‘Here Comes the Emperor 皇上驾到’ Foreword
‘Here Comes the Emperor 皇上驾到 Solo Exhibition Opening Reception 6th June 2015
‘Here Comes the Emperor 皇上驾到’ Zhao Limin Solo Exhibition 6th – 22nd June 2015
Artist name: Zhao Limin Title: Emperor & Empress no. 1 Size: 138 x 185 cm Medium: Oil on Canvas
Artist name: Zhao Limin Title: Guangxu & Empress Dowager Size: 180 x 185 cm Medium: Oil on Canvas Â
Artist name: Zhao Limin Title: The Emperor’s New Clothes: Garden Stroll Size: 138 x 235 cm Medium: Oil on Canvas
Artist name: Zhao Limin Title: Nuptial Chambers Size: 180 x 180 cm Medium: Oil on Canvas
Artist name: Zhao Limin Title: The Legend of Aisin Gioro Size: 300 x 400 cm (diptych) Medium: Oil on Canvas Â
Artist name: Zhao Limin Title: The Emperor’s New Clothes: The Scholar Size: 138 x 235 cm Medium: Oil on Canvas
Artist name: Zhao Limin Title: Emperor on a Horse: Li Shimin Size: 138 x 185 cm Medium: Oil on Canvas Â
Artist name: Zhao Limin Title: The Empress’s New Clothes: Great Expedition Size: 180 x 300 cm Medium: Oil on Canvas
Artist name: Zhao Limin Title: The Emperor’s New Clothes: Lotus Ball Size: 120 x 165 cm Medium: Oil on Canvas
Artist name: Zhao Limin Title: Newly Weds Size: 180 x 180 cm Medium: Oil on Canvas Â
Artist name: Zhao Limin Title: The Emperor’s New Clothes: Great Wall Size: 180 x 230 cm Medium: Oil on Canvas
Zhao Limin 赵利民
Zhao Limin is one of the most prominent upcoming artists in the international Art industry in recent years and has participated in numerous national and international Art Exhibitions. The China Art Committee had recently announced him as one of the most important emerging & big potential contemporary realism artists. Zhao Limin’s subjects have captured the amusement of institutional life in the most charming manner. The message is succinct without being banal, and the style is as charming as the subject matter dictates. Zhao uses the technique of realism usually associated with social cause and egalitarianism. It is a style most relatable to the common man, mindful of his dignity whatever his station in life. In contemporary art, the concept that the artwork implied is much emphasized, and this often leads to artworks overloaded with concepts, which makes the audiences tired at a glance. On the contrary, Zhao Limin’s work is modest and earthy, without any deliberately made concepts .For Zhao Limin, the laugh is as much on himself as on others. He was born into a family serving in the military. Therefore he was trained in the system, knows its machinery and sees the human dimension beneath the rules. His yearning to seek solace in a carefree, nonobligatory life is visible in the strong sense of freedom and innocence of his child subjects. Camouflages were taken off from their bodies and what's left is the straightforward connection between man and nature is the direct dialogue between human and the society. In Zhao Limin’s works, we regain our cherished memories of the innocent childhood, and the query against the precocity in Chinese culture for over two thousand years.
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