LIGHT
REPRESENTION II YIN WEIRU - A1728345
Stage 1 PLACE 04 SITE PLAN 05 SITE ELEVATION 06 SITE AERIAL & GROUND VIEW 07 ACCESS & MOVEMENT 08 AMBIENT LIGHT STUDY 09 SHADE & SHADOW 10-11 LUMINOSITY STUDY
02
Stage 2 IDEA 12-13 IDEA 1AND IDEA 2 14-15 3D VIEW OF IDEA 1 AND 2 16-17 REFLECTION STUDY
18 3D MODEL OF FINAL DESIGN 19 PLAN OF FINAL DESIGN 20 SECTION AND ELEVATION 21 EXPLODED PERSPERCITVE 22-23 OPACITY STUDY
Stage 4 MATERIAL 24 AERRIAL AND GROUND VIEW 25 INTERNAL VIEWS 26 VISUAL MOBILITY 1 (WEEK 7) 27 VISUAL MOBILITY 2 (WEEK 8) 28-29 MATERIALS
CONTENT
FORM
Stage 3
30-31 FILTRATION STUDY
03
SITE PLAN
04
--- STAGE 1
ELEVATION
05
AERIAL VIEW
GROUND VIEW 06 ---
STAGE 1
GATEWAY
ACCESS & MOVEMENT
THE BRAGGS BUILDING
MATHS LAWNS
BARR SMITH LIBRARY SCHOOL OF COMPUTER SCIENCE
SOCIAL CHARACTER: Teaching building; Outdoor study place; Orientation week (July & Feb).
MATHS LAWNS
AUSTRALIAN SCHOOL OF PETROLEUM
GATEWAY
GATEWAY
07
AMBIENT LIGHT
08
--- STAGE 1
SUMMER.
9 AM.
SHADOW AND SHADE
12 NOON.
15 PM.
WINTER. 09
In physicsďźŒ An object's larger visibility, the brighter it is. An object can be very luminous in multiple wavelengths of light, ranging from visible light, x-rays, ultraviolet, infrarot, microwave, to radio and gamma rays, often depending on the intensity of the light being delivered, which is a function of how powerful the object is.
[Throughout astronomy, luminosity is the amount of light produced in a unit of time by an object.]
In architectureďźŒ
YTISONIMUL
How luminous is a star? There's a planet? A galaxy? When scientists want to answer these questions, they use the word "luminosity" to describe the illumination of these objects. This defines a space object's light. Stars and galaxies offer different forms of light. How active they are shows what kind of light they produce and radiate. If the body is a star, it does not emit light.
Luminosity is an architectural lighting design firm focused on lighting and daylighting for the interior and exterior environment.
10
--- STAGE 1
LUMINOSITY
ZAHA HADID --- NANJING INTERNATIONAL YOUTH CULTURAL CENTER The ' nanjing global youth cultural centre ' in China is situated in hexi new city on the river – the central business district of nanjing. Zaha had designed a project that includes a large conference room with dotted ceiling inserts to illuminate 194,000 metres of space. Instead of using functional spot lights, Designer decided to use luminescence films to compliment the interior.
Due to the lack of sunlight in the concert hall, light reliance was a critical structural feature of the proposed design. Small holes and swirling shapes were cut out of the surface in accordance with the geometric structure of the building, allowing light to flow through the interiors. And people also can find the lights follow the direction of the structure.
11
IDEA 1: A： SEMINAR ROOM B： TOILET C： LIBRARY D： STAIR
A
② C
D B DISCOVERY LIGHT
A
SPATIAL EXPLORATION(sexond floor)
PLAN (not to scale)
ELEVATION(not to scale)
12
--- STAGE 2
SECTION(not to scale)
IDEA 2:
SEEK LIGHT IS A JOURNEY
SPATIAL EXPLORATIONS
SECTION(not to scale)
PLAN (not to scale)
ELEVATION(not to scale)
13
INTERNAL VIEW
IDEA 1 14
--- STAGE 2
EXTERIOR VIEW
INTERNAL VIEW
IDEA 2 15
REFLECTION In physicsďźŒ Reflection is the change in direction of a wavefront at an interface between two different media to return the wavefront to the medium it originated from. Common examples are the representation of waves of air, noise and liquid. If light reflects off an object, reflection is. The light can bounce at the same angle as it hits the surface if the material is smooth and shiny, like glass, liquid and painted steel. This is referred to as specular reflection. ... Most of the objects we perceive are because it reflected light from a source.
In architectureďźŒ
The principle of deep reflection on the light is certainly used in the design of monumental buildings, such as galleries, museums. It could be used more widely in the common architecture. Light closes the gap between architecture and our perception. We sense forms and materials with our eyes not directly but through the reflected light.
16
--- STAGE 2
Herzog & de Meuron --- ELBPHILHARMONIE Accompanied by the idea that light could help to construct art and a better human environment, glass and metal have been combined innovatively to produce amazing work. The Elbphilharmonie's beautiful glass faรงade is special. This consists of 1,100 single panes, glass panes were shaped separately with millimetre accuracy, then marked with small basalt grey reflective dots. This prevents the heating of the structure due to sunlight while creating a special shimmering effect at the same time.
Complex curved glass faรงade turns into a mirror that reflect the images of the s un, the water and the lights of the area. However, various vertical and horizontal convex curves of single glass strengthen the glossy blurred reflections of the sun.
17
FINAL DESIGN 3D MODEL 18
--- STAGE 3
PLAN 1:500
19
NORTH ELEVATION1:500
SOUTH SECTION1:500
20
--- STAGE 3
EXPLODED PERSPERTIVE
②
①
RECEPTION AND RELAXING SPACE
GROUND FLOOR LOWER GROUND FLOOR
EXHIBITION AREA
LIBRARY
① ②
STORAGE SPACE SEMINAR ROOM 1 SEMINAR ROOM 2
TOILET (M/F/D) ①：STAIRS ②：ELEVATOR: DISABLE ACCESS
21
OPACITY In physicsďźŒ
Opacity is the measure of impenetrability, especially visible light, to electromagnetic or other types of radiation. This explains the absorption and dispersion of radiation in a medium of radiative transfer, such as plasma, dielectric, shielding content, glass, etc. This is basic qualities of surface. Opaque surfaces separately two sides completely and fully. The result is physical and visual separation. [A lack of transparency; an opaque or nontransparent area. ]
22
--- STAGE 3
Alvar Aalto --- KUNSTEN MUSEUM OF MODERN ART Completed in 1972, the museum building is an attraction on its own. The museum consists of striking white marble, a style that continues with amazing marble floors and copper lamps inside.
The skylights were employed as the primary source of illumination to illuminate the interior areas and were augmented by various windowas. Such various types of illumination made the museum's display setting brighter and more comfortable. White windows and white ceilings are provided to make full use of daylight, which is limited in Denmark for most of the year, and light intensity is always higher than the upper limit. Natural and diffused light enters the galleries from a number of skylights that reaffirm the genius use of Scandinavian light by Alvar Aalto. The white marble that coats most of the floor areas contributes to the gallery's light and airy look.
23
AERIAL VIEW
GROUND VIEW
24
--- STAGE 4
INTERNAL VIEW
25
VISUAL MOBILITY 1
26
--- STAGE 4
VISUAL MOBILITY 2 SOUTH SECTION 1:100
NORTH SECTION 1:100 NORTH ELEVATION 1:100
SOUTH ELEVATION 1:100
PLAN 1:100
27
USED OF MATERIALS
28
--- STAGE 4
100MM TIMBER 18MM GLASS 100MM TIMBER LIGHTGAGE STEEL JOIST
STONE CONCRETE DRY MORTAR CONCRETE BEDDING ADHESION AGENT SOIL
29
FILTRATION FILTRATION In physicsďźŒ
Most light sources emit a wide range of wavelengths, covering the entire spectrum of visible light. Nevertheless, in many instances it is better to emit light with a limited spectrum of wavelengths. This can be done easily by using filters that relay those wavelengths or consume or reflect undesirable wavelengths selectively. Color filter are generally made of transparen coloured glass, plastic lacquered gelatin (e.g. Wratten filter).
30
--- STAGE 4
Le Corbusier --- CHURCH OF SAINT-PIERRE Throughout Le Corbusier designs, he remarkable attention to the connexion between colour and light. Inside the CHURCH OF SAINR PIERRE, strong and clear light penetrates through a small round hole inside, forming a point-like "nebula", as the universe. The continuous spiral strip starts from the outer wall at the entrance and spirals along the ramp as it rises over the ramp.
At the top of the roof, one circle, two light pipes, and a square window . Sunlight came in from three holes, one red, one yellow and one blue, recording thetime. A closer look reveals that there is a rainwater tank on the concrete shell. The sunlight passes through the round plexiglass and is refracted to the rainwater tank. The rainwater tank becomes the reflector of these light rays, and the light waves are immersed in the dark space. It is like the pen of heaven.
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REPRESENTION II YIN WEIRU- A1728345