could be copied, in whole or fragment, opening the door to unimagined possibilities.

Anyone is welcome into the syndicate, though in practice the world is divided between those that embrace and those that fear the unfamiliar. �

Peter Stempel, January 17 2014, for one, for all, for no one.

14

15

SYNDICATE OF INITIATIVE Part 1 Talking to the wall To observe junctures of surfaces in masonry bearing walls from the ground to the sky. To observe multiple buildings. A series of fragments are collected by photographing those junctions with unique conditions.

Then a fragment of a wall from collected fragments has been created. It meets the ground and is adjacent to a sidewalk. It divides interior and exterior, a space belonging to the syndicate, and a place belonging to the public. The openings on the wall are the communication gateways for people at both sides of the wall. To enter the building by the door the outsiders need to stoop and crawl. These openings change the reading of this single construction, of being open and closed.

1

50.7 ft.

39.7 ft.

39 ft.

37.7 ft.

30.6 ft.

29 ft.

28.3 ft.

17 ft.

12.8 ft.

5 ft.

0 ft.

1�=3’ -6 ft.

1

16

Part 2 The masonry ruins “There was much mistrust, eventually the inevitable happened: the Syndicate fled and their building was burned, leaving nothing but the masonry behind. You could see and understand where each room was and could have some idea what happened there, where they ate, where they slept, and where they would meet and discuss the issues of the day. There was a space for dreaming, and thinking of new things. It was all encoded in masonry, like a giant fossil...”

Part 3 Dwell the Syndicates A benefactor is sponsoring the replacement of a typical 3-story building with a new building intended to house dissidents, activists, and persons who espouse ideas that may seem dangerous to some people, corporations or governments – THE SYNDICATES. He also took care to ensure the independent management and functioning of this new house. So extensive were the preparations for independence that the benefactor ultimately left the building and it’s endowment to be managed by randomly selected care takers that will rotate annually, lest anyone attempt to co-opt the project.

The Syndicate of Initiative was the first occupant of the structure.

Elevation 17

Logic organization is not the highest aim in this project, ambiguity is the order. Ambiguity of whether this building is finished or not, whether it is a ruin or building after all.

The building remains private and secured, and the public is generally excluded from all but the space for debate, not withstanding the fact that there is no barrier to anyone wanting to become a member of the syndicates. So the entrance is not obvious to find, and the only open staircase could only lead to the terrace of upper floors - which will be guarded.

The syndicates will use the terraces daily as they needed, and will also hold particular events up there like debates, speech to the public, or a party.

Although the public may be admitted to the space for debate, it is not generally open, only on such specific occasions.

At the first and second floors is the living space, open and flexible in usage. Syndicates are free to walk through these linear rooms and change their function if needed.

Violent actions and loud voice are hard to get through the rough and thick brick walls, so quite reading and intense debate can happen at the same time in the building, free communication is welcomed all the time.

Bedrooms are made of wood. Easy to construct, easy to be destroyed. The syndicates always remain vigilant of the public, and when they leave, they will leave no personal information but the hint of their thoughts to the world. The 4 bedrooms are kept separated to keep them independent and private.

Each bedroom could dwell two people or a family.

Section B-B

18

The project is imagined to be designed and built by the syndicates themselves by using ordinary building materials that could be easily found in the local area of St. Louis. It is a construction process by aggregation, where boards are lifted to the bedrooms like bird nests, and bricks touch the ground to secure the safety of its residents and to protect their communication space. Concrete has also been used at certain parts of the building.

Level 1

Level 3

Level 2

Level 4

19

FALL2013 | INSTRUCTOR : JOHN HOAL | TIJUANA, MEXICO

03

20

PERFORMING EDGE

21

Tijuana is a city with significant amount of maquiladoras, which attract new immigrants to the city, producing informal land use patterns and informal economies. In Los Laureles Canyon in the City of Tijuana, large populations lack many basic utilities and resources, and a high portion of residents living in the canyon areas work in the nearby maquiladoras (some of them are single mothers), with a meager salary to support their own families.

The greatest impact on information exchange occurs when members of the community, formal and informal, get together and exchange information before, during, after and in-between coalition meetings.

The goal of the multi-age community center is to help local communities address their economic, social, and environmental challenges in a sustainable way by creating a life-long learning culture, while also creating a public place for community events.

22

23

General Plan

The multi-age education center is an assembly of 8 buildings performing in a friendly human scale. 6 levels of terraces connect these buildings together, while also designed as a public gathering area and parking area. Ramps and stairs connected the surrounding informal settlements are easy for residents to access to the center. The residential-scale education center, existing landscape, and surrounding settlements work together to generate new edges on the site.

Visual performance of Spatial Edges

The first impact the site made is its large edges, shaped by natural terrain, performing with light and shadow, greenery and sands, rivers and mountains; settlements and maquiladora... They create visual effects and also variety to the natural environment. The study of the environment helped me to better understand the site and to find the best way to design the building.

Landscape Edges

Urban layout around site (0.55*0.55 mile)

24

Landscape Edges And Its Spatial Performances The six characters of a well-functioned landscape corridor have been used to evaluate the environmental influence of these existing landscape edges around the site. The light gray shows a good condition and the dark color means this situation may harm the natural environment. I selected those types of combinations and use them in the outdoor greenery area design of the education center to present variety to the surrounding landscape.

Section A-A

Section B-B

Section C-C

Typical landscape edge types in section

Section D-D E 0

100 Ft

0.1 ML

25

Shuttle Station

Library

Childcare

Education Center

Administration

Restaurant

Gallery

Black box Theatre

Clinic & Museum

Blackbox Theater 1st Floor 1”=10’

1

5

6 6

4

Childcare 1st Floor 1”=10’

2nd Floor 1”=10’ 9

5 4

Library 1st Floor 1”=10’

3

7

Level 6 1”=20’

2

1

8 1

3

Restaurant 1st Floor

2nd Floor

Clinic (Level 6) 1st Floor 1”=10’

2

4

Level 4

Level 3 1”=20’

Level 1 & 2 1”=20’

7 2

3 2 1

6

8 5

8 2

Administration 1st Floor 1”=10’

4

Gallery 3rd Floor

4 3

3

3

1

1

5

9

2nd Floor 2

6

10

7

10

Education Center 2nd Floor 1”=10’

Edication Center 1st Floor 1”=10’

Gallery 1st Floor

5

11

2

6

2

4

5

5

Museum (Level 5) 1st Floor 1”=10’

4 3

Shuttle station 1st Floor 1”=10’

26

8

Level 5

8 1

5

The multi-age education center will not only bring learning opportunities and cultural events to the neighborhood, but it will also provide 100 jobs. Single parents could go to work without worrying about their children left alone at home, and young people could learn to make a living here. Elder people could spend their time in the library and gallery. The center also provides medical care for the area. The flat terrace offers places for public event such as a weekend market.

27

PROFESSIONAL PRACTICE | STUDIOTEKA DESIGN | LIMON, COSTA RICA

04

28

CARIBBEAN HIGHLANDS

29

30

TYPICAL CONDO BEDROOM | INDIVIDUAL WORK Designing, modeling, rendering and post production.

TYPICAL CONDO MASTER BEDROOM | INDIVIDUAL WORK Designing, modeling, rendering and post production.

CONDO PENTHOUSE WITH TERRACE | GROUP WORK Render post production.

TYPICAL LIVING ROOM | GROUP WORK Render post production.

BIRD’S EYE VIEW | GROUP WORK Designing, modeling, rendering and post production.

POOL VIEW | GROUP WORK Render post production.

PRIVATE GARDEN ENTRY | INDIVIDUAL WORK Designing, modeling, rendering and post production.

ROOF DECK VIEW | INDIVIDUAL WORK Designing, modeling, rendering and post production.

HOTEL RESTAURANT AND BAR | GROUP WORK Render post production.

CLUBHOUSE | GROUP WORK Modeling, rendering and post production.

OUTDOOR AMPHITHEATER | INDIVIDUAL WORK Designing, modeling, rendering and post production.

NATURE TRAIL | INDIVIDUAL WORK Designing, modeling, rendering and post production.

31

05 | IN BETWEEN THE GAPS| HOUSING DESIGN FALL2012 | INSTRUCTOR : PABLO MOYANO | ST. LOUIS, MISSOURI, USA Urban gaps between buildings provide a permeable experience of the city, allowing for multiple city views, paths, convections, etc. The intention was to re-create these urban gaps on my site as a strategy to produce a wide range of experiences... An enjoyable outdoor public space, a playground, a filtration buffer to ameliorate the traffic noise, and a new way to view the surrounding urban environment.

CHOU

NEW

BOYLE

TAYLOR

ARCO

STEA

D

N

TOW

GIBSO

ER GR

OVE

TEAU

TER

ES MANCH

32

R TE EN DE V VA N

KINGSH IG

HWAY

SWAN

West Elevation

South Elevation

Floor Plan

Green landscape and playgrounds were designed not only for the daily use of residents, but also became the buffer zone to reduce the noise from the highway traffic, creating a more quite and friendly living environment. At the first floor level, each volume is individual to one another, but all the residents can enjoy their social and casual life on those terraces at higher levels together. The elevators and staircases are separated from living area and are for exclusive use to residents.

Section A

Vertical Greening

Horizontal Greening

Section B

33

06| REVIVAL | MULTI-FUNCTIONAL PUBLIC CENTER DESIGN SPRING2012 | COMPETITION | BEIJING, CHINA Around the second traffic ring of the city Beijing was the location of defense walls of the Forbidden City 300 years ago, they protected the ancient capital and witnessed the glory of the past. Now only 3 to of 16 old city gates remain, the others turned to dust. I’m hoping to bring back the memory of them by creating a series of public buildings on the exact locations. They can be a place to hold big events, or simply be a memorial of the old city gates and walls, a place for citizens to hang out, like they did on the old walls decades ago in their childhood.

Chinese city walls were built by bricks, overlapped or overlaid in a regular, usually crisscross pattern to secure a solid structure. In addition, ancient people used different shapes and chosen views and a diamond form to create more playful views in traditional gardens.

I brought that technique into the facade design of the ground transportation cores.

34

What around us and what a building can change?

The new "gate" will have 4 entrances in every corner of the crossing city highway. Besides the four transportation cores, the enclosure of the building touches ground at one corner. Every location has a unique condition : where people live, different building types...The function of the building will be decided based on that.

The building itself is more like a giant enclosure, and what could be fill inside are a variety of functions that have been carefully designed. Library, museum, theatre, gallery, childcare center, communication center for the elderly...The glass screens on the glass facades allow people to enjoy a movie or show on the green grass during summer nights.

35

07 | GLACIAL CONSTRUCT | THEATRE DESIGN SPRING2013 | INSTRUCTOR : PHILIP HOLDEN | GRINELL, IOWA, USA The concept of the theatre embraced the glacial history of the Midwest.

The shape of the building and its metal and glass facade transfer an image of an ancient iceberg and recall the memories. This new theatre will also brings new cultural and economical opportunities for this small town in Iowa, as well as a more vivid and attractive local environment.

East Elevation 1 Lite-ply wall lining 2 Insulation 3 Corrugated zincalume on timber battens on waterproof membrane on plywood 4 Painted square hollow section column 5 head flashing 6 Aluminium sliding window 7 Sill flashing 8 150*75 mm (6*3 inch) rolled steel channel 9 Two 12 volt DC batteries 10 Electric motor and gearbox 11 Chanin driven steel wheel 12 Concealed gutters 13 Alluminium box section with bottom transom of curtain wall concealed in floor 14 Quartzite paved flooring on mortar bed 15 Zone of underground heating 16 50 mm (2 inch ) diameter duct drain leading to perforated pipe land drain 17 Concrete Slab 18 300mm (12 inch) CP Cordek Cellcore 19 Concrete pile 20 Grass

North Elevation

1

4

Section 1-1 A

B

C

D

E

F

G

H 3

2

59.7 ft.

5 6

7 38.5 ft.

39 ft.

8 9 10 1 0 1 11

31.3 ft.

29.5 ft.

20 25 ft.

13 13 12 1 2

14 15 1 5

17 ft.

12.5 ft.

16 6

10 ft.

17

2 ft.

0 ft.

-0.5 ft.

-9 ft.

19

36

18

08 | HEART-SHAPED BOX | MUSEUM DESIGN SPRING2012 | INSTRUCTOR : BING WANG | BEIJING, CHINA Located in the 798 arts district; the creative heart of Beijing, this art museum is inspired by the shape, circulation and organization of a human heart. The building is formed by 4 main parts with different functions and separated traffic paths. At the back of the 3 - story building, a large slope channels the exhibition space to provide a smooth route for its visitors.

First Floor Plan

Second Floor Plan

Third Floor Plan

37

09 | FLOWING CANOPY | BIM PRACTICE (REVIT) FALL 2014 | INSTRUCTOR : Andrew Petty | St. Louis, Missouri, USA This practice requires the design and comparison of two outdoor cafe areas in the city of St. Louis. With same shapes and concepts, the two designs are different in material, unit type and the way of construction. Using Revit as a BIM software enables us to view a design in a more articulate and controllable way .

Structure Comparison

Family unit design ( concrete bricks and fabric panel) Structure Unit

1400

1242

1200

1’-3”

Length

QUANTITY

1000 800 600 388

400

260

277

2'6" - 3'

3' - 3'6"

187

200

3”

92

38

2’

0 8"-1'

1' - 1'6"

1'6" - 2'

2' - 2'6"

Total

Length WIDTH

Total Steel Volume steel volume

Structure Unit 1000 900

1200 980

Amont of steel

1000

4”

Length

Total Steel Weight steel weight

0.2”

250

889.3

800

200

195

700 800

600

600

200

150

500

400

292 137 37

400 225

202

1'-1'6"

1'6"-2'

199.56

200

0 6"-1'

100

300

87 2'-2'6"

Length length of steel

2'6"-3'

3'-3'6"

Total

43

50

100 0

0

PROJECT1 A Project

PROJECT2 B Project

PROJECT1 A Project

PROJECT2 B Project

2’

Analysis: usage of steel 38

Composition of units

Residential Cluster Education Commercial& Service Green Space Water Station Roads Bus Loop Existing Bus Station New Bus Station

Total Area: rre e 25 ha.

Occupied: d:: 14 ha. d Public: 11 ha. h

0

100 ft.

500 ft.

10 | PATCHES | INFORMAL CITY DWELLING WORKSHOP | REVIT FALL 2013 | INSTRUCTOR : SHARIF S.KAHATT | LIMA, PERU Lima is one of the most important sites for architects to engage with informal urbanism experiments over the past half century.

This large-scale collective housing project’s goal is to provide easy-constructed housing types for 1000 families to dwell in the desert of north Lima that they could build with minimal help from the building professionals. The building is flexible in the combinations created when people form a small cluster.

Cluster Typology

Building Typology

20 ft. * 30 ft.

20 ft. * 40 ft.

20 ft. * 50 ft.

First Floor Plan

Second Floor Plan 39

ACADEMIC WORKS

40

MAZE UNDER DOMES | DESIGN BASED ON SHORT FILM Illustrating a sequential experience of imaginary space by one section 2013

AMBILIGHT | DESIGN 5 Star hotel design | Downtown Beijing | China 2011

RANDOM REALITY | DESIGN Temporary exhibition space design 2010

VEGETATIVE VILLAGE | DESIGN THINKING Conceptual design model development | Pruitt-Igoe | St. Louis 2014

BLOSSOM | STADIUM DESIGN COMPETITION Roof structure model (competition, first prize) | Beijing 2010

DOCUMENTING DA CI ZHEN RU PALACE | PRINTED BOOK Measuring and drawing | Beijing 2011

PROFESSIONAL PRACTICES

WEMPE | INTERIOR DESIGN | BUILT RSP Architects Planners & Engineers (PTE) LTD 2012

ZHIFU COMPETITION | URBAN SHORE PLANNING | DESIGN Alejandro Zaera-Polo & Maider Llaguno Architecture (AZPML) 2013

CHINA RADIO INTERNATIONAL OFFICE BUILDING | OFFICE DESIGN | BUILT LAHC Architectural Design Co., Ltd 2011

YUN HAI BAY | RESIDENTIAL DESIGN | DESIGN RSP Architects Planners & Engineers (PTE) LTD 2011

YUAN YANG URBAN COMPLEX | CULTURE AND RESIDENTIAL DESIGN | BUILT LAHC Architectural Design Co., Ltd 2011

41

ALTERNATES

42

44