INDEX CONFUCIUS MEMORIAL EXPERIENTIAL SPACE DESIGN Narrative Space Design
CREATIVE COMMUNITY Architecture Renovation
FLEXIBLE HOUSE Interior Design
LIGHT OF TOMORROW International Velux Competition
BAMBOO CITY Architecture Technology
OTHER WORK RESUME
CONFUCIUS MEMORIAL EXPERIENTIAL SPACE DESIGN NARRATIVE SPACE DESIGN DESIGNER: XU YANG TUTOR: DU YI SEMESTER: SPRING 2014
Location
Shandong Province
Qufu City
Nishan Hill
The site locate in Nishan Hill where is Confucius's birthplace. The project is designing a memorial for Confucius and the project party demands that the design need to create a new atmesphere in order to make visitors to experience Confucius's whole life.
NARRATIVE SCRIPT 1.Praying at Niqiu Hill 2.Sage is born 3.Imitating rites by displaying sacrificial utensils 4.Taking the official post in charge of livestock. 5.Learning rites from Lao Tzu
6.Listening to Shao music in Qi state 7.Withdrawing to revise Shi and Shu 8.Meeting with the duke of Qi state in Jiagu 9.Leaving Lu state for being ignored giving the sacrificial meat 10.Kuang people raise the siege
11.Backtracking from the Yellow River 12.Composing Song of Qiu Ling 13.Teaching rites and music on the Apricot Pavilion 14.Dreaming of coffin placed between tow columns 15.Packing luggage and parting
The design includes two aspects: one is about the spatial narrative content; the other is about the case of spatial narrative design, and summarizes the methods of spatial narrative design. Combining the two aspects, the research concluded the outline of Confucius memorial narrative script. Then combining the site analysis, and finishing the Confucius memorial space design experience by adding the detail of Confucius' life events.
SPACIAL SCRIPT
EVENTS Base on the research of Confucius's life events, compose the basic logic of space, create a narrative order of the memorial before express the Confucius' life by space language.
THE LENGTH OF WALLS In order to express the rhyme of events, there are some northsouth walls which are of difference lengths. The length represent whether the event is intense or easy like music.
THE FREQUENCY OF WALLS In order to express the change of events, there are some eastwest walls which obstruct people's movement. The frequency of walls represent that the frequency of the events, if the event change, the movement will change by wall.
COMBINATION Using the tow methods above, the space script is finished and the experience of special rhythm is delivered to visitors.
FLUCTUATIONS OF SPACE In order to express the Confucius's vagrant life, there some up and down platforms which stand for difference life conditions. Down means low or upset and vice versa.
CLOSE EXTENT OF SPACE In order to express the Confucius's emotion in each event, there difference close extent of space, some parts which mean depressed are narrow and close, some parts which mean ease are opened. Also the sight is controlled by the height of walls.
MOVEMENT AND EXPERIENCE The movement of the memorial is formed after combining methods above, meanwhile some narrative details are added into the movement, for example plants, water, sculpture and calligraphy.
PLAN
宋人伐木 作歌丘陵 梦橂两楹 治任别归
在齐闻韶
匡人解围 因膰去鲁
杏坛礼乐 西河返驾
夹谷相会
退修诗书
问礼老聃
职司乘田
俎豆礼容
孔子诞生
尼山祷告
Grass Gravel Water Brick Mud
SECTION
Trees Bushes Sculpture
SPACIAL SHOOTING SCRIPT
⑨
⑪
⑫
⑧
⑥
⑩
②
⑦
⑤
8.Confucius was fail in the political struggle, therefore he had to resign from his post and left Lu state to travel around various states.
11~12.When Confucius was old, he focus on teaching students regardless rich or poor or low.
⑨ ⑫
⑪
⑩
9~10.Confucius passed through Kuang and he was besieged by local people.
⑧
⑦
⑥
④ ⑤
④
② ③
4~5.When Confucius was forty-tow years old, he was dissatisfied with the situation and unwilling to be an official of the state. He then devoted himself to revising Shi, Shu, Li, Yue.(ancient Chinese book) 6~7.Dukes if Qi State and Lu state met in Jiagu to make an alliance and Confucius emceed for State. He then made the Qi return the Lu lost territory.
③
①
①
1.Confucius was born in the 22nd year of the reign of Duke Xiang of Lu state(551 B.C.) in the Zou County.
2.When Confucius was a child, he used to set sacrificial utensil in order to imitate various rites of the Zhou State, which excelled the other children playing with him.
3.When Confucius was young, he took the official post in charge of Jisun's livestock.
MAIN SCENES SCENE 5
SCENE 4
SCENE 3
SCENE 2
SCENE 1
Teaching rites and music on the Apricot Pavilion
Kuang people raise the siege
Meeting with the duke of Qi state in Jiagu
Withdrawing to revise Shi and Shu
Learning rites from Lao Tzu
In this scene, the sight becomes straitness dramatically which contrasts to the previous scene. It means the transformation of Confucius' life. The event is about Confucius was sieged by Kuang people.
In this scene, the sight becomes opened specially, which stands for Confucius's knowledge and influence. This part is higher than other parts and walls are the lowest in the whole memorial space.
In this scene, people was caught in space full with doubt, which metaphorize Confucius's sense of puzzled. There many walls overlapped which make a numerous of possibilities, and people cannot figure out direction.
Specifically, walls are the highest and make visitors feel depressed. Also the material of walls is stain which makes people feel cold, and it metaphorizes the vagrant life.
Furthermore when visitors step up into this space, they can overlook the Nishan Hill and the Nishan lake.
In this scene, people can see a peaceful pool which reflects sky, trees and people themselves. Trees rushed by wind sound like Sha-Sha and water ripple. The bottom of the pool is carved letters from Lunyu, when people stir water, letters and reflections are obscure.
In this scene, the sight becomes opened again, it means Confucius' mindset when he was old. The scene try to express the dream of old Confucius who always fantasy the harmonious world. Confucius believed that the mountain and the water stand for Ren(benevolence) and Zhi(wisdom) respectively. Visitors walk into the garden while cannot find out the pavement, at the same time, they also can hear the sound of spring.
When visitors walk on the gravel pavement, it sounds peaceful. The scene is quiet and metaphorizes the Confucius's lifestyle.
In addition, the sight as same level as water, specifically the human experience is unique. Meanwhile the water that flows downwards along walls and whispers metaphorize the conversation between Confucius and Lao Tzu.
Creative community ARCHITECTURE RENOVATION DESIGNER：XU YANG, YAO SHOUJUN, Silvia Martinez Lage TUTOR：Francesco Scullica，Peter Di Sabatino， Gisella Veronese，Mauro Afro Borella SEMESTER: FALL 2015
PERMANENTE NUOVA The Permanente Nuova is a building from the Milan architect Renato Radici. The building was built in 1955-57 under the name “Palazzo delle Esposizioni” at Piazza Garibaldi in Cantù municipality is a post-rationalist building. It was though as a exhibition building for furniture pieces. The architect had in account for the design the environmental and the surrounding area. The strange shaped plan comes from the availed land. The height relates with the church in the same square as the building could not cover it. The original building had a on the lower and ground floor a meeting room for over 400 people, a cafeteria, a shop, offices... The materials for the ground floor were stone “brecciola di Lovere”, walnut and a flooring of venetian glass mosaic, following the design of the Italian artist Lucio Fontana (the mosaic remains nowadays, but in a very poor condition).
RESEARCH SITE PICTURE AND MOODBOARD
CONCEPT Our community is one when you are so comfortable that you feel free to work in your pajamas, like if you were at your own home. To be able to develop the creative community, we have based our design in the idea of creating spaces that fulfill four basic characteristic.
SITE ANALYSIS
SITE MAIN ROAD
S
E
W
MAIN BUILDING
N
PERSONAL
STIMULATIVE
COLLABORATIVE
REFLECTIVE
EXPERIMENTAL
(space for being alone) - private activities -calm
(space to connect and explore) -Tools and facilities -Interactive and productive -Semi-public
(space for sharing and working together) -easy access and open -equal and informal -dynamic and active
(space for thinking) -more private -personal view -quiet and relaxing -simple and graphic
(space for triggering) -Media and information -Open to public -Integrated functional space
SLOPE
USER ANALYSIS
ARCHITECTURE ANALYSIS
VIEW SUN
We want ideas to flux from one side to another and create an ambience that allows creativity grow. However, some functions are incompatible. So we classify and mix functions according to our principle of creative community (personal, simulative, collaborative, reflective and experimental)
PROGRAM WORKSHOP RECEPTION WORKSHOP
EXPERIMENTAL
OFFICES & SHOWROOMS LABS
LABS
BAR REFLECTIVE
OFFICES
LIVING UNITS STIMULATIVE
ENTERTAINMENT SPACE VIDEO ROOM DINING AREA
LIVING SPACE
KITCHEN OFFICES & SHOWROOMS
COLLABRATIVE
ENTERTAINMENT SPACE
LIVING UNITS
KITCHEN
GALLERY BAR
Original function
DINING AREA LIBRARY GARDEN MEDITATION SPACE COLLECTIVE BATHROOM VIDEO ROOM BAR FITNESS
New function
LIVING SPACE
LIVING SPACE PERSONAL
LIBRARY MEDITATION SPACE GARDEN
SERVANT
Spacial Atmersphere
COLLECTIVE BATHROOM
Function Mixing
SPACIAL STRATAGE
SECTION
After the analysis of the building we have conclude that the shape has been though in order to render the view from east to west the most important one (which is the one to the square and to the mountains in that order).The north and south view are only possible if the viewer stands in front of the window. We have though that working with the views was important, but we decided change the work of the views inside to not only relate with the outside, but also with an imaginary outside-inside. COLLABRATIVE
COLLABRATIVE
EXPERIMENTAL
SERVANT
SERVANT
COLLABRATIVE
EXPERIMENTAL
SERVANT
EXPERIMENTAL
SERVANT
COLLABRATIVE
EXPERIMENTAL
COLLABRATIVE
PERSONAL
PERSONAL
REFLECTIVE
PERSONAL
PERSONAL COLLABRATIVE
REFLECTIVE
PERSONAL
PERSONAL COLLABRATIVE
REFLECTIVE
PERSONAL
PERSONAL
COLLABRATIVE
STIMULATIVE
SPACES DEFINITION
REFLECTIVE
STIMULATIVE
NETWORK
FITNESS
GARDEN COLLABRATIVE
COLLABRATIVE
COLLABRATIVE
REFLECTIVE
BAR GARDEN
EXPERIMENTAL
SERVANT
SERVANT
COLLABRATIVE
EXPERIMENTAL
PERSONAL
SERVANT
SERVANT
SERVANT
COLLABRATIVE
PERSONAL
COLLABRATIVE
REFLECTIVE
PERSONAL COLLABRATIVE
WORKING SPACE
REFLECTIVE
ENTERTAINMENT SPACE
PERSONAL
PERSONAL
PERSONAL COLLABRATIVE
REFLECTIVE
PERSONAL
PERSONAL COLLABRATIVE
REFLECTIVE
PERSONAL
PERSONAL
PERSONAL
COLLABRATIVE
PERSONAL
LIVING SPACE
LIBRARY
DINING AREA
MEETING ROOM
VENTILATION
COLLABRATIVE
COLLABRATIVE
COLLABRATIVE
REFLECTIVE
GARDEN GARDEN ENTERTAINMENT SPACE
LIVING UNITS
SERVANT
GARDEN
LIVING SPACE LIBRARY
KITCHEN LIVING SPACE
LIVING UNITS
DINING AREA
LIVING UNITS
LIBRARY
ENTERTAINMENT SPACE
LIVING SPACE
WORKING SPACE
MEETING LIVING ROOM
MEETING ROOM
SPACE
COLLABRATIVE
LABS
WORKING SPACE
EXPERIMENTAL
LIBRARY
DINING AREA KITCHEN
PERSONAL COLLABRATIVE
REFLECTIVE
PERSONAL
PERSONAL COLLABRATIVE
REFLECTIVE
PERSONAL
PERSONAL
COLLABRATIVE
LIBRARY
LIVING SPACE
LIVING SPACE LIVING SPACE
REFLECTIVE
PERSONAL
MEDITATION SPACE
STIMULATIVE
LIVING UNITS
PERSONAL
LIVING SPACE
KITCHEN
OFFICES & SHOWROOMS
OFFICES & SHOWROOMS
PERSONAL
GARDEN EXPERIMENTAL
SERVANT
OFFICES & SHOWROOMS
COLLABRATIVE
EXPERIMENTAL
LIVING UNITS
DINING AREA
WORKSHOP
KITCHEN
SERVANT
SERVANT
VIDEO ROOM
LIVING SPACE
FITNESS
EXPERIMENTAL
GARDEN
MEDITATION SPACE
BAR
DINING AREA LIVING SPACE
LIVING SPACE
OFFICES & SHOWROOMS
NATURAL LIGHTING
FITNESS
GARDEN BAR
LABS
MEETING ROOM
OFFICES & SHOWROOMS
STIMULATIVE
STIMULATIVE
WORKSHOP
LIVING SPACE
COLLABRATIVE
STRUCTURE AND OPENINGS
WORKING SPACE
LIVING UNITS
KITCHEN
STIMULATIVE
WORKING SPACE
LIBRARY
LIVING SPACE
LIVING SPACE
LABS
WORKING SPACE
OFFICES & SHOWROOMS
VIDEO ROOM
MEDITATION SPACE
LIVING SPACE
KITCHEN
LIVING UNITS
REFLECTIVE
PERSONAL COLLABRATIVE
LIVING UNITS
DINING AREA
WORKSHOP LIVING SPACE
STIMULATIVE
EXPERIMENTAL
VIDEO ROOM
REFLECTIVE
EXPERIMENTAL
EXPERIMENTAL
EXPERIMENTAL
GARDEN
PERSONAL
REFLECTIVE
EXPERIMENTAL
COLLABRATIVE
SERVANT
PERSONAL
PERSONAL
EXPERIMENTAL
COLLABRATIVE
COLLABRATIVE
SERVANT SERVANT
COLLABRATIVE
LIVING UNITS
LIVING SPACE
STIMULATIVE
We propose to create the opening following the already open space in the ceiling, This one also follows a path in between two big windows (north and south located). And also in line with the big circular scales of the center of the building. The light will be reflected on the space in order to diff use it and create a better illumination and ambience. To do this, we have calculated to only eliminated two beams and following the structure add in between the windows two new pillars.
DETAILS In the definition of the “MIXING” spaces, we want to design the space that people can be free to work at any space of the certain area in the building. In order to keep the floor free of visual barriers and not “define” with walls the working spaces, we have defined several “areas” with completely different atmosphere. On the west part, with a more private view and afternoon natural light, we propose mainly reflective activities. In the center of the building, where everyone has to pass by, the most alive part, the collaborative activities. Around the center opening, we create the residential part where their own personal living spaces are located to provide better living condition with good ventilation and light . Personal space does not mean “private” in the traditional way for us. Personal is more focused in providing a place for “living”, but here we are living in community. On the east the experimental activities take place, facing the public square of the city, with mutual view from people outside during day and night.
THIRD FLOOR
GROUND FLOOR
Show case
Library
FOUTH FLOOR
FIRST FLOOR
Meeting room
Living space
FIFTH FLOOR
SECOND FLOOR Living unit
Roof garden
Lab Living space
PLAN GENERAL MATERIALS
DINNING AREA LA BASILICA CASSINA
GOTENBORG CASSINA
WALLNUT FURNITURE
OUTSIDE
WALLNUT
DIFFERENT ACRYLIC
CURTAINS
WALLNUT
ACRYLIC PAINTING
WALLNUT &TEXTILE
GREY RESIN GLASS FLOORING
3ND FLOOR_LIVING SPACE
INTERIOR FURNITURE
LIVING UNIT
LIBRARY AREA LA MICHETTA MERITALIA TEXTILE
DIFFERENT TEXTILE
INTERIOR
BOXING PITCH MEMPHIS
ACRYLIC PAINT FLOOR
KITCHEN AREA
PONT NEUF CAPPELLINI
LEATHER
WALLNUT
VERTICAL GARDEN
HUSK B&B ITALIA
WHITE LAQUERED
BRONZE
TEXTILE
TEXTILE FLOOR WALLNUT
THIRD FLOOR
COSTUMIZE KITCHEN FURNITURE
TEXTILE
BRONZE
ORANGE
HI-PAD STOOL CAPPELLINI
LEATHER BROWN
HUSK B&B ITALIA
COSTUMIZE LIBRARIES
OBLONG CAPPELLINI
SHOWROOM & OFFICE AREA
LADY CASSINA
GIRO MERITALIA
TOLOMEO READING ARTEMIDE
WALLNUT
GROUND FLOOR
BOLON ACRYLIC FLOORING
HUSK B&B ITALIA
WALLNUT
FLOOR
CO-WORKING
4RD FLOOR_ LIVING SPACE
LOTUS CAPPELLINI
TOLOMEO READING ARTEMIDE
TEXTILE
TEXTILE
INOX
LUCIO’S FONTANA MOSAIC
FELTRI CASSINA
MART 2012 B&B ITALIA
LEXUS CAPPELLINI
TOLOMEO MEGA ARTEMIDE
TEXTILE
INFINITO CASSINA
BLUE SATIN
INOX
BROWN
LEATHER
SNAKE MERITALIA
1ST FLOOR_LIVING SPACE
FIRST FLOOR
MODEL LAB
L3 1/2/3 SEAT CASSINA
TOP RESTING AREAS
COUNTER
IRON&LEATHER
WALLNUT
WHITE HI-MACS
LA ROTONDA
ARCO FLOS
WALLNUT
MARBLE
HUSK B&B ITALIA BRONZE
CRASH EMMEMOBILI
WORKING TABLE WHITE HI-MACS
WHITE LAQUERED
VIDEO LAB
5TH FLOOR_ LIVING SPACE
HI-PAD STOOL CAPPELLINI
FOUTH FLOOR
TEXTILE
MART 2012 B&B ITALIA
PONT NEUF CAPPELLINI
K-TRIBE FLOS
LOTUS CAPPELLINI
LEATHER BROWN
OUTSIDE
TEXTILE GREEN
LEXUS CAPPELLINI
LADY CASSINA
BROWN
LEATHER
BLUE SATIN FINISH
TEXTILE
MEETING AREA
WOOD LAB PASSION CASSINA BLACK LEATHER
UFO EMMEMOBILI
HI-PAD STOOL CAPPELLINI
WHITE LAQUERED
TEXTILE
HUSK B&B ITALIA
JIG SAW BAND SAW BAND SANDER FIXED DRILLER ...
SECOND FLOOR
LOTUS CAPPELLINI
BLACK METAL
BLACK LEATHER
WHITE/BLACK LAQUERED MAT
BRONZE
CAFFETERIA, FITNESS, VERTICAL GARDEN&VEGETABLE GARDEN FURNITURE
HUSK B&B ITALIA
SET
WALLNUT
FIFTH FLOOR
VERTICAL GARDEN WHITE LAQUERED
RUNNING MACHINE FIX BYKE ELLIPTICAL BYKE MULTIGYM MACHINE WEIGHT BENCH WELLNESS BALL WELLNESS TOOLS FREE WEIGHTS MATTRESS ...
MEDITATION AREA FURNITURE WALLNUT
VERTICAL GARDEN WHITE LAQUERED
FLEXIBLE HOUSE INTERIOR DESIGN DESIGNER: XU YANG TUTOR: LIANG WEN SEMESTER: SPRING 2013
Dwelling With the time goes by, there are difference activities happened in house. People want to play together in the morning, but in the afternoon, they may want to read book alone, maybe they want to stay lonely in the evening. So why the house is invariable? A flexible house is more interesting.
RESEARCH FAMILY MEMBERS
CONCEPT USERS
PUBLIC SPACE ACTIVIE TIME 6
7
8
9
ACTIVIES
ACTIVIES
WISHES
10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
E FL
Grandfather
LE
B XI
帅
Grandmather
Public and privacy
Father
Cooking Exercises Rest
Sight
Read
Entertament
E FL B XI
Mather
LE
帅 帅
Me Flow
Flexible
Party
Chess Teatime TV
Drinking
SCENCES I create a flexible device in the public space by using the method of timeliness. Though creating a flexible house, the conflicting requirements will be solved.
帅
帅
帅
PESPECTIVE
DESIGN
Kitchen
Plan
Living Room In modern families, the request of public space is the most complicated, because the people have various request in difference time. Basing on the research of users, I hope satisfy the request in the restricted space. Therefore, I create a flexible public space in my family.
B-B' Section
G-G' Section
A-A' Section
H-H' Section
The design which makes the house change constantly can adapt complicated request of difference people in difference time, also create a flexible atmosphere. Beside the design provide a possibility that can optimize the small dwelling-size apartment's design.
LIGHT OF TOMORROW INTERNATIONAL VELUX COMPETITION DESIGNER: XU YANG HUANG ZIJIAN SEMESTER: SPRING 2012
LOCATION
In the contemporary urban space, there are some abandon playgrounds. Most of them are embedded in the original figure ground of the urban site. They are exposured under the sunlight, which have the potential opportunities to become the comfortable public space. We focus on this point. Therefore, we are attempting to design a conceptual shelter on the playground, which aims to make this shelter adapt to the sunlight changing in a day, meanwhile we may have opportunities to create the new light landscape.
By controling the speed of rotating units and the relationship between holes and smart units, we create a temporary Staying space based on the light changing in a day.
We firstly focus on the program of different usages on the playground. Then we redefine the function of this pavilion by the time changing in a day. We find a way to make the new elationship between light, shadow and the program.
DESIGN BACKGROUND
PROGRAM
DESIGN ANALYSIS
ω=am/s
6:00~8:00
Circle shadow | Siesta space
11:30~14:00
Mottled light | Resting space
15:00~17:00
Circle light | Eating space
17:00~18:00
The units are composed of four main parts : rotating piece,axis,filling piece,clutch.
Though changing the speed and the condition of revolving units, there are various light and shadow which can be used to create difference atmosphere under the pavilion. Also the pavilion can provide a field that people can do some activities.
ω=0m/s
Linear light | Reading space
ω=2am/s
ω=3am/s
ω=4am/s
ω=5am/s
The beautiful shadow attract people and inspires activity.
Circle shadow | Rest space
20:00~22:00
bamboo city ARCHITECTURE TECHNOLOGY DESIGNER：XU YANG, RUANSHI CHUILIN, QIU YILIN, DIAO SIQI, YAO SHOUJUN, YAN RUIZHI TUTOR：TU SHAN, RICHARD GOODWIN SEMESTER FALL 2012
DARWING
SITE
751D·PARK was a old factory in 1950's. But now it is a fashion park , also attracts a lot of designer and actor that take shows.The old factory is retained and becomes intreseting things. For us, it is a symbiosis phenomenon, which old buildings, new buiiding and function is a symbiotic relationship.So our installation will relay on the bridge and wall, bamboo becomes a new thing in the site, as well as live with other things.
CONCEPT
On the modern city, new elements will appear constantly, and they always cover the old exiting thing. However we want to ask should we demolish the old thing completely? As for the metabolism of the city, we consider the new and old can develop together instead of replacement. As we suggest, it is a sustainable approach for city development. Therefore we want to find a new way that our installation can live with the exiting building environment, to find a symbiosis form which reflect the new approach for city development. As a traditional material, bamboo is real defined by us in the contemporary condition. We design the installation in order to express the transition from chaos to order.
PROCESS
OTHER WORK
Jubilee Church
Sculpture of Buddha
Material: Watercolor
Material: Mud
Semester: Autumn 2011
Semester: Autumn 2013
XU YANG EDUCATION BACKGROUND 2007 Guangdong Beijiang Senior High School 2010 Bachelor, Academy of Art&Design, Tsinghua University 2013 Exchange Student for Depatment of Architecture National Cheng Kung University 2014 M.A. Academy of Art&Design, Tsinghua University 2015 Double Degree Students in School of Design Politecnico Di Milano
INTERIOR DESIGN M.A. DEGREE 25 YEARS OLD TEL：15201410573 E-MAIL：xuxiaoyangzi@ gmail.com
AWARD 2011 National Scholarship 2012 National Encouragement Scholarship 2013 National Scholarship 2014 Graduation with Honors 2014 Award for Excellent GraduationThesis 2014 Award for Excellent Graduation Design 2014 Third-Grade Award of Landscape Group in China Environmental Art Design Award
PRACTICE EXPERIENCE 2010 Participant in Youth League of Academy of Art&Design, Tsinghua University 2010 Participant in Zijing Volunteers Association, Tsinghua University 2012 Participant in Beijing Design Week "Bamboo City" Display 2012 Participant in International Velux Competition 2013 Participant in Japan SSS Structure Training Camp 2013 Intership at Hrizon Design Studio and participant in the design of ALILA Resort Hotel in Hainan 2014 Participant in the landscape architecture design for the Nishan Saint Scenery in Qufu of Shandong Province 2016 Participant in design of Lhasa Tibet Researching Center of China
ACADEMY EXPERIENCE 2014 The Research of Event design for New Year Event, Beijing 2015 Participant in The 2015 Generative Art Conference