Yasaman Arjomand_Portfolio_Selected works by yasaman arjmand

YASAMAN ARJOMAND Portfolio, Selected Works, 2017-2021 A R C H I T E C T U R E

Email: yasi.arjomandd@gmail.com Location: Montreal, QC Phone: +1)4385098100 Proficient Languages: English, Persian

DESIGN RELATED EXPERIENCE 05/2021- 09/2021 Quebec City, Canada

MOCK/UP Architecture+Design INTERN ARCHITECT • • •

05/2019- 09/2020 Tehran, Iran

EAM Architecture+Design INTERN ARCHITECT • • •

08/2018- 09/2020 Tehran, Iran

Responsible for the successful caring out of projects, design, technical details, material research. Formulated design presentation strategies. Assisted with designing mixed-use, residential, and commercial projects.

HELIX FAB LAB CO-FOUNDER AND PROTOTYPE FABRICATION SPECIALIST •

08/2018- 04/2019 Tehran, Iran

Carried out projects from the early pre-concept phase to design development and technical details. Responsible for the organization and production of 3D models, renders, and presentation packages. Assisted with fabrication logics for prototypes and final designs, which includes utilizing CNC machines, laser cutting, 3D printing, robotic/digital fabrication.

Successfully realized complex 3D model prototypes for designers architects and otherwise.

SHIRAZIAN Architecture+Design INTERN ARCHITECT •

•

Assisted with producing and modifying drawings for single and multi-family residential projects, including a three-story villa, and six story residential building located in Tehran, Iran. Carried out projects from the early pre-concept phase to Schematic design and construction documents.

TEACHING POSITIONS 04/2019- 05/2019 Tehran, Iran

IMMERSIVE PATTERNS

09/2017- 04/2018 Tehran, Iran

ARCHITECTURAL VISUALIZATION TUTOR

TEACHER ASSISTANT Assisted the students with computation, visualization, and theoretical frameworks.

ARCHITECTURAL VISUALIZATION TUTOR Helped students to gain a collection of skillsets in 3D modeling, rendering software, and presentation.

DESIGN RELATED ACADEMIA 2020 -PRESENT

2015 -2019

SKILLS

McGill University

3D Modeling

MASTERS OF ARCHITECTURE

Rhino Grasshopper Revit Autocad

AZAD CENTRAL UNIVERSITY OF TEHRAN B.SC. ARCHITECTURE

Graphic

COMPETITIONS 2019

INDEPENDENT

UPCYCLING RETAIL: WINNER By UNI , Chicago , United state (Teamwork) 2019

INDEPENDENT

PATTERNITECTURE: 3th PRIZE WINNER By patternitecture ,Tehran, Iran (Teamwork)

EXHIBITIONS 2018

Contemporary Architects Association of Iran (CAAI)

ROBOTIC FABRICATED PROTOTYPE The final outcome of the Digimade workshop exhibited at the “Invite” annual event. 2019

Patternitecture

THE LOOM The prototype of an innovative fabrication method for complex geometries, developed in Grasshopper, exhibited at the “Patternitecture” annual event. 2021

8th National Biennial of Sculpture of Tehran:

THE LOOM The second prototype of the Emergent Vessel series, exhibited at the Tehran’s National Gallery.

EXTRACURRICULAR COURSES 2019

By Contemporary Architects Association of Iran (CAAI) GENERATIVE MORPHOLOGY: A two-week workshop for generating parametric formal logics, resulting in a matrix of possible formal qualities.

2017

By Contemporary Architects Association of Iran (CAAI) DIGIMADE A four-month workshop about parametric design and digital fabrication.

QGIS Adobe Illustrator Adobe Indesign Adobe Photoshop Adobe Premiere

Rendering Keyshot Enscape Corona Lumion

Fabrication Robotic/Digital Fabrication Laser cutting CNC machine 3D Printing Model Making Foam cutting Construction

SELECTED PROJECTS Upcycling Retail

More than Waste

The Loom

Monolith Morphology

Digimade Final Prototype

Mixed-use Complex

PROFESSIONAL WORK

Upcycling Retail Competition Winner of Upcycling Retail competition, UNI Jury: Nader Tehrani, Ángel Verdasco Year: 2019 Type: Retail Duration: 3 weeks Collaborators: Nima Shoai This project aims to create a new typology of retail by combining the physical manifestation of online shopping, the warehouse (i.e., Amazon Fulfillment Center), and the already established diagram of a linear marketplace. The new typology aims to increase the synergy of both online and offline retail in this project. This project consists of the intersection of traversable sloped surfaces with each other, which are the main organizing elements of warehouses and stores. These intersects help create space and contribute to the formation of a continuous linear circulation on different levels. These sloped surfaces make the traverse from the deepest level to the utmost level possible without the use of vertical circulations such (i.e., Stairs, elevators) Three vertical warehouses are included in the project, and each has two separate access. One is located at ground level facing the street to emphasize the direct interaction between stores and warehouses and the convenience of the stores’ users. The other is located at the deepest level, which has direct access to all three warehouses in upper levels. This underground warehouse improves the accessibility of the warehouses.

1. Path and Target Successful marketplaces have always been formed in roads leading to a “bustling” place, as these paths always have a steady flow of people. This flux of crowd will provide the shops with visitors, turned customers, which might lead to better sales compared to other stores in low-visited areas.

Target

warehouse

SHIPPING

warehouse

Offline Retail Funtioning Diagram

store

Online Retail Funtioning Diagram

store

warehouse store

Synthesis

SHIPPING

2. Warehouses / A New Typology Online Shopping is manifested in our physical world through warehouses. They, in their current form, act as the middleman between the Buyer and the Seller; they have the duty of preservation, packaging, and distribution of cargoes. These warehouses are constantly evolving based on the trends and needs of their time (i.e., Amazon Fulfilment Centers using robots to organize their inventories better) To create a new typology of the retail, the above-mentioned diagrams (characteristics of Offline and Online retail units) are combined together.

EVENT shop

shop

supply

SHIPPING

supply

Considering the constant availableness of online shopping items at the warehouse and the ability to ship directly to the destination, two proposals are presented on how to use the stores: 1)People can rent stores as places to sell and present their items while at the same time having the benefit of using the warehouse’s ability to preserve and distribute items. 2) The warehouse can employ people as vendors for presenting the available goods at the warehouse in order to advertise its items and increase its’ sells, while at the same time contributing to the increase of the employment rate. Vertical Warehouses’ connection to one side of each store brings about the transportation of goods to each and every store. The flowing flux of crowd attracted by the presence of the Event and moving in the designed linear path leading to the Event is providing the needed customers and viewers for the stores. In addition, the Event can be supplied from the warehouse using direct access.

Main Circulation

A visitorschosen path, among many other potential paths

Alternative Circulations Added so that each potential path can interact with most shops in its way

Shops All Shops are adjacent to atleast one of the available circulations, grantieeng a steady flow of customers

Hub All potential paths lead to the midway hub, connecting all passages

Vertical Warehouses

Event

Passages

The paths leading to the event are designed to provide various alternative circulations in order to put most of the stores in direct contact with the flux of the crowd. The event, as a primary destination for the visitors, due to its’ open space and flexibility, can contain within itself a whole range of performances. Our proposal is limiting each activity to a certain day in the week, to ensure the arrival of different people and attract more visitors.

Basic flat surface

Creation of 8% sloped surfaces Allowing easy traverse on the surface; while creating a sheltered space beneath Intersection of two surfaces Allows the change of direction

Space Organization Creation of Cells in between two intersected surfaces, while at the same time controlling the circulation

500 x Shop units (25 m2) Each shop is connected to one of the warehouses

Vertical Warehouses Each shop is connected to one of the warehouses

+8.50

± 0,00

-3,10 ± 0,00

+ 11,76

Main Circulation ± 0,00

Exit Path -1,95

+6.70 +6.70

Circulation The paths leading to the event are designed to provide various alternative circulations in order to put most of the stores in direct contact with the flux of the crowd.

Vertical Warehouse

Lobby

Using the sloped surfaces, each “Picker” can run the lenght of the warehouse from bottom to top on foot with ease

Interaction with shops/ displays

Potential Picker’s path VERTICAL WAREHOUSE CAN GO UP WITH RAMPS ALL ARE CONNECTED

Picker will pick up the item ordered by the customer and reaches the shop [Using sloped surfaces] to deliver the item to the vendor

Shelves Storing Items

Restaurants

Event in progress

Fashion Show

Packaging

Shipping Vendors can also deliver their items to this gateway to be stored in the warehouse

Shops/Displays

Underground Warehouse Used to store bigger cargo; or recieve bigger shipments

Maintainance

Cargo Elevator Connecting Warehouse levels to underground level

Event Center

Passages

Shop dividers

Bathrooms

Warehouse

Lobby/Exit hub

Roof

Emergency Stairs

EVENT As a primary destination for the visitors, the event, due to its’ open space and flexibility, can contain within itself a whole range of performances. Our proposal is limiting each activity to a certain day in the week, to ensure the arrival of different people and attract more visitors.

Gallery

WorkIndie Movie shops Screening

Fashion Show

Fridays

Thursdays Wednesdays

Theater

Tuesdays Mondays

Skate Playground

Music Performance

Sundays

Saturdays

Storage Service

Event

500 x 25 (m2) Shop Emergancy

Bathrooms Emergancy

Cargo Elevator

Restaurants

Elevator

Car Access To parking

Underground Warehouse

Parking Lot 690 parking spots on 3

Service Route To underground

Elevators Emergency Staircase Cargo Elevator

More than Waste Project: Studio-Fall 2020 Type: reclamation Centre, Building ecology Location: La Mitis, Quebec Canada Duration: 12 weeks

The steady risk of localized erosion is fueled by the global climate crisis. This condition amplifies the urgency to design robust waste systems. Eventual inland retreat is a harsh reality, and the fate of vulnerable infrastructure requires thoughtful care. Wasted systems and materials lack purpose and are left idle. They are not, however, devoid of usefulness. This project aims to design localized reclamation strategies, expanding on the municipalities ambitious waste management plan, to tap the unharnessed potential of three main waste streams: concrete, wood, and plastic. Throgh localizing reclamation, the project intends to cultivate a new relationship with waste. The design is comprised of two collaborative elements: (1) the provision of local recovery sites, which fuel (2) a reclamation collective built to transform wastyed potential and cultivate knowledge.

Collaborators: Yasaman Arjomand, Genna Kalvaitis, Joshua Macdonald, Daniel Kuzev, Keyan Ye

REGIONAL MAP External transportation flows Key Map

21 21

Legend Waste facilities LET Ecocenter

Transportation flows Airport Ferry terminal Ferry pathway

Industry

Railway Concrete Lumber

Material deposits Existing deposits Recovery sites

Highway Secondary road MCR de La Mitis Municipality Agriculture land 5 KM

WASTE LAND RISK

Climate risk

Landfill siting and remote facility dependency At present, the MCR de La Mitis transports around 5,350 tons annually to the technical landfill (LET) in Rivière-du-Loup. The current reliance on burying waste material under the earth is unsustainable. This risk is further intensified considering the volatile effect of global climate change on the land in the region, particularly coastal land. In order to counter climate change and greenhouse emis-

sions as well as other nuisances through transportation, it is suggested that provisions be integrated to reduce as much as possible the circulation of waste or recovered materials on Quebec roads, especially when it comes to exports. For example, support could be provided for the creation of markets and short-distance outlets in the regions for reuse and recycling.

High risk Medium risk Low risk MRC de La Mitis

Sainte-Luce-sur-Mer

Recovery Site I

LET Rimouski-Neigette (27 km) LET Rivière-du-Loup (111 km) Usine de biométhanisation SÉMER (110 km)

Wasteland and Transportation Risk

Écocentre de La Mitis (16 km) LET Matane (73 km)

SÉMER Riviere-du-Loup Technical landfill (LET) Mass timber manufacRoadways MRC de La Mitis

Reclamation Collective

Recovery Site III

Recovery Site II

1 KM

DISTURBANCE PULSING CYCLES Preferred new harvest trees

Bas-Saint-Laurent

447 817 ha of vulnerable stands affected by budworm epidemics

MRC de La Mitis

2020 A. Panel composition in fabrication of small span

Jack pine budworm

90 % New Harvest

Western spruce budworm

10% Virgin woodwaste +Recycled wood

Eastern spruce budworm

SYNCING DESIGN WITH PULSING CYCLES The non-scalable relationship of virgin natural resources to soil, air, and other living species makes them subject to pulsing cycles of disturbances. The three reclaimable materials under analysis are part of a larger network of idle waste streams existing in the region. Once understood as a resource, they are also governed by disturbances cycles that urge for adaptability in design. In the context of climate change, architecture must work with new parameters such as weather-marine conditions, forest budworm epidemics, coastal relocation, local agriculture and tourism plastic consumption. This project offers new perspectives towards change by introducing the concept of syncing the building sequence with pulsing cycles.

Major conifer-feeding budworms in North America

Harvesting o

before the epid

stands

2021-2030 B. Panel composition in fabrication of large span

2031-2040 C. Panel composition in fabrication of panel production for other construction projects

60 % New Harvest 40% Virgin woodwaste +Recycled wood

10% New Harvest

40 % New Harvest

90% Virgin woodwaste +Recycled wood

60% Virgin woodwaste +Recycled wood Before epidemics

vulnerable stands

2041-Onwards D. Panel composition in fabrication of panel production for other construction projects

vulnerable stands

ventive harvesting

of the most vulnerable stands

demic and of damaged but alive

During epidemics

damaged & alive

dead trees

Salvage Harvesting stands with a variable proportion of dead trees during the epidemics.

s during the epidemics.

Foundation Sequence

Small Span Sequence

Assemblage of things-Axo

Large Span Sequence

Deconstruction Sequence

The reclamation collective is fundammentally the design of a waste system, not a specific building. Its operations, paired with material vol-

lections at near recovery sites, are meant to be 4

replicable in any municipality within the MRC de la Mitis.

1. Administration

This knowledge is meant to be shared with the

3. Plastic workshop

2. Plastic classroom

community to move beyond single-use ideolo-

gy and actively embrace material imperfections. In the long term, changing existing practices

around waste management is essential tp nor-

4. Classroom 5. Mechanical room 6. Wood workshop 7. Assembly hall

malize waste design and build communities. The storage, assembly and repurposing of reclaimed materials in the Reclamation collective are de-

5 6

veloping building processes beyond the building-object. These include advanced alternatives for harvesting and processing new wood materials in order to use 100% of tree parts.

Assemblage of people-Plan

The Loom Patternitecture Competition Year: 2019 Duration: 4 Weeks

• 3th prize winner for Patternitectur competition • exhibited at the 8th National Biennial of Sculpture of Iran

Patterns are proving to have an unexplored potential, this project aims to explore the ways in which they can be incorporated in the creation of an architectural space rather than mere decores and installations. Inspired by the diagram of hybrid (adjacent but autonomous) spaces of Rem Koolhaas Netherlands embassy in Berlin and its synergy with the Thomas Heatherwicks Vessel form, a ‘Morphic’ design emerged. This project aims to incorporate “top-down” and “bottom-up” approaches in design and translate them into a system that will produce emergent forms. By defining the limitations, criteria, and inputs, the system produces iterations of a porous design, which includes negative spaces, blobs, voids, and apertures. The project inputs are mainly two raster images produced by Adobe Photoshop™, one similar to the “+” sign and the other a 45-degree rotation of it being similar to a × sign. Using the overlaying center of two images, the rotation factor, and replication in Z-axis, the 2D pixel bitmap values were transformed into a 3D mesh. In the next phase, the spatial qualities and opportunities were further studied by deforming the mesh, which resulted in a matrix of formal iterations.

Collaborators: Mir Mohammad Hosseini Hessam Mousavinejad Amir Pourmoghadam Aria Sanei

Pre-concept Phase

Rem Koolhaas

Formal combination of two diagrams

Hybrid spaces Embassy of Berlin

Thomas Heatherwicks Vessel , New York

The 2D patterns

To master the system, a learning method was incorporated, introduced by Greg Lynn and the paperless studio, mass production by predefined value inputs and studying them by categorizing them in matrixes and animations. Many bitmap images were produced and manipulated in Photoshop to serve as inputs for the Form Machine (Grasshopper component). By changing the input values, many formal iterations were produced to study the behavior of the algorithm in terms of production.

Spatial diagrams of adjacent but autonomies spaces

Development Process

3D print

Design flowchart

By a data pattern, a form can be produced, incorporating the ascending honeycombs pattern of ‘Heatherwicks Vessel’ and the ‘Rem Koolhaas Netherlands embassy in Berlin’s spiral of a hybrid (adjacent but autonomous) space was substracted from a solid cube, the algorithm gives birth to a homogeneous form, a building with an inner central void connecting levels of rotated cross axes in spaces, with external spirals of ascending planes of occupancies and voids.

Fabrication Strategy For the purpose of fabrication, the algorithm was optimized using the Marching Cube Component in Grasshopper. Since the form is inherently a complex double-curvature surface, dividing two entwined spaces, tessellation methods could not be utilized. The curvature produced by Monolith does not follow the principles of smooth relative mesh form algorithms such as Tspline and Catmull. With a physical simulation, a clean and fabrication-friendly mesh topology was stretched over the form.

The initial unmodified mesh

Rationalization with the aim of cleaning the initial mesh, problematic Polygons were corrected in their edges and vertexes. In the first step, the initial form is subdivided into smaller modules. Each of these modules and their connection to other modules had to be analyzed. For this purpose, an algorithm was written in Grasshopper according to the algebraic relation of the modules, and the output of this algorithm was a clean and ready mesh for optimization. 34

Unmodified module

Unclean faces

1) A low poly schema of the form

2) Anchor naked edges for the physical simulation

3) Catmull of the lowpoly

5) Clean fabricate friendly mesh

4) Catmull mesh pulled and stretched over the Monolith mesh

Curvature difference between simple Catmull and pulled Catmull

Wrap and Weft The fabrication logic is inspired by the fabric weaving method. To select the right path for horizontal and vertical strips an intelligent algorithm was written. After comparing and evaluating different materials, steel sheets were selected to make the prototype. The lasered horizontal and vertical strips were kept in place using rivets. For greater flexibility in the strips, a small cut was made on the diameter of each face.

small cuts

Final prototype

38Final prototype

Patternitecture Event

Immersive Patterns Year: 2019 Duration: 3 weeks

This project aims to create a generative algorithm that outputs a matrix of formal iteration with various geometries and topologies, allowing for a comprehensive study of spatial qualities. The monolith plugin was employed to perform this exercise, which used voxels as determinants for the geometry, as voxels can describe attributes about a physical location within a 3D volume. 3D Voxels are the spatialized product of the initially created pixels of 2D images. The algorithm generates a matrix of various spatial qualities by overlapping these pixels along the vertical axis and converting the generated voxels to mesh.

Algorithm Diagram Monolith plugin

start

input resolution

vertical locations 0<n<1

pixel image

base voxel box

merge

strength

add source get channel

inside out

bitmap loft

blur filter twist filter

iso value 0<n<1 44

get iso mesh

End

Matrix of the generated forms

2D pattern

initial mesh

twist 1

twist 2

inside out

outputs

single module

replicated module

introducing variety by addding diffrent control points

single module

replicated module

introducing variety by addding diffrent control points

Digimade Final Pavillon Type: Robotic Fabrication Year: 2017 Duration: 3 weeks This pavilion is the final product of a 4-month workshop held at CAAI. The workshop’s main focus was to introduce a range of fabrication logics for complex geometries and typologies. For the fabrications of the final prototype hot wire cut technique was used by employing an ABB robotic arm. The initial stage of design focuses on generating formal alternatives and studying their spatial qualities and potentials to select one final design for optimization and fabrication. The low poly version of the optimized product is divided into 12 clusters and is smoothed using the Catmull component; Each cluster is divided into smaller pieces that required optimization for the final cutting.

Teammates: Mohamadreza Aliyarnia, Tannaz Amiri, Negar Bisadi, Sajad ghaderi, Hasti Godarzi, Hessam Musavinejad, Raika Monazam, Aria Sanei, Malihe Vasfinejad, tutors: Amir Pourmoghadam,Mehrad Mahnia Paniz Farokhnasir,Zubin khabazi,Mohsen Marizad

5.50

2.05

1.87

3.05

Empty Pool 1.55

3.87

4.21

2.55

3.75

4.87 7.50

Matrix of low poly

A metal structure was designed to transfer the the vertical loads of the prototype to ground. The structure was analyzed by Karamba plugin In Grasshopper.

11.5

6.9

Clusters

Frames

Base

Hot wire cut technique End effector design

Nickel-Chromium Wire Spring

8mm MDF

120.00

40*40 Aliminium Profile

11.00

60.00

Section

Mixed Use Complex Project: Studio, Winter 2020 Type: Mixed Use Residential Complex Duration: 4 weeks In recent years, Tehran has undergone a rapid densification process which has led to the construction of many multifamily residential buildings. However, Most of the residential typologies consist of a simple upward extrusion, with little to no interaction with the city. As more of these solid boxes are introduced in the urban fabric, not only do they reduce the visual and physical connectivity of the city but they also worsen social polarisation and segregation issues. By adopting porosity as a core concept for rethinking residential typologies at the scale of a building, This project aims to address the ever-increasing problem of Social division, exclusivity, and climate change. The project utilizes the idea of polyvalent sharing and inclusiveness by creating collision spaces such as co-working spaces, and public courtyard that aims to create crossovers between user groups.

Required mass to house commercial, residential, and co-working programs

Identifying the wind directions

dominant

creating the initial blocks

Positioning of the blocks according to the dominant wind directions, physical, and visual connectivity

Optimizing the height of the blocks to allow for the maximum use of natural daylight

An analysis produced in Ladybug, a plugin in Grasshopper, showing the speed and direction of the wind at the location of the project.

Design Strategy The project’s mass is divided into seven main blocks creating a public courtyard in the central area, which is directly connected to the adjacent streets. To utilize Tehran’s dominant winds as a natural ventilation system, the blocks’ positioning in the site is optimized in Ladybug. Further, the configuration of residential units within each block responds to the maximum utilization of both wind direction and natural daylight.

Modular Residential Units Each block consists of 5 different residential modules with varying spatial qualities, which are repeated at different heights. Other than the blocks, each unit’s openings and spatial configurations respond to the maximum use of natural ventilation and daylight while preserving the privacy of each residential unit. This modular configuration provides variety in the building’s overall form, which feeds into the concept of porosity as a visual/formal expression.

isometric view

shared office units access

commercial units

paths

lobby access

shared office

commercial units

The first 3 floors of the building house commercial and co-working programs that aim to connect the building to the city. The first two levels are dedicated to the commercial program which features its own circulation inviting pedestrians from the adjacent streets and revolves around the courtyard, creating a public hub maximizing the social interactions. 63

PROFESSIONAL WORK The Loft Mock/up

ZG Residential Complex EAM Group

Laloon Villa HS Group

THE LOFT During my Internship at Mock/up, I played an essential role in the design, coding, and fabrication. During my time, I was tasked with the facade design of a single-family house located in the coastal landscape of Gaspesie. Location: Gaspesie, Canada Area: 110 m2 Year: 2021 Duration: 2 weeks Status: Under Construction Roles: Facade design, Coding, Rendering, Construction documents, 3D modelling, material studies, costing documents. Principal Architect: Véronique Côté Facade design: Yasaman Arjomand Renders: Yasaman Arjomand

THE LOFT Inspired by the dynamic flow of the Saint Lawrence River, the facade is designed to instill a dynamic motion according to the movement of the user. The facade responds to a waved curve, where the black strips of stainless steel are subtly protruded. The contoured strips create a gradient pattern, that takes advantage of its casted shadows and allows for the emergence of a spectrum of abstract shapes.

Fisrt prototype- front view

analysis of the gradient pattern from different angles

analysis of the gradient pattern from different angles 68

analysis of the gradient pattern from front view

Strips of 7 mm folded stainless steel Eastern white cedar rainscreen cladding 125mm × 25mm Metal attachment screws Ventilated cavity Spruce furring 80mm × 40 ( for additional load support) Hemp insulation Naturechanvre 140 mm flexible complex panel Air and water barrier Spruce CLT, 75mm ( structure) Hemp oil natural surface finish on interior wall

Facade Detail

EAM GROUP

During my year at EAM, I was involved in a variety of residential and commercial projects. I played an essential role in the organization and production of architectural drawings and design development presentation packages. During my time, I gained valuable knowledge on design, detailing, and costing.

ZG RESIDENTIAL COMPLEX Location: Tehran, Iran Area: 8500 m2 Year: 2019 Duration: 6 Months Status: Under Construction Number of Floors: 15 Number of Units: 19 Roles: Rendering, Construction documents, 3D modelling, material studies, costing documents, accessible design and graphic communication

Principal Architect: Davoud Salavati Design Team: Yasaman Arjomand, Maryam Ghaderi, Sepehr Rabbi Renders: Yasaman Arjomand Structure Engineers: Mahmoudzade

Ground Floor plan/Lobby

Legend

1. Entrance 2. Lobby Hall 3. Waiting Room 4. Vertical Access 5. Management Room 6. Guest suit 7. Residential Unit

View from Lobby Entrance

View from Management Room

View from Parking Ramp

73 View from Entrance Stairs

Level 1 Floor Plan

Scale: 1/200

Rooftop Garden Floor Plan

Scale: 1/200

Kitchen+ TV room

View from bedroom

View from Balcony

View from bedroom

75 View from rooftop garden

HS GROUP

During my year at HS architecture studio, I had the privilege to be involved in the Laloon project from the early pre-concept phase till the end of design development. I played an active role in shaping space planning, facade design, 3D modeling, and general graphic communication.

LALOON VILLA Location: Fasham, Iran Area: 340 m2 Year: 2017 Duration: 3 Months Status: Built Number of Floors: 4 Roles: Construction documents, 3D modelling, material studies, costing documents, accessible design and graphic communication, on-site visits.

Principal Architect: Hossein Shirazian Design Team: Yasaman Arjomand, Sepehr Moradi Structure Engineers: Gudarzi

Level 1 Floor Plan Scale: 1/100 N

Level 2 Floor Plan Scale: 1/100 N

Contact info Email: yasi.arjomandd@gmail.com Mobile: +14385098100