Studio 6 Selfish Gene ABPL90142 Design Journal Yee Ann ean, tan 573608 lauRA MARTIRES
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Content Page
1. Week 13 :Infiltration tower
5 - 17
2. Week 12 & 11:
18 - 23
3. Week 10 & 9 form finding revising concept
24- 29
4. Week 9 mid sem break development
30-31
5.. Week 8 design development
32-35
6. Week 8 circulation analysis and study of Precedent
36-43
7. Week 7 mid sem crit
44-61
8. Week 7 feedback
62-63
9. Week 6 tower 3 influx
64-71
10. Week 5 diagrammatic systems tower 2 chaos tower
72-85
11. Week 4 sample collage tower Transition tower
86-93
12. Wk3 conceptual mapping
94-99
13 Week 2 site research and shibuya inventory
100-109
14. Week 1 deconstruction of ukiyo
110-127
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Week 13: Infiltration Tower Shibuya
Infiltration Tower: This tower is a reflection of the chaos reflected in shibuya Crossing and how Humans Move in and out of buildings in the city. The organic form reflects the chaotic flow of people. The organic creature infiltrates into the rectilinear forms defining the orderly program. 5
External Views
1. Full view of 'infiltration' 2, Street view of 'Infiltration' 6
Internal Space
1. Restaurant 2, Ground Floor 7
Plans
Service room
Restroom
Lift Lobby
A
1. Basement 4 2, Roof plan 8
Plans
Entrance 2
Tube circulation 2 Entrance 3
Restroom
Lift lobby Tube circulation 1
Adminstration
Entrance 1 Tube circulation 3
Entrance 5
Entrance 6
Entrance 4
Entrance 7 Pedestrian Bridge
Private room
Lift Lobby
Kitchen Storage Waiting Area
Bar Restaurant Restrooms
1. Ground Floor Plan 2. Restaurant Floor Plan 9
Section
Perspective Section AA
10
Section
Lift core
+35.00 Hall H Ha a & Reception +30.00 K tche Kitchen
Ba Bar
Restroom sttr o
2.00
Restaurant R s ua t
+25.00 Manga M nga gaa Stor g Store Sto re Stores or s ores +20.00
+15.00
+10.00
+5.00
0.00 Small SSmall Room Rooms Ro R oom m 0
1
2
4
6
10
14
-5.00 Large ge e Rooms -10.00 Medium Rooms -15.00 Service Room -20.00
Section BB
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Axonometric drawings
Circulation via 1. Central core access 2. Periphery access 12
Axonometric drawings
Circulation via 1. Central core access 2. Periphery access 13
Iteration Generation
Iterations are generated by simulating the chaotic movement of people within a bounding box defined by the site
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Iteration Selection
1.
6.
11.
16.
2.
7.
12.
17.
3.
8.
13.
18.
4.
9
14.
19.
5.
10
15.
20.
Selection is based on the useful paths selected by the species.
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Infiltration Tower Design Concept
The organic form x Circulation
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Infiltration Tower Design Concept
Rectilinear form x Program space
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Week 12 & 11: Refining of Design
refining of design
L7 RoofTop Garden
L6 Hall, Reception
L5 Resturant, bar ,Kitchen
L4 Fashion & Manga
L3 Viewing Platform
L2 Viewing Platforms
L1 Video games
GF Public Space
b1 Karoke 24 Small Rooms
b2 Karoke 12 Large Rooms
b3 Karoke 30 Medium Rooms
b4 Auditorium , service space
Preliminary Perspective section Basement not resolved
19
refining of design
Preliminary Plan Adjusting furniture to fit the form
20
refining of design
Preliminary Render of Building 1. selecting best view 2. Adding window frames and reflective colors to accentuate the mother of pearl material cladding 21
Refining of design
1F Preliminary Plan Issues with circulation not resolved
22
Refining of design
L3 Preliminary Plans Needs furniture in plans
23
Week 10 & 9 : Form finding Revisiting Concept
T Spline Iteration and Development
Simplification process : Rejected Was too time consuming and was not benefiting the design process 25
Alternative Design directions
Exposing the organic form from a 'box' : This does not work as the from is generated within a box.
26
T Spline Iteration and Development
Simplification process : Rejected Loss of the original aesthetics 27
Design Issues
Programs Hiding internal organic form : 1.Breaking The facade and exposing the form 2. frameless facade 28
Design Issues
Ensuring enough space for programs : 1. utilizing the voids as a solution
29
Week 9-mid sem break : Development Transition tower vs Duality tower
Alternative Design directions
Grasshopper script An attempt to create a simplified form taking precedent from toyo Ito's Taichung Museum 31
Week 8 : Design Development Transition tower vs Duality tower
Perspective building that has bulbous form and not lofted sections 1st attempt to creating the circulation form Space created through the use of T spline plug in 33
Section
0
1
2
4
6
10
14
Manually created Surface to define the circulation Based on week 7's interim comments
34
Renders
Interior spaces created using T spline
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Week 8 : Circulation analysis & Study of precedent
Precedent Section
Trace of section
Diagram by Coop Himmelb(l)au
MusĂŠe des Confluences Coop Himmelb(l)au
37
Precedent Section
Gallery
Grid Roof garden
Black box
Grid
Balcony
4th gallery
Conference room
staff access
staff access
3rd gallery
Lighting bridge
Conference room
Grid office
staff access
restaurant
2nd gallery
machine
1st gallery Foyer
Balcony
back stage
Grand Theatre
3rd gallery
2nd gallery
2nd gallery
vip access
1st gallery Auditorium
Foyer
3rd gallery
kitchen
storage
Rear projection
Playhouse
Green room
side stage
main stage
side stage
Stalls Foyer
air chamber
Foyer
Terrace
Creative workshop
Art plaza
Cloak
air duct
Assembly workshop
air duct
orchestra pit
under stage
machine pit
machine pit
under stage stage lift
rehersal room
loading level
air -condition facility room
machine pit
Art plaza
rehearsal lobby
Art plaza
Art plaza
rehearsal cafe
shower wc room
dressing room
taichung metropolitan opera house Toyo Ito
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entrance
machine pit
rehearsal room
air -condition facility room
corridor machine room
waiting room
machine room
Learning points
Using the positive and negative space of the curves
Public circulation 1. Core circulation lifts 2. Routes up via stairs
39
Circulation study
Queuing
Masses Forming Queues
Split Overtaking
'ŝƌůƐ ŝŶ dƌĂĚŝƟŽŶĂů ĐůŽƚŚĞƐ ĨŽƌ ĨĞƐƟǀĂůƐ
Overtaking
Students
&ĂƐŚŝŽŶŝƐƚĂƐ
Workers
groups moving Diagrams showing the movement paths
40
Circulation study
^ŵĂůů ŐƌŽƵƉƐ ǁĞĂǀŝŶŐ ƚŚƌŽƵŐŚ ĐƌŽǁĚƐ
Couples
WĂƌĂĚĞ ŵĂƌĐŚ ĂŶĚ ŐĂƚŚĞƌŝŶŐ ŽĨ ƐƉĞĐƚĂƚŽƌƐ
&ĞƐƟǀĂůͬ ĞǀĞŶƚ
ŝŐ njĂŐ ĚƌƵŶŬ ƉĂƚŚƐ
ƌƵŶŬ ƉĞŽƉůĞ ĂŶĚ ĨƌŝĞŶĚƐ
&ƵŶŶĞůŝŶŐ ƚŽ ĂŶ ĞŶƚƌĂŶĐĞ
WĞŽƉůĞ ŝŶͬŽƵƚ ŽĨ ƵŶĚĞƌŐƌŽƵŶĚ system
Groups moving Diagrams showing the movement paths
41
Circulation study
Individual Moving Diagrams showing the movement path of individuals
42
Circulation study
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2
3
4
5
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12
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6
9
4
1 5
2
Stationary people Diagrams showing Gathering spaces Edge theory 43
Week 7 : Mid Sem crit Tokyo replay center (tower 3) Influx tower
Influx
INFLUX TOWER Working from week 6 and developing the internal circulation and programs
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Plan
bb
aa
0
1
2
4
6
1:500 SCALE
Ground Floor Plan
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10
14
Section
Section AA
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Section
0
1
2
4
6
10
14
1:200 SCALE
Section bb
48
Renders
Basement level view
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Renders
Ground Floor
50
Renders
Internal Space
51
Design Process
Iteration Selection Process
1. Pipe shape chosen as it was more organic facilitating in the circulation experience. 2. The variable pipe formation is utilized to express the irregularities that people take in the study of a Swarm Reflecting on the intermittent flow of people from shibuya crossing 3. Larger Variable Pipes was used to help ease users into the programmatic space.
Design Process
Sectioning Extrapolation
52
Laying out Programs
further extrapolation / Simplification
Building form
Precedent
Precedent Ant Hill art sculpture
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Circulation diagram of the plans
2f
9f
pathway
Rooftop Garden
1f
8f
pathway
Hall
gf Starting access
7f administration server room Hall reception
b1 Karaoke small
6f Bar restaurant x kitchen
b2
5f
Karaoke Large
Film x manga
b3
4f
Karaoke Medium
Fashion
b4
3f
Museum / gathering space
pathway
0
1
2
4
6
1:1000 SCALE
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10
14
9f Rooftop Garden
8f Hall
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7f Administration Server room Hall reception
6f bar restaurant x kitchen
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5f Film x manga
4f Fashion
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3f pathway
2f pathway
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1f pathway
gf Starting access
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b1 Karaoke small
b2 Karaoke Large
60
b3 Karaoke Medium
b4 Museum / gathering space
61
Week 7 : Tokyo replay center (tower 3) feedback
Feedback 1. Consider the curves forms to be smoother and not disjoint 2. Crystallize concept leaning to the idea of duality and contrast between the curves and linear forms 3. Program space could consider using the curved forms.
Personal reflection 1. Figure out how to fit programs better into the space 2. Incorporate as much of the feedback and see how the design goes
63
Week 6 : Tokyo replay center (tower 3) Influx Tower
INFLUX TOWER TAKING PRECEDENT FROM WEEK 5'S STUDY THIS WEEK'S DESIGN DOES NOT HAVE RANDOM ATTRACTION AND REPULSIONS BUT ACTUAL PROGRAMS TO INFORM THE PROCESS
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PLAN
AA
GROUND FLOOR PLAN
66
SECTION`
Section aa
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RENDERS
INTERNAL Views
68
1. BASEMENT LEVEL 2. KARAOKE VESTIBULE 3. SECTION VIEW OF STAIRS THROUGH 3 MAIN AXIS
DESIGN PROCESS
STEPS TO GENERATE FORM 1. PROGRAM BLOCKS AS PLACES FOR ATTRACTION AND REPULSION 2. RUNNING OF ALGORITHM Paths 3. VOLUME CREATION OF THE ROUTES
69
DESIGN PROCESS
Path Iterations
70
DESIGN PROCESS
Further Extrapolation 1. Alternative columnizing technique with triangulation 2.sectioning to get lines 3. Lofting to create a new form 71
Week 5: Diagrammatic systems (tower 2) Chaotic Circulation tower
Chaos Tower THE BUILDING FORM INSPIRED FROM THE STUDY OF THE PEOPLE AT THE SHIBUYA CROSSING 73
PLANS
PRELIMINARY GROUND FLOOR PLAN 1. GROUND FLOOR PLAN AFTER ADDING THE SAMPLES ALONG THE CIRCULATION PATH 2. DIAGRAMS OF THE MODEL THE MODEL WAS REJECTED AND TRIMMED BECAUSE IT HAS EXCEEDED THE SITE BOUNDARY
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PLANS
AA
GROUND FLOOR PLAN THE FINAL GROUND FLOOR PLAN WITH THE TRIMMED EDGES
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SECTION
PIPES as the MAIN CIRCULATION volume extrusion ARE STACKED to FORM PROGRAM SPACE 76
RENDERS
THE SPATIAL QUALITIES WHERE THE CURVES MEET THE SOLID SLABS 77
FLOCK/SWARM THEORY STUDY
ALGORITHM SCRIPT TESTING STEPS ROW 1: SPECIES VIA ONE ENTRANCE SIMPLE ATTRACTION SWARMING ROW 2: RANDOM ATTRACTION AND REPULSION POINTS
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FLOCK/SWARM THEORY STUDY
ALGORITHM SCRIPT TESTING STEPS ADDING REPULSIONS AND TRYING TO MODIFY THE RANDOM FLOW OF THE SPECIES
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FLOCK/SWARM THEORY STUDY
ALGORITHM SCRIPT TESTING STEPS ATTEMPTS TO MAKE THE SPECIES MOVE UPWARDS INTO DIFFERENT 'LEVELS' WITH ATTRACTION AND REPULSION POINTS
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FLOCK/SWARM ITERATIONS
SPHERES: ATTRACTION AND REPULSION POINTS LINES: PATHS TAKEN BY A SPECIES
THE RELATIONSHIP LINES BE TWEEN THE PATHS
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FLOCK/SWARM ITERATIONS
SPHERES: ATTRACTION AND REPULSION POINTS LINES: PATHS TAKEN BY A SPECIES
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THE RELATIONSHIP LINES BE TWEEN THE PATHS
FLOCK/SWARM ITERATIONS
RESTRICTING THE FLOW WITH A BOUNDING BOX
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EXTRAPOLATING USEFUL DATA
SPHERES: REPULSION POINTS
SPHERES: ATTRACTION POINTS
RELATIONSHIP LINES:: LINES BETWEEN SPECIES' PATHS OVER TIME
LINES: PATHS TAKEN BY SPECIES
3D FORM:: EXTRAPOLATION OF THE FORM
THIS FORM WOULD INFORM MY CIRCULATION IN THE BUILDING
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DESIGN DEVELOPMENT
CONSTRUCTING THE BUILDING FORM UTILIZING THE SPECIES FROM WEEK 4 STUDY I CREATED THE PROGRAM SPACE FOR THE TOWER
85
Week 4: Sample Collage tower (tower 1) Transition tower
Transition Tower Design concept of transition between the elements from chaotic Elements At shibuya to Zen elements from samples created of Tado ando's Chichu museum 87
Plans and Section
AA
chaotic elements hiding serene elements
88
render
1. Back entrance 2. Ground Floor through chaotic circulation 3. Roof Plan
89
Chaos x Shibuya
1. Chaotic form with protruding volumes 2. Chaotic circulation space with jagged corners 3. Chaotic elements like billboards attached to the facade 90
Serenity x Chichu art museum
1. Court yard with regular elements found within the building 2. Large exhibition Stairs to program space
91
Shubuya Samples: Street Extrusion
Other than the Facade elements from the site I EXTRAPOLATED 3D VOLUMES 1. Street extrusion up Inokashira Dori 2. ABC mart 3. 109x Shibuya Crossing 4. Hachico x Shibuya Ekimae Police box 92
Derivation of form
Extrapolation of Shibuya crossing and the spatial space formed by the streets to form an internal crossing for circulation
93
Week 3: Conceptual Mapping
95
SHIBUYA RESEARCH
Iconic Locations
Streets defining elements
1. RESEARCH ON SHIBUYA'S ICONIC SPACES SUCH AS A. SHIBUYA SQUARE B. SHIBYA CROSSING C. ABC MART
2. IDENTIFICATION OF LAMP AND BANNER TRENDS DEFINING STREETS
96
SHIBUYA RESEARCH
Modes of Transport
DIAGRAM THAT INSPIRED THE FINAL COLLAGE
1. IDENTIFICATION OF VARIOUS MODES OF TRANSPORT 2. DIAGRAMMATIC DRAWING OF RESEARCH USED TO INFORM FINAL COLLAGE
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SHIBUYA RESEARCH
THIS DIAGRAM IS THE FINAL ITERATION FOR MY COLLAGE. LESSONS LEARNED: BE CAREFUL WHEN PRINTING BLACK BACKGROUND 98
MODEL
THIS MODEL SUGGEST THE TOP AND BOTTOM EMPHASIS IN SHIBUYA WITH ADVERTISEMENT LATENT BILL BOARDS AND STREET SCAPE.
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Week 2: Site research / Shibuya Inventory
F
C
D
E B
A
Plan of areas of interest : Picking out elements that is unique to Shibuya standout
101
AREA A :
Area A : Shibuya Square - Billboard frames - Information center - Hachico statue - Signboard - Artwork - Train station entrance - The public space
(Negative space defined by elements)
102
REA B :
Area b : Shibuya 109 - Shibuya 109 - Shibuya 109 entrance Structure - Crossing - Billboard Structure - Public seats along shibuya 109 - Traffic lights and Lamps - Crossing
(Negative space defined by elements)
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Area c : ABc mart - Shibuya 109 - Shibuya 109 entrance Structure - crossing - Billboard Structure - Public seats along shibuya 109 - traffic lights and Lamps - crossing
(Negative space defined by elements)
104
Area d : tight bar - Electric wires - lanters - lamps - Billboard Structure - Stone wall - Doors - Narrow space
(Negative space defined by elements)
105
Area d : Outside the train station - Train Station Entrance - Barricades - Entrance pole - Billboard Structure x2 - Signs - Lamps - Road cross section
(Negative space defined by elements)
106
Area f : Laneway - Lamp - Frame structure - Signboards - Billboard Structure - Stairs to different level street - recess of building - Cinema entrance - One way slope road
(Negative space defined by elements)
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Ramen bars : Small Bars
108
Ramen bars : Medium Bars
109
Week 1: Deconstruction of ukiyo
UKiyo
Deconstruction
Reconstruction
111
Collage Tower Iteration 1
112
Collage Tower Iteration 2
113
Extrapolation Kandinsky
Iteration 1 : Direct extrapolation: picking out shades
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Extrapolation Kandinsky
Iteration 2 : Picking out relationship between objects Stationary object 115
Extrapolation Kandinsky
Iteration 3 : Simplifying form Stationary object Relationship lines Thickening of main axis 116
Extrapolation Kandinsky
Iteration 4 : Looking at tension between elements in iteration 3 Add shading to see the drawing in a 3d perspective 117
Extrapolation Kandinsky
Iteration 5 : 2ND BASE COLLAGE SIMPLIFYING FORM EXTRACTING MAIN AXIS 118
Extrapolation Kandinsky
Iteration 6: CAPTURING CURVES IN THE COLLAGE ROTATING AND SKETCHING SMOOTHENING TEXTURES 119
Collage Tower Iteration 3
COMBINING COLLAGE 1 & 2
120
Extrapolation Kandinsky
Iteration 7 : COLLAGE 3 INITIAL EXTRAPOLATION OF LINES 121
Extrapolation Kandinsky
Iteration 8 : Picking out TENSION LINES OF ATTRACTION SHATTERING SIMPLIFIED FORM 122
Extrapolation Kandinsky
Iteration 9 : ROTATING & EXTRAPOLATION OF DESIRED ELEMENTS INCLUSION OF CURVED FORMS SIMPLIFICATION SCALING & TRANSFORMATION
123
Extrapolation Kandinsky
Iteration OVERLAY : Picking out relationship between objects
124
Extrapolation Kandinsky
Iteration 10 : SIMPLIFICATION MIXING COMPONENTS IN THE COLLAGE 125
FINAL COLLAGE
P
126
3D COLLAGE
127