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“ Our effort and results always leave behind a trace of something-�
Main design keyword: Avant-garde Layered Long length project 01 juxtaposed!
[INSPIRATION DRAWING]
“The object is free to express itself when trapped in a confined space.”
borin g frus trating 01
02 suppressi on
freedom simplify image
MEAN?
I want freedom!
Project 01 juxtaposed 01 I am oppressed in the city 02 On the other hand, freedom exists together.
THE concept OF* locked IMAGES is that I ALWAYS feel Repression in the city. CRETING an IMAGE *trapped in a flow represent the concept *of FREEDOM.
02
[CONCEPT IMAGE]
"We repeat the same boring life in this space" [CONCEPT IMAGE]
The freedom of movement!
e repeat the same boring life in this space"We repeat the same boring life in this space Free movement!
“ I was inspired by the people who are pushed into this repression and try to find happiness.”
It is a diagonal line
e repeat the same boring life in this space"We repeat the same boring life in this space
repression&freedom
"We repeat the same boring life in this space"We repeat the same boring life in this space
project 01 juxtaposed keyword
"Only after the same way I feel bored"
We repeat the same boring life in this space"We repeat the same boring life in this space project 01 juxtaposed keyword
Modern people in modern society [01-01] The first keyword of the topic is ‘repression’ [01-02] The second keyword of the topic is ‘freedom’
e repeat the same boring life in this space"We repeat the same boring life in this space The observation of movement
"We repeat the same boring life in this space "We repeat the same boring life in this space
At this moment, I thought to myself and felt, maybe I’m also one of these robots. Maybe, the way I look at them is the exact way they look and feel about me. I was inspired by the people who are pushed into this repression and try to find happiness.*
"We repeat the same boring life in this space"
e repeat the same boring life in this space"We repeat the same boring life in this space
That they aren’t happy but want to find happiness.Sadly, the reality is that they can never allow themselves to be happy. To them, happiness just feels like a luxury that they can’t afford. It’s just too hard to find.
We repeat the same boring life in this space"We repeat the same boring life in this space
I was inspired by the expressions* of people in the morning. Especially, in a busy city like seoul.* THE people’s expressions are all the same, like robots, moving around and don’t realize the expressions in their lives.
We repeat the same boring life in this space"We repeat the same boring life in this space
I Want to Get Freedom!
"Only after the same way I feel bored"
We repeat the same boring life in this space"We repeat the same boring life in this space We repeat the same boring life in this space"We repeat the same boring life in this space idea develope
illustration
fitting
We repeat the same boring life in this space"We repeat the same boring life in this space
[A member of modern society]
[01] “We are unconsciously exposed to oppression.”
01
Freedom movement!
“Diagonal refers to the deviation of a constant framewhen outseams are exposed out of its normal framework”
01 I
w
i
l
l
JUX PROJECT
01
rep res sion:
MY
ENRICH
TA ISOLATION
POSE:
01 Imagining repression: My girl always wears black and She always feels oppressed. As a result, she is always dark.
01repression
(r)
“Taking inspiration from two different patterns of behavior.
The contrast and connection between the restricted movements and the dramatic movements to feel a certain freedom.”
“ The problems of modern society. ”
-Concept study.
“ We need to adapt from the stuffy, dull and boring rules” 01 drawstring research fabric wrinkles practice
-Concept study.
Vertical line wrinkles
diagonaline wrinkles
-Rough sketch Process.
“ We need to adapt from the stuffy and boring rules.” 02
A variety of wrinkles
“This wrinkle plays an important role in future design.” -Rough mini fabric development.
diagonaline wrinkles& draw string on the jacket variety of drawstring diagonaline wrinkles& draw string on the coat
Main keyword about repression:
wrinkles & draw string on the shirt
“The folds when the drawstrings are pulled tight”
01 repression -Fabric study. .
02 draw string
03 that is dense
“ Pulling the drawstring creates a focus on the dense parts of the pants.”
WHICH MAXIMIZES ISOLATION IN SPACE.
REPRESSION -*
Acc string & repression
“ significant pressure of the lines in the pieces restrict freedom of the spaces .”
01. Original muslin Maintain the most flat surface of the fabric. Choose a thin-thick fabric to express repression. The thinner the fabric, the better it is in the form of repression.
02. Weak repression Apply low-intensity force to the fabric. It makes a weak wrinkle. There was a bit of repression in the plane's space. The weaker the force is applied to the fabric, the closer it is to freedom.
03-1. Strong repression The stronger the material is, the more oppressed it is. Strong repression changes the shape of the fabric. The use of Draw String in the sleeve of the coat maximizes the effect of repression.
03-2. Strong repression Strong repression is the same as many wrinkles. Use a draw string on the arm of the shirt to adjust its length. Strong force makes the sleeves shorter. A relatively weak force maintains the length of the sleeve.
02
03-3. Strong repression Use a variety of drawstring on the coat. Both front and back consider the design together using Draw String. Use a drawstring over the diagonaline.
01.Keyword process Muslin fitting day and drawstring reference.
Axis
This/ rep res/sion-
will [01] be repre sented in/ THIS WAY
The axis standard refer to the life in which it is repeated.
01.orginal muslin
R
Freedom
02. weak repression
Expression,/
through the wrinkles and extreme tension/
02
03-1 strong repression
throughout the relaxed parts/ of the
sleeves.
03-2 strong repression
repression and drawstring
&
fr ee
03-3 strong repression
dom:
Result
02 freedom
(f)
-Concept study.
01
Free interpretation
02 raw edge =outseams
03 F01
04
F F02
-Diagonal line plan&using raw edges.
“Diagonal refers to the deviation of a constant frame when outseams are exposed out of its normal confined framework.” -Rough drawing Process.
-freedom 01 diagonal line freedom 02 raw edge.
-Rough mini fabric development. Development of fabric using a diagonal Line & Visualization process according to the use of diagonal lines
Vertical line wrinkles
diagonaline belt acc
diagonaline layered fabric
-Fabric plan.
01-02 Keyword development 03-05 thin monotone fabric
01
02
03
04
05
“With the focus being on the many outseams I wanted to express freedom in this way.”
-Diagonal line plan.
The use of oblique stroke represents freedom. Therefore, design plans are made based on the most beautiful locations to represent the keywords for freedom.
-layered raw edges black fabrics.
diagonaline fabric
“ Diagonal lines and outseams can be seen as a symbol of freedom.”
OUTSEAMS-* “Tao Dance Theater is freer than anyone else.”
“We are unrestrained and tring to break free.”
BREAKING FREE FROM THE NORMAL CONFINED FRAMEWORK.
DIAGONAL LINES -*
“The great movement of the Dance Theater is an ideal freedom.”
diagonal line movement
freedom
:
This/
diagonal lines
+
04
repres/sion will [01] be rep-
outseams
resen ted/ in some
03 02 01
F R E E D O M I C O N P R O C Collectively, the concept of freedom and repression
wrinkles/ and most tranquil part /of the state of the }would not
press extreme/
tension
I S
A
P L U S
B
[Breaking free from the normal fixed framework -03 maximum]
For example,/ by selecting the F01 expression/F02
arm
F R E E D O M
“ sketches: Breaking free from the axis of freedom.�
/way ?
+
K E Y W O R D S
?
The representation of these keywords to express freedom through methods of the
E
diagonal lines and outseams was the main focus in the overall development.
S
S
-
[Breaking free from the normal fixed framework -01 original form]
F01 Diagonaline
F02 Raw edges
ex-
[A plus B]
Fabric layered process.
OFFAXIS
[Diagonal lines Image-A]
[Outseams image-B]
[Breaking free from the normal fixed framework -02 original form]
Move outFree of from the the fixed Breaking Fixedframe. Frames.
.
"diagonal is the deviation of a contant frame." "outseam is breaking free from the constant framework."
-Freedom design process ‘outseam and diagonaline’. “First of all, Fabric development describes elements of the outseams(or raw edges) and diagonaline that represent freedom.”
-Side division according to diagonal design
“Analyze free movement in a plane.” Type: Black diagonal, White diagonal, line diagonal 01
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01
[FEATURES POP OUT FROM CONFINED AREAS-06]
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03
01
Material preparation. 01-03 Freedom fabric process.
-Fabric design highlights. From the thin silk fabric, the relatively thick silk fabric is mainly used. In addition, they freely express different types of fabric and materials that will effectively represent low-edge. The goal is to create a fabric that can express the most beautiful " freedom " visually by combining them together.
“The fabric of low-edge and diagonaline flow shows the beauty of maximum freedom.” ex)raw edges. ex)diagonaline.
01 Off-axis
02 Off-axis
02
03 Off-axis
Restricted areas. "diagonal movements moving away from a certain standard."
03
Finding freedom with the spaces squeezed out.
-Free movement out of the frame.
Break free from these areas.
"While conforming to certain standards of the frame, the movement represent the freedom to go in otherdirections"
“Find the freedom of movement at the Dance Theater.”
"creating diagonal lines in the framwok of the existing space"
04 Breaking free slightly.
06
and more.
[front]
[side]
[front]
[side]
05
*Range Forecast diagonally
02 KEYWORD
PROCESS
Breaking free more.
07
Gradually, it will have deviated from the original framework.
develope 01 draw string
Keyword expansion collage
keyword focus_(3)
01
02
03
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05
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09
10
develope 04
Design collage drawing process/ Design collage drawing process/
develope 03
12
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develope 02
Focusing on the development process through the formation of the lines and wrinkles that are caused by the diagonal lines.
draw string
24 Variationse
diagonal line
keyword focus_(2) keyword focus_(1)
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[color combinations?] Foundation of the bases are linked to the moderization of the Urban Jungle * [Symbolizing freedom and repression]
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[front]
A-01
Why a cocktail dress silhouette? Think of a straight silhouette.
[side-A]
[side-B]
A-02
A-03
Silk Fabric Jacket Length Ambiguious.
Going behind the center line.
[back]
A-04
Replace color shape All modifications.
[side-A]
B-01
Pants length modification Shorter.
[side-B]
B-02
Find a material that can draw the string.
[front] [front]
B-03 B-03
[back] [back]
B-04 B-04
[front] [front]
C-01 C-01
[side-A] [side-A]
[back] [back]
C-02 C-02
C-03 C-03
Accessories hope that a modern notonartificially the folds of AImodern worrying diagonal Pulling Thethe viewing direc- Outseams More More diagonal lines change drawstring The Do folds the skirt created and the by outseams thatalso thi feel aboutthe thedirections direction feelmatch . skirt to feel feel Modify the seam allowance line.to an oblique shape. to make tion to create short create shorter havethe a natural collar shape. from.Will with low the pant that came out this Change oblique position tasked by pulling accessory works nicely of the accessory. heeled shoes. seam allowance . Equal will be good for of pants. Naturally not calculated feel. the draw string. without ambiguity. the low-heeled shoes. Accessories nicely withModify shape collar. out ambiguity.
Reinterpreted with a modern
f ee
Think about how to escape the Oriental View
MUSLIN A01-C03 MUSLIN A01-C03 FITTING FITTING
The colors that honestly express the rigid coldness of the city. “ Design is newly created considering the combination of diagonal lines and low-edge and Draw strings, which are key words of design.”
[ FABRIC DEVELOPMENT 01: BLACK ] ‘THE MAIN MATERIAL IS SILK’
Fabric Selection Process
‘fabric development’
cotton silk-01
cotton silk-02
01
02
03
cotton silk-03
wool silk
satin
organza
04
05
06
07
thin cotton silk
taffeta
thin wool silk
thin satin
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01 repression
[color combinations?] color:black&white Inspired from the modernization of the city color.-*
diagonaline
draw string
diagonaline raw edge
raw edge
A.01 D.05.
diagonaline
draw string
draw string diagonaline
raw edge
01
02
03
04
A01 D05
Fabric Fitting process!
‘Main fabric development’-01 [LOOK 1-1] Acc
‘Main fabric development’-02 [LOOK 2-1] Dress
[LOOK 3-1] Coat
[LOOK 4-1] Dress
‘Main fabric development’-03 [LOOK 3-2] Skirt
[LOOK 4-2] Shirts
[LOOK 3-3] Pants
[LOOK 3-3] Pants
[LOOK 2-2] Jacket
draw string
[LOOK 1-2] Shirts
[croquis repression_01]
diagonaline
raw edge
[LOOK 1-3] Pants
[croquis freedom_02]
Design Final illustration/01
[Color combination?] Black&White
A.01
FA01
D.05. [BACK]
[SIDE-B]
[FRONT]
[SIDE-A]
[BACK]
A-04
B-01
B-02
B-03
04
05
06
07
The common axis.
A-01
A-02
A-03
01
02
03
Want to expose the drawstring pants Place collar in an upright position.
[SIDE-B]
Look 02 dress and jacket
Look 01 shirts and pants
[SIDE-A]
Modify pant length No major problem with the back of the shirt.
Avoid covering too much of the pant and sleeves.
Make the white portion wider Pull drawstring to make shorter.
Cleaning up the upper parts no significant modifications A little thicker strap on the dress. of the chest and neckline area. needed.
FITT03
BRIC02
[SIDE-A]
[SIDE-B]
[FRONT]
[SIDE-A]
[BACK]
[SIDE-B]
[FRONT]
B-04
B-05
B-06
B-07
C-01
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09
10
11
12
The thickness of the dress strap Underwear exposure feeling create pockets.
re-think the jacket silhouette
Diagonal incision in the sleeve.
jacket and dress material is strange
[SIDE-A]
Look 04 outer. skirt and pants
Look 03 inner. pants and outpiece
[FRONT]
change inner material of the shirt make the tie accessory longer to wrap around more firmly.
C-02 13 Change the surface material Make the arm hole lines bigger Pants are too wide.
C-03
C-04
D-01
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Consider the locations of the diagonal lines.
Create more white portions on the skirt.
All black is not effective find matching robe material and inner white shirt.
ING04
[BACK-1]
[BACK-2]
[SIDE-B]
[FRONT]
A01 D05 “ My good design records a lot of development in many different ways.�
[Subject juxtaposed clutch Project] diagonal line
Seam allowance from the outside
Draw string
D-02
D-03
D-04
D-05
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Fold hem on the pants exposing more wrists and ankles evenly would be prettier.
Pull a lot of strings arm throw.
Create pocket will match well with low-heeled shoes try styling with silk socks.
Create a longer incision to expose more of the arm find harmony with the white skirt.
“To me the drawstring is a metaphor for repression, this is because even though the fabrics have an empty flat space that to me represent happiness”
P R O J E C T
[Fabric] Leather and satin. 01
02
[DETAIL-A] 01diagonaline in freedom.
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02
03
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06
07
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11
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[DETAIL-B]
JUXTAPOSED
THEME
02raw edge in repression.
BAG
PROJECT
[FRONT]
[DETAIL-C]
+O T H E R
*The meaning of the bag? The diagonal lines of the bag are one of its main characteristics Utilizing the same materials in my other looks for the bag to express elements of freedom and repression.
04
*Why was the expression?
[BACK]
I continually wanted to express these two juxtaposed keywords and I wanted to repre sent it in a different number of ways throughout my designs in my collection. 13
14
15
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DESIGN YULI SONG MODEL SONGHWA OH PHOTO SEUNG JAE LEE MAKE UP YUNJI KANG
+02/04
Confined space,
juxtaposed collection“More repression and more freedom!”
freedom
yer
freedom
la
“The base fabric is silk and it all might look the same.”
Freedom
“I feel completely free.I have moved away from repetitive life, which has given me complete freedom.”
“because of the colors but it is a combination of differentfabrics like cotton silk, wool silk, satin, organza and guaze.” Juxtaposed repression and freedom
+02
+03
juxtaposed collection“More repression and more freedom!”
“The jacket has a very manish look while the dress has a very girlish feeling.” “White tones to show a different feeling.” juxtaposed
Drawstrings
freedom
juxtaposed collection“More repression and more freedom!”
Look-No-02 Jacket and Dress “ For the dress, I used the same fabrics as in my first look but in this piece I used white tones to convery a different feeling. I wanted the focus to be on the fabrics and the pieces themselves.”
Look-No-03 Coat and Skirt,Pants “This may seem like and ordinary cape, but when you pull the drawstring on the sleeve it creates a wrinkle effect that creates these diagonal lines. The long slits on the sleeve represent the freedom that is trapped under the wrinkles or repression of the cape.”
“ I used this to illustrate the coldness and indifference of the people in the city
“This skirt doesn't zip up, it wraps around the body which gives you much more freedom to move.”
“And for the jacket, I used summer wool and a fine fabric to create a more luxurious feeling.” Juxtaposed repression and freedom
juxtaposed collection“More repression and more freedom!”
juxtaposed collection“More repression and more freedom!”
cape
“exported fabric development.”
diaginal lines
layers
juxtaposed
Exported fabric development Which Maximizes isolation in space. “The monotone colors express the depression the depression that people in the city feel and have to endure in their everyday lives.”
• Like in my other pieces, the skirt has outseams and uses diagonal shapes and layers. I did this to represent freedom in two different ways. • The pants become wider as you go down. This is so the leg has more freedome to move and doesn't seem restricted or confined like a tighter pant. This also represents escaping repression. • There are two drawstrings flowing diagonally at the top of the cape and the bottom of the coat. • The fabrics were appealing to me beacsue they were all glossy.
+01 juxtaposed collection“More repression and more freedom!”
juxtaposed collection“More repression and more freedom!”
Outseams
Freedom
Repression
Raw edges
Black
Diagonaline
long string
Repression
“To me the drawstring is a metaphor for repression, this is because even though the fabrics have an empty flat space that to me represent happiness”
Juxtaposed repression and freedom
Look-No-01 Shirts and Acc,Pants • The fabrics might all look the same but the base fabric is silk and there is also a combination of cotton silk, wool silk, satin, organza and gauze. • To give my pieces a more diverse look I finished them off with raw edges, interlocking and pagoding. • Pulling the pant drawstrings have two major effects. Freedom through the diagonal shapes and line repression through the stress on the fabric.• I used a long string that wraps around the waist and shirt to express being bound by repression.
01
04
overlap dress
+04
All normal details on men’s shirts.
“ I used this to illustrate the coldness and indifference of the people in the city.”
Juxtaposed repression and freedom
Freedom
Look-No-04 Shirts and Dress • I used stitching on both sides of the flacket and the collarband is higher than that of a woman's shirt. • I also, added a YORK, and as you already know these are all normal details on men's shirts.
juxtaposed collection“More repression and more freedom!”
04
Freedom
01
“I used this to illustrate the coldness and indifference of people in the city.”
Look-No-04 • I wanted there to be a lighter feeling to the shirt, so, idecided to use 100% cotton. • For the dress I used summer wool and I used details and raw edges that are all used in my other pieces • This is a long whit shirt with an oversized dress. Just like in my previous loook. The white shirt is oevrsized with the same feeling as the jacket • I used this to illustrate the coldness and indifference of people in the city. • And to create a bolder point I added drawstrings that flow diagonally at the bottom of the dress. • I used diagonal shapes and lines for the dress again to represent freedom • As you can see, the fabrics at the bottom of the dress overlap to convey a more unique and interesting feeling.
Contact Address.
overlap dress
(Di) a gonal
(+82) 10 3934 7825/ women’s wear/
The expression on these people in a busy city early morning the same.
‘MECHANICALLY DRIVEN DAILY LIVES DO NOT LOOK IN THE PRESS AND HOLD THEM.’
Song Yu Li/
Freedom
Out of the stable axis Mood, that comes from a locked room. yuli.song19 (@)gmail.com/ The freedom.
juxtaposed