Yijin Wang / Portfolio

P

O

R

YIJIN SELECTED

DESIGN

T

WORKS

F

O

FROM

L

2017

I

O

WANG TO

2020

0 4

02

01

In Motion

Oasis 0 3

Urban Living Room

4

Offcuts?

0 6

Focus 0 7

05

Dw e l l U p o n

Appendix

OAISIS Group Project

0 1 Hostels have evolved globally as an economically accessible setting for cross-cultural exchange among travelers, with expanded amenities and growing networks among hostelling organizations.

Located in Qena, Egypt, the natural geography and climate condition of t h e c i t y, t o g e t h e r w i t h t h e material and form of the vernacular architecture i n f o r m t h e d e s i g n s t r a t e g y.

To m i t i g a t e t h e e x t r e m e l y h o t a n d d r y w e a t h e r c o n d i t i o n s , a p r e c i o u s r e s o u r c e - w a t e r, i s i n c o r p o r a t e d i n i t s d i f f e r e n t f o r m s .

The cooling mechanism helps air ventilation and increases comfort for the users. Local cultural crafts are valued as well to give travelers hands-on experience with the traditional ceramics pottery wheel and serve as a pleasant meditating a c t i v i t y t o d o i n t h e h o s t e l . I t i s a p l a c e t o l e a r n , t o p l a y, to cultivate, to exchange, and to discover the nature.

: Aastha Kotari | Erin Lutz | Jingjing Huang | Shreya Bhuraria | Yijin Wang | Zhuoxian Yu

G L O B A L

|

H O S T E L

Location

1500 1000 500 0

Geography

Due to the constraints of the hot deser t climate in Egypt, the intention is to of fer peace and tranquillity for both the travelers and the locals.

The solution depends on a cooling system that utilizes dif ferent forms of water.

The strategy aims to celebrate nature and deser t living. By turning t h e u n w e l c o m e o b s t a c l e i n t o a f o c a l f e a t u r e o f n a t u r a l b e a u t y, t h e space delights and inspires international guests while offering them life lessons about living as one with nature.

Climate

How can water be incorporated in a therapeutic and interactive way and promote experiential threshold that activates the existing landscape?

Ta k i n g i n s p i r a t i o n f r o m t h e v a u l t a n d arch of the existing building element, the threshold condition is emphasized by a rhythmic and recurring conge motif that incorporates a series of cooling m e c h a n i s m s t o e a s e t h e p ro g ra m m a t i c transition and bring comfor t.

The division, unfold and rearrangement of the Conge form offers the experience unique to each section of the space, guiding the guest to circulate from the welcoming courtyard to an intimate and cooling resting space.

N

Outdoor spaces are valued. Encapsulating landscape into architecture, the back cour tyard ser ves as a space of continuity between interior and exterior, between groups and the individual.

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I N M OT I O N

0 2 The idea of the transformable spaces is meant for higher efficiency use o f t h e s p a c e , r e f l e c t i n g t h e U N D I S D ’s u l t i m a t e g o a l i n s u s t a i n a b i l i t y . I n c o n s i d e ra t i o n o f t h e we l l n e s s o f p e o p l e , t h e t ra n s f o r m a t i o n o f t h e p a n e l s i s also aimed to blur the boundary between different programs to stimulate social communications. Individual of fices are arranged along the perimeter, showing respect to the original site while the "boxes" sit in the middle, bringing up the dynamics of the space. The process of maintaining change in a balanced environment so that transformations are all in harmony and enhance both current and future potential to meet human needs and aspirations.

L I V E

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W O R K P L A C E

h t t p s : / / w w w. s o m . c o m /c h i n a / p r o j e c t s / p e p s i - c o l a _ c o r p o r a t i o n _ w o r l d _ h e a d q u a r t e r s

I n t h e i c o n i c P e p s i - C o l a Building located at 500 Park Ave, Manhattan, a singlestory workplace is designed for the office of the United Nations Division for Inclusive Social Development. The Division for Inclusive Social Development (DISD) seeks to strengthen international cooperation for achieving social inclusion and the reduction of inequalities, by fostering effective policy impact and intensified global dialogue on social development issues. The office coordinates meetings and seminars and provides instruction and education to a variety of stakeholders at a local, national, and international level.

CONCEPT MODEL

N

Floor

Plan

-

Before

N

Floor

Plan

-

After

Given the limited ceiling hei project eliminates circulati possible through its organizati optimizing the space and gene horizontal views that, enric the spatial sensation of the open resource library could a conference room through sl panels. The three individual cla transformed into one large au pivoting panels.

ght of 10’, The ion as much as onal simplicity, rating very long ch and energize workplace. The be merged into liding partition ssrooms could be ditorium through

URBAN LIVING RO 0 3 Taste is inter -subjective, especially when considered as a collectively negotiated agent of social-cultural g r o u p s . Ta s t e i s n o t o n l y a b o u t v i s u a l a e s t h e t i c s , but more so regarding behavior, in which we have a more broadly agreement upon. I saw these trends of so-called g o o d m a n n e r s and bad manners oppressive because the way one behaves in space is strongly restrained because of others’ surveillance and judgments.

Urban Living Room transforms the plaza of the 60-story skyscraper at lower M a n h a t t a n’s 2 8 Liberty into a place f o r p u b l i c re s i s t a n c e through behavioral ‘bad taste’, critiquing conventional rules of social behavior.

The intervention encourages a series of gestures disobeying posted rules in a provocative way for the benefits of opening up new possibilities. The users, turned performers, find themselves taking part in a behavioral protest, acting their minds openly and freely at this accessible start-a-revolution landscape.

OM A protest against behaviraol norms.

P U B L I C

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P L A Z A

M A N H AT TA N , N Y A 2.5acre PLAZA A piece of landscape A gathering Ground

813’

40’

6’

A 60-story TOWER A 6-story BASE Aspect of ART /MUSEUM A monumental sculpture A sculpturally-treated Sunken Garden A juxtapostion of manners

1961

1964

One Chase Manhattan Plaza Designed by SOM

Original construction completed.

The first Internatinal Style building in Lower Manhattan

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2009

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2018

A monumental sculpture, Jean D u b u f f e t ’s Group of Four Tr e e s i n s t a l l e d

by Chase

Designated as a landmark by T h e N e w Yo r k City Landmarks Preservation Commission

Sold to Fosun, a Chinese investment company Renamed as 28 Liberty

Redeveloped into a multi-tenant office building and Retail spaces Completed by SOM

ilt

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1970

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The site is located at 28 Liberty Plaza, which is formerly known as One Chase Manhattan Plaza. The plaza itself is a piece of landscape where distinctive normd of behaviours exist.

It lies in the Financial district of Lower Manhattan, right next t o Wa l l S t r e e t , a f a m o u s d i s t r i c t t h a t h a s a s t r o n g s t e r e o t y p e o f a l w a y s d re s s e d u p e l e g a n t l y a n d a c t a p p ro p r i a t e l y. T h e existence of the two monumental art pieces establishes the plaza as a Museum. Within the artistic frame, there are permissions granted to do things that violate the basic convention.

SITE PLAN The southeast end of the plaza level is taken for m y i n t e r v e n t i o n , w i t h Tr u m p To w e r s t a n d i n g r i g h t across Pine Street. Since the plaza has a 6-story basement, the same corner of the lower level is also transformed as part of the Urban Living Room since it is now left vacant after Chase has moved out.

Plaza

Ground

Level

Level

Plaza Level

At the plaz a level, during the ordinar y times, the place is disguised as a playscape for not only workers and kids, but also buskers are welco med on the stage, and even unleashed dogs get their ground to play. It is a point of destination for tourists, residents and nearby workforce.

T H E

W A L L

The entrance of the plaza is enclosed in a rec ycled foam wall that transformed the act of occupying the plaza in a gesture of disobeying posted rules and enacts “distasteful� behaviors. The protesters, through the manipulation of civic spaces, advocate for their own collective values and act as agents in the radical reshaping of the place.

Smoking Lounge

Climbing Rock

Weight-form

Lie down

Slide down

Cra wl into

When the big day comes, the plaza is crowded by the protesters of all kinds! Secret ly, the beds that ser ved as seats are now turned into carriers in suppor t of the protest. Proteste rs flow into the lower level in ways of disobeying rules such as sliding down or taking a ride dow n the ramp.

The space of the lower level is divided into zones for food, media, reading, sleeping, and general assembly area. The protest encourages public-private inversion, creates a vernacular architecture that promotes collective living.

PROTEST KIT The “Bed” transforms into a booth with a working sur face, allowing volunteers with laptop computers to edit videos, write ar ticles , and update websites with information about the protest.

The “Bed” transpor ts donated books and resources received from readers, private citizens, authors, and corporations, turning into shelves for the librar y.

The “Bed” transpor ts donated books and resources received from readers, private citizens, authors, and corporations, turning into shelves for the librar y.

The “Bed” ser ves as working sur faces for creating signs and handouts for promotion and recruiting during the day. At night, the “Bed” can be inver ted and locked onto each other, transforming into bunk-beds.

OFFCUTS? 0 4 Broken or imperfect conditions are opportunities for renewal if we can change our attitudes. This project for the design of a facility for repair of donated goods aims to inspire and support a culture that values innovative strategies for renewal.

Informed by research into material health, sustainable systems, t h e c u l t u re o f re p a i r, and the unique context o f t h e c o m m u n i t y, t h e proposal identifies objects or conditions in our surroundings that are damaged, unusable, or thought to be imperfectto develop unique strategies to reuse and reanimate m a t e r i a l s and objects back into our designed environment with new values. The p r o p o s a l a l s o considers the important role of interaction among the people in the community to further support the idea about renewal and social sustainability.

How can creative repair strategies help us reconsider or “disrupt� existing waste streams?

R E P A I R

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H U B

Exisiting Program Eas t e r n e f f e ct s : L igh t |G r i p |S tud i o

Location

Material

Ins ectio n at 9t h St + 2nd Ave

Br ick + Me t al

Transit Smi t h -9 t h S t S ub w a y S ta tio n

9th Street

The Gowanus Canal

Loading

Deck

Undergoing rapid development, the Gowanus area of Brooklyn, N e w Yo r k , h a s b e e n a v i c t i m o f i n d u s t r i a l i z a t i o n s i n c e t h e 1 8 6 0 s with polluted waste from the factories along the Gowanus Canal.

Original Condition -Missing Hook -Unable to Function

Split

Insert

Reattach

Phase I -Adding a new hook [Found in offcut pile] -Return its function as a hanger

Split

Insert

Disrupt

The project began with identifying a repair strategy for a found, broken hanger which was transformed into something new by inserting a piece of offcut wood to connect the broken pieces. Offcuts are leftover parts that are usually not considered necessary or useful. By exposing and amplifying the broken part, the repair embraces the “imper fection”. From there, “of fcuts” are conceived conceptually as a strategy for renewal and materially as the primary building component.

Phase II -Split into Parts -Reassembled -Change in Direction -Raise in Value

D I R U P T I V E I N N OVAT I O

ON

N

SUSTAINABLITY GALLERY

The program for the facility focuses on the workforce of the job training and repair center. The “disruptive� programs inserted includes a donation center thriving on community support that collects gently used goods, a repair clinic that reactivates the goods that are commonly discarded, and an exhibition gallery that raises awareness of the culture of sustainability.

REPAIR CLINIC

DONATION P OINT

S U S TA I N A B L E S Y S T E M C e i l in g Fa n L ig h t t ha t h elp s ven t ila tion

S ky l ig h t s t h a t i nt ro d u ce n a t u ra l light

S us t a in a b ilit y Ed ucation Ex h ib it io n G a ller y

R e pa ir Clin ic t ha t rep a ir s d o n a te d go o d s f ro m co mmunity

D o n a t ed Go o d s g e t re pa ired a n d resold in s tore

Fac ade i nc o rp o ra te d wi t h Col l ec t ed O ffc u t wo o d

Offcut Pile

Scrapwood Collection

Assemblage

Carpet Tile Flooring Interface Duo Flax

Rubber Tile Flooring Norament® xp Tile

100%Recycled Content Nylon Indoor Air Quality: Green Label End of Life: Carpet to Carpet Recycling through ReEntry®

For Heavy traf fic areas Sound absorption Rubber compound with environmentally compatible color pigments that are free of toxic heavy metals

Sustainable Hardwood Kahrs Spirit Unity FSC Certified / Arctic Oak The product includes large sound and black knots and cracks.

Knots and cracks will be present in all sizes and numbers.

Scrapwood gathered from the woodshop in neighborhood Beagle & Potts Wo o d Wo r k i n g Makeville Studio Dykes Lumber P h i l G a u t r e a u Wo o d

DWELL UPON into

0 5

Home is the epitome o f t h e f a m i l y w h o l i ve s in it. It is a fusion of their culture, personalities, and living styles.

A contemporary r e s i d e n c e i s designed for an inter-generational family that has a unique historical and cultural background f a m i l y, t h e h o u s e i s i n t e g r a t e d w i t h c o n t e m p o r a r y l i v i n g s t y l e a n d t r a d i t i o n a l J a p permanent living testament to their roots that arouses tranquility and fluidity is reflected in many aspects: the fusion of programs and vibes generated by di fusion of parallel spaces created by different levels of vertical openings, and

An interpretation of traditional Japanese architecture C o n t e m p o ra r y D we l l i n g f o r a n i n t e r - g e n e ra t i o n a l f a m i l y.

d . Fo r s u c h a d y n a m i c panese culture. It is a y. The idea of fusion fferent lifestyles, the d the fusion of light.

D W E L L

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R E S I D EN T I A L

Cellar

1st Floor

2nd Floor

FOCUS

This retail hub, with ser vices, for a non-p Housing Works, a contemporar y, socia economic issues af environment. An ar t building component, is analyzed as a ca concerning its convent context, relationship t and its potential to be reconstituted into a new Thinking of the door, the simplest concept comes do guidance - transition, which is consistent with th mission. They raise financial resource s through the sa donated items, such as clothing and household goo ser vices they provide. Conceptually, it is a door tha The design intends to bring people together by lettin multiple faces of transition not only in physic also in visual focuses as people explore the

0 6

added community rofit organization, ims to address al, cultural, and fecting our b uilt ifact, a salvaged from Big Reuse, atalyst for design tional architectural to the human body, w building system. wn to its spiritual he Housing Works’ ale of salvaged and ods, to suppor t the t co nnects people. ng them experience cal positions but four -stor y retail.

HEALING COMMUNITY

History

S IT E M A P P I N G

Services

Client

E L E VAT IO N D I AG R A M

Organization

Fundraising

System

H O US IN G W O RKS = T H E D O O R

ator

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Cellar

1st Fl

2nd Fl

3rd Fl

4th Fl

M e e t i n g

W i n d o w

V i e w i n g

P a n e l

R e t a i l

L

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k

0 7 Designing and building a series of hand-crafted objects and furniture that recapture the enthusiasm we experience as children and show care down to the detail. With an emphasis on natural materials, simple geometries, and flexible functions, the design strives to create lifestyle objects that inspire the senses and encourage mindful living.

C R A F T

|

O B J E C T

‘PI 11”

12.7”

18”

12.5”

’BLESTOOL

Wa

ln

ut

‘ π ’ b l e s t o o l i s a s c u l p t u ra l l y - t re a t e d h a n d c ra f t e d side table made out of walnut and soft maple.

All the pieces are sturdy when assembled yet easy to disassemble by hand to move around if needed. The top is removable and doubles as a tray that can be used on the sofa or in bed.

ft

So

15”

10”

e

pl

Ma

CHAIR CARAMEL I n s p i r e d b y t h e t o p o g r a p hy o f S u p e r k i l e n park, Chair Caramel is a handmade piece of furniture with Danish maple wood for savoring slow living. The seat, back, and arm support is weaved with 170m paracord, mimicking the fluidity of melting caramel. With all planes at 90 degrees, t h e a s y m m e t r i c a l d e s i g n a i m s t o c e l e b ra t e the beauty of imbalance and simplicity, with a touch of modern interpretation of the Scandinavian design heritage.

Handmade Limited Edition in Copenhagen, Denmark

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T h e Wo r k i n g S e t d e m o n s t r a t e s a s e r i e s o f i n t e r i o r d o c u m e n t a t i o n utilizing representational methods employed in the practice of interior design culmination. The representation of spatial, material and sensual e l e m e n t s i n e x i s t i n g , p ro p o s e d a n d re m e m b e re d e nv i ro n m e n t s i s e m p h a s i ze d t h ro u g h g r a p h i c c o m m u n i c a t i o n a p p l i e d t o c o n c e p t s o f i n t e r i o r d e s i g n .

2D

|

R EPR E SEN T ATION

0 . 5 Line of Wall

Line of Wall

Z" Mounting Clips -Typ.

Z" Mounting Clips -Typ.

K-5540-NA

KOHLER

Stainless Steel

Single Basin Undermount Kitchen Sink with Silent Shield® and Accessories

Sink

ELUH4020DBG

Elkay

Stainless Steel

Triple Basin Undermount Kitchen Sink with Rounded Rectangular Basins, Bottom Grid and Drain Fitting

Dishwasher

SHS863WD6N BLACK

Bosch

Stainless Steel

Corrosion resistant 44 dBA: Quietest dishwasher brand in the US.

KitchenAid

Black Stainless Steel

Undercounter Refrigerator with Glass Door and Metal Trim Shelves

SAMSUNG

Black Stainless Steel

Blue LED illuminated knobs 22K BTU dual power burner

Fridge

KURL304EBS

Stove 2'

NX58K9850SG/AA

2"

Shelves

WHITE OAK FINISH

2'

D E S I G N

45 8"

3 4"Adjustable

3'

3'

TEMPERED GLASS PANAL

Sink

K G

10

4"x4" Off-white Ceramic Tiles Back splash

11"

"

2'

2'

TERRAZO

TERRAZO UNDERMOUNT SINK

DRAWER BOX 3'

6'

11'

3'

1'

1'

White

3/4"=1'-0"

6'-8"

1'-0"

1 2"=

Matte Delta Black

Zinc

Matte Delta Black

ELEVATION

1 8"

Matte Black

4'

4'

3'

EAST

C

= 1'-0"

1 8"

ELEVATION = 1'-0"

Line of Cabinets Above

1'-6"

1'-6"

3'-318"

1'

1'-1012"

3'-4"

1'-512"

3'-9"

1'-1012"

5'-57 8"

1'-15 8"

2'

Matte Black

2'

Vintage Brass ARTERIORS

SK

2'-6"

Kitchen B

101

1 A-500

SK

SK

D

C

Vintage Brass

Iron

SK

A

1'-6"

2'

2'

Iron

3'

3'

Vaquero Modern and Contemporary Beveled Full Length Mirror

2'-6"

Zinc

1'-512"

2'-6"

1114"

4'-105 8"

1'-103 4"

2'-6"

1'-103 4"

1 A-500

1'-6"

1'-114"

2'-6"

41836-36" Grab Bar

2 A-500

1'-6"

4'

Zinc

8'

CEFIONTECT ceramic glaze Tornado Flushing System Skirted Design

8'

#01 Cotton

SOUTH

D

1'-0"

Zinc

41842-42" Grab Bar

Tornado Flushing System Vitreous Skirted Design china

SECTION

1

4" 6"

1 2"=

CEFIONTECT ceramic glaze

#01 TotoCotton

SECTION

6'-8"

Vitreous Toilet china

Matte Black

4"

4"

4"

EFIONTECT ceramic glaze Tornado Flushing System Aimes® One-Piece Skirted Design

2

Solid Brass

2'

3'

Matte Brizo Black

Stainless Steel

SmartTouchPlus® Technology with TempID™ - touch or hands-free water activation with temperature indicating LED light

6'-8"

Solid Brass

Open to beyond

SmartTouchPlus® Technology with TempID™ - touch or hands-free water activation with temperature Stainless Steel indicating LED light 6'-8"

artTouchPlus® Technology with TempID™ - touch or SINGLE-HOLE nds-free water activation ELECTRONIC FAUCET with temperature indicating LED light

4'

4'

3'

3'

DETAIL

6'

Vitreous china

3'

KOHLER White

3'

Vox® Round china Vitreous

4

3

11'

4"

3'

3'

2"

6'

= 1'-0"

F L O OD R EP AL SATN E CL E V SA OT UI TO HN E L E V A T I O N 1 1 1 2" = 1'-0" 2" = 1'-0" 8" = 1'-0"

SmartTouchPlus® Technology with TempID™ - touch or hands-free water activation with temperature indicating LED light

EAST

D A-600.00

1 2"

EL

= 1'-0

4'

Matte Black

0 . 5 K G D E S I G N 0 . 5 K G D E S I G N

DETA 1/2"=1

CEFIONTECT ceramic glaze Tornado Flushing System Skirted Design

Matte Black

4'

3'

CEFIONTECT ceramic glaze Tornado Flushing System Skirted Design CEFIONTECT ceramic glaze Tornado Flushing System Skirted Design

Delta Delta

Zinc Zinc

Matte Black Matte Black

4'

#01 Cotton #01 Cotton

4'

Matte Black Matte Black

Vitreous china Vitreous china

NEW INTERIOR PARTITION

4" 6"

NEW GLASS PARTITION

P-4

4" 6"

P-4

P-4

4'

41842-42" Grab Bar

1'-6"

2 HOUR RATED PARTITION

6"

41842-42" Grab Bar

41836-36" Grab Bar

Zinc Zinc

Matte Black Matte Black

Iron Iron

Vintage Brass P-3 Vintage Brass

B P-3

4'

P-1 D

D

EAST 1 2"

EAST

EAST

D

P-5

1 2"

C

1 2

P-2

SOUTH

C

P-2

P-5

102

1 2

P-3 P-1 P-6

D

= 1'-0"

P-5C

SOUTH

ELEVATION

P-2 1

2"

Toilet Toilet

9'-03 8" 9'-03 8"

3'-7" 3'-7"

P-1

E "L= 1'-0"E V A T I O N

1 2"

9'-03 8" 9'-03 8"

A

ELEVATION

S O U21 "T =H 1'-0" ELEVATION

C

E" =L1'-0"E V A T I O N = 1'-0"

SOUTH

103102

1'-6" 1'-6"

P-5

= 1'-0"

P-2

8'

Toilet

P-3

1 A-700

C

P-1 P-6

ELEVATION

E A21 " S= T1'-0"E L E V A T I O N

D

ELEVATION = 1'-0"

4'

Delta Delta ARTERIORS ARTERIORS

3'-2"

Full Length Mirror

2'-6"

41836-36" Grab Bar

Vaquero Modern and Contemporary Beveled Vaquero Modern and Full Length Mirror Contemporary Beveled

2'-6"

Vintage Brass

LEGEND

EXISTING CONSTRUCTION TO REMAIN

4'

Solid Brass Solid Brass

Toto Toto

Aimes® One-Piece Toilet

3'-7"

4'

Brizo Brizo

SmartTouchPlus® Technology with TempID™ - touch or hands-free water activation SmartTouchPlus® Technology with with temperature TempID™ - touch or indicating light hands-free LED water activation with temperature indicating LED light

Aimes® One-Piece Toilet

1'-6"

6'-8"

SINGLE-HOLE ELECTRONIC FAUCET SINGLE-HOLE ELECTRONIC FAUCET

2'-6"

Matte Black

3'-7"

White White

2'-6"

Vox® Round

Vitreous china Vitreous china

6'-8"

KOHLER KOHLER

Vox® Round

9'-03 8"

9'-03 8"

4" 6"

9'-03 8"

6'-8"

#01 Cotton 6'-8"

ze em

T ITOI NO N N EO AR STTH E EL LE EV VA A A D 1 1 2" 8= " 1'-0" = 1'-0"

ELEVATION

1 8"

4'

ogy or tion

WEST

4'

White B

E

E

6"

P-4 P-4

P-1 P-6 P-2

P-2

6

C 9'-03 8"

P-3 P-3

A

D

6

5

5

9'-03 8"

P-5

D Toilet Toilet

P-2

P-5

103 103

5

3' 3' 1'-9"

P-6

E

UP

1'-6" 4'-1012"

6

1'-9"

3'-4"

P-1

P-2

102 3'-7" 1'-6"102

1'-9"

1'-9"

3'-7"

9'-03 8"

8'

Toilet Toilet

P-5

3'

4' 4'

3'

P-5

B

1 A-700 1 A A-700

C

P-1

8'

3'-4"

P-1

3'-2"

P-3

3'-2"

3'-4"

P-4

B

5

9'-03 8"

6"

P-4

P-3

6"

P-4 WEST

B B

NORTH

ELEVATION = 1'-0"

B

1 2"

WEST

A

ELEVATION 1 2"

P-4 NORTH

A

= 1'-0"

= 1'-0"

P-3

A

P-4

ELEVATION 1 2"

NORTH

1

P-3

= 1'-0" P-1

P-1 P-6

P-5

P-5

P-2

P-2

1 2"

= 1'-0"

B

BA-600.00 CONSTRUCTION

F LNOOORRT HP LEAL NE V A T I O N 1 2"

= 1'-0"21 " =11'-0"

C

A-700

D

A

Toilet Toilet

P-3

P-1

P-1

C

P-6

P-2

P-2

F L O O R PP LL AA A-600.00 1 1 P-3 8" = 1'-0"1 " = 1'-0" 2

1 A-700

D

P-5

A

Toilet

8'

Toilet

A

P-4

PLAN

F 21L" =O 1'-0" OR PLAN

1

= 1'-0"

ELEVATION 1 2"

FLOOR

1

N O R T21 " H= 1'-0" ELEVATION

3'-2"

1 2"

ELEVATION

W E S21 "T= 1'-0" ELEVATION

0 . 5

K G

D E S I G N

0 . 5

K G

D E S I G N

30'-73 8"

3'-8"

65 8"

11"

DETAIL 1/2"=1'-0" 1'

112"

21 4"

3'-6"

1"

3'

SECTION 3/16" = 1'-0"

65 8"

11"

RAILING DETAIL 3"=1'-0" 30'-73 8"

2"

UP

BH2

&Tradition

LED

62/1462

Novo Lighting

20W LED

Wood

WAC Lighting

12W LED

White

Recessed

DOOR NUMBER - NEW

Pendant

Kitchen

101

A

ROOM NUMBER | NUMBER

18'-53 4"

BH2

&Tradition

LED

Novo Lighting

20WA-700 LED

1'-8"

Pendant

WALL TYPE

Recessed

62/1462

WAC Lighting

R4DSDR-F930-WT Toilet

Recessed

Toilet

102 DLUX

1

B

103

Nulux 1

A

5

Recessed

HTK-704-WT

Recessed

12200-2-R

Wall Sconce

1196007

C

6

A-700

A

D

DLUX

20W A-500.00

MR16 LED

Nulux

Task Single Light 48" Wide LED Linear Chandelier

Recessed Linear downlight with 6 inch lamp spacing

White

WAC Lighting

12W LED

White

20W MR16 LED

White

PAR30

White White

Astron Lighting

LED Built-in

White

4'

4

PAR30

White

12200-2-R

Alcon Lighting

120V 2-Wire Incandescent

White

1196007

Astron Lighting

LED Built-in

White

HTK-704-WT

Recessed Wall Sconce

0 . 5

D E S I G N

FIXTURE

K G

Install to 4" octagon box with included canopy kit

D E S I G N

SCHEDULE

Task Single Light 48" Wide LED Linear Chandelier

Wood

120V 2-Wire Incandescent

A A

WAC Lighting

Recessed

Dark Matt Grey

Alcon Lighting

A

Recessed Linear downlight with 6 inch lamp spacing

CAFE | 181 Smith St BROOKLYN | NEW YORK 11201 Install to 4" octagon box with included canopy kit

30'-2"

LIGHT

FIXTURE

SCHEDULE

C

40'

6'-5"

10'-03 4"

9'-5"

Kitchen

101

UP

ACOUSTIC

CEILING

TILE

GYP.

CEILING

LIGHT CO

2 A-600

DN

B

A

1 A-600

C

30'-13 4"

A

1

B

A

CEILING

DETAI L

1 A-600 11'

D

1 A-600 9'-

P

5"

8'-

03 4"

" 1 4 10 7'1 8 2 4'-

AN

K G

LIGHT

4'-6"

DOOR NUMBER - EXISTING

6"

E

R4DSDR-F930-WT

3/16" = 1'-0"

0 . 5

1

Recessed

PLAN

RAILING DETAIL 1 - 1/2 " = 1 ' - 0 "

AIL 1'-0"

Dark Matt Grey

Pendant Pendant

CAFE | 181 Smith St BROOKLYN | NEW YORK 11201

4'-

11

"

"

2'

3'

23'-13 4" 33'-13 4"

24' 80'-2"

1

A-500

ACOUSTIC

CEILING

3'

2'

1'

C CEILING

PARTITION TYPES

3'

3 2

PARTITION TYPE framed glass 3'

3'

3'-5"

Outdoor Area

TILE

GYP.

CEILING

LIGHT COVE

DETAI L

CEILING

LIGHT FIXTURE SCHEDULE + CEILING DETAIL

A-004.00

A-200.00

A-005.00

1

9

9

8

0

6

2

0

2

0