Keira Yang Zhang Architecture Graduate Portfolio 2016

K E I R A Y A N G

Z H A N G

P O R T F O L I O

A R C H I T E C T U R E G R A D U A T E / University of Sydney / Master of Architecture / S e l e c t e d Wo r k s

A r c h . K e i r a Ya n g Z h a n g E. keirayang27@hotmail.com W: keirayangzhang.com

K E I R A

Y A N G 2

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6

Z H A N G

INDEX

01 - 02

00

Curriculum Vitae

03 - 20

01

Graduation Studio Macleay Museum - Old and New

21 - 28

02

Urban Architecture Research Studio Camellia Station - Urban Plaza | A r t a n d C u l t u r e C e n t e r | G r e e n S k y Wa l k

29 - 36

03

Digital Architecture Research Studio Redfern Station - Ag gregation

37 - 40

04

Sustainable Architecture Research Studio Haberfield Public School - T he Pocket Spaces

41 - 42

05

Bachelor of Design in Architecture Studio Flinders Street Station

43 - 44

06

Contract Documentation

Darlington Centre Refurbishment - CAD Drawings 45 - 50

07

Urban Island Cockatoo Island - Architectural Graphic Novel

51 - 54

08

Professional Experience I B I G r o u p & Wo o d s B a g o t

55 - 56

09

Object Design Re-seat - Stool Design

57 - 58

10

Competition Blank Space - Fair y Tales 2016

59 - 60

11

Illustration Doodle Diary

61 - 62

12

Photography

T O W H O M I T M AY C O N C E R N

Currently, I just finished my final year in Master of Architecture degree in The University of Sydney. I did my Bachelor of Design in Architecture degree in The University of Sydney as well from 2011 to 2013. I am easy going by nature and able to get along with both work colleagues and managers, I am looking for a suitable architect position lately.

I was born in Nanjing, China, where I lived until I started my studies in the architecture in Australia. It was a great opportunity for me to experience the aesthetic, technical, social and professional aspects of architecture

Keira Yang Zhang

in Australia’s oldest university. The five years study of architecture was a fantastic journey for me and it has taught me a lot about how to concep-

漾

tualise designs, test assumptions, evaluate results and refine my craft. Also I understand that architecture is an integrated discipline requires not only

26/03/1991

excellent teamwork and individual ability, but also the courage to chase the very ideal imagination and creativity. I have also enjoyed being part of the art workshop studies within the university such as ceramics, photogra-

+61425427400

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keirayang27@hotmail.com

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www.keirayangzhang.com

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Because of the high flexibility of the curriculums in the University of

No. 136, Songshan Rd, Jianye District, Nanjing 210019

A

Sydney, I have gained comprehensive knowledge about sustainable ar-

Chinese & English

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phy, painting, sculpture and object design.

chitecture, urban planning, digital architecture, architectural history and theory, construction and arts. After the five years study and two internship experiences both in Woods Bagot in Shanghai and IBI Group in Beijing, the knowledge and experience become to the inspiration and problem solving strategies in my design.

keirazhang keirayangzhang keirayangzhang

01 \

YOURS SINCERELY, Keira Yang Zhang

漾

C U R R I C U L U M

TERTIARY EDUCATION

PROFESSIONAL EXPERIENCE

> Master of Architecture

>

The University of Sydney

V I T A E

Intern - Woods Bagot, Shanghai, China Dec 2014 – Feb 2015 - Taizhou Tengda Center, Taizhou, Zhejiang, China

(2014-2015)

http://www.woodsbagot.com/project/taizhou-tengda-

> Bachelor of Design in Architecture

center-zhejiang-china

The University of Sydney

I was participating in the Design Development Phase

(2011-2013)

of this project. Working with the team helped me gain valuable experience with teamwork and also CAD programs.

COMPETITION & AWARD

> Industry Event Award Nomination, 2015

>

My graduation studio project was nominated

Intern - IBI Group, Beijing, China Jan 2014 – Feb 2014

for the Architecture Graduate Exhibition Award

- Taiyue Dream Town Shopping Park, Ningbo, China

Presentation.

- Zhongdong City Plaza, Changchun, China I had an opportunity to work in a diverse range of

> Fairy Tales - Architecture Storytelling Com-

work: modifying plans, Photoshop, building Sketch-

petition,2016

Up model, preparing presentation documents.

I was fully involved in the competition with a team.

RELATED SKILLS RELATED EXPERIENCE

Systems:

> Publication

Photoshop

Mac / Windows AutoCAD

My Digital Design Studio work was included in Softwares:

the Architecture Faculty Year Book of The University of Sydney (2015)

> Websites

Rhinoceros

Revit

Sketchup

Word/ Powerpoint

Designed my personal website (2015) Http://www.keirayangzhang.com

Illustrator

Model Making

InDesign

Hand Drawing

Urban Island Illustrations (2014) Http://www.cuckootooisland.weebly.com

> Volunteer Participated in a volunteer programme with a team

INTERESTS

to experience traditional culture in Guizhou, which

- Travel - Handcraft - Photography

involved special research activities. (Organized by

- Drawing - Yoga - Badminton

PCD and GZIICD, 2012)

> Exhibition The University of Sydney Architecture Graduate Exhibition (2015 & 2013) My design was included in an exhibition (Re Seat)

by Object Design students and tutors from The University of Sydney. (2011)

REFERENCES

>

Mr Jeff Liu - Executive VP, IBI Group China Freda.li@ibigroup.com

> Mr Justin S. Szeremeta - Senior Associate Justin.Szeremeta@woodsbagot.com

CV

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G R A D U A T I O N

01

S T U D I O

‘AT A TIME WHEN WE BOTH CRAVE AND FEEL OVERWHELMED BY INFORMATION, THE ARCHIVE CAN SEEM LIKE A MORE AUTHORITATIVE, OR SOMEHOW MORE AUTHENTIC, BODY OF INFORMATION OR OF OBJECTS BEARING VALUE AND MEANING.’

Macleay Museum Old and New

Master of Architecture Semester 2, 2015 Tutor : Genevieve Murray Coordinator: Dr François Blanciak In Par tnership With: Nan Ding

/ 04

GRADUATION STUDIO

MACLEAY MUSEUM

T he design is to propose a new addition to

existing Macleay museum that reconfigures the circulation, exhibition spaces and recreate a new archive acts as an ‘actant’. Our design started from ideology concept design by considering how to bring public to explore the archive initially was a secured space. We introduced a liner journey to lead visitors to explore the initially secured archive space by identifying the fragments of archive while visiting the permanent exhibition space.

05 \

With the consciousness of archive, visitors follow the journey into the whole archive space. The spatial arrangement reflected the inner progressive relationship between selfconsciousness of archive and the objective archive space. With the surrounding context, by minimizing influence of Parramatta road, we designed two tunnels to the underground foyer to start the journey. We brought the old botanic garden to our design as the destination of the journey.

MACLEAY MUSEUM

/ 06

GRADUATION STUDIO

Ideology Conceptual Model / Cabinet within Cabinet

W e want to show more perspectives of the archive in

an innovative way. To achieve that, we designed two interactive cabinets in both linear and parallel method of exploration.

The first cabinet is about the linear exploration experiment, from the ver y first layer to the ver y inner cabinet, one contains another, you can open them one by one in the linear way. You won’t see the final image until you opened ever y drawer that one inside one another. During the process, you can not see the final image directly, but ever y single layer in this cabinet is tr ying to reveal a much richer perspective for the final thing.

The secondar y exploration str ucture in our design would be the parallel way we created for the second cabinet, it would be reflected in the connection between archive and per manent, temporar y spaces. And also exists in the different access for different communities.

A N ew Way To Experi en ce A r t / Interactive Space Exploration / From Obser vation To Exploration

• Fo r c e

T he force exists in the linear exploration way has become to our main str ucture of the design. We use the force in our spatial design, the changes of the space have the certain impact on the viewers, and then the viewers have to adjust themselves to the distortion they experienced in.

• Zoom

W e use zoom as the concept to make that point that

ever y point of our existence and our vision of what is real is always a tiny piece of what really is. Getting the knowledge about the collections and archives should be a step-by-step process.

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IDEOLOGY

Cabinet No.1

LINEAR EXPLORATION

PARALLEL EXPLORATION

Cabinet No.2

MACLEAY MUSEUM

/ 08

GRADUATION STUDIO

/ Site Features / Histor y

“ LIGHT, SOUND, COLOUR, MONEY, TIME, EARTH, RUBBLE, POLITICS, CULTURE, PEOPLE, THE SEASONS, AND THE ARCHIVE “

• Botanic Garden According to the historical reasons from the site analysis, the existing backyard of the museum has the rich soil and it is really suitable for growing plants.

We took the natural resources, refresh and develop the nature environment with great potentials, highlight it and make the botanic garden as a destination of the whole exhibition journey to release.

• R e t a i n i n g Wa l l Ar undel Street is the original alignment of Par ramatta Road, In the 1880s it was decided to make a cutting next to Ar undel Street, and re-route Par ramatta Road through the cutting. In 1968, as a result of injuries to students, a footbridge was built across the cutting connecting Ar undel Street to Sydney University. The stone retaining wall and steps, iron palisade fence and sandstone kerb along Par ramatta Road. It is an excellent example of a retaining wall and stone course work.

09 \

SITE ANALYSIS

Site Analysis

USYD & Parramatta Road Development Sketch

USYD & Parramatta Road Section Sketch

33 ° 53’ 06. 38” S

151 ° 11’ 20. 38” E

Site Location

MACLEAY MUSEUM

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GRADUATION STUDIO

Final Design

10

9

11

7

8

6

12 5 13

4

14

3 2

1

Exhibition Guide

Plan | Underground Tunnels Level

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AXO DIAGRAM | PLAN | PHYSICAL MODEL

Plan | Level One | Sunken Garden Level

1

FOYER | Journey Start !

2

FIRST CABINET | University First Collection

3

NATURE SCIENCE | Macleay Family Brought Huge Amount Of Nature Science Collection From European

4

MIND AND BODY | Ethnography / Aboriginal & Torres Strait Island Collection / Pacific Islander Collection / Fiji

5

ART COLLECTION | Aboriginal Art

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ART COLLECTION | European Art

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NARROW STAIRCASE | Enjoy The Repetition Of Long Staircase.

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ARCHIVE | Experience The Amazing Archive !

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CORRIDOR | Bridge Between Old and New

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TEMPORARY EXHIBITION | Translucent

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TEMPORARY EXHIBITION | Glass House

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TEMPORARY EXHIBITION | Water Feature

13

BOTANIC GARDEN | Destination !

14

LOBBY | Shop Souvenirs !

Openable Sectional Model

Floor Plans

Plan | Level Two | Existing Bridge Level

Plan | Level Three | New Bridge Level

MACLEAY MUSEUM

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GRADUATION STUDIO

East Lawn Main Entrance

M Study Area

Neighbourhood

Lobby Foyer / Reception / Clock Room

Parramatta Road

Per Exhib

Sunken Garden

Arundel Street Entrance

cafe Water Feature Library

Quadrangle

Science Road

Macleay Museum Existing Building Function/ Education Entrance

13 \

SECTIONS

Eastern Lawn Main Entrance

Lecture Theater Entrance

Macleay Museum

Edgeworth David Building

Existing Building

rmanent bition Space

Semi- temporary Archive Circulation

Bathrooms Circulation

Offices Permanent Exhibition Space

Loading Dock

Section | Facing Science Road | Cut Through Eastern Lawn Entrance to Existing Building

Science Road

Macleay Museum Existing Building Lobby Foyer / Reception / Clock Room

Quadrangle

Study Area

Section | Facing East | Cut Through the Tunnel under Parramatta Street

Macleay Museum

Parramatta Road

New Addition

Footbridge

Arundel Street Entrance

Neighbourhood

Elevation | Facing West | Cut in Front of the Eastern Facade

MACLEAY MUSEUM

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GRADUATION STUDIO

1.

4.

2.

5.

3.

6.

7.

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PROJECT IMAGE

ARCHIVE The Inner Cabinet

The archive is one of featured space in our design; a fascinating treasure house of University’s collections.

From bottom level to the top level, the glass of the display window changes from translucent to transparent, and the back opening of the selected display box becomes big ger.

Zoom in and out in the spatial ar rangement is mainly reflected in the experience in the per manent exhibition space and archive space.

The relationship between per manent exhibition space and archive space is like a progressive str ucture.

The per manent exhibition space changed from nar row to open and broad, from the ver y bottom level to the top. The conversation between per manent exhibition space and archive space is also getting more and more. The viewers could see a big ger picture of the archive when they get to the upper level.

New Entrance

8.

1. Eastern Lawn 2. Spiral Staircase 3. Underground Courtyard 7. Eastern Lawn Entrance Section Permanent Exhibition Area 4. Entrance of Archive & Bridge to the New 6. Library New Addition 5. Temporary Exhibition Space and Green Box Archive 8. Archive with the Exclusive Cable Car 9. Archive Axo Diagram / Repeated Staircase with Changing Views of Archive on different Level / Different Transparency and Scale of Display Windows

9.

MACLEAY MUSEUM

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GRADUATION STUDIO

The Destination Above: The Sunken Botanic Garden Perspective Bottom: Technological Strategy Diagram

17 \

PROJECT IMAGE

The New Addition - Temporary Exhibition Space

The new addition to the Macleay Museum is designed as a sustainable building and it takes the modern minimalist style. The atmosphere in the new addition, which contains the temporar y exhibition, for ms a striking contrast to the existing building, which is quite classical and intricate.

The luminous affect is created through a selfsupporting envelope of singled frosted glass panels that for m a deep lighting system, bringing natural light into the galler y space inside in var ying lighting conditions. Lighting within the cavity between floors registers the shadowy concrete galler y spaces on the exterior.

The outer hanging glass and inner layers of glass operate as a light cavity, allowing indirect daylight into the interior spaces of the museum while doubling as a lighting system by night.

MACLEAY MUSEUM

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GRADUATION STUDIO

Materials: Plywood | Basswood | Birchwood Paper | Pine Wood Polypropylene | Perspex

The Physical Models Above: Sectional Model Bottom: Site Model

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MODEL

MACLEAY MUSEUM

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U R B A N

A R C H I T E C T U R E

02

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Camellia Station U r b a n P l a z a | A r t a n d C u l t u r e C e n t r e | G r e e n S k y Wa l k

R E S E A R C H

S T U D I O

Master of Architecture | Semester 1, 2015 | Tutor : T hier r y Lacoste C o o r d i n a t o r : D r F r a n ç o i s B l a n c i a k | I n d i v i d u a l Wo r k

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Project Statement

Project Narrative

The fundamental idea of the design is to develop a new integrated town space that connects the movements of the town and the landscape. The proposal connects the transportation, nature, town infrastructures, new art and culture centre, green sky-walk and new urban plaza as one united whole.

The site is Camellia, which is a suburb of Sydney, in the state of New South Wales, Australia. Camellia is located 23 kilometres west of the Sydney central business district in the local government area of the City of Parramatta.

The project aims to project a novel mode of urbanism that is framed by a productive ecology and integrates a more systematic proposal for a time based dynamic urbanization process.

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MASTER PLAN

The border of the peninsula is vulnerable to some flooding threat, so I pushed in the water into the urban plaza and the inter-modal station, it also brought in the river view and became more accessible to get ferry from the other transportations.

URBAN ARCHITECTURE RESEARCH STUDIO

Furthermore, the site is a predominantly industrial site and presents little public as well as ecological value. By reconsidering the nature of the site’s utility as well as reframing the urban system in relation to its dynamic urban atmosphere. The major linear green infrastructural spine, which is only served for public transportation will be built to unit the urban social and creative activities, and expend the continuity of the green from the riverside. Besides, the green sky-walk through each major urban destination and the green roof strategies will also be applied in along the major spine.

The urban project is situated in close relationship between landscape and urban design. In other words, the site presents an opportunity for integrating the infrastructure, the creative destinations, and the existing and new green.

CAMELLIA STATION

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Design Principle ITY BLOCKS - Plan and Axo View

C

M ixed - u se b u ild in g alon g th e g reen spine

Bloc k of industria l buildings a nd offic e s

Mi xed - u se b u i ld in g al o n g t h e g r een sp in e

B lo c k o f in d u s t r i a l bu i l di n gs an d o ffic es

Mid d le- rise R esid en tial z on e

Sm a ll-sc a led Re sidentia l zone

Mi d d le- r ise r esi d en t ial zo n e

S mall - sc al ed r e s i de n t i a l zo n e

ITE DESIGN STRATEGIES

S

I

II

II I

IV

Design a new urban grid, extend the street lines from the surrounding neighbourhoods and divide the grids on the peninsula evenly.

Create an infrastructural green spine go through the whole site from the location of the inter-modal of the station, tram and bus stop and the wharf to the eastern.

Divide the blocks depending on the change of density, have different scale of small grids in each basic street.

Build buildings in different scales and heights of each street block and make the change gradually from the central infrastructural spine.

Abov e Building

P lu g in t o B u il d i n g

Make a T u r n

The sky-walk provides a new mode of travelling around the city without touching the ground or waiting for the traffic light.

Passengers can go through one building to another more convenient and under the cover of the bridge. From gallery to shopping centre, from office tower to recreation centre…

Having different composition depending on the different typologies and functions, therefore create the diversity of different layers.

REEN SKY WALK - Urban Bridge

G

U n d e r t h e B rid g e

Different layers of the sky bridge are containers for diverse activities such as temporary markets, refreshments, and art exhibition. The sequence of diverse building scale and connections introduce a rich, comfortable and continuous experience.

25 \

DESIGN STRATEGY

Final Design

Green sky walk

Tram line Urban sky bridge

Bus and tram station

Train line

Wharf Ferry line

Tunnel to train station Bus line 20 m

0 20

60

80m

Axonometric Site Plan

Private car line

Floor Plans CAMELLIA STATION

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URBAN ARCHITECTURE RESEARCH STUDIO

Art and culture centre

1.

4.

2.

5.

3.

6.

7.

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PROJECT IMAGE | SECTION | EXPLODED AXO

URBAN ARCHITECTURE RESEARCH STUDIO

MAJOR PROJECT Camellia Peninsula of Creativity The Art and culture centre will be surrounded by office, retail, residential spaces and major camellia new creative destinations. Having the water featured plaza in the centre, another sunken plaza underneath; the train station is underground and covered by the art and culture centre; a tunnel connects the riverside and inner underground space; green sky-walk is growing from the end of the gallery bridge of the centre…

The design stayed in linear manner with the looping concept, which expands to the continuity and integration of the interior and exterior space.

9.

Project Renders 1. Northern Entrance 2. Southern Entrance 3. Water Featured Urban Plaza 4. Walkable Roof 5. Open Library 6. Sunken Plaza 7. South - North Section 8. West - East Section 9. Exploded Axonometric Diagram

8.

CAMELLIA STATION

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03 Redfern Station Aggregation

Master of Architecture Semester 2, 2014 Tutor : Rob Beson Coordinator: Dr Dagmar Reinhardt In Par tnership With: Shiyang He

D I G I T A L 29 \

A R C H I T E C T U R E

Project Statement

The aim of this project is to create a alternative and creative roof structure and new pathways based on emergence, bridging the disparity between socio economic zones of the metropolis of Sydney Redfern.

And it is not only a roof, it is a speculation of unique apertures that could possibly aiming to change people’s perception of an ordinary station. To transform the station into a spectacular volume that awaken senses. Our approach for this semester studio has gone through several disciplines and research areas into research of tensegrity, voronoi and aggregation.

Instead of finding a firm structure, we are looking at the architecture that could be defined by natural behaviour and formation. So for our major investment and exploration for the final project, it is an alternative roof structure made up by millions of aggregated modules. We call it a FLOCK. We’ve been exploring through material logic and constrains, design and evaluation of the flexibility of aggregate module structures, computing aided design to fully understand the system.

Throughout the experiment of control variations in specific condition, we observing and investigating the aggregate module instead of defining a finite form.

Aggregate architecture suggests a design paradigm of productive forms of de- and re stabilisation.

R E S E A R C H

S T U D I O / 30

DIGITAL ARCHITECTURE RESEARCH STUDIO

Flock

Form Finding

Materiality

Digital Model Diagrams

Analogue Performance

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PERFORMANCE EXPERIMENT

Context Planning

MAYA Simulation

Physical Model

REDFERN STATION

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DIGITAL ARCHITECTURE RESEARCH STUDIO

Column Idea: In Same Language SPRAY CONCRETE PREFABRICATED AND TRANSFER TO SITE BOLTED ONTO THE GROUND

Modules set on the ground(bolted onto the ground). Dropping modules till they settled using robot machine. Spray concrete for the bottom part to further settled the modules and leave the top part flexible to later put on site and easy to juxtapose into other modules. Functioning as columns on site to hold

Digital Model Realization

Section Perspective of Main Concourse

33 \

CONSTRUCTION PROCESS

Final Design

Construction Process On Site

1 Concourse and stair case finished before hand

4 Modules gradually form the ring shape

2 Build steel column support system beneath concourse

5 Till every module is settled and connected

3 Crane put modules onto the support system

6 Remove the frameworks

Structural Diagram

The measure of the area between the contact surfaces of modules

REDFERN STATION

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DIGITAL ARCHITECTURE RESEARCH STUDIO

1.

3.

4.

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PROJECT IMAGE | SECTION | MODEL

2.

Project Renders 1. Underneath the Concourse 2. New Proposed Concourse with Glass Panels on Both Sides and Top Sections 3. East - West Section 4. North - South Section Model Images 5. Platform Modules Detail 6. Shadow Pattern of Roof Modules 5.

6.

REDFERN STATION

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S U S T A I N A B L E

A R C H I T E C T U R E

04 The Future of School - Haberfield Public School T he Pocket Spaces

Master of Architecture Semester 1, 2014 Tutor : Dr Glen Hill Coordinator: Dr Glen Hill In Par tnership With: Angela Liu

37 \

An integrated curriculum of instructive and demonstrative teaching that utilises the defined outdoor spaces, as an extensional educational resource of the indoor teaching spaces. Blurring the lines between interior and exterior, therefore to make every space a great space for learning and teaching. The different courtyard areas and transition spaces between new and heritage provide people a changing experience in the school.

R E S E A R C H

S T U D I O

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Drawings

Project Renders

1. Micro-Climate Diagram 2. Eastern Elevation 3. West - East Section 4. North - South Section 5. Floor Plans 10. Section Detail

6. Mini Courtyard Between Different Years 7. Group Learning Classroom Area with Sliding Doors Facing to the Medium Courtyard 8. Bird View 9. Playground

1.

5.

2.

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7.

THE POCKET SPACES

8.

9.

10.

HABERFIELD PUBLIC SCHOOL

/40 SUSTAINABLE ARCHITECTURE RESEARCH STUDIO

U N D E R G R A D U A T E

05

07 \

CONCEPT

Flinders Street Station The Art Complex

A R C H I T E C T U R E

S T U D I O

Bachelor of Design in Architecture Studio | Semester 2, 2013 | Tutor : Langzi Chiu C o o r d i n a t o r : D r C l a u d i a P e r r e n | I n d i v i d u a l Wo r k

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UNDERGRADUATE ARCHITECTURE STUDIO

The Cube Wave Legend 1. Site Solution Diagrams From Left to Right: Rain Collectors; Reed Bed; Light Collector; Pump the Rain 2. Roof System Detail Diagram 3. Feelings of Rains From Left to Right: Walk on the Rain River; Walk Under the Shelter; Dance in the Rain; Kiss the Rain; Stroll Through Reed Beds; Water Pipe From the Water Collector to the Reed Bed; Rainwater Fountain

The complex is vibrantly open to the community with indoor and outdoor cultural venues for multi-purpose performance activities. Since it is sited on the top of the train tracks, the contemporary complex is oriented toward the Yarra River.

4. Riverside Elevation 5. Program Bird-view Perspective Diagram 6. Sectional Diagram of Theatre with Changeable Ceiling System and Movable Seating System 7. Variation Diagrams and Site Model 8. Perspective Looking from the Bridge

The idea of the cube wave art complex is based on the Melbourne’s unique climate and urban plan. To emphasize the rainy days and the connection between Flinders Street Station and the Yarra River, I decided to build the waved shape roof to collect the rainwater and also make better use of it. As a result, it will create a poetic atmosphere with the cube wave.

1.

2..

3.

4.

42 \

THE CUBE WAVE

Coming from the Melbourne’s unique urban plan and the water collection idea, my project comes with a cube wave pattern. The cube pattern starts from the west end of the heritage building. There is an entrance at the west of the heritage building, and people can go through the building and then go into the cube wave art complex, from the entrance to the café, restaurant area, and then get the gallery, and the theatre. People can also get to the west concourse through the Cube Wave.

Overall, the main points of the design are the water collection system on the cubes and the changing feeling in the wave. Besides, it is interesting to experience the changeable theatre in the art complex.

The extended cubes on the river are a stage for the outdoors performance and also as a platform for people to enjoy the view of the Yarra River.

5.

6.

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FLINDERS STREET STATION

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43 \

CAD DRAWINGS

CONTRACT DOCUMENTATION

06 Darlington Centre Refurbishment C o n t r a c t D o c u m e n t a t i o n | Wo r k i n g D r a w i n g s DARLINGTON CENTRE

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07

“THE STUDY AND PRACTICE OF MAKING MAPS. COMBINING SCIENCE, AESTHETICS AND TECHNIQUE, CARTOGRAPHY BUILDS ON THE PREMISE THAT REALITY CAN BE MODELLED IN WAYS THAT COMMUNICATE SPATIAL INFORMATION EFFECTIVELY.”

Cockatoo Island Architectural Graphic Novel

Summer Course July 14-26 / 2014 Tutor : Jimenez Lai Coordinator: Thomas Rivard In Par tnership With: We l l s C h e n We b s i t e : c u c k o o t o o i s l a n d . w e e b l y. c o m

45 \

U R B A N

I S L A N D

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URBAN ISLAND

A

B

C

D

E

F

1 RAT CITY

RAZZLE DAZZLE

2

3

4

5

PLATEAU CITY

6 DEAD PAN

7

47 \

MASTER PLAN | LONG SECTION

FUN-SIZED

G

H

I

J

K

L

LONELY MAN CAFE

EXODUS STRIP

SEAGULL CITY

AMENITIES GRASS AREAS PAVEMENT

FACTORY

CAMPING AREAS VEGETATION

N

By Cockatoo Cartographers

COCKATOO ISLAND

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URBAN ISLAND

Seagull City About

Only when the last burger was flipped, the gas to the grill shut off and the rendered fat scooped away could a project such as this be considered for Cockatoo Island.

A cartography of para-fictions and projections across the island are presented in an unashamedly architectural style. This book is a stepping off point to both near-realities and the fantastical. In the setting of a darkened, oft poorly climate controlled computer laboratory, the conditions were ripe for a rich mapping of the ‘unseen’ events and life of the island.

A gnome factory? A Seagull Kingdom? An anatomical guts that keeps the island churning, upset by a colony of rats?

All of these episodes were bred from strong reactions to the island as a place with a future as exciting as its past is rich.

The entire legion of toy soldiers is to be congratulated for their dedication in composing this book. Their passion and skill is clear in what is an exhaustive drawing out of the architectural character of Cockatoo Island.

Jimenez Lai, aided fantastically by Joanna Grant, is to be immensely thanked for his fearless guidance and fostering of a culture of ‘misbehaviour’. Without his vision and challenging approach, none of the following would have been possible.

More Chapters by the other cartographers can be found from the website: http://cuckootooisland.weebly.com

Chapter 4

A kingdom of seagulls have inhabited in the north eastern cliff of Cockatoo Island since B.C 100. The sovereignty of this kingdom are sacred and inviolable. No homo sapiens can invade their territory, otherwise they would face the stormy attack from seagulls.

Left Top- Down: Book Cover: COCKATOO ISLAND, A GRAPHIC CARTOGRAPHY Chapter Cover: SEAGULL CITY Head Explorer: Jimenez Lai Chapter Partner: Wells Chen Myself 49\

ARCHITECTURAL GRAPHIC NOVEL

COCKATOO ISLAND

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51 \

P R O F E S S I O N A L

08

E X P E R I E N C E

IBI GROUP & WOODS BAGOT Shanghai & Beijing

Intern - Woods Bagot, Shanghai, China

Dec 2014 – Feb 2015 - Taizhou Tengda Centre, Taizhou, Zhejiang, China http://www.woodsbagot.com/project/taizhou-tengdacenter-zhejiang-china I was participating in the Design Development Phase of this project. Working with the team helped me gain valuable experience with teamwork and also CAD programs.

Intern - IBI Group, Beijing, China

Jan 2014 – Feb 2014 - Taiyue Dream Town Shopping Park, Ningbo, China - Zhongdong City Plaza, Changchun, China I had an opportunity to work in a diverse range of work: modifying plans, Photoshop, building SketchUp model, preparing presentation documents.

Left Render Image: Taizhou Tenda Center by Woods Bagot Render Team / 52

图纸版权属设计单位所有

备注

施工承包廠商在施工或準備施工製造图前, 須至工程現場測量確認所有尺寸. 不可只 參用或丈量图面尺寸.

立面定位 01

立面定位 02

立面定位 03

放样点 标准平面大样 楼板平面图

主要平面

合作设计院

浙江大学建筑设计研究院有限公司 客户

台州腾达汇房地产开发有限公司 项目名称

台州腾达中心

图纸名称

塔楼A1/B1 几何放样图 日期

审核

校对

比例

原尺寸的50mm

项目编号

AA剖面

展开立面 A

展开立面 B

展开立面 C

展开立面 D

展开立面 E

图纸编号

修订

阶段

初步设计

图纸版权属设计单位所有

备注

施工承包廠商在施工或準備施工製造图前, 須至工程現場測量確認所有尺寸. 不可只 參用或丈量图面尺寸.

B

A

C 杆件间距

石材间距

石材饰面

竖向杆件单元

标准幕墙_平剖面大样

石材饰面

竖向杆件单元

主要平面

标准幕墙_立剖面大样

标准石材饰面

展开立面 A

展开立面 B

合作设计院

浙江大学建筑设计研究院有限公司 客户

台州腾达汇房地产开发有限公司 项目名称

台州腾达中心

图纸名称

A地块-裙房 展开立面 日期

校对

审核

比例

原尺寸的50mm

项目编号

展开立面 C

53\

CAD DRAWING

图纸编号

阶段

初步设计

修订

屋顶顶视平面图

F

主要平面

屋顶层148.60M 平面图

合作设计院

浙江大学建筑设计研究院有限公司 客户

皇冠外侧立面图 A/B 台州腾达汇房地产开发有限公司 项目名称

台州腾达中心

图纸名称

塔楼A1/B1 皇冠几何放样图 日期

校对

审核

比例

原尺寸的50mm

项目编号

皇冠侧边立面图 H

皇冠内侧立面图 Ｇ

轴测图_皇冠

图纸编号

修订

阶段

PROFESSIONAL EXPERIENCE

初步设计

/54

PROFESSIONAL EXPERIENCE

图纸版权属设计单位所有

备注

施工承包廠商在施工或準備施工製造图前, 須至工程現場測量確認所有尺寸. 不可只 參用或丈量图面尺寸.

09

55\

Re- Seat Not Just A Seat

O B J E C T

D E S I G N

Materials: Recycled Timbers Equipment: Table Saw; Disc Sander

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A R C H I T E C T U R E

10

Venice Proud of Tradition

57 \

S T O R Y T E L L I N G

Blank Space Fair y Tales 2016

Sydney Inclusice Standard

Hong Kong Home, Sweet Home

C O M P E T I T I O N

I n P a r t n e r s h i p w i t h We l l s C h e n a n d B e l l e L e e

Dubai Tour d’ivoire

Shanghai Mutual Advance !

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11 keirayangzhang.com

59 \

Monochrome Illustration S e l e c t e d Wo r k s F r o m M y D o o d l e D i a r y

I L L U S T R A T I O N

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12

61 \

Capturing Simplicity Human / Nature / Architecture Light / Shadow

P H O T O G R A P H Y

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K E I R A YANG ZHANG

keirayangzhang.com / keirayang27@hotmail.com

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