VisibleType

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VISIBLE TYPE CONCEPT OF TYPOGRAPHY EXHIBITION DESIGNED BY YEKATERINA NOVIKOVA

DES 187 MAY 2011


VISIBLE TYPE - EXHIBITION CONCEPT

DES 187

“VISIBLE TYPE” “Text is composed to create a readable, coherent, and visually satisfying whole that works invisibly, without the awareness of the reader. ”

LEGIBILITY

READABILITY

How easily characters can be recognized. Function of type design. (PERCEPTION)

How easily the text can be read As a whole. (COMPREHENSION)

TYPEFACE DESIGNER

TYPOGRAPHER

INFO PANELS LEGIBILITY LETTER FORM COMPONENTS:

Introduction to letterfom terminology through diagrams.

EXAMPLE PANEL:

Different typefaces compared by cap size, x height 2 different type faces of same size & placement in paragraph examples. Same typeface in 2 examples of text, one larger and one significantly smaller.

INTERACTIVE PANEL:

Letters should be:

basic, simple medium weight

Letter form specifis:

“Easy to follow , read, and understand”

EXHIBIT FOCUS

counters x-heights serif specifics + upper part of letter (study)

Letter styles:

Non-italic/bold. (study)

Things to consider:

size of type

compare typeface legibility by x-height, counter size, letter spacing, stroke width using a touch screen.

READABILITY TEXT SPACING/PLACEMENT BASICS:

Introduction to terminology.

Text should have:

good letter & word spacing leading

EXAMPLE PANEL:

Same typeface in 2 examples of body text, only one utilizing readability principles.

Things to consider:

amount of text context of design current design/type theory eye-movement (study)

INTERACTIVE PANEL:

“where would you find this text”? pull out tabs that ask visitor to guess what type of publication the text is from based on the typeface/size/layout used.

CONNECTING LEGIBILITY AND READABILITY INTERACTIVE PANEL:

CONCEPT CONNECTION Legibility and readability guidelines exist to make the typeface “invisible” to the reader, emphasizing the content of the text. Principles of legibility and readability influence and re-inforce each other.

SERIF & SAN SERIF

Current convetions: serif is better for READABILITY of text. Reader preferrence / familiarity increase space b/w letters, aid to legibility most commonly used in book type settings.

Visitors can experiment and improve the readability/legibility of different types of text through a touch screen.

SERIFS AND LEGIBILITY DEFINITION PANEL:

Provide definitions and examples to serif and sans serif fonts.

INTERACTIVE PANEL:

Create a polling place that visitors can voice their opinions on which style of typeface they preffer. Results will be shown on a screen next to the lvoting location.

INTERACTIVE PANELS

WHICH IS BETTER FOR READABILITY/LEGIBILITY: SERIF OR SANS SERIF?

Evidence:

SPRING 2011

CONCEPTS FOR PANELS

TRADITIONAL OBJECTIVE IN TYPOGRAPHIC DESIGN:

“Easy to recognize shapes”

YEKATERINA NOVIKOVA

CREATE YOUR OWN TYPEFACE:

Choose from a variety of availble type components to create your “own”. Results will be emailed .

TYPEFACE PERSONALITY:

Ask viewer to choose which letter parts they find more esthetically pleasing from different fonts, and paragraphs of fonts.

Current convetions: sans serifs are better for LEGIBILITY of the simplicity of letterforms.

VISITORS TYPOGRAPHY WALL:

A computer and printing station available to visitors on which they can type up whatever text they want, choose a typeface, and it’s spacing, and print out the result.

Evidence:

SERIF OR SAN SERIF? VOTE:

Create a polling place that visitors can voice their opinions on which style of typeface they preffer. Results will be shown on a screen next to the lvoting location.

better legibility at smaller sizes understaded


VISIBLE TYPE - EXHIBITION CONCEPT

MOOD AND CONCEPT BOARD

DES 187

YEKATERINA NOVIKOVA

SPRING 2011


VISIBLE TYPE - EXHIBITION CONCEPT

DES 187

YEKATERINA NOVIKOVA

PRELIMINARY CONCEPT SKETCHES

CHOSEN CONCEPT

INTERACTIVE BOOK MODEL

SPRING 2011


VISIBLE TYPE - EXHIBITION CONCEPT

DES 187

YEKATERINA NOVIKOVA

SCALE MODEL ROUGHS/ 3D SKETCHES VENUE: Public or college campus library. AUDIENCE: Adults, habitual readers. APPROXIMATE SIZE: 50 X 50 feet

SPRING 2011


VISIBLE TYPE - EXHIBITION CONCEPT

3D MODEL RENDERINGS

DES 187

YEKATERINA NOVIKOVA

SPRING 2011


VISIBLE TYPE - EXHIBITION CONCEPT

DES 187

YEKATERINA NOVIKOVA

SECTION TITLE INTERACTIVE PANEL LARGE INFO PANEL EXAMPLE PANELS INTERACTIVE STATION

SPRING 2011

Large typographic treatment of the section title of exhibit to strengthen the typographic theme. Visitors that printed out their results at the interactive station can pin them up on this large bulletin board and compare their type setting choices to other visitors. Introduction to terminology and concepts used in exhibit. Same typeface in 2 examples of body text, only one utilizing readability principles. A computer and printing station available to visitors on which they can type up whatever text they want, choose a typeface, and it’s spacing, and print out the result.


VISIBLE TYPE - EXHIBITION CONCEPT

DES 187

YEKATERINA NOVIKOVA

SECTION TITLE

SPRING 2011

Large typographic treatment of the section title of exhibit to strengthen the typographic theme.

INTERACTIVE PANEL

Compare typeface legibility by x-height, counter size, letter spacing, stroke width using a large touch screen display with options & audio commentary.

EXAMPLE PANELS

Comparisons of typeface and x-height, different typefaces at same size, etc.

LARGE INFO PANEL

Introduction to terminology and concepts used in exhibit.

EXAMPLE PANELS

Real books placed as additonal examples of content discussed in panels.


VISIBLE TYPE - EXHIBITION CONCEPT

DES 187

ADDITIONAL INFO PANEL

INTERACTIVE STATION

INTERACTIVE STATION

ADDITIONAL INFO PANEL

Summary of terminology and concepts used in exhibit, interesting history facts and other additonal info.

INTERACTIVE STATION “Polling place” that visitors can voice their opinions on which style of typeface they preffer. Results will be shown on a screen after visitor casts vote.

EXHIBIT TITLE Large typographic treatment of the section title of exhibit to strengthen the typographic theme.

YEKATERINA NOVIKOVA

SPRING 2011

Includes additonal concepts, as well as a summary of things shown in the previous exhibit areas to refresh the memory of the vistior, interesting historical facts and are also available here for the viewer.

Visitors can use the knowledge they have gained from the exhibit to experiment and improve the readability/legibility of different types of text through a giant screen

“Remote” that controls the larger than life “book” on which you can alter the typographic treatment of the type on the page after a brief introduction of the “goal” - connecting what the visitor has learned about readbility and legibility..


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