I can't be bothered

Summer 2OO2 issue { be bothered' 'l can't( info/newsletter)

ln this issue lnterviews with Nauzi" (brazi!)

Willbreaker (u.s,a) And Toxic holocaustlu.s.a) Also , I"'.

::l

Gontacts page Bits and piec6s For your readin$ pleasure Cl.25 U1(I$212 euros . trades wellbme

:

' I cantt be botheredt issue 1 kirktscotty, 25 planthill road, higher blackley, Manchester, M9 6wh, uk.

First of all I'd like to thank the following, bruno from nauzia, john from willbreaker and joel from toxic holocaust, cheers for the interviews guys, I hope it helps your projects in some capacity.

Right why rl can't be bothered,?, Well the simple answer to that is thatts the overall impression I get from this scene of ours, I even feel that way myself a lot of the time, its took me ages to get off my arse and start this project, I must of done this three times already, and each time put the bloody thing to one side saying, yeah you guessed' I cantt be botheredt, what a poor excuse, this scene is in need of a lot more production from the likes of me and you, therets just not enough good new zines available anymore because most of us would rather leave it to other people, hence the the lack of zines, personally I think zines are by far the best way of doing interviews and reports, much better than sitting in front

of the comp all night looking at a screen, l'm not against ezines in anyway shape or form, those guys put a hell of a lot time and effort in there projects, but be honest there's nothing better than settling down with a good copy of artcore or attitude problem, suspect device, a glass of your favourite beer and a great interview with your fave band, now tel! me am I right?, course I am, you know it makes sense. So come on and do like ltm doing, make an effort, start a zine, a distro anything that will help keep our scene alive and healthy, Ghrist knows theres sod all else.

Well that's my gripe out of the way, on with the show, You'll have noticed already that there's a cd-r with the zine, it as 27 tracks lrom 27 bands and a bloody good line-up if I may say so myself, now the reason Itve put a cd'r with this issue is, my original aim was to release a cd comp done professionally, as you can see this didn't work out

which I must apologizes to everyone of the bands that sent stuff expecting to be on a cd comp, its basically the old storY a cash flow problem, I suPPose you could say ! should of give things a little more thought, but ! did expect to produce the said comp, anyway again sorry guys' Anyway the cd-r comp hoPefullY goes in some way to compensating each band. Now that ltve actually got this thing together I would like to release a cd-r with every issue, be it a comp a split basically anythingt so if there's any interested bands out there that want to be part of this send stuff to the address above and will see what we can do..ok.

As youtve seen on the front cover l've got 3 interviews for this edition, my intension was to do one interyiew per issuer but again my ideas have changed so the three bands wil! aPPear within this issue, All the bands Itve interviewed all desewe a plugn all a bit different from each other, and in my opinion excellent bands. You'll obviously find these things out when You read what they have to saY. So whats the whole purpose in this?, wetl my intensions are to give people a little info on whats happening out there, now you've got to agree this is a very hard

proiect to do and something I need a little help with so that's where you lot come in, to make this successful and something interesting I need you to send me youl newsr your info, what your up to, what releases Your Iabel as released, weather or not your band is touring soonr so come on send your stuff to me and l'll put it in the zine.

Now I did put a info sheet out a while back and got nothing back whatso ever dontt reallY no whY? Obviously you 'can't be botheredt, so this time t come on eh'.

Release info This section is for stuff thatts just been made available or about to be released, although if the labels mentioned have anY more info to add you'll have to get in touch with them, there addresses will al be in the contacts page..ok One of my favrourite labels right now is intimidation records out of Scotland, if you've not alreadY heard the stuff that iim as released then your missing some quality tunes, the last 3 or 4 7' released on'this label have been excellent to say the leastt personally one of my faves was the roverspill' 7' ' whots wart,

four blistering punk anthems with my best track being . death by viagra', what a way to die eh? lf you don't already own this 7' your edts been up your arse, so come get it.

Next up from the vaults of intimidation come .fake patriots' 7', you've probably heard them before but not as good as this, here's the cover.

right now l've not got this in stock but they'll soon be here so watch my next distro list.

The latest offering from intimidation is a split 7'with the swellbellys and assailants, now Itve not actually heard this one yet although by the time you read this l'm sure I will of, but the swellbellys are for me one of the finest punk bands ever to walk this earth, they are so much like the stuff from the 8O's ie exploited to name iust one, and there last album'shut up and listen' as been one of the finest albums ltve heard for a long time, so if you just wanna get this 7' just for the swellbellys I would recommend it wholeheartedly.

a little bit more info on the swells, I believe the l2 tracks that were recorded for the' peter bowert release will be a 1O'titled I taking care of business'this will hopefully be available by the end of summer.

Next up some tour news from those swellbellys, in august there flying off to france&Switzerland for a couple of weeks, the planned tour with assert as been cancelled not sure why?, but on the 7th and 8th of sept they'll be playing Kirkcaldy and Edinburgh.

Gontinuing with the swells they start a tour over in lreland in October kicking off in Belfast, they'll be more details on that in the near future. One final bit of news from intimidation is that in about 2/3 months time they'll be releasing there first album with a band called the'actives', so look out for that one.

Garrying on with new releases lets look at what F.G.R have got right now, again this is one of my favourite labels right now, steve as released some fuckin quality stuff and all d.i.y as it

comes, why people are not keen on the cd-r release beats me?, it's a cheap way to get your stuff out, I mean we cantt all afford to pay out hundreds to keep everyone happy. Anyway as you all know by now F.G.R released a stunning cd-r album with kismit hc calledt our message is our angey' this is one to get hold of if you already havetnt.

My favourite release though as to be'it cantt

This is a truly stunning album, 38 tracks of underground hardcore with bands like eggraid (uk), existench (Ganada), and my fave nabla (Yugoslavia) and many more, and for f,2 fuckin quid how you do it steve fuck knows? But keep it up.

Also from the depths of F.C.R comes another co-releases 7t with thrash monstens.see you in hell', this is awesome, if you like your music hard and fast as fuck

get this. lte got to say some of the best sounds at the moment are coming from eastem Europe, maybe it was the years of repression that done it?..keep it up.

As you've probably noticed kinda like a lot of different

I

styles of punk, well that's how it should be, none this'that's shit, this is shit', stick together I say.

Right on with the shovy, a few months back now there was a cd album released by punkshit records and most of you have probably got this in your collection tnot rwhere the fuck have you been'? this as got to be one of the best compilations of punkrock l've heard, 4O fuckin tracks of oi/streetpunk anthems from the likes of 'dogshit sandwicht'runnin riott' gobble and the cocks'and basicallt too many to mention, so fuckin buy one and see for yourself

Also from punkshit recs comes a truly classic split Tt single, the two bands involved are excellent and rich certainly knows is job. On the first side we have two politica! slabs of punk from.runnin riott, 'divided loyalties, and. working class killing' on the other side comes . tower blocks'from germany these are more your oi style band with two excellent titles . general boredomt and . drunk in publict.

Lets put it this way, if you meet these guys on the terraces fuckin run..ha.

Just to finnish on punkshit recs, there first release was a blinder too, a split 7, with dogshit sandwich/hippy war generals I think you'll stil! be able to get this from rich and I have a few copies left myself, so go on spend a few quid and get some great stuff.

As you see l,m trying to get out details on releases and labels so if you wanna send me some info over the net or write to me then go ahead that,s what this is al! about.

Hears a bit of news from 'violent reaction, records (usa), the assailants who appeared on the split with the swellbellys have just releases a storming 7, called'hate machine,, yourtl be able to get this from me pretty

soon, but in the meam time if your can't wait then send $4 to ron Ramirez, po box 9O2, artesia, ca 9O702-O9O2.

They've also got other stuff available from the same address.

Now herets a bit of news from darkest Manchester, a band recently formed with the name 'mental blockt but after seeing a rap group from the usa with the same name decided to change, now we don't want another 4 letter word do we?.

Anyway there name is now scissorfist and there fuckin awesome, they've iust done there first demo called . think, this as 7 tracks of pure hardcore mayhem, so if you want a copy get in touch at'kirktscotty'and l'll send you one, .hey only a E1r, oh and there looking for gigs so get in touch with them, you can mail them at mentalblock25@aol,com.

Thatts about it for now, as I say send your info to me and ltll surely put it in the next issue, obviously zines take a while so my intensions are to put out regular updates so to keep up with whats goin on.

Seeya Iater..tony

Willbreaker lnterview

ffittttrsuhrr

KtS Ol. Hey John, let's start with a brief intro, who's in the band? Who plays what and where you're from.

Willbreaker: Attacks on Wills are ignited by the six-string of treble warfare as played by Mr. Langendorf, burly blast

beats by Mr. David Reinhardt, bellows ofbasement bass by Mr. Jacob Landrau and green eyes and shrill cries by Mr. John Lutz. Soon Mr. John Frieman will attach himself to low-end duties, affording Mr. Landrau the opportunity to add high end force to our aural assault team hailing from the New Paltzarea of the Mid-Hudson Valley, loCated in Upstate

.

New York.

KtS 02. Give me a little history on your brnd, how long have you been together?

Willbreaker: MrLangendorf,Mr.Reinhardtandmyselfhadpreviouslyfannedtheflamesoffastcoreragetogetherina small bandofthievesknownasSayYouHateMe.Personalityclashes,verballashingsandtheinabilitytofinJastable. four-string thunderer lead us to our timely demise in November of 2000, composing in typical Say you Hate Me fashion, 4 new songs in the eleventh hour prior to that show. A gentleman by the name of Mr. Jeffiey Alexander took bass duties on that cool, brisk day and subsequently became a founding member of Willbreaker, whin we all rose from

theashesoffailedprojectstocastimpendingdoomonourselvesandothers.MrAlexandersplitwayswithusfor numerous reason

none of them vtolent, so we all remain on the best of terms.

[1!@.

In past conversations with you, you've talked a little about how you live a straight edge lifestyle, if that's the correct term. Most of the older scenesters will already know what this meens, but for the up and coming ki& give them a little insight into what this means.

Willbreaker: Tony my friend, you pose a dangerous inquiry to me. In this case it's necessary for me to refer the up and comers to the wonderment ofthe early 1980's Washington, DC hardcore scene and in particular a group ofyoung men known as Minor Threat. Mr Ian Mackaye's lyrics drive home a certain point that Straight Edge is a personal movement based upon anti-obsessive behavior. I have also seen Mr. Mackaye reiterate this thought in a muttitude ofpublications.

On a "scene" lsvel, Straight Edge has generally been accepted as an anti-alcohol, anti-drug and anti-smoking movemen! often neglectful ofthe " no casual sex" clause attatched in the song "Out of Step." On a personal level I abstain from drugs/alcohol/cigarettes/casual sex, but generally, I am NOT against these forms ofescape/entertainment. I merely hope that people understand they reap what they sow.

KtS 04. ln my opinion, *Straight Edge." is a totxl commitment to what you believe and it really gets my back up when I see kids getting into it as a trend. How do you feel about thrt?

Willbreaker: Trendiness is next to Godliness as the short-lived influx of, "What Would Jesus Do," bracelets/stickers/shirts/etc would have me believe. Xing up because your best friend is seems no different to me than getting a pair of sneakers because your best friend has them: it's silly and most kids will grow out of it. Most of the kids who are Straight Edge becauie ofsome bizarre trend in their high school are still growing up and still have no idea who they are. It's not a shame, and it's not a bad thing, I just hope that these kids have leamed that there's more to life than a few smokers or a random fuck on the weekends.

KtS 05. Can you still see yourself still being, "Straight Edge," in 10/20 years time?

Willbreaker: At this point in my life I tend to hope so, but again, I look back to 10 years ago- I was in seventh grade and I wasn't cemented to any sort of life structure aside from school. I didn't know where I was going or who I would be when I got there, but I didn't know that then. All I wanted to do was go hang out with the kids up the street. Now here I am at 23, not cemented into any sort oflife structure besides school. I know where I am going but I'm never quite sure ofwho I will be when I get there. All I can do llom here is try to be a better person, and I think that I'm constantly achieving that goal.

@@

Thanks for that John, Now the political situation within the USA. How do you see this at the moment?

How do you feel rbout Bush?

The follow on question from thrt is where do you think he's taking the USA and I suppose the rest ofus? I meel' I've read that in the next 12 months or so the U.S. and the U.IC wiU target Iraq and try to dispose ofSaddam Hussain, what's your opinion otr that?

Willbreaker: Bush has the amazing ability to get stupider with time. One of the lessons I was able to decipher from the ;hrl" S"pG;b"r I le mess is that Al-quaida ittacked the USA for putting infidels on Holy Ground. (aka ihe Saudi Peninsula.) In order to fight the terrorist network that merely wants us out oftheir business and offoftheir land, we're taking more troops and putting them on Holy Cround AGAIN! Prior to Mecca being the centre for the Muslim religion and culture, the centre was at Jerusalem and prior to that it was Baghdad. So here we are about to put troops in Iraq to depose a leader in a former centre of Muslim culture AND attempting to push a properly elected leader out of office, (Yassir Arafat) at the same time. And why is it that through all this, none of these soon-to-be-deposed leaders have mentioned that Mr. Eighty-Five Percent Approval Rating Bush is not exactly what one would call a PROPERLY ELECTED LEADER? Who is this guy, why did the Supreme Court place him in office and why is he trying to bait terrorists into attacking America again? In closing, do a memorial show for me when I die because of this moron.

KtS 07. I don't really want to prolong this side of the interview but my opinion is that the tlSA get involved in other peoples matters and not always for the best What's your reaction to that flnd would you agree or not?

Willbreaker: I think you've managed to hit the nail on the head, friend. I may not have all the facts and figures in front of me but I'd be very willing to place a wager that the USA is about 957o capable of closing itself offfrom the rest of the World (I'm talking financially, I whole-heartedly welcome immigrants) sucking all abroad sectors of military back in, and taking a very passive view with the rest ofthe world. There are currently no world leaders with Hitler-esque tendencies, and I believe that those are the only kind ofleader that must be taken out ofoffice by outside means.

KtS O8. Anyway John, back to a lighter note, the recent CD-R that you sent me had some excellent stuff on it and I believe done by Don Fury. Tell me, when can we expect a release from you , or do you have something rlready?

Willbreaker: Yes, we in fact pooled our collective cash and spent l7 hours in two sessions at Mr. Don Fury's recording studio, Cyclone Sound. Five songs and a dump truck full of money later, Myself, Miss Carrie Kieczkajlo, Mr. Langendorf, Mr. Reinhardt and Mr. Fury all took a ride on Coney Islands World-Famous Roller Coaster, The Cyclone. would like to report that there were no in-band skirmished, in fact the support level and comraderie was almost shocking. Mr. Reinhardt and Mr- Fury did almost come to blows but they were in high enough spirits that they finally rode The Cyclone together. Those five songs will one day be a 7' release. We are currently discussing a friend ofours putting it out, so we'll see how that one runs.

I

KtS 09 I know you were once part of Say You Hate Me, what happened there, did you have any rcleases?

Willbreaker: I mentioned say you hate me before, I suppose now.I must attempt to be more in depth. Say You Hate Me started in August on 1999, and continued on through until November 2000. I released an I I song Say You Hate Me 7' called, "Looking Forward," in September 2000, limited to 300 copies. We were also on a few compilation tapes and CDs. To the best of my memory those were as follows: Stranded On Lone Island CD (Extremely forgettable release, I wish we weren't on it), Choke On This Cassette (More HC orientated than Stranded... .. CD, and much better.), and the Defense 3-cassette box set (A good idea but poor in planning. It was a benefit for a women's shelter, but most ofthe bands sent in failed recording sessions, badlout ofprint demos and practice tapes because ofthe request for, "new, unreleased or out of print stuff." In our "Defense" [har har], we didn't have anything else recorded at the time except two walkman demos and a botched recording session. Maybe most of the other bands didn't either?).

KtS Ol0. I lirst came across S.Y.H,M on MP3.com, my opinion is that this service is excellent for bands that most of us would never get to hear, how do you feel about that? a wide range of bands on MP3.com that I don't think I would have heard elsewhere, most notably, Last In Line from Massacfusetts. They are getting pretty big over here in the "colonies" and I think I was lucky to come across their stuffwhen I did.

Willbreaker: I have personally come across

tsgl.!l!! What bands have influenced you in the past and lyhat do you listen to right now?

Willbreaker: I love a lot of bands, fast hardcore stuffmostly. Our song writing is influenced by bands like Youth Of Today, Minor Threat, Orchid, Combat Wounded Veteran, Void, Chain Of Strength, His Hero Is Gone, Discordance, : Axis, etc. Lyrically, I think Cap n'Jazz is top notch and I'm starting to get into some hiphop like Cannibal Ox, Mr. Lif, Aesop Rock and EI-P.

S!!

What's the future for Willbreaker? Have you any plans for Europe? I'd love to come and see you play' here in the UIC

Willbreaker: Man, I would LOVE to go to Europe. I'd tove to tour the US too! Of course that's probably not on the cards for a while, at least. At the moment we are concentrating on the creation ofnew songs and talking about the release ofthe aforementioned 7' release.

$S!

Well John that's about it, except for is there anything you'd like to add, any last requests? Beforc I trke you to the firing squad...oops...getting carried away there.

Willbreaker: FUCK United Record Pressing. They are currently holding the plates for a 7' I released indefinately because it contains movie samples. Everyone should also be on the look out for these bands: XfliesX, Abscissiott/Suburban Death Camp, An Albatross, A Bullet For The Family Traitor, Lumbergh, As Dead As Dreams,

r"::Hi?r"{

, have rwo: l. If any of this piqued your interest, ger in contact with us at XaltiedXa)aol.com or Willbreaker, PO Box274, New Paltz NY 12561 USA and 2. Everyone who reads this please send us drawings of skulls (no matter how crude) and a nice letter. I'll write you a letter back and send you a sticker or a button or both or somethingl Thanks!

Labels / Distros

Ei Kiitos Tapes, c /o 22 Burns Villas, East Lane, Stainforth, Doncaster, S Yorks,

DN7 5PD, England, UK

Intimidation Records PO Box 14627,[-even, Fife, Ky8 2ZD

SLTA Records, c /o Bany Lrnnon, 11 Sarto Road, Sutton, Dublin 13, Ireland.

Scotland.

Website: w

wlv. seoci t ies.conrlintimida tionrecords

Active, BM Active, London, WC1N 3XX, Weird Records,6l London Road,

England

Balderton, Newark, Notts, NG24 3AG,

Fight Records, Hikivuorenkatu

UK. Email :

rve

i-rdrecords@)@r iLcont

Disclocate Records, PO Box 321, Durham, DH7 OHR, England.

Website: rvw'*v'.

t1 i

scl oca te.

com

Punk Shit Records, 74 Bristnallhall Road, Oldbury, West Mids, 868 gTU, UK Email: nunkshi trocords(c

h( )tnra

i

1.7

D 36,

33710 Tampere, Finland Faxr +358-3-316 0898

Kidney Records, Helsten, Toritalontie 3 a 7, 53200 LPR, Finland.

Website: www.kidneyrecords.cjb.net Email: Kjdney53@hotmail.com Puke n'Vomit Records, PO Box 3435, Fullerton, Ca, 92831, USA.

l.c()rn

Punk Rock Scotland:

United Shoe Brothers, c /o J. Nieminen, Paivionkatu 9811, 74100 Iislami, Finland

Website: www.punkinscotland.co.uk

Email:

infrr(u

lun

ki nscrrl I anti.ct,.rrk

Beat Bedsit Records, PO Box 2927,Brighton, Sussex, BN1 3SX, UK. Website: wlwv.1_.ypass-zine.co.uk

Email:

Shitstuck Tapes and Stuff, c /o Aki Kuosmanen, Vilppulanpolku 14 A 5, 33720 Tampre, Finland.

Social Napalm Records, PO Box 4073, S. Chelmsford, MA,01824-0773, USA

be(ribe dsi t.l,snet.co.uk

Data Records, 28 Silksby Street, Coventry, Reflections Records, Spoorwegstraat 1 17, 6828 AP Arnhem, The Netherlands Website: wlvu'.tefl ectionsrecords.com

CV3 5FX, UK

Email: irrib(glrefl er:tionsrecords.cont

90120 Oulu, Finland.

Peter Bower Records, PO Box 132, Leeds LS6 1XA

Tobacco Shit Records, c /o Simon Parc,827 Goldbourn, Greenfield Park, QC l4V 3H4,

Ronky Records, Tarkk'ampujank. 16 C,

Canada.

Skipworth Records, PO Box 19388, l,ondon, W4 1GA, UK Website: vl'rvrv.skiprvorlhrecxrrds.co.uk Email: rlailfr)skipworthrecords.co.uk Suspect Device Records, PO Box 295, Southampton, SO17 1LW, UK

Rejected Records, Po Box 6591, Dun Laoire, Co. Dublin, Ireland Wetrsite: rvrvw-.rejectedireland.cjb.net

Far Q Records Wetrsite: r+'ww.tarqrecs.co.uk Email: I arorecs(ri hotntail.conr

Fuck Copyright Records, PO Box 152, Burton-on-Trentn Staffs, DE14 1XX, England.

Chincave Records, 434 Werrington Roadn Bucknall, Stoke on Trent, ST2 9AB. Bands

If there's

a band

Patrol -Contact Intimidation Recs Merciless Kop Website: wryv'u,.nrerclrlesskop.com

Email: mercilesskoo(a)hotmail.com

Mutt -Contact

Peter Bower Records

I don't know the address of or

the address for a band is the same as a labeUdistro then contact the label or disho typed next to their name for more info.

Dog On A Rope, PO Box HP 171, [reds, LS6 1XX, UK

Chokeword -Contact Suspect Device Recs Dogshit Sandwich -contact Punk Shit Recs

FDK Threats Email: backinhell(a)threats.freeserve.co.uk

Website:

rv

ww.oun kbands.corn/doofus

Email: webmaster(dfourdumbkids.tiee-onl ine.co. uk

Eastfield

- c /o Inane, PO Box 7804,

Birmingham, 813 8AS, UK. Website: wwu,'.eastfieldrai lpunk.co.uk Email: jessieaslfield@holo_ai!.sqn

The Autonomists Website: lwvw.autonomists.com

Overspill,

Nobodyts Heroes, c /o Paul, 19 Sorrel Close Newbury, Berkshire, RG14, 2NL

14 Elm Grove, Craigshill, Livingston, West I-othian, Scotland, EH54 5JR. Email: kcampbell3(rluk.dreancast.com

Pog -Contact Beat Bedsit Recs

Email: the@autonom ists.com ,

Website: wrvw.nobodvsheroc-s.cib.net Ensign, 329 Eastl4h Street, APT 3C, New York, NY, 10003.

__-,

Email : ensi sn(dlhotmail.com

Swellbellys, 109 High Street, Dalkeith,

EH221A)( Website: r+'w'w.swel I bell vs.net

Email: needless6iswel

lbel l),s.net

Assert, 45 Chiltern Gardens, Dawley, Telford, TF4 2QQ, UK Email : brittassert@bushinternet.com

Homebrew, 6 Mowbray Place, Thirek, North Yorkshire, Y07 1RF

Reaching Forward, Topaas 1,5231 KL, Den Bosch, The Netherlands.

Email: john),forward@hotm

-

The Dangerfields, PO Box 1343, Belfast, BT15 4HX, Northern Ireland.

Rejected, Pete Laitinen, Ruoholammenkatu, 74 C 11,53850 LPR, Finland.

Email: punkpete@hotmai l.com

Email: Homebrew'@zoom.co.uk Totuus, c loPartala, Karpalotie 6, 90530 oulu, Stress

Website: www.drink.to/stress Website: www. peocities.com/stressounk/ Emai I : stress(fr:worldwideounks.com

Finland.

Toxic Holocaust +Kunt Killer, Joel Grind, PO Box 628,Delawarc City, DE, 19706.

Email: casketcrusher2000(ci,irahoo.com Engage -Contact Skipworth Recs

n' Vomit Recs for info on the following 3 bands: League of Struggle Aborted Justified Anger Contact Puke

Email:

rnel ee(arendless-knot.c:om

Contempt, W.T.M.C. c lo22Wolverly Court, Woodside, Telford, Shropshire, TF7 5QT. The Dirty 30s, 51 Burdette Road, Dracut, Ma

Earth today, Marko Nyman, Suutarinkuja, 18

01826

13, 05900, Hyvinkaa, Finland.

Website: rvr,vw'.thedirty30-r.cjb.net Email l thedi rt),-.30s(alraol .com

Website: wrvw.earthtoda.v.cjb.net

Email: earthtodr

vfa,l'i n nishnuuk.net

Urine Specimen -Contact Shitstuck Tapes and stuff.

The Blue Bloods, 39 Farquar Street, Roslindale, MA 02131 Website: wrvw.thebl uebloods.com

I I

Email: theblueblurds([]hotrn ail.corn Human-Racist,

1.019 26'h Street,

l

Huntington,

wv,25705 Email: humanracist(d;tqtaldeaih.con-r

Blisterhead

Disploited, Mika, Hameenpuisto 17-19F 126,

Anal Thunder, Jussi Vento,Noljakankaari, 38

33210 Tampere, Finland

E 29,8140 JNS, Finland.

The Screaming Willies -Contact Weird Recs

Email: ivento(aholnta I.ctrm

Email: blisterheael(ilhotmail.com

Website:

w v\rt'. oeuci ties.colrt.j'ri ou

I

oir

ska

In Hell, Martin Koubek, Vaculikova,

Griswalds, 16A Carlton Parade, Orpington,

See You

Kent.

638 00 Brno, Czech Republic.

Website: rvrv u'.scu,voui nhcl l.kgh.cz Email: gaschamber(a ema i l.cz

Runnin'Riot

i

i

Website:

www.members.ivcos.co.uUrunninriourunni n.htm Email: runnin riot(rihoturail.crrnt

Scissorfist, 25,Plant Hill Road, Higher Blackley, Manchester, M9 6WH.

Email:

mental block?5(0)aol.c:om

Tower Blocks, Holgi Schick, Niemetzstr. 18,

Zines

12055 Berlin, Germany

Website: wrvrx,.tow,erbloc:ks.de

Email:

hol si(u tou'erhl, rcks.dc

Ripping Thrash, Contact Steve at Fuck Coovrisht Records.

Indignation, c /o Micke Fardigh,

Hell and Damnation,22 Burns Villas,

Ambetsgatan 4B, 77 630 Hedemora, Sweden.

Stainforth, Doncaster, S Yorks, DN7 5DP, England, UK.

Global Holocaust Urtran Trash -Contact Tobacco Shit Recs tbr hoth bands.

Fracture, PO Box 623, Cafiiff, CF3 4ZA, UK.

p6ail3 :hacturezine(a)aol.corn The Cancer Kids, c /o Matt Wilga, 19 Eagle Street, Ware, MA 01082.

Website: r.vlvrv.seanchai.dircon.co.ttk Admissible Decay, J-P Muikku, Csongrad, Fo

Melee

Website: ww\r-.en(lless-knot.com.imqlee

u. 2O-24,

11

1, H-6640, Hungary.

Artcore,

1 Aberdulais Road, Gabalfa, Cardiff, CF14 2PH, UK

Attitude Problem, Steve, PO Box 326, Hardcore House, freds, LS7 3LS, UK Cargo Cult, PO Box HP171,,1-eeds, LS6 1XX, England.

Codeye, Robert, 23 Falkland Street, Middlesbrough, TS1 4JH, UK. Do The Dog Music, 26a Craven Road, Newbury, RG14 5NE, UK.

Punk Shocker, PO Box ITA, Newcastle upon Tyne, NE99 ITA, UK

Riot '77, Cian, 31 Saint Patrick's Park, Clondaf

kin, Dublin 22, Ireland.

Runnin' Feart,

12 Crusader Crescent,

Stewarton, Ayshire,

KAI 3BL, UK

Small Sailor, Rich, 39 Station Road, Thirsk, YO7 1QH, UK.

Something l'd like to add before I leave , I think a great addition to this would be a resources page, l've noticed there does,nt seem to be much info around for say printing/cd production/vinyl production that kind of thing, so if you know of anything like that it would be cool to let me know and l'!l put it in the next issue.

Here's just a few that I know about.

Juma printing 1'r floor, Trafalgar works, 44 wellington street, Sheffield, s1 0t14 272 0915

4hd tel:

Delga press digwall house, 8 malborough road, kent.

Tel:0181 4600112

Plastic sleeves Govers 33, commercial mills, Oldham road, ripponden, Halifax, hx6 4eh.

Tel:07422 822679

IYell you can see the type of thing l'm after on the contacts page, I know therers loads of different proiects that are doing the same thing but it's important to get something like this available to a lot more people so to keep our scene alive.

Again any bands/distro's/zines that want to appear on this page please get in touch with your details. lYhat l'm hoping to do is have all the information from each contact, ie what you sell , what your doing basically anghing, that applies to all the contacts kinda like a small versaon of byfl (some hope) but you never know?.

Pressing plants c.o.p.s tel: 0208 778 8556 key records tel: 0207 4857499.

I wish I knew a little more about the pressing plants so if anyone has there address send it to me and l'!l print it out.

By for now.

Toxic Hglg$.P,ISt Interview; KtS OI. niqnk,introduc. o'::

rH:

Hey

yrr...f

tb, the readers and tet!:.iis

ihr,q{bf;10*'g nff*i"i.i;iiiffi;;;d perfectly! '' :

Iii-t'm irouo

tu ruy rny plan worked

::

u,grutarrstt

"

lve

i:little bit rbout

yourself.

,,,,,.,i.,,

startea tnis band to get rich and get

,,1:

$iilf,

,

-

r:

said in previous interviews thet I think KtS 02, I first heard Toxic Holocaust through MpJ.com. l've to be heard, how do you feel eboEt th.t?

Mp3.com i, "rr*c.il.ot r.* bands...ii1st wishihev were a little less strict about u efta fr.]'*rvi" it"a rn, v."ii, i

iil;;;.*r;k-il",:hiids

iiir[ii, the fucking rules.

""iuro*

,..

,

KtSo3.Per,on"tIyInooToxicHolocaustrstrrngemixofgenresth'll]l:*omuch.i.e. your influences?

p-*:rugtiiJiui"l*fi;tal

How do you defin^e.you-r sound

"nd'

Y.fi,.

ate

"t

t'ffik .lhev. hale all made their wav into Trr: Thanks for the complimil;:il';i;;;;il in.ee orttose stvles and first sodom record' or teehnical.:,kH&likethe overly *+, #ltri:;'il, rii.ii";,;ru,primitive,rhrash...not Division' Rigor Germs;-Jov rse)' o (with Glen ;;.*;rh".;*a.'fr,u, r:,iitj'; dt*u,;iil,; of visfits thal. like Mortis and shit I . ,it ,, :

:'

li ':' ..

Kts 04. I know you lean

*

ffir r..y.;.'#"tvl""i

:

ior"a.or,he Blnck Metal

scene, end personally

it's d genre I really like, I see light or

prrlvlttiotoit' wo:ffi;:.r#t to'ughis on that? Do vou see it in that

punk bands with worse production' screams and do think that sonre Black Metal bands are pretty rnuch their own thing with very little outside bands'ar&ing Metal hand other Satanism. On the influence.. . I guess lt depends on the

p

l

;;;-dlr.k band

.

[gf.1@roxicllolocaustis,*i1#",,Yffirny*;:m

t'nuswhatelsevousetupto

nertro-lt uut rirrln[ r,rr re stopping that and de.voting more time to Toxic CurrentlyI,mlookingf"r,;;i;fi;.rit".."rrvf...nolickyetthoughtTo,answeryoursecondquestion"

f[

Holocaust'

yes, I've also done

l

barely lind the fime for Toxic Holocausl let alone 2 bands!

this is something I feel quite stlol.cly about and would like E!S-@.I'm rfrais,td esk anything political butpotitics of the US.I, whet ar:-Ygut.lhoughts, how do vou feel

;;;;iiiil i,.i, *vil;;il Xiki,[+i,Til,1":

to know whet peopte rik.

#.;ffiffi '' #;ffi

feet so,

TH: I think Vietnam wasn't our war... we shouldnli

have been

::

:"::':":

: : .'^ :^' ]]':: ::: tleie plain-and t-iTpl:,'$ I think the USA tries to

ffi;#1i.ilfi;;i'#,;.;"'s.pi#u.,ii;,-r,iii*:r,r**irofight-tfeelrhiswarwilldonogood. in ttre future' This will probably escalate into nuclear rhough, and I'm sure,t... *jii'iJ"tlit"r'",tu"L*tf" US,e it for soundtrack the be can Holocaust war.Lhopefully Toxic _L---r.L^.

- , mI hyd j::',!"11*-1C-iY3*il.': itJllcks KtS O7. Anyway thet's enough of the scrious shit, to be hoiiest x'oi[31 *ujtil"Yit-t, C.o !.t . , : stulf...tell me Jocl, what'p f,appe ning right Eo.ll' wirh yo4lsel{? I}o lorr workme $ ur!: v/tai ItH, i'#;;,i"k;.ar* ;.n.;iror i !"a" i;-ral= was tecsrdiag locai uanas; uut no- lru ,,r:;rtjj:, ',ii:;1:tiiij:: iill:#r, rjii..rr r ,.: ftom theli whlt olheti *tn you'rnd nesk on 'John Deq Tape+lllart ',:' trpri I did .split i:, KtS ogr n...n,r,'riuffhavt'vOudonernd*herecnEwegetholdOllt' I -.i" '- the ,,..": . 'i'r.u' t. toSg ril* *r.it * ;n Aiution si$fness Oemo;; fren I stopped Toxic Hol'ocaust-fq1'a while lhen cDR' new the now con:ana f';#;;;i;fi1;r*",.1nr,llt..",st sptit ,, ifl*iir-"ril.ffir,?iiiil*J;Hn f

,

,

,

.

'

.

*o d, *nt

to ,n.

,,"t,, rhbre ari some

"."llv

W'ai

*nor" *c"rf i,

eooiirot"r

ilil;;E

.q.[y.r{;,b.

-;

it Grind/stftetpu*vit."tt*

#ti.o

+i ... to*:t tnC'i".r. w1ere1o;1

iig

Bti"tt,uortt

a'nrl rrbe{

bab{s

TH: I hate this area! There isn't one Metal or Punk band! Kill mel KtS Ol0, What are your feelings about the scene in Europe or do you know much about this? Is it somewhere you would like to visit? @ To me it seems that Europe is into Metal much more that the USA is. When I sell shit or do trades for Toxic Holocaust stuffis almost always going to Europe somewherel I'd like to visit! If anybody would like to sell me a free ticket... I'd be glad to go.

@Q!!Well

Joel, that's about it, do you have anything else to add? Anything you'd like to say?

TH: Thanks forthe interview! If anyone is interested in picking up some of my shit, the

address is: Joel, PO Box

628, Delaware City, DE 19706 USA. I have the "Critical Mass" and "Radiation Sickness" CDR's for $4 ppd and the Toxic Holocaust/Oprichniki 7' for $2 ppd! My website is: rvww.seocitiers.com/ioricholocaust My distro page can be found at: wwrv.qeocities.com./toxic:holocaust'nuclearhcll

' Gritical Mass'

GD-R album,

available soon from 'Kirk t Scottyt

'i"

ri": "iii::::: '"1 "

please introduce yourself and your hend pf1T.'','Yl::I?T:#:::,#l;;;:n, Hi Bruno, r,s o:Ij Krs or' rri , T-'?' ro main vocals vocars. we gr' srew guitars and went to I year ago I lefl g'ri"iir,. gp.u, .ro ro*ffiNu;rir Bruno Nauzia: I'm the road' We were still b#,'i*;igft, *,jt gunentti !.v3+rs'on ,Cr#*iir-';{,;iifi;r!:,ii"r..ri"*riv punk * , *tv ,, ,r nowadays: authenthity' same *t" ititt-tt'i the.

::::

*t.n

*",u"gan

as

ur;;;;;;.it.g;i;*ards

has "rrirt tun and music converted inro lifesryle' NAUZIA colrecrive efforts, attirude a!;riirilfiJa,frioJ"r"grJ"g.trier We mix influences of the Cramps' Dead rimes h#i,h;tt creativifr ptrnk's backgr6und ffioirne a 7? ilt.ts to cre.ate oui own Wle of music'r'rl'ife Kennedys, Mislits, s€x Pistols and even the nu,noo.r,,Wiilt;"-6i;;;I u"s' i1 is , Brazil is too ha.d b"ca$e t""i"rr. f o. ptopf"irithout rich or high-middle class baclgrounddrlike alive becaus€punk attitude'iiti6the to-kTp Ugl,YS'tt qgt and instruments . viry.hqrd to rehearse, buy "f'uu,',,gcautgo*ip dd"y and orgiiize f-e'stivats' record music' stay alive as band is our way ollife we work double periods'tq malg demo tapes and toured a U""aitti"tll 20fi we released manv human beings. puy ou, Uitt. uiJu[r+li,i;igi$lils to 2000 we pressed NAUZIA'S tsgs .n'u i*.i:rryJtii.'nte"1ii'a it, rhousands of miles .n a11i91*'me eontinents 200l we appehred "r;;;;;;brj,loalou[iet retrospective co.uu.a, "ipliiffi,''9,,2i.:',i,'ry;f comps with O around are f in many inrernati"ruf .orpituriaif,fi;'iuiiLyq," 1o ceirnanyr,Thiie luternational ', , , .,1" NeUZia'S songs on them;ir,'t: ' ':lr,;1;' . ,,i- iii,, . ::i,,i,l lii:f:,, '.1:;:,,, :i . ::: . i l,'... ::' :i.;i!!il,:li" .. 'l' i!!i' :l:il,:|lii ::ia|t:::i . : gte'u, me about it' what is it like? io tq,t[j'*qu" I

te€nagers

#;;;i

,

oi"*""ri"

*

ii

i"1-*a;il['**''*Lig*t

r''i'r'i'

KtS

ol.

oiiffi,

r,ve g"r,C

jil.ffi

' r, prdit

'

i,l

.

ttll

+'+p;#-,iiil4*il11,3,ffi ;H,ru:m;;:q6;:-JJ;:#;-, rN#m.:n,*;.*f Ei*d of totn. olthem fifldibends fiqm those times arpt There are thousands of bands b.r; ;rlilTil}a

p,,*. r"rr. ii a very setf-style or punk and at least I00 good,,!..andS..4nd ma4y dozenS of,e*raordirury

iiiJ}E#il.3

+e$'

''e+'"frhrismatic

bandS'IBut ' prejudices' pseudO'punks and nonVou miy'':#ifumber that we livdiin a country with it. ungriJ;ilri p.rofessronat workr,a;,"-*,gei;l*Hrr.ol$rftatqp1,p..,.'.p1, iip""' p."pr. ro sustaina band..Mainlv when vou have critical over 180 milion peopte

so:lIil;ilff #;ii;rt,v wordsro,ay,t"com-,#il'i#;iii#;#;;;;oruil,l;gA,'limm'#:'Jf ;;;[[.:qn',iiil*::i ii singurg in inefish Jr *ilh'f iar'tyiics in P'ortuguese mighl *myrg*l,rg ,l;,1,,tt i-io-N"*iu'topinion*the,#-r'derground rockn'' roll scene isnot particula1y, of new the:Sinbience of are'out igrytoe$$' eirn1 *. *itft q9 be basect firstly on resffrtihutiLlgfp,p1il4Lffi 70's and earlv schoolhere:

"omp,,t t"Al-i uttieat ortr'e uK

rs19onaily;u'.I,ilivffi;.iai,*'ffi,,+lftt

subs

gffiration of the laie

iil"r'" scene' kegp-i'Si1#nsistence in ly':ics' not being s0is,used to''ha$e *n"'.e.u''ill;Lf.#,l-:i#*-*li','s--ffiiil;n"it l,ere I jusr r.u-t1ii 11.yet'1,i";to,n** o'o and new e,,t L"oi"lil]il ili;J'i;;ffi;ailui'fiin""*ira'iliip.p ,.",.. batds:

:r'

is,.o ririi

rri"ffiiirt'is**tq"* ru*irr;i. ore uici ;#one ffi|,

tii*fttii.ti:tuarctrlst

that she/he acts as a tme frcedom ;r u"s!;i 1t"11. i inlBrazil, if someone carr*.,1r$im,piir grffi;$;,:'n*I[, pt"tses hundreds of copies okay' foi.lt' *otrt otiottly writet;a hghrer, A good example of thi; .;-ii 'itiniri'."*"t ro cover ordinary costs' the but reatity she,&e needs o' his band ippears on the television it's worse up irvou ggr1i;,*tb',say somerhini intelligent' critical or to stand you appear on TV you're a o,g oil"r..

Pseudo-Punks call

ideol

*""o -;.";iii,;ffi,;rio 'ioi"'to"-itittiuti ;Hl'il'ji'il';,"-".;"d-'{ ";",:4*ri"iia,tr-rug**.rililft.r lirJ,i*i[ inUi*aulry, the for the punk ideoloeies of Dti:"$d;il4, ;tiCir.llty ""i6il9gitii tryficen reall'ry,,;tlt I bi8 and aie'i6ad punk of a tsaitor-.These bourgeois.

lf

vou

l!,Tio"Ott

*' i::i:l

'pi'i'"r paneins but surelv we have clear -'#;;#ls";"ir-riltlJ*,e'inni,*r'*J no, rouowing the world tried over ait zinei ltvio:'utt'v JG pr* l,S, + rrv*uirrvi influences as I said u"ioo ;'if,*",914 "'"!dJitv,.-ffi" i"t*ioii"rts litisely re*lnd us of StiffLittle Fingers' ro describe our music and ha#.ii#," f"ilr*. #itr' psvcobillv'" If I was ro sav' our ;F-dil

Nanzia: Musicary, fr;',,'

ffiy;Hi,

"^-ilffiffi#:l,f'ffir#il15:LTiJ"Jfiilt#HlJlfo'lo"o*

Misfirs. Ramones, pistots;L .

2

niiin influences wotitd

have

Lriirri?".k

Jitrii,#

n'

,olt,o'i#"il*idin**

lj#ffi;"i;;;;t tr,e early 80i

"i31 $ar Benerarion influenced us a lot rhe u.,tr."u late t" il'ti-cilri*"-Biaziti.",=pn k and hardcore &om the

t*-*p'

.;Jj|[#;;H1[*#ii],ria;*'fron, "ra c;;t{,I,$11.*flA rffiir";i'"iJ:;ffiffiti'i';* ,,70i:and tos infllencedrus " qiii;il,1-#i1"1$ril"'tp'*'*piin"'*dil*ff :,Trffi i,lYji:#ltfi li;,,1i;l:..,..,rrl-i, , i ,llr ...ili ,wrr11rr,.i9!rptelingierltlt'+.o.!yjl

jlt

',

*i

doesn't sound rfte one

of

ifir::ii'jl.i::: ..,:,'. ... '.KQQ!

:

i.'.1..,,:,....,.,,,.t".,',.,.

',:''

Is,Punk a big thing in Brazil or vcry much

underground?

',Nggd4il"think it'i

:,

..i.

the saine as in Eirgland. Originat Punk from the early years is on the underground even though it has influenced the big pop-rock bands. Almost no punk bands can livejust with music in Brazil because the scene is pretgr conholled by the majors, much more than in the USA for example but we have many followers which means records iell out and if s common to get 30G500 people at shows. At some ipeciai dates punk festivals fill houses with spuq" foi up to 1000 people who Can'only Cffotd to pay a small amounl but the cost ofrentrng professional equipment is also highJy expensive (bought:,in dollars from the USA and Europe; that the lucre are not enough to pay for real iachets.

Jpu are an infamous band that hardly ever plays heie like Dead Kennedy'! Buizcocks, Varukers etc, people will iavC, their mbney all year and pay the high price because the bands that have been going for 20-25 y"urs are uery Uig h'"r".

That's how Buzzcocks plays forjust 1000 people and gets.enough money for flights, great hoiels..food and money"to spend and everything else. Oh, surely pay attenfion, l0@ peOpleiin:Brazil is nqthing we have dozens of cities wiitr t, g,

If

::

.

5 even 15 million living in it so to pJ*y-,&g.iEffiii liiuffifrfni,11ifirT1htiinol.tffious.ugnas used to play for 300 up to 500 people al common dates, I mean big fetivals and p4rties;;piamoted by major radio stations and thii kind of stuff.

'':::::: , - ::' lLiu iril', '':: li l:'1,,: :::: : : 'r.i': :1it.t itiriii1,i..'

KtS O6. Would you sty thni Pur* iJrin i rr."li[i it,rOiii", in Br*zil ot at a standsritt, or even a dectine?

N"rria: ptrnk ir very controvrrsiai tfi*" r.i*,ngbd,ffi,rivalr1| hmong Punk gangs. It's not a healthy "iistill condition. Arother problbni f+pj-p-r (ultp-nationalist ana ever,ffiiy skinhcads bur lor iomi people that comi l?om ,

.r 't ,,1,

is

,

:

:rI, :::i ::

,i

.

::.

eil

Europe and go to big ciffiriaiB ftihfi,itbo sisometimes very healthy and real big. I "4yjE*ffi#i.dtiiii1iffi$, think it's not at a declirig;kiilili:vrp, dnltrb€.Sule.{riold;if;ffii#ir,.it"1iil,ffilftealllrfi',':.f.Iauzia is working againsilhese prejudices, giving organizing shows, li$i.ftrtzi -:makiiigab#,jeiifh'ffirfi9$l .b.:*i rre*:Eittrer the Punks trying to diffuse inforiirailon ftom:Br*eit and the:whole globe to avoid igrtor3rice and prejudice. thiugs that seeh to happen a lot over the:r*:tii}di!,.Sirtk''srcnes. not$ti$t in Brazil

int#id

7i

K6 07. I believe in tbf UK flt Aleseni *.e have r good scene, plgg.ty- g-t rlifferent genres for the, kids to get into, there seems to be phnty qf bsnOi.sp.ioging up alt wer thd. plrrd W;O'U1d,yo, ray it's similar situationln Brazil " or ve r.ry iiiiieh the seme at,it's:been foi a wliiie anO what fre the kids listening to?

Nauzia: It's always risin'g'and fa!lurg, the m.qjority of these bands are not inlo the ctiUective way of life of Punk, jusr on the rock music. People listen to some old hariilb but tbe majorily prefers new school."in,my opinion musically rheold and even the new schooliaiCftIliirt;'jag,a:,pdtiei-ii; hef.:aie not bringing anything m.wto"the Punk scent; neither musically, nor in terms of attitude-,For me then it's. noi Punk. sameness ana patteid5 iiie not punk rockr, Sometimes I feel ou,

,..ni

is rising, sometimes

I

f"ii it'i :..

,

trapp"ning

.,

just for middle ctass ana lt'sJ"s1 abogt ipoagq:trot attitude ii

,r ,,

-...:...... r.. 1 ::,;;,,,. ..

..::::

X.tql)!L You recently sent me r CDjtrit[ia,$e*i{Ateresting history of yoiii;rtd your bind, something that really inttrested me was the Punk 77 movemint, tell..the,readers and myself what it means and whal's it's purpose? as I mentioned before, Nauzia has a:tlear.iil.3] of Punk attitude ariifthoughts. First of all the Prnk 77 movem€nt was the original movement that splitw'fuen the:F*Udo.L,Anarchists camc:io the scene in the late &0's. We couldn't hold their rules; talking as though th914 hdd created all,tlt€.bis.lory of the Pirnk there in the late 80s... they were in lheory compromised with anarchy i{pplogf ind srarteA, "labe-iljl&teaqh one:in rhe punk movement. Not really anarchy that fights for real freedom but anarchist:'stereotypqs; dir.ty,'anirchists *ith Pseudo-intellectuat rules. They started calling us punks from.'?T.because in their opiiiion $;e were not reidihgfrom anarchist books, were not dressing radically, were working, (yet, sonie of them even says if you are working ydii'are helping capita.lism) then these ruled : pUnks said we wers like $0 punk$ifum 77; just wantitrg pogo, beer and rog;,nl;ffi1, Well as you saw from my answns we are much more than lhis but it .iB a great part of ourJifesryle, but we are'.serious,' fight for our beliet in punt< but punk is not just aboul serious.moments...We hate rules and r{s also love fuq, paities, pogO; beer, Toy Dotls (l love this band) and the ir supposed crities, We assurned the name, "Punks 77," for us!:! I ThG Punk; 77 movement in Rio grew particularly a.s a serious group of pw-i&s, nroua,to this name and it's values S4i:ined 1o ger mor.o powii ana realize more projects.

Nauzia: Okay,

'

rtuno':*llffilrunf;,,1f#t<t

Dr;,,tou work or got to

I"'cueqif$r '"tt"u't*dii,, *i',ffi""t,,t'*, jobswork time in diffeiint r'r" U..n in-coLmunitarian woiXs;"6"u,', *ith practiceq pol'itics, collective i:.,,14Bu!Cif each

,:ii..strai*gjesjor.developrrientandniahagingcutruratprojecGetc.['mfinishingriniversl,tyafter4years.t"trenarneofmy urs€ was;,lldutturat proOuction,a ind I'm finishing it with a book t'm wrltid[ afoU.comm"nity riction arrd :iocial ' ill,developme* ttrioggh cdiure vatu*-. lt has a lot to do wjth my poinr of view on lifq'tfie same points rhar made me'as all,jitptn[],eoll*five,eforts, respwt to indiVidual identifcations;,siimulartbn of self confdence,rurd, collective conscieni"

::

,,,,,

,

,

,.

,XtS,OiOrlWhnl's for the future? Whal do you have li ned up? Any pla ns to visit Eu ropc? Any new releases? r; ,.tur. s,oon, a 6-*ay sirir projecr with Nauzia fiom Brazrl. Rauschangrifl from cermany,^S.pit wonderful bandsihrouglr iuerto Rico on a label liom there. The lahel took tlrc name of the

XitffiW;#.iltr-

iffi#C;;;a?:ur,"a tlr."

you can

l'll reveal it soon at NAUZIA'S website: r.r'*rv.nauzia.cih.net where ilj;.i fi.; A; na." of a song of Nuzia. more CD's, if so;gs. r#e have 30 more songs and are searching for moro labels to release I-iii rJ arA ";n:16,i,som$ f

ftS:bf iitf.li""t1 rnti"iotuff

do you

iave for the kids to buy rnd whtre, can they get it?-

can be found straight rhrough mail order. Yol can get it 1gg1gi C"r--i-*. ;Cr" in..*.tu.tv. videorofNauzid'fiat *Aprtia{1994:2000),'1'can.be able to sell it. The CD, one j, the only he's Frank, Blank Talk to ;f ;1.*gu,i@!rslg buying:selling they.arealways now, exactly where b..rt ,oi I can world. across the whole f;*r,l ffiffi; of,distrihutors... but ffiffio*,-ilt have sold out. As we work ptrh'in&peffignt sq919 I y-guld_ have to listhundreds closer to her/him Another.

tn

to us telting from where shelhi comts ana i coutd ioot< for the options wants to be p.'r$Uif ,,V ir ," Uuy from Brfzil wirh,,ow agern"nl, q664ct us through &UZlr@iigJ.Am U If someooe ny''a tauet oiantritutor and Nauzia' anyone may find the exclusive or work in , ,o.. ,otia ii;-a-ol,.u[

,rv"".1"i'*ri,"

"o*pqsed

:::

KtS

ol2,

::'::

' ' :'

:':

' ''

::'

':'

lll: t6nc n.r;;;:t"u. ,vryr rnl;i..a'lto iiait,Brazit, *tr.r. it" beaches are end the brilliant irs p*sien li]aow, *id, .iin roa .olo a*irs tt".t ih tht UI( Tell me what it's like and make me

One last

r""ifiiffirtil.

*ndthti*cCde$: jatlotis!

Sun is tunnv on the Nauzia: Don'r feeljealous my brother, I wouldn"t ii[e railt {! +irCtT,ltl1lT hate the sun! job, I Tv. but when:tbil*sartrer is +s oegi"es s#iigi;ui nLL fitc vEAfl and you have to go to your daily and the big hills forests, h#ffi,6eaches, in Rio; *e here i1w,or-Oim nituie pig n"ruj*t*ioi'T# the corntr in the same day civilisation" tlg"ether; ndture und .on"r.t". Re'lax'ifyou can then go to a punk:rgck-show round it seems iut-ii;r i",t.r To. trri*i*lo Asri.'r uprt ttre whote week and receive a ridicul lhird world salary: ,I*.uhu: Scotland'.

England Brazil. if.'it's never.mind plaCe we live. aboUt.the that us humans are alway5:gqnlplaining We have a. ao or. aUout grazit at'iio is tt .o**o, asli*t ofiburcomplex and multiple cultures: . " i" a..i*Lf1 ni..Anf t'O',6iiCh orhe r, vle stan ,.tationstriis earity, *e Iite to lelp and are very curious about other eco'|T': .. rJfi*iu* Urf".t natelyffi@ sta; oftiie.third worl{ helpito kill it. The so iio'tit'dbA cities and ourrsad involved rvith it.or it's better condition makes hate ll$jElip.qlr,,.,,p n" ap.un},,1. deepty diffrcult trere, you must #:ftttally surnmer . inr V"r leavBlit, cause,i:it ti*gei,i.t let ly dsp-,rgrs6e. sot sl*ly to the tig mljorrry;{h! sun and -me!!! Hahaha' srnitrng. Baht..$;$$

ilffiio, r**iiit. j;;. *i}

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"Vtthg;''"", proud of her' Belilve Nauzir: Yes, first for women, tate it.ierious..Marthi-,.f*is our guitarist and we ry10ttt, in , ., lyrics, send your lyrics etc.. I feel we need to help the write ior,"o,,a'tund, you to if in louch gefling want yo-u-r ., and

ity

g"nden. Another ihlng is don't suck the MTV American tt""so world to have *or. "quif wor{.,9-. This American idolatry is bands so much...there are great and potentil,$.s# iful !4$oy.q1the Jvhole Where you are you can g-et information from else,,N&e1min4 anything punk than anirude fiom far it's more ridiculous; will love to hear fiom you, Nauzia ih touch Ffually,'gat olher. liom the whole world, find foiyoursslv.es,,g.preaa:1o We are fighting always and are pr1Lt, *ovemi*q;no11 bands, labels. dislributors, -e,veryrvhere una* iaorur.v *Jj*iaepe"u on your will and your action! Get in ready ro fight together for scenâ&#x201A;Ź over the rphole

fu

r*rir.S$;"p;;i"nt

"q*iity,'cr*;ir. your:brother, * Punk's'?7. , ;: ,,

roucir! Sinierely from Bruno Boca - NAUZIA

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HOLIDAYS IN THE SUN (UK 2OO2}

Blackpool Winter Gardens.

Well, would you Adam an' eve-it, its that time of year, mid summer, time for a quick Holiday in the Sun packed.my Mrs and Kids off on a proper holiday its onto the Btackpool .again, so having bound Train I jump. 4 and a half hours later and my ablutions done iti off down the boozer lo meei a few mates for a preananged drink, luckily t9r Pub was like just a little more than 2 minutes from my B&B so that ine !!9 was easy enough. Lise & Jim, Watford Jon, Glenn Halfman, and Micky Fitz are there aiready and evidently already a few beers up. on me so I got to undertake some serious drinkage if t'm to cltin up with that lot (nol a hopel), a few beers, a couple of laughs, exchanges of fond memories, still failed to get a beer out of Fitzy tho, we've known each other nigh on 20 yearl and there's t*o tninisitraiierain constant 1) Mick never buys a round, and 2) when he's out of it he still cant remember m-y name from one day to the next, stone me mate its nice to be appreciated!!! Then calling for scran onihe way (why did Watford Jon run like a commonwealth sprinter into that Sex Shop and ihat was he doing *nile in' there is a mystery to me but the explanation "l thought it was an independent Record ship we _still deal with" still doesn't hold much water) ils off to the venue for me ticket and so ends the clearest iart of the whole weekend, I never realised how much I must have imbibed until I sat to write this up and noticed there are glaring gaps in this tale of wonder and bewilderment so bear with me cos' obviously 'Benny The Senile years'are already well set.

Friday.

Despite being in the venue_a good hour before the gig was due to start I still managed to miss me old mates FOREIGN LEGION. Fucking hell I don't know how I managed to do that, I certainly hadn,t passed out anywhere, and I don't think I was in a pub at that time. Perha-ps I was eating. Anyway, l,ve heard on good authority (lan Retaliator) that they played a good strong set mixing old ma-teriat with new stuff from the recently released ''What goes around" CDand were is good ajhe'd ever seen them before.

t[::'ilf]3E!","

consistentry brittiant and very entertaininq r."uyknow how to Rock it when they,vea mind to. With a newish Guitarist on show it was the usual tight set and R77 never disappoint, riiif grossly under rated by promoters outside of the UK I think itJ definitely about time tfrls udno gbt chance to raid the Venues across the Alt_1ili:_r_? come on you yanks, sort it fucking out.

i

Now this is where my head really gets fucked over, I was really looking forward to seeing MENACE, and I was gonna drop in and see VlcE SQUAD too if I had a moment.

Un-tortunatety a tale went round that both were stuck on the M6 and neither could make it on time. I went for a wandir around, I saunter into oneof the other stage, there, playing is a Band who looked like VICE SQUAD, lt sounded like VICE ^ SqUAP' but it couldn't possibly have been VICE SQUAD cos VICE SQUAD .oridn't make it coutd Gy? Confused and bemused I returned to the venue l'd been in before and there was some band playing BUTTCOCKS covers, so I went to the bar for a couple of beers then someone said that uCE bOUAb were here, and yes it was them I'd seen. So I went to see if I could catch the end of their set but when I got back, there was no sight nor sound of VICE SQUAD. Fucking hell was someone playing with my head, had someone spiked my drinks with Bassett's Sherbet Di-p or had I really entered into some overtly surreal episode of the "Twilight Zone',? _ l,ll never know!!!

At last a chance to see this much roured punk band, good set and rhey gave it one hundred percent. Very impressive but the vocalist does tend to give ii iire gr""i ;l his attitude ruined the performance for me, unfortunately while having-a chat wii-h him at"r,,and .sort of the bar I mentioned it and he was visibly taken aback, sorry mate, it wai meant to be constructive but either what I said (and you did ask what I thought) came out wrong or the point was lost in translation.

"ffiY3[3]

CHRON GEN tour way' Saw this lot twice on the "Apocalypse"

*ay U1"f

them in 19 eighty something' never seen stase show' Both "Realitv" well as to be expected'

;tiil ffiiiliff'"Ci6at brilliant;ffi;'ffi:;;ih"vt il;;iffi;

since. rhev were and "Livins

t"-iH;'[ifl;:

il'ticutarlv

PENETRATION fantasies this was believe it pauline Munay figured in mrnv of ivi.rative years that fact the Despite if I was even going to see s"" *,tn't leei'i?r.iEinnrioru. r" u"'rion"tii and a great mixed or not the first time 1o onslase "r"r i"r, prot"rii"nd t";;i';"1jity'Li ".iion or headv davs gone bv' them, bur t,m glad r oio fiappv me*o'i"s "r"illi.'n set, especially the last

n"ri'ii,i"it-#ti'i'u;;:l:::.dil

SPECIAL DUTIES. going.to get' on stage steve DUTrgs Vou'r<-niw what you're \Mth spEClAL rea[y. here visit Just a flying Punk, while off stage a streei merooii ano music's strbni Anoqant,s defian,y gr,;g of il' Wellthere vou so' minute every medir.in sized crowd

it.;ithe

"f

#;tiiL"Ej,itjE'Sj;;"ili;;i";ins

ADICTS stage Make-up' uignr showl Dw lce, Glistering confetti' is it? But the Now this lot really surprised me. clever t|.oln tip"a not "'Punk'Band Regular Changes ot tantastic entertainment wtrat ana 'J"rry "i" "roirt"iiJ""i"' u"irtitnrtiii&i;ifi"-t;tt' would definitelv been ADtcrs have always pno"i'i'nii.lrr!. i. t6|. PEG;RAiiON' i'ne norcrs they are for it, a lot or run'ioo.]i''ii"o-riiri.* the highlight of HITS first night'

"'n"ii#i

not much' not-today i"Xtr'rtfl.,ilnt never drink again, well not going to drink. rn fact theway-r quite warm so its off down its tnlninti to.i"r.'Yii"'i-'n''t I we, I might n"r" anyway, 'm ir1iv9 a mina to. Not rons berore people other rew a ana the rront ror me, misht Bis.f"Y,L?Y:Fil:;is K";' bis Raoie' bump into, Bis lan Foul-upl Bis Dave' beich and i'm invited to tas along' alls:'.ns thev're with'Brg" at whose names allbegin 991v'nii# of town' some want to stop off end hl.,iing nait< towarOs in" ntttf' later Pints 6 or 5 Afier an hour or so we them ior wait "ii'.t"i the rest ot *-go-to-d'ti'C;;;P't io their B&B to wash and change so my Non Drinking Pledge as viinier carden before goingil;";-"ny in tne more and a coupre derore - Risht down the Pisser' sone the

Today

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"r#;;';;i;iio*n

;d;;

*9.."t9

'J$&;;;ilE[*:i*flg:ne

-

Just a neetins visit rearrv but what rem

i

n

street Punk' srishtrv

n""" -!oi!!,"Slit-t!I'99::lv]1ll'::hv H E D re mem be r them'

fi ' is#t:;"Jv''&ri

d-::P..E.fJR Ere

DEADLINE years oerformance' I was in marked mJror-"r"nt on their l-ast a what and great set a what t oio' Liz's has now lost Fucking hell ;;"liv siao ;r two minds on wrretner in lact when thev covered filil, "ot oinot,r.,e that annoyins rittre yappiii-s;ij.i"ri broke actuallv does himse]r'

b',lI;;wj';ilil; i6iiv"il;;r"d "li -':i'"t?ff;[;ffill:..d.il;;'iiffith"

tiiT;;;;;ih;."

'sparrers"'Runnin'

999 got the chance' its yoriire gotta catch live if you've ever o"na. ggg those of one are em manv crowd pleastng Love em or hate -i.ogetic-set inctuoing.as *nJin"v J" u*t. Arlrv what they tove doing e"'ia roved it' the crowd roved rrom

r;;,it".

."i'ii.

ees'i,;'r:':'Xt1il"J#*"*'Iffi:XaYrTil$in"

BEERZONE Another great Band who never fail to entertain. Very energetic and very funny BEERZONE deserve all the positive acclaim being meted upon them these days. Lain is a fucking lunatic, he always has been and whenever they finish the set you sort of half expeci men in white coatls to run on and slap him into a straight jacket. They never do tho.

.

The magnificent GONADS not so glorious *,fr?H,?3 r^ tive circuit. Not that it was Bushels or the Bands fault, they tried hard enough but were hampered by a poorly set up sound system and by the

barracking from a small but hostile section of the crowd. Th'ey 6attleit on Uiavety anO ptayed great a set

which included classics such-as "Tuckers Ruckers", "GonadgTheme", "l lost ,y tor" to a UK SUB", "Oi! ._ Nutte/', "TNT" (l think), 'Alconaut", as well as my two faves, "British steel,'and 'whats thestory (Englands Glory)". \y'y'hich were made even better by two lovelies who Oal anA the Lads on loined .t.g" for a blatently Patriotic Flag waving session which upset some of the mentalist pC hecklers and Can throwers even more - fucking heil, if you cant take a joke

just fuck off out.

UK SUBS Some occasionally say that the UK SUBS live show can be a bit stale, but that's definitely not the case now its been revitalised by the new stuff from the excellent "Universal" Album. Charlie Harper would p.lay a gig in your Back Garden if you asked him to and lt doesn't matter to the UK SUBS wnetner ttrey play in front of 500 people or 15 they'll always give One Hundred percent. just I hope l,m still punking it like Charlie*wtren I'm 60!

pronounced ANWL not ANL as bis bad and bawdy as they were the first and last time I saw them way back in 1891 (or wis il 1782) alth,-e Xmas on Earth' Festival in Leeds. All the old favourites in front of a very appreciative crowd many of which stayed on from the Subs before, we were really being spoilt tonigirt, ihis is 'real' good old tast'ioneO prn( Rock anO only one thing could ruin the great feeling the League leave us with, and here it comes now......

"r.orf[rijt]3#E1t:t*r"n'rl*","

The EXPLOTTED 1.2.3.4. Wnrrrn, Wrrrrrrr, Wrrrrrrr. CHUS, 1.2.3.4. Wrrrrrrr, Wrrrrrrr, Wrrrrrrr. CHUS, 1.2.3.4.

Wrrrrrrr, Wrrrrrr, Wrrrrrrr' CHUS, 1.2.3.4. Wrrrrnr, Wrrrrrrr, Wrrrrrrr. CHUS. I loved this band in the early go,s, th,en I had a long period of no opinion about them. Now 20 Years on, lrz.g.l,.Wiinn, wrrrrrrr, Wrrrrrrr. cHUs, 1.2.3.4. wrrrrrrr, wrrrrrrr, wrrrrrrr. CHUS, 1.2.3.4. wrrrrrrr, vvrrrrrrr, wrrrrrrr. CHUS, what the Fuck is all that about? 'r.2.3-4.wrrrrrn, wrrrrrrr, wnrrrrr. OHUS - No CHUS![.

.wake up, rny voice has gone, I can't see n"jXl.rT'r, Kidneys are kifling mel! oh my god is this ", my end alohe in a ioom in Blaikpool? - Thliwould have ldrunk myself to death and I'm to meet

it,

be so Rock 'n' Roll. I force myself to get up for breakiast, not that I could eat ,5r" inrn a bowl of cereal and drink a nice cup of tea deary. I just needed to move, having moved "ny ino satisfieO myself I wJsnt dead I went back to bed. Avoiding any shortstop offs at any pubs I went straight up the Venue.

A NYHC Band that derinitery oon',

.,,f1ff[8.':l?H?X]rtcurar

Genres composition. Listen to

themandcomparisonscanSometimesbemadewithBLooD4BLooDandWARZONE,olhertimes ARGY BARGY A very animated stage you could mention AGNOSTIC FRONT and even our very own HC version or VrcroUS RUMoURS Jn-ow t om start to rinish,

#'; il;,;;tq$::ilt-il:f,ii'" CRIMINAL CLASS

I bet

we'lljust put that down as nerves craig is a bit embarrassed about how this set started but theY'd

because has thinss

and b^"19lT!^b^v.thelime trousers I'ili St Leon had to be embanassed about was those

,or"o'ii-dirfu-tlini cr-nss irst got better

;".ffi;i#;;iv

ini.g

ARGY BARGY

definitely one oflhe highlights of the what can I say besides for ARGY BARGY/Absolutely Brilliant, live. I know its cruel but one thing band this you've.ner"r.6", you believe me then

don,t weekend, if put a coherent .

J.. i*n.ro earlier taken the piss out of my- inability tohanding that made me chorge the vocals humidity of course)' of t'he (because voice his loosing briefly sentence together), keeps more a bit ver him You should drink i" o"rvr Smith lnd

*..

"*,

";,cilv

t;;i;"iiil*i3[H*1.to

DISCIPLINE eAnCV and that's with another great band and likeARGY gr9a1.b.?E a follow to way one There's only suggest that my having been drinking with beforelou and orEcipr-rr.rg, tn-an vou cant get much Better oririe giving them a very positive review oaiing some this lot for most tne afternoin-m,ghinlu"l"d their Strons and werrthat just aintrrue once agarn Excellent strongei-andlighter' even set i,gni

r",;;;";;;k;;;i1ili91113iii:'l:::1"^lnllffl''n oil;t"

SPLODGENESSABOUNDS are one of those bands which depends as much This man is so funny its bordering on insanity. sptooge music and the mans lyrical expertise who else ihe on oo tt on the visual show and rurr[ uJnG1. "y your sock down your shoe' ". courO wiite *nlf" song'about losing

"

The BUSINESS are entertaining a venue packed wall to Tez Bones 2nd appearance of the night anJ ine BUSINESS as ever' "Hell to Pay"' "Suburban pleasinq favourites Ltowd iliiit wail as atways. tne set;am p..i truth", "Hardcore Hooligan", ''one the ,,Real Enemy," 'rne'rruin, uut "J not"ning tne whole truth, Rebels,,, iiL charging around like a man possessed I common voice,,etc, etc, wtraley giving it the big'un

"nJ ne-ver tire of seeing this band play live' The WARRIORS

aoys last y-ejlr b-e^cause this time round I really nice originals Lna r-n'sr RESORT classics it was a enjoyed their set, tn" ,rrrr'i"i, all other true working class kids' another "irivncnrohs and SECT|ON5 to O"Oicated cr...ll*.. touch when "Working 'the flasher' joined them on itige ana sang better than Paul nice touch was when a7 yeatold kid (Jack) and I apologise ror not beins tho sho* ,*.r t i."*ir'il perhaps I was a bit unfair when I slated Saiby

iiuyi;M ,i*rvi .no*.

*i|"*lJgt

anO

$e

j,rlt;":"ol

festival for this ace review of the "Holidays in the sun"' A big thanks lo Benny at "Anti-social Behaviour," 2002, Cheers lrom KtS!

Tnx *KIRKT Scorrf' DtsrrRe Lrcr i'-j-rk t Sc.tty Rec+-rds, ?5 e]-ant HiLl *crad,

Fiqfter B}*ckley, t$aEctrestef,. !{9 Esn.

I{e11. here it is fo1ks, the Eera'i(irir t seatty- Distro list! you can find all of the addresses of the distros aad.trabe}-s that appear on these pages and aJ.l prices are c]-ear]-y narked so lcith+ut further te do, I suggest you have a ganders at-'rghaA's oa offer this Li.ue rourd! ?' are all fZ .Zi with pst It{TttflDATtot\t tEcls Overssill -I[rho's Sar EP

Mutt -Retre

Home Brerx

(Excellenl punk {rom

t 4 r:rarLrvr"r*lsas* ftoat Fet*r Sory*r S*txxrls, ioreJS:$

the UK

Scotla*d1

Ikrg *rr

The Threats -*ac& In Heli EF (ano*e.r ggeat r*le*se fram intimidation re.e-sj Swellhe.llys -Selt Deskuct (TIr*.s-e are my fave baxd, remi*d me of t*t E*loih:dll

Patrol _tir*no*u ll:ldiers

(A gem lrom the BGa iast Iike { remember\

Dagshit safl .I*ic&JHippy wai Gene.rals - (E'xrelfe.rj Uf{lOZ st:lid t** 6rl*f,refease frem

Front (split) (A double dose ofhard streetpunk, Iove iLl

Pt*t*sltit Recs-) C.hokeword -DIY EP (,{ grr*af release 6sm -$trqpect

Ill/EltDElEcs Merciless S$D -Facked up Mess EP k lilliag slice of

fleerce Ee(s.)

ilirdlockBee

wholesame p*nk, t*'hat else?t Dosshit Sa{rdwich -GGYFC

(this is dss al there best, hard and fast like it sha$d bell Scre aming ttr-illie s/Gris walds

-

Immature Eiacuiation EP {sptit}

llavs

tbis marfues.s.4

The Pohers -Ignite EP (Ibt aatther fiae release tram We*d)

ryrtrs*fm.es

Runnin' riatflcwer bloeks {2 songs a piece from 2 e x ce lle nt streetptmk band sl

a R{r$e -Ilope r*ge {Jf*s{ ral**y pr**. a t?tasl hazze ia my ls:.d,-] Engax* -!*t*n:rill this end Pog -F*ces at rh* rri*do$" Easifield -Cpeaiag t&e lid ar Tirdds peace box (Cefeiyn" fu<:k pask *om Seat

l?eds:ffecs.)

Swellhellys/Assert, -Lfnited

- Mcnarchy in

you in hell

Church af Skalin (A dsuble v,hammy

-

af e.xtelleat

*anlcar*, aic*.I

Errsigffieac}ing For#ard * Exist+m* is fsdirg {Split} l2 ba*<fx 4 riar*s" R*tlecliats

lle*f an a r c ha - p un k kom Discloca te Records.)

(6,rc'e.

3 blisteriag releases from

Social Napalm T}e Cancer Kids/*telee lBxcelle.nt split 71 The Dirty 30s

{(-7assz] r:a,s's'effir from the 80s, takea from the albva*t)

Becs;)

The Aaton+aistdFDlt {Sptrit} {GreafJnr:85y'l:&s fro:lr f*e t${} Sire"ss -Jail t&e corrugt

x*iticiac {Er*:rJl*..rrf prar*

fr*m htb tia-l

T-shirts caming soon to 'I{irk t Scatty,' Taxic

-

This is sick { }'os I:1-* it hard ehfl The Proletsrait Soma Haliday *1.00

Hrmran-Racist |3-tratk siagle released on Abandon all Hope rets, make it s,aws, itk

excelle*)

Holaca*-st and l#illhreaker f,5-00

Earthtoda y/Urine Specinren 0' jaint yeature lrom united shoe brothers and shitstuck tapes, a bargainl Contentpt -Justice for who? ( Ex ce.llett h at'dcore p unk released on Data Records|

(Agaia, it's catclty as fark" a great reJease from Beat

Bedsit Eecs| Scum Feeder -High*:ay kr Began. {Some great 'in yer face'ptmk

from

Toric Holocaust'Oprichniki tExcellent split 7'. lbu like

grin4

weJl

get this suickg

Violent Cere Aftack 2 (Brutal 7' camltilatian from T.S Recordsj Global Holoca usl,/Urban Trash -Do something

(Blistedtg split release

fram

Toba ct:a

shit Recs)

Urban Trash/.lndiglration

40. yes 4O baads tln {bis excellent. comgr {rom Punk

Shit recerds. F*ahricg tlr* Iikes of Ilogdrit SandrcichThe Sleam Pig aad Suarir!'

Riol to nasre but a ferr" a trargain ia my b*xrksi!

D.O.A

tAnother brutal sptit ?' release from Tobacas sltit Recsj

Totuus -...lisaa tautqia (ExtremeT t think sa.

Excellent release {rom Fight Recards of Fislandj Totuus *S lT (Anotber g:ut leren ch ing release from Fight Recs) League of Struggle -The

nature of tlre Pig is Greed. t

Ex c e" ll es t rel e a s e from

Puke

n' Vamit Reccrdi)

Aborted./ Justified Atrser Ner.er give up (Creat sptit 7'from Puke n'

Vomit recil Disploited -S/T {Great re}ease from Ronky Records af Fisland.T Dog Oa A Rope -Sp*e!E (Excellenl Anarcho-punk at it's hest) â&#x201A;Ź4.5O 1 left so get a rr:ov+ otrl!

CD Co!,tps are all â&#x201A;Ź4.50 plus post udess stated.

the

la*d of Oz.)

Mouthguard -Born out of

The Bkrr,d This j*int --eature betryeer Saapskrt Re**rds and Ear Code The ?ii'orId plays host to 5 greatAu*si* slr*rt punk bands. Oealh Eefare Dishonour. The Blurters, Elurred Yisian= Tle 14+.re

Shir:k+.rs a$d ^f}:e Hats. -4, grert CO irt my" agiaioE*

Beirie ISJC I In Polard

-

El.5O plus prr'st A special release {r'nm

Far Q recards far &e Part5r PoJasd torr'. feahrir:g

b

ISlCl, ESS" Ste.g*t +nrsre.

A gr:eai comp. (CD-R)

CDAI-sUils./ EFs ar* all f,4-5$ ptus

gst

rrrlrss

olhP..rxise staa.o,l,

Srt'ellhellys -Shut up anrl Listen (.4 6ne refease {rux* Pcmk frac* .leallaed, a *zust *a ve albutx I rexb!!

Eastfi eld -Fanalicea Para

?ren*s

I)isgust, {Same aice hard street puak again, fram Aussie. A great retease oa Stad Recardsl Idisrnet HC -Our message is orr alrger, Our yoiee is our pain- f3.50 (Excellert 80sy'90s hardccre pank, what a CA Ararchy Spanky -Sug"ar and

spice (Some .fihe anarcho- punk here, released on F.C.R and CJtiacare Recs)

M.T.A -The Polidcs of llenial t Excellent hardcore punk througtt aad through.

Released on Beat Bedsit fi'eas)

Yiolent Subversion Returning the attack t3.5O {Srorthing anarcha punk {rom Alie*ated Records) Anal llunder -1Tiil Fuck For Crack {Great ptmk frwm Finland, released on ffrdaey {ec'ords.} Reiected -Heat of the night {Excel}ent street punk frorn Finland, again {rom Kidney Eecs.)

17 Stikhes -{:loser tharr you think {Erce.,/lerr t h art! r ore

punk released on Skipwarth Eee'sl

Hneejerk/Abjure - f)orr't clap, it startles me (split) (Exce$ent past. hardcore on

Skipworth Recs) The Blue Bloods -Rutr some

dirt o* it (CD-H S3.5O

{Great pu*k frem Bosta*, USA. Released afi Base.rnefit Eecs) Dun 2 Def -Barutr sqnad EP {Great putk released a* Disclocate Rers) f3.OO

The Aursnomists/FDK (sptit

stuff

CD EP -more exrell*at

on disclocatel *2,AA

EI

'$T'CtsTtFES &Iah*eaayfrltr*ci*us &Iadness {split} { fras

*j'

r'*r$rl m*!z: #st: S*ad

frielrdsj!

Cpa Hr.:rsti#&lahslg-any Aaa !*e. r e- qwtl*- hru*a I {.

split

tratt*

fas:r

ff fiiifosl

Se.nsel*rs-sfi*guinxrs A{ ui

OTHERSUFF There aren't of the following items left so get em' while you cal!!

Kunt Fiiller -Murder for Satan {CD-R - Pre tty lteatry staff, from N aclear.Flef} r?ecs) 50p Final Thought -Tales of a small town aothing (CD-R) {Great UK hardcore punll SOp Blisterhead -i[he Hooli gans are here. (lTl-R) EOp {Excellent, catchy Gi punkl Ttis Time Tr:mcrtow-

Architects of well foru:d glory.

(Great emo kom Skipwarth Records. (CD-R) 5Op Intention -Black Bloc SOp (Exc ellen t h ard core d emo) Intention -Positive SOp Unather g'eat hardcare

(Excellent sptit fea turitpl musi* ltwx Crwtia anl

*{exiro{resper*'r'e{v} RajoitEs -Csrtsa If*lmis I{trole.nraan?

Lil aic,*, da*: o{andaess fronr*$xreden$

Starts {E"r-reilr.e* ia tet* a ti*v nl h ardcore

punlr canpdafron fape) ,4ll {1 lri*s oosba#re

pac*ed full of e.Ycell".$t bands fram Hotwired to Wolent Subversion, availalsle with the lTrst *I isslr* of cas't be

b*t*ered,* rews

Kirt t Scotty Releases The Siillhrms

- K6 01

$fieed

For Sseed -X$

baods-)

htimidation Recs Fake Patrior,s ?'

SwellbellyVAssailants 7' tTwo fut:lri*; ace releases from [ntimidation Recs)

sanrlry;'d:, Se tba ck, .A/abod-y's t{e ra es a nd Final Tltougbt, get it while

Star Trek Suclrs -KtS OE f,l-O0 (Iatesl release fi'oml Ktfi, a CD-R cornpilatiorl

OUT

Caming Soon!!

F.C.R brinss to you: See l'ou In Hell ?' ( E x c e I! *t t c r ss t/gria d fram tfte Czec* R*public.)

It Can't Happen Here (Stormins CD-B comp feafuri*g a lnach of ace

Tales From The Bridse KiS +4 €1.50 {Ace 4-way split CD-R .featwiag Dogshit

s}ots *?-S5 lE,r t *. ll e. a I b axfxtr* p u o * from {he {-ser* Eoprr6l,ir} And N*e fre S{:r***dEg

demo 50p {A nice s}ab

o'

{Raueh and ready

punkrack far all you noise lan{ie.s onf flre.re.) CD-R

sfac*slasL)

The Dangerfields -DirtJ' wee ctrepl nrtnk frnm llelf*<A

The Stilltroms -D**tE t* Society Kfj 03 ff .5O

iliktlra Burtrrrcnffi [ -Best

(Raw patk [rotn rt're li\,{ C €O ge.ss,ette rape) SOI,D

demo.)

ilezinle kc e an d ll uea i*' ,['ic'r.] 81.00

{{bnpilatioil

tap€

featuriW ths li*es Gossrhf -\l?rdm'dt,

*l

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ietterlida sheet-l Thads it for the distro this time rormd, hope &ere's sometling ia ibere that grabs your interest hut anyway there will be more on offer when tlre next list is out ard If ttrere's something you want that is listed under 'ot}er stuff'or there ar*n't maoy copies left of the particular item you want then please add a fen' alternatiyes to your order and they rn ill be sentinstead. You could alsa check out some of t}le otler distros ir the colltacts sec[ion to see if they have it in siock.

I Ebr*:rEI

hese are just a few

ol

the covers from cdsfi' that I have available. I wish I could put stme

more on there for you but I can't, the computer is siik, and it can't hold t}at rnuch info, god its about time I got hold of a new one, not much chaoce of that I'm afraid, so for now it will do. Anyway enough of ihe rambling seeya.

Ps, I'ru after zines to stdck up on for m1r distro, ainesters get in touch, please.

Please make allcteques parvable to A Cardlatrd

ord$ring &om ovsseas, exlra for pmtage::t: ,-

1.-

C.*alari.'Kirk t Scoity-' via email at kirktscott!-(iiaol. com

Ar

{!il!!!{{rEfl!!

lf

a#

FCR tr.|.Y COPYII*IG $ERYICES Here is a Iist of tte C D copring prie frorr '-Fuc*. Cor:trigh Remrds-" Prices are girur are for silver top or tr*rite top unbrad CDR rrcdia (Iwtst pr*x aveilsblâ&#x201A;¬)- For ari 6\tre cut !'su cen gsf btack CDs ard silr,s/sih'er CDs- fte dr.autage of hayi4g sikalsilrer CDs is fhat with a Iabel oa &emthq're tk clmest thing to, "Proper,* rhd yan .au Ati! Eiyrail Stsyr l)'itb ar1' qrrcries on: ste!'ei?tipoinettrr&sh.cqn rud yolrill find fhd th& dhs dded bcrus is. 1ur r*.m't havs to sit {hrre

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tt* rcg ofthe*,trld witl appear in the nex iss:e

-.

Available from Punk Shit Records

40 blistering punk anthems from Dogshit Sandwich, Runnin, Riot, The Steam pig, Hotwired and many more. You can get this direct from Punk Shit or many fine distrots everyrwhere!