Gan Yi Qing_GD105

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through the punchcutter´s sensibility


conten t Introduction

1

The man behind it

3

Comparison

5

Analysis of Caslon

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Font Family

15

When to use Caslon

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When to avoid Caslon

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i ntr od u c t i on

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garalde

Caslon is declared as the “Script of Kings�. Caslon exudes a sense of intellectual and class as William Caslon, whom was an ornament engraver for gunlocks. Caslon was popular in the United States and eventually it is the most used for the publication of the Declaration of Independence in 1776. Caslon emerged some characteristics of Transitional forms yet it still retains many qualities of the Garalde. This graceful typeface maintains an exceptional crispness of the letter which become a long favoured for publications. A huge influence from the dutch old-style face brings readabality in the rhythmic relationships.

During the end of the 15th century, Garalde form originates from the typefaces of Aldus Manutius, cut by the Punchcutter Francesco Griffo for the Aldine press. This period in type history lasts from the late 15th century all the way until the early 1700s. Whereas the Humanist types were superseded by the Garalde and passed into relative obscurity, Garalde types were refined and developed through its history, maintaining its elegance and durability in its type. Garalde Old Style evoke a charateristics of broad nibbed pen letters to improve in type-making tools such as the punchcutter, linotype, and monotype machine. These calligraphic qualities of the typeface brings a thick to thin contrast to maintain the legibility of the best Garalde faces.

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the man behind it

H

e originally started off as an engraver that carves government marks on gunlock. Eventually he started his career by cutting a font of Arabic and English for Psalter and a New Testament. He cuts roman type with punchcutter meticulously with his hands and does the smallest correction. Caslon has given the task of cutting type punches as well as modenize books which inspired many future type founder. This exotic yet readable typeface were modelled on Dutch type but were much more delicate.

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william caslon

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c o m pa r i s o n Teardrop ear

Open rounded loop High contrast link

Baskerville

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Distinct ear

Attached loop Medium contrast link

Caslon


Baskerville jointed with leg

concave apex high contrast

thin crossbar

straight apexmedium contrast

slight concave serif

Caslon 8


A N A LY S I S Typographical flourishes are used at larger sizes

Faithfully used for monotype, linotype, photosetting and di Harmony and consistency of letterform work well on publications

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Exquisite letterform refinements in his type designs were not only well received, but quickly became the universal printing standard

of

c asl on

Caslon inherits certain traits from the transitional designs like having a near vertical stress, organic terminal and pronounced stroke variation

as initials that evoke decorative touch.

igital form for its legibility. Its graceful bracketing and bear wedge-shape top serifs is great for printing with arts and craft movement Caslon’s swashes, ornaments and ligaratures echo the aesthetic of evidenced in William Caslon’s training as a gun-barrel engraver

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Inclined stress Generous counter

inspired by the stroke of nibbed pen

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cap height x-height

baseline

Medium X-Height Flattened serifs Horizontal bar

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f o n t fa m i ly Adobe Caslon Regular The roman font is the core or spine which a family of typefaces derives

luxury is in the details 9pt

luxury is in the details 12pt

luxury is in the details 15pt

Adobe Caslon Italic

Italic fonts are based on cursive writing, have forms distinct from roman.

luxury is in the details 9pt

luxury is in the details 12pt

luxury is in the details 15pt

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Adobe Caslon Bold & SemiBold

Bold and (Semibold) typefaces are introduced in 20th century for emphasis within a hierarchy

luxury is in the details 9pt

luxury is in the details 12pt

luxury is in the details 15pt

Adobe Caslon Bold Italic & Semi Bold Italic

Bold and (Semibold) italic version is included without making the form too heavy

luxury is in the details 9pt

luxury is in the details 12pt

luxury is in the details 15pt

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when to

use Caslon versatile for headlines, body copy and display text. Caslon juxtapose a characteristic of modern and traditional as the letterform’s elegance would visualize a sense of class, wisdom and seductive. As caslon is meticulously crafted, this typeface evokes a sense of artisanal and authentic which is great for stationary, packaging design and publication. With Caslon, luxury is in the details. Note: Caslon works best with letterpress printing which gives a pleasant tactile touch.

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how to use Caslon

stationar y give an intellectual impression to people with this typeface to own an exquisite branding

packaging pair this vintage typeface on label design which reflects a sense of artisan and sophistication

invitation welcome your friends and family to your fond moments with this authentic typeface

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when to

avoid Caslon However, its undeniable that the type has a very classic vintage look, and therefore it does not always translate well into frivolous, humorous, or futuristic designs. Being a serif font would loses legibility considerably on pixelbased reading surfaces such as computer monitors, smart phones and tablets. Hence, Caslon is typically should be avoided for most digital applications.

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