LIGHT PAVILION
REPRESENTATION II A1702921 YUE FENG
CONTENT 1
PLAN AND DETAILS 2
3 ELEVATIONS 3
ARIAL VIEWS & GROUND VIEWS 4
6 SHADE AND SHADOW MO 5
ACCESS AND MOVEME 6 7
AMBIENT LIGHT I 8
SITE INFOR 9 10
LUMI 11
I 15
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ODELS
ENT
IN DAY-AND-NIGHT
RMATION
INOSITY
IDEA 1
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IDEA 2 REFLECTION
SITE PLAN
TREES & TABLES GRASS
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BARR SMITH LIBRARY
ENGINEERING BUILDING
MATHMATICS BUILDING 2
SHADE&SHADOW 9:00 AM
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12: NO
:00 OON
3:00 PM
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ARIAL VIEW
GROUND VIEW
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GATE
MOVEMENT/MAIN PATHWAYS
SITE INFORMATION
ACCESS POINT There lawns are lined by picnic tables where we can have a bench to sit on to have a meals under the sunlight or study with couples of friends as well. A water bubbler stands in front of the Braggs entrance.
On impor tant days, events are held here such as clubs performance in orientation week each s e m e m s t e r e v e r y y e a r. Sometimes there are BBQ here help staffs and students with an enjoyable rest in the busy life. It encourages students to have social activities with each other.
In the university of adelaide, the spacious and bright maths lawns consists of two lawns in between the Braggs, Molecular Life Science, Ingkarni Wardli and the Engineering and Maths Science building.
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AMBIENT LIGHT
LUMINOSITY
The term “luminosity” is about the quality or state of being luminous, emitting or reflecting light as well as the relative quantity of light. It is related to brightness, which is the luminance of an object in a given spectral region. The antonyms of it are dark and blackness.
Luminosity is usually used in astronomy to describe the total amount of energy that is emitted by a star, galaxy or other astronomical object per unit time. However, in terms of the philosophical theory, it is often connected with light, illumination, flux and brightness etc. Whatever it is about, the principal part is the supply of light. It can be said that the brighter, the more luminous. And the value for this is expressed in “lumens”. Besides, the use of light sources as well as lighting is illumination. Flux can be used to measure luminosity as it is a flow or discharge of energy or particles across a given surface.
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We feel a building not straightforward but through the light. Light is able to be necessary to reveal and represent an architecture to the audience.
C a s e s t u d y : Wa l t D i s n e y Concert Hall/ Frank Gehry It is a good example to look at Walt Disney concert hall d e s i gn e d by Fra n k G e h r y as a case to research how luminaire help with visual effects of an architecture. Since it is a concert hall, the W D C T h a s b o t h exce l l e nt acoustic and lighting design with a unique form and special metal material.
The interior design of the concert hall is one of the most elegant of Gary's work, and the interior design of several of his other buildings is dark and somewhat depressing, but the Disney concert hall is bright, transparent and elegant. The use of Douglas fir as walls make the interior of the building filled with a sense of romantic and warm. The design of the auditorium is a warm, golden and glossy atmosphere. Some little lights up in the ceiling remind the audience of a golden, glamor and splendid starry sky.
Looking far away from it, the WDCH is like a luminous collection of metal pieces. The outer shape of the main body is like a blooming flower consists of seven petals folding each other and is surrounded by stainless steel surface reflecting light of a cool color. The smooth metal surface also reflect the scene nearby. As a result, the external form and material characteristic is different from traditional music centers.
T h e o t h e r w o r k o f F r a n k G e h r y -T h e Guggenheim Museum Bilbao is quite similar to WDCH in terms of the surface. It consists of a number of irregular streamlined polyhedron and pieces of titanium sheet, shining under the light. Although the building itself is a consumption of 5,000 tons of steel monster, it is nothing with a heavy sense because of elegant, bright colors. Inside the museum, light and shadow pour down straightforward to reflect powerful geometric order that any other high straight space do not have. Under this circumstance, visitors are activated with all senses to enjoy an artistic carnival . Ref: http://www.archdaily.com/441358/ad-classics-waltdisney-concert-hall-frank-gehry
In the morning, the surface of the main entrance will be under the action of day light showing a mixed color of khaki and silver gray ; in the evening, this color will be transformed into dark blue and dark gray. Fluidit y is enhanced with daylight and artificial light result from the titanium surface. As a building medium to connect light, reflective stainless steel surface help individual panels and curves of the facade clearly displayed in the sunlight and are colored by the city's lights Wafter the darkness.
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Light is anything behind anything what matters is.... MEDIA
Light is shade behind shade.
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SCALE 1:500
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Light is water behind water...
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REFLECTION Reflection is the phenomenon of a propagating wave no matter light or sound) being thrown back from a surface. It may refer to point reflection, mathematics reflection or reflection formula. In science, reflection is a mirror image. In philosophy, it is about human self-thinking. Reflection, as is the act of reflection, casting back a light or heat, mirroring, or giving back or showing an image; i t i s t h e s t ate o f b e i n g re f l e c te d i n this way. Reflection can be an image, representation or a counterpart. Reflection need to be helped by certain media to reflec t cer tain stuff. Also, the result of reflection can be various a s co n s e q u e n ce o f t h e t h i n g b e i n g reflected. The media and material is the most important things in terms of reflection. American architect Frank Gehry built Bilbao Guggenheim Museum of glass an d g l as s f u si o n i n 1997. Al though the connotation covers a larger form of vessel from the reflector to the fish scales, the entire building has become a city gem.
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its iconic signs inspired many urban reconstruc tions. Many aspiring big cities believe that the structural form is a key success factor for the Bilbao effect.
However, with the glittering titanium mass and its ever- changing appearance, Frank Gehr y not only brought Bilbao's dynamic combination into Picasso, but also strengthened his design with a unique dynamic image. The New York Times critic Herbert Muschamp connected with Marilyn Monroe said: "Frank Gehry's new Guggenheim Museum is a shimmering, Looney tunes Post-industrial, posteverything burst of American optimism wrapped in titanium‌‌ The building is the reincarnation of Marilyn Monroe. "With the Walt Disney Concert Hall, opened in 2003, the lustrous gesture arrived arrived in the glamorous Hollywood scenery. Light can help create the belief that the iconic building and the better human world, the glass and metal have been innovatively transformed to create crystal images. As a result, the trajectory of architectural significance has shifted from the internal space to the outward surface. Celebrating the beginning of the twentieth century, the transparenc y of the entire building leather and the expression of the reflective image actually appeared, when Paul Scheerbart and Bruno Taut e nv i s i o n e d a " s t a i n e d g l a s s " I n t h e " s p a r k l i n g sunshine" in the glass culture, "white glass crystal shape" which makes the "gem-like building sparkling."
Mies van der Roach abandoned the free form of glass of leather in 1921 in the glass of Skyscaper in Berlin, and abandoned the rectangular tower, which absorbed this vision. In an interview in 1968, Mies explained his doubts about the city's monotonous effect on the glass mirror effect: "Because I used glass, I was anxious to avoid the death of the surface to reflect too much light, so I broke the facade of the plan, So that the light can fall on their different angles: like crystal, like cutting the crystal. "Norman Foster (Norman Foster) in 1975 in Ipswich's Willis Faber & Dumas headquarters to achieve this glass dream, SOM will It was exhibited in Dubai in 2009 in Hamah Bahata. I nward and out ward bending of the glass element distorts the feeling of the city, the water and the sky. They are in contrast to the international style of uniform flat glass curtains. The environment is not considered to be a clear mirror, but undergoes a process of modification and reproduction.
Due to the curve of the balcony, the building WDCH reflects the highlights of the stripes or lines. The blue and diffuse sky, the unique curve reflects the light as a bright line, similar to the horizontal line in the automotive industry design. In direct sunlight, there is a bright luster, causing a gem-like flash. In addition, the vertical and horizontal convex curves of many single glass elements reinforce the reflection of the glossy twist of the sky. In general, the curved appearance of the screen with its prints evokes vivid and liquid images, indicating a close connection with the surrounding water. Elbphilharmonie was built in the following historic bricklayers, and with its complex twisted light reflections of abstract choreographers as magic glasses.
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