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ARKITEKTURA
LUIS MARI URIARTE ARCHITECTURE PORTFOLIO 1970-2014
Luis Mari Uriarte is a basque well-known architect with over 30 years of experience. Among his extensive work stands the expansion of the Museum of Fine Arts in Bilbao (COAVN award2003) Gandasegi School (Bilbao , 2009) or the Theater of Getxo (under construction). His work has been shown in several international exhibitions in Chicago, Shanghai or Sao Paulo, and also published in numerous journals ( El Croquis, Architecture d´Ajour d´hui,…). His career is completed with his teaching experience, as usual teacher of projects in ETSAUN (University of Navarra ) and occasional teacher in many international universities such as Harvard (Boston ) or Academie Van Bowkunst (Amstedam).
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index
BIOGRAPHY
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SPECIAL EDUCATION CENTRE
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CURRICULUM VITAE
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28 SOCIAL HOUSING
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BASQUE SCHOOL
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SAN PEDRO CHURCH
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ZE AUDITORS HEADQUARTERS
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ANTENNA CULTURAL CENTRE
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LEIOA CHURCH
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SALBURUA SOCIAL HOUSING
BUILT WORK GETXO MUSIC HALL FINE ARTS MUSEUM BILBAO GANDASEGI SCHOOL 104 HOUSING LAUDIO URBAN COMMUNICATION VITORIA HEALTH CENTER PRIVATE HOUSE 63 SOCIAL HOUSING BILBAO KINDERGARTEN PROTOTYPE
MIRIBILLA CHURCH PINASOLO TOWN HALL LABEIN LABORATORIES ZAMUDIO STREET FURNITURE
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significant works & recognitions
1st prize Antenna cultural centre, Galdakao, 2014. 1st prize, Basque-Navarre Architects’ Association triennial awards/ 2010 (public buildings). Gandasegi Infant School in Galdakao. 1st prize, project competition for the new municipal Theatre and music School in Getxo, 2007. 1st prize, project competition for 100 social housing units in Salburua-Vitoria. 2nd prize, project competition for the new church of San Bartolome, Leioa, 2006. 1st prize, Basque-Navarre Architects’ Association biennial awards/ 2005 (urban spaces). Urban communication facility in Laudio/Llodio. Finalist, project ompetition for the new municipal centre for security services. Bilbao, 2005. 2nd prize, project competition for the new church in Miribilla-Bilbao, 2005. 1st prize, project competition for the renovation and extension of the Gandasegi Infant School in Galdakao, 2004. 1st prize, Basque-Navarre Architects’ Association biennial awards/ 2003 (public buildings). Reform and extension of the Bilbao Fine Arts Museum. Special mention in the project competition for LABEIN testing laboratories in Zamudio technology park, 2002. 1st prize, Basque-Navarre Architects’ Association biennial awards/ 2001. Office headquarters for IZE Auditors, Bilbao. Finalist, Basque-Navarre Architects’ Association biennial awards/ 2001. Reform and extension of Laudio Basque School. 1st prize, restricted project competition for the renewal of industrial building for Envases Metalúrgicos de Alava, SA. Laudio 2001. 1st prize, restricted project competition for the Elevator and urban communication facility in Laudio/Llodio, 2000. Finalist, project competition for senior housing facility in Durango, 2000. 1st prize, project competition for Thaumat Global Technology Systems, SA headquarters in Zamudio technology park, 1999. 1st prize, project competition for the extension of the Bilbao Fine Arts Museum. Finalist, Basque-Navarre Architects’ Association biennial awards/ 1997. 28 social housing units in Santurtzi. 1st prize, restricted project competition for the refurbishment of San Pedro Church portico in Laudio. 1st prize, restricted project competition for the preservation plan of Larraño Park in Laudio.
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Special mention, project competition for the new Abando-Ibarra urban planning in Bilbao, 1993. 1st prize, restricted project competition for the refurbishment of San Pedro Church portico in Laudio. 1st prize, restricted project competition for the preservation plan of Larraño Park in Laudio. Special mention, project competition for the new Abando-Ibarra urban planning in Bilbao, 1993. 1st prize, restricted project competition for the refurbishment of San Pedro Church portico in Laudio. 1st prize, restricted project competition for the preservation plan of Larraño Park in Laudio. Special mention, project competition for the new Abando-Ibarra urban planning in Bilbao, 1993. Finalist, Basque-Navarre Architects’ Association biennial awards/ 1993. 63 social housing units in Etxebarri. Finalist, Basque-Navarre Architects’ Association biennial awards/ 1991. Ariznavarra-San Martin healthcare centre, Vitoria. 3rd prize, project competition for the Basque Museum of Technology, Barakaldo 1991. Finalist, Andrea Palladio International Architecture Awards, 1989. Special education centre in Laudio. 1st prize, project competition for Infant School Prototype, Vitoria 1985.
lectures and seminals
several lectures in spanish regional official architect associations and cultural institutions, among them_
publications_ Arqutecto (Lisboa) España, generación 80’s
Harvard Graduate Design School/ latin GSD spring lecture, Boston 2008. XIII International Congress for Intervention on Artistic-Historic Heritage;
academic teaching activity_ Degree Project Instructor (Architecture School / University of Navarra, Pamplona, and in Academie Van Bouwkunst, Amsterdam.
“At the Treshold of Memory”. Architects’ Official Association of Rioja, Spain. XXII Summer lectures/ XV European lectures, university of the Basque Country, San Sebastian 2003. Member of Jury in diverse competitions.
individual exhibitions_ Several exhibitions in diverse architectural associations and cultural institutions. Bilbao International Exhibition Centre, 1992 and 2002
group exhibitions_ Chicago Art Institute, 2000 Shanghai International Exhibition Centre, 2000 Vitória (Brazil) 2001 National Wool Museum- Geelong , Melbourne (Australia) 2001 International MIPIM show, Palais des Festivals de Cannes, 2002 Carnegie Science Center, Pittsburgh 2002 Salâo immobiliário de Lisboa, 2002 Boston Public Library, 2003 Bilboko Arte Eder Museoa/Museo de Bellas Artes de Bilbao, 2003 URBIS International Congress and Exhibition, Sâo Paulo 2003 Palazzo Ducale, Genoa 2003 Universidad Católica de Santiago de Chile, 2004 Guinness Storehouse, Dublín 2004
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The insertion of the designed object clashes with the convergence of different factors: the outstanding presence of Saint Nicholas’ church and the adjoining plaza with the annex building of the former town hall, the intricate identity of the residential volumes around, the harsh party wall of the telecommunications building and the oblique crossing of two marked local arteries. They are all joined together on this singular scenery of intense social and cultural connotations. As a whole, the existing ensemble constitutes a balcony facing south to the Bay and the port of Bilbao (the Abra), ‌ crowded with a concerned audience. Thus, the arrangement of the containers for the complex required program acquires maximal importance.
AUDITORIUM AND MUSIC SCHOOL Getxo/Bilbao 2007-2014 (under construction)
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Its skyline shows a last and precious opportunity, an open unoccupied window fighting its way through the fierce competition: in a natural way, its place is immediately taken by the ascending foyer of the new Auditorium. So, the main volume of the Auditorium leans onto the mute party wall of the adjoining Telefonica building, whereas the free standing smaller one, hosting the Municipal Music School, is adjusted to the scale of the residential surroundings, thus lightening the visual perception of the complex. This volume also covers the main access to the Auditorium and the new open space generated behind by the ascending foyer, which is conceived as a great scaffolding to give access to the different access levels to the hall, while providing a panoramic view and showing its own presence to the Abra.
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Thus, the volume of the complex results from the diverse and tight constraints which provide its definition. The tower of Saint Nicholas’ church retains its outstanding nature in a front view from the sea of the new generated skyline, to which the new presence of the theatre is added as a cultural beacon for the Abra.
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FALTA SECCION
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Underground floor (P-2)
(P-1)
Cross section.
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Transparent inside of the building
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Floor above ground
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Some Apostles lined up in the steeple of the church >
<â&#x2030;Ľ The fulfillment of the complex program required, forced the closeness of the excavation.
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TEXTO
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â&#x2030;Ľ Scenic box structure with galleries > Hanging structure
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TEXTO
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TEXTO?
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El volĂşmen se adapta a las solicitaciones que la normativa le requiere desde las paredes vecinas. The volume ...
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El conjunto constituye un palco hacia la ladera sur descendente hasta el puerto de Bilbao (el Abra) aunque poblado de interesados espectadores; el acomodo de los contenedores del complejo programa demandado cobra así máxima importancia. El skyline de tal perfil edificatorio muestra una última y preciosa oportunidad en la “ventana libre de ocupación” que se abre paso a duras penas entre la feroz disputa; su lugar es tomado de inmediato de modo natural por el foyer del nuevo auditorio. La medianera de telefónica acoge así, recostado sobre ella, el volúmen preponderante del Auditorio mientras que el de la Musika Eskola se acomoda a la escala residencial circundante, alivuando la percepción de la perspectiva del conjunto. Opera además como cobijo del acceso principal al Auditorio y puerta de tránsito a un nuevo espacio liberado por la elevación del foyer del nuevo auditorio. El volúmen del conjunto en toda su formación, es así el resultado neto de cada una de las plurales y estrechas solicitaciones que lo definen. La espadaña del campanario de la iglesia de San Nicolás, en un ángulo frontal capaz, perdura libre de obstáculo en el perfil de la ladera marítima, que añade ahora la nueva presencia del Antzokia con la petendida vocación de llegar a ser un faro cultural del Abra y de Getxo.
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TEXTO
Detalles del cerramiento exterior. Details of the building envelope.
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FALTA ESCANER DETALLE FACHADA
FALTA FOTO DESDE LA IGLESIA
Musika eskola...
FALTA 3D PLAZA
Musika eskola...
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Croquis de la torre de iluminaci贸n situada en la plaza. Sketch of the ilumination tower located in the square.
Faltan escaneos defachada ME
Croquis de cerramiento exterior de la Musika Eskola. Sketch of the building envelope of the Music School.
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Croquis de cerramiento exterior. Sketch of the building envelope.
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The competition organized 1997 to face the necessary rearrangement of the Bilbao Museum of Fine Arts proposed the creation of a backbone between two scarcely connected wings: The old 1945 building (Urrutia-CĂĄrdenas), and the modern one built in the seventies (Libano-Beascoa). It was suggested to arrange this connection USING the loggia WHICH ENCLOSES the existing pond. On the contrary, THE PROJECT decided to focus on the fact that the privileged location of the Museum is given by the axis of the Count Arteche Boulevard, which comes from Indautxu plaza over plaza Campuzano, crosses the Gran Via, and is farther projected over the river to Deusto University.
REARRANGEMENT OF THE FINE ARTâ&#x20AC;&#x2122;S MUSEUM / Bilbao 1997-2001
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Premio COAVN 2003 COAVN award 2003
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Whereas the modern building opens to the hollow in the park, the old body seemed to ignore it, giving its back towards it, and offering its most elaborate and intimate portrait to the surroundings of the pond on the opposite side. It looked advisable to avoid any intervention on the WISELY measured scale of the elements providing this fine frame.
FALTA FOTO MAQUETA
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The choice of intervention on the opaque face THAT the old building shows to the park gained strength and burst naturally into such scenery: The creation of a deep tangential fissure on the edge of the blind MASSIVE wall, wrapped in a luminous membrane to host the links between levels of both new and old buildings; reaching the underground spaces, rearranging them and freeing them into the light.
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Thus, the intervention acquires a spatial or â&#x20AC;&#x153;urbanâ&#x20AC;?, almost chirurgic nature, rather than strictly museum-like. It amuses itself dealing with the interstitial spaces generated between both preexisting buildings, allowing multiple transits and connections, exploration, inter-visualization, rediscovering, etc., in a neutral and stealthy way, trying to provide an interpretation of the works of Urrutia and Libano, not only respectful but also intentionally renewed.
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TEXTO
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A glass diaphragm emerges, which throws to one and other side surprisingly masked images in a new achieved relationship of complicity with the environment: during daylight the metallic blinds act as the silvering of a great mirror, multiplying a virtual nature, with the exception of the old horse-chestnut tree which breaks through its shiny surface; whereas in the nighttime the inner activity is UNVEILED to the city through the framework, along with 45 the materiality of the original brickwork and limestone walls.
GANDASEGI CHILDREN SCHOOL / Galdakao, Bilbao 2007-2010
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Premio COAVN 2003 COAVN award 2003
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The proposal takes shape with the transversal aerial display of a thin rectangular prism, inserted among the back faces of the buildings which primarily define the site. A double fold in that laminar figure rises interposing between those and the produced space. The fold corresponding to the original school building respectfully draws back regarding its rank, assuming a condition of framing to highlight its appearance, decisively taking its place at the plaza, whereas the folding on the great party-wall of the housing building clings to it as a big technologic scaffold facing south, hosting the technical facilities and installations of the complex.
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FALTA SECCION
FALTA SECCION
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TEXTO
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The plot consists of a slope of 18 % slope facing south, tangent to the main road Laudio / Bilbao (N 625 ) Urbanization, dictated by planning, proposing a peripheral rolling road , that links all the high areas of the district and regulates the turnover of N 625. The project proposes basically two staggered platforms (+130,61 m / +124.69 m), the lower 6.5 m high above the main road. A horse settle those three sections arranged from north to south . Two of them are precipitated decisively towards the side while the west end is folded over itself due to constriction of the plot. The extreme flown south and west refolding galleries thrive through access to the apartments that are arranged along the same . By contrast , in the blocks stabilized platforms housing develop higher capacity . In these stands , volumetric and formally , the sleeping area (cells / wooden shelter ) of diurnal wrapped in glass. A walkway through the plot and residential blocks west to east , connecting with nearby routes established Garages , interconnected , occupy the lower stratum of every platform.
103 SOCIAL HOUSING / Areta, Laudio 2004
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FALTA BOCETO A MANO
TEXTO
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URBAN COMMUNICATION FACILITY / Laudio 2003 - 2004
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Premio COAVN 2003 COAVN award 2003
The project is developed following the demolition of an outdated staircase misfit to the communication conditions required between the two urban plots split by a jump of over 16m . It involves investing the entropic process terms rather to degradation and progressive disorder and urban unsustainability. Reprofiling one rock to facilitate their reception sanitation is undertaken structural anchor About the same a lattice / lattice wood profiles taken from the railway transits that shelters and other user communication fall by rainwater runoff is implanted. A scenic backlit device that manages the rocky wall acknowledgment operating as a light curtain on the urban environment. Featured it to the extent permitted by ordinance, the elevator collecting own flows of the proposed itinerary and besides few existing local stands were to be connected to different heights. They condition on how the development of the whole volume . Perhaps the most notable of them is burdensome and the ground floor , which should be respected in their location and volume.The galvanized structure is conceived as modular and bolted for easy assembly.
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TEXTO
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A square-based prism emerges as a latticed mural box that in turn holds in its interior a container of lesser density and uneven constitution: the rigid external modular shell (concrete and rusty steel) made up of cells that serve as offices for the medical staff, carried out in two different heights, harbours the cage-patient waiting area (ppainted steel), separated by an integral trench transcended from the roof opening (zenithal light) to the subterranean crevice that limits the building´s crypt-nucleus. There´s a quest for counter-effect between the building´s emerging geometry matrix and the subterranean world of its nucleus and the traffic around it. An internal volume is thus created that can be apprehended, experienced or, at the very least, noticed in its totality (extension and height-depth) by the user, while its repeated symmetries suggest a small maze of cavities.
ARIZNAVARRA / SAN MARTIN HEALTH CENTRE / Vitoria-Gasteiz, 1988-1990
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TEXTO
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ONE FAMILY HOME AND STUDIO / Laudio, 1995-1999
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Town Planning allows the tract of land, a 22x33m2, essentially flat rectangle, to hold four semidetached house on one of its shorter sides, facing Northeast, where a service road belonging to the housing development runs through. A county road runs along its opposite side. Having been such an option disregarded, a minimum volume is established, and it becomes a 13x6.5 m rectangular-base prism, with a certain height. This is the starting point for the ulterior development of this simple project. The basic body, mimetic with the slope starting at its base, increases its volume by way of a partial one-slope roof looking Southwest, allowing an interior use in alternate heights (ground +1/+2).
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The main body...
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Beneath it, in the ground..
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63 SOCIAL HOUSING Etxebarri / Bilbao 1990 - 1992
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Two parallel building lines composed of four blocks with volume and morphology akin to that of the scattered preexisting buildings, run along a North-Northeast/South-Southwest slope, formalizing graded viewpoint-platforms open to view and sun, with free access to the public from the arcades situated on the top-of-the-hill side of each volume.
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The propose contains..
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The galleries...
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Acces to each of the...
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KINDERGARTEN CENTRE PROTOTYPE / Vitoria-Gasteiz 1988
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Each unit (a rectangular prism) receives direct sunlight from the opposite end and to their entrance from the distribution gallery where they also receive zenithal light over the divisor furnishings. A strict modulation is integrated in in order to allow adaptability in possible changes of use or amplification of the original programme, thus avoiding residual spaces.
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IT WAS PROPOSED...
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FALTA TEXTO MEMORIA
SPECIAL EDUCATION CENTRE / Laudio 1986 - 1988
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FINALISTA DE QUE?
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TEXTO
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The building sits on a tract of land pre-defined by the surrounding construction. Together with others nearby,, separated by tiring steps, it makes up a line of buildings sitting on top of a sharp slope facing South, becoming the curved nexus for volumetric alignments to the Northeast and the Northwest. The Town Planning Regulations propose three bodies; two rectangular prisms at the ends, composed of ground+1 height, and a central 90 degree curved volume composed of ground+2 heights offset 2m towards the South. A two-slope covering is mandatory. In spite of such premises, the idea underlying the project is a stubborn will to provide a sense of continuity to the whole, vertebrating the three volumes in their internal structure as well as in their external reality.
28 CONCERTED-PROMOTION HOMES / Santurtzi, Bilbao 1992 - 1996
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COAVN finalist 2003
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TEXTO
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TEXTO
BASQUE SCHOOL / Laudio 1992 - 1996
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COAVN finalist 2003
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The portal at the church of San Pedro de Lamuza, in Llodio (mid-eighteenth century), had to be reconstructed in ironwork in 1893, after its original wooden structure collapsed. The project, attributed to Joaquín Rucoba, is born in the midst of the Industrial Revolution: such concepts as “New Materials Architecture” or “The New Age of Iron” dictated a new cult to progress.
PORTAL OF SAN PEDRO CHURCH / Laudio 1995
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The portal covers the Southern flank of the church nave. Its central part is held up by exterior iron pilasters measuring 4.05 m in height, while in the Southwest end they rest on a curved stone wall that shortens them by 1.40 m. The whole portal covers itself in two slopes by way of a singular metallic structure (tapered, lightened arches rising out of capitols of Corinthian inspiration) that is topped off by eaves of great projection forming an oblique plane that is counterpoint to the slope it bears, facilating evacuation of rain water through the pilasters themselves. Intervention is required for the Southeast end, a roofed area for which maintenance is programmed, that has a wooden structure and lacks, therefore, the characteristic eaves. Given the specific situation of the object of intervention, next to, or rather embedded in the expressive power of the portal, a light and continuous faรงade is proposed, lacking scars or windows to alter its quietness; no energetic gestures battling the contiguous offer, yet without forgetting a required continuity. It all takes form in a splitting of de faรงade. Its interior is composed of shortleaf pine (Pinus echinata) carpentry in whitish tones, in rhythm with the openings defined by the metallic supports, now extended to the roof. Its exterior presents a continuous line of slightly tilted laminated glass that serves as a regulating and amalgamating element. Between them goes a wide (88mm) laminated metallic venetian blind practicable from the interior for solar, view and light control. The whole is finished off with a modular plate eaves in harmony with the existing one.
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The proposed office is considered a complementary extension to the existing one. It is located on the top floor of a building Bilbao . The company focuses on corporate financial audits. The space to be occupied is irregular and the line of the facade is scarce. Unlike conventional arrangements , accommodation here is conducive managerial staff in a box installed on an inner midline of the enclosure, while the workers occupying the front facade furniture arranged in a straight job. Logically , services ( fotocopisteria , office / kitchen , toilets and stores) are located in close to those of the adjoining office interior line . Among them the common space through a glazing closure shown , the more meanings . Chest complies with cellular elements / dispatches into service corridor are obscured by its closure built shelves, while turning their activity directly , through airy glazed zippers , a front line occupied by operators. The hollow walls of storage and configure the various provisions are designed cerramienrtos rregular orderly manner , modulated and, according to the team activity .
IZE AUDITORS HEADQUARTERS / Bilbao, 1995
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COAVN award 2001
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ANTENNA CULTURAL CENTRE / Galdakao, Bilbao 2013
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1st competition
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Formalization: This prism appears light and graceful, as thin as it possibly could: only 5,50 m between slabs, so its laminar structure will not occlude the original presence of the TKE, nor will it show up intolerably massive over the existing parking surface. The continuous exterior skin of its facade will therefore be composed of light translucent glass elements that will enforce this weightless appearance. Where acoustic conditions request a certain density for the enclosing walls, they incorporate graphics or informative iconic luminous LED grids, which emphasize the kaleidoscopic image of the dynamic activity displayed.
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LEIOA CHURCH / Leioa, Bilbao, 2006
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The shorter itinerary favours the access to the diary chapel/oratory, whereas the main path is projected southwards out of the enclosure, crossing over the plaza and becoming a basement for the slender bell tower, which is meant to pay tribute to the old chapel and signify the presence of both temples in this incoherent architectural environment. On a slight depression at its southern end, the temple shelters its penitentiary chapel and the sacristy; over them and lateral to the main hall, the choir. The fortified enclosure is conceived as protection of the sacred space from the chaotic environment. However, it does not neglect an intense yet subtle relationship to it. Instead of considering the vitreous diaphragms as contained in a blind architectural wall, the concept is reversed: the stained glass becomes the main component for the construction of the external epidermis. The pixellation of a classical stained glasswork is geometrized and stretched upwards as a slender weightless chromatic palisade, at times translucent and at times transparent, alternatively revealing a reinterpretation or the essential reality of its inner contents.
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Temple and diary chapel/oratory are sheltered in a dense white concrete chest, with strategically arranged openings which allow the perception of the light flow in its intense zenithal purity or filtered through the described kaleidoscopic palisade; across the interior of the temple, the changing distance between massive volume and glasswork/palisade offers a variable composition. Administrative spaces are located externally to the sacred enclosure, shaping and nurturing the narthex-passageway, which is entered from the esplanade southwards (containing the bell tower) or from the northwest end. Both entries can be sealed by powerful sliding wooden doors, concealed in the external body when open. This body is built in the same way of the internal concrete chest of the church, whereas its flanks to the passageway and to the exterior are closed with heavy wooden latticework. The underground crypt contains the required parochial facilities for Sunday school and assembly rooms, etc. The proposal explores interwoven itineraries of culture, liturgy or symbology-iconography.
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The task consisted in designing a whole new urban block in elongated rectangular shape in a new residential development area of the city of Vitoria. The urban regulations impose the disposal of two paralelepipedic bodies along both opposite east and west sides of the block, the gap between them to be left for a common open court, the so called patio. Within the limits of the social housing and urban regulations, a decisive regulatory trace is set up to scrupulously organize each body, both in plan and elevation. -The implementation of three longitudinal stripes in plan permits the creation of a hollowing out sequence of nine wide light wells in the inner stripe, reserving the outer stripes for spaces to be directly opened to the street or the green patio, providing all dwellings with double East-West orientation. -The creation of a serene and precise grid of openings, framed by structural elements at the main facades (East-West) of both resulting buildings, and the blind ending walls endow the whole with indubitable sobriety and elegance. The resultant dwellings are gifted with outstanding ventilation conditions, full natural lighting, layout versatility and a variety of sizes and typologies according to their receptive capacities: 1 Bedroom (10%): Double E/W orientation; maximal space openness. 2 Bedroom (54%, four adapted dwellings for handicapped): Double E/W orientation; the secondary bedroom can be connected to the living/kitchen/dining room resulting in one integral transversal space or be grouped with the main bedroom in opposite orientation to the living room. 3 Bedroom (36%): Double E/W orientation; this typology, as the previous ones, is equipped with washing line facilities in the light wells associated to kitchens, the opposite side of them opens to alternative â&#x20AC;&#x153;cleanâ&#x20AC;? wells, which grant illumination and sights to otherwise interior kitchen-dining room spaces.
SOCIAL HOUSING SALBURUA / Vitoria-Gasteiz, 2002
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competition 1st prize
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MIRIBILLA CHURCH / Miribilla, Bilbao 2003
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competition finalist
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TEXTO
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PINASOLO TOWN HALL / Leioa, Bilbao 2010
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TEXTO
LABEIN LABORATORIES / Zamudio, Bilbao 2002
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STREET FURNITURE 1995
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