Yu-Jun Yeh_Portfolio

000.

001.

002.

003.

004.

005.

006.

Application for Making Studio Assistantship

葉 俞 君

Architectural Portfolio YU-JUN YEH, M.S.AAD 2020 2013-2018 Selected Works

000.

CONTENT This portfolio represents the articulation of my study of architecture.

“Tool Oriented Design” are works from my senior year studio Mod/es of Making. They are 1:1 scale works designed respecting the producting process of the machines.

“Fractal” is a GhPython scripting exercise from the DMO Workshop.

001. Tool Or

3D-printing/ CNC

“The Future Ghost” is my thesis design project, focusing on the characteristic of the theatre space and its political implication in Taiwan. I speculated about the improvement VR could bring to us after the age of mechanical reproduction.

“Stacking Garden” is a proposal of a contemporary yet local collective housing. This project responses to the urban and social context, and by applying the clustering system to solve modern living issues while further promote a new life style.

002.

GhPython Su

In the project “Cumulus”, I focused on the typology of contemporary high rise buildings.

By altering the composite logic from “add” to “subtraction”, it was a attempt to create a novel interacting relationship inside the vertical campus.

“7-3-4-2-5” is a practice of generative design process in my sophomore year. The concept of self-generating and the methodology of articulating space affected me a lot on my later works.

003. The F

Ruin Renova Honorable mention- Thes

riented Design

C milling/ Grasshopper

. Factal

ub-Division Practice

Future Ghost

ation in Urban Area sis design student competition

004. Stacking Garden

Social Housing in Tainan City Gold medal award- Our city student competition

005. Cumulus

Vertical Campus-Department of Architecture

006. 7-3-4-2-5 NCKU Student Dorm

2

Project 001:

Tool Oriented Design Create forms respecting machine producting process Type/ Acadamic project, 4th year, 2017 Site/ No Instructor/ Prof. Kane Yanagawa_ kyanagawa@mail.ncku.edu.tw and Teaching assistant Echo Chen Individual Project&Group project Contribution/ Design development, Drawing, Equipment operating

3

01. Encoded Scenery

Individual Project

A combination of traditional/digital craftsmanship

3D printing Logic:

Geometry

slice into layers

sequence layers

translate into G-code using Xylinus

send to printer

G-code control possibility:

sequence layers

form geometry

translate into G-code using Xylinus

send to printer

modify geometry base on Printing performance

Window grills in Taiwan are seen as a representation of traditional artisan art. In this project, the goal is to combine the digital fabricating tool with traditional craftsmanship. The window grill I chose was the Mount Fuji-like grill. As it being more an image than a pattern, it reminds viewers of the objects in real world. Clouds, mountains, winds and earth. I thus took

the g-code infill as a representing method to encode the different objects into some three dimensional textures.

The logic behind is some how similar to computer’s communiction concept-- The computer decodes the encoded information to the users, while in this project encoded people’s imagination toward an image and show them as a result.

Earth Cube

Fire

Tetrahedron

Air

Octahedron

Water

Icosahedron

Universe

Dodecathedron

3D-Printing Generate Toolpath

Layering

Layer height 0.3 mm

G-code setting

Print speed 16 mm/sec Retraction distance 3 mm

4

Fig. Study Model

3D printing tool path generating test

GENERATING LOGIC: The basic generating logic of this form is the supp structure of 3D printing. Each layer the overlappi part would become the structure to support obje to stand still. I use this charactistic to create patter according to the five classical elements.

Source: http://www.chinasilkmuseum.com/info_151.aspx?itemid=5373

REFERENCE FROM NATURE: This process of 3D printing and the structure co structing process referenced from the silkworm cooning nature. Results of this process also appear some of the cocoon features.

Material Machine Software

Water

Icosahedron

Triangle

Layering

Basic form

Form 3D curves

Cross

Cube

adjust to grill

Retrieve edge

Basic form

Earth

ABS ( 1.75mm ) Prusa 3D Grasshopper + Xylinus

Array

Layering Form 3D curves

adjust to grill

Rotate

Central

Rotate

According to Position

Rotate

Along Point

Rotate

Along corner

port ing ects rns

oncored

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02. Twist/ed

Each of us creates our own parts. And then assemble them together.

Tapping Process

M3 screws & nuts

6061 aluminume alloy ( D: 6mm )

Group Project

2020 aluminume extrusion M3 screws & nuts

Fei-Fan Chen Peng-An Chen

Yin-Show Lin me

Link Lin

03. Melting Plate

Each of us creates our own parts. And then assemble them together.

18 mm

RhinoCAM Generate Toolpath

3 Axis Horizontal Roughing

3 Axis Horizontal Finishing

8mm HSS BallMill Cut pattern: Circular spiral

8mm HSS BallMill

2 Axis Profiling 8mm HSS FlatMill

18 mm

RhinoCAM Generate Toolpath

3 Axis Horizontal Roughing 8mm HSS BallMill Cut pattern: Circular spiral

Projection Pocketing 8mm HSS BallMill

2 Axis Profiling 8mm HSS FlatMill

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Project 002:

Fractal

GhPython Scripting Type/ Workshop, 2019 Site/ No Instructor/ Chieh-Hsuan Hu_ Archu0128@gmail.com

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01. Fractal Surface

Sub-division excersize using GhPython scripting

mesh a

degree

GhPython Workshop by DMO

d

out

vtxCount vtx mesh

Mesh = Mesh Plan Width Count = 2 Height Count =2 Sub-D degree = 0

Mesh = Mesh Sphe Count = 2 Sub-D degree = 0

ne

Sub-D degree = 1 a = 0.456 d = 2.4

Sub-D degree = 2 a = 0.456 d = 2.4

Sub-D degree = 3 a = 0.456 d = 2.4

ere Ex

Sub-D degree = 1 a = 0.456 d = 2.4

Sub-D degree = 2 a = 0.456 d = 2.4

Sub-D degree = 3 a = 0.456 d = 2.4

...

Sub-D degree = 4 a = 0.456 d = 2.4 8

Project 003:

The Future Ghost

Ruin renovation in urban area Type/ Thesis project, 5th year, 2018 Site/ No. 177, Zhongzheng Road, West Central District, Taiwan Instructor/ Kwang-Ting Wu_ wukwty@mail.ncku.edu.tw Individual Project/

Award/ Thesis Design student competition __ Honorable Mention(2018)

Taiwan Ruins Map

119°E

120°E

121°E

122°E

123°E

Taipei City Population: 6,660,082 Area: 2,324 km²

25°N

Industrial Ruins: Located near coast line or close to the city. Many were Export processing industry due to the economic history in Taiwan in 1961-1972.

Taichung City Population: 2,812,507 Area: 2,215 km²

24°N

Entertainment Industry Ruins: Another commonly seen ruins are Department store ruins. Most of them are not entirely abandoned, but in poor operation. These kind of half-abandoned department stores are very common near the train stations.

Village Ruins: Most are Military Kindred Village.

Relating to the history when the KMT came to Taiwan in 1949, they built lots of villages to help settle down enormous soldiors came with them.

TAIWAN

23.5°N

Many Military Kindred Villages were demolished in Taipei city due to the population intensiveness.

Population: 2,773,199 Area: 2,952 km²

Provicial Road

Railways

23°N

Kaohsiung City

Entertainment Industry Ruins: Entertainments ruins in Taiwan can be roughly divided into two parts, the theatre and the amusement park. Theatres play cinema or drama, were once the most important entertainment in Taiwan around 1970. Also in about 1970~1980, the taiwanese people interested in going to the amusement parks, lots of small scale amusement parks were built in suburbs.

21°N

00. Before Thesis

In 2014-2016, being fascinated by the unique beauty, I visited near hundred of ruins in Taiwan. This ruins visiting activity began as a hobby, but after I continue on search for ruins, I found regulations in the ruin’s location and its type. The ruins I visited documented the political history, the economic situation and regional stories of Taiwan. But ruin is not a document that will stay. Ruins are anachronic artifacts which meant to become another places, like ghosts in city. This project aims to seize the very moment when the past and future appear at the same

place -- at ruins.

I looked for reasons to explain the unique and appealing atmosphere in the ruins. In The Work of Art in the Age of Mechanical Reproduction, Walter Benjamin said that: “ Architecture has always represented the prototype of a work of art the reception of which is consumed by a collectivity in a state of distraction... They are mastered gradually by habit, under the guidance of tactile appropriation.“ I took that statement to explain what happened in ruins that made them so different from other functioning buildings; Which is, the lost of habit, with strong tactile guidance.

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Taip e

i Urb a

n Pla n

ning

250m

M

Divis

ion W an-H u

a Sp ecia

MRT Bei-Men Statiom

l dis tric

t pla n Are a

Tamsui River

200m

Wu-Cheng Street in 2018

Wu-Cheng Street in 1970s

150m

Pictu

res

of c

urre

nt s

itua

tion

100m Taipei Grand Theatre

50m

M MRT Xi-Men Statiom

Cinema(Opening) Cinema(Closed) Commercial area Department store Culture & Education Parking Crowded Area Site

N

The Martial Law Lifting in 1987

0

MRT start running

10

20

40

26 million

60m

27 million

party in charge number of people leave the MRT XiMen Station

20 million

1970

1975

1980

From the 1930s to 1990s, people have to sing the National Anthem before movies

1985

1990

20 million 10 million

17 10

1995

2000

2005

burned

23

15 million

closed in 1991

31 17

37

11

9

9 Number of

Theatres in XiMen Taipei Grand Theatre Time line

2010

2015

2018

During 1958-1970s, this block was used to prison political prisoners. Being the most inhumane building in Taipei, it was ironically located in the entertainment center.

Fig. Xi-Meng Ting and the Cinema Street Transportation, Land-use Plan, Political History

01. Site_Taipei Grand Theatre

Xi-Men Ting (西門町) is one of the most bustling area in Taiwan. Located in the west side of Taipei, it is an early developed district where was once the home for cinema industry. In its best days 37 theatres were operating at the same

time in an area no greater than 1 km2. In 1960s, Xi-meng Ting was ironically both an entertainment center and the location of political prison.

Taipei grand theatre is one of the earliest theatre in Xi-meng. It remain ruined from 1991.

Fig. Architecture Life Cycle

Construction, Aging, Ruin, Demolish... and the elements envolved

Fig. Architecture Life Cycle

Construction, Aging, Ruin, Demolish... and the elements envolved

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02. Re-Ruin

THEATRE SPACE This former theatre has a one direction information-recieving space arrangement due to the nature of cinema, and this characteristic was also used for political dissemination. The renovation will break this relationship and transform it into a multi-directional space, which also represents the nature of VR-the new To Compose Spatial Imaginations/ Movements-Montage

media, and the relationship between government and people.

RE-RUIN The strong contracdiction of forest inside the wall and the bustling street outside the wall is what I want to preserve in this project. I use the new roof structure and drainage system to control the placement of plants.

1 Drainage system A critical element in ment of plants is the new roof & drainage the range of plants a west wing.

Camera eye (Audience)

Actor/Object

Background

Virtual-Reality Film making: From Film Narration to Scene Narration/

Stay Still(or move slowly)

Camera eye (POV)

B

Actor/Object

Scene (Actual street)

A Hi!

Scene (CG)

Me being acted/ Me acting.

Interactable

Fig. Cinema Body and VR Body

The difference in spatial imagination composition and the recieving role

2 Lecture Hall: One main idea in th and to encourage their desired futur hall can hold forum

Darker part indicates the backstage area.

Fig. Original Usage Partition

The theatre is a U shape plan, the main seating area is divided into 2 in different altitude. The west and the east wings are mainly staircases, and is shared by both workers and audiences.

Fig. Renovated Partition

Public Park, Staircase Gallery, Lecture hall, Drainage System

m: nterferes the placee roof coverage. The e system will control and lead the rain go

his place is to inspire citizens to vision re city. This lecture ms periodically.

4 Staircase Gallery: This part was where the offices and staircase located. This theatre has complex height variation, and was connected by this part. The renovation would change this part into small exhibiting rooms, and re-arrange the relationship of this building.

1

A

4

B

3

C

2

3 Main Gallery: This part of the ruin will be the main exhibiting area. The stage and path are structured above the ground, and the plants grow wildly under them.

A

B

C

*Open up facebook & scan to see 360 views in the renovated theatre 11

Gallery Park Ruin

Park; Ruin; Gallery

The renovated theatre will operate as an activated collector. In order to strenthen its publicity and make most use of the beautiful combunation of ruin and nature, the middle part of it will become an open to public park. It will document the changing city scape and hold exhibitions and lectures to collect the reflection of citizens. By doing so this place could be a mediator between goverment, Real estate developers and people.

This theatre will be divided into 3 parts: an open to public park, a ticket requiring gallery, and Ruin.

Fig. Floo

By re-organizing the floor plan to d

Fig. Long Section

The former screening room will be an open-to-public park after renovation

or Plan

divide the theatre into 3 partition.

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03. The Future Ghost

An example of the exhibition hold in the gallery: Future XiMe

Future City No.3: Corbusier’s XiMen T Building coverage ratio=50% Building bulk ratio=800% Whole block reconstruction

Future City No.2: Walking XiMen T Building coverage ratio=75%_75% Building bulk ratio=1000%_600% Main walking street’s (gray line) building

bulk is lower than the out side.

Future City No.1: Regulation XiMen T Building coverage ratio=75% Building bulk ratio=800% If the whole XiMen re-constructed to meet current regulation’s top end.

XiMen T : Now

Building coverage ratio=75% - 100% Building bulk ratio= ???

If the whole XiMen re-constructed to meet current regulation’s top end.

Fig. Future Xi-Meng Ting

These are models stimulating the different futures Xi-Meng T might be following different regulation and area plans. Use f

en Ting,.

facebook app to scan & see the future cities.

+2000m

+200m

+2000m

+200m

Question:

XiMen Ting is an early developed area, and due to that there are many buildings exists before any urban planning. Now the urban plan will slowly transform XiMen Ting, but what exactly would it be if the whole XiMen Ting is constructed under that regulation? Would the people like it? What is an ideal city-and whose ideal city?

+2000m

+200m

+2000m

+200m

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Project 004:

Stacking Garden

Live an old-new life in Tainan Type/ Acadamic project, 3rd year, 2016-2017 Site/ No. 177, Zhongzheng Road, West Central District, Taiwan Instructor/ Maw-Chang Yen_ archyen@hotmail.com Group Project/ Partner_ Yun Chen Contribution/ Concept, Design and Detail Developement, Drawing(unless specified), Presentation.

Award/ Our City student competition __ Gold Medal Award(2017)

Fig. Tainan City Timeline

A colonized history and the tracing of context

00. Tainan: City Context

SITE: Tainan is one of the oldest city in Taiwan. Been governed by the dutch, Qing dynasty, Japan, and KMT, Tainan’s city texture contains traces of their governance. The main structure of Tainan city was designed in 1911 by Japan, and the serpentine alleys were traces of the Qing dynasty. Those alleys are routes for rovers and the city gods, representing the daily life of this old town.

PROGRAM: This project is a whole-block reconstruction and will re-habitate old residents while also provides rooms for new families. The main goal in this case is

to provide places for the residents to maintain well relationships with their old neiborhoods and for the new residents to fit into the community.

DESIGN: The design process after Program would start from 1. Volume strategy to 2. Clustering system, 3. Filling in units, and finally 4. Adjusting the circulation. (Fig. 3) An important poit in this project is to continue the alley-lifestyle in this new block, and further provide a living environment that is suitable for today.

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Fig. Tainan

Red lines indicates the alleys that were traces dating back to the Qing Dynasty. They usually gathered in the small court in front of

Preserve Si-Shin and bring back the old Plaza in front of it.

Make an inner circulation for residents and street shops.

Lower the volumn of the center to form a center plaza.

Fig. Volume Strategy

Over lapping buildings to connections.

From the relationship with surroundings to the inner circulation

Beef soup

Tourists site seeing

0

4

8

12

16

Fig. Process

Study models of volumes and housing units

01. Volume Strategy

20

24

f the temple(Triangle sign)

o make

Apply clustering system.

LIFE IN TAINAN: Tainan is composed by lots of surpentine alleys, they are places where people gather and communicate. People place sofa and television on the alleys, and the end of alleys are their faith center, the local temple. This kind of street-life is what we want to preserve and further promote in this project.

DESIGN: In order to preserve the street-life style, we create small alleys in the site, and they all end up to the Si-Shin Plaza-- the historical building which we renovated as community museum and visitor center. And we further emphaisize the intimated relationship with neighbors using our cluster system.

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02. Cluster System

Sharing Courtyard

Each cluster has a garden, and is connected with other clusters through the vertical circulation. A cluster would contain 6-15 housing units, provides 18-60 person’s living space. This kind of system suggests a intimated community which was commonly seen in countryside yet a rare scene in modern city. We tried to evoke the close relationship between neighbors that we valued through the placement of public and private spaces.

Housing Units Nowadays, living space should not

be considered as “Family Space” like we used to before. Space for single or double person is an increasing need, and the space they require should not be the same as family’s.

We designed several housing units for small families, single room, double room( for friends or partners), and the so-called share house. Co-living is a common thing for students, but there’s still little space designed for such living style. We propose this unit to fit the needs, and hopefully to promote a better co-living solution for youngs.

Vertical circulations Gardens

Volumns(14/16/20*n).

8

8/6

/+4

8(5

8

+3)

3

8

Draw structural grid.

Dig out the garden.

8m*8m Unit

Horizental circulation.

Vertical circulation/Joints.

8m*10m

8m*12m

m

Fig. Cluster Section drawn by Yun Chen

Use the courtyard to connect residents in the same cluster. The sharing space can hold various events.

8m*10m Double Room

10m*10m Single Room 10m*14m Family Room

8m*10m Family Room

14m*14m Family Room

10m*10m Family Room 10m*14m Double Room Single Room

8m*18m Unit

10m*14m Sharing House

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1. Si-Shin renovation centre_ Hoste 2. Street shops 3. Inner streets 4. lifted Plaza 5. Bike Parking lot 6. Community development organi 7. Roof Garden 8. Garden inside cluster 9. Entrance hall (Apartment) 10. Court 11. Rental office 12. Communal Factory 13. Lecture Hall

Perspective view from A to B

03. Program, Circulation

A

Public space Hierachy A

Street (Most Public)

B

1.

2.

7.

4.

GF Plan 1. Gallery 2. Street shops(S-M) 3. Street shops(L)

L (

el+Gallery

ization center

8.

7.

E

8.

D

8.

7.

7.

8.

8.

8.

C 1.

9.

3.

13.

B

3.

5.

6.

7.

Lifted Plaza (Shared by 1000s person)

8.

8.

2.

8.

7.

C

7.

9.

7.

12.

11.

10.

A 8.

4.

8. 8.

Entrance hall (Shared by 300s person)

D

Cluster Garden (Shared by 20-60s person)

1.

E

Roof Garden (Shared by 300s person)

1.

3.

3.

3.

2.

2.

4.

5.

4.

5.

5.

6.

1F Plan 4. Entrance hall 5. Bike parking lot 6. Court

1. Gallery 2. Housing units 3. Entrance hall

2F Plan 4. Rental office 5. Lifted Plaza

1. Hostel 2. Housing units 3. Entrance hall

4. Rental office 5. Lifted Plaza

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2t Dit Dr 3” Gut

04. Detail

Each sharing courtyard has a garden. In the area of the garden the structure would change to upstanding beams, and the sunken floor area would be used to bearing soils and plants.

Waterproof end

2t metal mesh Up light 2t Ditch Cover

tch Cover rain Hole tter Head

Day ime

Green Roof Substrate (30cm) Root permeable Filter Layer Drainage and Capilarity Layer (10cm) Protection Mat Waterproof Membrane*3 Concrete Structure Layer (20cm)

Night Time 18

Project 005:

Cumulus

Vertical Campus_NCKU Department of Architecture Type/ Acadamic project, 3th year, 2016 Site/ No.1, University Road, Tainan City, Taiwan Instructor/ Wan-Jen Lin_ wanjen1006@gmail.com Individual Project/

19

Fig. Site

Tainan Train Station, National Cheng Kung University

Fig. Accessibility

Open area/ Controled area/ Event space

01. Publicity

This project is a new construction of National Cheng Kung University Department of Architecture. The National Cheng Kung University(NCKU) is the largest and the most important campus in Tainan, which is just located next to Tainan train station. The new home for department of architecture will be sited in across the front door of NCKU. Due to the particular position, this building must be the place to welcome every guests heading to NCKU. It shall be the educator and the a place for NCKU to interact with the community.

1

Banyan Corner

4 Sunken Plaza

2 Lobby

5 Auditorium

3 Side Stage

6 Side Entrence

7 Bike Slope 8 Garden 9 Back Entrence

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Layer up: Building coverage ratio 60% Floor area ratio 540%

Cloud in: Curve the plate to create double height spaces as connection.

Volumn & void: Take out certain volumns to create terraces.

Fig. Terraces Section

The two terraces are different in height yet connected in space. They would be the party places and 1:1 mock up

02. Vertical Campus

The fluidity in space, light and wind. Not a stack of floor but a composite of space.

Continuity: Void space continuity. Allowing interaction & winds.

spaces.

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03. Section: Archi-Life

Classrooms, lecture hall, studios, semi-open spaces.

Fig. Long Sec

The double height spaces are meant to be th

ction (Y3-Y4)

he connection spot between different grades.

22

A-A’ sectio

Fig. A-A’ Section

Courtyard at the pin-up Floor

8+8mm laminated glass 2t Aluminium out-open 2t Aluminum sliding track 2t Aluminum upper rail 8+8mm laminated glass

Fig. Detail 1

Sliding window frame and out-open window

Fig. Detail 2

Sliding window and the drain

04. Plan/Detail

Presentation is a very important event for architetcure school. Each year the final presentation of the thesis design is an open to publis pageant. This floor is designed for the event.

Y2

Y1

900 cm

900 cm

105 cm

900 cm

Y4

1.

3.

X2

900 cm

X1

105 cm

Y3

900 cm

2.

Dn

105 cm

1. Presentation Space (Formal) 2. Preparing space 3. Supportive Space 4. Gallery/Exhibition 5. Courtyard 6. Pin-up Space1 7. Pin-up Space2 8. Idea Sharing Space 9. Archi-Shop (run by NCKU Arch students)

6.

4.

Student’s circulation Visitor/Prof’s circulation

5.

X4

A-A’

900 cm

X3

Up

900 cm

on

900 cm

X5

7.

Dn

8.

Dn

105 cm

X7

900 cm

X6

Up

9. +3400cm Floor Plan 0

5m

10m

23

Great space for party!

Double-height courtyard The weather is great...

This unit connects other cluster

This is sharing kitchen

Who ate my pizza?

Weird feeling...

Project 006:

7-3-4-2-5

NCKU Student Dorm_Articulation Type/ Acadamic project, 2th year, 2015 ( Re-draw in 2019 ) Site/ No. 177, Zhongzheng Road, West Central District, Taiwan Instructor/ Hung-Shuan Sheng_ n7692105@ ccmail.ncku.edu.tw Individual Project/

700 cm

700 400

cm

0 cm

cm

300

cm

300 cm

400 cm

ELEMENT

cm

700

700

cm

500 cm

30

700 cm

700 300 cm

UNIT

cm

0 cm

40

ASSEMBLE

cm

400

300

cm

cm 700

cm

300 cm

500 cm

700

700 cm

300 cm

700 cm

400 cm 300 cm

700 cm

300 cm

1400 cm

400 cm

1200 cm

300 cm

700 cm

CLUSTER

A=1b+1c

TYPE I

B=2b+1c

TYPE II C=1a+2b

D=1a+1b+1c

FOCUS ON_ ARTICULATION In this project, the goal is to composite an entire architecture using a simple regulation. The regulation I applied here is the factorization of number “7”. Cut and fold the 7m wide tape to form 3 types of ele-

TYPE III

ments. Then combine the elements to create spaces.2 or 3 elements would composite a unit. In the end I select 4 units to further composite clusters. The combination of elements followed the rule of factorization; which controled the module and height.

24

01. From Space to Architecture Step 1_ select proportions.

Step 2_ Cut & fold.

Step 3_ grouping, make units.

Step 4_ combine units into clusters.

*m

double room inner stairs double room

kitchen light well

single rooms *m

sharing space

stairs *m

4 units form a cluster, and the clusters then be modified to be used as housing units. (fig.1) Each cluster has three stories, at the second story is the sharing courtyard. By chosing the connecting cluster to control the volume. (fig.2) The clusters are connected by bridges and stairs. (fig.3) fig.1

fig.3

fig.2

double room

Layer 4.

PRIVATE AREA

Layer 3.

PUBLIC SPACE PRIVATE AREA Layer 2.

elevations juxtaposition

Layer 1.

TYPE I. x2 ... 20

TYPE II. x4 ... 40

TYPE III. x7 ... 70

x130

x13

x6

25

Appe

GA Gallery in Tainan

Wood, Glass and Stone

Flagshop Design 2nd year academic project

Buddism Temple in Urban Area 3rd year academic project

Internship Experience Around the Corner

Community Center 3rd year academic project

Furniture design, model making and diagram drawing in Akihisa Hirata Architecture Office.

Other

Self le Cover D

endix

r Works

earning water color drawings & CD Design Work.

Professional Experience

Competition, 3D modeling&Rendering, Construction Drawing, License acquiring in Jay Chiu Architects& Associate

26

訬 ⟟⻡ YU-JUN YEH

I’m an architecture designer from Taiwan.

In my projects, I question the meaning and the influence of architecture. I believe that the places we create reflect the values we hold, and we are shaped by the places we live in. I am especially interested in how technology innovations happen and make changes in the field of architecture.

·Professional Expe

Architecture Designer__ Jay Chiu Architects & Associates (Taiwan/ 2019.0

Lighting Rendering Part-Time__ Worktecht Corporation (Japan/ 2018.07-2018.0

Internship__ LAS studio (Taiwan/2017.07-2017.08) Manabu Chiba Architecture Firm (Japan/ 2016.1 Akihisa Hirata Achitecture Firm (Japan/ 2016.08 Hsu Bo-Yuan Architecture Studio (Taiwan/ 2016.

Shen Ting-Tseng Architecture Studio (Taiwan/ 20 Yu-Kan Veterinary Hospital (Taiwan/2012.07-201

·Academic Experi Basic Information Nationality__ Taiwanese Date of birth__ 1995/04/24 Education__Bachelor of Architecture, National Cheng Kung University, NCKU (Tainan, Taiwan) Language__ Chinese (Native Speaker) English (TOEFL iBT 106) French (3 years) Email__ yy3095@columbia.edu Phone__ +886 989 630 587 Skype__ e0424eva

Workshop/Symposium__ Shape Computation & Shape Machine Symposiu (Taiwan/2019.12) GhPython Scripting Workshop by DMO (Taiwan/ Terrain Vague Workshop by WuHan University (C Student Summer Seminar by NCKU (Taiwan/ 201 Alvar Aalto and Finnish Modernism Internationa (Taiwan/ 2015.02) Self-making 3D printer__ Instructed by Echo Chen (Taiwan/ 2019.01)

·Exhibition·

Exhibitor&Publicist__ NCKU 2018 Thesis Design Exhibition (Taiwan/ 20

erience·

02-2020.06)

09)

11-2017.01) 8-2016.11) .01-2016.02) 015.07-2015.08) 13.01)

ience·

um by NCTU & Georgia Tech

/2019.12) China/ 2016.07) 15.03) al Workshop by NCKU

·

018.07)

·Award· Gold Medal Award__ Our city student competition by Archiculture Forum (Taiwan/ 2017.04) Honorable Mention__ Thesis design student competition by Taipei Architects Association (Taiwan/ 2018.07) Best Design Award__ 12th Architectural Competition by Sunty Real Estate (Taiwan/ 2018.07) Economically Practical Award__ Terrain Vague Workshop by WuHan University (China/ 2016.07)

·Skill· Software__ AutoCad, Rhinoceros+Grasshopper, Lumion, Vray, Sketchup, Photoshop, Illustrator, Indesign, Lightroom, Python.

Other__ 3D printing, CNC, Laser cutting, Photography, Hand drawing, Physical model making

·Other· Hobby__ Portrait drawing, Reading, Music, Film. Favorite film so far is Mauvais sang by Leo Carax. Resent interest is solving Rubik’s Cube.

Travel experience__ Switzerland, Netherland, Czezh Republic, France, Barcelona, Thailand, Japan, China, Hong Kong, America, Palau.

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