Yujin Oh Msters in Sustainable Interior Environment BFA Interior Architecture PORTFOLIO
NORTH EAST ELEVATION
NORTH EAST ELEVATION
SOUTH EAST ELEVATION
inhabitat.com is a web blog devoted to design that is pushing architecture and design towards a smarter and more sustainable future. Our goal creating the space was to blend sustainable and innovative design by drawing inspiration from the natural and urban surrounding of the site such as; the Bryant park and Time Square. The open flexible floor plan and relaxed environment promotes good work ethic and a stress-free environment. Using the spaces to promote local creativity and green education creates an intimacy with the surrounding community. FLOOR PLAN
SUSTAINABLE STUDIO II:Contract Environments 2014- Inhabitat Office ( Group Project )
RECEPTION
INTERACTIVE WALL
TIMESUQARE “PLAY-ZONE”
STAGE AND FREE SEATING
“COURT-YARD”
SUSTAINABLE STUDIO II:Contract Environments 2014- Inhabitat Office ( Group Project )
Taking inspiration and concept from the unique San Diego’s geography with deep canyons and hills that gives parts of the city a segmented feel appealed to us. Thus, The group pushed the design concept towards in creating a house that has shifting/scattered feeling and blurring the lines between interior and exterior.
SITE CONSIDERATION : WIND
SITE CONSIDERATION : SUN ORIENTATION 1ST FLOOR PLAN
NORTH SECTION
2ND FLOOR PLAN
SUSTAINABLE STUDIO I:Residential Environments 2013- MILLER RESIDENCE ( Group Project )
SOUTH EAST
VIEW FROM GUEST ROOM
LIVING ROOM
BASEMENT
SUSTAINABLE STUDIO I:Residential Environments 2013- MILLER RESIDENCE ( Group Project )
BRANDING IDEA ELEVATION
GLASS ELEVATION
E LE VAT I O N S 10 0 M AN HAT TANVI LLE, PU RCHA SE, NY - M A STE RCARD WORLDWI D E 4/3 0/13
WAITING AREA
PANTRY / BREAK AREA 19,000 SF PURCHASE, NY
FHC
19
23
DF
DF
ELECTRICAL RISER CL.
9
3
59
JAN
RF
ELEV D
PE #3
SE #5
60
PE #2
PE #4
PE #1
IDEA 1
20
24 28
4
10
15
WEST 66TH STREET
FHC
TR
14
FHC
27
IDEA 2
61
62
BRANDING WALL FOR WAITING AREA
29
21
25
16
FEC
FEC
11
IDEA 4
IDEA 3 5
FEC
63
64
43
44
30 DN
72
71
17
12
6
69
68
67
65
UP
70
66
WESTFLOOR END AVENUE PLAN EXISTING The Walt Disney Company 125 West End Ave., 3rd Fl, New York NY 10023 DISTRACTION FILM DESIGN 04.19.13 30,000 SF BRANDING WALL / ELEVATIONS NEW YORK, NY
RECEPTION AREA
WORK STATION / PANTRY
SALES ROOM
RENDERED FLOOR PLAN LEO SCHACHTER DIAMONDS, LLC 50 WEST 47TH ST 21ST FLOOR FLOOR PLAN 12.05.12
7,200 SF RENDERED PLAN/ RENDERED ELEVATIONS NEW YORK, NY
20,000 SF
RENDERED FLOORPLAN PLAN RENDERED BUILDING AUSTIN, 903, 8TH TX FLOOR AUSTIN, TX
CIRCULAR CONFERENCE ROOMS
On the purpose of Mathematica: “[The exhibition] should be of T he earnestness and single-minded dedication… to the ideal of building a better society and better lives after the long wartime years was premised on the foundation that designers could be instrumental in changing our environments in positive and fulfilling ways… Utility was the guiding principle and the key
“ Flexibility, versatility and
“B ecause graphic design, in the end, deals with the spectator, and
adaptability are the principal
because it is the goal of the designer to be persuasive or at least
Things look better if they work better. Often we say
“E ven though repetition is the concomitant of recognition, it may, under certain conditions, contribute to a sense of boredom. The
considerations which
informative, it follows that the designer’s problems are twofold: to
that a thing is beautiful if
ability to cope with this difficulty, to discover new combinations
determine the form of the
anticipate the spectator’s reactions and to meet his own
it is enjoyable, economical
and new variations, and to sustain spectator interest distinguishes
IBM logotype.”
aesthetic needs.”
or reliable.
the professional from the novice.”
to the new aesthetic.”
interest to a bright student and not embarrass the most knowledgeable… One of the best kept secrets in science is how unpompous scientists are at their science, and the amount of honest fun that for them is part of it. In doing an exhibition, as in Mathematica, one deliberately tries to let the fun out of the bag. The catch is that it can’t be any old fun but it must be a very special brand. The excitement, or joke, must be a working part of the idea. The fun must follow all of the rules of the concept involved.”
RECEPTION AND BRANDING WALL
PANTRY
DESIGN STUDIO
RECEPTION AND WAITING AREA 20,000 SF RENDERED ELEVATION / BRANDING AUSTIN, TX
“B ecause graphic design, in the end, deals with the spectator, and because it is the goal of the designer to be persuasive or at least informative, it follows that the designer’s problems are twofold: to anticipate the spectator’s reactions and to meet his own aesthetic needs.”
“E ven though repetition is the concomitant of recognition, it may, under certain conditions, contribute to a sense of boredom. The ability to cope with this difficulty, to discover new combinations and new variations, and to sustain spectator interest distinguishes the professional from the novice.”v
“C harles once said that the
“B ecause graphic design, in the end, deals with the spectator, and
“ A trademark is created by a designer but made by a
hand of the designer
because it is the goal of the designer to be persuasive or at least
should not be in evidence
informative, it follows that the designer’s problems are twofold: to
corporation. A trademark
in a well-designed product—
anticipate the spectator’s reactions and to meet his own
is a picture, an image—the
that good design should
aesthetic needs.”
image of a corporation.”
be anonymous.”
"ON-AIR" SIGN
TRASH
RECEPTION
ENTERTAINMENT WALL
A
PANTRY RM. 1405 Scale: 1/4"=1'-0"
B
TELEPHONE RMS. - 14-27 & 1428 Scale: 1/4"=1'-0"
"ON-AIR" SIGN
TRASH
A
PANTRY RM. 1405 Scale: 1/4"=1'-0"
B
TELEPHONE RMS. - 14-27 & 1428 CONFERENCE ROOMS - 1406 &1407 C Scale: 1/4"=1'-0" Scale: 1/4"=1'-0"
15,000 SF RENDERED ELEVATIONS / CONSTRUCTION ELEVATIONS NEWPORT, NJ
D
TV WALL AREA - 1430 Scale: 1/4"=1'-0"
RECEPTION AREA
WAITING AREA
PANTRY / ENTERTAINMENT
BREAKOUT ROOM 15,000 SF FINISHED PHOTOS NEWPORT, NJ
Program
This project focused on creating a temporary disaster shelter.
Final Design
“How can one feel like the identical temporary shelter are the users own property?” My design approach gives the users flexibility to transform one’s compact space. Not being constricted with one area, altering the shelter in the most minimal way. Identifying the two most basic zones, either completely private, completely public or half and half, the user is given a choice to make each shelter their own.
Specifications
- Comes in a compact size of 4’6” x 7’6” x 1’6” - Opens up to 7’6” x 7’6” x 6’10” - No tools required to assemble - 4PVC pipe, bottom module, 5 fiber glass rods, fabric - Light Weight - 80 pounds
MODULE
MODULE
MODULE
Private Public Separation between - Public & Private - Sleeping & Storing - Day & Night
UN BUILT TO BUILT
ADVANCE STUDIO 2012 - SAFE HAVEN : DISASTER RELIEF SHELTER DESIGN
A
B
4.
3.
A
B
2.
1.
INSTRUCTIONS 1. Extend Bottom Piece 2. Push in PVC pipes into 4 holes. 3. Fix the fiber glass rods into the correct holes. 4. While adjusting the fiber glass rods, slip in the fabric to suspend the “Space Dividers”.
ADVANCE STUDIO 2012 - SAFE HAVEN : DISASTER RELIEF SHELTER DESIGN
THANK YOU! Yujin Oh Msters in Sustainable Interior Environment BFA Interior Architecture
CONTACT: YOH02@RISD.EDU 949. 970. 5169 https://www.linkedin.com/pub/yujin-oh/36/104/985