Yosephine Anglingdarma A collection of works 2015-2018
Curiculum Vitae Yosephine Anglingdarma T: 626 - 6 787827 E: yosephine.ang@gmail.com A: 138 N Beaudry Ave #336 Los Angeles, CA 90012
Education 2000-2011 - Gandhi Memorial InternationalSchool 2011-2014 - Pasadena City College 2014 - Cal Poly Pomona 2015 - 2018- Southern California Institute of Architecture (SCI-Arc)
Language Fluency Bahasa Indonesia English
Skills Rhino 5.0 Lumion Vray Maxwell Sketchup Zbrush
Autodesk - AutoCAD - Maya - Revit - 3Ds Max - BIM 360
Adobe Collection - Photoshop - Illustrator - Indesign - Premiere
Resume Work Experience Company: Walt Disney Imagineering Location: Glendale, California Position: Intern- Architect Time: December 2018 - May 2019
Company : Undisclosable Location : Los Angeles, California Position : Intern- Architect Time : May 2015 - August 2015
Role Description: - Assisted in creating drawings for construction documents on Revit (Section drawings, Floor Plans, Reflected Ceiling Plans, Elevations,etc) - Creating design implementations from AutoCad. -Model coordination in BIM
Role Description: - Involved in schematic design and design development phase. - Involved in commercial developments - redesigning an existing train depot - Assisted in preparing elevational and sectional drawings for construction documents for a renovation at OWSLA music studio
Company : P-A-T-T-E-R-N-S Architect Location : Los Angeles, California Position : Intern- Architect Time : June-November 2018 Role Description: - Architectural Visualization for multiple competitions. - Assisted in coming up with conceptual massings for design phase. - Experienced creating drawings for construction documents for bidding and permit.
Company : BairBalliet Location : Los Angeles, California Position : Intern- Architect Time : Summer 2017 Role Description: - Involved in curating an exhibition for the Computational Image displayed at Carnegie Mellon University. - Involved in creating exhibition pieces for display. - Curated photographs for each pieces - Created elevational drawings for exhibition
Company : Griya Laras Location : Jakarta, Indonesia Position : Intern- Architect Time : May 2014 - August 2014 Role Description: - Help prepare drawings and rendering materials for presentation - Involved in making animations for client’s presentation - Help prepare axonometric floor plans for client meetings.
Table of Contents
(Ak.’sa.ra)
Apartheid
Cameo In Partnership with Htoo Khant
Kitchenette
Urban Decay
Excalibur In Partnership with Volver Zhang
Construction Document
Design Development
In Collaboration with Audrey Haliman, In Collaboration with Alex Hays, Stacy Yibo Feng & Zhiao Feng Han, Tarun Hari, & Angelo
Tectonics In Collaboration with Yibo Feng, Xitong Zhang & Zhiao Feng
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(Ak.’sa.ra) Instructor : Marcelo Spina DS 5040 : Thesis A project that speculates upon the dialogue between typography and typology, where the conversation results to ground and expand the architectural possibilities of the notions of characters. The project is a museum of writting located in SongDo, Incheon. Where the context is very vertical in contrast to the flat expansive site. Typology is the “Shed”, where itself is deployed in a way that it is shifted, multiplied and reoriented in an oblique manner to contrast the site. The arrangment allows for multiple spaces to function as an individual or as a conjoined spaces depending on the programs. This allows for programatic division amongst the museum and also allows for directed circulation. The typology creates an introduction to typography aspects of the project. Typography, creation of semantical characters formed by silhouettes. Creates these figural characters that behaves like a font. The creation originated from geometrical aspects of the Han Gul. The circles, the orthagonals and the notchs. Visible throughout the project both elevational and in plan as figural profiles, cutouts and pathways. The verticality of the context made sure that the characters could be seen through plans through adjacent buildings. The end of typology is the beginning of typography. Both metaphoircally and literally. The figural idea of writting a sentence, where it would have words and spaces applies on to the project itself. Creating a physcial manifestation and the embodiement of Aksara. A perfect habitat for the collection of word art.
7
(Ak.’sa.ra) / DS 1021
8 Typographical Qualities
In the text “Animate Architecture: Twelve Reasons to get into Character,” Joseph Altshuler defines characters as buoyant elements that present diverse silhouettes or faces in different elevations. They function alone as well as collectively, producing the capacity for hidden pochee to be revealed. As Altshuler argues, “Characters are adaptable but most importantly they are adoptable.”
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(Ak.’sa.ra) / DS 1021 Typographical Characters created through the influence of Korean Letters with the O’s, the orthagonals and the notches that are adopted into the typology of a shed
10 Axonometric Chunk
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(Ak.’sa.ra) / DS 1021
Axonometric Chunk both showing sectional qualities of the museum crowded with contemporary artist such as Barbara Kruger, and Christopher Wool.
12 Sectional Qualities
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(Ak.’sa.ra) / DS 1021 Sectional Qualities of the Linear Typology erasing all notions of characters
14 Sectional Qualities
Sectional Qualities showing the difference between the contrast of modernistic vs historical typography
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(Ak.’sa.ra) / DS 1021
16 Sectional Qualities
Sectional Qualities of one of the museum exhibits with typography arts from Ahn Sang-Soo
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(Ak.’sa.ra) / DS 1021
18 Sectional Qualities
Sectional Qualities of the ampitheater on top and on the bottom another museum exhibit by typography artist
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(Ak.’sa.ra) / DS 1021
Ed Ruscha
20 Overall Axonometric Overall Project showcasing the interaction between typology (shed) and typography (characters). A result is a museum building with courtyard instances
21
(Ak.’sa.ra) / DS 1021 The materiality of this project differs on the exterior and interior. While the material treatment is used to subtly accentuate the elongation of the project, and also has a quality of elegance. The exterior is made up of white concrete and zebra marble, whereas the interior is characterized by a contrast of pure white material with a reflective concrete finish in order to make sure that the center of attention is on the art pieces themselves.
22 Museum Floor Plan
23
(Ak.’sa.ra) / DS 1021
Museum Typology Plan - The end of Typology is the beginning of Typography
24
Render through one of the unique courtyards which showcases artist such as Kaws.
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(Ak.’sa.ra) / DS 1021
26
Section Drawing through Courtyard
Entrance Render showing characters as architecture medium for openings
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(Ak.’sa.ra) / DS 1021
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Section Drawing through Museum Exhibit
A render that challenges the verticality of the site context with the horizontality of the project
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(Ak.’sa.ra) / DS 1021
30 Physical Model Photos
Top View
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(Ak.’sa.ra) / DS 1021
Side Elevations
32 Apartheid / DS 1040
Volumetric Partition Instructor : Ramiro Diaz Granados DS 1040 : DS 4A Studio AMIGAA Positions A project solving the aspects of volumetric partitioning. Each spaces in the house are made to be experienced volumetrically. The idea of punching subtracting and interlocking masses helps in creating this effect. The idea for the profram was that these volumetric seoarates inhabitant from the rest of the world. Thus the huge excavation of the site. From the street view, you only see just a part of the house which consists of guest housings. Guest are intentionally only allowed to be a spectator to the house. As you descend downwards the house, a realization that it is on a cantilievered mass on top of a pool suggesting the idea of baptizing idea to enter to the oasis. From then on is a free plan space consisting of the idea of fun. Whilst at the same time you also see punched in interior volumes that serves as the dividsion of the living quarters. Each subtracting mass suggests the idea of transitional spaces which is a semi indoor outdoor space. The outer space consists of the idea of a technological oasis filled with solar panels jungle. One of the constraints of the project is to develop a developable surgaces which was tackled by the help of the precedent of neil denari’s no mass house. External Reference: Neil Denari’s No Mass House As a precedent, It is a house that uses the idea of planar and conical surfaces. The idea behind this house is surfaces vs voids. These are shown best in the windows, which are created with two dierent proles that is setback creating a 3dimensional surface. These proles are derived from the arc of the circles and lines. Thus creating a valid planar surface for the inbetween surfaces.
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Volumetric Partition \ DS1040
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Volumetric Partition \ DS1040
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Site Plan located in Palm Spring
West Elevation
37
North Elevation
Volumetric Partition \ DS1040
South Elevation
38 Plans & Section
Section A-A
Ground Floor Plan
Section A-B
39
Volumetric Partition \ DS1040
40 Plans & Section
Section A-C
Oasis Floor Plan
Section A-D
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Volumetric Partition \ DS1040
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43
Volumetric Partition \ DS1040
44 Physcial Model Photos
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Volumetric Partition \ DS1040
46
Fake House Instructor : Pavel Getov, David Ross AS 3041: Advanced Construction and Project Delivery In Collaboration with, Audrey Haliman, Yibo Feng, Zhiao Feng The course focuses on advanced methods of project delivery and construction documents incorporating digital technologies and investigating new models for linking design and construction processes. It introduces Building Information Modeling as one of the tools for realignment of the traditional relationships between the project stakeholders. Using a single unit residential building located in Los Angles, students will analyze and develop the architecture by creating a detailed 3d digital model and a set of 2d construction documents speciďŹ cally tailored for the design challenges of a single unit residential project. Lectures and site visits to fabricators and construction sites will further inform students of technical documentation methods for projects that are operating on the forefront of design and construction technologies to date.
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Fake House / AS 3041
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9 226 ft²
590 ft²
40 ft²
622 ft² 353 ft²
GRIUND FLOOR PLAN
366 ft²
49 Fake House / AS 3041
Consultant : John A. Martin & Associates, Inc Address : 950 South Grand Ave, 4th Floor Los Angeles, CA 90015, USA Phone : 213.483.6490 Fax : 213.483.3084 e-mail : info@jama.com Consultant : B+W Engineering and Design Address : 1422 Merriman Drive Glendale, CA 91202 Phone : 1 (323) 739 - 3913 Fax : 1 (323) 739 - 3914 e-mail : info@bwengr.com
Consultant : Khalifeh & Associates INC Address : 13465 Beach Ave., Suite B Marina Del Rey, CA 90292 Phone : 310.305.1555 Fax : 310.305.1550 e-mail : INFO@KHALIFEHASSOCIATES.COM
30 ft²
Consultant : AAA Landcsape Specialists, INC Address : 1260 White Sands Drive, San Marcos CA 92078 Phone : (760) 295-1980 Fax : (760) 295-1981 e-mail : info@aaalandscape.com
753 ft²
Consultant : GEI Consulting Engineers and Scientists Address : 101 N. Brand Blvd Suite 1780 Glendale, CA 91203 Phone : 818.552.6400 Fax : 818.552.6401 e-mail : info@geiconsultants.com
520 ft²
98 ft²
307 ft²
No.
Date
590 ft²
SITE AREA: 155’ X 288’ BUILDABLE AREA: 30% FIRSTFLOOR TOTAL AREA: 3863 SF SECOND FLOOR TOTAL AREA: 2197 SF
DAVID RUY FAKE HOUSE PROJECT INFORMATION
SECOND FLOOR PLAN
Project number Date Drawn by Checked by
Project Number Issue Date Author Checker
G-1.0 Scale
3/6/2017 2:53:36 AM
1465 ft²
Description
50 Revit Model Render
51 Fake House / AS 3041
Audrey Haliman Yibo Feng Yosephine Anglingdarma Zhiao Feng
Co Consultant : John A. Martin & Associates, Inc Address A d : 950 South Grand Ave, 4th Floor Los Angeles, CA 90015, USA Lo Phone : 213.483.6490 Ph Fax : 213.483.3084 Fa e-mail : info@jama.com e-m Consultant : B+W Engineering and Design Co Address A d : 1422 Merriman Drive Glendale, CA 91202 Gl Phone : 1 (323) 739 - 3913 Ph Fax : 1 (323) 739 - 3914 Fa e-mail : info@bwengr.com e-m
Co Consultant : Khalifeh & Associates INC Address A d : 13465 Beach Ave., Suite B Marina Del Rey, CA 90292 Ma Phone : 310.305.1555 Ph Fax : 310.305.1550 Fa e-mail : INFO@KHALIFEHASSOCIATES.COM e-m Co Consultant : AAA Landcsape Specialists, INC Address A d : 1260 White Sands Drive, San Marcos CA 92078 92 Phone : (760) 295-1980 Ph Fax : (760) 295-1981 Fa e-mail : info@aaalandscape.com e-m
Consultant : GEI Consulting Engineers and Scientists Co Address A d ddress : 101 N. Brand Blvd Suite 1780 Glendale, CA A 91203 91 203 Phone Ph hone : 818.552.6400 Fax Fa axx : 818.552.6401 e-mail e-m mail : info@geiconsultants.com
No. N
Description
Date
DAVID RUY
Project Proj o ect Number Numb Issue Date Da Author Auth Che ck Checker
Project Proj o ect number Date Drawn byy Checked byy
A-2.6 Scale
Vari Varies
/6/2017 2:53:36 AM
FAKE HOUSE Exterior Details
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10
10
11
Top of Glazing 26' - 0" Roof 24' - 0"
Second Floor 11' - 0"
First Floor 0' - 0" Rest -2' - 0" Living Room -4' - 0" Foundation -7' - 0" Basement -8' - 6" B.O. Footing -10' - 3"
1
Wall Section - Callout 1 1/4" = 1'-0"
2
Wall Section - Callout 2 1/4" = 1'-0"
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11
Fake House / AS 3041
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10
Audrey Haliman Yibo Feng Yosephine Anglingdarma Zhiao Feng
Consultant : John A. Martin & Associates, Inc Address : 950 South Grand Ave, 4th Floor Los Angeles, CA 90015, USA Phone : 213.483.6490 Fax : 213.483.3084 e-mail : info@jama.com Consultant : B+W Engineering and Design Address : 1422 Merriman Drive Glendale, CA 91202 Phone : 1 (323) 739 - 3913 Fax : 1 (323) 739 - 3914 e-mail : info@bwengr.com
Consultant : Khalifeh & Associates INC Address : 13465 Beach Ave., Suite B Marina Del Rey, CA 90292 Phone : 310.305.1555 Fax : 310.305.1550 e-mail : INFO@KHALIFEHASSOCIATES.COM Consultant : AAA Landcsape Specialists, INC Address : 1260 White Sands Drive, San Marcos CA 92078 Phone : (760) 295-1980 Fax : (760) 295-1981 e-mail : info@aaalandscape.com
Consultant : GEI Consulting Engineers and Scientists Address : 101 N. Brand Blvd Suite 1780 Glendale, CA 91203 Phone : 818.552.6400 Fax : 818.552.6401 e-mail : info@geiconsultants.com
No.
Description
Date
DAVID RUY
Project Number Issue Date Author Checker
Project number Date Drawn by Checked by
A-2.6 3
Wall Section - Callout 3 1/4" = 1'-0"
Scale
Varies
3/6/2017 2:53:36 AM
FAKE HOUSE Exterior Details
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A
B
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1 A10
向上
1 A11
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First Floor 1/8" = 1'-0"
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Consultant : John A. Martin & Associates, Inc Address : 950 South Grand Ave, 4th Floor Los Angeles, CA 90015, USA Phone : 213.483.6490 Fax : 213.483.3084 e-mail : info@jama.com
1
Consultant : B+W Engineering and Design Address : 1422 Merriman Drive Glendale, CA 91202 Phone : 1 (323) 739 - 3913 Fax : 1 (323) 739 - 3914 e-mail : info@bwengr.com
2
Consultant : Khalifeh & Associates INC Address : 13465 Beach Ave., Suite B Marina Del Rey, CA 90292 Phone : 310.305.1555 Fax : 310.305.1550 e-mail : INFO@KHALIFEHASSOCIATES.COM
Consultant : AAA Landcsape Specialists, INC Address : 1260 White Sands Drive, San Marcos CA 92078 Phone : (760) 295-1980 Fax : (760) 295-1981 e-mail : info@aaalandscape.com
3
Consultant : GEI Consulting Engineers and Scientists Address : 101 N. Brand Blvd Suite 1780 Glendale, CA 91203 Phone : 818.552.6400 Fax : 818.552.6401 e-mail : info@geiconsultants.com
4
No.
Description
Date
5
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DAVID RUY
10
FAKE HOUSE FIRST FLOOR PLAN Project Number Issue Date Author Checker
Project number Date Drawn by Checked by
A-1.1 Scale
1/8" = 1'-0"
3/6/2017 2:53:36 AM
F
Fake House / AS 3041
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A7 1
A
B
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C
E
D
1 A9
1
A10
向下
1 A11
1 A8
1
Second Floor 1/8" = 1'-0"
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G
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I
Consultant : John A. Martin & Associates, Inc Address : 950 South Grand Ave, 4th Floor Los Angeles, CA 90015, USA Phone : 213.483.6490 Fax : 213.483.3084 e-mail : info@jama.com
1
Consultant : B+W Engineering and Design Address : 1422 Merriman Drive Glendale, CA 91202 Phone : 1 (323) 739 - 3913 Fax : 1 (323) 739 - 3914 e-mail : info@bwengr.com
2 Consultant : Khalifeh & Associates INC Address : 13465 Beach Ave., Suite B Marina Del Rey, CA 90292 Phone : 310.305.1555 Fax : 310.305.1550 e-mail : INFO@KHALIFEHASSOCIATES.COM
Consultant : AAA Landcsape Specialists, INC Address : 1260 White Sands Drive, San Marcos CA 92078 Phone : (760) 295-1980 Fax : (760) 295-1981 e-mail : info@aaalandscape.com
3
Consultant : GEI Consulting Engineers and Scientists Address : 101 N. Brand Blvd Suite 1780 Glendale, CA 91203 Phone : 818.552.6400 Fax : 818.552.6401 e-mail : info@geiconsultants.com
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1
5
A6
No.
Description
Date
11
DAVID RUY
10
FAKE HOUSE SECOND FLOOR PLAN Project Number Issue Date Author Checker
Project number Date Drawn by Checked by
A-1.2 Scale
1/8" = 1'-0"
3/6/2017 2:53:36 AM
F
Fake House / AS 3041
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E
D
C
3
3
AB
3
3
1 RCP First Floor Plan
First Floor 1/8" = 1'-0"
F
59 Fake House / AS 3041
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HI 1
Consultant : John A. Martin & Associates, Inc Address : 950 South Grand Ave, 4th Floor Los Angeles, CA 90015, USA Phone : 213.483.6490 Fax : 213.483.3084 e-mail : info@jama.com Consultant : B+W Engineering and Design Address : 1422 Merriman Drive Glendale, CA 91202 Phone : 1 (323) 739 - 3913 Fax : 1 (323) 739 - 3914 e-mail : info@bwengr.com
2
Consultant : Khalifeh & Associates INC Address : 13465 Beach Ave., Suite B Marina Del Rey, CA 90292 Phone : 310.305.1555 Fax : 310.305.1550 e-mail : INFO@KHALIFEHASSOCIATES.COM
3
Consultant : AAA Landcsape Specialists, INC Address : 1260 White Sands Drive, San Marcos CA 92078 Phone : (760) 295-1980 Fax : (760) 295-1981 e-mail : info@aaalandscape.com
3
4
Consultant : GEI Consulting Engineers and Scientists Address : 101 N. Brand Blvd Suite 1780 Glendale, CA 91203 Phone : 818.552.6400 Fax : 818.552.6401 e-mail : info@geiconsultants.com
5 No.
Description
Date
11 10
DAVID RUY FAKE HOUSE
Project Number Issue Date Author Checker
Project number Date Drawn by
RCP Second Floor Plan
Checked by
A-0.1 Scale
1/8" = 1'-0"
3/6/2017 2:53:36 AM
First Floor Lighting Plan
60
AB
D
E
GFI
GFI
C
GFI 3
GFI
GFI
3
3
3
GFI
GFI
3
3
GFI
3
GFI
GFI
1
Second Floor 1/8" = 1'-0"
61 Fake House / AS 3041
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HI
G
1 GFI
Consultant : John A. Martin & Associates, Inc Address : 950 South Grand Ave, 4th Floor Los Angeles, CA 90015, USA Phone : 213.483.6490 Fax : 213.483.3084 e-mail : info@jama.com Consultant : B+W Engineering and Design Address : 1422 Merriman Drive Glendale, CA 91202 Phone : 1 (323) 739 - 3913 Fax : 1 (323) 739 - 3914 e-mail : info@bwengr.com
2 GFI
Consultant : Khalifeh & Associates INC Address : 13465 Beach Ave., Suite B Marina Del Rey, CA 90292 Phone : 310.305.1555 Fax : 310.305.1550 e-mail : INFO@KHALIFEHASSOCIATES.COM
GFI
3
GFI
GFI
GFI
4
Consultant : GEI Consulting Engineers and Scientists Address : 101 N. Brand Blvd Suite 1780 Glendale, CA 91203 Phone : 818.552.6400 Fax : 818.552.6401 e-mail : info@geiconsultants.com
GFI
3
GFI
5 Description
Date
GFI
GFI
No.
GFI
11 10
DAVID RUY FAKE HOUSE Second Floor Lighting Plan Project Number Issue Date Author Checker
Project number Date Drawn by Checked by
A-0.1 Scale
1/8" = 1'-0"
3/6/2017 2:53:36 AM
GFI
GFI
GFI
Consultant : AAA Landcsape Specialists, INC Address : 1260 White Sands Drive, San Marcos CA 92078 Phone : (760) 295-1980 Fax : (760) 295-1981 e-mail : info@aaalandscape.com
62
-
AB
-
C
-
1
First Floor 䣊䣘䣃䣅 1/8" = 1'-0"
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D
E
F
HI 1
Consultant : John A. Martin & Associates, Inc Address : 950 South Grand Ave, 4th Floor Los Angeles, CA 90015, USA Phone : 213.483.6490 Fax : 213.483.3084 e-mail : info@jama.com Consultant : B+W Engineering and Design Address : 1422 Merriman Drive Glendale, CA 91202 Phone : 1 (323) 739 - 3913 Fax : 1 (323) 739 - 3914 e-mail : info@bwengr.com
2
Consultant : Khalifeh & Associates INC Address : 13465 Beach Ave., Suite B Marina Del Rey, CA 90292 Phone : 310.305.1555 Fax : 310.305.1550 e-mail : INFO@KHALIFEHASSOCIATES.COM
3
Consultant : AAA Landcsape Specialists, INC Address : 1260 White Sands Drive, San Marcos CA 92078 Phone : (760) 295-1980 Fax : (760) 295-1981 e-mail : info@aaalandscape.com
4
Consultant : GEI Consulting Engineers and Scientists Address : 101 N. Brand Blvd Suite 1780 Glendale, CA 91203 Phone : 818.552.6400 Fax : 818.552.6401 e-mail : info@geiconsultants.com
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5 No.
Description
Date
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DAVID RUY FAKE HOUSE Second Floor Mechanical Plan Project Number Issue Date Author Checker
Project number Date Drawn by Checked by
A-0.1 Scale
1/8" = 1'-0"
3/6/2017 2 53 36 AM
G
Fake House / AS 3041
F
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64
-
AB
-
C
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Second Floor HVAC 1 1/8" = 1'-0"
-
D
E
65
G
Fake House / AS 3041
F
HI 1
Consultant : John A. Martin & Associates, Inc Address : 950 South Grand Ave, 4th Floor Los Angeles, CA 90015, USA Phone : 213.483.6490 Fax : 213.483.3084 e-mail : info@jama.com Consultant : B+W Engineering and Design Address : 1422 Merriman Drive Glendale, CA 91202 Phone : 1 (323) 739 - 3913 Fax : 1 (323) 739 - 3914 e-mail : info@bwengr.com
2
Consultant : Khalifeh & Associates INC Address : 13465 Beach Ave., Suite B Marina Del Rey, CA 90292 Phone : 310.305.1555 Fax : 310.305.1550 e-mail : INFO@KHALIFEHASSOCIATES.COM
3
Consultant : AAA Landcsape Specialists, INC Address : 1260 White Sands Drive, San Marcos CA 92078 Phone : (760) 295-1980 Fax : (760) 295-1981 e-mail : info@aaalandscape.com
4
Consultant : GEI Consulting Engineers and Scientists Address : 101 N. Brand Blvd Suite 1780 Glendale, CA 91203 Phone : 818.552.6400 Fax : 818.552.6401 e-mail : info@geiconsultants.com
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5 No.
Description
Date
11 10
DAVID RUY FAKE HOUSE Second Floor RCP HVAC Project Number Issue Date Author Checker
Project number Date Drawn by Checked by
A-0.1 Scale
1/8" = 1'-0"
66
B A
1
Section 4 1/8" = 1'-0"
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C
D
E
67 Fake House / AS 3041
Consultant : John A. Martin & Associates, Inc Address : 950 South Grand Ave, 4th Floor Los Angeles, CA 90015, USA Phone : 213.483.6490 Fax : 213.483.3084 e-mail : info@jama.com
H F
G
I
Consultant : B+W Engineering and Design Address : 1422 Merriman Drive Glendale, CA 91202 Phone : 1 (323) 739 - 3913 Fax : 1 (323) 739 - 3914 e-mail : info@bwengr.com
Top of Glazing 26' - 0"
Consultant : Khalifeh & Associates INC Address : 13465 Beach Ave., Suite B Marina Del Rey, CA 90292 Phone : 310.305.1555 Fax : 310.305.1550 e-mail : INFO@KHALIFEHASSOCIATES.COM
Consultant : AAA Landcsape Specialists, INC Address : 1260 White Sands Drive, San Marcos CA 92078 Phone : (760) 295-1980 Fax : (760) 295-1981 e-mail : info@aaalandscape.com
Consultant : GEI Consulting Engineers and Scientists Address : 101 N. Brand Blvd Suite 1780 Glendale, CA 91203 Phone : 818.552.6400 Fax : 818.552.6401 e-mail : info@geiconsultants.com
Second Floor Second Floor Beam 11' 10' -- 0" 8"
No.
Description
Date
First Floor - 0" Tea 0' Patio -1'Rest - 0" -2' - 0" Living Room -4' - 0" Foundation -7' - 0" Basement T.O. Footing -8' - 6" -9' - 3" B.O. Footing -10' - 3"
DAVID RUY FAKE HOUSE PARTIAL SECTION Project number Date Drawn by Checked by
Project Number Issue Date Author Checker
A-2.3.1 Scale
1/8" = 1'-0"
3/6/2017 2:53:36 AM
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68
Cameo Instructor : Margaret Griffin DS 1030 : 3A Studio AMIGAA Arch&Tectonics In Collaboration with Htoo Khant A project solving the complexity of the envelope design in skyscrappers. This is in terms of material and spatial performance that leads to new aesthetics. Whilst understanding the basic structural behavior in withstanding gravity and lateral forces. Using the idea of (murals/relics) (profiles). An application from 2 dimensional to 3 dimensional. Solving the problem to extrusions and to move from flatness. Whilst also providing spatial protrusions in the building. The building is located in New York where the Hudson Yard is currently being constructed. The highline passes beneath the tower coursing through the plaza below. Creating an interaction between the tower to the highline. The idea of “camouflaging” comes to mind. From a far perspective the building is something whilst from a near perspective it is something else. To create this idea, windows are animated to be in different sizes . These “pores” not only creates arpeture but also at night lets light out thus the building looks different both night and days.
69
Cameo C ameo \ DS10 DS1030 030
70 Site Plan
The building tower is located in New York where the Hudson Yard is currently being constructed. The highline passes beneath the tower coursing through the plaza below. The program for this particular porject is of a tower divided into 3 Levels. First is the Plaza, then the Office Tower for Coach. And ďŹ nally Retail Spaces for L’oreal and Boston Consulting Groups.
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Cameo \ DS1030
Context Plan
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Cameo Cam meo \ DS1030
74 Morphology
Hexagonal Grid
Introduction of Figures
Diagram of Figure Ground Relationship created through tessalation grid
Tower Initial Conceptual Tower Massing
Reliefs
Camouaging Tower
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Cameo \ DS1030
Neutral Figure Ground
Emergance of New Figure as Figure Ground starts to mix in with each other
Physical Model of Tower
76 Elevations
Reliefs
Tower
South Elevation
West Elevation
Scale: 1’0” = 1/64”
Scale: 1’0” = 1/64”
North Elevation
West Elevation
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Cameo \ DS1030
h l
East Elevation
South Elevation
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58th Floor Plan
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Cameo \ DS1030
Section
80 Cameo / DS 1030
49th Floor Plan
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Cameo \ DS1030
Axonometric
82 Cameo / DS 1030
30th Floor Plan
83
Cameo \ DS1030 Concrete Core
Concrete Columns
Steel Framing
GFRC Panels
Structural Axonometric
84
Tectonics Instructor : Ramiro Diaz-Granados, Maxi Spina AS3033: AS Tectonics + Materialty In Collaboration with Xitong Zhang, Yibo Feng, Zhiao Feng The seminar joint areas of investigation are Tectonics –understood as architecture’s material anatomy and its effects- and Performance –largely consisting of technical, technological and cultural environmental dimensions. The class focuses predominantly on the building envelope –particularly on its forms of articulation and means of producing apertures. The articulation of architecture’s outermost surface will be understood through the logics of panelization, material and pattern. Apertures will be understood through the logics of openings or fenestration, glazing, and enclosure. These combined constitute the economies and aesthetics of how architecture produces interior/exterior relations and affective qualities; embodies a crucial environmental role; etc. Working in groups throughout the entire semester, students will use precedents as a vehicle to document the anatomy and tectonics of each followed by a speculative exercise on how to modify one element or sub-system towards shifting its effects or producing new ones altogether. In order to effectively modify the precedent, students will be required to have a thorough understanding of the economies and principles underlying it, so as to produce both technical knowledge and critical awareness of embedded cultural habits. The class will thus seek out an alternative understanding of the Tectonic –one that not only mirrors the realm of construction –materials, methods, sequences, tolerances, etc.- but also embraces architectural processes of expression, encompassing issues of geometry and technique; posture and character; etc. Methodologically, the class frames its object of study through the possibilities of a sectional approach. The primary mode of design and representation is the cut-away axonometric drawing.
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88 Tectonics / AS 3033
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The operable screening system in some parts of the original design to the majority screening structures to make the whole faรงade dynamic. It is able to open, close or semi-open in various angles. The maximum angle of opening is in ratio to its d istance to the cuts of the skin, providing additional ventilation and gradient natural lighting.
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The geometry of the original screening panels from 2D rectangle surfaces into 3D pyramid modules. The height of the pyramid is in th e inverse ratio to its distance to the cuts of the skin, creating a gradient sun penetration effects through diverse resistant surface areas.
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Tectonics / AS 3033
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The secondary screening has been split for 4 more cuts. Some parts of it pill off from the existed surface. This technic provides more compressed natural ventilation to ow in between the primary skin and secondary skin.
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The pyramid module with cuts in the ďŹ rst one. In addition, some surfaces of the module are deleted to create a more dramatic variation of sun penetration.
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Every single panel is operable and opens up in relationship to its closest cuts.
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A combination of all three basic methods, the top and bottom surfaces of the pyramid module is operable in relationship to its distance to the cutting edges, to enhance the speciďŹ city of ventilation and dynamic gradients of lighting.
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i(L.A)conic Instructor : Florencia Pita DS 4352 : Painterly Linear
The site of this project is in the Los Angeles River in between the sixth street and the seventh bridge. There is an immediate need for public spaces. The idea was to turn this abandoned concrete shell into an idea of a park that functions in both dry and rainy seasons. The use of water color as a technique is an excuse to diverge away from the norms of a natural park into a new paradgim of a modern urban landscape. With the chaotic nature of a water splash, grid like patterns are introduced to keep order in the chaotic overflow of the behavior of water. The colors are specifically chosen to reflect the behaviours of people. While taking primarily from the red and yellow color group. Both color stimulates the body for physical and mental activity. During the dry seasons, high intensive activities takes place. in these “activity pockets”. Activities such as parkour, skateboarding, tennis and basketballs. During the rainy seasons however, the park uses its “activitiy pockets” acting as water reservoirs to reduce water retention. These are then allowed to flow down and hold water that goes for filtration underground. The use of the tower is to signify a landmark. As a point of location. The profile is taken from different study of outlines of water tower in combination with the water color splashes. Which also translates to some of the figures on the landscape. (Iconography) The entrance access to the park is through mission street. There are two parking lots. These leads to a circulation path that goes around the landscape connnecting to all the activities area. There are also intermediate pocket spaces that connects the channel to the park. Allowing visitors to engage the park by allowing them to come down or just sit around and enjoy the view in the spanish stair.
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i(L.A)conic / 4B
92 Water Tanks Study
Collection of Photographs of Water Towers from France. 1.Fourness-en-Weppes, Rue Hoche 2.Dordives, Route de Bransles 3.Caen 4.Deauville, Chemin de Taux 5.Chaumont, Avenue d’Ashton Under Lyne
6.Saint Dizier, Route de 3 Fountaines 7.Lyon, Avenue de Champagne 8.Vénissieux, Avenue Jean Cagne 9.Louvroil 10.Liévin, Rue de Bully 11.Lens, Rue Fèlix Eboué 12.Blainville-sur-Orne, Rue du Général Leclerc
Hérouville-Saint13. La Rochelle, Rue Gaston Périer 14.La Rochelle, Rue Pierre Corneille 15.Bron, Chemin de Chasseurs 16.Fourness-en-Weppes, Rue Hoche
93 i(L.A)conic / 4B Collection of occlusion render of Water Towers
94
Collection of Elevational Views of Water Towers
95 i(L.A)conic / 4B Collection of Outline of Water Towers
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Collection of Outline of Hybrid Water Towers
97 i(L.A)conic / 4B Collection of occlusion render of Water Towers
98 Water Color Splatter Tests
Test #1a Paints were more dilute in nature Uses medium sized brush Mediocre hand ip
Test #2a Most Concentrated paint in ratio to water Uses small sized brush Sprinkling technique of brush
Test #3a Paints were most concentrated in ratio to water Uses large sized brush Aggresive hand ip
99 i(L.A)conic / 4B
Test #1b Paints were more dilute in nature Uses medium sized brush Mediocre hand ip
Test #2b Most Concentrated paint in ratio to water Uses small sized brush Sprinkling technique of brush
Test #3b Paints were most dilute in ratio to water Uses large sized brush Aggresive hand ip
100 Water Droplets with Color Test A combination of different water splashes techniques on different colors as well.
Test #1 A rushed splatter from every direction of the canvas
Test #2 A more directectional form of splatter including huge goblets of paints granules dripped onto the composition
Test #3 Bigger droplets of paints was applied on the canvas. The role of water becomes more proďŹ cient in this paint. Drops of color are added on top of each other to create gradient like colors.
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Test #4 Unidirectional Paint splatter. Consisting the color that goes towards red primary group.
Test #5 A more diluted water splatter with the mixture of yellow blue and red colors.
Test #6 Concentrated water splatter involving the smaller splatters medium and large droplets of paints.
102 Water Droplets with Color Test
This is the ďŹ nal chosen Composition and Color Combination to be applied on both park and watercolor. The color are both magenta, pink, yellow, with a hint of green. Splashes ranges from high speed splashes which are characterized by its long stretches of water droplets. Strokes are also combined with slow and huge droplets from paint brush which are characterized by the dilution of the water color and the puddled drops that creates a fusion between colors. The composition is allowed to dry before being layered with more droplets and puddle creating these vignettes of layered brushes.
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104 Elevational Water Splatter
Selected proďŹ les are chosen and made into stencils for the water color splashes
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106 Site Plan Model Photo
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108 Site Plan Model Photo
109 i(L.A)conic / 4B Model Photo looking at the East side of the Water Tower.
Spanish Stair acting as intermediate spaces to engage with chanel
110
Kitchenette Kitchenette is a place of congregation of each cultural native’s cuisine. After all where is a better place to learn than to learn from grandma’s Kitchen. Kitchenette invites students to learn to cook cultural cuisines with qualified completent men and women from all over the world for a socially immersive cooking class of their respective cultural cuisines. We bring in people from countries such as Burma and India to teach how to make the perfect tasting Laphet and also the famous Briyani. The place is located in the heart of downtown Los Angeles. For wherelse better to be than to be in the city of melting pot itself. The building space itself offers multiple ktichens that will be holding courses ranging from Asian Cuisine to European cuisines and many more. The place also challenges the main concept between public vs private area. Should kitchen demonstration be showcased or should they be hidden as most kitchens. Programs are divided into three main categories like the main ingredients to cooking. Which are SALT, PEPPER, and SUGAR. Where salt is the main congregation area, the pepper is the necessity programs, and finally the sugar is the back of the house programs. The project looks upon the domesticness of the site in Los Angeles where most things you do at home that requires privacy is reversed and is shown more publicly. And use this role reversal and incorporate it to its programmatic division. The morphology is based on a bounding box created by the studio program consisting of 90’x90’x90’. It uses the 3 Slabs and used actions of rotations and Trimmings to create the morphology of the building. In it, has the potential to develop planar to volumetric relationship causing this to produce one direct circulation that goes through two atriums (exterior and interior)
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Kitchenette / DS 1021
112 Site Plan
Gallery
Stu
Kitchenette / DS 1021
udying
113
Sleeping
Painting
Decoration in the toilets
114 Morphology
3 slabs
Rotation
Trim
115
Kitchenette / DS 1021
Volume to Planar Relation
Exploded Mesh Axonometric
Exploded Mesh Axonometric describing planar to volumetric relationship
116
B
Cafe / Kitchen
A
A
Lobby and Administration
Main St
Olympic St
B
Ground Floor Plan
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Kitchenette / DS 1021
B
Chamber of Ingredients (Library)
A
A
Buffet Room (Meeting Room)
B
First Floor Plan
118
B
Chamber of Ingredients (Library)
A
A Chinese Kitchen
B
Second Floor Plan
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Kitchenette / DS 1021
B
French Kitchen
A Kitchenettes
A
Living Room
B
Third Floor Plan
120
B
Chamber of Ingredients (Library)
A
A Chinese Kitchen
B
Fourth Floor Plan
121
Kitchenette / DS 1021
B
Television Production
A
A
Indian Kitchen
B
Fifth Floor Plan
122
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Kitchenette / DS 1021
Library Roof Floor
Chinese Kitchen 6th Floor
Spanish Kitchen 5th Floor
French Kitchen 4th Floor
Cafe / Restaurant Lobby
Mini Auditorium Bar
Section A
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Kitchenette / DS 1021
Roof Floor Outdoor area
Library 6th Floor
Television Production
5th Floor
4th Floor
Cafe / Restaurant Lobby
Bar
Mini Auditorium
Section B
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Excalibur Instructor : Herwig Basumgartner DS 1031 : 3B Studio AMIGAA Arch&Tect II In Partnership with Xitong Zhang A project solving different types of aggregations of module in order to produce a functional spactial experience. This project is located next to the SCI-Arc building. This was meant to be an extension for the school, where it will house the new architectural school. The logic of the building is a clear perpendicular axis system where the modules are aggregated in a way that it behaves in like a protrusions from the main axis. The program includes Architectural Studios, Class Rooms, Fabrication Spaces, Service areas and Public Spaces. This project was also able to explore the tectonics of the building and introduces a means of safety egress systems in a building. The ďŹ nal product was also a 1/16th inch scale model of the building which was made through various methods including CNC milling and 3D printing (clear paint resin, powder and plastic).
127 Excalibur / DS 1031
128 Module Progression
Molar Teeth
Smoothen and flipped in creating creases
Elongation defining creases
Increased massing volume in order to accomodate floor area
129 Module Aggregation Excalibur / DS 1031
One Module
Unit Aggregate Orthagonally
Studio
Class Rooms
Fabrication Shops
Public Spaces
Services
Program Diagram
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1 4 13 134
135 Excalibur / DS 1031
45/ 135 degree sunlight path 10% reflection of sunlight on concrete Solar panel for renewable energy production
Double glazing to minimize heat loss
Operable windows for ventilation
Classrooms
Minimum Daylight
Studio Spaces
Studio Spaces Classrooms
Mini Lecture Hall
Studio Spaces
Studio Spaces
Studio Spaces Classrooms
Studio Spaces Library
Storage/ Mechanical
Classrooms
Section Sunlight Diagram
Sun Light Diagram
Hybrid Temperate
Hybrid Tempered
Natural Cross Ventilated
Natural Cross Ventilated Natural Cross Ventilated
Natural Cross Ventilated
Natural Cross Ventilated Full AC
Natural Cross Ventilated
Full AC
Hybrid Temperate
Air Flow Diagram
Air Flow Diagram Class Rooms
Studio Spaces
Studio Spaces
Mini Lecture Hall
Studio Spaces
Studio Spaces
Studio Spaces
Studio Spaces Class Rooms
Studio Spaces Library
Class Rooms
Storage/ Mechanical
Indoor Spaces Semi Indoor Spaces Outdoor Spaces
Different Spaces
136 Section
137 Excalibur / DS 1031
Section
138
139 Excalibur / DS 1031
Glass
Glass Frame
GFRC Panels
Rigid Insulation GFRC Steel Frame I Beam
GFRG Wall
Exploded Window Detail
Solar Panels
GFRC Panels
Rigid Insulation
Concrete Flooring Metal Decking I Beam
GFRC Steel Frame I Beam
Suspended Ceiling
GFRG Wall
Structure Chunk
140 VVVVVVV
Physical Model Model Construction The physical model was constructed using different types of medium. The outer shell are created through 3D powder prints. Floor plates are created through styrene. The arpertures are created through different ways. Whilst the planar ones are hand cutted, the curved arpertures are created through resin prints and translucent plastic printing. The whole site is created through CNC milling.
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142
Elevational View of Model
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Design Development Instructor : Scott Uriu, Pavel Getov AS 3040 : Design Development In Collaboration with Alex Hays, Stacy Han, Angelo, Taun Hari Using Alex Hay’s Design This course investigates the issues related to the implementation of design: technology the use of materials ,systems integration, and the archetypal analytical strategies of force, order and character. The course includes a review of basic and advanced construction methods, analysis of building codes, the design of structural and mechanical systems, the development of building materials, the integration of building components and systems, ďŹ re/life safety and ADA planning, and the introduction of sustainability measures. The intent of this course is to develop cohesive understanding of how architects communicate complex building systems for the built environment and to demonstrate the abiltiy to dovument a comprehensive architectural project.
145 Design Development / AS3031
146 Building Layout
Passive Heating And Cooling
Basement
Supply Store
Classrooms
Auditorium
147 Design Development / AS3031
Daylighting
Studio Space
Classrooms
Classrooms Admin
148 Environmental Factors
Sun Path Diagram
Wind Rose Diagram
149 Design Development / AS3031
Psychometric Chart
Solar Radiation Analysis
150 Structural Axonometric
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Structure Chunk
151
WaterprooďŹ ng Insulation Corrugated Metal Deck Primary Steel Structure
Structure Chunk A
Design Development / AS3031
GFRC Panels
152 Structural and Cost Breakdown
Primary Structure
Primary, Secondary and Core Structure
Secondary Structure
153 Design Development / AS3031
Panelization
Structure Detail
154 Structural and Cost Breakdown
Elevator Cores and Egress (CIP concrete) Total sq.ft = 110,392.876 sq.ft Cost per sq.ft = 80$ Total Cost = 110,392.876×80 = $8,831,360
Floor Slabs (CIP concrete) Total sq.ft = 119,551.621 sq.ft Cost per sq.ft = 80$ Total Cost = 119,551.621×80 = $9,564,129.68
Precast Panels (Complex) Total sq.ft = 67,090.975 sq.ft Cost per sq.ft = 100$ Total Cost = 67,090.975×100 = $6,709,097.50
Precast Panels Frame (Steel) Total sq.ft = 114,860.965 sq.ft Cost per sq.ft = 40$ Total Cost = 114,860.965×40 = $4,594,438.60 Apertures (Complex glazing) Total sq.ft = 38,903.4 sq.ft Cost per sq.ft = $250 Total Cost = 38903.4×$250 = $ 9,725,750
Apertures (Aluminium) Total sq.ft = 152,207 sq.ft Cost per sq.ft = $30 Total Cost = 152,207×$30 = $ 244,566,210
Interior Skin (Precast concrete) Total sq.ft = 249,352.738 sq.ft Cost per sq.ft = $100 Total Cost = 249,352.738×$100 = $ 24,935,273.80
Structural Steel (Primary Structure) Cost per lf = $90 Total Cost = Basement Structure = 414lf×12 = $4,968 I Beams = 117lf×1373 = $160,641 Exterior Beams = 35lf×260 = $9,100 Total =$ 174,709
Landscape
155 Design Development / AS3031
Shell Cost Elevator Cores
$8,831,360
Floor Slabs
$9,564,129.68
Precast Panels
$6,709,097.50
Precast Panels (Frame)
$4,594,438.60
Apertures (Complex Glazing)
$ 9,725,750
Apertures (Aluminium Frame)
$ 244,566,210
Interior Skin
$ 24,935,273.80
Structure (Primary+ Secondary)
$ 174,709
Total
$ 309,100,967.4
Construction Cost (Brick+Mortar)
Price per sq.ft
5 100
Construction cost
Ă— Shell Cost = $15,455,048
Area
=
$15,455,048 827,447.665 sq.ft
= 18.7 $/sq.ft