YU-TING CHAO ARCHITECTURE PORTFOLIO Pratt Institute B.Arch’18
C H A O
Yu-ting Chao ychao193@pratt.edu cchaoyuting@gmail.com +1 917-330-9914 YU-TING CHAO cchaoyuting@gmail.com
Experience | PLAN A Architecture + Design PLLC | NY, USA
Jun’17 - present
Architectural Intern CUNY Farmingdale Roosevelt Hall, Long Island, NY Kaufman Astoria Studio, LIC, NY
Pratt Institute | NY, USA
May’16 - Dec’16
Architectural Research Assistant Assist researchers (professors) on graphic design and data collecting on a research reporting to NY DDC.
Sep’16 - Dec’16
Pratt Institute | NY, USA
HR Department Assistant Archive the confidential documents in HR office of Pratt Institute.
May’15 - Aug’15
CTJ Architect & Associates | New Taipei City, Taiwan
Architectural Intern Apartment, Linkou, Taiwan Competition for East Market (Taipei), Taipei, Taiwan
Skills | Rhinoceros
Maxwell
Powerpoint
Revit (BIM)
Photoshop
Excel
AutoCAD
InDesign
Mac OS Pages
SketchUp
Illustrator
Keynotes
Maya
Lightroom
Mandarin
V-ray
Microsoft Word
Italian
Education | Pratt Institute | School of Architecture | NY, USA
Sep, 2013 - present
Bachelor of Architecture (NAAB Accredited)
Current GPA: 3.617
Wuhan University | School of Urban Design | Wuhan, China Bachelor of Architecture, transferred
Sep, 2011 - Jun, 2013
GPA: 3.56
Honors | Design Work Included in Pratt SOA NAAB Accreditation Exhibition Dean’s List | Pratt Institute
Feb’16 FA’14 ; FA’13 ; Fa’15
President’s List | Pratt Institute
SP’15 ; SP’14
C & M Schade Endowed Scholarship
FA’15 - SP’16
Junge Memorial Scholarship
FA’14 - SP’15
Publication | In Process 20
SP’14; FA’14; FA’15; SP’16; FA’16
School Works
Columbia Boathouse * Pratt Graduate Dormitory * Wave Hill Academy NYC Cuisine Art Archive * ** Fun Palace: Interruption without Break * The Green Intersection FLORA and FAUNA: Istanbul Design I Design II *
Professional Works
Work samples from internships * Archived ** NAAB Exhibition
Connective Verticality Columbia Boathouse
The Columbia boathouse, located in Inwood, Manhattan, was first built in 1929, and was re-constructed in 2001 by Columbia University. Facing Spuyten Duyvil Creek and south end of Marble Hill, the site has an incredibly beautiful view of water, train track, a bridge, and hills. The mission of our re-design of the boathouse is to open up the once very exclusive varsity boathouse, to the locals of Inwood, and even the visitors from around the places visiting Inwood, and at the same time mantain the fundamental function of a boathouse -- to provide a training space for rowers and a storage space for the boats.
N
Scale: [ 1’ = 1/16� ]
Ann Chai
Site Plan Yuting Chao
C OLUMBIA B OAT H OUSE
Trusses
Circulation and “In-Between” Space
Circulation and “In-Between” Spaces
There are four major “in-between” spaces, each defined by its function as following: the entrance, the lounge, the exterior garden, and the rowing tank room. These four spaces are the only ones that touch the ground in this project, surrunded by structural components, so that a great portion of ground floor space could be open to the public and given new programs by the public.
#4: Connect people with the #4: Connect people back with the outside exterior With rowing tank at the ground With rowing tank atlevel, thevisitors ground can see the tank room at the end of circulalevel, tion pathvisitors on the uppercan level. see the tank room at the end of circulation #3: Exterior Space path on“In-Between” the upper level. Open from the ground level outdoor green space, with bridges on the upper level, allowing the public circulation path through and leading varsity members to their locker rooms.
#3: Exterior “In-Between” Space Open from the ground level outdoor green space, with bridges on the upper level, allowing the public circulation path through and leading varsity members to their locker rooms. #2: Divide and Connect two Boat Storages
#2:Makes Divide and Connect two Boat Boat Storage Space flexible and make it possible for each team to use other Storages teams’ boat when necessary. Makes Boat Storage Space flexible and make it possible for each team to use other teams’ boats when necessary. #1: Bringing people into the building
#1: Bringing people into the Entrance stairway leads people from the building public park/ carway into the building level, and acts as an outdorr theatre during weekEntrance stairway leads people ends. from the public park/ carway into the building level, and acts as an outdoor theatre during weekends.
Massing of programmes
Ground Level Plan Upper Level Plan
Structural System
Zinc Coated CopperCopper Panels Zinc Coated Panels
Corrugated Metal Stack Metal Stack +Corrugated + Concrete Concrete 1
2
3 A 4
5 6 B 7
Offices
Coach’s Lockers
Roof Slab Supporting Grid Roof Slab Supporting Grid
A Gallery
C
Locker Room
Multi Purpose Room Locker Room
B
D E
Steel Beam Grid + Steel I Beam Grid Vertical Supporting Com+ Vertical Supporting Components ponents
F
C G Mechanical Room A
H
Cafe
D
Varsity Training Room
I
E
J K
F
Mechanical Room B
Electrical Room
L
G
Janitor’s Closet Membership Office Community Video Room
Kitchenette
H
I Community Classroom
1
J K 2
Trusses Truss
L 3 M 4
N
5
N
Scale: [ 1’ = 1/8” ]
6
Upper Level Plan Ann Chai Yuting Chao
C OLUMBIA B OAT H OUSE
Short Section
Long Section
Pratt Graduate Dormitory team project
Serfaces exposed to N/W lighting or no lighting
Basic Sunpath
Fold to expose rooms to E/S lighting
Located at the corner of Myrtle Avenue and Grand Avenue in Brooklyn, two blocks away from Pratt Institute main campus, this graduate dormitory
Living Space
Serfaces exposed to E/S lighting
Circulation/ Others
Serfaces exposed to N/W lighting or no lighting
contains 120 single bedrooms within 54 apartment
Smooth the form Centralize the community
units, 3 student lounges, 1 public gellary, 1 centered public courtyard, 1 rear yard, 1 underground garage, and 2 small outdoor gardens. The goal is to design a building for maximizing nat-
Adjust the form to accomodate rooms
ural lighting in all of the bedrooms, and guaranteeing privacy within each unit for every student.
Serfaces exposed to N/W lighting or no lighting
The louver system (facade) traces the path of direct sunlight which would be harsh during summer, so that this system to some extent prevents glares and heat gain.
Open up courtyard to natural light
The overall design is to inspire the students and act as an architectural sculpture which relates back to the centered public sculpture garden. The sculpture
Rear Yard
Fold to expose rooms to E/S lighting
>15’ 80’ 12’ 60’
garden is an idea derived from Pratt main campus, bringing a sense of community for Pratt students and the locals living around Pratt as well.
Comform to code
e
Site Plan
Rear Yard
Public Gallery
Sculpture Garden
Lobby
Student Lounge #1
Public Gallery -Special Exhibition
Security Booth
Mailboxes
Ground FloorFloor Plan Ground Digital File
2nd Floor 2ndPlan Floor Digital File
or
LARGE WINDOW & BALCONY SPACE IN UNIT
SUN ROOM AREA WITH LOOK OUT TO REAR GARDEN
REF.
SHADING SYSTEM ALTERNATES PER ROOM LOCATION
Student Lounge #2
HOT AI
GEOEXCHANGE PATH HEATING & COOLING SYSTEM
Typical Floor 3rdPlan Floor Digital File
PANEL ASSEMBLY
Typical Double Height Unit Digital File
Fire Stairs
Car Path
Elevators/ Open stairs
Public Circulation
Transfer Beams
Footings
Resodents’ Circulation
CIRCULATION
ORGANIZATION
STRUCTURE
Columns
Foundation Columns
Transfer Beams
Footings
CIRCULATION
Located at the corner of Myrtle Avenue and Grand Avenue in Brooklyn, two blocks away from Pratt Institute main campus, this graduate dormitory contains 120 single bedrooms within 54 apart-
Fire Stairs
Car Path
ment units, 3 student lounges, one public gellary,
Elevators/ Open stairs
Public Circulation
one center courtyard, one rear yard, one underPrivate
Semi Public
Semi Private
Public
Resodents’ Circulation
ground garage, and two small gardens.
ORGANIZATION
The goal is to design a building for maximizing natural lighting in all of the bedrooms, andOUTDOOR guaran-SPACE teeing privacy within each unit for every student. The louver system traces the path of direct sunlight which would be harsh during summer, so that the system prevents glares and heat gain. The overall Rear Yard
Sculpture Garden
for Student design is to inspire the students and acts as an ar-
chitectural sculpture which relates back to the public sculpture garden. The sculpture garden is an idea
Fire Stairs
Car Path
derived from Pratt main campus, bringing a sense
Elevators/ Open stairs
Public Circulation
Resodents’ Circulation
of community for Pratt students and the locals.
ORGANIZATION
My
. Ave
Graduate Dormitory rtle
Ave .
nd
Gra
Private
Semi Public
Semi Private
Public
East Elevation Digital File
South Elevation Digital File
Short Section Digital File
COLD AIR GEOEXCHANGE PATH HEATING & COOLING SYSTEM
SCA
DETAILED WALL
PANEL ASSEMBLY
3 1/4”
10’-1 1/2”
12’-0” METAL SQUARE TUBE 2” X 4” I-BEAM BOLTED TO FLOOR PLATE I-BEAM TO CONNECT PANELS WHITE POWDER COATED CAPPED PIPE
SCALE 1/2” = 1’ TYPICAL UNIT FACADE ELEVATION SECTION THROUGH FRONT FACADE
Render View Digital File Approach of Facede Wood Model
SCALE 1/2” = 1’ TYPICAL SHADING SYSTEM ELEVATION
Approach of Facede 3D Printed Model
Photos Physical Model
Wave Hill Academy
Spaces work as filters to protect people from surroundings due to different functions, while they also work as mediums through which people experience both nature and the sequence of spaces.
Bird’s Eye View Physical Model
Plan - Upper Level 01
02 Offices
Entry
Gallery Lecture Space
Courtyard
Studios
Classrooms
01 02
1/16 “ - 1’0”
Plan - Upper Level Digital File This botanic academy is an education center attached to Wave Hill public garden, aiming at bringing people to nature while they go through the building. Visitors get to experience nature by going through walls and walls, which are defined as “Filtering Mediums”. At the same time, visitors themselves are being filtered by these thick walls due to privacy level of spaces.
Axonometric Diagrams 01
Fields of Interaction
02 Offices Retaining walls as “Filtering Medium”
Entry
Gallery Public
Lecture Space
Semi-Public Private
Courtyard
Studios
Classrooms
01 02
1/16 “ - 1’0”
Visitor Circulation
Yu-ting Chao// Intermediate Design II// Spring 15// Frederic Levrat
Private
Plan - Lower Level Digital File
2nd Layer - Shells 1st Layer - Retaining Walls / Vertical Elements Horizontal Elements Beams
Long Section Digital File
Short Section Digital File
Render Views Digital File
NYC Cuisine Art Archive *selected for Pratt SOA NAAB Exhibition
FOR THE PRO Full-storage of NYC Cuisine History; Latest News on NYC food; Restaurant Management Courses; Accredited Cooking Courses.
FOR THE PUBLIC Free information of NYC Cuisine History; Latest NYC food trend; Daily Family Kitchen (cooking classes); Weekly Food Event; Monthly Cuisine Topic
Exterior Render View Digital File
Conversation with the Archive
Circulation & Archive
Circulation
Main Circulation
e th to ck n ba rigi O
Exhibition & Archive
Exhibition
t en es Pr
al ion ess h rof arc re P Rese u t Fu
st Pa
e rag
Sto
The Exhibition Journey
Pro
Storage
Study/ Research & Archive
Study/ Research
Division of Study/ Research Space
Pro
Storage
All Accesses of the Archive
Archive
Archive Space as Database
Internal Conversations Conversation between People
External Conversations The Combination
Auditorium
Exploded Axonometric Drawing “Conversation between Spaces� Digital File
The Conversations
Service
Circulatory Circulation Circulation System System System
Merge ofProgrammes Programmes Merging Merging of of Programmes along Circulation during during Circulation Circulation
ElevatorsElevators Elevators Fire Stairs Fire Stairs Fire Stairs Main Stairs Main Stairs Main Stairs Exhibition Exhibition Routine Routine Exhibition Routes Top Terrace Top Terrace
Top Terrace
Study Center Study (Pro) Center (Pro) Study Center (Pro)
Exhibition Exhibition - Future - Future Exhibition - Future
Partition Partition andWalls Skin and Skin Partiotion
Interior Walls Interior Walls Interior Walls
Exterior Exterior Skin Exterior SkinSkin
Exhibition Exhibition - Present-- Present Exhibition Present
Exhibition Exhibition - PastExhibition - Past - Past
Study Center Study Center Study Center
Structural Structural System System Structural System
Archive Archive Archive
Load-bearing Load-bearing Load-bearing Walls Walls Walls
Restaurant The Restaurant The Restaurant
Lobby Lobby Beams fixed Beams in walls fixed in walls Beams fixed in walls
Lobby The CafeThe CafeCafe
Spans Spans Spans Cantilevers Cantilevers Cantilevers Auditorium Auditorium Auditorium
up
down
Auditorium down down to MTA up
Lobby
up down
1
Main Entrance 1
Plan 1
Ground Floor Plan Digital File
Archive
up
Archive - Pro
down
Grand St.
Chrystie St.
South Elevation Digital File
down
Study / Research Space
up
Exhibition - Past
up
2
84 ft.
1 up
75 ft.
1
Rooftop 2
Plan 2
60 ft.
48 ft. Study Center
Plans - #1 #2 Conversation between Spaces
42 ft.
Terrace #1
Yu-ting Chao // Intermediate Design I // Fall 14 // Christian Lynch
24 ft. Exhibition: Past
12 ft.
Grand St.
Chrystie St.
Grand St. +- 0 ft.
Sections Digital File
-15 ft.
2
Sections - 1-1 & 2-2
84 ft.
Conversation between Spaces
Yu-ting Chao // Intermediate Design I // Fall 14 // Christian Lynch
Perspective View Physical Model
Building w/o Skin Physical Model
Street Corner View Physical Model
Interior Render View Digital File
Interruption without Break Fun Palace: Coney Island
What do we talk about when we talk about “fun”? In 1950s Cedric Price created the “Fun Palace” to break the boundary between social classes. Nowadays, in a modern society where most people have far more social freedom and less flexibility of schedule, than at the time of Price, “fun” turns out to be a concept that includes unusual events that do not often happen in people’s day-to-day life. The reason why Price’s “Fun Palace” is seen as a ground-breaking design proposal at his time, is that it appeared as an “interruption” (a “pagan”) in the 1950s society. With that being said, what is the “unusual” for Coney Island nowadays? What leads to “fun” through interrupting the existent? The existing fabric of the site is a gradient composed of both urban and natural conditions. The layering of the urban (the city) -- boardwalk (a walkway between the two) -- the nature (beach), is the signature of Coney Island, rarely accepting any forms of interruption. The receptor of “fun” here, is the people who visit the site. Therefore, to create “fun”, is to produce the “interruption” in people’s perspective. In my proposal, with educational and leisure programs alongside, a new way to travel from the urban context to the nature is created underneath the boardwalk without ruining the historical layering of fabric. Above stand two theaters, whose program is related to the existent activities of Coney Island (performances), and whose form (building) “interrupts” the long, linear boardwalk view, by breaking it through creating a contrast of light and shadow. This complex “interrupts” the usual perspective of boardwalk, provides new perspectives between human and nature, and last but not least, creates the communication of “viewing” and “being viewed” between people located in different spaces.
Semi-Public Space Performance Space Library
Sections: Through Library/ Through Underpass Digital Files
Library
Top View Physical Model Garden
Plan: Lower Level
Theatre 1
Theatre 2 Activity Space
Lobby
Plan: Boardwalk Level
Plan: Upper (theatre) Level
Ways of going through the building Physical Model
.. ..
.. .. Library unveiled Physical Model
01 of 6
Poster for the project Digital File
Greening Istanbul: The Green Intersection Worldwide cities are expanding; people are attracted to aspects of urban life that promise connectivity, (upward) mobility, diversity and efficiency as well as productivity. According to research guided by interdisciplinary teams 53 % of the world’s population lives in the cities... by 2050 it is expected that the share of urban dwellers will reach 70%. Analysis of mega, endless, cities reveal that they all have different opportunities and challenges; for example, a city with a compact footprint is likely to achieve greater efficiency than other with a more linear development. Istanbul’s trajectory has been nothing but unusual: The physiognomy of Istanbul is linear; it is spread on both sides of the Bosporus and keeps on growing/expanding... In fact the City and State boundaries have merged. Status Qua in Istanbul is that the share of green space and parks are only 1.5% of the city’s footprint (Another statistic showed this number as 2.2%), while the numbers are 14% in New York City and even 41% in Hongkong. So, how can we stop/slow down the change, the ambient temperature rise, lessen the impact of extreme weather patterns and contribute toward a healthy urban environment? How can the heat island effect be reduced and a city that has succumbed to extensive urban development with merely a green surface area be cooled off? Perhaps now, innovative strategies can re-establish lost equilibrium between natural and built environments.
Unaccessible Green Spaces Public Parks Metro Stations Colleges/ Universities Hospitals Busy Main Streets
Map of Istanbul: General Info | Greening Istanbul
Yu-ting Chao | SU 16 Design 400 | Prof. Zehra Kuz
According to a research done by MIT and ICLEI, on the issue of cities seeking to reduce the emissions throughout sectors, “cities generally focous first on buildings (89%), public fleet of motor vehicles (72%), and waste reduction (55%). Next, the focous falls to residential energy (48%), policies and programs for sustainable residential buildings (36%) and increased use of public transport (36%). Reducing the use of private motor vehicles -- a goal for 22% of cities, and creating local services and businesses -- a goal for only 18% of cities, were low on the list, identifying an area of key action as city leaders look to put their cities on the path to sustainable growth.” The chart below shows where cities have made measurable emissions reduction (global results). The map on the left shows the major public buildings and average traffic conditions in Istanbul (focused in Şişli, Beşiktaş, Üsküdar, and Kadıköy).
So, what if the use of private motor vehicles could be reduced, through a solution which could make it easier for the local to get access to public transportation, and at the same time makes it more inviting of an idea of commuting?
With the emphasis on raising the usage of public transportation, a neighborhood is looked into because of its potential to have forced conviction take place, and a heavy-loaded traffic intersection. Meanwhile, green space, public accessible or not, has been looked into so that on the map the easiness of pollination could be shown through offset green hatches. In order to make a connection between those green spaces, to “Green Istanbul�, one intersection is chosen, because of the multiple bus stations and metro stations around.
Public-Accessible Parks Inaccessible Green Area (e.g. Cemetrey) Network of Potential Pollination Potential Forced Eviction Area Planned/ Completed Forced Eviction Area
Map of Istanbul: Pollination + Potential Eviction | Greening Istanbul
Map of Istanbul | Greening Istanbul
Yu-ting Chao | SU 16 Design 400 | Prof. Zehra Kuz
Yu-ting Chao | SU 16 Design 400 | Prof. Zehra Kuz
0
Pollination Network
Pollination Network
Unaccessible Green Spaces
Unaccessible Green Spaces
Public Parks
Public Parks
Empty Lots
Empty Lots
Large-scale Constructions
Large-scale Constructions
Potential Forced Eviction Neighborhoods
Potential Forced Eviction Neighborhoods
Sapce needed to make “Connection“
Sapce needed to make “Connection“
500M
1 KM
Metro Station Entrance Bus Stops Schools
Maps of Southern Sisli | Greening Istanbul
Yu-ting Chao | SU 16 Design 400 | Prof. Zehra Kuz
LEGEND Subway Station Entrance Bus Stop School Hospital Istanbul Bilgi University Large-scale Construction Pollination Range Non-public Green Area Potential Forced Eviction Area
The intersection is chosen as a potential spot where increased usage of public transportaion can take place and more “green� can be placed. By connecting the bus stops and metro station entrances, some possible shortcuts for pedestrians and commuters are drawn. Lifted up, these shortcut lines weave together and form a surface above the busy intersection that could be dangerous for pedestrians.
This elevated garden acts not only as an urban green space, but also as a safer and more inviting way to get from one side of roads to another. Shortcut lines frame lots of green lands and those above the traffic islands are designed to bear deeper soil layers providing bases for large trees because they are free of the truck clearance (14’).
Those thicker soil layers enable the existance of “forests” in this elevated park. In section, these taller trees surround lawns and people on them, giving a feeling of being next to forests instead of a highway that is lack of green.
BEFORE
AFTER
FLORA and FAUNA : Istanbul This diagram serves the project “Greening Istanbul� as a reference for selection of vegetations (trees/ bushes/ flowers/ ivies). Data are carefully collected upon researchs and gathered to be presented as an informative diagram by team members.
Each dashed line represents the time span of existence of certain vegetations, insects, or birds. Thus the denser the lines, the more diversed the eco situationof that time frame.
Design I Interact + Dance = INTERDANCE
Units dance together, touching and intersecting according to a density rule whereby gravitational attraction is more intense towards the centre and less intense at the periphery, in a self-bounding universe.
Universe Density Axonometric Drawing Ink Pen on Mylar
Dancing Rhythm Synthetic Drawing Lead on Vellum Thicker basswood sticks are placed in and near the gravitational center, to show the density difference.
Gravity System Physical Model Basswood
Interdance Synthetic Drawing Lead on Vellum White bristol parts are taking the place of dancing blocks. Squares in bristols are representing the negative space which is not occupied. “Negative� Interdance Physical Model Bristol
30°
6''
4''
3''
2'' 1''
YU-TING, CHAO
SCALE Not To Scale
SEQUENTIA
Both additive and subtractive models are interpreting the idea of the neologism “Interdance” based on the previous drawings from excercises. In the center of this universe, cubes carve into each other more due to the “gravitational” rule. The original component is taken from the negative space of the additive model. Each arm’s angle varies in the components. Sequence Grid Photography (Additive Model)
The way components are composed together is a spiral arrangement, and each component carves part of another, idicating the concept of “INTERDANCE”.
30°
6''
4''
3''
YU-TING, CHAO
15° 30°
15°
30° 30°
45° 45°
2'' 1''
SCALE Not To Scale
SEQUENTIAL DIAGRAMS
ABIGAIL COOVER HUME
Sequence Grid Photography (“Folly” Pavilion)
Sequence Diagram Composition of “Folly” Pavilion Rhino Drawing
Hybrid Components Model + Subtractive Model Components carved out from the “Subtractive Model” and the “Components Model” compose the “Folly” Pavilion. “Arms” from components model turn out to be the “bridges” in the folly pavilion, forming a route for circulation.
YU-TING, CHAO
SCALE Not to Scale
FINAL REVIEW / FALL 2013
“Slices” cut out from subtractive model are the solid floors or walls in the folly pavilion, creating shelter and platform for the visiters. Sequence Diagram shows the rhythm of connecting all the components and how they “dance” together. Sequence Grid is the process of visitors’ vision from “being blocked” to “being free” when they folloe the routine indicated by “bridges”.
YU-TING, CHAO
SCALE 3/4" = 1"
Section Rhino Drawing
FINAL REVIEW / FALL 2013
ABIGAIL COOVER HUME
“Folly” Pavilion Physical Model Museum Board, Basswood
ABIGAIL COOVER HUME
Design II Studio of Fusion
This studio is designed for two occupants: the father and the daughter. The father, Matthew, is a photographer who needs a professional darkroom and loves taking photos of his daughter. The daughter, Cara, wants to be an athletes to attend Olympic Games, who has a spatious gym for exercising.
Long Section Digital File
P2
P2
PI
PI
0
1
2
4
8 ft
Section II - Spaces for One or Two The Studio of Fusion
Yu-ting Chao / Design II / Sp14 / Robert Brackett III
3 pm
5 pm
1 pm
The Gym (Exercising)
10 am
3 pm
Light Temperature Moderate-Lighted Moderate (Medium Part) (Medium Part)
8 am
1 pm
10 am 1 pm
The Reading Room pm & Read) (To3Relax Light Full-Lighted (Brightest Part)
The Darkroom (Film developing & Storage)
Temperature Warm (Highest Part)
Light Not Lighted (Darkest Part) Temperature Cool (Lowest Part) Analysis - Daily Lighting The Studio of Fusion
5 pm
Yu-ting Chao / Design II / Sp14 / Robert Brackett III The Gym (Exercising) 5 pm The Gym
Light Temperature Moderate-Lighted Moderate (Medium Part) (Medium Part)
The Darkroom (Film developing & Storage) Light Not Lighted (Darkest Part) Temperature Cool (Lowest Part) Analysis - Daily Lighting The Studio of Fusion
Analysis - Daily Lighting The Studio of Fusion
(Exercising) Light Moderate-Lighted (Medium Part)
The Darkroom (Film developing & S Light Not Lighted (Darkest Part) Temperature Cool (Lowest Part)
m
m
1 pm
The Gym (Exercising) Light Temperature Moderate-Lighted Moderate (Medium Part) (Medium Part)
The Darkroom (Film developing & Storage) Light Not Lighted (Darkest Part)
10 am
8 am
The Reading Room (To Relax & Read) Light Full-Lighted (Brightest Part) Temperature Warm (Highest Part)
Temperature Cool (Lowest Part)
ng Yu-ting Chao / Design II / Sp14 / Robert Brackett III
Professional Practice Works
Examples of Render Works 2017
Jinshan Apartment Under Construction loc: New Taipei City, Taiwan C.T.J. Architect & Associates.
Render View by Yuting Chao
Typical Floor Plans drawn by Yuting Chao
Other Examples of Works Proposal for NTUST Dormitory in Hsin-Chu Campus Competition loc: Hsin-Chu City, Taiwan C.T.J. Architect & Associates.
Render View by Yuting Chao
Site Plan /Diagram /Render by Yuting Chao