L I G H T REPRESENTION II YIN WEIRU- A1728345
CONT Stage 1 PLACE 04 SITE PLAN 05 SITE ELEVATION 06 SITE AERIAL & GROUND VIEW 07 ACCESS & MOVEMENT 08 AMBIENT LIGHT STUDY 09 SHADE & SHADOW 10-11 LUMINOSITY STUDY
01
TENT. Stage 2 iDEA 12-13 IDEA 1 14-15 IDEA 2 16-17 3D VIEW OF IDEA 1 17-18 3D VIEW OF IDEA 2 18-19
REFLECTION STUDY
Stage 4 Stage 3
MATERIAL 26-27 MATERIAL 28-29 FILTRATION STUDY
FORM 20 3D VIEW OF FINAL DESIGN 21 ELEVATION & SECTION 22 PLAN 23 3D VIEW 24-25 OPACITY STUDY
02
SITE PLAN
03
ELEVATION
04
ARIAL VIEW
GROUND VIEW 05
ACCESS & MOVEMENT
06
AMBIENT LIGHT
07
SHADE
SUMMER.
&
9 AM.
SHADOW
12 NOON.
15 PM.
WINTER. 08
LUMINOSITY Luminosity is an architectural lighting design firm focused on lighting and daylighting for the interior and exterior environment.
09
Luminosity is an absolute measure of radiated electromagnetic power (light), the radiant power emitted by a light-emitting object. In astronomy, luminosity is the total amount of electromagnetic energy emitted per unit of time by a star, galaxy, or other astronomical object.
LIGHT STUDY 1 10
ID 11
PLAN ELEVATION & SECTION
DEA 1
12
IDEA
13
A2
PLAN
ELEVATION & SECTION
14
INTERIOR VIEW
IDEA 1 EXTERIOR VIEW 15
IDEA 2 INTERIOR VIEW
16
REFLECTION Light closes the gap between architecture and our perception. We sense forms and materials with our eyes not directly but through the reflected light. The principle of deep reflection on the light is certainly used in the design of monumental buildings, such as galleries, museums. It could be used more widely in the common architecture.
17
LIGHT STUDY 2 18
EXTERIOR VIEW 19
ELEVATION & SECTION 20
PLAN & FRONT VIEW 21
INTERIOR VIEW
22
OPACITY This is basic qualities of surface. Opaque surfaces separately two sides completely and fully. The result is physical and visual separation.
23
LIGHT STUDY 3 24
Light and materials are inextricably linked, in fact they determine one another: neither is noticeable to the human eye until the two come together.
USE oF
25
MA
GLASS Copper Wall
ATRIAL TIMBER
26
FILTRATION Most light sources emit a broad range of wavelengths that cover the entire visible light spectrum. In many instances, however, it is desirable to produce light that has a restricted wavelength spectrum. This can be easily accomplished through the use of specialized filters that transmit some wavelengths and selectively absorb or reflect unwanted wavelengths.
27
Color filters are usually constructed using transparent pieces of dyed glass, plastic, lacquered gelatin (e.g. Wratten filters) that have been treated to selectively transmit the desired wavelengths while restricting others. The two most common types of filters in use today are absorption filters that absorb unwanted wavelengths and interference filters that remove selected wavelengths by internal destructive interference and reflection.
In any filter, a small amount of the incident light is reflected from the surface regardless of the filter construction and a small portion of the light is also absorbed. However, these artifacts are usually very minimal and do not interfere with the primary function of the filter.
LIGHT STUDY 4 28
REPRESENTION II YIN WEIRU- A1728345