Yale Percussion Group, Mar 1, 2024

Page 1

José García-León, Dean

ysm ensembles

Yale Percussion Group

Robert van Sice, Director

Friday, March 1, 2024 | 7:30 p.m. | Morse Recital Hall in Sprague Memorial Hall

From Piazolla to Pléïades

Astor Piazzolla

1921–1992 arr. Garth Neustadter

Alejandro Viñao b. 1951

Le Grand Tango (1982)

Iannis Xenakis

1922–2001

Xenakis

Xenakis

Water (2013)

I. Edge of a Tide (Filo de Marea)

II. Through the wild rain (a través de la lluvia salvaje)

III. Todos los ríos El río (All the rivers The river) intermission

Rebonds B (1989)

Michael Yeung, percussion

Rebonds A (1987)

Makana Medeiros, percussion

Pléïades (1978)

I. Claviers

II. Peaux

As a courtesy to others, please silence all devices. Photography and recording of any kind is strictly prohibited. Please do not leave the hall during musical selections. Thank you.

Artist Profiles

Yale Percussion Group

Chad Beebe ’25MMA

Jessie Chiang ’24MM

Makana Medeiros ’23MM ’24MMA

Mingyu Son ’24MM

Han Xia ’25MM

Michael Yeung ’22MM ’23MMA ’24AD

Founded in 1997 by Robert van Sice, the Yale Percussion Group has been called “something truly extraordinary” by the legendary American composer Steve Reich. The ensemble is composed of young percussion artists who have come from around the world to study at the Yale School of Music. The unique breadth of the Yale percussion program has allowed its graduates to make an impact on multiple parts of the musical landscape. Solo, chamber music, orchestral percussion, and didactics all play equal roles in their percussion education. Former members of YPG have gone on play concertos with many of the world’s leading orchestras including the Berlin Philharmonic and the Los Angeles Philharmonic, recitals in London, Vienna, New York, and Shanghai among many others, as well as performing as regular members of Chamber Music Society at Lincoln Center and Camerata Pacifica in California. In the orchestral realm, alumni have gone on to join the ranks of numerous orchestras including the Oslo Philharmonic and the Toronto Symphony. Perhaps the the most significant imprint of the Yale percussion program has been in the pedagogical sphere where alumni serve on the faculties of Curtis Institute of Music, Peabody Institute,

University of Miami, Vanderbilt, Michigan State, Arizona State, Princeton, SUNY Stony Brook, University of Michigan, Baylor, Cal Arts, and numerous others in America, Europe, and Asia. Two of the world’s leading percussion quartets— Sō Percussion and Sandbox Percussion—were formed at Yale. As well, the only solo percussionists to ever win the prestigious Avery Fisher Career Grant and the Young Concert Artist Competition were both graduates of Yale.

Robert van Sice, director

Robert van Sice is considered one of the world’s foremost performers of contemporary music for marimba, having premiered more than 100 works for the instrument. Four of the seminal works in the marimba repertoire were written for him: Peter Klatzow’s Dances of Earth and Fire, Alejandro Viñao’s Estudios de Frontera, Martin Bresnick’s double marimba concerto, Grace, and James Wood’s Spirit Festival with Lamentations, which introduced the newly-developed quarter-tone marimba. In his varied performing career, van Sice has given recitals in more than 30 countries, appeared as a soloist with numerous orchestras, and been featured by many of Europe’s most important radio houses.

Van Sice is also one of the world’s most respected percussion teachers whose students are playing in symphony orchestras and contemporary chamber ensembles, winning competitions, and maintaining solo careers around the

world. In addition to his work teaching graduate-level percussionists at the Yale School of Music, he is on the faculties of the Curtis Institute of Music and the Peabody Institute of Johns Hopkins University. Previously, he headed Europe’s first diploma program for solo marimba players at the Rotterdam Conservatory in the Netherlands. Van Sice has given more than 400 master classes in 25 countries and often serves on the juries of international competitions including serving as the president of the jury for the ARD Competition in Munich. He has released six CDs on the labels Etcetera Records, Mode Records, and New World Records. For the past 30 years, van Sice has collaborated with the Adams Corporation in the Netherlands in designing a series of marimbas and mallets that bear his name.

Upcoming Events at YSM

mar 3 Kyung Yu, violin

Faculty Artist Series

3 p.m. | Morse Recital Hall

Free admission

mar 5 Tafelmusik

Oneppo Chamber Music Series

7:30 p.m. | Morse Recital Hall

Tickets start at $31, Yale faculty/staff start at $23, Students $14

mar 6

Lunchtime Chamber Music

12:30 p.m. | Morse Recital Hall

Free admission

mar 7

David Sanford, guest composer

New Music New Haven

7:30 p.m. | Morse Recital Hall

Free admission

mar 8 Yale Voxtet: Italia and Germania Institute of Sacred Music

7:30 p.m. | Marquand Chapel

Free admission

mar 26

Vista: Chamber Music

YSM Ensembles

7:30 p.m. | Morse Recital Hall

Free admission

yale school of music box office

Sprague Memorial Hall, 470 College Street, New Haven, CT 06511 203 432–4158 | music-tickets.yale.edu

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If you do not intend to save your program, please recycle it in the baskets at the exit doors.

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