PORTFOLIO YANG CHEN
TABLE OF CONTENTS
01
Seattle Center for Civility and Discourse Urban Culture & Office Mix-Use Project
02
Pullman View Tower Architecture Pilgrimage Studio
03
Potrero Branch Library Regional Community Library Project
04
Interlocking Wine Rack Making Studio
05
Understanding Scale Photography Practice
Seattle Center For Civility and Discourse Urban Culture & Office Mix-Use Project Seattle, WA Capstone Project, Fourth Year Studio Teammates: Zhe Song, Jake Siefken, Timothy Goheen, Adam Carr, Hayden Taie A characteristic of our era can be characterized as a time where international tensions, unrest, extremism and a lack of civility in our political systems reigns. Whether our current time is worse than other times in history is certainly debatable. Yet our ability to instantaneously know what is occurring on the other side of the planet and the ability of citizens to utilize technology to present their views and bring down government is evident. The SCFCD is a foundation that is dedicated to creating an environment for civic discourse and civility among all people. It is dedicated to non-partisan education knowing that it is through education that understanding and tolerance is developed. The mission of the SCFCD is to create forums that establish a venue for pursuing civil discourse and understanding regarding the issues that face humans. Whether it be local or global the SCFCD is dedicated to the advancement of social structures through knowledge and discourse.
Westlake Ave N John St Denny Way
The site is located on the west side of Westlake Ave N, south to John St, and north to Denny Way. It’s located on the north edge of the high-rise downtown area. Green space is limited and scattered in Seattle, especially in downtown. To create an attractive and welcoming space on site, approaches such as providing indoor/outdoor green area would be vital.
1,0 00 f
ee
tr ad ius
RADIATION RANGE ANALYSIS
1,500 feet radius
0
00
2, ius
ad
tr
fee
0’
200’
400’
800’
N
Location of Site
1,000 feet radius range
1,500 feet radius range
2,000 feet radius range
P
P
P
Commercial Buildings Educational Buildings Parking Facilities Residential Buildings
51 7 7 6
Commercial Buildings Residential Buildings Parking Facilities Educational Buildings
94 15 14 12
Commercial Buildings Residential Buildings Parking Facilities Educational Buildings
163 30 20 14
The largest number of building/facilities types located near the site are commercial buildings. Many of them are for mixed-use with the first floor open to retail stores while the upper ones are apartments or office space. In the 1k feet radius area, there are also a lot of educational buildings which informs that students are also the potential visitors. While in larger radius range, residential buildings and parking facilities play a more important role than educational buildings. This informs that potential visitors with different ages and occupations should be taken into account.
PUBLIC BUS ROUTE ANALYSIS
E C
5
62
40
70
8
E
26 28
C SL
0’
200’
400’
800’
N
Location of Site E Rapid Ride (limited stop bus for a faster ride every 10-12 minutes) 8 Frequent Bus (every 10-12 minutes) 40 Frequent Bus (every 15 minutes) 26 28
Regular lines combine for Frequent Service SL Seattle Streetcar SL line
The rigid urban grid system in Seattle strenghthenes the sense of order. Streetcar SL line, Rapid Ride C line, and bus route 40 run through the east side of the site, while bus route 8 runs through the south. Thus, the south-eastern corner would be an ideal location for the primary lobby entry. The north end of the site would be open as well to people coming from the residence area in the north and this would be the secondary entry.
BICYCLE LANES ANALYSIS
0’
200’
400’
800’
N
Location of Site Protected Bicycle Lane Bicycle Lane Sharrows with Uphill Bicycle Lane Sharrows One Way Steep Uphill Route Moderate Uphill Route
For people who commute to work by riding bikes, easy access to their work place would be vital. In our project, third floor to tenth floor are for office renting use so that we would expect a lot office workers and some of them need to ride bikes to work. Thus, we plan to place outdoor bike racks on the west side of the project and some other space in the underground parking.
’
361
1
Basic Volume
2
Setbacks
3
Office Space Setbacks
The property dimension is 361’ x 107’ x 130’ with 10 floors, 13’ high each. The first two floors are for public use and the Civic and Discourse Center. From third to tenth floors are renting office space. The property adjacent to the west of the site would be later developed as another project with similar program.
107’
10’ setback from North, South, and West property lines. All vehicular service to the building would occur through the alley to the west with access off of John Street. More setback on the east side to create more ground-level public space.
N
We s
tla
ke
Av e
N
Denny W ay
N
We stl ak eA ve N
130’
Denny W ay
We s
tla
ke
Av e
N
View to Denny Park & Space Needle
Denny W ay
N
View to Downtown Area
For office space, push from all four directions again to enhance a sense of spatial hierarchy. An open green garden on the south provides view to downtown and Space Needle. This would enhance spatial interaction. It’s a continuation of the public space but with a more open gesture.
Lobby Setbacks and Entries
5
Columns and Overhang
6
Egress Stairs and Elevators
Five v-shaped concrete slanted round columns are placed under the third floor green garden to provide support. The third floor slab extends a little more to the east to provide shelter for pedestrian users.
Denny W ay
N
We s
tla
ke
Av e
N
Denny W ay
One setback is placed on the southeastern corner with a welcoming gesture. The primary lobby entry is placed at that corner where the busiest traffic would happen. One secondary entry is placed on the north for people who come from the residence area. Another smaller entry is located in the middle of the east side to connect the interior assembly space and exterior pedestrian.
N
We stl ak eA ve N
4
Egress Stairs Egress Stairs
Elevators Elevators
Denny W ay
N
We s
tla
ke
Av e
N
Egress Stairs
Two elevators would go up to tenth floor. On the same West-East axis, the egress stair on the north could bring people to the other green garden on the top. Two other egress stairs would reach tenth floor. They are placed symmetrically based on the axis of the middle egress stair.
D
C
B
1
A. 3.1
10' - 11 1/2"
10' - 11 1/2"
10' - 11 1/2"
80' - 6"
1' - 6 1/2"
22' - 5 1/2"
1
0' - 3"
1' - 7"
5' - 0"
5' - 0"
25' - 0"
5' - 0"
3' - 5"
12' - 5 1/2"
15' - 3"
6' - 1"
5' - 0"
34' - 5"
1-A1
50' - 1"
2
50' - 3"
5' - 0"
119
5' - 0"
South Entry Vestibule
Reception Desk
3' - 10 1/2"
1-A2
3' - 10 1/2"
Rest Area
3' - 1 1/2"
5' - 0"
5' - 0"
101
Lobby
15' - 3"
5' - 0"
1' - 7"
3' - 5"
26' - 0"
5' - 0"
5' - 0"
14' - 7 1/2"
5' - 0"
5' - 0"
0' - 0 1/2" 5' - 8"
0' - 3"
5' - 0"
6' - 3"
5' - 0"
3
A. 5.1
2
14' - 4"
0' - 3"
5' - 0"
5' - 0"
5' - 0"
5' - 0"
5' - 0"
5' - 0"
3' - 5"
3' - 3 1/2"
A
24' - 5"
25' - 0"
20' - 0"
2' - 11 1/2"
5' - 0"
5' - 0"
5' - 0"
5' - 0"
5' - 0"
5' - 0"
5' - 0"
5' - 0"
5' - 0"
1' - 6 1/2"
22' - 5 1/2"
1' - 6 1/2"
18' - 11"
0' - 3"
6' - 9"
5' - 0"
102
2' - 8"
UP
1' - 1"
101
103
Egress Stair 1
24' - 0"
5' - 0"
102
5' - 0"
5' - 7"
4
International Space
5' - 0"
Rest Area
14' - 4"
20' - 3"
13' - 9"
5' - 0"
0' - 10"
5' - 0"
5' - 0"
5' - 10" 0' - 10" 5' - 0"
25' - 0"
5' - 0"
Rest Area
A. 7.0
1
5' - 0"
35' - 1 1/2"
5' - 0"
5
4
3' - 1"
3
5' - 0"
A. 5.2
2' - 8" 2' - 8"
1-2
75' - 4"
5' - 0"
25' - 0"
5' - 0"
Rest Area
120
Staircase
104
Restaurant
UP
5' - 1"
A. 5.2
5' - 4" 0' - 6"
A. 3.1
5' - 0" 135' - 3"
3' - 7"
5' - 0 1/2"
5' - 0"
0' - 6"
1' - 4 1/2"
6
5' - 0" 5' - 0"
25' - 0"
N
5' - 0"
3' - 7"
5' - 0"
Rest Area
6' - 10"
3' - 1"
5' - 0"
105
National Space
35' - 2"
0' - 6"
5' - 0"
5' - 0"
0' - 3"
9' - 9"
5' - 0"
9' - 9"
0' - 3" 5' - 0"
5' - 0" 0' - 3" 5' - 0"
0' - 6"
7
7
6' - 10"
5
6' - 1 1/2"
5' - 0"
3
6' - 2"
8
5' - 0"
A. 7.2
9
10' - 8"
5' - 0"
107
5' - 0"
Assembly Space
1-1
2' - 8" 2' - 8"1' - 0"
8
4' - 0"
2' - 11"
5' - 0"
4' - 0"
2' - 11"
9' - 0"
105
108
6'6 - 0"
5' - 0"
4' - 0"
4' - 0"
275' - 3"
25' - 0"
5' - 0"
5' - 0"
1-L
110
5' - 0"
4' - 2 1/2"
9
2' - 11"
3
5' - 0"
104
9
2' - 11"
5' - 0"
4' - 0"
4' - 0"
6' - 3"
9' - 0"
11' - 8 1/2"
4' - 2 1/2"
Elevator
4' - 2 1/2"
4' - 2 1/2"
109
Elevator
8' - 2 1/2"
6
A. 7.0
A. 7.2 UP
1
Egress Stair 2
103
7
8
Westlake Ave N
25' - 0"
5' - 0"
106
4Men's Bathroom
A. 7.2
6
1
3' - 0"
9' - 3" 9' - 3"
5
6
6 5
A. 7.3
7
2
3' - 0"
5' - 0"
25' - 0"
5' - 0"
111
5' - 0"
Women's Bathroom
A. 7.3
A. 7.0
3
15' - 2"
5' - 0"
6' - 10"
4
6' - 1 1/2"
10
3' - 7"
6' - 10"
2' - 8"
5' - 0"
3
3' - 0"
5' - 0"
---
25' - 0"
5' - 0"
11
3' - 1"
5' - 0"
11
0' - 8 1/2"
10' - 11 1/2"
5' - 0"
Rest Area
113
1 Mechanical Room A. 7.3
11' - 4 1/2"
106 1' - 4"
10
0' - 6"
9' - 8 1/2"
2 11' - 0"
5' - 7"
5' - 0"
135' - 3"
5' - 0"
112
1
25' - 0"
A. 5.2
5' - 0"
Regional Space
5' - 0"
5' - 0"
5' - 10"
12
5' - 7"
108 2' - 8"
107
Rest Area
5' - 0"
5' - 0"
25' - 0"
5' - 0"
10' - 11 1/2"
5' - 0"
Rest Area
115
5
3' - 0"
114
11' - 0 1/2"
Storage Room
0' - 8 1/2"
12
A. 5.2 Electrical Room
2
4
3' - 0"
2' - 8"
11' - 0"
3 A. 3.1
0' - 10"
A. 7.0
5
0' - 6"
13
5' - 0"
110
2' - 8"
13
1' - 1"
5' - 0"
UP
5' - 0"
116
5' - 0"
25' - 0"
14
5' - 1"
0' - 3"
1-B2
14
0' - 3"
1-B1
4' - 11"
6' - 9"
118
North Entry Vestibule
21' - 6"
Memory Garden
2' - 8"
109
117
Egress Stair 3
1' - 4 1/2"
5' - 10"
9' - 8 1/2"
4
0' - 10"
3
14' - 4"
2
0' - 10"
24' - 5" 25' - 0" 20' - 0"
1
0' - 10"
55' - 6 1/2" 5' - 0" 5' - 0" 5' - 0" 5' - 0" 5' - 0" 5' - 0" 0' - 3" 5' - 0"
1 2 First Floor Plan
The atmosphere of the public space flows from public to semi-public from south end to north end. The main lobby is a public space with double-height ceiling. The international space and national space function as exhibition gallery showcasing civility and discourse relative individuals and historical events. After they pass the assembly space, they could experience the regional space. The memory garden at the north end would provide a more quiet and tranquil space.
D
C
B
A
Lobby (perspective1)
National Space (perspective 2)
D
C
B
1
A. 3.1
A. 5.1
3
1
25' - 0"
2
50' - 0"
Open to Lobby Below
0' - 1 1/2"
3
A. 5.1
2
4' - 9 1/2"
0' - 1 1/2"
0' - 10 1/2" 0' - 2"
80' - 6"
1' - 0" 7' - 7 1/2"
0' - 6 1/2"
3' - 2 1/2"
201
24' - 0"
5' - 11 1/2"
7' - 1 1/2"
4
3' - 3 1/2"
Community Tables
Open to International Space Below
UP
25' - 0"
201
4' - 8 1/2"
Gathering Space
2' - 6 1/2"
5
DN
A. 5.2
3
5' - 1"
204
6' - 4"
3' - 6"
3' - 6"
6
25' - 0"
6
Open to National Space Below
Staircase
6' - 4"
2-1
203
Socrates Cafe
Coffee Tables
0' - 6 1/2"
2 A. 3.1
5' - 11 1/2"
25' - 0"
Community Tables
4' - 1 1/2" 0' - 8 1/2"
N
7' - 8 1/2"
3' - 10 1/2"
7
2' - 7 1/2"
7
5
3
10' - 5 1/2"
8
9 A. 7.2
7
202
12
A. 6.1
1
UP
4' - 0"
4' - 2 1/2"
4' - 2 1/2"
207
Elevator
4' - 0"
2' - 11"
206
Elevator
203
2' - 11"
8
DN
2' - 8"
208
6
4' - 0"
4' - 0"
25' - 0"
4' - 2 1/2"
4' - 2 1/2"
21' - 1"
275' - 6"
A. 7.0
Egress Stair 2
1' - 4"
8
Open to Assembly Space Below
25' - 0"
205
Men's Bathroom 4
A. 7.2
6
7
14' - 11 1/2"
4
2' - 4"
202
0' - 8 1/2"
2' - 6" 2' - 8"
0' - 11 1/2"
DN
5' - 11 1/2"
0' - 1 1/2"
Handrail
26' - 0"
19' - 7 1/2"
5' - 11 1/2"
A. 5.2
4' - 0"
4' - 0"
9
2' - 11"
2' - 11"
204
9
4' - 4"
3
6 5
A. 7.3
0' - 2"
0' - 5"
25' - 0"
209
Women's Bathroom
A. 7.3
7
8
4
205
10
62
9' - 2 1/2"
8' - 10"
1' - 4" 2' - 8"
10
0' - 2"
Egress Stair 1
5
3' - 6"
4
6' - 8 1/2"
25' - 0"
6' - 0 1/2"
67
65
6' - 0"
---
0' - 3"
2' - 0"
11' - 10"
2' - 8"
11
1' - 3"
2-2
5' - 4"
11' - 10"
1
25' - 0"
A. 5.2
5' - 4"
2-3
210
9' - 2"
207
0' - 8 1/2"
12
6' - 2"
2-4
2' - 8"
12
2' - 0"
0' - 6"
---
-
9' - 6 1/2"
2' - 0"
Administrative Office
2' - 0" 2' - 0" 2' - 0"
9' - 2"
Open to Regional Space Below
19' - 3 1/2"
Working Space
8' - 10"
0' - 8 1/2"
213
-
Electrical Room
A. 5.2
2
10
212
206
3 A. 3.1
Mechanical Room
9
11
3' - 7 1/2"
5 A. 7.0
0' - 8 1/2"
3
1' - 7"
3' - 6" 3' - 6"
2
3' - 3" 3' - 3"
24' - 5"
25' - 0"
20' - 0"
4' - 9" 0' - 2" 0' - 5"
0' - 3" 0' - 7 1/2"
A
1
71
6' - 0"
73
6' - 0"
69 6' - 0"
25' - 0"
211
5' - 7 1/2"
12' - 3"
10' - 3"
Manager's Office
3' - 0"
OfďŹ ce Reception
12' - 0 1/2"
---
-
2' - 8"
214
Storage Room
11
2' - 8"
13
1' - 1"
208
DN
3
13' - 4 1/2"
A. 6.1
2
A. 6.1
UP
2' - 8"
215
Egress Stair 3
13
25' - 0"
0' - 2"
Open to Memory Garden Below 0' - 4"
14
14
2
A. 4.1
24' - 5" 25' - 0" 20' - 0"
7' - 7 1/2" 6' - 0" 3' - 5" 0' - 4"
4' - 1" 1' - 11"
5' - 11 1/2"
Second Floor Plan
Setbacks between the second floor slab and the glass facade decrease from south to north, indicating the transition from public (gathering space) to private (administrative office for the foundation). Socrates cafe is placed at the south end where people would gather together.
0' - 8 1/2"
---
D
C
B
A
1
A. 3.1
B
C
D
3
A. 5.1
1
A. 5.1
1
6' - 4 1/2"
8' - 2 1/2"
3' - 0"
71' - 4"
2
10' - 9 1/2"
301
4' - 0"
4' - 0"
2' - 7 1/2"
Green Screen Planter
4' - 0"
0' - 6"
0' - 6"
A. 5.1
2
9' - 9"
3
303
A. 6.1
A. 6.1
UP
DN
7' - 2"
5' - 0"
301
211
4' - 0"
5' - 0"
4
-
---
-
6.1 A.A.7.0
24
---
25' - 0"
7' - 6"
305
Manager's Office
3' - 3"0' - 9"3' - 3" 2' - 6"
Guest Chairs
Reception
Vertical Curtain Wall Sunshade
7' - 6"
Entry to OfďŹ ce Space
302
Hallway to Public Garden
6
5
Egress Stair 1
Handrail around The Public Garden
Third Floor Public Garden
4' - 0"
Outdoor Table and Chairs
Square Planter
3' - 0"
3' - 0"
Potted Plant
5' - 7 1/2"
5' - 7 1/2"
A
9' - 4 1/2"
3' - 0"
67' - 0"
16' - 0"
7' - 6"
12' - 3"
6' - 0"
4' - 0"
77
304
Office
5' - 0"
4' - 0"
2-5
3' - 10"
1' - 0"
5
2-6
5' - 0"
0' - 6" 5' - 4"
5
0' - 6"
5
9' - 2" 5' - 4"
A. 7.0
4
0' - 6"
24' - 5"
97'25' - 0"- 0"
20' - 0"
0' - 3" 3' - 3"
2 A. 3.1
11' - 10"
11' - 10"
7' - 6"
306
Private Meeting Room
7' - 6"
79
6' - 0"
25' - 0"
6
10' - 0"
7' - 6"
N
7' - 6"
307
Private Meeting Room
25' - 0"
Working Space 11' - 10"
7' - 8 1/2"
2-8
80
11' - 10"
1' - 0"
4' - 2 1/2"
0' - 6"
0' - 6" 5' - 4"
6
24' - 5" 25' - 0"
7
7
10' - 0"
12
25' - 0"
25' - 0"
7' - 6"
308
14
Reception
Men's Bathroom
13
A. 7.2
11
13
11' - 10"
10
Small Discussion Space
20' - 0"
24' - 0"
7' - 6"
4' - 6 1/2"
3
310
8
14
303
309
311
Elevator
310
Elevator
6 25' - 0" A. 7.0
5' - 0"
0' - 6"
7' - 6"
0' - 6"
5' - 0"
3' - 4"
5' - 0"
312
7' - 6"
0' - 6"
5' - 0"
Office Breakroom
A. 7.2
2
Egress Stair 2
302
16
5' - 0"
7' - 8"
A. 7.2
15
8
0' - 6 1/2" 2' - 8"
0' - 6 1/2" 5' - 0"
0' - 6"
2' - 8"
26' - 0"
9
309
7' - 8"
8
5' - 0"
304
9
3' - 2 1/2"
2
4 12 11
A. 7.3
9
15
7' - 6"
Reception
313
7' - 6"
11' - 10"
Women's Bathroom
A. 7.3
A. 7.0
25' - 0"
10
5' - 0"
10
7' - 10"
5' - 0"
2
16
25' - 0"
10' - 8 1/2"
Working Space
314
7' - 6"
11' - 10"
7' - 6"
---
-
Mechanical Room
A. 7.3
11' - 10"
2' - 8"
305 1' - 4"
10
5' - 0"
306
11
5' - 0"
11' - 10"
5' - 0"
307
7' - 6"
1 A. 5.2
7' - 6"
12
5' - 0"
0' - 8 1/2"
2' - 8"
7' - 6"
11' - 10"
11' - 10"
11' - 0 1/2"
7' - 6"
316
18
25' - 0"
315
11' - 10"
2' - 8"
10' - 10"
12
Storage Room
A. 5.2
2
17
25' - 0"
5' - 0"
13
2-7
DN
318
5' - 0"
78
6' - 0"
317
0' - 6 1/2"
Office
2' - 8"
UP
25' - 0"
7' - 6"
1' - 4 1/2"
9' - 3"
1' - 0"
319
7' - 10"
14
14
2' - 2 1/2"
2' - 2 1/2"
1' - 7 1/2"
3' - 3"
1' - 7 1/2"
Manager's Office
3' - 7 1/2"
0' - 8 1/2"
308
Egress Stair 3
13
2' - 10" 2' - 6" 2' - 6" 2' - 9"
3 A. 3.1
Electrical Room
Small Discussion Space
0' - 8 1/2"
11
4' - 1"
25' - 0"
4' - 4 1/2" 5' - 4" 3' - 8 1/2"
3' - 0" 3' - 0" 5' - 4" 3' - 8 1/2"
4' - 1" 0' - 4 1/2" 0' - 1 1/2"
0' - 4 1/2" 0' - 1 1/2"
1
Third Floor Plan
Non-office workers would go up to the third floor green garden through the egress stair at the south end. A hall way space separates the office space and the exterior area. The green garden provides people with another area to gather and discuss issues related to civility and discourse. This trasition from exterior to interior to exterior also creates more spatial dynamic.
D
C
B
A
D
C
B
24' - 5"
A. 3.1
1
25' - 0" 20' - 0"
2
3
A. 5.1
11' - 5 1/2"
24' - 0"
3' - 0" 3' - 0" 2' - 0"
7' - 6"
84
6' - 0"
402
3' - 4"
2' - 8"
401
401
Office
UP
3' - 7"
0' - 8 1/2"
4
10' - 0"
11' - 10"
7' - 6"
403
Manager's Office
83
25' - 0"
7' - 6"
5
10' - 0"
2-11
0' - 6"
4' - 0"
1' - 0"
7' - 6"
25' - 0"
7' - 6"
11' - 10"
6
10' - 0"
Working Space
11' - 10"
7' - 8 1/2"
0' - 6" 5' - 4"
7' - 6"
25' - 0"
N
7' - 6"
405
11' - 10"
A. 5.2
3
5' - 4"
Private Meeting Room
404
6' - 0"
Private Meeting Room
3' - 10"
6' - 0"
3' - 10"
1' - 0"
2
0' - 6"
DN
10' - 3 1/2" 2' - 0"
0' - 6"
Egress Stair 1
1' - 0"
A
1' - 0" 2' - 0"
A. 3.1
Small Discussion Space
7
10' - 0"
12
14
7' - 6"
25' - 0"
Reception
406
Men's Bathroom
13
A. 7.2
11' - 10"
10
11
6' - 7"
4
7' - 6"
7' - 8"
A. 7.2
15
5' - 0"
1' - 4"
8
410
402
16
DN
UP
6
408
Elevator
407
Elevator
A. 7.0
3' - 4"
0' - 6" 5' - 0"
0' - 6"
25' - 0"
410
1' - 6"
5' - 0"
Balcony
409
Office Breakroom
2' - 8"
403
407
Egress Stair 2
0' - 2 1/2"
5.2 4'A. - 0"
4' - 8" 2' - 6"
3' - 6"
0' - 6"
2' - 6"
5' - 0"
2' - 6"
0' - 6"
2' - 6"
9
409
5' - 0"
404
8
10' - 0"
405
406
7' - 6"
25' - 0"
7' - 6"
10
7' - 6"
25' - 0"
7' - 6"
Working Space
11
10' - 0"
7' - 6"
Small Discussion Space
A. 5.2
1
25' - 0"
7' - 6"
413
---
-
412
A. 5.2
411
10
Electrical Room
11
A. 7.3
Mechanical Room
12
2
Women's Bathroom
A. 7.3
9
3 A. 3.1
3' - 7 1/2"
407
12
10' - 0"
2-12 2-13
4' - 4 1/2"
5
0' - 2"
10' - 6"
7' - 6"
415
25' - 0"
Manager's Office
85
6' - 0"
414
7' - 6"
14' - 0 1/2"
Storage Room
1' - 1"
A. 7.0 23' - 6"
1 0' - 3"
2
Fourth Floor Plan
Fourth floor plan is how a typical office space is laid out. It’s placed symmetrically on the west-east axis. The balcony brings workers outside. Two managers’ office are placed at the southeastern and northeastern corners since those spots would present a better view towards downtown area with better daylight.
13
10' - 0"
7' - 8"
1' - 4" 3' - 4"
408
417
9' - 8"
0' - 4 1/2"
25' - 0"
4' - 1"
7' - 6"
86
6' - 0"
416
Office
UP
DN
Egress Stair 3
14
Manager’s Office (perspective 1)
Working Space (perspective 2)
D
20' - 0"
C
25' - 0"
B
24' - 5"
A
Roof Top
132' - 0" Roof 130' - 0" Level 10 117' - 0" Level 9 104' - 0" Level 8 91' - 0"
13' - 0"
13' - 0"
13' - 0"
13' - 0"
2' - 0"
143' - 0" Roof Parapet
Level 7
13' - 0"
78' - 0" Level 6
13' - 0"
65' - 0" Level 5
13' - 0"
52' - 0" Level 4
13' - 0"
39' - 0" Level 3
13' - 0"
26' - 0" Level 2
13' - 0"
13' - 0"
2' - 0"
Level 1
Transverse Section
0' - 0" Footing -2' - 0"
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Longi
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Sun S
Mana
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M den r a G Green pa c i l b u P ring S Gathe Intern y r Ent Lobby
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Office Entry
Pullman View Tower Architecture Pilgrimage Studio Pullman, WA Teamwork Project, Fourth Year Studio Teammate: Zhe Song This studio is devoted to explore the possibility to build a pilgrimage project in Pullman that is surrounded by distinguishing Palouse area. Pullman is known of its natural wavy topography and the school campus, but it still lacks a landmark or a special place that could stand out. In this case, we want to provide visitors with a place, especially a pilgrimage place that they would stop by when they arrive in Pullman. What are some qualities, characteristics or phenomena that cause places to become pilgrimage places? As designers, how can we make Pullman one of the places that would attract visitors to come maybe only to see the pilgrimage project? For this project, “pilgrimage� will be seen as a predominately secular term such that many different human endeavours can be understood as belonging to the realm of pilgrimages. For us, the way we take this project is to highlight the beautiful view the Palouse topography possess. Through study of the site, we want to preserve the harmonious relationship between the natural landscape and manmade university campus--the nature and people.
From Seattle and Spokane
Pullman-Moscow Regional Airport From Seattle From Moscow
SITE
From Moscow
From Lewiston
Pullman would be expecting large population influx due to large sports events such as football game and basketball game once in a while. People who live around Pullman area and come to support WSU teams are a sign of community spirit. Sports stadiums are the destination of their trip. To them, sports stadiums are their pilgrimage sites. One of the project goals of Pullman View Tower is to build up a destination that people would look up to and wish to come to visit. It’s also a sign of community spirit of the Palouse region.
0’
1000’
2000’
N
Spatial Experience Study
Earth Space Dig the ground to create an earth space with section views of the earth surrounding the path or the floor.
Sky Space Build up walls or ceilings to create limited view up towards the sky.
Horizon Space Build up walls or only use floors and ceilings to create limited or panorama view towards Palouse topography.
major methods to Pullman: 01 Two taking an airplane or driving a car.
view from in the plane differs a 02 The lot from that in a moving car.
East
structure embedded in the 05 Main ground with 11 floors above
ground and 2 floors below groud.
out space at the west side of 06 Cut top soil for entrance since this side is where visitors would potentially approach the building.
Stairs
Ramp
up space at the rooftop for 09 Open outdoor sky view area and view
towards Palouse to the North and South.
stairs and ramps to 10 Combine integrate different using
experience such as walking, sitting, and resting.
two perspectives are taken 03 These into account to present a continuous viewing experience. A vertical relationship could be observed in these two transportation methods.
rectangular form created to 04 Arepresent that continous viewing experience.
Palouse View Campus View Wind
an overhang at the 07 Provide entrance level to resist wind force from up above.
stairs and ramps to 11 Combine maximize each separate function.
two observatory decks at 08 Place eastern side of the building for
Palouse view and an western one for campus view.
handrails and turf on the 12 Place stairs for comfortability and easier accessbility. This also blends the stairs into the nature.
Roof Deck Elevator Hoistway W 6 x 15 Wide Flange Beam Elevator Stairs Transluscent Glass Facade
Observatory Deck
Entry Overhang Administrative OfďŹ ce Bench
Exploded Structure
Stairs Route Elevators Route
Circulation
Longitudinal Section
Site Plan
West Observatory Deck
Front Entry
Potrero Branch Library Regional Community Library San Francisco, CA Third Year Studio Potrero Branch Library is the 22nd branch established in the San Francisco Public Library system, whose its history dates back to 1890s. One of its earliest locations was on Kentucky Street, which closed in 1902, replaced by a library station. It moved four more times before opening at its current location on 20th Street in 1951. It’s located between Arkansas St and Connecticut St and north to 20th St. On the west and east side of the project are two residence buildings, thus the south and north facades are vital to showcase the image of the library. It’s a light box shining at night and preserving a semi-private interior space at day time. People move inside of the building, projecting vague figures onto the facade and creating vivid image.
South Beach
San Francisco South of Market Mission Bay
UCSF Library (Mission Bay) Simpson Library
Connecticut St
Arkansas St
20th St
Potrero Branch Library (Site)
Inner Mission
Potrero Hill
Dogpatch
Barnett Briggs Medical Library
Picture Library Antique
Bernal Heights
Bayview Hunters Point 0’
400’
800’
N
Site
Public Buildings
Dwellings/Condominiums/ Flats and Douplex Schools
Churches/Convents/Rectories
Commercial Stores
Parkings
The site is surrounded by condensed low-rise residential buildings. The design strategy needs to differentiate this library from the context but still embed it into the local cultural context. It’s a hub of community activity but also a traditional place for people to read, ponder and interact.
0’
100’
200’
N
20th
et
Ark
Stre
ans
as
130
20th
Str
et
Ark
Stre
ans
as
eet
’
Str
eet
20’
52’
Co
Co
nn
nn
’
ec
ec
50
u tic
u tic
tS
tS
e tre
e tre
t
t
01 Basic Volume
02 Setback
The property is 130’ x 50’ x 52’ with four floors, 13’ high each.
20th
et
Stre
Ark
ans
as
20’ setback from North on the fourth floor for San Francisco downtown view and outdoor activity space.
20th
Str
et
Stre
Ark
ans
eet
as
Str
eet
ut
tic
ec
nn
Co
ut
tic
ec
nn
Co
t
ee
Str
t
ee
Str
03 Entries
Two entries on North and South side of the project, one on the street level while the other one close to parking lot.
20th
et
Stre
Ark
ans
as
04 Frosted Channel Glass Facade
Put frosted channel glass facade on North and South side to limit view towards exterior space to create an intrinsic reading experience.
Str
eet
et
tre
S ut
tic ec nn
Co
05 Skylight
Atrium on center with skylight on top of the project to create a hub to introduce exterior natural light with major circulation flows.
Skylight
Balcony Roo
ftop
Egress Stair Elevators Bathrooms Reading Area Children’s Reading Room
Four t
h Flo
or
Atrium Meeting Rooms Lobby
Thi (Stre rd Floor et Le vel)
Seco
Street Level Entry Reading Area Entry Storage Room Bookshelves
nd F
loor
Guest Lecture Space Bookshelves Reading Area Meeting Room
First
(Gro
und)
Floo
Manager’s Office Administrative Office r
Painted Aluminum Coping
Rooftop 26’
EPDM Roofing Over Insulation Composite Lightweight Con/Steel Deck
Single Layer of Low Iron U-profile Glass Units with Translucent Insulation Single Layer Laminated Glass Wall System Thermal Insulation Void
Children’s Reading Room
Fourth Floor (Street Level) 13’ Fireproofed Steel Framing Suspended Ceiling System
Concrete Column
Lobby
Third Floor (Street Level) 0’
South Facade Channel Glass Section Detail
Longitudinal Section
Third Floor Lobby
Fourth Floor Reading Space
Interlocking Wine Rack Studio This furniture studio is devoted to design a wine rack structure with modular system that has the ability to expand towards different directions. It shall has certain level of aesthetic appeal while at the same time possesses structural stability. This wine rack structure could be used in restaurants, displaying area of a wine store, or personal situations. Through several faiture test and design processs, I decided to use hard maple sticks with the dimension of 1/4� by 1/4� with a certain length. These sticks may interconnect with each other using the three-way connections with dado cuts.
4
Interlocking Structure
5
Vertical Supp
1
Basic Unit Assembly
2
3
Basic Unit
Preliminary Form
ports at Ends`
6
Final Form with Four Layers
Understanding Scale Photography Practice Among several topics in architectural field, the relationship between building and people is one of them that capture my eyes the most. We couldn’t tell how enormous or tiny a structure is until we place a human figure in comparison. We, as the users of architecture works, constantly experience the scale issue between building and people. Through my personal photography practice, I try to present that sense of scale as an important process to further understand architecture.
Yang Chen Tel: (509)-5928805 Email: yang.chen@wsu.edu