CONTENT
ABOUT ME Believing in design as impactful as music, I am dedicated to design with enthusiasm. A keen learner to embrace knowledges in all aspects of architecture, design and art. I am a person with strong learning desire, comprehension and critical ability. My obsession with architecture pushes me to hold greater motivation to explore the unknown. In the future, I aim to become a lead architect and alleviate social issues through architecture.
01 [REGENERATION UNDER REGULATION] A Bazaar For Craftsmen Living Beside the Mao's Monument 02 [STREET BETWEEN CAMPUS & CITY] A College Students Exchange Center On the Edge Of The Campus 03 [SPECTATOR] A Theater Space For Immersive Theatre 04 [MEMORY OF CLANS] A High-rise Corresponding To The Village 05 OTHER WORK
[REGENERATION UNDER REGULATION] A Bazaar For Craftsmen Living Beside Mao's Monument Individual Work Site: Guangzhou October 2020 A protective historical area is usually limited by numerous conservation regulation, especially where Chairman Mao had stayed before. But it is a pity if we put aside the vitality of the handicrafts living in here, which is also protective heritage. Therefore, the idea of creating a bazaar for them under the shadow of Mao came into my mind.
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Element Extraction
Mold Making
Mold Making
Wire Welding
Coloring
Firing
Firing
Polishing
"Fa-lang" is one of the traditional handiwork of Guangzhou, which is also the intangible cultural heritage. Inspiring by the making of "Fa-lang", there are six elements extracted from the whole process.
Form Study
Pediment
Pediment
Pediment
Window
Window
Balcony
Balcony
Column
Column
"Qi-lou" means arcaded streets. It is the most common architecural form of the bazaar in Guangzhou, which have already became a memory of all the people lived in here.
Section Study
Protective Historical Buildings Commercial Streets for craftsmen Art School
Site
The site was used to be the living and working place for Mao and his followers who were also the senators of the Communist Party in the 1920s. Until today, the whole place becomes a protective historical area with a series of constructional prohibition. But some craftsmen also earn a living between those buildings. The front of "Qi-lou" buildings are thin and tall. But if you look inside, it is totally differed from the outside with various space form.
Typology Study
Technique1 Folding
Technique2 Bending
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Technique3 Creasing
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Structure
The Mixture of the Handcraft & Builidngs' Elements
T h e s t r u c t u re i s f o l d e d t o create space underneath, also give path to connect with the underground.
The "Origami" structure on the ground aims to be a fake wall which is required by the rules of the protective historical area.
Under the Origami, following the spiral stairs is the bazaar for the handicraftmen and the visitors. The studios of the workers are behind the bazaar. The whole design is aiming to activate the space under control by rules through those handicraftmen living in here, by providing spaces for working and selling.
Crafts The three structures together provide spaces for exhibition or holding conference.
Qi-lou Several units of Qi-lou buildings compose an arcaded street.
Qi-lou The "Qi-lou" buildings are designed to be a three-dimensional street.
Qi-lou The elements of traditional Guangzhou's architecture are combined.
Qi-lou T h e re a re m u l t i p l e spaces providing for commercial use.
Workshops The workshops for the handicraf tsmen wrap the bazaar with industrial style.
Qi-lou Empty streets is for the dealers to open itinerant shops.
Crafts The spiral and the circle are the communication between ground, bazaar and workshops.
Workshops In the workshops, There are pipes for the workers to communicate with the outside.
The Section of the Workshops and the Bazaar
The Section of the Origami Sructure and the Bazaar
The streets are aimed to create communication between selling and crafting. There are multiple activities that can be held on the streets.
The hold design is underneath a gigantic structure that can connect with the ground. Creating spaces inside and outside, it also protects the workers from the exist of Mao's spirit.
Perspective View
Perspective View
[STREET BETWEEN CAMPUS & CITY] A College Students Exchange Center On the Edge Of The Campus Individual Work Instructor: Jia Hai, Xuhong Liu, Ya Wang Site: Guangzhou July 2019 TOP 100 – Asian Architecture Newcomers Competition China Division (2019) The building was designed for an art school, containing students majoring in such as industrial design and architecture. It is a school located in the centre of a metropolis, which is interesting for me to cooperate the interaction between the city and school. Also, the design should meet all the requires of the current trend of design study.
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Urban Interface
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BA TO R
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The concession for the city and the nearby maker buildings creates three groups of open platforms, each of which are accounted for several functions. All of them are designed for stimulating users and the adjacent.
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Reference to the Fun Palace, this project is my trying to build a space where people in the community could come together to celebrate arts, science and culture. Above all of that, I want to build a city with different types of streets inside the building.
Upward Spirals
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OR TS
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GR OU
The sunk square is prepared for the playground opening for both the faculties and the citizens, as well as the makers nearby it. People gather through the sunk square, experiencing the mixture of city and the buildings through the upward spirals in it.
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Hybrid Population
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The main users of the building including three categories: the citizens who want to relax or exercise, the workers from the nearby office buildings, teachers and students from the school. The building interacts with all the elements in different ways.
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Urban Piloti
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Destination
Motion
Transparency
BA TO R
Two pilotis strengthen the air circulation and ventilation for the building which is located in a Subtropical city. Also, it provides a better vision for the communication between the city and the school. There are two main functions that are set in the pilotis, which are sports and reading areas.
Form Analysis
Static
Flowing
Events are allowed to flow in and out of houses. Places for resting and being engaged in an activity are present, directly in front of the house.
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Street
Territories
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Residential area with clearly transitions area between private and shared spaces help to form the feeling of belonging.
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Repel
Invite
invitation – smooth transitions between public and private areas：Being able to see and desire to participate what is going on in public spaces.
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Close in
Open up
For a maker space, to create seemingly public spaces in private buildings is important.
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Segregate Ex
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Integrate
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n Integration of various activities to stimulate and inspire one another. All types of people live and work side by side.
Alone
Public Nerds Students
Assemble
If activities and people are assembled, it is possible for individual events, to stimulate one another.
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Unrolled Section
Social Opacity With the uprising of stairs, the extent of privacy keeps increasing, with that most of the activities engaging by the public, students and workers are set in the lower levels of the building. also, the frequency of the usage of functions is dropping when going upstairs.
The Level of Acquaintancy Most of the outdoor activities and semi-outdoor activities are replaced by indoor activities in the high levels of the building, with the changing of "passive contacts" to "close friendships", which describes how familiar the people you have contacted in the building. Also, there are two types of activities which are defined as necessary and optional designed according to the height.
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Frist Floor 1 Main hall 2 Shops 3 Restaurant 4 office 5 Gallary
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Second Floor
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1 Courtyard 2 Hall and Gallary 3 Office 4 Class 5 Studio 6 Meeting Room 7 Cafe
[SPECTATOR] A Theater Space For Immersive Theatre Individual Work Site: Guangzhou February 2020 Immersive theatre is an emerging type of drama, whose spaces designed for performers and audiences can be imaginable. A movie is a show where the perspectives of audiences are limited by the director, which is exactly the kind of space I have interest in for a new drama type. In my design, the audiences also perform a show for the pedestrians, they are all spectators.
The First World
The Second World
Dark Fast Tight
The Third World
Light Slow Relax
Following three perspectives of the character, the mood of the scenario, which could be relaxing or tense, is measured by the grey level of the picture and the camera speed. Grey Level Camera Speed Mood Static Level
Motion
Camera Track
Focal length
Camera track is the basic movement of movie shooting, following the changing of camera focal length, from wide angle to longfocus, the result of the pictures will be different.
Clip
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The concept was originally inspired by the movie "Rashomon", which tells one story from three different angles by three people. In the view of the audience, they are three stories. It was all about the consideration of the spectator.
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"Rashomon" requires the audiences to combine three stories into one. Same as the immersive theatre, if the audiences want to piture the whole story, they need to explore several time and put all the pieces of the puzzle together by themselves.
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4PT
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2PT
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Ground Floor 1 Theater 2 Office 3 Toilet 4 Hall 5 Backstage
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The First Story"Comedy"
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First Floor 1 Theater 2 Office 3 Toilet 4 Hall 5 Backstage 4PT
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The Second Story"Tragicomedy" 3 3
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Second Floor 1 Theater 2 Office 3 Toilet 4 Hall 5 Backstage
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4PT
The Third Story"Tragedy"
2PT
Motion
Axon Analysis
Movement of Objects Motion of Camera Focus Point
Focal Length
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35mm
55mm
85mm
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200mm
There are several types of typical camera motions and focal length. Both of them are related to the path and view of the audiences, deciding how they observe or engage in the stories.
Camera Track Guidance
When the criterions and the scenario above intereacts, the theater sapce including performing space and the path of watching is settled. The whole process is three-dimensional.
Perspective View
Controversy
Foreshadow
Turning Point
External Goal
Bad Things Happened
Foreshadow
Balance
This is the scene when the audiences follow the perfomers from the "comedy" level to the "tragicomedy" level. The space will turn dark and become intricate.
When go back to the "Comedy" level, it will be bright and open. The audiences can see through what happened downstairs.
Transformation
[MEMORY OF CLANS] A High-rise Corresponding To The Village Individual Work Site: Guangzhou November 2020
Generating
Background Study
Form Analysis 400m 350m
150m
0m
Techique Study Technique 1 Pinching: Living by fishing and sea transport, Guangzhou people religiously worship the symbol of water.
Gu Lu Liang Luo Chen Xian Xian village was formed since the Song dynasty( 960–1127) in Guangzhou when the idea of clan was developed, strengthening by the construction of each clan's temple. By now, the status of the temples declined due to the rising of the new business area.
Technique 2 Carving: extracted from the snake, the prototype is usually worshiped by Guangzhou people.
Technique 3 Texturing: extracted from the fish, the fish's scales became one of the prototype.
Technique 4 Peeling: The prototype was extracted from the shape of dragon-boat roof ridge.
Elevation
Other Works
Other Works
Building Competition of South China University of Technology (2017)
Paints (2018-2020)
Waterside view
2019 Propylene on canvas 444*597mm
Countryside View
2018 Propylene on canvas 285*285mm
Portrait of a Musician
2020 Digital painting
First Name: Yongxin Surname: Ouyang Birthday: 09/20/1997 BArch, Guangdong University of Technology Address: 7# Students Apartment, Guangdong University of Technology, Guangzhou, China Tel:+86 13250746469 Email: lutrisgrass@gmail.com