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T H E O L D E ST C O L L E G E DA I LY · FO U N D E D 1 8 7 8

NEW HAVEN, CONNECTICUT · WEDNESDAY, OCTOBER 17, 2012 · VOL. CXXXV, NO. 36 · yaledailynews.com

INSIDE THE NEWS MORNING EVENING

CLOUDY CLOUDY

50 58

CROSS CAMPUS

GALLERY ROOM DESIGN ACCOMPANIES ART

STARTUP

HONG KONG

SOCCER

Program started by Yale psychiatrist looks to New Haven

REPRESENTATIVE DISCUSSES ECONOMIC GROWTH

Bulldogs fall to Mountain Hawks for third consecutive loss

PAGE 6 CULTURE

PAGE 3 CITY

PAGE 5 NEWS

PAGE 12 SPORTS

Democrats eye Elm City

Shake it up. A 4.6 magnitude earthquake struck Maine yesterday night, sending shockwaves across the entire New England region and Twitterverse. Though some users who had not felt the quake voiced their confusion online, others expressed surprise, wondering whether the earth’s movements could be attributed to abnormally large acorns falling from the sky. According to the United States Geological Survey, moderate shaking could be felt across the Northeast, including in Boston, Hanover and New Haven.

BY KIRSTEN SCHNACKENBERG AND JULIA ZORTHIAN STAFF REPORTERS

Family feud. Pierson College officials announced Tuesday morning that on Sunday nights, students without a Pierson sticker on their ID cards would not be admitted to the dining hall for dinner. Sunday nights are traditionally “family nights,” during which students are encouraged to eat in their own residential colleges. The move follows the new dining restrictions launched by Berkeley College, which limits its dining hall to transfers on Mondays. Third time’s the charm.

The third debate leading up to the Nov. 6 presidential election took place Tuesday night between U.S. President Barack Obama and Republican nominee Mitt Romney. The debate adopted a town hall format and was the second presidential debate between the two candidates. The third debate, which will focus on foreign policy, will be held in Boca Raton, Fla. Watch your back. Berkeley

College crowned its stealthiest student on Tuesday. Charly Walther ’16 won the college’s annual “Assassins” game, a feat that earned him $60 and a spot in the college’s eternal champions plaque. In an exclusive email interview with the News, Walther dedicated his victory to his mother and Berkeley College Master Marvin Chun. One night at the museum. For art history majors, a recent art heist at a Netherlands museum is bound to cause some headaches. Seven works of art, including pieces by Pablo Picasso and Claude Monet, were stolen from the exhibit Tuesday. Local police said they have secured evidence and are speaking with potential witnesses and looking at security camera footage. Making travel easier. Metro-

North has added 15 weekday and 30 weekend trains to the New Haven Line to give city residents more opportunities to get around town during the winter holiday season.

THIS DAY IN YALE HISTORY

1976 The Yale Dramat decides to cancel its production of “Antigone” just two weeks before opening night, citing artistic differences between the play’s director and the Dramat’s Executive Board. Submit tips to Cross Campus

crosscampus@yaledailynews.com

ONLINE y MORE cc.yaledailynews.com

Search surveys released

tioned to deliver Murphy a victory depending on how many city Democrats turn out to the polls. Murphy, who currently represents the Connecticut’s fifth congressional district in the U.S. House of Representatives, has run much

After weeks of open forums, office hours and surveys, Search Committee Student Counselor Brandon Levin ’14 released the complete data about students’ priorities on the qualifications of Yale’s next president. Levin released the results of a survey and three reports outlining the student body’s opinions on the presidential search. Though the three reports — compiled by the Yale College Council, the Graduate Student Assembly and the Graduate and Professional Student Senate — represented the entire student body across all of Yale’s schools, half of the students interviewed said they questioned the influence the reports and surveys will ultimately have on the selection of Yale’s next president. Now that Levin has submitted the results to the Search Committee, his role as student counselor in the remainder of the search process is not clearly defined. Based on the findings of Levin’s fourquestion survey, which received between 769 and 774 responses for each question, students were divided on whether the next president should hold a Yale degree, with 42 percent answering “Yes” and 56 percent answering “It is not important.” Seventy-eight percent of respondents said the next president should come from an academic background, and 88 percent said the next president should have administrative experience. Levin said he will remain available to transmit students’ concerns to the Search Committee, as well as to advise the committee if they request his input, though he said he will not be involved in candidate selec-

SEE ELECTION PAGE 8

SEE SEARCH PAGE 4

SHARON YIN/CONTRIBUTING PHOTOGRAPHER

Yale students wait to vote in the 2011 elections. High voter turnout in New Haven can impact this year’s Senate race.. BY MICHELLE HACKMAN STAFF REPORTER On the night of the Democratic primary election, which he won over former Conn. Secretary of State Susan Bysiewicz ’83, U.S. House Rep. Chris Murphy watched results come in at the Omni Hotel in New

Haven — rather than in his home district. The latest polls show Murphy with a small lead over Republican Linda McMahon in the race to replace U.S. Sen. Joe Lieberman ’64 LAW ’67. New Haven, which has the largest number of registered Democrats in the state, is uniquely posi-

Suit reacts to employment dispute BY CYNTHIA HUA STAFF REPORTER The Title IX retaliation suit filed Friday afternoon by employee Susan Burhans is a common reaction to employment disputes, according to attorneys in the field. Burhans’ suit claims that after she was hired as a Communications and Education Specialist for the Office of the Vice President in 1999 her efforts to bring the University’s alleged Title IX violations to the attention of administrators led to a series of changes to her employment status ending in termination of her current position, effective this November. In 2009, Burhans brought a separate suit against Yale alleging gender-based discrimination by the University after not being granted several promotions she had previously been promised. Several Title IX experts and employment dispute lawyers interviewed said that to win her most recent case, Burhans must prove causality between her “whistle blowing” on issues of sexual misconduct and Yale’s retaliatory actions toward her. “It’s not uncommon at all to see someone lodge a discrimination claim, lose, and lodge a retaliation claim [after the discrimination claim],” said Peter Lake, director for the Center for Excellence in Higher Education Law and Policy at Stetson University. “It is a little easier to prove a retaliation claim over a discrimination claim.” Patrick Noonan, who represented Yale in the 2009 lawsuit,

said the complaint Burhans initially filed with the Connecticut Commission on Human Rights and Opportunities in 2008 was dismissed by the Merit Assessment Review Program due to a lack of evidence. Noonan said that in response, Burhans filed a civil suit in Connecticut State Court, a case that is still pending but parts of which have been dismissed, including the allegation that Yale fosters a “hostile work environment.”

It’s not uncommon at all to see someone lodge a discrimination claim, lose, and lodge a retaliation claim. PETER LAKE Director for the Center for Excellence in Higher Education Law and Policy at Stetson University Burhans declined to comment Wednesday. Multiple claims from the 2009 complaint are repeated in the 2012 suit, including the allegations that she was discriminated against when forced to interview before a panel of four men and that she was given a new job title without an appropriate increase in compensation. Fair employment cases reemerge as retaliation suits all the time, said Michael Rose, a SEE BURHANS PAGE 8

M A R Í A R O SA M E N O CA L 1 9 5 3 - 2 0 1 2

Menocal remembered for vivacity BY SOPHIE GOULD AND JULIA ZORTHIAN STAFF REPORTERS María Rosa Menocal, a humanities professor known for her work on medieval Spain whose vivacious presence spearheaded a rapid expansion of the Whitney Humanities Center, died Monday of melanoma. She was 59. A renowned scholar and author, Menocal became a Sterling professor of the humanities in 2005 and served as director of the Whitney Humanities Center from 2001 to 2012, where she launched an effort to rebrand the institution and broaden its influence. She emphasized bringing scholars from all fields, including the sciences, together to share ideas and cultivate a sense of academic community in the Center. Considered a “mother hen” figure by the doctoral students who worked under her, Menocal nurtured an extensive network of friends and mentees with whom she shared her passion for good food, music and scholarship. “She had this ability to understand people that was unique and remarkable,” said Menocal’s husband, R. Crosby Kemper ’74. “Part of it was about work, part about food, but it was ultimately about her sympathy to character.” Born in Cuba in 1953, Menocal left the country at the age of seven with her family as exiles of the Castro Revolution, Kemper said, adding that this “profound childhood experience” shaped the rest of her life. Impassioned by the idea of exile, Menocal lived in Cuba, Philadelphia, New Haven, Cairo, Madrid, Paris and New York, and her research popularized the notion that Christian, Jewish and Muslim groups played equally important roles in molding medieval Spain’s culture. Kemper said Menocal’s identity as an exile helped her form strong relationships with others.

YALE

María Rosa Menocal nurtured students throughout her 11 years at the Whitney Humanities Center and time as professor. “She’s a genius at conversation in both the normal everyday sense and the larger sense, in the cultural sense of conversation across all barriers — cultural, ethnic, relgious, age,” Kemper said. “She was a genius in that, in part because of her very positive sense of exile, her sense that we’re all exiles in one way or another.” Menocal’s former students praised her willingness to take them under her wing, and several said she had motivated them to pursue studies related to medieval Spain. After reading Menocal’s book “The Arabic Role in Medieval Literary History: A Forgotten Heritage,” Lourdes Alvarez GRD ’94 said she was so inspired by the material that she contacted Menocal by phone and eventually decided to apply to Yale. “I hadn’t even applied to Yale, and she was happy to talk on the phone for 45 minutes,” Alvarez said. “This was only the first glimmer of her unbelievable intellectual generosity.” Though she initially commuted to New SEE MENOCAL PAGE 8


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YALE DAILY NEWS · WEDNESDAY, OCTOBER 17, 2012 · yaledailynews.com

OPINION

.COMMENT “Don't be too hard on yourselves. Yale, unlike youth, is forever.” yaledailynews.com/opinion

Becoming a patriot A

friend asked me this past week what my feelings about patriotism

were. She caught me off guard. It had been a long time since I thought deeply about my relationship to my country. Since our conversation, I’ve continued to think about what it means to be a patriot and if I am one. I should frame this by saying that I wasn’t born in the U.S. and grew up in an aggressively liberal part of California that would separate from much of the continental U.S. if that were constitutional. After leaving there, I lived outside the U.S. again. I’ve always worn my American-ness with a certain degree of discomfort: There were many aspects of American history that I’d been taught to condemn, and contemporary political actions — wars amongst them — that I disagreed with. I loved my country, but America was easier to love from across an ocean. Since returning to the U.S., and in light of the current election, I’ve been forced to reevaluate what I think and feel about being an American. The feelings of disappointment I’ve experienced as I watched the mudslinging, name-calling and general douche-baggery of this current political contest have been overwhelming. It’s a sense of disappointment that I know many of my friends and family also share. Yet even with this disappointment — or perhaps because of it — I no longer want to feel discomfort in this identity that is an essential part of who and what I am. How, then, can I balance my disappointment, frustration, even my sense of outrage, with a desire to love my country? One crucial way is via something that my friend suggested: admiring and emulating values while being critical of individuals and policies. Nothing makes me happier to be an American than looking back on what we have done right; created a world in which people can protest, worship, speak, act and live in the way that they want. Having lived in and seen places where these values are not the norm, I can affirm their importance: They are the difference between choice and no choice. When we Americans fail to uphold our values — and we do, unfortunately, as aptly demonstrated by past and present moments — we fail our country and ourselves. I don’t want to live in a state of apathy about what happens in this country, or what could be done to me if I don’t advocate for myself and others. If I allow myself to remain hesitant, critical only from the

Swimming across the Strait

side-lines, and refuse to call myself a patriot because I disagree with some policy or other, I fail ZOE the first MERCER- at aspect of patriotism: GOLDEN commitMeditations ment. It is possible — no, it is essential — to be a patriot and critical at the same time, because those who truly love their country want to make it better. By calling myself a patriot who has hope for a better future in spite of past disappointment, I move from cynicism at the sidelines to coalition building at the center. Yet, I can’t help but feel, as I take in political opinions and fear-mongering from all sides, that patriotism as a word and an idea is being manipulated for problematic ends. I want to advocate for a new kind of discussion about patriotism in America, a discussion in which it is possible to be critical and supportive at the same time. I want a world in which we talk about what is possible, not what compromises are inevitable; in which the battles to be fought are those against disease, poverty and crime instead of the other party.

MANAGING EDITORS Gavan Gideon Mason Kroll

SPORTS Eugena Jung John Sullivan

ONLINE EDITOR Caroline Tan OPINION Marissa Medansky Dan Stein NEWS Madeline McMahon Daniel Sisgoreo CITY Nick Defiesta Ben Prawdzik CULTURE Natasha Thondavadi

ARTS & LIVING Akbar Ahmed Jordi Gassó Cora Lewis Jack Linshi MULTIMEDIA Raleigh Cavero Lillian Fast Danielle Trubow MAGAZINE Daniel Bethencourt COPY Stephanie Heung Emily Klopfer Isaac Park Flannery Sockwell

NEW HAVEN, CONNECTICUT

pics, I found myself cheering along with the Chinese crowd for Ye Shiwen to torpedo past American Elizabeth Beisel over the final leg of the 400m individual medley for gold, and was elated when she also broke the world record. At first, I just thought it was the heat of the moment. However, as I watched the red-clad Chinese supporters screaming their throats hoarse, I realized we weren’t that different. I looked like them, understood their language and relished with them that the Americans were beaten at their own sport. I smiled as the Chinese flag was raised and anthem played (I’m sorry, Grandpa). Attempting to explain this, my dad said I started supporting the Mainlanders only while caught in a sea of Caucasians. But that was only part of the story. Olympic Park was filled with Chinese people, and it was hard to find another reason besides their nationality and Beijing accents to dislike them. This idea cemented in my mind when I met Taiwanese supporters on the Tube — had it not been for their track jackets and distinctive accents, I wouldn’t have been

able to spot them out. What reason besides ignorance did I have to like some strangers more than others? The Taiwanese have a special label, “chun-kùng,” to describe people, most notably businessmen nowadays, who have ditched Taiwan in favor of China for personal gains. It is not a compliment. But that’s short-sighted. Politics need to be separated from the people, and the actions of a government so many years ago should not define my sentiments about everyone from the modern-day Mainland. Don’t get me wrong, though; the anti-China attitude is still a cancer within me that knows no cure. But our ancestors once coexisted peacefully as Chinese people, not as Taiwanese or Mainland Chinese. We are all still Chinese when the sun exits stage west. We can still be family. After all, to borrow an American phrase, it’s not “divided we stand.” IKE LEE is a sophomore in Ezra Stiles College. Contact him at ike.lee@yale.edu .

I L LU ST R AT I O N S E D I T O R K A R E N T I A N

ZOE MERCER-GOLDEN is a senior in Davenport College. Contact her at zoe.mercer-golden@yale.edu .

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ILLUSTRATIONS Karen Tian LEAD WEB DEV. Akshay Nathan Earl Lee INSIDER'S GUIDE Elizabeth Chrystal Catherine Dinh

The News’ View represents the opinion of the majority of the members of the Yale Daily News Managing Board of 2014. Other content on this page with bylines represents the opinions of those authors and not necessarily those of the Managing Board. Opinions set forth in ads do not necessarily reflect the views of the Managing Board. We reserve the right to refuse any ad for any reason and to delete or change any copy we consider objectionable, false or in poor taste. We do not verify the contents of any ad. The Yale Daily News Publishing Co., Inc. and its officers, employees and agents disclaim any responsibility for all liabilities, injuries or damages arising from any ad. The Yale Daily News Publishing Co. ISSN 0890-2240

on the Mainland, but instead only with the ambiguous label of “Taiwanese.” Cultural identity limbo aside, I nevertheless was fed a fair share of anti-China sentiment as I grew up. It was impossible for my parents, cousins and me to sympathize with a government whose people had once raided my grandparents’ towns, killed their loved ones and eventually forced them from their beloved homeland. These stories were engraved in my own memory, as I witnessed my grandmother’s heartbreaking expressions and heard my grandfather’s experiences in war whenever the old days were brought up. Thus, I’ve always referred to Chinese people as “those Mainland people” with a slight distain. My distaste with Chinamade products stems beyond the popular stereotypes; I adamantly write only traditional characters in Chinese class while viewing their simplified counterparts with scorn; I subconsciously treat my Taiwanese friends more favorably. It wasn’t until this past summer that I began to question my behaviors. At the London Olym-

Living in a divided nation makes it harder to be a patriot: We have to decide how to advocate for the country as a whole as opposed to merely our own perspective. Commitment and criticism are steps one and two of patriotism, but the third step is more difficult: service. Service by mouth and by action, by learning, educating and advocating. This kind of service makes you the truest type of patriot, one willing to work for change instead of only asking for it. In the midst of a liberal milieu that often hesitates to own up to patriotism, I affirm (publicly) that I am a patriot. But I will only be a proud patriot in a world in which our politics and our policies are different, better and bring about the kind of world we deserve.

THIS ISSUE COPY ASSISTANTS: Douglas Plume, Ian Gonzalez COPY STAFF: Kate Pincus PRODUCTION ASSISTANTS: Laura Burston EDITORIALS & ADS

L

ast Wednesday, Taiwan celebrated its 101st birthday. I’m a second-generation overseas Taiwanese Yalie, and I spent the day posting nationalistic Facebook statuses. I texted my family “Happy 10/10 National Day!” taking great joy and pride in a country from which I traced my roots but have not resided in for any appreciable amount of time. Whether Taiwan (or the Republic of China, if you’re annoyingly politically correct) is recognized as a sovereign state internationally makes no difference to me. I still shamelessly wave my Taiwanese flag around to celebrate our revolution that overturned the Qing Dynasty in 1912. But I’m not actually Taiwanese. All four of my grandparents were refugees from Mainland China after the Communist Party took power. Only my parents were born in Taiwan, so I’m what they call a “wài-sheng rén” (Taiwanese person from an outside province). I can identify with neither native Formosans, the term for true natives of the island — who would think it treacherous even if I did — nor with those

THE FIRST PART OF PATRIOTISM IS COMMITMENT

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All letters submitted for publication must include the author’s name, phone number and description of Yale University affiliation. Please limit letters to 250 words and guest columns to 750. The Yale Daily News reserves the right to edit letters and columns before publication. E-mail is the preferred method of submission. Direct all letters, columns, artwork and inquiries to: Marissa Medansky and Dan Stein Opinion Editors Yale Daily News opinion@yaledailynews.com

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WRITE TO US All letters submitted for publication must include the author’s name, phone number and description of Yale University affiliation. Please limit letters to 250 words. The Yale Daily News reserves the right to edit letters before publication. E-mail is the preferred method of submission.

Clarifying Yale-NUS policy In the light of Professor Benhabib’s and Professor Miller’s response to your article of October 10, “Yale-NUS develops student group policies,” we would like to clarify certain matters, some of which may have been unclear in your report and others overlooked by our esteemed colleagues. Political groups in general are not banned on Singaporean campuses. The restriction applies only to branches of political parties. At Yale-NUS College, students will be free to form extracurricular groups, including groups devoted to political discussion and debate, as long as they are not branches of political parties and do not promote racial or religious strife (not “disrespect”). Such groups are protected by Yale-NUS College’s nondiscrimination policy. If invited by a faculty member or student group, no one will be denied the opportunity to speak on the College campus because of his or her political or other views, except where such speech promotes racial or religious strife. Students will be free to gather within the College facilities to hear speakers and express views openly. Like any other educational institution, YaleNUS College is subject to the laws of the country where it operates, but Yale-NUS College will not itself restrict students’ freedom of speech and assembly. We believe that a campus life full of open discussion and debate is a central part of the educational experience that a residential liberal arts college should provide. CHARLES BAILYN AND PERICLES LEWIS OCT. 15 The writers are the Dean of Faculty and President of Yale-NUS College, respectively.

Giving Yale-NUS a chance Disappointingly, Professors Benhabib and Miller blend scare tactics with a disregard of the facts as it suits them in their article “In loco regiminis.” As has been reported, only political groups affiliated to established national parties are not allowed on Yale-NUS. This is not a ban on all political groups, as the authors assert. Also, it must be pointed out that law and enforcement are separate issues (Old Campus: most Friday nights). While Singapore’s Societies Act does require registration of some types of groups, including political associations, Student Interest Groups at NUS are not required to go through this process. Though I am not privy to the details, it is not inconceivable that Yale-NUS student groups may operate under a similar understanding. Much has been said on the issue of on-campus

rights and liberties, and the Singaporean government clearly understands the importance we in New Haven rightly attach to it. Questions of student activity and organizations thus ought to be treated not just as theoretical ones to be debated endlessly, but also as empirical ones to be settled when Yale-NUS students actually matriculate — maybe not with finality even then. So while caution and vigilance is justified, those of us who wish the project well have been doing our utmost to ensure that Yale-NUS goes into Singapore with both eyes open. If the authors are serious about their belief in the spirit of the collegium as a model, I would invite them and all those interested to join us and talk to their former colleagues at Yale-NUS — not editorialize from the other side of the aisle. RAYNER TEO OCT. 15 Rayner Teo is a junior in Morse College.


YALE DAILY NEWS · WEDNESDAY, OCTOBER 17, 2012 · yaledailynews.com

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NEWS

PEOPLE IN THE NEWS BRUCE WEXLER Dr. Bruce Wexler is a professor emeritus of and senior research scientist in psychiatry at Yale University. He created C8 Kids, a brainbased content-independent pedagogy to improve thinking abilities in 5-9 year old children.

CORRECTIONS TUESDAY, OCT. 6

The article “Kushner ’13 leads Elis at Big Five” stated that the men’s golf team finished in fourth place at the Big Five Invitational. In fact, the team finished seventh. The article also stated that Michael Lewis-Goldman ‘14 finished in 17th place, when in fact he was disqualified. TUESDAY, OCT. 6

The article “Neural activity necessary for vision” misidentified 2-photon microscopy as photon microscopy. TUESDAY, OCT. 6

Due to an editing error, the article “Israeli soldier visits campus” inaccurately paraphrased Danny Avraham ’15. He said the event hosted by the Eliezer Society that brought Gilad Shalit to campus was off the record to give the soldiers an opportunity to share their personal experiences freely without fear of their comments being “politicized.”

Inmate requests execution BY LORENZO LIGATO STAFF REPORTER One of the two killers sentenced to death for the infamous 2007 triple homicide in Cheshire, Conn. declared in a letter released Oct. 11 that he will waive his right to appeal the case and proceed to his execution. In the letter, Steven Hayes — who has been sitting on death row since his sentencing by the New Haven Superior Court in December 2010 — lamented the “cruel and unusual punishment” perpetrated by the prison staff at the Northern Correctional Institute in Somers, Conn. and voiced his intention to forgo additional appeals and expedite his death sentence. If his request is granted, Hayes, 49, will follow an example set by serial killer Michael Ross, a Connecticut death row inmate who was executed after waiving his appeals in 2005. Yet legal experts and state politicians interviewed said they are doubtful that the judicial system will accept Hayes’ position in the letter. “I cannot live with the intense tourcher [sic], torment, harassment, and the resulting psychological trauma dished out by the Dept. of Corr. staff here at Northern,” Hayes wrote in his letter, dated Sept. 29. “I was sentenced to death, not sentenced to tourcher [sic] and punitive treatment until death.” When asked about Hayes’ claims, Andrius Banevicius, a spokesman for the state’s Department of Correction, responded that the department “provides for the safe, secure and humane supervision of the offenders in its custody.” The content of Hayes’ letter conflicts with intentions he prevoiusly voiced to the media: Earlier this year, the death row inmate said he promised one of his defense attorneys, Thomas J. Ullman, that he would not waive his appeals and seek execution, according to a June interview with the Hartford Courant. Ullman, who is New Haven’s Chief Public Defender, could not be reached for comment Tuesday night. Regardless of any promise Hayes made with Ullman, Haye’s desire to face the death penalty has been a consistent theme of his defense since July 2007, when he and his accomplice, Joshua Komisarjevski, 32, murdered Jennifer Hawke-Petit and her daughters, Hayley and Michaela. “Death for me will be a welcome relief, and I hope it will bring some peace and comfort to those who I have hurt so much,” Hayes said in court on Dec. 2, 2010. In April 2011, Hayes filed paperwork to appeal his death penalty conviction. The appeal was required under the state’s death penalty law, said State Sen. Martin Looney (D-New Haven), who added that the state Supreme Court is still in the process of reviewing Hayes’ death sentence. Only after the court releases the original appeal can Hayes forgo his right to additional legal proceedings, Looney explained. Looney added that in the case of Ross — who sat on death row for 18 years before being executed — legal proceedings were lengthy enough to assure that the inmate was confident of his decision. “But at this point, it’s not even clear what Hayes wants,” he said, declining to make any predictions about the outcome of the case. Hayes’ decision to seek exe-

cution comes six months after the state legislature passed a bill repealing the death penalty in Connecticut. The April repeal was specifically designed to be non-retroactive: It does not apply to those defendants — including Hayes — who were sentenced before the law was passed. But the state supreme court has agreed to consider the constitutionality of the death penalty for current inmates in light of the repeal. “There is litigation in place now to challenge that limitation, but I am not aware that there has been any decision on the point,” said Yale Law School professor Steven Duke LL.M. ’61. Duke, who specializes in criminal law, said Hayes’ desire to waive his appeals is “quite unusual” and questioned whether “there is any clear judicial authority on the validity of his proposed waiver.”

I cannot live with the intense tourcher [sic], torment, harassment, and the resulting psychological trauma dished out by the Dept. of Corr. staff here at Northern. STEVEN HAYES Death row inmate

Duke said Hayes seems unlikely to follow the same path as Ross. In Hayes’ case, the judicial system has not yet determined whether there has been reversible error in his trial and sentencing, he added. Duke also said he believes that reports of Hayes’ multiple suicide attempts might discourage the court from granting the inmate’s request. “If this is true, I can’t imagine a court holding that he is competent to waive his appeal and submit to a death sentence,” Duke said. “That would be cooperating in his suicide plans.” Still, Democratic State Rep. Mary Fritz, who represents Cheshire, Conn., said she hopes Hayes’ wishes will be granted, advancing financial reasons to hasten the execution. “These appeals are going to cost the state millions and millions of dollars. So if [Hayes’] wishes are granted, this is going to save the State a lot of money,” said Fritz, who was one of the most noteworthy opponents of the death penalty repeal before the bill was passed in April. Both Hayes and Komisarjevski have been convicted of murder and sexual assault from when the two men invaded the Cheshire home of William Petit and sexually assaulted his wife and two daughters before killing them and setting the house on fire on July 23, 2007. Petit was badly beaten, but he ultimately survived. For those crimes, Hayes received six death sentences and 106 years of imprisonment. Komisarjevski also faces six death sentences for capital felonies plus 140 years in prison on other counts. Hayes and Komisarjevski are two of 11 inmates currently on Connecticut’s death row. Contact LORENZO LIGATO at lorenzo.ligato@yale.edu .

Psychiatrists promote Startup BY MONICA DISARE STAFF REPORTER Startup, a program designed by Yale psychiatrists, is teaching students to focus across Connecticut and throughout the world. Part computer program and part physical activity, Startup aims to strengthen cognitive abilities like memory, focus and attention, concetrating on elementary school-age students whose mental tools are underdeveloped due to socioeconomic status or ADHD. But Yale psychiatrist Dr. Bruce Wexler, who founded the program, said all students should be able to benefit from the cognitive abilities Startup develops. Startup has previously yielded successful results in Beijing, New York and Connecticut, and, since launching its sale of personal Startup programs Monday, the company plans to expand to individual users and other school districts — perhaps including New Haven. “It’s an unconventional product. It’s not one of the routine shopping list of education products,” said Ken Coleman, the CEO of C8 Sciences, an education program company which sells Startup. “So what we’re doing is breaking new ground, finding people who think of themselves as leaders in education, looking for new opportunities.” The program involves sitting in a computer lab and performing activities like clicking on the correctly colored ball as it bounces across the screen and sorting numbers using a butterfly game, or imitating dance moves in the gym. Although the students enjoy the program, said Wexel, they also strengthen their brains’ executive functions through external stimulation. “The degree to which our brains are shaped after birth from stimulation from the environment is more true in humans than any other animal,” he added. The brain strengthening is especially important in the case of children who come from poor backgrounds and subsequently struggle in school, said Wexel. The difference between children who have grown up in a nurturing environment and those who have not is visible when the two brains are viewed under an MRI, said C8 Director of Oper-

JINXIA DONG

Startup aims to strengthen cognitive abilites in elementary students. ations Matthew Fitzpatrick. But although the program may help disadvantaged students “more dramatically” with their learning, there is evidence to suggest that gifted students would benefit from the program as well, Fitzpatrick added. The first pilot study was launched in 2010 in Beijing under the direction of Professor Jinxia Dong, who designed Startup’s physical activity component and is the director of the Research Center for Sports Studies and Society at Peking University in China. Soon after, in the summer of 2011, a small group of students trying Startup were studied in New Haven, followed by the administration of pilot studies in Hamden and Bristol, Conn. in fall 2011. Ethel Berger, who ran one of the first versions of Startup through the Elm City summer program New Haven Reads, said despite having a “lot of bugs,” she was “incredibly impressed” with the program. She added that two students who could barely sit through the program in the beginning could easily sit through Startup by the end, while another student’s ability to focus while reading was dramatically enhanced following daily 20-minute use of the program. These results were replicated in Hamden and Bristol, where

students enrolled in the program outperformed students in a control group on cognitive function tests and standardized tests. Students enrolled in the Startup program in Bristol more than doubled their working memory while their peers not involved in Startup increased their working memory by only 26 percent. Similarly, 58 percent of students in the Startup program raised their reading scores on a standardized test by more than 10 points while only 33 percent of students in the control group raised their reading scores by more than 10 points.

What we’re doing is … finding people who think of themselves as leaders in education. KEN COLEMAN CEO, C8 Sciences After the success of the test programs, the C8 program began charging schools for their services last spring, charging about $5000 for every 100 students enrolled in the program. Two additional school districts — in Harlem and Brooklyn, N.Y. — have adopted the pro-

gram and use it during school hours, said Fitzpatrick. Broward County Public Schools in Florida, which is the 6th largest school district in the country, will almost certainly be implementing the program this year, Wexel added. On Monday, C8 executives began selling Startup to individual families for a listing price of $400, but the product is currently on sale for $199. Wexel also said he hopes this program expands to New Haven, one of the first cities that Wexel and his team reached out to for a pilot study, Wexel said. Because of a combination of budget and implementation issues, New Haven was not one of the original pilot districts, he said, but added there has been recent discussion about using this program with a small group of students form New Haven. “I certainly hope the YaleNew Haven partnership on this, which is something I looked forward to as soon as I conceived of this, will expand,” Wexel said, “But in the meantime, I’m very excited to see the real service to help schools like those New York City who face major challenges.” New Haven’s class of 2011 had a 64.3 percent graduation rate. Contact MONICA DISARE at monica.disare@yale.edu .

Dems impact local races BY DIANA LI STAFF REPORTER With just under three weeks before Election Day, the Yale College Democrats face the possibility of watching a number of Democrats lose their positions to Republicans. Members of the Dems explained that this year’s election is unique because of both the presidential race and close elections in traditionally blue states that have national significance, such as the Conn. Senate race between Democrat Chris Murphy and Republican Linda McMahon and the Mass. Senate race between Democrat Elizabeth Warren and Republican incumbent Scott Brown. Although the Democrats traditionally canvass and phone bank before elections, this year’s activity is much higher than usual, according to Zak Newman ’13, the group’s president. “In 2008, there was a huge group of students that were all supporting [Obama] and became invested in the campaign with ideas of hope, and change, and everything else that got people excited about the election,” Newman said. “This time, I think people are much more sober about what this election means, which also makes it really empowering in that it has a substantive focus on policy.” The Democrats have been working for a range of candidates — including President Barack Obama, Murphy, U.S. House candidate Elizabeth Esty and Warren — holding weekly phone banks, running voter registration drives and canvassing in Connecti-

cut, New Hampshire, Massachusetts and, this coming fall recess, in Pennsylvania. In 2008, the Dems did not have to focus their time on a senatorial race in Connecticut, allowing the group to focus more on other races. “The Yale College Democrats have been extremely helpful to the Connecticut Democratic Party’s Coordinated Campaign in the 5th District,” Connecticut Democratic Party field organizer Matt Janiszewski, part of the Esty campaign, said in a Tuesday email. “Besides weekly phone banking, close to a dozen students joined us for our One Month to Go Rally in Cheshire a week and a half ago.” Yale College Democrats Vice President Andrew Connery ’13 said that since the presidential race happens only once every four years, this is the only year for all current Yale students to work for the President while in college. He also noted the urgency of the two close Senate races in Connecticut and Massachuetts. “We also have a really rare opportunity: we have incredibly competitive Senate races here in Connecticut and in Massachusetts, and these are two states that tend to be pretty blue,” Connery said. “The polls consistently have Murphy and McMahon within one, two or three points of each other, and what it really comes down to is the week and the weekend right before Election Day, and campaigns just need a lot of energetic people out there.” Connery mentioned that previous races have come down to a narrow margin, such as the 2010 race for Governor of Connecticut, which Gov. Dan-

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nel Malloy won by just around 5,000 votes. Hobbs added that an additional challenge to the Democrats’ work is the fact that they are in a re-election year. “Obama has been here for four years, and the incumbent is never as exciting as they were before they were President,” Hobbs said. “But [the Yale College Democrats] have been able to mobilize a group of people who are super excited to get out and do some of the elections work that isn’t as fun: making a phone call and having someone yell at you as if you’re a horrible person isn’t easy.” The Democrats have increased their work with the campaigns, and Hobbs said that compared to the previous two years, the group has been more active than ever.

Jimmy Tickey, campaign manager for Rep. Rosa DeLauro, said DeLauro’s campaign values college students in particular because of the energy, enthusiasm and necessary skills they add to campaigns. “Young adults specifically are on social media, and I think that’s increasingly a place where people are getting so much of their news … [young adults] are such an important voting bloc,” Tickey said. “Yale has been terrific, and we have a longstanding relationship with them.” The Yale College Democrats have roughly 250 active members, according to the organization’s communications director Eric Stern ’15. Contact DIANA LI at diana.li@yale.edu .


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YALE DAILY NEWS · WEDNESDAY, OCTOBER 17, 2012 · yaledailynews.com

FROM THE FRONT Survey results outline student opinion on search GRAPH SHOULD THE NEXT PRESIDENT HAVE A YALE DEGREE? GRAPH SHOULD THE NEXT PRESIDENT HAVE ADMINISTRATIVE EXPERIENCE AT YALE?

YES

IT DOES NOT MATTER YES

GRAPH SHOULD THE NEXT PRESIDENT COME FROM AN ACADEMIC BACKGROUND?

NOT IMPORTANT

NO

NO

YES, BUT IT DOESN’T MATTER WHETHER IT IS AT YALE

NOT IMPORTANT

YES

YALE COLLEGE COUNCIL

SEARCH FROM PAGE 1 tion and questioning. Levin added that Search Committee Chief of Staff and University Associate Vice President Martha Highsmith is planning to contact with the appointed counselors in the next few weeks regarding any feedback they have received from their constituencies. When asked to describe topics over which the Search Committee may approach the student counselor in the future, Levin said, “I have literally no idea, nor do any of the other counselors.” “Because we don’t know how the next few months will play out, we also don’t know what point along the process the Search Committee will talk to the counselors and what they’ll want our opinions about,” Levin added.

Still, Levin said he is confident that the Search Committee will consider the surveys in its effort to listen to student opinion. After he showed the committee a draft of the survey questions, he said, the committee members guaranteed they would take the results into account in future stages of the search process. But six of 12 students interviewed said they were unsure the surveys and reports would have a tangible impact on the selection process. “I think it’s nice that they are trying to include students, but I’m not sure if they are really understanding our concerns,” Vrishti Mongia ’14 said. “I definitely think there should be more than one student liaison to the Presidential Search Committee. We need to make sure that there is a diversity

of interests represented.” Roman Utkin GRD ’15 said he is impressed with the Search Committee’s promises to consider student opinion. But he said the search process could have been better had the Search Committee responded more frequently to student concerns raised in the survey and through other forums. Though some students question the future impact of the surveys on the search process, Yale College Council President John Gonzalez ’14 said the number and length of student responses to the YCC survey are proof that the student body is invested in the search. Out of 5,322 undergraduates, 820 responded to the survey, and Gonzalez added that he has received over 20 pages of responses written by students who chose to elaborate on their survey responses. He said

that overall, students were most supportive of appointing a president who would be more involved in the daily life of the University. “Among all the themes in students’ responses, the point that really stood out was students’ desire for a president who is more visible on campus,” he said. “While students understand that a president must be experienced in fundraising and academia, they like seeing their president on campus, at their sports games and in their activities.” Levin sent his survey to students by email Sept. 6. Contact KIRSTEN SCHNACKENBERG at kirsten.schnackenberg@yale.edu . Contact JULIA ZORTHIAN at julia.zorthian@yale.edu .

I think it’s nice that they are trying to include students, but I’m not sure if they are really understanding our concerns. VRISHTI MONGIA ’14

Among all the themes in students’ responses, the point that really stood out was students’ desire for a president who is more visible on campus. JOHN GONZALEZ ’14 YALE COLLEGE COUNCIL PRESIDENT

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YALE DAILY NEWS · WEDNESDAY, OCTOBER 17, 2012 · yaledailynews.com

PAGE 5

NEWS

15

Years since Hong Kong became the Hong Kong Special Administrative Region of the People’s Republic of China.

By an agreement signed by China and the UK on Dec. 19, 1984, Hong Kong joined China July 1, 1997.

Panelists champion social enterprise BY EMMA GOLDBERG CONTRIBUTING REPORTING For all Yale students considering investment banking, Doug Hausladen ’04 has a message for you: Do not go to the dark side. The undergraduate organization Net Impact hosted an event to launch its organization on Tuesday that aimed to inspire Yale students to explore the field of social enterprise — or socially-conscious entrepreneurship. The panel included Hausladen, Ward 7 Alderman and the co-founder of ActualFood; Barry Nalebuff, cofounder of Honest Tea and professor at the Yale School of Management; Maxim Thorne LAW ‘92, former vice president of the National Association for the Advancement of Colored People; Cary Krosinsky, senior vice president of TruCost; and Kate Cooney, an SOM professor. At the talk, the speakers explored their definitions of social enterprise and suggested an alternative to traditional careers in business or non-profits. “The point of social enterprise is to show that we can start a business that treats customers as responsible and intelligent,” Nalebuff said.

The consulting business will survive without you. My pitch is the world needs you. JENNIFER CHEUNG/PHOTOGRAPHY EDITOR

DOUG HAUSLADEN ’04 Alderman, Ward 7 All speakers agreed that prioritizing a company’s social benefit is a critical element of any career. Nalebuff said at Honest Tea, he tries not to focus on economic losses incured by socially-responsible business practices and rather concentrates on customer loyalty fostered by its sustainable and health-conscious mission. Hausladen said he thinks too many students enter the fields of investment banking or consulting, two careers that do not take

At a Monday event hosted by Net Impact, panelists discussed socially conscious careers. improving the lives of others into account. “The consulting business will survive without you,” he said. “My pitch is the world needs you. You have the privilege of a Yale education.” But the panelists said they acknowledged the limitations of social enterprise, explaining that the private sector cannot resolve large-scale issues such as environmental degradation. Krosinsky, whose firm measures the environmental impact

of other companies, said society is “heading toward a cliff environmentally,” and the only way to address climate change is through public policy. Cooney said she was pleased with the diversity of experiences of social enterprise featured in the event. “One thing I hope students learned from this event is that social enterprise is a field in evolution,” Cooney told the News. “It’s a field with a heterogeneous group of organizations and cross-sec-

tors.” Kaity Hsieh ’15, a Net Impact board member who helped organize the event, said she hoped to draw students with a variety of interests to the panel by conveying the breadth of options available in the social enterprise field. “We tried to incorporate elements ranging from sustainability to social justice,” she said, “and we thought having Barry Nalebuff was importance since Honest Tea is an example of a company that has been extremely successful

commercially, and not just locally.” Net Impact President Schuyler Arakawa ’15 said she appreciated that students who are not associated with Net Impact attended the panel, even though the Yale chapter was just founded at the beginning of the semester. Students interviewed said they left the event feeling inspired and better-informed about career choices. Sandra Medrano ’15 said she felt the panel offered a range of perspectives, effectively balanc-

ing knowledgeable professors and practicing social entrepreneurs. Andrew Stein ’16, a Net Impact member, said he was excited to hear about successful social enterprises, adding that the many programs Yale offers for burgeoning entrepreneurs factored into his college selection. Net Impact is a San-Franciscobased 501(c)3 non-profit with over 300 chapters worldwide that promotes socially and environmentally sustainable business,

Hong Kong trade rep touts economic growth BY JASMINE HORSEY CONTRIBUTING REPORTER The most senior representative of the Hong Kong government based in the United States spoke Tuesday about the city’s current economic and business climate in Hong Kong. Donald Tong, the Hong Kong commissioner for economic and trade affairs in the U.S., gave a lecture entitled “Hong Kong — 15 Years After the Changeover” that addressed Hong Kong’s future in light of its 1997 changeover from a British colony to a part of mainland China. At the talk, Tong explained that despite fears following the ownership change, Hong Kong continues to show rapid economic growth.

Hong Kong’s link with mainland China, political stability and central location have contributed to the expansion of its economy, he said.

The Wall Street Journal recently ranked Hong Kong as having the freest economy in the world. DONALD TONG Hong Kong commissioner for economic and trade affairs in the U.S. “Hong Kong is an astonishing tale of transformation”, he

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said. “At the changeover there was some skepticism towards its future, but it has continued to make robust progress since 1997.” Tong outlined the sources of Hong Kong’s strength, such as infrastructure investment and a political system free from corruption, adding that the economy remained resilient after the 2008 global financial crisis. Despite concerns for Hong Kong’s future following the transfer of its ownership, he said, the city’s advantageous geographical position on the coast of China has allowed it to become an important trade route between the East and West. As a special administrative region of China, Hong Kong can independently arrange its own trade agreements with other nations,

he added. As a result, the city attracts a variety of foreign firms looking to invest — contributing to a stable level of economic growth, he said. “There are many competitive advantages that have allowed it to flourish,” he said. “Our adherence to free market principles has been given worldwide recognition. The Wall Street Journal recently ranked Hong Kong as having the freest economy in the world.” Tong also discussed future projects for Hong Kong, including the development of the 18-mile HK-Zhuhai-Macao Bridge to facilitate the flow of visitors from mainland China to Hong Kong. With nearly 42 million tourists coming to Hong Kong from other parts of China each year, the city

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is an ideal place for foreign companies to access the mainland market, he said. He added that Hong Kong’s economy operates at a low unemployment rate — a positive economic force complemented by an increase in political participation by its citizens. At the legislative council election of Sept. 9, Tong said nearly 60 percent of 3.4 million registered voters — out of seven million citizens — cast ballots for the 70 members of Hong Kong’s legislative council. He added that Hong Kong has invested in a state-of-the-art infrastructure and emphasized improving the education system. Several students interviewed said they enjoyed hearing from a prestigious Hong Kong offi-

cial. Wylie Chow SOM ’13 said he appreciated that Tong considered many different aspects of Hong Kong’s economy and hoped similar events would be staged in the future. “I grew up in Hong Kong, and I’m glad to have such a great opportunity to meet some of its officials,” he said. “I read the news from Hong Kong every day and I have lots of questions, so it’s an incredible opportunity to ask him about some of the current issues.” Tong oversees the work of the three Hong Kong Economic and Trade Offices in Washington, New York and San Francisco. Contact JASMINE HORSEY at jasmine.horsey@yale.edu .


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YALE DAILY NEWS · WEDNESDAY, OCTOBER 17, 2012 · yaledailynews.com

YALE DAILY NEWS · WEDNESDAY, OCTOBER 17, 2012 · yaledailynews.com

ARTS & CULTURE THIS WEEK IN THE ARTS 12:30-1:30 P.M. WED. OCT. 17

200

Yale University Art Gallery

finds home in

Green Hall, Yale School of Art

4:00-6:00 P.M. WED. OCT. 17 JOE’S JUNK YARD BOOK PARTY AND SIGNING Celebrate the launch of Lisa Kereszi’s ART ’00 new photography book, which depicts a family’s struggles as their family business fails. Green Hall, Yale School of Art

5:30-6:30 P.M. WED. OCT. 17 OPENING LECTURE: “CARO CLOSE UP — A PRIVATE VIEW” Listen to Julius Bryant, a collaborator on the new exhibit at the Yale Center for British Art, dissect the intricacies of British sculptor Anthony Caro’s work. Yale Center for British Art

7:30-9:30 P.M. WED. OCT. 17 YALE JAZZ ENSEMBLE FALL CONCERT Attend the Yale Jazz Ensemble’s season opener to hear the work of Gordon Goodwin and Duke Ellington, among others. Morse Recital Hall, Sprague Memorial Hall

4:30-6:30 P.M. THURS. OCT. 18 EXHIBITION OPENING AND TOUR — POETICS AND POLITICS OF THE ERUV Explore all three parts of this new exhibit exploring Jewish identity by taking a shuttle bus between the the Insitute of Sacred Music, the Joseph Slifka Center for Jewish Life at Yale and the Yale School of Art. Receptions will be held in all three locations simultaneously.

redesigned Gallery CLOCKWISE FROM TOP: KAMARIA GREENFIELD/SENIOR PHOTOGRAPHER; JACOB GEIGER/PHOTOGRAPHY EDITOR; VIVIENNE ZHANG/PHOTOGRAPHY EDITOR

The 14-year renovation of the Yale University Art Gallery’s three component buildings has culminated in site-specific spaces for certain works of art. BY YANAN WANG STAFF REPORTER When the Yale University Art Gallery unveils its newly renovated and expanded space on Dec. 12, visitors will be able to view works of art in rooms specifically designed to enhance their appeal. The opening of the renovated Gallery will signify the culmination of a $135 million construction project that has spanned 14 years and involved the work of a diverse design staff. In addition to head architects Duncan Hazard ’71 and Richard Olcott of Ennead Architects, the Gallery employed administrators and curators alike to collaborate in creating exhibition spaces that will be suited to each wing’s specific collections. “Each of the curators had an opportunity to shape the galleries,”

said Maura Scanlon, the Gallery’s public relations director. “Each of the galleries has a character that is reflective of the art that it is exhibiting.” The renovation’s concern for the nature of the artwork in each space may be part of a recent movement within architecture to move beyond the conventional “white box” approach for gallery construction, School of Architecture critic Martin Finio said. “It is a question of whether architecture should be a background or a catalyst,” he explained. He added that while the debate about whether architecture should be subservient to art is ancient, architects have only recently begun exploring the ways structures can complement the artwork displayed within them and enhance its quality. Finio cited the Guggenheim

Museum Bilbao, built in 1997 in Bilbao, Spain, as “a poster child of architecture taking the front seat in relation to art.” School of Architecture Director of Exhibitions Brian Butterfield said, however, that he does not see the renovations on the Art Gallery as a part of the new wave of contemporary museum expression. Butterfield noted that because the construction project is more about the “adaptive re-use of old space” than the creation of new space, he does not think it demonstrates the same methodology as the one behind the Bilbao Guggenheim. While Butterfield said he thinks that the organization of distinct rooms in the Gallery’s new design does not align with this movement, he nevertheless said he imagines the involvement of the curators in the design process facilitated the cre-

ation of non-generic gallery spaces tailored specifically to the museum’s collection. The Art Gallery already exhibits several pieces that demand sites with specific characteristics. On an Art Gallery tour this Sunday entitled “Charged Spaces: When Art Exceeds Its Boundaries,” gallery guide Angie Shih ’14 discussed how the installation “Stacks,” created by Richard Serra ’62 ART ’64, incited controversy for taking up too much room in its original location. The installation, which features two rectangular masses of rolled steel standing 60 feet apart and parallel to one another, was originally placed in the Swartwout Sculpture Hall, one of the Gallery’s three component buildings. Faculty at the School of Architecture expressed appreciation for the way in which sections of the Gallery function not only as display loca-

tions for art, but also intimate spaces for the viewer. “At the YUAG we can pass from Kahn’s distinct modernist space into Swartwout’s Romanesque halls and experience the distinct effect a space can have upon the viewer,” Architecture professor and critic Bennett Dansby said in an email. Scanlon agreed, comparing the intimacy of the redesigned European galleries to the stark feel and high ceilings of the wings that house modern and contemporary art. Architecture critic Sunil Bald said in an email that the concrete block walls of the Kahn Gallery are “a classic example” of art interacting with the space around it. The opening of the Art Gallery’s expansion is slated for Dec. 12, 2012. Contact YANAN WANG at yanan.wang@yale.edu .

Angsty ‘Spring Awakening’ debuts BY ANYA GRENIER STAFF REPORTER

The Institute of Sacred Music

6:30-8:30 P.M. THURS. OCT. 18 DIDO AND AENEAS Watch the opening show of Purcell’s classic opera about the Carthaginian queen and Trojan hero. Stiles-Morse Crescent Theater

8:00-10:00 P.M. FRI. OCT. 19 YALE PHILHARMONIA Peter Oundjian conducts a performance of works by Bartok and Shostakovich. Woolsey Hall

11:00 A.M. - 12:00 P.M. SAT. OCT. 20 ARCHITECTURE TOUR Explore the Yale Center for British Art in the context of Louis Kahn’s architectural design. Yale Center for British Art JOY SHAN/STAFF PHOTOGRAPHER

The musical “Spring Awakening” opens this Thursday.

“Spring Awakening,” a rock musical best known for its hit songs “The B**** of Living” and “Totally F***ed” opens at the Off-Broadway Performance Space on Thursday, Oct. 18. The 2007 musical, written by Duncan Sheik and Steven Sater, is set in 19th century Germany, and, like the 1891 play by Frank Wedekind on which it is based, centers on a group of teenagers struggling to understand their emerging sexualities in a world where adults are distant and oppressively uncommunicative on the subject. The cast and crew of the production at Yale have found the show’s newness and unorthodox nature to be sources of inspiration as well as challenges. The production at Yale was spearheaded by producer Ethan Karetsky ’14 and director Samantha Pillsbury ’15, who began planning the show together during reading period last semester. “We asked ourselves, ‘if we could do any show, what show would we do?’” Pillsbury said. “And we kept coming back to Spring Awakening.” The team faced an obstacle familiar to anyone who has attempted to stage a full-scale musical, particularly such a recent one, on a Creative and Performing Arts Award (CPA): Simply obtaining the rights means spending a significant portion of the uniform $1,400 grant, forcing producers to find alternative sources of funding,

These sculptures are joined by a collection of 2,000 paintings, 20,000 drawings and watercolors, 30,000 prints, 35,000 rare books and manuscripts and over 30,000 volumes supporting research in British art.

Expand dance studies

BY HAYLEY BYRNES CONTRIBUTING REPORTER

GALLERY TALK: SOL LEWITT AND THE WALL Learn about three of Sol LeWitt’s wall drawings and experience the newly renovated art gallery firsthand.

LATOYA RUBY FRAZIER Watch photographer LaToya Ruby Frazier discuss sociopolitical commentary through art.

Number of sculptures in the Yale Center for British Art’s collection

Wilson talks Chilean experience

Site-specific art

2:00-3:00 P.M. WED. OCT. 17

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Karetsky said. “The CPA Award is an incredible resource to student theater, but it is not always sufficient for larger-scale shows, particularly musicals,” he said. Finding a space large enough to handle the show’s intensity of emotion proved to be another key hurdle early on in the production, Pillsbury said. She and Karetsky applied for the use of the Off-Broadway over the summer, so that set construction could begin in time for the show’s opening this week. “All the yelling and jumping and anger can’t be contained in a small space,” Pillsbury said. In focusing on characters still in high school, Spring Awakening provides its cast with an unusual opportunity, since most musicals students participate in require them to act like adults, said Anna Miller ’14, who will play the role of Ilse. “We’re playing kids just figuring out how to be adults. Getting to replay that part of your life is definitely something different from what musical theater usually lets you do,” she explained. In fact, all of the singing roles in the show are reserved for the young characters, while only two actors, one male and one female, will fill all of the adult roles. Portraying all of the adult figures as interchangeable adds to the “us vs. them mentality of the show,” Miller added. The way Spring Awakening handles its musical numbers also reflects the adolescent characters’ inability to express

themselves to those around them. Unlike other musicals, in which “people sing when words aren’t enough,” the characters in Spring Awakening sing “because they’re saying something that they don’t want anyone else to hear,” Pillsbury said. The elements that have made the show among the most censored in theater history — including its blunt discussion of teenage sexuality, suicide, abortion and sexual abuse — are far from outmoded today. Even with its long history, Spring Awakening is still extremely new when it comes to being performed off of the professional stage, Miller said. The rights to the musical were released just a year ago, making Yale’s staging part of the first wave of non-Broadway productions taking place at high schools and college campuses across the country. Miller said the relative modernity of the musical contributes to the excitement of working on the production, since there are few conventions surrounding its interpretation. “There are fewer versions of it out there; people haven’t had time to do too many new things with it,” Miller said. Spring Awakening will use Off-Broadway in an atypical way, rearranging the traditional theater setup to create “a much more open, edgier space, with a much [rawer] feel to it,” Karetsky said. While the seating in Off-Broadway is typically clustered at one end of the stage, the audience at

Spring Awakening will view the action from every angle. “We wanted to show off the versatility of [Off-Broadway] … to tear it down and build it up anew,” Karetsky said. Miller said this black-box setup will alter the dynamic of the show. “It’s a completely different experience based on where you’re sitting,” Miller explained, adding that being visible from every direction will be new for many of the actors as well. The production will draw on visual elements from both the original play and the musical production, putting a different “spin” on both, said Emily Monjaraz ’14, the show’s costume and set designer. Natural and forest imagery play a very dominant role in Wedekind’s play, while the Broadway musical is “a lot more about the classroom.” Monjaraz has tried to marry the two, setting the scene amidst a forest chalked onto blackboards and including a wire hanger tree as a set piece. The buzz around Spring Awakening is palpable. The performances for Friday and Saturday nights sold out within two hours, and the entire show in another three. “There are a lot of feelings about it,” Monjaraz said. “It’s something people are still really pumped up about.” Spring Awakening has won eight Tony Awards including “Best Musical.” Contact ANYA GRENIER at anna.grenier@yale.edu .

Chilean artist Liliana Wilson is able to explain her life’s events through her paintings. On Tuesday, Wilson presented a sample of her artwork — about 50 paintings and explanations of the events surrounding them — at the Yale Women’s Center to a group of roughly twenty-five people. Inspired by her childhood in Chile and eventual move to the United States, she incorporates the struggles of Latin Americans and immigrants throughout her work. MeChA, a La Casa student group that advocates for Chicano unity, hosted the event as part of a week-long series on education. The organization, part of a larger national movement, has mentored high school students and worked with New Haven-based unions to advocate for the local Latino community. MeChA President Diana Enriquez said the group has placed more emphasis on cultural events in recent years. Wilson’s art, she said, conveys the immigration experience in a more powerful way than words alone. “The rhetoric around the immigration experience is dehumanizing right now,” said Natalia Thompson ’13, the event’s organizer. Thompson added that Wilson puts immigrants’ stories in perspective, “and reminds us that they’re families and they’re lovers.” But Wilson said she does not consider herself an activist. “I’m trying to connect and communicate on a very deep level with people,” Wilson said. “More than education, I want people to communicate with each other.” In her lecture, she referenced a chronological PowerPoint presentation to explain her thinking behind each piece of art. One piece, “El Estadio Nacional,” depicts a mass of people in a stadium waiting for their death at the hands of the Chilean government. Her final piece, “I belong here,” showed a girl sitting and holding a flag that reads “inmigrante,” a testament to the universality of the human experience. At eight years old, Wilson began to draw while bed-ridden after a car accident. Since then, she has identified as an artist. In 1973, when Wilson was a law school student, a military junta overthrew the government and began a 17-year dictatorship. She said she began drawing everything she saw, not shying away from the horrors of death and torture. “Suddenly habeus corpus didn’t mean

I

MARIA ZEPEDA/PHOTOGRAPHY EDITOR

Chilean artist Liliana Wilson presented her artwork at the Yale Women’s Center Tuesday. anything anymore,” she said. When she immigrated to Texas in 1977, she burned all of her work for fear of government persecution. Though Wilson still depicts subjects from her life in Chile, the paintings she created while living there are largely inaccessible. Since arriving to the United States, Wilson has focused on the immigrant experience, though she said that none of her work has explicit political motivations. Enriquez, the MeChA president, said that many Latin American artists use surreal elements to depict the violence and trauma around them. Despite these darker themes, Wilson still emphasizes the aesthetic of each piece and hopes to make it beautiful in its own way. She said that while she depicts the hard lives of forgotten immigrants, “in the end I think that most people are good. And if you just show them the problem, they’ll probably want to help.”

Katie Aragon ’14, who attended the event, said that Wilson’s work is especially powerful because of her emphasis on both a storytelling narrative and a pleasing aesthetic. “Her paintings tell a human story that is so important to hear and to see,” she said. While much of Wilson’s work was inspired by particular historical events, Deena Tumeh ’13 said she still finds it to be relevant today. Tumeh said that Wilson’s individual explanation of each piece made the experience more powerful than a traditional exhibit setting. A compilation of Wilson’s work will be published by Texas A&M University press, accompanied by essays about her art, in the next year. Contact HAYLEY BYRNES at hayley.byrnes@yale.edu .

Caro debuts at YCBA BY PAYAL MARATHE CONTRIBUTING REPORTER Tomorrow, the Yale Center for British Art will open its latest exhibition — “Caro: Close Up” — a roughly chronological display of the work of contemporary British artist Anthony Caro. Caro’s style has evolved throughout his artistic career, especially after his visit to the United States in 1959, said Martina Droth, the exhibit’s organizing curator and the head of research at the British Art Center. Although the artist considered America an important place to display his newly abstract art, Caro’s work has not been featured in the United States since a 1975 exhibit at New York’s Museum of Modern Art, the artist’s son Paul Caro said. The British Art Center organized “Caro: Close Up” to share his personal artwork as much as his more well-known sculptures. Accordingly, many of the featured pieces were borrowed from Caro’s personal and family collections. “It’s not a retrospective as much as it is an intimate look at Caro’s art,” British Art Center Director Amy Meyers GRD ’85 said. The project began when curator Julius Bryant of the Victoria and Albert Museum, who is collaborating with the British Art Center on the show, visited the center. He was impressed with the space and the resonance Louis Kahn’s architectural style could have with Caro’s work, Meyers said. Bryant saw a chance to feature Caro’s pieces in a clear and intimate setting. To keep this clean look, there are no labels assigned to any pieces. “Caro: Close Up” also aims to place the British sculptor’s work in the context of his American and British influences, incorporating paintings by other artists who may have inspired Caro, Droth explained. “Caro looked to paintings for inspiration, not just to other sculptures,” Droth said. “We wanted to embed Caro’s work in what was going on in London at that time.” Droth said she is particularly excited about the new collection because while the gallery features historical artists frequently, it exposes the community to modern artists less often. Showcasing Caro’s work has given the British Art

YALE CENTER FOR BRITISH ART

British sculptor Anthony Caro is known for his abstract bronze pieces. Center the opportunity to celebrate “the most eminent sculptor of today,” she added. Now, she said she hopes to institute a program that brings the work of living artists to the center. The exhibit consists of about 60 pieces, beginning with an outdoor display of “Ocean,” a steel sculpture on loan from the Yale University Art Gallery. This piece acts as a “signpost,” orienting people with something familiar by Caro before drawing them into the show’s unique displays. Inside, the exhibit begins with drawings Caro completed while studying under Henry Moore at the Royal Academy in London. Although often excluded from displays of the British sculptor’s repertoire, Bryant said drawings were “fundamental to Caro’s seemingly abstract work,” since it is through drawing that Caro learned about space, form and gravity’s impact on the portrayal of human figures. “These drawings are not just documentary works of his early career, but are works in their own right,” Droth said. Next to these drawings are some of Caro’s early pieces, mostly large sculptures. “Man Holding His Foot” foreshadows Caro’s later divergence from conventional sculpting techniques, Droth said, adding that “transition” pieces in the collection emphasize Caro’s shifting style. Displays of table structures, smaller

pieces that Caro could work in his onecar garage, emphasize the exhibit’s focus on Caro’s more personal work, Bryant explained. “The table structures are a window into Caro’s private world, and the entire exhibit focuses on exploring this private dimension,” he said. In addition to working on a smallerscale, Caro experimented with different materials as he progressed through his career. Another section displays his sculptures in bronze, a more flexible artistic metal. Bryant said that Caro chose to work in bronze because its plasticity would better allow him to experiment. Caro’s paper structures, on view in the final room, stand in contrast to his metal works. According to Paul Caro, however, the dichotomy between elegance and power unites pieces of different materials. Despite the varying styles Caro adopted throughout his career, some aspects of his art remained constant. “He loved art, and for him, it was less about angst and more about beauty,” Bryant said. While Caro himself is in his late 80s and is unable to travel to Yale for the opening, a video interview with him will be shown at Bryant’s opening lecture at 5:30 today. Contact PAYAL MARATHE at payal.marathe@yale.edu .

almost didn’t choose Yale. When I received word that I’d gotten into Harvard off of the wait list, I was stumped. Harvard had a curricular dance program — no dance major, but at least a longstanding program. Yale did ELENA not. Despite my qualms, I LIGHT followed my intuition and prepared to dive into Yale’s Dance admittedly thriving extracurricular dance scene. My experience is not unique. Each year Yaledancers, the extracurricular dance group I joined freshman year and of which I am now co-president, sets up a booth at the Bulldog Days Extracurricular Bazaar. Each year I meet dancers hesitant to come to Yale, unwilling to sideline their years of intense physical and mental training. This is not to say that curricular dance at Yale is non-existent. Thanks in large part to Theater Studies lecturer Emily Coates ’06 GRD ’11 — a practicing dancer, choreographer and scholar — there is now an official Dance Studies curriculum within Yale’s Theater Studies department. Coates launched the co-curricular Yale Dance Theater (YDT) program in 2010, putting Yale on the map for programs that emphasize how the physical practice of dance can serve as a research tool. YDT dancers have since performed seminal works by Twyla Tharp and Merce Cunningham, reflecting on our experiences in a blog.

[Creating a dance studies major] would benefit both Yale and the status of dance studies in American higher education. Still, the current state of curricular and co-curricular dance at Yale is far from perfect. Yale has one co-curricular ballet technique class that only began this year; Harvard, Princeton and Stanford all offer at least four classes in varying styles. In terms of quality, Yale’s offerings are on par with these universities; it is in quantity — in the number of technique classes and curricular performance opportunities — that Yale is lacking. Yale has historically been a leader in the arts. The Schools of Art, Architecture, Music and Drama are among the top institutions in their respective fields, with worldrenowned faculty and visiting practitioners. This excellence carries over to their undergraduate departments, attracting some of the most accomplished young visual artists, musicians and actors from around the world. Shouldn’t Yale strive to attract equally excellent young dancers and choreographers? If Yale has excelled as an innovator in these other artistic disciplines, why not do the same for dance? I propose that Yale offer a major in dance studies. Currently, students may opt for the Dance Studies track within the Theater Studies major, completing a senior project in dance or performance. While they can count the 2–3 dance studies courses offered each semester toward their major, students must take two introductory theater surveys as well as four courses “chosen from four periods of dramatic literature or theater history or from four cultures,” according to the Yale College Program of Study. These theater requirements often dissuade students interested in dance — myself included — as they are not directly relevant to performance studies and focus heavily on the theatrical text. Instead, a dance studies major program would offer courses uniting dance practice — technique, choreography and performance — with written research and analysis. The program would prepare students for postgraduate dance study and for careers in dance performance, choreography and arts administration. This bold step would benefit both Yale and the status of dance studies in American higher education. Despite its relevance in contemporary artistic practice, dance retains connotations of “physical education” and is not historically considered a liberal art. If Yale, arguably the greatest university supporter of the arts in the United States, were to institutionally back a dance studies major, other leading universities might follow, providing an intellectual dance environment for exceptional students who might otherwise attend conservatory or head straight to a professional career. Accomplished choreographers, performers and dance scholars would also finally have a place in America’s elite institutions of learning. Until then, the administration must face the reality that many young dancers simply don’t choose Yale. ELENA LIGHT is the co-president of Yaledancers and the student coordinator for Yale Dance Theater. She is a senior in Jonathan Edwards College.Contact her at elena.light@yale.edu .


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YALE DAILY NEWS · WEDNESDAY, OCTOBER 17, 2012 · yaledailynews.com

YALE DAILY NEWS · WEDNESDAY, OCTOBER 17, 2012 · yaledailynews.com

ARTS & CULTURE THIS WEEK IN THE ARTS 12:30-1:30 P.M. WED. OCT. 17

200

Yale University Art Gallery

finds home in

Green Hall, Yale School of Art

4:00-6:00 P.M. WED. OCT. 17 JOE’S JUNK YARD BOOK PARTY AND SIGNING Celebrate the launch of Lisa Kereszi’s ART ’00 new photography book, which depicts a family’s struggles as their family business fails. Green Hall, Yale School of Art

5:30-6:30 P.M. WED. OCT. 17 OPENING LECTURE: “CARO CLOSE UP — A PRIVATE VIEW” Listen to Julius Bryant, a collaborator on the new exhibit at the Yale Center for British Art, dissect the intricacies of British sculptor Anthony Caro’s work. Yale Center for British Art

7:30-9:30 P.M. WED. OCT. 17 YALE JAZZ ENSEMBLE FALL CONCERT Attend the Yale Jazz Ensemble’s season opener to hear the work of Gordon Goodwin and Duke Ellington, among others. Morse Recital Hall, Sprague Memorial Hall

4:30-6:30 P.M. THURS. OCT. 18 EXHIBITION OPENING AND TOUR — POETICS AND POLITICS OF THE ERUV Explore all three parts of this new exhibit exploring Jewish identity by taking a shuttle bus between the the Insitute of Sacred Music, the Joseph Slifka Center for Jewish Life at Yale and the Yale School of Art. Receptions will be held in all three locations simultaneously.

redesigned Gallery CLOCKWISE FROM TOP: KAMARIA GREENFIELD/SENIOR PHOTOGRAPHER; JACOB GEIGER/PHOTOGRAPHY EDITOR; VIVIENNE ZHANG/PHOTOGRAPHY EDITOR

The 14-year renovation of the Yale University Art Gallery’s three component buildings has culminated in site-specific spaces for certain works of art. BY YANAN WANG STAFF REPORTER When the Yale University Art Gallery unveils its newly renovated and expanded space on Dec. 12, visitors will be able to view works of art in rooms specifically designed to enhance their appeal. The opening of the renovated Gallery will signify the culmination of a $135 million construction project that has spanned 14 years and involved the work of a diverse design staff. In addition to head architects Duncan Hazard ’71 and Richard Olcott of Ennead Architects, the Gallery employed administrators and curators alike to collaborate in creating exhibition spaces that will be suited to each wing’s specific collections. “Each of the curators had an opportunity to shape the galleries,”

said Maura Scanlon, the Gallery’s public relations director. “Each of the galleries has a character that is reflective of the art that it is exhibiting.” The renovation’s concern for the nature of the artwork in each space may be part of a recent movement within architecture to move beyond the conventional “white box” approach for gallery construction, School of Architecture critic Martin Finio said. “It is a question of whether architecture should be a background or a catalyst,” he explained. He added that while the debate about whether architecture should be subservient to art is ancient, architects have only recently begun exploring the ways structures can complement the artwork displayed within them and enhance its quality. Finio cited the Guggenheim

Museum Bilbao, built in 1997 in Bilbao, Spain, as “a poster child of architecture taking the front seat in relation to art.” School of Architecture Director of Exhibitions Brian Butterfield said, however, that he does not see the renovations on the Art Gallery as a part of the new wave of contemporary museum expression. Butterfield noted that because the construction project is more about the “adaptive re-use of old space” than the creation of new space, he does not think it demonstrates the same methodology as the one behind the Bilbao Guggenheim. While Butterfield said he thinks that the organization of distinct rooms in the Gallery’s new design does not align with this movement, he nevertheless said he imagines the involvement of the curators in the design process facilitated the cre-

ation of non-generic gallery spaces tailored specifically to the museum’s collection. The Art Gallery already exhibits several pieces that demand sites with specific characteristics. On an Art Gallery tour this Sunday entitled “Charged Spaces: When Art Exceeds Its Boundaries,” gallery guide Angie Shih ’14 discussed how the installation “Stacks,” created by Richard Serra ’62 ART ’64, incited controversy for taking up too much room in its original location. The installation, which features two rectangular masses of rolled steel standing 60 feet apart and parallel to one another, was originally placed in the Swartwout Sculpture Hall, one of the Gallery’s three component buildings. Faculty at the School of Architecture expressed appreciation for the way in which sections of the Gallery function not only as display loca-

tions for art, but also intimate spaces for the viewer. “At the YUAG we can pass from Kahn’s distinct modernist space into Swartwout’s Romanesque halls and experience the distinct effect a space can have upon the viewer,” Architecture professor and critic Bennett Dansby said in an email. Scanlon agreed, comparing the intimacy of the redesigned European galleries to the stark feel and high ceilings of the wings that house modern and contemporary art. Architecture critic Sunil Bald said in an email that the concrete block walls of the Kahn Gallery are “a classic example” of art interacting with the space around it. The opening of the Art Gallery’s expansion is slated for Dec. 12, 2012. Contact YANAN WANG at yanan.wang@yale.edu .

Angsty ‘Spring Awakening’ debuts BY ANYA GRENIER STAFF REPORTER

The Institute of Sacred Music

6:30-8:30 P.M. THURS. OCT. 18 DIDO AND AENEAS Watch the opening show of Purcell’s classic opera about the Carthaginian queen and Trojan hero. Stiles-Morse Crescent Theater

8:00-10:00 P.M. FRI. OCT. 19 YALE PHILHARMONIA Peter Oundjian conducts a performance of works by Bartok and Shostakovich. Woolsey Hall

11:00 A.M. - 12:00 P.M. SAT. OCT. 20 ARCHITECTURE TOUR Explore the Yale Center for British Art in the context of Louis Kahn’s architectural design. Yale Center for British Art JOY SHAN/STAFF PHOTOGRAPHER

The musical “Spring Awakening” opens this Thursday.

“Spring Awakening,” a rock musical best known for its hit songs “The B**** of Living” and “Totally F***ed” opens at the Off-Broadway Performance Space on Thursday, Oct. 18. The 2007 musical, written by Duncan Sheik and Steven Sater, is set in 19th century Germany, and, like the 1891 play by Frank Wedekind on which it is based, centers on a group of teenagers struggling to understand their emerging sexualities in a world where adults are distant and oppressively uncommunicative on the subject. The cast and crew of the production at Yale have found the show’s newness and unorthodox nature to be sources of inspiration as well as challenges. The production at Yale was spearheaded by producer Ethan Karetsky ’14 and director Samantha Pillsbury ’15, who began planning the show together during reading period last semester. “We asked ourselves, ‘if we could do any show, what show would we do?’” Pillsbury said. “And we kept coming back to Spring Awakening.” The team faced an obstacle familiar to anyone who has attempted to stage a full-scale musical, particularly such a recent one, on a Creative and Performing Arts Award (CPA): Simply obtaining the rights means spending a significant portion of the uniform $1,400 grant, forcing producers to find alternative sources of funding,

These sculptures are joined by a collection of 2,000 paintings, 20,000 drawings and watercolors, 30,000 prints, 35,000 rare books and manuscripts and over 30,000 volumes supporting research in British art.

Expand dance studies

BY HAYLEY BYRNES CONTRIBUTING REPORTER

GALLERY TALK: SOL LEWITT AND THE WALL Learn about three of Sol LeWitt’s wall drawings and experience the newly renovated art gallery firsthand.

LATOYA RUBY FRAZIER Watch photographer LaToya Ruby Frazier discuss sociopolitical commentary through art.

Number of sculptures in the Yale Center for British Art’s collection

Wilson talks Chilean experience

Site-specific art

2:00-3:00 P.M. WED. OCT. 17

PAGE 7

Karetsky said. “The CPA Award is an incredible resource to student theater, but it is not always sufficient for larger-scale shows, particularly musicals,” he said. Finding a space large enough to handle the show’s intensity of emotion proved to be another key hurdle early on in the production, Pillsbury said. She and Karetsky applied for the use of the Off-Broadway over the summer, so that set construction could begin in time for the show’s opening this week. “All the yelling and jumping and anger can’t be contained in a small space,” Pillsbury said. In focusing on characters still in high school, Spring Awakening provides its cast with an unusual opportunity, since most musicals students participate in require them to act like adults, said Anna Miller ’14, who will play the role of Ilse. “We’re playing kids just figuring out how to be adults. Getting to replay that part of your life is definitely something different from what musical theater usually lets you do,” she explained. In fact, all of the singing roles in the show are reserved for the young characters, while only two actors, one male and one female, will fill all of the adult roles. Portraying all of the adult figures as interchangeable adds to the “us vs. them mentality of the show,” Miller added. The way Spring Awakening handles its musical numbers also reflects the adolescent characters’ inability to express

themselves to those around them. Unlike other musicals, in which “people sing when words aren’t enough,” the characters in Spring Awakening sing “because they’re saying something that they don’t want anyone else to hear,” Pillsbury said. The elements that have made the show among the most censored in theater history — including its blunt discussion of teenage sexuality, suicide, abortion and sexual abuse — are far from outmoded today. Even with its long history, Spring Awakening is still extremely new when it comes to being performed off of the professional stage, Miller said. The rights to the musical were released just a year ago, making Yale’s staging part of the first wave of non-Broadway productions taking place at high schools and college campuses across the country. Miller said the relative modernity of the musical contributes to the excitement of working on the production, since there are few conventions surrounding its interpretation. “There are fewer versions of it out there; people haven’t had time to do too many new things with it,” Miller said. Spring Awakening will use Off-Broadway in an atypical way, rearranging the traditional theater setup to create “a much more open, edgier space, with a much [rawer] feel to it,” Karetsky said. While the seating in Off-Broadway is typically clustered at one end of the stage, the audience at

Spring Awakening will view the action from every angle. “We wanted to show off the versatility of [Off-Broadway] … to tear it down and build it up anew,” Karetsky said. Miller said this black-box setup will alter the dynamic of the show. “It’s a completely different experience based on where you’re sitting,” Miller explained, adding that being visible from every direction will be new for many of the actors as well. The production will draw on visual elements from both the original play and the musical production, putting a different “spin” on both, said Emily Monjaraz ’14, the show’s costume and set designer. Natural and forest imagery play a very dominant role in Wedekind’s play, while the Broadway musical is “a lot more about the classroom.” Monjaraz has tried to marry the two, setting the scene amidst a forest chalked onto blackboards and including a wire hanger tree as a set piece. The buzz around Spring Awakening is palpable. The performances for Friday and Saturday nights sold out within two hours, and the entire show in another three. “There are a lot of feelings about it,” Monjaraz said. “It’s something people are still really pumped up about.” Spring Awakening has won eight Tony Awards including “Best Musical.” Contact ANYA GRENIER at anna.grenier@yale.edu .

Chilean artist Liliana Wilson is able to explain her life’s events through her paintings. On Tuesday, Wilson presented a sample of her artwork — about 50 paintings and explanations of the events surrounding them — at the Yale Women’s Center to a group of roughly twenty-five people. Inspired by her childhood in Chile and eventual move to the United States, she incorporates the struggles of Latin Americans and immigrants throughout her work. MeChA, a La Casa student group that advocates for Chicano unity, hosted the event as part of a week-long series on education. The organization, part of a larger national movement, has mentored high school students and worked with New Haven-based unions to advocate for the local Latino community. MeChA President Diana Enriquez said the group has placed more emphasis on cultural events in recent years. Wilson’s art, she said, conveys the immigration experience in a more powerful way than words alone. “The rhetoric around the immigration experience is dehumanizing right now,” said Natalia Thompson ’13, the event’s organizer. Thompson added that Wilson puts immigrants’ stories in perspective, “and reminds us that they’re families and they’re lovers.” But Wilson said she does not consider herself an activist. “I’m trying to connect and communicate on a very deep level with people,” Wilson said. “More than education, I want people to communicate with each other.” In her lecture, she referenced a chronological PowerPoint presentation to explain her thinking behind each piece of art. One piece, “El Estadio Nacional,” depicts a mass of people in a stadium waiting for their death at the hands of the Chilean government. Her final piece, “I belong here,” showed a girl sitting and holding a flag that reads “inmigrante,” a testament to the universality of the human experience. At eight years old, Wilson began to draw while bed-ridden after a car accident. Since then, she has identified as an artist. In 1973, when Wilson was a law school student, a military junta overthrew the government and began a 17-year dictatorship. She said she began drawing everything she saw, not shying away from the horrors of death and torture. “Suddenly habeus corpus didn’t mean

I

MARIA ZEPEDA/PHOTOGRAPHY EDITOR

Chilean artist Liliana Wilson presented her artwork at the Yale Women’s Center Tuesday. anything anymore,” she said. When she immigrated to Texas in 1977, she burned all of her work for fear of government persecution. Though Wilson still depicts subjects from her life in Chile, the paintings she created while living there are largely inaccessible. Since arriving to the United States, Wilson has focused on the immigrant experience, though she said that none of her work has explicit political motivations. Enriquez, the MeChA president, said that many Latin American artists use surreal elements to depict the violence and trauma around them. Despite these darker themes, Wilson still emphasizes the aesthetic of each piece and hopes to make it beautiful in its own way. She said that while she depicts the hard lives of forgotten immigrants, “in the end I think that most people are good. And if you just show them the problem, they’ll probably want to help.”

Katie Aragon ’14, who attended the event, said that Wilson’s work is especially powerful because of her emphasis on both a storytelling narrative and a pleasing aesthetic. “Her paintings tell a human story that is so important to hear and to see,” she said. While much of Wilson’s work was inspired by particular historical events, Deena Tumeh ’13 said she still finds it to be relevant today. Tumeh said that Wilson’s individual explanation of each piece made the experience more powerful than a traditional exhibit setting. A compilation of Wilson’s work will be published by Texas A&M University press, accompanied by essays about her art, in the next year. Contact HAYLEY BYRNES at hayley.byrnes@yale.edu .

Caro debuts at YCBA BY PAYAL MARATHE CONTRIBUTING REPORTER Tomorrow, the Yale Center for British Art will open its latest exhibition — “Caro: Close Up” — a roughly chronological display of the work of contemporary British artist Anthony Caro. Caro’s style has evolved throughout his artistic career, especially after his visit to the United States in 1959, said Martina Droth, the exhibit’s organizing curator and the head of research at the British Art Center. Although the artist considered America an important place to display his newly abstract art, Caro’s work has not been featured in the United States since a 1975 exhibit at New York’s Museum of Modern Art, the artist’s son Paul Caro said. The British Art Center organized “Caro: Close Up” to share his personal artwork as much as his more well-known sculptures. Accordingly, many of the featured pieces were borrowed from Caro’s personal and family collections. “It’s not a retrospective as much as it is an intimate look at Caro’s art,” British Art Center Director Amy Meyers GRD ’85 said. The project began when curator Julius Bryant of the Victoria and Albert Museum, who is collaborating with the British Art Center on the show, visited the center. He was impressed with the space and the resonance Louis Kahn’s architectural style could have with Caro’s work, Meyers said. Bryant saw a chance to feature Caro’s pieces in a clear and intimate setting. To keep this clean look, there are no labels assigned to any pieces. “Caro: Close Up” also aims to place the British sculptor’s work in the context of his American and British influences, incorporating paintings by other artists who may have inspired Caro, Droth explained. “Caro looked to paintings for inspiration, not just to other sculptures,” Droth said. “We wanted to embed Caro’s work in what was going on in London at that time.” Droth said she is particularly excited about the new collection because while the gallery features historical artists frequently, it exposes the community to modern artists less often. Showcasing Caro’s work has given the British Art

YALE CENTER FOR BRITISH ART

British sculptor Anthony Caro is known for his abstract bronze pieces. Center the opportunity to celebrate “the most eminent sculptor of today,” she added. Now, she said she hopes to institute a program that brings the work of living artists to the center. The exhibit consists of about 60 pieces, beginning with an outdoor display of “Ocean,” a steel sculpture on loan from the Yale University Art Gallery. This piece acts as a “signpost,” orienting people with something familiar by Caro before drawing them into the show’s unique displays. Inside, the exhibit begins with drawings Caro completed while studying under Henry Moore at the Royal Academy in London. Although often excluded from displays of the British sculptor’s repertoire, Bryant said drawings were “fundamental to Caro’s seemingly abstract work,” since it is through drawing that Caro learned about space, form and gravity’s impact on the portrayal of human figures. “These drawings are not just documentary works of his early career, but are works in their own right,” Droth said. Next to these drawings are some of Caro’s early pieces, mostly large sculptures. “Man Holding His Foot” foreshadows Caro’s later divergence from conventional sculpting techniques, Droth said, adding that “transition” pieces in the collection emphasize Caro’s shifting style. Displays of table structures, smaller

pieces that Caro could work in his onecar garage, emphasize the exhibit’s focus on Caro’s more personal work, Bryant explained. “The table structures are a window into Caro’s private world, and the entire exhibit focuses on exploring this private dimension,” he said. In addition to working on a smallerscale, Caro experimented with different materials as he progressed through his career. Another section displays his sculptures in bronze, a more flexible artistic metal. Bryant said that Caro chose to work in bronze because its plasticity would better allow him to experiment. Caro’s paper structures, on view in the final room, stand in contrast to his metal works. According to Paul Caro, however, the dichotomy between elegance and power unites pieces of different materials. Despite the varying styles Caro adopted throughout his career, some aspects of his art remained constant. “He loved art, and for him, it was less about angst and more about beauty,” Bryant said. While Caro himself is in his late 80s and is unable to travel to Yale for the opening, a video interview with him will be shown at Bryant’s opening lecture at 5:30 today. Contact PAYAL MARATHE at payal.marathe@yale.edu .

almost didn’t choose Yale. When I received word that I’d gotten into Harvard off of the wait list, I was stumped. Harvard had a curricular dance program — no dance major, but at least a longstanding program. Yale did ELENA not. Despite my qualms, I LIGHT followed my intuition and prepared to dive into Yale’s Dance admittedly thriving extracurricular dance scene. My experience is not unique. Each year Yaledancers, the extracurricular dance group I joined freshman year and of which I am now co-president, sets up a booth at the Bulldog Days Extracurricular Bazaar. Each year I meet dancers hesitant to come to Yale, unwilling to sideline their years of intense physical and mental training. This is not to say that curricular dance at Yale is non-existent. Thanks in large part to Theater Studies lecturer Emily Coates ’06 GRD ’11 — a practicing dancer, choreographer and scholar — there is now an official Dance Studies curriculum within Yale’s Theater Studies department. Coates launched the co-curricular Yale Dance Theater (YDT) program in 2010, putting Yale on the map for programs that emphasize how the physical practice of dance can serve as a research tool. YDT dancers have since performed seminal works by Twyla Tharp and Merce Cunningham, reflecting on our experiences in a blog.

[Creating a dance studies major] would benefit both Yale and the status of dance studies in American higher education. Still, the current state of curricular and co-curricular dance at Yale is far from perfect. Yale has one co-curricular ballet technique class that only began this year; Harvard, Princeton and Stanford all offer at least four classes in varying styles. In terms of quality, Yale’s offerings are on par with these universities; it is in quantity — in the number of technique classes and curricular performance opportunities — that Yale is lacking. Yale has historically been a leader in the arts. The Schools of Art, Architecture, Music and Drama are among the top institutions in their respective fields, with worldrenowned faculty and visiting practitioners. This excellence carries over to their undergraduate departments, attracting some of the most accomplished young visual artists, musicians and actors from around the world. Shouldn’t Yale strive to attract equally excellent young dancers and choreographers? If Yale has excelled as an innovator in these other artistic disciplines, why not do the same for dance? I propose that Yale offer a major in dance studies. Currently, students may opt for the Dance Studies track within the Theater Studies major, completing a senior project in dance or performance. While they can count the 2–3 dance studies courses offered each semester toward their major, students must take two introductory theater surveys as well as four courses “chosen from four periods of dramatic literature or theater history or from four cultures,” according to the Yale College Program of Study. These theater requirements often dissuade students interested in dance — myself included — as they are not directly relevant to performance studies and focus heavily on the theatrical text. Instead, a dance studies major program would offer courses uniting dance practice — technique, choreography and performance — with written research and analysis. The program would prepare students for postgraduate dance study and for careers in dance performance, choreography and arts administration. This bold step would benefit both Yale and the status of dance studies in American higher education. Despite its relevance in contemporary artistic practice, dance retains connotations of “physical education” and is not historically considered a liberal art. If Yale, arguably the greatest university supporter of the arts in the United States, were to institutionally back a dance studies major, other leading universities might follow, providing an intellectual dance environment for exceptional students who might otherwise attend conservatory or head straight to a professional career. Accomplished choreographers, performers and dance scholars would also finally have a place in America’s elite institutions of learning. Until then, the administration must face the reality that many young dancers simply don’t choose Yale. ELENA LIGHT is the co-president of Yaledancers and the student coordinator for Yale Dance Theater. She is a senior in Jonathan Edwards College.Contact her at elena.light@yale.edu .


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YALE DAILY NEWS · WEDNESDAY, OCTOBER 17, 2012 · yaledailynews.com

FROM THE FRONT Menocal drove humanities

“I’m going to continue to talk about what is important to the people of Connecticut which is jobs, getting people back to work, the economy.” LINDA MCMAHON U.S. SENATE CANDIDATE

New Haven prioritized ELECTION FROM PAGE 1

OFFICE OF PUBLIC AFFAIRS

María Rosa Menocal led an expansion of the Whitney Humanities Center between 2001 and 2012. MENOCAL FROM PAGE 1 Haven from Philadelphia when she began teaching at Yale in 1986, Menocal frequently invited students to her home for “incredible dinner parties,” Alvarez said, adding that Menocal made an excellent paella. Menocal’s cancer diagnosis in 2009 did nothing to stop her penchant for holding events for friends and colleagues. When her surgery required her to wear an eyepatch, Menocal hosted a pirate-themed party at the Whitney, Yale College Dean Mary Miller said. “I went to this party not dressed as pirate and not carrying a parrot, and as a result I was made to walk the plank,” Miller said. Humanities program Chair Howard Bloch said Menocal’s

personality transformed the Whitney into a place where scholars from multiple fields and levels of experience came together through shared intellectual interests, “many of which only became apparent through the kind of intense dialogue she sparked.” Early in her tenure as director of the Whitney, Menocal brought Salman Rushdie to hold a lecture in Battell Chapel that drew crowds snaking along Elm Street and “kicked off her directorship in a very exciting and visible way,” said Rolena Adorno, chair of the Spanish and Portuguese Department. Menocal broadened the scope of the Whitney’s fellowship program, appointing 285 fellows to the Center during her tenure as director. Ryan Szpiech GRD ’06, who helped with administrative duties for the Whitney while he

studied under Menocal, said the expansion internationalized the Center and made the institution “absolutely world-class.” In a statement published on Yale News Tuesday, English professor and renowned literary critic Harold Bloom described Menocal as “the rarest of companions.” “Walt Whitman thought that the soul’s survival depended upon being stored in the memories of those it had enriched,” Bloom said. “For many of us the enlargement of our lives testifies to some of the ways in which María Rosa Menocal will go on living.” Menocal is survived by Kemper, her parents, three siblings, two children and one grandchild. Contact SOPHIE GOULD at sophie.gould@yale.edu . Contact JULIA ZORTHIAN at julia.zorthian@yale.edu .

of his campaign out of his New Haven headquarters on Whalley Ave. with the help of a large grassroots campaign of volunteers. “New Haven is going to play a critical role in what is sure to be a close election,” said Eli Zupnick, a spokesman for the Murphy campaign. “We think that the more voters learn about the differences between Chris Murphy and Linda McMahon, the stronger Chris’s showing will be on election day.” Multiple spokespeople for the McMahon campaign did not respond to requests for comment. There are over 45,000 registered Democrats in New Haven out of 60,000 total registered voters, according to a spokesman for the New Haven Registrar of Voters. In contrast, there are only 2,400 registered Republicans in the Elm City. In 2010, New Haven Democrats are widely believed to have pushed Gov. Dannel Malloy to victory, according to Paul Bass ’83, editor of the New Haven Independent. Bass said that though Malloy beat Republican opponent Tom Foley by over 5,000 votes, Malloy would have lost by 13,000 without New Haven’s support. Ward 3 Alderman Jacqueline James, president of the New Haven Democratic Town Committee, said the party sets up a voter turnout strategy each election cycle involving phone calls, door

knocking and driving voters to the polls on Election Day. She said that her party is working to increase Democratic voter turnout this year, aiming to ensure 45,000 New Haven voters head to the ballot box this November compared to the 35,000 who did so in 2008. James added that though she has heard reports of McMahon hiring representatives in the local black community, she does not believe the McMahon campaign has laid a grassroots campaign in New Haven. McMahon’s campaign headquarters are located in North Haven, although she has spent significantly less time than Murphy in the Elm City. “It would really be a waste of her time,” James said. “We are a staunch Democrat town. We have some Republicans, but not many.” A spokesman for the Republican Party of Connecticut declined to comment on the nature of Republican voter turnout strategies across the state.

Wayne Winsley, a Republican who is challenging incumbent Democrat Congresswoman Rosa Delauro to represent New Haven in the U.S. House of Representatives, said he disagrees with the notion that New Haven is unwinnable for Republicans. He said that his strategy of walking city streets and greeting voters is bringing him recognition that few other Republicans have garnered in the city, and he hopes that this recognition will deliver him a win in November. “Conventional wisdom says that [DeLauro’s congressional district] is unwinnable except for a Democrat,” he said. “What I am telling you is, every once in a while, something comes along that defies conventional wisdom. My campaign is that thing.” DeLauro has raised $872,406 so far this election. Contact MICHELLE HACKMAN at michelle.hackman@yale.edu .

BY THE NUMBERS VOTING REGISTRATION IN NEW HAVEN 60,000 45,000 2,400 5,000

Registered New Haven voters Registered Democrats in New Haven Registered Republicans in New Haven Malloy 2010 victory margin, attributed to New Haven

Burhans alleges retaliation BURHANS FROM PAGE 1 Connecticut-based employment litigator, because retaliation cases are often easier to prove. The current suit is based on the protection afforded Burhans under Title IX that allows her to alert administrators of inadequate sexual misconduct prevention programs without fear of retribution, said John Williams, Burhans’ New Haven-based attorney. The recent suit follows a 15-month Title IX investigation by the Department of Education’s Office of Civil Rights into Yale’s sexual climate. The investigation, which was prompted by a complaint 16 students and alumni filed with the OCR in April 2011, was closed this June. While the OCR did not find Yale in noncompliance with Title IX, its report said the University had severely underreported cases of sexual assault and harassment in recent years. Erin Buzuvis, a professor at the Western New England University School of

Law, said that in her current case, Burhans does not have to prove that the University was in fact noncompliant with Title IX but only that she perceived violations and that administrators responded hostilely to concerns she presented them. Still, she said Burhans’ case is stronger if she can prove her claims of noncompliance. The recent OCR investigation provides evidence that the University had existing problems with Title IX compliance, she added. W. Scott Lewis, a partner with the National Center for Higher Education Risk Management, said a 2005 Supreme Court decision, Jackson v. Birmingham, established that individuals have protection against retaliation in their efforts to ensure institutions comply with Title IX — a case similar to Burhans’ lawsuit. Buzuvis said retaliation cases related to Title IX have increased in recent years and that a number have seen “highly successful plaintiffs.” He said that in order to prove a Title IX retaliation claim,

the court must establish that the complainant acted in a whistleblowing capacity and was subsequently subjected to hostile actions, adding that it is often difficult to prove a causal relationship between the two. Lewis said he expects the University to respond to Burhans’ complaint with alternative explanations for her alleged mistreatment because a decade is “a pretty long time” for Burhans to prove a pattern of discrimination. Lake said other universities that emerge from federal Title IX investigations may face similar employment-related lawsuits. “I think you’re going to see more employees claiming they attempted to bring information forward claiming they weren’t listened to or retaliated against,” Lake said. Burhans is suing Yale for at least $10 million, according to the complaint. Contact CYNTHIA HUA at cynthia.hua@yale.edu .


YALE DAILY NEWS · WEDNESDAY, OCTOBER 17, 2012 · yaledailynews.com

PAGE 9

BULLETIN BOARD

TODAY’S FORECAST

TOMORROW

Mostly sunny, with a high near 64. Calm wind becoming south between 5 and 7 mph.

FRIDAY

High of 68, low of 54.

High of 28, low of 4.

SCIENCE HILL BY SPENCER KATZ

ON CAMPUS WEDNESDAY, OCTOBER 17 5:00 PM Yale Friends of Israel and Slifka Cener for Jewish Life at Yale: Bipartisanship and the Jewish State. Senator Joe Lierberman ’64 LAW ’67 is coming to discuss Israel’s role in the battle for the Jewish vote between the Republican and Democratic parties. This promsing lecture hopes to explore tensions within the democratic proccess and the Jewish community at large. LinslyChittenden Hall (63 High St.), Rm. 102. 8:00 PM Yale Belly Dance Society: Middle Eastern Dance Workshop. Learn folkloric dances of the Middle East and North Africa with members of the Yale Belly Dance Society. Everything from line-dancing to cane-swinging, hair-tossing to belly-dancing with everything in between. International Center for Yale Students & Scholars (421 Temple St.).

WATSON BY JIM HORWITZ

THURSDAY, OCTOBER 18 12:30 PM Protest (an art intervention). Join graduated student activists to take part in a demonstration located at the entrances to Bass Library. The content and nature of your protest is entirely up to you. Cross Campus. 8:00 PM Nassim Soleimanpour’s “White Rabbit, Red Rabbit.” Come enjoy a dangerous theatrical experiment that has taken the international fringe circuit by storm. Featuring a different developing story line each performance, this show promises to be one that keeps its audiences interested till closing night. Yale Cabaret (217 Park St.).

FRIDAY, OCTOBER 19 8:00 PM Teeth Slam Poets: OPEN SLAM. Join Teeth onstage and strut your literary stuff. All poets welcome. Davenport College (248 York St.), Theater.

DOONESBURY BY GARRY TRUDEAU

y SUBMIT YOUR EVENTS ONLINE yaledailynews.com/events/submit To reach us: E-mail editor@yaledailynews.com Advertisements 2-2424 (before 5 p.m.) 2-2400 (after 5 p.m.) Mailing address Yale Daily News P.O. Box 209007 New Haven, CT 06520

Want to write & draw a comic strip?

Questions or comments about the fairness or accuracy of stories should be directed to Editor in Chief Tapley Stephenson at (203) 432-2418. Bulletin Board is a free service provided to groups of the Yale community for events. Listings should be submitted online at yaledailynews.com/events/ submit. The Yale Daily News reserves the right to edit listings.

We’re looking for weekly comic strips for this page. If you’re interested, e-mail Karen at Karen.Tian@yale.edu .

To visit us in person 202 York St. New Haven, Conn. (OppositeFOR JE) RELEASE OCTOBER 17, 2012

Los Angeles Times Daily Crossword Puzzle

CROSSWORD Edited by Rich Norris and Joyce Lewis ACROSS 1 Hip-hop fan 5 Les __-Unis 10 Olympian’s goal 14 Smidgen 15 Chevy Blazer, now 16 Orchestral wind 17 *One to four inches per day, for bamboo 19 Endorse, in a way 20 Rice-__ 21 Toga party costume 23 Take part in a 1920s fad 26 Like a prof. emeritus 27 Big pitcher 28 *Noted scythe bearer 33 Lowly laborer 34 Goody two shoes 35 *1973 Thomas Pynchon novel 41 Concerning the ears 42 Japanese noodle 43 *Wrestling style that forbids holds below the waist 46 First responders, briefly 50 Cyclotron input 51 Meeting 53 Eleanor Rigby, for one 57 Snorer’s problem, perhaps 58 Hops drier 59 *Pearl Jam genre 62 Attend to, as a job opening 63 Come out with 64 Wrath, in a hymn title 65 “South Park” cocreator Parker 66 Nonlethal weapon 67 Recipe amts. DOWN 1 Oaf 2 Take for a time 3 “Becket” star 4 No page-turner 5 Ordinal suffix 6 Roofer’s goo

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10/17/12

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7 Obsessed fictional captain 8 For the full nine months 9 Garden apparatus 10 Dad-blasted 11 Drama award 12 Theater section 13 It might be pounded out 18 “True dat,” quaintly 22 Do more than listen 24 “__ Around”: Beach Boys hit 25 “Iliad” setting 29 “Recapping ...” 30 Pint seller 31 Old Japanese capital 32 Remote button 33 Test showings 35 Silence 36 Robot play 37 “Now We __ Six”: Milne 38 Thoughtless way to stare 39 Nutritional figs. 40 First-class 44 Lousy liquor

Tuesday’s Puzzle Solved

(c)2012 Tribune Media Services, Inc.

45 Mobster’s code of silence 46 Lively wit 47 They may have fake IDs 48 Work boot feature 49 Treacherous types 52 Freelancer’s encl. 53 Like fuzzy slippers

SUDOKU MEDIUM

10/17/12

54 Poker holding 55 Cruise destination 56 Wearying routines 60 Once known as 61 Canine warning that the answers to starred clues have in common, initially

5 4 6 3 2 9 8 2 3 7 8 1 9 7 8 8 2 3 1 9 7 4

3 2 5 8 7 4 1 1 6 3 6

9 4 6

7 6

4 8 3 1 9 2 7


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YALE DAILY NEWS · WEDNESDAY, OCTOBER 17, 2012 · yaledailynews.com

NATION

T

Dow Jones 13,551.78, +127.55

S NASDAQ 3,101.17, +89.01 S Oil $92.44, +0.34

Obama, Romney debate BY DAVID ESPO AND STEVE PEOPLES ASSOCIATED PRESS HEMPSTEAD, N.Y. — An aggressive President Barack Obama accused challenger Mitt Romney of peddling a “sketchy deal” to fix the U.S. economy and playing politics with the deadly terrorist attack in Libya in a Tuesday night debate crackling with energy and emotion just three weeks before the election. Romney pushed back hard, saying the middle class “has been crushed over the last four years” under Obama’s leadership and that 23 million Americans are still struggling to find work. He contended the death of the U.S. ambassador to Libya was part of an unraveling of the administration’s foreign policy. The president was feistier from the outset than he had been in their initial encounter two weeks ago, when he turned in a listless performance that sent shudders through his supporters and helped fuel a rise by Romney in opinion polls nationally and in some battleground states. When Romney said Tuesday night that he had a five-point plan to create 12 million jobs, Obama said, “Gov. Romney says he’s got a five-point plan. Gov. Romney doesn’t have a five-point plan. He has a one-point plan. And that plan is to make sure that folks at the top play by a different set of rules.” Obama and Romney disagreed, forcefully and repeatedly — about taxes, the bailout of the auto industry, measures to reduce the deficit, energy, pay equity for women and health care as well as foreign policy across 90 minutes of a town-hall style debate. Immigration prompted yet another clash, Romney saying Obama had failed to pursue the comprehensive legislation he promised at the dawn of his administration, and the president saying Republican obstinacy made a deal impossible. Romney gave as good as he got. “You’ll get your chance in a moment. I’m still speaking,” the former Massachusetts governor said at one point while Obama was mid-sentence, drawing a gasp from the audience. He said the president’s policies had failed to jumpstart the economy and had cramped energy production. The open-stage format left the two men free to stroll freely across a red-carpeted stage, and they did. Their clashes crackled with energy and tension, and the

S S&P 500 1,454.92, +14.79 T

10-yr. Bond 1.72%, +0.06

TEuro $1.31, -0.0001

Clinton takes Benghazi blame BY BRADLEY KLAPPER AND MATTHEW LEE ASSOCIATED PRESS

ASSOCIATED PRESS

Three weeks before the election, President Barack Obama and challenger Mitt Romney disagreed forcefully in a Tuesday night debate. crowd watched raptly as the two sparred while struggling to appear calm and affable before a national television audience. While most of the debate was focused on policy differences, there was one more-personal moment, when Obama said Romney had investments in China. “Mr. President, have you looked at your pension?” Romney interrupted. “You know, I don’t look at my pension. It’s not as big as yours,” shot back Obama to his wealthier rival. Obama noted Romney’s business background to rebut his opponent’s plans to fix the economy and prevent federal deficits from climbing ever higher. “Now, Gov. Romney was a very successful investor. If somebody came to you, Governor, with a plan that said, here, I want to spend $7 or $8 trillion, and then we’re going to pay for it, but we can’t tell you until maybe after the election how we’re going to do it, you wouldn’t take such a sketchy deal and neither should you, the American people, because the math doesn’t add up.”

Countered Romney, a few minutes later, “It does add up.” Under the format agreed to in advance, members of an audience of 82 uncommitted voters posed questions to the president and his challenger. Nearly all of them concerned domestic policy until one raised the subject of the recent death of the U.S. ambassador to Libya in a terrorist attack at an American post in Benghazi. Romney said it took Obama a long time to admit the episode had been a terrorist attack, but Obama said he had said so the day after in an appearance in the Rose Garden outside the White House. When moderator Candy Crowley of CNN said the president had in fact done so, Obama, prompted, “Say that a little louder, Candy.” Secretary of State Hillary Clinton has taken responsibility for the death of Ambassador L. Christopher Stevens and three other Americans, but Obama said bluntly, “I’m the president, and I’m always responsible.”

WASHINGTON — Secretary of State Hillary Rodham Clinton’s pre-election bid to shoulder blame over the deadly terror attack in Libya failed to silence GOP criticism that President Barack Obama is not protecting U.S. diplomats overseas. Her written statement was sure to re-emerge as a prominent issue in Tuesday’s second debate between Obama and GOP challenger Mitt Romney, and could have long-term ramifications given the persistent speculation that Clinton might run for president in four years’ time or stay in public life. And it prompted the Obama campaign to say the president joined Clinton in accepting responsibility. “Every time an American dies abroad, everybody takes responsibility, from the top down,” said Stephanie Cutter, Obama’s deputy campaign manager. Asked in an interview whether that included Obama, she said: “Absolutely. … He’s the president of the United States.” In her statement, Clinton accepted responsibility for the safety of the State Department’s staff and diplomatic missions. It was quickly brushed aside by leading Republicans. By becoming the first top administration official to assume blame for the attack last month on the U.S. Consulate in Benghazi, Libya, she sought to take the heat off Obama for the worst debacle at a U.S. embassy or consulate overseas in more than a decade. Four Americans, including the U.S. ambassador to Libya, were killed in the Benghazi attack. But her message left several lingering questions unanswered, such as whether the attack on the 11th anniversary of 9/11 occurred because of intelligence failures

and why administration officials insisted for days afterward that the violence stemmed from protests against an American-made video ridiculing Islam. “I take responsibility,” Clinton said, reiterating comments she made in a television interview late Monday. “I’m in charge of the State Department’s 60,000-plus people all over the world (at) 275 posts.” Clinton’s remarks may have been intentionally vague. Neither in her interviews or her statement does she spell out what exactly she assumes responsibility for, a tactic that may have been employed to avoid culpability for specific failings or tasks strictly outside her control. State Department spokeswoman Victoria Nuland said Clinton “was extremely clear what she takes responsibility for, which is the operation of this department, all of the men and women here.” But that assessment offered nothing definitive about intelligence that may have been used to make security decisions before the attack or the administration’s initial accounting of the incident as the byproduct of angry protests. The administration since has referred to a well-coordinated terrorist attack. The intelligence may have come from the CIA or other agencies beyond Clinton’s reach; the post-attack messaging likely would have been coordinated by the administration as a whole especially after Romney attacked an independent statement made by the U.S. Embassy in Cairo on the day of the Libya attack. The Benghazi attack has turned deeply political even within the State Department, with Clinton turning message management over to one of her most trusted aides, Philippe Reines.


YALE DAILY NEWS · WEDNESDAY, OCTOBER 17, 2012 · yaledailynews.com

PAGE 11

SPORTS

“If you are caught on a golf course during a storm and are afraid of lightning, hold up a 1-iron. Not even God can hit a 1-iron.” LEE TREVINO SIX-TIME MAJOR CHAMPIONSHIP WINNING GOLFER

Rogers hopes to win the Ivies ROGERS FROM PAGE 12 ters do. It’s really important to take it each week at a time and put everything in perspective.

COLUMN FROM PAGE 12

easy is it to get used to a new team QHow each season?

A

It’s definitely really hard — when I came in as a freshman, I didn’t know many people on the team, and it’s hard to get comfortable with people at first. But you have to become family with them. It takes time to get used to how everyone plays on the court, as everybody has a different style. Now we’re about halfway through the season, we’ve established a nice idea of how everyone works on the court.

you consider Harvard as your bigQDo gest rival?

A

Harvard, absolutely. Princeton and Penn are also consistently good. Princeton has the best record next to us this year. The Ivy League is really interesting as each year the teams can completely change. Every year they are getting better and improving at such a fast rate. It’s really different from a lot of the bigger conferences, such as the NCAA and the West Coast, where there are one or two big teams — you have to watch out for everyone.

would you describe the team QHow dynamic?

A

We’re like family. I’ll go one day without seeing them and it feels like we haven’t spoken in forever. But we’re all very competitive and each person wants to win more than the next. In practice we’re all just trying to beat each other but then afterwards we’re just a family again.

you tell me about how practice QCan works?

A

Each day is different. We’ll generally split time between talking about whatever team we’re playing next and how we will adapt to play against them, and practicing passing and serving. We also scrimmage a lot, which is how we put in place the things we learned in practice.

Q

Do things feel different now as a sophomore?

A

It’s definitely different. I actually know how everything works, but at the same time, it’s both more difficult and easier as a sophomore. You have to deal with not being the main focus, but each year the goal stays the same — to win.

Q

What was your most memorable match or moment at Yale?

BLAIR SEIDEMAN/STAFF PHOTOGRAPHER

Last season’s First-Team All-Ivy, outside hitter Mollie Rogers ’15 talked about her hopes for this season.

A

The match when we beat Princeton at home last year was really cool because that’s when we clinched the Ivy League title.

you have any sporting superstiQDo tions?

A

I always wear my hair in the same way and wear a bow in my hair every single match. Last year a couple of my teammates hated it, but I had to do it, and this year a couple of my teammates do it too.

Q

What do you do to get motivated before a game?

Baseball concludes fall season BASEBALL FROM PAGE 12 well all night,” Hickey said. “I think my ability to throw it for a first-pitch strike allowed me to immediately get ahead of the batter in the count.” But Hickey ran into trouble in the New Haven half of the eighth inning on Friday. After giving up a solo shot to shortstop Nick Nunziato to lead things off, Hickey let up another single and recorded one out before Ben Joseph ’15 came on in relief. Joseph allowed one run to score on an RBI single but got two strikeouts to end the inning. Joseph completed 1.2 innings of scoreless work, allowing only one hit and striking out four. Despite holding New Haven to only two runs and racking up a combined 17 strikeouts, Hickey and Joseph’s combined efforts weren’t enough for the Elis. Five different New Haven pitchers kept Yale scoreless and the visitors held on for the 2–0 win. “Our pitching staff has always been strong and seeing David [Hickey] and Ben [Joseph] perform well shows that we can really depend on them once the spring season rolls around,” outfielder Cam Squires ’13 said. Squires led the offensive effort with a two-hit performance including a double, Yale’s only extra-base hit of the night. Yale scattered four more hits, including a single to right by newcomer Tom O’Neill ’16 in the bottom of the ninth. Cale Hanson ’14, Kevin Fortunato ’14 and David Toups ’15 also had hits for the Elis. The Bulldogs came back from their Friday night loss in a 4–2 win over Southern Connecticut the next day on the strength of a solid outing from pitcher Rob Cerfolio ’14. The left-hander allowed one run on seven hits over seven innings and Chris Lanham ’16 got the save for the Bulldogs, throwing two innings of one run, one hit baseball and striking out two.

The agony of fandom at Yale

A

I do the same thing before each game, sit in the locker-room, listen to music, and sometimes do my homework. It helps to do other things before a big game and not think about volleyball.

you find the discipline required to QDo be an athlete helps you in other areas?

A

Absolutely. The leadership qualities that you learn being on a team — how to share, compete, and communicate with other people — can completely transfer to other areas of life. Contact JASMINE HORSEY at jasmine.horsey@yale.edu .

what happened? Shouldn’t I be throwing a Bill Simmons-esque temper tantrum right now?” If I were at home, there probably would have been a more dramatic display. Back in early 2010, the Cincinnati Bengals took on the New York Jets in a wild card playoff game. I had the flu at the time, and when the I knew the Bengals were going to lose with five minutes left in the fourth quarter, I promptly got up, went to my room, slammed my bedroom door, and went to bed — and it wasn’t even 9 p.m. Silver lining: I probably needed the rest. (Watching the Cincinnati Bearcats collapse in the 2010 Sugar Bowl with my friends was a totally different story — one of Tebow-bashing, BCS-hating, and generally indiscriminate screaming and deferring of blame.) Here at Yale, there was no time to mourn. Maybe I’ve just grown up, but a part of me almost wishes I hadn’t gotten over it. If I don’t feel anything, what’s the point? But caring too much means falling behind. Immediately after the loss, a polite beep from my phone reminded me it was time for section — “no time to pout,” it said. Then, as I mentioned, I had notifications alerting me to dinner with a friend, then meetings, then homework. It’s hard to be a national sports fan at Yale. I had to practically shift my schedule around and “pencil in” time so I could watch all of the Reds NLDS games. Granted, I do plenty of sports-related activities here at Yale. I write this column, I help to edit the sports page, I broadcast games for WYBC, I have a talk show. When it comes to sports at Yale, anyone would think my sports quota is supersaturated. But I’m almost more concerned with the work and caring about national storylines, than the ups and downs of my teams. I love doing what I do — but somehow I’ve lost track of what got me into sports in the first place. At first, I learned to love sports cheering for Bearcats basketball during March Madness. Now, watching them in

March is too nerve-wracking — my expectations are just waiting to be shattered. My ennui isn’t necessarily a bad thing; the Reds’ recent loss has just motivated a little existentialism and healthy reflection. It doesn’t make it right, however, that no one else seems to care either. People tell me, “Yeah, I’m a Yankees fan. How are they doing this year?” Wait, what? You may have grown up in New York, but you are certainly not a current Yankees fan. The same goes for, “I just haven’t been able to watch any of the Patriots games this year.” That’s perfectly okay — you have other priorities, and very few people care as much as I do (or as much as I thought I did) about their team. But you’re not really a fan of [team] or [sport] if you’re not keeping up at all.

SHOULDN’T I FEEL WORSE? SHOULDN’T THIS AFFECT ME MORE? Yeah, I have a double standard. I’m allowing myself an abbreviated grieving period because I think I’m just so gosh darn busy, but everyone else better get on my level and start watching some games. Yet the lack of cheering at Yale is palpable — yes, not everyone likes sports, especially at a place like Yale where everyone has such a diverse mix of passions, but there is an odd vilification and debasing of sports fandom and the few people who do care. Well, in the last 1000 words, I somehow went from blaming myself for being indifferent to criticizing the student body for doing the same. See what a disastrous loss can do to you? Maybe I should just go back to moping. Contact EVAN FRONDORF at evan.frondorf@yale.edu.

Elis fall at home

The Bulldog offense was led by designated hitter Josh Scharff ’13, who had two RBI and two hits on the day. “When I was little, my hitting coach would always tell me, ‘Keep it simple, stupid.’ I always try to keep that approach, get a good pitch and put a nice, simple swing on it,” Scharff said. “I was lucky enough to be able to come up with two hits for Robby [Cerfolio] and the guys, and we got a big W to gain a little confidence heading into the offseason.”

I think my ability to throw it for a first pitch strike allowed me to immediately get ahead of the batter in the count. GRAHAM HARBOE/CONTRIBUTING PHOTOGRAPHER

DAVID HICKEY ’14 Pitcher, baseball Yale struck first when Fortunato scored on a Scharff double in the home half of the second. Southern answered back with a run in the top of the third, but was then held scoreless until the ninth inning. Yale scored again on a Scharff single that chased home Toups in the fourth. Toups also picked up an RBI when he walked with the bases loaded in the seventh, and Fortunato knocked in the fourth and final run for the Elis with a fielder’s choice RBI. Walks and poor pitch control plagued the Southern staff, who gave up five walks, one wild pitch and one hit batsman. The 1–1 finish in the City Series marked the end of the fall season for the Bulldogs. Contact SARAH ONORATO at sarah.onorato@yale.edu .

Forward Peter Jacobson’s header shot went straight into the back of the net, but unfortunately the play was ruled off sides. MEN’S SOCCER FROM PAGE 12 Brian Tompkins said. “But then I thought we came back and did well in the second half.” The second half was characterized by much more wide-open play. Lehigh began the half as it ended in the first. Five minutes into the period, the Mountain Hawks drew a free kick that the referee placed directly on the 18-yard box on the right of the goal. Wysocki’s shot off the free kick, however, went wide. The Bulldogs provided a moment of excitement in the 57th minute, as midfielder Scott Armbrust ’14 headed the ball in the box to forward Peter Jacobson ’14. Jacobson flicked the ball over the hands of Lehigh goalkeeper Ciaran Nugent, appearing to register the first Eli goal in their past four contests. Yet as the Bulldogs began to celebrate, the referee

called Jacobson offside and waved off the tally. “It was frustrating because it shows we are capable of scoring nice goals like that,” captain and goalkeeper Bobby Thalman ’13 said. But the Bulldogs were able to continue to apply pressure. The Elis again nearly broke through at 63:52, when forward Avery Schwartz ’16 ran by his defender on the right side of the goal before firing a shot over the crossbar. Schwartz continued to generate opportunities with his speed. He drew a corner in the 71st minute with another charge up the right side and fired a shot over the crossbar from 20 yards out in the game’s last 10 minutes. Both teams accrued several other opportunities, but the game appeared headed to overtime before Meyerkord received the ball in the 88th minute. He fired a shot from distance that

skidded along the ground and past the outstretched arms of goalkeeper Sam Obletz ’14, who had replaced Brown to start the second half. Jacobson tried to answer seconds later, but his shot went over the crossbar and the game ended in a loss for the Elis. Forward Peter Ambiel ’15 said the game was indicative of the team’s season. “We’re not finishing our chances and the worse team is winning,” he said. “Even though our record doesn’t show, we know that we’re good and that we’re better than the teams, but they just find a way to score and we just haven’t found that yet,” he added. The Bulldogs will play their first home Ivy League game of the season this weekend against Penn at the Reese Stadium. Contact ALEX EPPLER at alexander.eppler@yale.edu .


IF YOU MISSED IT SCORES

NBA Utah 26 L.A. Lakers 15

NBA Brooklyn 97 Boston 96

SPORTS QUICK HITS

NBA Detroit 112 Orlando 86

SOCCER Mexico 2 El Salvador 0

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FIRSTNAME YALE RANKED LASTNAME EIGHTH ’## BY NCSA HEADLINE Yale was ranked HEADLINE eighth in the country Text and fourth text text among text text the text Iviestext in the text NCSA text text. Athletic TextRecruiting’s text text text 2012 textPower text text— Ranktext ings,text which text assess text text thetext academic text text and text text athletics text text standards text text of text all NCAA text text athletic text text programs text text across text the textcountry. text textHarvard text text text was text ranked textfourth, text text while textPrineton text textand text text Columbia text text tiedtext for text. sixth.

KELLY JOHNSON FIRSTNAME LASTNAME ’16 ’## HEADLINE ELI NAMEDHEADLINE ROOKIE OF THE WEEK Text text Setter Kelly textJohnson text textearned text text her text third text text. Ivy League Text text Rookie text text of the text Week textaward text— text aftertext thistext weekend’s text textsweep text text of Princetext text text ton and textPenn text text by the text Bulldogs. text textJohnson text text text led the textElis text with text28 text kills text andtext seven texttotal text text blocks text between text textthe text two text games. text text text text text text text text text.

SOCCER USA 3 Guatemala 1

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“When “Text text I was text little textmy text text text hitting coach text text would text … textme, tell text‘Keep text text it simple, text text textI always stupid.’ text text. try to keep FIRSTNAME that approach.” LASTNAME ’## JOSH SCHARFF ’13 BASEBALL YALE DAILY NEWS · WEDNESDAY, OCTOBER 17 2011 · yaledailynews.com

EVAN FRONDORF

Elis drop third straight

Outgrowing fandom I waited all year for this. More than a year, actually. Two seasons, 324 games. Two years after my hometown Cincinnati Reds got swept in horrendous fashion by the Philadelphia Phillies in the 2010 NLDS, the Redlegs finally had another chance. And two Sunday nights ago, they were up two games to none against the San Francisco Giants. But by last Wednesday, the series was all tied up. The Giants led 6–4 in the ninth. The Reds had runners on first and second, one out. It was supposed to be the moment — Cincinnati’s moment. Jay Bruce was in the middle of the one of toughest at-bats I’d ever seen against Giants closer Sergio Romo. But Bruce flew out. Next up, veteran Scott Rolen. Down 1–2 in the count, he swung right over a slider that hung in the strike zone. It was all over. The Giants had come back from a two-game deficit, becoming the first National League team to ever do so in the current Division Series format. The Reds had lost three straight, at home, to let the series out of their grasp. I stood up, turned off the TV, slung my backpack over my shoulder and walked out the door headed to section for Intro to Film Studies. One of the biggest baseball meltdowns I had ever seen — my biggest sports moment of the year — and I casually went to section. The weird thing was, I wasn’t overcome with emotion, almost like I had expected it to end up like this. After section, I went to dinner, then to a meeting, and finally sat down and watched the vice presidential debate — laughing like it was a sitcom and yelling at the screen like Vice President Joe Biden and Congressman Paul Ryan were the Reds and Giants. And I didn’t really think about the Reds at all. There was one silent, forlorn, movie-style nod after dinner to the Reds pennant hanging in my room, and that was about it. Laying in bed that I night, I asked myself, “Shouldn’t I feel worse? Shouldn’t this affect me more? My team was finally in the playoffs, finally getting national coverage, finally got off to a great start, and this is SEE COLUMN PAGE 11

GRAHAM HARBOE/CONTRIBUTING PHOTOGRAPHER

Depite holding Lehigh scoreless for the first 87 minutes of the game, the Bulldogs fell to the Mountain Hawks 1–0. BY ALEX EPPLER CONTRIBUTING REPORTER Yale was unable to find the back of the net for the fifth straight game. Despite a number of chances and home turf advantage, Lehigh’s goal at 87:50 sealed the game 1–0 and handed the Elis their third straight loss. Coming off a 3–0 loss at Cor-

nell on Saturday, the men’s soccer team (3–7–3, Ivy 0–2–1) looked to rebound against the Mountain Hawks (3–10–1, Patriot 1–3–0) last night in their first game at home in three weeks.

MEN’S SOCCER The first 35 minutes of the first half featured little in the way of

Bulldogs split City Series BY SARAH ONORATO CONTRIBUTING REPORTER Yale baseball took the field this weekend against cross-town rivals University of New Haven and Southern Connecticut in the City Series tournament held at Yale Field. The team fell to New Haven 2–0 on Friday night despite a strong pitching effort by David Hickey ’14. But the Bulldogs rebounded from the opening night loss with a 4–2 win over Southern on Saturday to cap off its fall season.

BASEBALL

GRAHAM HARBOE/CONTRIBUTING PHOTOGRAPHER

The baseball team faced two local opponents at the City Series tournament this weekend.

STAT OF THE DAY 13

The series opener featured a pitching duel between Hickey and a talented staff from New Haven. The left-hander for the Bulldogs pitched 7.1 innings, scattering seven hits for two earned runs and posting an impressive 13 strikeouts. “My slider was working really SEE BASEBALL PAGE 11

action, as neither team appeared able to establish consistent possession or put together significant scoring chances. However at 34:54, Lehigh’s Ben Wysocki lofted a corner into the box and Michael Manta headed the ball on goal. Making his first start of the season, goalkeeper Blake Brown ’15 saved the initial shot and James Meyerkord’s shot off the rebound

went wide. Lehigh was not done attacking, however, mustering three more dangerous shots during the last 10 minutes. The Mountain Hawks were unable to capitalize as the Bulldogs escaped the half with the score still knotted at 0–0. “Lehigh had the better of [us] at the end of the first half,” head coach SEE MEN’S SOCCER PAGE 11

Rogers talks volleyball BY JASMINE HORSEY CONTRIBUTING REPORTER After winning every Ivy game this season, the women’s volleyball team is going from strength to strength. Saturday’s 3-0 victory against Penn ensured an eight-game winning streak and put the team in strong contention for this week’s home game against Brown. One player that has contributed particularly to this success is outside hitter Mollie Rogers ’15, who was named Ivy League Rookie of the Year and First-Team All-Ivy last season. The News sat down with Rogers to talk about her hopes for this season and what she thinks is giving Yale such an edge over the other Ivies.

of all, congratulations QFirst on a fantastic season. Why do you think Yale is having such success this year?

A

We have really good team chemistry this year — that’s always been something that’s been really important to us. I think we’re all in it for the same goal. We are just so focused right now and that’s so helpful — that’s one of the reasons why we’re a great team.

the team have any speQDoes cific goals for the season?

A

Our main goal is to win the Ivy League, but we try not to talk about that. Winning our next match is always our focus. For example, we’re playing Brown this weekend, so we’re focusing on them and what their hitSEE ROGERS PAGE 11

THE NUMBER OF SHOTS THE YALE MEN’S SOCCER TEAM RECORDED AGAINST LEHIGH YESTERDAY. DESPITE ITS STRONG PERFORMANCE, THE BULLDOGS FELL WITH A THREE-GOAL DEFICIT.


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